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DTSTART;VALUE=DATE:20220604
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UID:1540-1654329600-1655139600@www.arttable.org
SUMMARY:AT Tours - Scandinavia Art Experience 2022
DESCRIPTION:Interested in this program? Please email travel@arttable.org for more information.\n\nThe light! In Scandinavia this has been an inspiration for artist throughout the ages. This alone is a reason to visit the splendid art capitals of this region. The art worlds are truly exciting with the new Munch Museum and the Twist in Oslo. Helsinki has its first Biennial this year and as a result the art world is more vibrant than ever. And of course we dive into the wonderful art scene of Copenhagen. Exceptional clean Nordic design and the amazing equally ‘clean’ cuisine are further draws. Add the stunning natural beauty and we have a ‘not-to-be missed’ destination. It is no coincidence that the three countries we will visit are home of the Top-3 of Happiest People in the world. \nITINERARY\nHELSINKI\, FinlandThe Biennial of 2020 (postponed to 2021) really put Helsinki on the art world map. We ‘dive into’ the thriving art scene and see the best it has to offer. We will meet fantastic artists and collectors in their studios and homes. Of course we will include design from the world-renowned Aalto studio. We will enjoy a special behind-the-scenes tour in the Kiasma museum. And in contrast we visit the most beautiful examples of Finnish Jugendstill architecture. \nOSLO\, Norway‘Oslo is Europe’s next great Art Capitol’ according to ARTnews.com. And we agree. The new Munch Museum is set be open this fall. It promises to be a fabulous tribute to the artist and of course we will enjoy a special visit. The Oslo art scene is booming and we include the best galleries\, museums and private collections in the program. We also make a spectacular trip north to visit the Twist Museum and the sculpture garden surrounding it. Then it is time to take in the natural beauty from the water. We board the cruise-ferry and leave Oslo behind with stunning views of the Norwegian fjords. On board we enjoy a great dinner and spend the night in a first class cabin. \nCOPENHAGEN\, DenmarkWe wake up arriving in wonderful Copenhagen. The hugely successful contemporary artist Olafur Elliason was born here and we meet some of his contemporaries. We will visit intriguing private collections. And we will enjoy visits to the Hirschsprung Collection for masterpieces from the Danish Golden Age as well as the fantastic modern and contemporary Louisiana Museum and sculpture garden. There is also time for some great (design) shopping. Of course we will eat what could be the best food you have ever tasted in some of the 25+ Michelin star restaurants of the Danish capital. A fantastic last stop on what promises to be a truly magical tour. \nMonday\, June 13Flight back home or on your way for further experiences….*Subject to change due to unforeseen circumstances \n\nTRIP DETAILS\nDATESJune 4-13\, 2022 \nDURATION9 days / 9 nights \nSTAYPerfectly located luxury hotels; First class cabin on the ferry from Copenhagen to Oslo \nMEALSBreakfast\, lunches\, dinners included (alcohol not included) \nTRAVELIncluded:Local transport by luxury coachFlight from Helsinki to OsloOvernight ferry Oslo to Copenhagen \nNot included:Trans-Atlantic flights  (Artigo will advise on preferred flights) \nPRICING / ROOM TYPES– Single occupancy  – $8\,450– Double occupancy – $7\,750 \nPAYMENT SCHEDULE (Payable to Artigo Tours): \nSeptember 1\, 2021 | 1st payment – $2\,000February 1\, 2022 | 2nd payment – $3\,000April 1\, 2022 | 3rd payment – (dependent on type of room\, see below)– Single Occupancy: $3\,450– Double Occupancy: $2\,750 \nARTTABLE TAX-DEDUCTIBLE CONTRIBUTION  \nDue by September 1\, 2021Click here to submit payment. \nMembers: $750Guests: $1100 \nAll payments made to ArtTable are final and non-refundable. \nPlease contact ArtTable at travel@arttable.org with any questions. All payments are non-refundable. \n\nImages: \n\nAmos Rex by JKMM Architects in Helsinki. Photo: Mika Huisman\nHelsinki Biennial brings Janet Echelman’s artwork 1.78 to Senate Square from 31 July to 31 August.\nestudio Herreros’ long-awaited Munch Museum is opening its doors on October 22\, 2021. Photo: Adrià Goula\, courtesy estudio Herreros.\nInterior of the Hirschsprung Collection. Photo: Jakob Hunosøes
URL:https://www.arttable.org/event/scandinavia-art-experience/
CATEGORIES:National,Travel
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/Amos.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220607T130000
DTEND;TZID=America/New_York:20220607T130000
DTSTAMP:20260410T003002
CREATED:20220512T151459Z
LAST-MODIFIED:20220517T204748Z
UID:8955-1654606800-1654606800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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