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DTSTART;TZID=America/New_York:20220310T160000
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DTSTAMP:20260515T040621
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SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation/
LOCATION:Zoom
CATEGORIES:National
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DTSTART;TZID=America/New_York:20220310T200000
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DTSTAMP:20260515T040621
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SUMMARY:Partner Program with PBS Books | Author Talk - "Dismantling the Patriarchy\, Bit by Bit: Art\, Feminism\, and Digital Technology\," with Judith K. Brodsky and Jodi Throckmorton
DESCRIPTION:5pm PT/6pm MT/7pm CT/8pm ET\n\n\n\nPBS Books presents this Author Talk with Judith Brodsky about her newest book\, Dismantling the Patriarchy\, Bit by Bit: Art\, Feminism\, and Digital Technology. Brodsky will be in conversation with Jodi Throckmorton\, Chief Curator at the John Michael Kohler Arts Center. \n\n\n\nIn her recent book\, Brodsky explores trailblazing women\, including artists of color\, who have been innovators in the digital art arena as early as the late 1960s. Through an examination of artists’ work and feminist art theory\, Brodsky will discuss the crucial role women are playing in the art world in this digital realm\, including in new media as video\, websites and social networking\, virtual and augmented reality\, artificial intelligence\, and NFTs. Through this discussion\, viewers will gain critical insights into the important role female artists are playing in the digital space\, which historically has been dominated by men. Audience questions will be answered at the end of the conversation. \n\n\n\nClick here to read more about the book and the speakers. \n\n\n\nThe event will be live streamed for free on the PBS Books Facebook Page. \n\n\n\nImage courtesy of PBS Books.
URL:https://www.arttable.org/event/partner-program-with-pbs-books-author-talk-dismantling-the-patriarchy-bit-by-bit-art-feminism-and-digital-technology-with-judith-k-brodsky-and-jodi-throckmorton/
LOCATION:Zoom
CATEGORIES:National
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DTSTART;TZID=America/Los_Angeles:20220313T113000
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SUMMARY:LAST CHANCE TO REGISTER - SoCal | Tour & Artist Talk with Nancy Buchanan & Barbara T. Smith
DESCRIPTION:11:30am PT\nPlease join us for an in-person tour of how we are in time and space: Nancy Buchanan\, Marcia Hafif\, Barbara T. Smith\, followed by a discussion with two of the exhibition artists – Nancy Buchanan and Barbara T. Smith. \nThis major group exhibition is the first to focus on the collaborations and empathic intersections between three remarkable artists in the form of drawing\, photography\, collage\, video\, performance documentation\, and architectural proposals comprising over 50 years of art making. Embracing the differences between these artists as well as their points of convergence\, the exhibition will probe various notions of being\, including the political\, scientific\, and spiritual.  \nAll three artists have deep connections to Southern California\, intersecting in the inaugural MFA program at UC-Irvine from 1969 to 1971. Buchanan\, Hafif\, and Smith all entered graduate school as mothers and were emphatically aware of the gendered expectations and hostilities toward women choosing art making as their primary pursuit\, though each presented a unique version of the struggle for liberation from the orthodoxies of gender and sexuality. The exhibition will be anchored by three time-based works demonstrating the overlaps between each artist’s practice and revealing the primary subjects of the exhibition—bodies\, communication\, and dwelling.  \nClick here to read more about the exhibition\, on view through June 12\, 2022. \nAdmission: \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20.\n\nNot a member? Join today! \n\n \nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The following will ensure a safe experience for everyone: No more than 20 visitors will be permitted in the exhibition at any given time. Some rooms have additional restrictions.Regardless of vaccination status\, all visitors and staff must wear masks in the building. Upon arrival\, a member of the Armory staff will verify that you have no Covid symptoms and that you are fully vaccinated.Please bring proof of vaccination with you. Acceptable proof of vaccination documents and additional details regarding guidelines for visiting the Armory are available at armoryarts.org/visit/covid-19-protocols.Please reschedule your appointment if you have any of the following Covid-related symptoms: fever or chills; cough; shortness of breath or difficulty breathing; fatigue; muscle or body aches; headache; new loss of taste or smell; sore throat; congestion or runny nose; nausea or vomiting; diarrhea. Accessibility The Armory is wheelchair and stroller accessible. There are several ADA parking spots in the Marriott garage directly north of the Armory as well as metered street parking. All Armory galleries\, classrooms\, meeting rooms\, and restrooms are wheelchair and stroller accessible. Restrooms: A designated women's restroom as well as a lockable\, all-gender restroom can be found just past our front entrance\, to the right. Two more gender neutral restrooms can be found in the back of our studio. Each restroom has one ADA-compatible stall\, and each is equipped with an infant changing station. Animals: Certified service animals are welcome inside the Armory. Please email programs@arttable.org to request additional accommodations.  Getting There & Parking The Armory Center for the Arts is located at 145 North Raymond Avenue\, Pasadena\, CA 91103.Up to 90 minutes of free parking is available at the city parking structure just north of the Armory on Raymond Avenue. There are several ADA parking spots in the parking garage next door as well as metered spots throughout street parking.\n \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the artists\nNancy Buchanan (b. 1946\, Boston) is an artist whose work has been shown in exhibitions at the Museum of Modern Art\, the New Museum of Contemporary Art\, the Museum of Contemporary Art Los Angeles\, the Centre Pompidou\, the Getty Research Institute\, and was included in four of the Getty-sponsored Pacific Standard Time exhibitions. She was the subject of a solo screening of her videotapes at REDCAT in 2013\, and her videos have been included in group exhibitions including Agitprop at the Brooklyn Museum; RE-ACTION\, a traveling exhibition originating in Spain; and Jonny at Insitu\, Berlin. Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants\, a COLA grant\, and a Rockefeller Fellowship in New Media. In 2016\, she organized It’s Your Party\, a durational performance at UC Irvine’s xMPL Theater as the second event in The Art of Performance. Beginning with her participation as a founding member of F Space Gallery in Costa Mesa\, Buchanan has been involved in numerous artists’ groups including The Los Angeles Woman’s Building and Los Angeles Contemporary Exhibitions (LACE); she has also acted as curator for several exhibitions and projects. From 1988-2012\, she taught in the Film/School at CalArts; she worked with community activist Michael Zinzun on his cable access show Message to the Grassroots for ten years and as a member of Zinzun’s LA 435 Committee; and she traveled to Namibia to produce a documentary about that country’s transition to independence from the Republic of South Africa. Buchanan lives and works in Los Angeles. \nBarbara T. Smith (b. 1931) has lived and worked in the Los Angeles area her whole life. She received a BA from Pomona College in 1953\, and MFA in 1971 from University of California\, Irvine where she was a founding member of F Space with Chris Burden and Nancy Buchanan. Smith has been represented in historic survey exhibitions including Whatever Happened to Sex in Scandinavia? at Office for Contemporary Art\, Oslo\, Norway (2009); WACK! Art and the Feminist Revolution (traveling exhibition 2008-09); Drawing in L.A.: The 1960s and 70s\, Los Angeles County Museum of Art (2016); and in several major exhibitions as part of Pacific Standard Time organized by the Getty (2011-12)\, including State of Mind: New California Art Circa 1970\, Orange County Museum of Art\, CA and Bronx Museum\, NY; and Under the Big Black Sun: California Art 1974 – 1981\, Museum of Contemporary Art\, Los Angeles. Recent notable exhibitions include The 21st Century Odyssey at The Box\, Los Angeles; Outside Chance\, Andrew Kreps Gallery\, New York; Artists and Their Books / Books and Their Artists\, the Getty Research Institute\, Los Angeles; Experiments in Electrostatics\, Whitney Museum of American Art\, New York; 56 Artillery Lane\, Raven Row\, London\, UK; Still Life with Fish: Photography from the Collection\, Hammer Museum\, Los Angeles; and Mommy\, Yale Union\, Portland\, OR. In 2005\, Smith had a retrospective The 21st Century Odyssey Part II: The Performances of Barbara T. Smith at Pomona College Museum of Art\, CA. \nAbout the venue\nArmory Center for the Arts\, in Pasadena\, California\, is one of the Los Angeles region’s leading independent institutions for contemporary art and community arts education. The Armory believes that an understanding and appreciation of the arts is essential for a well-rounded human experience and a healthy civic community. The organization’s board and staff are committed to holding deep conversations around diversity\, equity\, and inclusion; and acknowledge that these efforts are ongoing\, a process of growth\, and require intense self-reflection and collective consideration. Under Covid-19\, and in keeping with these institutional practices\, the Armory has deepened and expanded its programmatic reach to include online exhibition programs and artmaking classes\, along with hands-on art activities safely delivered in-person to those with limited digital access. For more information on the Armory Center for the Arts\, visit www.armoryarts.org. \n\nImages: Nancy Buchanan and Barbara T. Smith\, With Love from A to B\, 1977. 2022 installation photo at Armory Center for the Arts. Photo by Ian Byers-Gamber; Barbara T. Smith\, Michael Ned Holte (exhibition curator)\, and Nancy Buchanan \n \n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information.
URL:https://www.arttable.org/event/socal-tour-and-artist-talk-how-we-are-in-time-and-space-nancy-buchanan-barbara-t-smith/
LOCATION:Armory Center for the Arts\, 145 North Raymond Avenue\, Pasadena\, CA\, 91103\, United States
CATEGORIES:National,Southern California
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DTSTART;TZID=America/New_York:20220322T130000
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SUMMARY:Virtual | Artist Talk with Nneka Jones
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual Artist Talk with contemporary multidisciplinary artist Nneka Jones.\n\n\nGrowing up in Trinidad and Tobago was one of the main factors that has molded Nneka Jones into the artist she is today. Her astounding love for color and special attention to detail\, as influenced by her culture\, have always been prominent throughout her artistic journey. She enjoys working in mixed media\, embroidery\, textiles\, and paint\, exploring both large-scale mural work and small-scale intimate pieces. Through her practice\, she produces thought-provoking artwork that comments on social and environmental injustice\, strongly advocating for the protection of women and girls of color. These are often topics that as a society\, we feel uncomfortable addressing but are necessary to view head on for a positive change. \nSince graduating from the University of Tampa in May 2020\, Jones’ work has caught the eyes of art directors in top publications like TIME\, where she was commissioned to produce the hand embroidered flag that appears on the August 31st/September 7th 2020 issue. She was also commissioned by the Washington Post to capture the history made by Vice President Kamala Harris and even appeared as a keynote speaker for Adobe MAX; emphasizing the importance of art as a vehicle for activism. \nJones’ unique hand embroidery work has been featured in Colossal magazine\, The Jealous Curator blog\, The American Craft Council\, Embroidery Mag UK\, and Domestika. With work in the permanent collections of the Florida Craft Art Gallery\, Ferman Art Center\, and Tampa Museum of Art\, Jones continues to broaden her professional practice and break barriers at an early stage in her a career as an inspiration to other young\, aspiring artists. \n\n\nWe hope you’ll join us to hear more from this incredible\, trailblazing artist! \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nImages: Nneka Jones\, Colorblind Shooting Range\, 2019\, hand embroidery on canvas; courtesy of the artist. / Headshot courtesy of the artist. \n\n\n\nImages have been provided specifically for ArtTable’s use and are prohibited to be used\, reproduced or redistributed without written permission from the artist. \n\n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\n\n\n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-artist-talk-with-nneka-jones/
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220324T170000
DTEND;TZID=America/New_York:20220324T170000
DTSTAMP:20260515T040621
CREATED:20220310T160630Z
LAST-MODIFIED:20220311T185516Z
UID:8237-1648141200-1648141200@www.arttable.org
SUMMARY:Virtual | Panel Discussion - 'Before Silence: Afghan Artists in Exile'
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nBefore Silence: Afghan Artists in Exile is an online exhibition presented by Art at a Time Like This\, in partnership with PEN America’s Artists At Risk Connection(ARC).  \n\n\n\nSince the U.S. withdrawal from Afghanistan last August and the subsequent takeover by the Taliban\, which has a long and brutal history of censoring artistic expression\, many Afghan artists\, including writers\, musicians\, filmmakers\, and intellectuals\, have been persecuted and targeted simply for being artists. Fearing for their lives\, many artists have been forced to go into hiding\, self-censor or destroy  their creative work\, or flee the country\, putting the future of the arts and culture in the country into question.  \n\n\n\nBefore Silence presents a powerful selection of works representative of the up and coming generation of Afghan artists who have continued to create and inspire amidst insecurity and humanitarian suffering. Through photographs\, paintings\, cartoons\, murals\, and performances\, this powerful exhibition offers a complex dialogue between artists\, danger\, deprivation\, and insecurity. The artists featured in the exhibition are Ali Rahimi\, ArtLords\, Latifa Zafar Attaii\, Lida Afghan\, Mohsin Taasha\, Morteza Herati\, Naseer Turkmani\, Rada Akbar\, and Shamayel Shalizi. It was a monumental task to pull together this exhibition with the artists scattered throughout the world after fleeing Afghanistan in recent months. This exhibition would not have been possible without unique collaboration between an arts organization and a leading human rights advocacy group. \n\n\n\nTo mark the occasion of this exceptional exhibition\, please join us for a panel discussion with Art at a Time Like This co-founders Anne Verhallen and Barbara Pollack\, conceptual artist Rada Akbar\, and director of PEN America’s Artists at Risk Connection\, Julie Trebault. \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nAbout the speakers\n\n\nRada Akbar\, born and raised in Afghanistan\, is an activist and artist who uses her art to speak out against misogyny and oppression. Her work consists of a mixture of wearable monuments\, performance\, photography and installation pieces. It has been displayed in numerous national and international exhibitions. In 2015\, she received an honorable mention in the UNICEF Photo of the Year Award. In 2020\, her art exhibit called Abarzanan—Superwomen—which celebrates pioneering Afghan women\, was featured in the New York Times\, and in 2021 she received the Prince Claus Seed Award\, MujerHoy awards and BBC 100 Women. \n  \nBarbara Pollack is the co-founder of Art at a Time Like This Inc.\, a platform for free expression for artists at times of crises. An independent curator and writer\, Pollack will be lead curator for the exhibition\, Mirror Image: A Transformation of Chinese Identity\, opening at the Asia Society Museum in June. In 2021\, she organized Lu Yang: DOKU—Digital Alaya at Jane Lombard Gallery. Since 1994\,  Pollack has written extensively for  a broad range of arts publications and catalogues and monographs and is also a professor at the School of Visual Arts.  \n  \nJulie Trébault is the director of the Artists at Risk Connection (ARC)\, a project of PEN America. ARC safeguards the right to artistic freedom by connecting threatened artists to support\, building a global network of resources for artists at risk\, and forging ties between arts and human rights organizations. She has nearly two decades of experience in international arts programming and network-building\, including at the Museum of the City of New York\, the Center for Architecture\, the National Museum of Ethnology in The Netherlands\, and the Musée du quai Branly in Paris. Trébault holds a Master’s Degree in Arts Management from Sorbonne University\, a Master’s Degree in Archeology and Cultural Heritage from the University of Strasbourg\, and taught at Fordham University. She is co-author of Freedom of Artistic Expression Through the Lens of the Sustainable Development Goals (Springer\, 2021) and A Safety Guide for Artists (ARC\, 2021)\, and has been instrumental in the creation of numerous reports on the state of artistic freedom of expression. These include but are not limited to Arresting Art: Repression\, Censorship\, and Artistic Freedom in Asia and Art under Pressure: Decree 349 Restricts Creative Freedom in Cuba. Julie and ARC have also been featured in numerous media outlets such as Hyperallergic\, The Art Newspaper\, Artnet\, BBC News\, The Financial Times\, Al Jazeera\, Diario de Cuba\, NPR\, among others. \nAnne Verhallen is the co-founder of Art At A Time Like This\, launched in 2020 in response to the global health crisis. The non-profit arts organization supports artists working in response to crisis and current events by presenting their work online and in the public space. \nVerhallen is also an agent for visual artists and is currently the director of partnership at 291 Agency. She has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath\, DRIFT\, and Lily Kwong.  In this capacity\, Verhallen has overseen large-scale activations and installations in collaboration with brands in the luxury industry. Prior to 291 Agency\, Verhallen was the director of the fine art division at CXA for 4 consecutive years.  \nBorn in the Netherlands\, Verhallen brings a global perspective to her projects and seeks to cultivate the intersection between technology\, design\, art\, and health. \n  \n\n\n \n\n\n\n\n\n\n\nImages: Photograph by Morteza Herati\, courtesy of the artist; all headshots provided by the speakers. \n\n\n\nThank you to Art at a Time Like This for organizing this program. \n\n\n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-panel-discussion-before-silence-afghan-artists-in-exile/
CATEGORIES:National
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