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DTSTART;TZID=America/New_York:20210303T120000
DTEND;TZID=America/New_York:20210303T120000
DTSTAMP:20260406T061420
CREATED:20210201T230701Z
LAST-MODIFIED:20210209T225112Z
UID:4562-1614772800-1614772800@www.arttable.org
SUMMARY:Virtual | Artist Talk with Angela Fraleigh
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Angela Fraleigh. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Angela Fraleigh \nAngela Fraleigh (b. 1976) earned her MFA from Yale University School of Art and her BFA from Boston University. Her solo exhibitions include Hirschl & Adler Modern\, New York\, NY; Inman Gallery in Houston\, TX; PPOW Gallery in New York\, NY; Peters Projects in Santa Fe\, NM; and James Harris Gallery in Seattle\, WA. She has exhibited at the Museum of Fine Arts Houston\, TX and the Kemper Museum of Contemporary Art\, Kansas City\, MO\, and has been the recipient of several awards and residencies including the Yale University Alice Kimball English grant; The Sharpe-Walentas Program Brooklyn\, NY; and the Bemis Center for Contemporary Arts in Omaha\, NE. Fraleigh has created site-specific solo projects for the Edward Hopper House Museum and Study Center (Shadows Searching for Light\, 2018) and the Vanderbilt Mansion National Historic Site (Lost in the Light\, 2015)\, the Everson Museum of Art (Between Tongue and Teeth\, 2016) and the Delaware Art Museum (Sound the Deep Waters\, 2019). \nShe currently lives and works in Allentown\, PA\, where she is a Full Professor and Department Chair at Moravian College. Fraleigh’s debut solo exhibition with Hirschl & Adler Modern\, Fluttering still\, is on view now through March 12\, 2021. \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Hirschl & Adler Modern for helping to make this program possible. \n\nImage Credits \n\nWe tell beginnings\, 2021; Oil and watercolor on canvas over panel\, 56 x 48 in.; Courtesy of the artist and Hirschl & Adler Modern\, New York; Photo © Ken Ek\nAngela Fraleigh\, courtesy of the artist
URL:https://www.arttable.org/event/virtual-artist-talk-with-angela-fraleigh/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/Fraleigh_WeTellBeginnings--e1612220698499.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20210305T083000
DTEND;TZID=America/New_York:20210305T093000
DTSTAMP:20260406T061420
CREATED:20210209T223436Z
LAST-MODIFIED:20210212T181037Z
UID:4651-1614933000-1614936600@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Rayna Andrews
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a BreakfastTable presentation and conversation with archivist Rayna Andrews. \nThis program is free for ArtTable members and $5 for non-members. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Rayna Andrews\nRayna Andrews is the Archivist for the Henry Luce Foundation African American Collecting Initiative at the Archives of American Art\, Smithsonian Institution\, where she primarily processes collections related to African American art and artists. \nAndrews has a background in inclusion\, intersectionality\, and accessibility relative to archival collections\, as well as to archival institutions and the field. Additionally\, she currently serves on MARAC’s Diversity and Inclusion Committee and on the Steering Committee of the Women Archivists Section of the Society of American Archivists. \nThank you to Lily Siegel\, ArtTable Washington\, D.C. Chapter\, for organizing this program. \n\nImage: Rayna Andrews
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-rayna-andrews/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
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ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20210312T120000
DTEND;TZID=America/New_York:20210312T120000
DTSTAMP:20260406T061420
CREATED:20210114T210236Z
LAST-MODIFIED:20210223T203651Z
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SUMMARY:Virtual | Curatorial Perspective: 'Never Done: 100 Years of Women in Politics and Beyond'
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Rachel Seligman\, Malloy Curator at the Tang Museum\, and Minita Sanghvi\, Assistant Professor in the Department of Management and Business at Skidmore College\, about the exhibition Never Done: 100 Years of Women in Politics and Beyond. \nThe exhibition includes artwork a multitude of notable female artists\, including Gina Adams\, Jordan Casteel\, Guerrilla Girls\, Martine Gutierrez\, Julie Mehretu\, Joan Mitchell\, Catherine Opie\, Howardena Pindell\, Wendy Red Star\, Faith Ringgold\, Deborah Roberts\, Tschabalala Self\, Cindy Sherman\, Lorna Simpson\, Jaune Quick-To-See Smith\, Shinique Smith\, Mickalene Thomas\, Marie Watt\, Carrie Mae Weems\, among many others! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers \nRachel Seligman is the Assistant Director for Curatorial Affairs and Malloy Curator at the Tang Teaching Museum and Art Gallery at Skidmore College (Saratoga Springs\, NY). Her curatorial practice includes many interdisciplinary collaborative projects on subjects including Solomon Northup\, democracy and citizenship\, social class\, activism and civil rights\, pattern in art and science\, and sugar\, among others. Seligman is the co-author of Solomon Northup: The Complete Story of the Author of Twelve Years a Slave (Praeger\, 2013)\, as well as numerous exhibition catalogues including Classless Society (Tang\, 2014)\, Machine Project (DelMonico-Prestel\, 2016)\, and Sixfold Symmetry (Tang\, 2018). She has a BA from Skidmore College and an MA in Art History from George Washington University. She has chaired the Visual Arts Panel of the New York State Council on the Arts. Seligman has also served on numerous panels and committees for regional and national arts organizations. \nDr. Minita Sanghvi is an assistant professor in the management and business department at Skidmore College where she teaches business\, marketing\, as well as a first year seminar on gender and politics in the United States. Her research centers around gender and intersectionality in marketing and consumption. Palgrave MacMillan published her book Gender and Political Marketing in the United States and the 2016 Presidential Election: An Analysis of Why She Lost in 2019. In addition\, she has published articles in Journal of Marketing Management and Journal of Business Research. Dr. Sanghvi was elected to the Saratoga Springs Public Library Board in 2019 for a 5-year term. She is the co-curator of the exhibition titled Never Done: 100 Years of Women in Politics and Beyond along with Rachel Seligman at the Frances Young Tang Teaching Museum at Skidmore College. \n  \n\nImages:  \n\nInstallation view of Never Done: 100 Years of Women in Politics and Beyond\nRachel Seligman\, courtesy of the speaker\nMinita Sanghvi\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-curatorial-perspective-never-done-100-years-of-women-in-politics-and-beyond/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/01/NeverDone_Sept2_Install_01-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20210314T140000
DTEND;TZID=America/New_York:20210314T140000
DTSTAMP:20260406T061420
CREATED:20210208T152518Z
LAST-MODIFIED:20210209T224500Z
UID:4623-1615730400-1615730400@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'Just Us: An American Conversation\,' by Claudia Rankine
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin the Northern California Chapter’s Reading at the (Art)Table book group for a discussion of our latest book selection\, “Just Us: An American Conversation\,” by Claudia Rankine. With essays\, poems\, and images\, Just Us is an invitation to discover what it takes to stay in the room together\, even and especially in breaching the silence\, guilt\, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces – the airport\, the theater\, the dinner party\, the voting booth – where neutrality and politeness live on the surface of differing commitments\, beliefs\, and prejudices as our public and private lives intersect. \nThis program is for ArtTable members only. Not a member? Join today! \nClick here to see who’s already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-just-us-an-american-conversation-by-claudia-rankine/
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/just-us-1596461108-e1612797973188.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
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DTSTART;TZID=America/New_York:20210317T120000
DTEND;TZID=America/New_York:20210317T120000
DTSTAMP:20260406T061420
CREATED:20210223T163713Z
LAST-MODIFIED:20210312T162239Z
UID:4884-1615982400-1615982400@www.arttable.org
SUMMARY:Virtual | Where Are We Now? Revisiting the State of Fine Art Shipping in a Post-Pandemic World
DESCRIPTION:12pm ET | 11am CT | 9am PT\nSince the start of the pandemic\, fine art shippers\, registrars\, and collections managers have had to find inventive solutions to moving artwork during a global lockdown. Back in July 2020\, when the art world was still adapting to new pandemic-related regulations\, ArtTable hosted a virtual conversation on this topic\, where we discussed evolving logistical measures and responsibilities taken on by arts institutions and spaces within and outside of the US. As we approach the one year mark of the pandemic in the US\, we revisit this conversation with new insights and discuss other factors that continue to affect the shipping sector of the art market\, like new regulations between the US and the UK\, continued gallery closures and staff reductions\, and shifting exhibition and fair schedules. \nWhat have shipping agents and registrars learned in the past year about adapting their tried and tested methods? How are museums\, art galleries\, or private collections faring amid ever-changing regulations? And what can we expect in the coming months? Join us for what is sure to be a fascinating discussion with Jacqueline Cabrera (Cabrera + Art + Management)\, Tina Sullivan (Masterpiece International)\, and Anna Marris (Constantine International). \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nJacqueline Cabrera is currently Principal at Cabrera + Art + Management\, Host of the Registrar Hour and past President and founding board member of the Association of Registrars and Collection Specialists. From 1996 – 2016 she worked at the J. Paul Getty Museum as a registrar at both the Getty Villa and Getty Center museums. Jacqueline has also served as Chair of the Registrar’s Committee Western Region and as a board member for the Western Museum Association. Prior to joining the Getty in 1996 she was the Registrar at the Long Beach Museum of Art and previously a Painting Department Assistant at Sotheby’s. \nTina Sullivan is the Vice President of Fine Arts at Masterpiece International. She has worked in the fine art logistics industry for the past 23 years.  She started at Masterpiece International in 1997 as their in-house licensed Customhouse Broker\, and now\nserves as the Vice President of Fine Arts\, overseeing all fine art operations on the West Coast. Tina is a licensed Customhouse broker and has a strong understanding of U.S. Customs and U.S. Fish and Wildlife regulations. \n  \n \nAnna Marris started her career in the fine arts logistics world at Wingate & Johnston (London) in 1984. She then went on to work for MOMART for 25 years where in 1996 she became the first female Director in the Art transport Industry. In 2015 she rejoined the Constantine (parent company of W&J) as Associate Director\, again the first female Director for the company. \n  \n  \n  \n  \nThank you to Jacqueline Cabrera from ArtTable’s SoCal Chapter for organizing this program. \n\nImages:  \n\nCourtesy of The ARTA blog\nJacqueline Cabrera\, courtesy of the speaker\nTina Sullivan\, courtesy of the speaker\nAnna Marris\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-where-are-we-now/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/arta-e1614358033685.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210323T180000
DTEND;TZID=America/New_York:20210323T180000
DTSTAMP:20260406T061420
CREATED:20210308T163702Z
LAST-MODIFIED:20210312T212624Z
UID:5001-1616522400-1616522400@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Lorraine O’Grady: Both/And' at the Brooklyn Museum
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Catherine Morris\, Sackler Senior Curator at the Elizabeth A. Sackler Center for Feminist Art\, and writer and co-curator of the exhibiton\, Aruna D’Souza\, for a discussion of the Lorraine O’Grady retrospective currently on view at the Brooklyn Museum. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Exhibition \nLorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance\, conceptual\, and feminist art. Lorraine O’Grady replaces either/or ways of thinking with the endless loop of “both/and\,” challenging the fixed positions of self and other\, here and there\, now and then\, all while reflecting on the poignancy of lives lived within dualistic frameworks. The artist addresses her own experience as a person marked by racial hybridity―her family histories connect the Caribbean\, Africa\, Europe\, and the United States―who is nonetheless definitively a Black woman. Through her exploration of legacies of cultural interconnection and reciprocal influences\, O’Grady sheds light on the ways Blackness has always existed at the heart of Western modernism. \nThe exhibition features twelve of the major projects O’Grady has produced over her four-decade career and also debuts a much-anticipated new installation. In addition to works presented in the Elizabeth A. Sackler Center for Feminist Art\, five of O’Grady’s projects are installed in collection galleries throughout the Museum\, highlighting the artist’s long engagement with art historical omissions and institutional failings related to the creative agency of those excluded from the canon. O’Grady’s radical revisionism of the 1980s and 1990s anticipated themes that have been embraced by a younger generation of artists and thinkers\, inspiring them to resist and reshape a world structured by difference and inequity. \nAbout the Speakers \nCatherine Morris is the Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Since 2009\, Catherine has curated a number of exhibitions for the Sackler Center including the award-winning Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art (co-curated with Vincent Bonin); Twice Militant: Lorraine Hansberry’s Letters to “The Ladder”; Between the Door and the Street: A performance initiated by Suzanne Lacy; “Workt by Hand”: Hidden Labor and Historical Quilts; Kathë Kollwitz: Prints from the “War” and “Death” Portfolios; Rachel Kneebone: Regarding Rodin; Newspaper Fiction: The New York Journalism of Djuna Barnes\, 1913–1919; Matthew Buckingham: “The Spirit and the Letter”; Lorna Simpson: Gathered; Sam Taylor-Wood: “Ghosts”; Kiki Smith: Sojourn; and Healing the Wounds of War: The Brooklyn Sanitary Fair of 1864. She was also the in-house curator of Eva Hesse Spectres 1960 and Seductive Subversion: Women Pop Artists\, 1958–1968. \nBefore joining the Brooklyn Museum\, Catherine was an independent curator. Among some of the projects she organized are Decoys\, Complexes\, and Triggers: Women and Land Art in the 1970s at SculptureCenter\, Long Island City; 9 Evenings Reconsidered: Art\, Theatre\, and Engineering in 1966 for the M.I.T. List Visual Arts Center; and Gloria: Another Look at Feminist Art of the 1970s at White Columns\, New York. From 2004 until 2009\, she was Adjunct Curator of Contemporary Art for the Philbrook Museum of Art in Tulsa\, Oklahoma\, where she curated shows of Josiah McElheny\, Lucy Gunning\, and Cameron Martin. In 2004\, she received a Penny McCall Foundation Award for Independent Curating and Writing. \nAruna D’Souza writes about modern and contemporary art\, intersectional feminisms and other forms of politics\, and how museums shape our views of each other and the world. Her most recent book\, Whitewalling: Art\, Race\, and Protest in 3 Acts (Badlands Unlimited)\, was named one of the best art books of 2018 by the New York Times. Aruna’s work appears regularly in 4Columns.org\, where she is a member of the editorial advisory board. Her work has also been published in The Wall Street Journal\, CNN.com\, ArtNews\, Garage\, Bookforum\, Momus\, Art in America\, and Art Practical\, among other places. She is currently editing two forthcoming volumes\, Making It Modern: A Linda Nochlin Reader\, and Lorraine O’Grady’s Writing in Space 1973-2018\, and is co-curator of the upcoming retrospective of O’Grady’s work\, Both/And\, which will open in March 2021 at the Brooklyn Museum. \n  \nThank you to Ingrid Dinter\, Principal Dinter Fine Art and Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nLorraine O’Grady (American\, born 1934). Rivers\, First Draft: The Woman in White eats coconut and looks away from the action\, 1982/2015. Digital chromogenic print from Kodachrome 35mm slides in 48 parts\, 16 × 20 in. (40.64 × 50.8 cm). Edition of 8\, plus 2 AP. Courtesy Alexander Gray Associates\, New York. © Lorraine O’Grady / Artists Rights Society (ARS)\, New York\nCatherine Morris\, courtesy of the Brooklyn Musuem\nAruna D’Souza\, photo credit Dana Hoey
URL:https://www.arttable.org/event/virtual-curatorial-perspective-lorraine-ogrady-both-and-at-the-brooklyn-musuem/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/lorraine.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210325T120000
DTEND;TZID=America/New_York:20210325T120000
DTSTAMP:20260406T061420
CREATED:20210211T155527Z
LAST-MODIFIED:20210219T161101Z
UID:4730-1616673600-1616673600@www.arttable.org
SUMMARY:Virtual | Exhibition Tour of 'Stayin' Alive' with Estrellita Brodsky
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a virtual exhibition tour of the exhibition Stayin’ Alive at ANOTHER SPACE with art historian\, collector\, and philanthropist\, Estrellita B. Brodsky.  Taking its title from the Bee Gees disco hit\, Stayin’ Alive explores artists’ responses to social and environmental crises\, as well as the threat to the natural and indigenous environments. \nArtTable Registration Fee* \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\n*All proceeds benefit ArtTable and support our mission of advancing the leadership of womxn in the visual arts. ANOTHER SPACE is not associated with the above fees. \nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nEstrellita B. Brodsky\, PhD\, is a New York-based art historian\, collector and philanthropist\, as well as an advocate for art from Latin America. A founding member of The Metropolitan Museum of Art’s Latin American Art Initiative\, the Latin American Acquisitions Committee at Tate\, and founder of the Pompidou Foundation’s Latin American Acquisitions Committee\, she has endowed curatorial positions in Latin American art at Metropolitan Museum of Art\, Tate\, and MoMA. Additionally\, in 2015 she founded ANOTHER SPACE\, a program and not-for-profit exhibition gallery established by the Daniel and Estrellita B. Brodsky Foundation to broaden international awareness and appreciation of art from Latin America. \nBrodsky holds a doctorate in art history from the Institute of Fine Arts\, New York University as well as a Master’s Degree from Hunter College. She curated the first U.S. museum survey of Julio Le Parc at the Pérez Art Museum Miami (PAMM): Julio Le Parc: Form into Action\, (2016-2017)\, which she subsequently organized in Sao Paulo\, Brazil and Buenos Aires\, Argentina; the first U.S. retrospective of the Venezuelan kinetic artist Carlos Cruz-Diez at the Americas Society in 2008; and Jesus Soto: Paris and Beyond\, 1950-1970 at Grey Art Gallery\, New York University\, in 2012. \nThank you to Julia P. Herzberg\, Ph.D. for organizing this program. \n\nImages:  \n\nInstallation view of Stayin’ Alive\nEstrellita Brodsky\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-stayin-alive-with-estrellita-brodsky/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FullSizeRender-preview-scaled-e1613064797590.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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