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DTSTART;TZID=America/Los_Angeles:20220324T160000
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DTSTAMP:20260413T065922
CREATED:20220304T165540Z
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UID:8063-1648137600-1648137600@www.arttable.org
SUMMARY:NoCal | Curator-Led Tour of 'Alice Neel: People Come First' with Lauren Palmor
DESCRIPTION:4pm PST\n\n\n\nJoin ArtTable member Lauren Palmor\, assistant curator of American art at the Fine Arts Museums of San Francisco\, for a tour of Alice Neel: People Come First at the de Young Museum. Alice Neel (1900–1984) was one of the century’s most radical painters\, a champion of social justice whose longstanding commitment to humanist principles inspired her life as well as her art. This is the first comprehensive West Coast retrospective of Neel’s work. The award-winning exhibition includes paintings\, drawings\, and watercolors\, along with additional artworks and media exclusive to the San Francisco presentation. \n\n\n\nNeel spent most of her life in New York City\, and her work testifies to the diversity\, resilience\, and passion of the people she encountered there. The exhibition includes depictions of Neel’s neighbors in Spanish Harlem\, political leaders\, queer cultural figures\, activists\, and mothers\, along with a diverse representation of nude figures\, including visibly pregnant women. Neel’s “pictures of people” embody a rare candor and irreverence. Together they emphasize her belief in the dignity and worth of all individuals\, a view that remains critical to the social and cultural politics of our time. \n\n\n\nAdmission: \n\n\n\nPlease note that this program is open to ArtTable members only. Admission to the museum is included in the below pricing. Registration is open until March 21\, 2022. \n\n\n\nFine Arts Museums of San Francisco Member – $10Adult (Non-FAMSF Member) – $33Senior (Non-FAMSF Member) – $30\n\n\n\nNot an ArtTable Member? Join today! \n\n\n\nPlease review before registering: \n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. At the de Young Museum\, masks are mandatory for guests age 2 and above at all times in the museum and while queuing outside the museum regardless of vaccination status. We require timed tickets for every visitor\, including general admission and admission to special exhibitions\, the Museum Stores\, and the Museum Café. Click here to read more about the museum's policies.  Accessibility Please reference the below links for accessibility information at the de Young Museum: For Visitors who are Deaf\, Hard of Hearing\, or Deaf / BlindFor Visitors who have Low Vision or are BlindLanguage AccessFor Visitors with Mobility Considerations and Accessible Parking MapsAccess Program InformationOther Access Information  Getting There & Parking The de Young Museum is located at Golden Gate Park | 50 Hagiwara Tea Garden Drive\, San Francisco\, CA 94118. Please note that John F. Kennedy Drive is currently closed to vehicular traffic from Kezar Drive to Transverse Drive. There is no access to the de Young museum from the north side of the park. To cross Golden Gate Park\, please use Park Presidio Boulevard or Stanyan Street. Read more about the de Young’s position on the closure here. Click here to read more about parking and public transportation. \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\n\nAbout Lauren Palmor\n\n\n\nLauren Palmor is assistant curator of American art at the Fine Arts Museums of San Francisco\, where she has helped realize such recent major exhibitions as Revelations: Art from the African American South and the San Francisco presentation of Soul of a Nation: Art in the Age of Black Power 1963–1983. She received a master of arts in the history of art from the Courtauld Institute of Art (2009) and a PhD in art history from the University of Washington (2016)\, and has held fellowships at Winterthur and the Philadelphia Museum of Art. She is the author of the Bouquets of Art: A Floral Dictionary from the Fine Arts Museums of San Francisco (2022)\, and has contributed to a number of exhibition catalogues and scholarly publications\, including Revelations: Art from the African American South (2017) and Cult of the Machine: Precisionism and American Art (2018). She frequently supports institutional digital partnerships\, working collaboratively to design new ways of sharing and experiencing American art with museum audiences. \n\n\n\n\n\n\n\nImage: Alice Neel (United States\, 1900 – 1984)\, Marxist Girl (Irene Peslikis)\, 1972; Oil on canvas\, 59 3/4 x 42 inches (151.8 x 106.7 cm); Daryl & Steven Roth © The Estate of Alice Neel. Courtesy The Estate of Alice Neel and David Zwirner. \n\n\n\nThank you to ArtTable’s Northern California Chapter Leaders for organizing this program.
URL:https://www.arttable.org/event/nocal-curator-led-tour-of-alice-neel-people-come-first-with-lauren-palmor/
LOCATION:de Young Museum\, Golden Gate Park \ 50 Hagiwara Tea Garden Drive\, San Francisco\, California\, 94118\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220324T170000
DTEND;TZID=America/New_York:20220324T170000
DTSTAMP:20260413T065922
CREATED:20220310T160630Z
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SUMMARY:Virtual | Panel Discussion - 'Before Silence: Afghan Artists in Exile'
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nBefore Silence: Afghan Artists in Exile is an online exhibition presented by Art at a Time Like This\, in partnership with PEN America’s Artists At Risk Connection(ARC).  \n\n\n\nSince the U.S. withdrawal from Afghanistan last August and the subsequent takeover by the Taliban\, which has a long and brutal history of censoring artistic expression\, many Afghan artists\, including writers\, musicians\, filmmakers\, and intellectuals\, have been persecuted and targeted simply for being artists. Fearing for their lives\, many artists have been forced to go into hiding\, self-censor or destroy  their creative work\, or flee the country\, putting the future of the arts and culture in the country into question.  \n\n\n\nBefore Silence presents a powerful selection of works representative of the up and coming generation of Afghan artists who have continued to create and inspire amidst insecurity and humanitarian suffering. Through photographs\, paintings\, cartoons\, murals\, and performances\, this powerful exhibition offers a complex dialogue between artists\, danger\, deprivation\, and insecurity. The artists featured in the exhibition are Ali Rahimi\, ArtLords\, Latifa Zafar Attaii\, Lida Afghan\, Mohsin Taasha\, Morteza Herati\, Naseer Turkmani\, Rada Akbar\, and Shamayel Shalizi. It was a monumental task to pull together this exhibition with the artists scattered throughout the world after fleeing Afghanistan in recent months. This exhibition would not have been possible without unique collaboration between an arts organization and a leading human rights advocacy group. \n\n\n\nTo mark the occasion of this exceptional exhibition\, please join us for a panel discussion with Art at a Time Like This co-founders Anne Verhallen and Barbara Pollack\, conceptual artist Rada Akbar\, and director of PEN America’s Artists at Risk Connection\, Julie Trebault. \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nAbout the speakers\n\n\nRada Akbar\, born and raised in Afghanistan\, is an activist and artist who uses her art to speak out against misogyny and oppression. Her work consists of a mixture of wearable monuments\, performance\, photography and installation pieces. It has been displayed in numerous national and international exhibitions. In 2015\, she received an honorable mention in the UNICEF Photo of the Year Award. In 2020\, her art exhibit called Abarzanan—Superwomen—which celebrates pioneering Afghan women\, was featured in the New York Times\, and in 2021 she received the Prince Claus Seed Award\, MujerHoy awards and BBC 100 Women. \n  \nBarbara Pollack is the co-founder of Art at a Time Like This Inc.\, a platform for free expression for artists at times of crises. An independent curator and writer\, Pollack will be lead curator for the exhibition\, Mirror Image: A Transformation of Chinese Identity\, opening at the Asia Society Museum in June. In 2021\, she organized Lu Yang: DOKU—Digital Alaya at Jane Lombard Gallery. Since 1994\,  Pollack has written extensively for  a broad range of arts publications and catalogues and monographs and is also a professor at the School of Visual Arts.  \n  \nJulie Trébault is the director of the Artists at Risk Connection (ARC)\, a project of PEN America. ARC safeguards the right to artistic freedom by connecting threatened artists to support\, building a global network of resources for artists at risk\, and forging ties between arts and human rights organizations. She has nearly two decades of experience in international arts programming and network-building\, including at the Museum of the City of New York\, the Center for Architecture\, the National Museum of Ethnology in The Netherlands\, and the Musée du quai Branly in Paris. Trébault holds a Master’s Degree in Arts Management from Sorbonne University\, a Master’s Degree in Archeology and Cultural Heritage from the University of Strasbourg\, and taught at Fordham University. She is co-author of Freedom of Artistic Expression Through the Lens of the Sustainable Development Goals (Springer\, 2021) and A Safety Guide for Artists (ARC\, 2021)\, and has been instrumental in the creation of numerous reports on the state of artistic freedom of expression. These include but are not limited to Arresting Art: Repression\, Censorship\, and Artistic Freedom in Asia and Art under Pressure: Decree 349 Restricts Creative Freedom in Cuba. Julie and ARC have also been featured in numerous media outlets such as Hyperallergic\, The Art Newspaper\, Artnet\, BBC News\, The Financial Times\, Al Jazeera\, Diario de Cuba\, NPR\, among others. \nAnne Verhallen is the co-founder of Art At A Time Like This\, launched in 2020 in response to the global health crisis. The non-profit arts organization supports artists working in response to crisis and current events by presenting their work online and in the public space. \nVerhallen is also an agent for visual artists and is currently the director of partnership at 291 Agency. She has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath\, DRIFT\, and Lily Kwong.  In this capacity\, Verhallen has overseen large-scale activations and installations in collaboration with brands in the luxury industry. Prior to 291 Agency\, Verhallen was the director of the fine art division at CXA for 4 consecutive years.  \nBorn in the Netherlands\, Verhallen brings a global perspective to her projects and seeks to cultivate the intersection between technology\, design\, art\, and health. \n  \n\n\n \n\n\n\n\n\n\n\nImages: Photograph by Morteza Herati\, courtesy of the artist; all headshots provided by the speakers. \n\n\n\nThank you to Art at a Time Like This for organizing this program. \n\n\n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-panel-discussion-before-silence-afghan-artists-in-exile/
CATEGORIES:National
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