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DTSTAMP:20260412T010702
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UID:7015-1635422400-1635422400@www.arttable.org
SUMMARY:Virtual | A Brief History of Digital Art\, Before and Beyond NFTs\, with Dr. Tina Rivers Ryan
DESCRIPTION:9am PT/ 10am MT / 11am CT / 12pm ET\nIf you’re curious to know more about the history of digital art before and beyond NFTs\, join Dr. Tina Rivers Ryan as she offers a brief survey of digital art since the 1960s. Her talk will emphasize digital art’s major artists\, practices\, and themes\, as well as the evolution of its relation to traditional arts institutions\, such as galleries and museums. \nNFTs have brought digital art into the spotlight\, but they also have cast a long shadow over the decades-long history of digital art that preceded them. Even the artistic projects that were made with and about blockchain technologies just five years ago seem to have been erased in the rush to hail this “revolutionary” development in contemporary art. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $5\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Dr. Tina Rivers Ryan\nTina Rivers Ryan is an Assistant Curator of modern and contemporary art at the Albright-Knox Art Gallery in Buffalo\, New York. Most recently\, she co-curated the exhibition Difference Machines: Technology and Identity in Contemporary Art\, which opened October 16th and runs through January 16th\, 2022. An art historian by training\, Ryan is a specialist in the history of art and technology since the 1960s and has written extensively on topics ranging from kinetic light environments to virtual reality. Over the past decade\, her work has appeared in publications from museums such as The Met\, the Walker Art Center\, and Pirelli HangarBicocca. She also is an active critic for Artforum; her essay on NFTs\, “Token Gesture\,” appeared in its May 2020 issue. Ryan holds five degrees in art history\, including a BA from Harvard and PhD from Columbia. \n\nThank you to Regan Lynn Larroque\, Programs Committee Co-Chair for ArtTable’s New York Chapter\, for organizing this program. \n\nImages: \n\nFrame from Chris Torres’s Nyan Cat\, 2011\, GIF.\nTina Rivers Ryan
URL:https://www.arttable.org/event/virtual-a-brief-history-of-digital-art-with-tina-rivers-ryan/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/Los_Angeles:20211028T163000
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DTSTAMP:20260412T010702
CREATED:20211012T213836Z
LAST-MODIFIED:20211015T134859Z
UID:7010-1635438600-1635438600@www.arttable.org
SUMMARY:NoCal | Curator Tour of 'New Time: Art and Feminisms in the 21st Century'\, at BAMPFA
DESCRIPTION:Join Claire Frost\, Curatorial Assistant at BAMPFA\, for a guided tour of New Time: Art and Feminisms in the 21st Century at the Berkeley Art Museum and Pacific Film Archive. Afterwards\, join Claire and your fellow ArtTable members at a nearby outdoor patio for no-host drinks and a discussion under guidance of local writer/curator and ArtTable member\, Marcia Tanner. \nThis program is $5 and open to ArtTable members only. Members may bring a guest for an additional $10. This includes entry to the museum but not post-tour drinks. \nNot an ArtTable member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \nIn accordance with an order from the San Francisco Department of Public Health\, all individuals regardless of vaccination status must wear a mask while inside the museum. All staff and visitors are required to wear face coverings. BAMPFA has increased sanitizing high-touch areas using products approved for use against COVID-19. Hand sanitizer stations are available throughout the building. \nIf you are showing COVID-19 symptoms\, please stay home. This is critical to the health and safety of museum staff and communities. Please click here for additional health and safety guidelines at BAMPFA. \nAccessibility: \nThe UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) is wheelchair accessible. A wheelchair is available at the admissions desk for visitor use. Assisted listening devices are available at the admissions desk for all film programs. Please click here for additional accessibility information at BAMPFA. \nGetting There: \nBAMPFA is located at 2155 Center Street\, between Oxford Street and Shattuck Avenue\, in downtown Berkeley. BAMPFA is Bartable and parking is available. Please click here for more information. \n  \n \n  \n\nAbout the speakers\n \nClaire Frost is Curatorial Assistant at the Berkeley Art Museum and Pacific Film Archive. In addition to BAMPFA\, she has held positions at the Contemporary Jewish Museum\, ArtSpan\, San Francisco Museum of Modern Art\, and Intersection for the Arts. A Bay Area resident since 2011\, she took a two year hiatus to attend grad school in Chicago\, where she received her MA in Modern and Contemporary Art History\, Theory\, and Criticism at the School of the Art Institute of Chicago in 2017. Her graduate studies focused on the intersection of identity and historiography and the way in which artists’ communities are documented\, particularly in relation to second wave feminism and conceptual art. She is the founder and curator of the apartment galleries COLLABO in Chicago\, and Claire Frost in San Francisco. \nFormer PR Director at SFMOMA and Executive Director of the San Jose ICA\, art writer and independent curator Marcia Tanner has organized three exhibitions of contemporary feminist art: Bad Girls West\, 1994\, the Wight Art Gallery\, UCLA; Brides of Frankenstein\, 2005\, San Jose Museum of Art; and We Interrupt Your Program\, 2008\, Mills College Art Museum. She has been an ArtTable Member since 1987.] Her Berkeleyside review of New Time can be found here.\nAbout the exhibition\nNew Time: Art and Feminisms in the 21st Century is a major survey exploring recent feminist practices in contemporary art. In 1980 Lucy Lippard argued that feminist art is “neither a style nor a movement” but rather “a value system\, a revolutionary strategy\, a way of life.” Taking Lippard’s statement as a point of departure\, the exhibition examines the values\, strategies\, and ways of life reflected in current feminist art. In keeping with Griselda Pollock’s observation that “feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women’s struggles\,” New Time aims to demonstrate that feminism in the twenty-first century is multifaceted\, encompassing many complex issues and perspectives\, and therefore cannot be reduced to a single subject\, style\, or agenda. Although artworks made since 2000 are the primary focus\, the objects and installations on view span several generations\, mediums\, geographies\, and political sensibilities. In this way the project seeks to convey the heterogeneous\, intergenerational\, and gender-fluid nature of feminist practices today. Click here to read more about the exhibition. \nThank you to Kitty Teerling\, Artigo Tours\, for organizing this program. \n\nImages: \n\nLinda Stark: Stigmata\, 2011; oil on canvas over panel; 36 x 36 in.; BAMPFA\, purchase made possible through a gift of the Paul L. Wattis Foundation.\nClaire Frost
URL:https://www.arttable.org/event/nocal-curator-guided-tour-of-new-time-art-and-feminisms-at-bampfa-with-claire-frost/
LOCATION:BAMPFA\, 2155 Center St\, Berkeley\, CA\, 94720\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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