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DTSTART;TZID=America/New_York:20240430T083000
DTEND;TZID=America/New_York:20240430T103000
DTSTAMP:20260404T063315
CREATED:20240411T225509Z
LAST-MODIFIED:20240927T215943Z
UID:17956-1714465800-1714473000@www.arttable.org
SUMMARY:New York | Responsible Transacting in the Art Market with Patterson Belknap Webb & Tyler LLP
DESCRIPTION:This was the first program in our three-part Art Law Series sponsored by Patterson Belknap. Join us in Miami Beach for the next installment in December 2024\, followed by a Los Angeles event in early 2025! \n\n\n\n\n\n\n\nThe art market has undergone exponential growth across the last 10 years\, both in terms of volume and value. The old ways of purchasing and selling art via handshakes are now becoming increasingly rare as a wave of new players enter the art market and the value of works skyrockets. Art transactions have consequently become more complex\, introducing a range of legal risks and issues which require each party to become equipped with a more thoughtful and better-informed approach to a transaction. \n\n\n\nThis panel will provide an overview of the channels for purchasing art—at auction\, from a gallery\, or through a dealer or advisor—and how each comes with its own unique considerations and potential challenges. We will cover the basics of building relationships within the marketplace\, understanding how transactions are structured\, and issues that may arise on each side of the transaction. Our discussion will also include best practices for conducting due diligence not only for the works themselves but also on the parties engaged in the transaction. This panel will be geared towards private individual collectors\, art dealers\, and independent advisors in addition to arts professionals working in galleries and museums. \n\n\n\nThis event will begin with a networking reception including a light breakfast\, with Kosher for Passover menu options. We will reserve time at the end for audience questions. \n\n\n\nPanelists: \n\n\n\n\nAnne-Laure Allehaut\, Counsel\, Patterson Belknap\n\n\n\nAlana Ricca\, Managing Director\, Schoelkopf Gallery\n\n\n\nAubrey Catrone\, Owner & Consultant\, Proper Provenance\, LLC\n\n\n\nModerated by Andrea Zorrilla\, Founder\, AMZ Art Advisory + Appraisals LLC\n\n\n\n\n \n\n\n\nEvent Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Samantha Anderson of the Art Law Group at Patterson Belknap Webb & Tyler LLP and Andrea Zorrilla of AMZ Art Advisory + Appraisals LLC for coordinating this event. \n\n\n\n\n\n\n\n\n\nAnne-Laure Alléhaut is Counsel in Patterson Belknap’s Art and Museum Law practice. Anne-Laure started her career at Skadden Arps in M&A before serving as a Senior Vice President of Sotheby’s legal transactional team\, negotiating many of the auction house’s most complex and high value transactions while also overseeing Sotheby’s advisory\, appraisal and valuation departments.  \n\n\n\nAnne-Laure brings 18 years of law firm and in-house experience to the art industry and draws on her broad and deep experience to advise her clients with speed and efficiency. Her client base includes private collectors\, galleries\, estates\, start-ups\, art dealers\, museums\, advisors and financial institutions. Anne-Laure is a graduate of Université Paris X\, Nanterre and Université Paris II\, Panthéon-Assas. She received her J.D. and LL.M. from Cornell University. \n\n\n\n\n\nAlana Ricca is Managing Drector at Schoelkopf Gallery in Tribeca\, a leader in the field of American art from 1875 to the present day. She oversees day-to-day management of the gallery with a focus on sales\, business development\, and client relationships\, and plays a crucial role in the strategic planning and project management of art fairs\, exhibitions\, and programming. An expert in 20th-century American Art\, she holds specific knowledge in works of art created in the late 20th century and has catalogued\, researched\, and written extensively on post-war art. \n\n\n\nAlana holds a B.A. in Russian and Eurasian Studies from Colgate University. She is Uniform Standards of Professional Appraisal Practice-compliant and completes USPAP-compliant appraisals. Alana is a member of ArtTable and speaks Russian\, Spanish\, and Italian. \n\n\n\n\n\n\n\n\n\nAubrey Catrone is an international art historian\, appraiser\, and provenance researcher. Aubrey earned an MA in History of Art from University College London\, specializing in the documented histories of art objects. With an art gallery and academic research background\, Catrone founded Proper Provenance\, LLC to provide her clients with the tools\, not only to historically contextualize art but also to shed light on attribution and legal title within the international art market. \n\n\n\nCatrone has researched artworks paintings\, artefacts\, works on paper\, prints\, and sculptures spanning the fourth century B.C.E. to the twenty-first century C.E. She has been cited as a guest expert in ARTnews and on the History Channel. Catrone has also published her scholarship in a variety of publications including RICS Journals and the Journal of Art Crime. \n\n\n\n\n\n\n\n\n\nAndrea M. Zorrilla\, AAA is the founder of AMZ Art Advisory & Appraisals\, a Miami-based appraisal and advisory service dedicated to Modern & Contemporary Latin American fine art in addition to the Latinx and Caribbean diasporas. She is a Certified Member of the Appraisers Association of America\, and is distinguished with being one of four Certified Members of AAA specialized in the field of Latin American art in U.S. \n\n\n\nPrior to establishing AMZ Art Advisory & Appraisals LLC in 2022\, Andrea held the role of VP\, Specialist of Latin American Art at Sotheby’s New York. Andrea currently serves on the National Programming Committee of ArtTable. She is also a member of the Young Collectors Board of the Institute of Contemporary Art (ICA)\, Miami. She is a graduate of Villanova University with a BA in Economics and Spanish Language & Literature and received her Master of Arts with Distinction in Art Business from Sotheby’s Institute of Art\, New York / University of Manchester\, England.
URL:https://www.arttable.org/event/new-york-responsible-transacting-in-the-art-market-with-patterson-belknap-webb-tyler-llp/
LOCATION:Patterson Belknap\, 1133 6th Avenue (24th Floor)\, New York\, New York\, 10036\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20240430T140000
DTEND;TZID=America/New_York:20240430T150000
DTSTAMP:20260404T063315
CREATED:20240413T205928Z
LAST-MODIFIED:20240415T195520Z
UID:18018-1714485600-1714489200@www.arttable.org
SUMMARY:San Francisco | Curator-Led Tour of Zanele Muholi: Eye Me at SFMOMA
DESCRIPTION:Installation view of Eye Me: Zanele Muholi (SFMOMA\, 2024); photo: Don Ross\n\n\n\nMeet ArtTable at SFMOMA for a curator-led tour of Zanele Muholi: Eye Me\, the photographer’s acclaimed first major exhibition on the West Coast. On this hour-long tour\, Sally Martin Katz\, SFMOMA’s Curatorial Associate for Photography and a co-curator of Eye Me\, will cover major works across more than two decades of Muholi’s career. Read more about this unmissable show in The San Francisco Chronicle’s Datebook and KQED. \n\n\n\nAbout the exhibition: A self-described visual activist\, Zanele Muholi (b. 1972\, Umlazi\, South Africa) uses the camera to explore issues of gender identity\, representation\, and race. Often photographing their own body or members of their LGBTQ+ community in South Africa\, Muholi calls attention to the trauma and violence enacted on queer people while celebrating their beauty and resilience. Activism is central to Muholi’s artistic practice\, from their early work contending with the dangers of being queer in South Africa to their more recent work embracing their own blackness and gender expression. This exhibition brings together photographs from 2002 to the present alongside the artist’s latest explorations in painting and sculpture. The first major exhibition of Muholi’s work on the West Coast\, it provides the opportunity for Bay Area audiences to experience the full range of the artist’s expansive project. —SFMOMA.org \n\n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\nSally Martin Katz is a curator based in San Francisco. Since 2017 she has been working in the photography department at SFMOMA. Concurrently\, she is a PhD candidate in Art History\, specializing in History of Photography\, at the Sorbonne. As an independent curator\, she guest curated the Louis Stettner retrospective at the Fundación MAPFRE in Madrid (2023) and Barcelona (2024) and was the editor of the exhibition catalogue\, and also guest curated A Moment in Time: Iconic Images by Harry Benson at the Southampton Arts Center\, New York (2023). She has co-edited several books\, including American Geography: Photographs of Land Use from 1840 to the Present (2021) and snap+share: transmitting photographs from mail art to social networks (2019). In Paris\, she worked at the Fondation Henri Cartier-Bresson and the Louvre. She received a BA in Art History and French Literature from Brown University\, as well as an MA in Art History and MFA in Photography from the Sorbonne.
URL:https://www.arttable.org/event/san-francisco-curatorial-tour-of-zanele-muholi-eye-me-at-sfmoma/
LOCATION:SFMOMA\, 151 Third Street\, San Francisco\, CA\, 94103\, United States
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