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DTSTART;TZID=America/New_York:20220407T190000
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DTSTAMP:20260523T211050
CREATED:20220308T221232Z
LAST-MODIFIED:20220309T203117Z
UID:8166-1649358000-1649358000@www.arttable.org
SUMMARY:Benefit Week | VIP Reception Hosted by Nohra Haime
DESCRIPTION:ArtTable Board\, Circle\, and Benefit Host Committee Members are invited to join us for an evening of refreshments and networking with friends and colleagues.  \n\n\n\nThis event is taking place on ArtTable Day\, officially declared by the Mayor of New York City in 2005 to mark ArtTable’s 25th Anniversary. Over 15 years later\, we continue to acknowledge this day and celebrate our incredible community of professional women in the arts! \n\n\n\nThis event is by invitation only. The address and any additional information will be shared with attendees in advance. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\nOur sincerest thanks to our host for the evening\, Nohra Haime\, for welcoming us into her home.
URL:https://www.arttable.org/event/benefit-vip-reception-hosted-by-nohra-haime/
LOCATION:New York City\, New York City\, New York\, United States
CATEGORIES:National,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/FY22_Benefit_VIP_REAL2-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T120000
DTEND;TZID=America/New_York:20220408T120000
DTSTAMP:20260523T211050
CREATED:20210726T211951Z
LAST-MODIFIED:20220406T133145Z
UID:6446-1649419200-1649419200@www.arttable.org
SUMMARY:ArtTable's 2022 Annual Benefit & Award Ceremony
DESCRIPTION:Honoring\n\n\n\n\n\nCarol Cole LevinOrganizer\, Curator\, and Artist \n\n\n\n\n\n\n\nDistinguished Service to the Visual Arts Award\n\n\n\n\n\nDr. Nicole R. FleetwoodAcademic\, Curator\, and Author \n\n\n\n\n\n\n\nNew Leadership Award\n\n\n\n\n\nWith Special Remarks by\n\n\n\n\n\n\n\n\n\nLegacy RussellExecutive Director & Chief Curator\, The Kitchen \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBenefit Co-Chairs\n\n\n\n\n\nJK Brown and Eric Diefenbach \n\n\n\n\n\nDenise Murrell \n\n\n\n \n\n\n\n\n\nRuby Lerner \n\n\n\n\n\n\n\n\n\nJoin ArtTable for our Annual Benefit & Award Ceremony on Friday\, April 8\, 2022 at Capitale in New York City!\n\n\n\nBenefit Week Program\n\n\n\n\n\n\n\n\n\nThursday\, April 7\n\n\n\n7:00 PM\n\n\n\nBenefit Week VIP Reception\n\n\n\nHosted by Nohra Haime \n\n\n\nThis event is by invitation only for ArtTable’s Board of Directors\, ArtTable Circle Members\, and members of the Benefit Host Committee. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\n Friday\, April 8\n\n\n\n11:00 AM\n\n\n\nBoard & Chapter Leadership Reception(by invitation only) \n\n\n\n12:00 PM\n\n\n\nCheck-in & Networking \n\n\n\n12:30-1:45 PM\n\n\n\nAnnual Benefit & Award Ceremony \n\n\n\nFeaturing remarks by Distinguished Service to the Visual Arts Awardee Carol Cole Levin\, New Leadership Awardee Dr. Nicole R. Fleetwood\, and Special Remarks by Legacy Russell \n\n\n\n1:45-3:00 PM\n\n\n\nNetworking Reception \n\n\n\n4:00 PM\n\n\n\nPrivate Members-Only Tour of Faith Ringgold: American People at the New MuseumClick here to register. \n\n\n\nSaturday\, April 9\n\n\n\n1:30 PM & 3:00 PM\n\n\n\nPrivate Tours of The Whitney Biennial at the Whitney Museum of American Art (more details to come) \n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Host Committee Tables $25\,000 - Fellowship Program Supporter (Diamond) Named support of one ArtTable FellowshipPremier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Acknowledgement in Fellowship press release and listing on Impact webpagePremier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Benefit ticket for a past or current ArtTable Fellow$20\,000 - Mentorship Supporter (Ruby) Premier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$15\,000 - New Leadership Supporter (Platinum) Prime table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listingsOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$10\,000 - Gold Supporter Preferred table for 10 at the Benefit on April 8; 5 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listingsProvides one Mentorship ticket for an emerging professional in the field$7\,500 - Silver Supporter Priority table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listings$5\,000 - Bronze Supporter Table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit webpage Host Committee Tickets $3\,000 - Leadership Ticket Two tickets to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$1\,000 - Executive Ticket One ticket to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$550 - Friend Ticket One ticket to the Benefit on April 8One ticket to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage Standard Tickets $375 - Member Ticket One ticket to the Benefit on April 8$485 - Non-Member Ticket One ticket to the Benefit on April 8$295 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professionals (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad at the benefitInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatPlease email all ad files to programs@arttable.org no later than March 30\, 2022. \n\n\n\n\n\n\n\nPlease review before registering:\n\n\n Health & Safety Guidelines Per current New York State guidelines for indoor dining\, all Annual Benefit attendees and staff must provide proof of vaccination in advance of the event in order to attend. As of January 19\, 2022\, the CDC defines “fully vaccinated” as follows: – Two weeks have passed since the person’s second dose in a two-dose series\, such as the Pfizer or Moderna vaccines\, OR– Two weeks have passed since the person received a single-dose vaccine\, such as Johnson & Johnson’s Janssen vaccine. Please note that these guidelines are subject to change given the nature of the pandemic. All attendees will be notified in advance if there are any changes to the current guidelines.  Venue Accessibility ArtTable strives to host inclusive and accessible events that enable all individuals\, including individuals with disabilities\, to engage fully. To request an accommodation or for inquiries about accessibility\, service animals\, or other questions\, please contact us at benefit@arttable.org. Visitors Who Use Wheelchairs or Other Mobility Devices There is a small staircase at the front entrance to Capitale. Railings are in place and a ramp will also be installed so that the entrance is wheelchair accessible.Once indoors\, Capitale is fully wheelchair accessible. The restrooms\, check-in area\, main ballroom space\, and the foyer are all on the ground floor.Portions of the program may take place on the 2nd level of the venue\, and there is an elevator if needed.Lactation Accommodations Dedicated space will be provided as a lactation room. Please email us at benefit@arttable.org in advance if you anticipate needing this space. Travel DIRECTIONS TO CAPITALE 130 Bowery\, New York\, NY 10013Tel: (212) 334-5500 Directions from New Jersey –Take the Holland Tunnel ** Take the Canal St. Exit ** Make left on Centre St. ** Turn right on Kenmare St. ** Turn right on Bowery St. ** Capitale -130 Bowery Directions from Long Island NY –I-495 West ** To the Queens Midtown Tunnel ** Tunnel exit towards Downtown ** Bear left on Tunnel Exit St ** Continue in Queens Midtown Tunnel Exit/Tunnel Exit St. ** Turn left on 34th St. ** Turn right on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery St. ** Capitale -130 Bowery Directions from West Chester NY –Take the Bruckner Expwy/I -278 ramp towards Triboro Bridge ** Merge on I- 278 West ** Take I- 278 West exit ** To the FDR drive/Grand Central Parkway exit towards Triboro Bridge exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. Ramp ** Merge onto highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Directions from Connecticut –Take I-95 ** Continue on I 278 West towards Bruckner Exp/Triboro Br. Exit 6B ** Take the I-278 West exit ** Merge on I-278 West ** Take the I 278 West/FDR Drive/ Grand Central PKWY exit towards Triboro Br. ** Exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. ramp ** Merge onto the highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Subway –B\, D to Grand StreetN\, R\, W\, Q\, 1\, 9 to Canal Street6 to Spring Street NEARBY GARAGES: Park-In Auto (212-966-1186) \n\n\n\n\n\n\n\nRegistration for the Annual Benefit has now closed.\n\n\n\nIf you would like to make a fully tax-deductible contribution\, you may do so here. Please call the ArtTable Office at 212-343-1735 with any questions.\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the below button to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 5th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/arttable-2022-annual-benefit-and-award-ceremony/
LOCATION:Capitale\, 130 Bowery\, New York\, NY\, 10013\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,Metro Atlanta
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/FY22-Benfit_STD_FINAL-e1644336622216.png
ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T160000
DTEND;TZID=America/New_York:20220408T160000
DTSTAMP:20260523T211050
CREATED:20220308T190056Z
LAST-MODIFIED:20220321T191857Z
UID:8119-1649433600-1649433600@www.arttable.org
SUMMARY:Benefit Week | Tour of 'Faith Ringgold: American People' at the New Museum
DESCRIPTION:Please join us at the New Museum after our Annual Benefit & Award Ceremony for a private tour of Faith Ringgold: American People. Our tour will be led by Curatorial Assistant\, Madeline Weisburg. Bringing together over fifty years of work\, the exhibition provides the most comprehensive assessment to date of the artist’s vision.  \n\n\n\nArtist\, author\, educator\, and organizer\, Faith Ringgold is one of the most influential cultural figures of her generation. Her career links the multi-disciplinary practices of the Harlem Renaissance to the political art of young Black artists working today. For sixty years\, Ringgold has drawn from both personal autobiography and collective histories to both document her life as an artist and mother and to amplify the struggles for social justice and equity. From creating some of the most indelible artworks of the civil rights era to challenging accepted hierarchies of art versus craft through her experimental story quilts\, Faith Ringgold has produced a body of work that bears witness to the complexity of the American experience. \n\n\n\nThis program is $35 and open to ArtTable members only. Capacity is limited.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors to the Museum will have their proof of vaccination and photo ID checked at the door. Face masks are required for the duration of the tour.  Accessibility The Museum’s main entrance at 235 Bowery is wheelchair-accessible. All floors—including the New Museum Theater\, Cafe\, Sky Room\, and all gallery levels—are serviced by an elevator and are wheelchair-accessible. The shaft gallery\, located in a stairwell between the Third and Fourth Floors\, is not wheelchair-accessible. Restrooms\, located on the Lower Level\, include an accessible stall. Manual wheelchairs are available free of charge on a first-come\, first-served basis. Please inquire at the Visitor Services desk on the Ground Floor for availability\, or contact the museum directly to reserve one in advance (access@newmuseum.org or 212.219.1222 ×235). The below services are available BY REQUEST:American Sign Language interpretation for public programs is available free of charge upon request with three weeks’ advance notice.Real-time captioning (CART) for public programs is available upon request with two weeks’ advance notice. Please be advised that this accommodation is contingent upon the availability of captioners.There is limited seating throughout the Museum. Lightweight\, portable gallery stools are available free of charge. Please inquire at the Visitor Services desk on the Ground Floor for availability.During this time of physical distancing\, we do not have shared headsets or neck loops available. Service animals on a leash and under their owner’s control are welcome at the New Museum. The New Museum is committed to creating an inclusive and welcoming environment for people of all abilities. Please inquire at the Visitor Services desk on the Ground Floor for any assistance you may require. Please email programs@arttable.org for assistance.  Getting There & Parking The New Museum is located at 235 Bowery. The nearest subway stations are 2nd Avenue (F)\, Bowery (J\, Z)\, Spring Street (6)\, and Broadway-Lafayette/Bleeker Street (B\, D\, F\, M\, 6) The nearest wheelchair-accessible subway station is Broadway-Lafayette Street/Bleecker Street B/D/F/M/6. The elevator is located on the north side of Houston Street between Lafayette and Crosby Streets. The nearby Bowery J/Z station has an escalator but no elevator. On-street parking on the Bowery is extremely limited. The Museum does not provide parking. Click here for parking options nearby. Click here to get directions from your location.  \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nAbout Madeline Weisburg\n\n\nMadeline Weisburg is a curator\, editor\, and researcher based in Brooklyn\, New York. She is a Curatorial Assistant at the New Museum of Contemporary Art and Curatorial Researcher for the 59th Venice Biennale (2022). Madeline has previously held curatorial positions at the Jewish Museum and in the Department of Photography at MoMA. She was 2017–18 Curatorial Fellow at the Miriam and Ira D. Wallach Art Gallery at Columbia University. Her writing has appeared in Art in America\, The Brooklyn Rail\, post at MoMA\, and elsewhere. She holds an MA in Modern and Contemporary Art History: Critical and Curatorial Studies (MODA) from Columbia University as well as a dual BA in Art History and BFA in Studio Art from Tufts University in partnership with the School of the Museum Fine Arts\, Boston. \n\n\nAbout the Exhibition\n\n\n\nFaith Ringgold: American People is the most comprehensive exhibition to date of this groundbreaking artist’s vision\, highlighted by the first full presentation of her historic French Collection in over twenty years along with many other quintessential works that will be exhibited together for the first time in decades. Featuring Ringgold’s best-known series\, this show examines the artist’s figurative style as it evolved to meet the urgency of political and social change. The exhibition also foregrounds her radical explorations of gender and racial identities\, which the artist incorporates into the rich textures of her paintings\, soft sculptures\, and story quilts. Among the most important artworks of the past fifty years\, Ringgold’s fabric works combine local traditions and global references to compose a polyphonic history of this country. Long overdue\, this retrospective provides a timely opportunity to experience the art of an American icon. \n\n\n\n\n\n\n\nImage: Faith Ringgold\, American People Series #18: The Flag Is Bleeding\, 1967. Oil on canvas\, 72 × 96 in. (182.9 × 243.8 cm). National Gallery of Art\, Washington\, Patrons’ Permanent Fund and Gift of Glenstone Foundation (2021.28.1). © Faith Ringgold / ARS\, NY and DACS\, London\, courtesy ACA Galleries\, New York 2021
URL:https://www.arttable.org/event/new-york-tour-of-faith-ringgold-american-people-at-the-new-museum/
LOCATION:New Museum\, 235 Bowery\, New York\, 10002
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/Faith-ringgold-the-flag-is-bleeding-1967-scaled-1.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220409T133000
DTEND;TZID=America/New_York:20220409T133000
DTSTAMP:20260523T211050
CREATED:20220325T220115Z
LAST-MODIFIED:20220328T152419Z
UID:8320-1649511000-1649511000@www.arttable.org
SUMMARY:Benefit Week | Tour of the Whitney Biennial
DESCRIPTION:Please join us at the Whitney Museum of American Art for one of two private tours of the 2022 Whitney Biennial. \n\n\n\nThe 80th edition of the biennial\, entitled Quiet as It’s Kept\, will showcase the work of 63 artists and collectives distributed throughout most of the museum’s space. \n\n\n\n“Quiet as It’s Kept—a colloquialism typically said before the statement of something obviously meant to be kept a secret—was selected as the title after the co-organizers\, curators David Breslin and Adrienne Edwards\, were inspired by the usage of the phrase in a Toni Morrison novel and as the title of a Max Roach album. ‘The 2022 biennial arrives at a time haunted by a global pandemic and plagued by ongoing racial and economic inequities and polarizing politics\,’ says Adam D. Weinberg\, the museum’s Alice Pratt Brown director. ‘The artists in the exhibition challenge us to consider how these realities affect our senses of self and community and offer one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years.'”  \n\n\n\n– Pili Swanson\, Gotham Magazine \n\n\n\nThe Whitney Biennial is the longest-running survey of American art\, and has been a hallmark of the Museum since 1932. Initiated by the Museum’s founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years\, the biennials were originally organized by medium\, with painting alternating with sculpture and works on paper. Starting in 1937\, the Museum shifted to yearly exhibitions called Annuals. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. More than 3\,600 artists have participated in a biennial or annual. \n\n\n\nThis is the first of two tours on Saturday\, April 9. The second is at 3:00pm. Please click here if you are looking for the 1:30pm tour. \n\n\n\nThis program is $30 for ArtTable members\, who may bring an additional guests for $45. Capacity is limited.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. When you next visit the Whitney\, you’ll see that enhanced precautions are being taken for your health and well-being. Prepare for your next visit by reading these updated guidelines the Museum has put in place to make your visit as safe and stress-free as possible. Stay at home if you are feeling sick.Please do not visit the Museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19. Face coverings are required\, even if you are vaccinated.Face coverings that cover the nose and mouth must be worn at all times on the premises by all visitors over the age of two. Face visors can be worn\, but only in conjunction with a mask. Masks with valves will not be allowed in the Museum\, due to the sustained risk of COVID-19 transmission these coverings pose; visitors who arrive wearing these coverings will be required to use a mask provided by the Whitney to gain entry. Stay six feet apart.Please follow all directional signage and ground markings throughout the Museum to help visitors and staff navigate galleries\, stairwells\, elevators\, and restrooms while maintaining distances of at least six feet. Leave large bags at home.Coat check is not available at this time. All backpacks\, shoulder bags\, and strollers will need to stay with you at all times. Please note that oversized bags (larger than 11x15x5 inches) will not be permitted in the Museum. On wet days\, umbrella bags will be issued. Comply with our safety protocols.The Museum reserves the right to require that visitors who do not follow posted safety guidelines or instructions from staff leave the premises. Contact tracing.The Museum may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email privacy@whitney.org. An inherent risk of exposure to COVID-19 exists in any public space where people are present. The museum cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering the Whitney do so at their own risk as to such exposure. Whitney staff and visitors have the right to an environment free from abusive\, threatening\, or inappropriate behavior. The Museum reserves the right to remove any person acting in an unacceptable or inappropriate manner.  Accessibility The Whitney invites visitors to experience the richness and complexity of American art in an inclusive\, welcoming environment. Wheelchair AccessGetting here - Download a map of the area surrounding the Museum\, highlighting accessible pathways from public transportation\, parking facilities\, and the High Line. Due to ongoing construction\, some streets and sidewalks may not be accessible.Access-a-Ride - The New York City MTA offers drop-off and pick-up service from the Whitney Museum on the corner of Washington and Gansevoort Street. Entrance - The accessible path to the Whitney’s main entrance at 99 Gansevoort Street runs from Washington Street along the south side of the building\, past the Museum's restaurant on the ground floor. The staff entrance at 555 West Street is also accessible. Wheelchair availability - Manual wheelchairs are available free of charge on a first-come\, first-served basis at the admissions desk on Floor 1 or at the coat check.Restrooms - Accessible restrooms are located on Floors -1\, 3\, 7\, and 8. Single user/all-gender restrooms are located on Floors -1\, 3\, and 8.Galleries - All levels of the Museum are accessible by elevator. Doorways to outdoor terraces are equipped with automatic openers. Service animals - Service animals are welcome at the Whitney.   Assistive listening systemsFloor 1: Service locations at the admissions desk and membership desk are equipped with induction hearing loops that transmit sound directly to hearing aids equipped with a T-coil.In the galleries: The Kaufman Gallery (Floor 5) is equipped with an induction hearing loop. To use\, please switch your hearing aid to “T.” ASL Mobile Guide tour: This engaging video tour explores iconic highlights from the Whitney’s collection in American Sign Language with closed captioning. The Mobile Guide is available for free online.Transcripts - Transcripts are available for audio and video works with sound in the Access section of the Mobile Guide.Synchronous mobile captioning - Synchronous mobile captioning is available for select video and sound works on view by scanning a QR code in the galleries with your mobile device\, or by accessing the Mobile Guide. Many video works on view also have open captions.Services Available By RequestAmerican Sign Language interpretation - ASL-English interpretation is available for public programs and events upon request with five business days advance notice. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Braille - Please email accessfeedback@whitney.org or call (646) 666-5574 to request English language publications in Braille. Please provide two weeks advance notice for Braille requests.Live captioning - Live captioning is available for public programs and events upon request with five business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Verbal Description - Verbal Description is available for public programs and events upon request with two weeks advance notice. Please be advised that this accommodation is contingent upon the availability of describers. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.If you have access-related questions or feedback about your visit to the Whitney\, please contact us at accessfeedback@whitney.org or (646) 666-5574.   Getting There & Parking Located at 99 Gansevoort Street in Manhattan's Meatpacking District—steps away from the Hudson River Greenway and the West Side Highway—the Whitney is easily accessible by bicycle\, car\, and public transportation. Click here to get directions from any location. There are numerous parking garages in the area: There are three ICON parking facilities nearby\, at 99 Jane Street\, 134–36 Jane Street\, and 385 West 15th Street. Bicycle racks are available in the front of the Museum\, and Citi Bike docks are located at the southwest corner of Gansevoort and Washington Streets.  \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Whitney Biennial 2022 Logo
URL:https://www.arttable.org/event/benefit-week-tour-of-the-whitney-biennial/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/03/Screen-Shot-2022-03-25-at-5.45.15-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220409T150000
DTEND;TZID=America/New_York:20220409T150000
DTSTAMP:20260523T211050
CREATED:20220328T152115Z
LAST-MODIFIED:20220328T152430Z
UID:8336-1649516400-1649516400@www.arttable.org
SUMMARY:Benefit Week | Tour of the Whitney Biennial
DESCRIPTION:Please join us at the Whitney Museum of American Art for a private tour of the 2022 Whitney Biennial. \n\n\n\nThe 80th edition of the biennial\, entitled Quiet as It’s Kept\, will showcase the work of 63 artists and collectives distributed throughout most of the museum’s space. \n\n\n\n“Quiet as It’s Kept—a colloquialism typically said before the statement of something obviously meant to be kept a secret—was selected as the title after the co-organizers\, curators David Breslin and Adrienne Edwards\, were inspired by the usage of the phrase in a Toni Morrison novel and as the title of a Max Roach album. ‘The 2022 biennial arrives at a time haunted by a global pandemic and plagued by ongoing racial and economic inequities and polarizing politics\,’ says Adam D. Weinberg\, the museum’s Alice Pratt Brown director. ‘The artists in the exhibition challenge us to consider how these realities affect our senses of self and community and offer one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years.'”  \n\n\n\n– Pili Swanson\, Gotham Magazine \n\n\n\nThe Whitney Biennial is the longest-running survey of American art\, and has been a hallmark of the Museum since 1932. Initiated by the Museum’s founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years\, the biennials were originally organized by medium\, with painting alternating with sculpture and works on paper. Starting in 1937\, the Museum shifted to yearly exhibitions called Annuals. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. More than 3\,600 artists have participated in a biennial or annual. \n\n\n\nThis is the second of two tours on Saturday\, April 9. The first is at 1:30pm. Please click here if you are looking for the 1:30pm tour. \n\n\n\nThis program is $30 for ArtTable members\, who may bring an additional guests for $45. Capacity is limited.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. When you next visit the Whitney\, you’ll see that enhanced precautions are being taken for your health and well-being. Prepare for your next visit by reading these updated guidelines the Museum has put in place to make your visit as safe and stress-free as possible. Stay at home if you are feeling sick.Please do not visit the Museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19. Face coverings are required\, even if you are vaccinated.Face coverings that cover the nose and mouth must be worn at all times on the premises by all visitors over the age of two. Face visors can be worn\, but only in conjunction with a mask. Masks with valves will not be allowed in the Museum\, due to the sustained risk of COVID-19 transmission these coverings pose; visitors who arrive wearing these coverings will be required to use a mask provided by the Whitney to gain entry. Stay six feet apart.Please follow all directional signage and ground markings throughout the Museum to help visitors and staff navigate galleries\, stairwells\, elevators\, and restrooms while maintaining distances of at least six feet. Leave large bags at home.Coat check is not available at this time. All backpacks\, shoulder bags\, and strollers will need to stay with you at all times. Please note that oversized bags (larger than 11x15x5 inches) will not be permitted in the Museum. On wet days\, umbrella bags will be issued. Comply with our safety protocols.The Museum reserves the right to require that visitors who do not follow posted safety guidelines or instructions from staff leave the premises. Contact tracing.The Museum may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email privacy@whitney.org. An inherent risk of exposure to COVID-19 exists in any public space where people are present. The museum cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering the Whitney do so at their own risk as to such exposure. Whitney staff and visitors have the right to an environment free from abusive\, threatening\, or inappropriate behavior. The Museum reserves the right to remove any person acting in an unacceptable or inappropriate manner.  Accessibility The Whitney invites visitors to experience the richness and complexity of American art in an inclusive\, welcoming environment. Wheelchair AccessGetting here - Download a map of the area surrounding the Museum\, highlighting accessible pathways from public transportation\, parking facilities\, and the High Line. Due to ongoing construction\, some streets and sidewalks may not be accessible.Access-a-Ride - The New York City MTA offers drop-off and pick-up service from the Whitney Museum on the corner of Washington and Gansevoort Street. Entrance - The accessible path to the Whitney’s main entrance at 99 Gansevoort Street runs from Washington Street along the south side of the building\, past the Museum's restaurant on the ground floor. The staff entrance at 555 West Street is also accessible. Wheelchair availability - Manual wheelchairs are available free of charge on a first-come\, first-served basis at the admissions desk on Floor 1 or at the coat check.Restrooms - Accessible restrooms are located on Floors -1\, 3\, 7\, and 8. Single user/all-gender restrooms are located on Floors -1\, 3\, and 8.Galleries - All levels of the Museum are accessible by elevator. Doorways to outdoor terraces are equipped with automatic openers. Service animals - Service animals are welcome at the Whitney.   Assistive listening systemsFloor 1: Service locations at the admissions desk and membership desk are equipped with induction hearing loops that transmit sound directly to hearing aids equipped with a T-coil.In the galleries: The Kaufman Gallery (Floor 5) is equipped with an induction hearing loop. To use\, please switch your hearing aid to “T.” ASL Mobile Guide tour: This engaging video tour explores iconic highlights from the Whitney’s collection in American Sign Language with closed captioning. The Mobile Guide is available for free online.Transcripts - Transcripts are available for audio and video works with sound in the Access section of the Mobile Guide.Synchronous mobile captioning - Synchronous mobile captioning is available for select video and sound works on view by scanning a QR code in the galleries with your mobile device\, or by accessing the Mobile Guide. Many video works on view also have open captions.Services Available By RequestAmerican Sign Language interpretation - ASL-English interpretation is available for public programs and events upon request with five business days advance notice. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Braille - Please email accessfeedback@whitney.org or call (646) 666-5574 to request English language publications in Braille. Please provide two weeks advance notice for Braille requests.Live captioning - Live captioning is available for public programs and events upon request with five business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Verbal Description - Verbal Description is available for public programs and events upon request with two weeks advance notice. Please be advised that this accommodation is contingent upon the availability of describers. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.If you have access-related questions or feedback about your visit to the Whitney\, please contact us at accessfeedback@whitney.org or (646) 666-5574.   Getting There & Parking Located at 99 Gansevoort Street in Manhattan's Meatpacking District—steps away from the Hudson River Greenway and the West Side Highway—the Whitney is easily accessible by bicycle\, car\, and public transportation. Click here to get directions from any location. There are numerous parking garages in the area: There are three ICON parking facilities nearby\, at 99 Jane Street\, 134–36 Jane Street\, and 385 West 15th Street. Bicycle racks are available in the front of the Museum\, and Citi Bike docks are located at the southwest corner of Gansevoort and Washington Streets.  \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Whitney Biennial 2022 Logo
URL:https://www.arttable.org/event/benefit-week-tour-of-the-whitney-biennial-2/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/03/Screen-Shot-2022-03-25-at-5.45.15-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220414T160000
DTEND;TZID=America/New_York:20220414T163000
DTSTAMP:20260523T211050
CREATED:20220321T213611Z
LAST-MODIFIED:20220321T213621Z
UID:8295-1649952000-1649953800@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-2/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220423T130000
DTEND;TZID=America/New_York:20220423T130000
DTSTAMP:20260523T211050
CREATED:20220329T174901Z
LAST-MODIFIED:20220411T173955Z
UID:8363-1650718800-1650718800@www.arttable.org
SUMMARY:NoCal | The New Art Collection: NFTs and Digital Art\, presented in partnership with Art Market San Francisco
DESCRIPTION:Join ArtTable and Art Market San Francisco for a discussion on NFTs and digital art collecting! \n\n\n\nAs the art world continues to develop amidst the ever-evolving world of digital art\, NFTs\, and cryptocurrencies\, so too must the established habits of art collectors. The past several years have seen significant developments in the digital realm\, both when it comes to digital art itself as well as purchasing art on digital platforms. NFTs have quickly become a mainstay in art world news\, with new information and initiatives being announced on a regular basis. Artists are more frequently using digital art to address gender and minority imbalances in the art world; art fairs are launching digital viewing sites and permitting non-physical galleries to show at the fair; and NFT platforms are going green. Where years ago purchasing a work of art online might have been unheard of\, now it is a common occurrence. Art\, and how we access it\, is ever-changing\, and we are all just trying to keep up.  \n\n\n\nIn this discussion\, we will hear from art advisor Claudia Worthington-Hess\, Christina Steinbrecher\, co-founder of Blockchain.art\, a digital platform for artists and collectors\, and Kelani Nichole\, founder of TRANSFER\, a gallery that explores the friction between virtual studio practice and its physical instantiation. \n\n\n\nClick here to read more about the program and the speakers. \n\n\n\nThis program is free with fair admission and open to all. For more information about the fair and to purchase tickets\, click here. \n\n\n\nThis program is presented in partnership with Art Market San Francisco. Complimentary tickets are available for ArtTable members via the membership portal. \n\n\n\n\n\n\n\nImage: TBD
URL:https://www.arttable.org/event/nocal-the-new-art-collection-nfts-and-digital-art-presented-with-art-market-san-francisco/
LOCATION:Fort Mason Center – Festival Pavilion\, 2 Marina Blvd.\, San Francisco\, California\, 94123\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/NFTs.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220426T130000
DTEND;TZID=America/New_York:20220426T130000
DTSTAMP:20260523T211050
CREATED:20220413T185824Z
LAST-MODIFIED:20220414T162035Z
UID:8512-1650978000-1650978000@www.arttable.org
SUMMARY:Virtual | A Conversation with Denise Gardner & Alison Cuddy
DESCRIPTION:10am PT/11am MT/12pm CT/1pm ET\n\n\n\nJoin ArtTable’s Chicago Chapter for a conversation with Denise Gardner as she shares insights and experiences from her career journey\, including roles as a senior executive in the marketing and beauty/hair care industries\, a passionate art collector and philanthropist\, a dedicated member of numerous boards and committees\, and her newest role as the first woman and the first African-American to chair the board of a major U.S. art museum – the Art Institute of Chicago.  \n\n\n\nIn conversation with Denise will be Alison Cuddy\, former host of Chicago Public Radio’s “Eight Forty-Eight” weekday news magazine show. For over twenty years\, Alison Cuddy has been a respected leader in the fields of broadcast journalism\, arts and culture\, and philanthropy in Chicago\, including eight years as the Marilynn Thoma Artistic Director of the Chicago Humanities Festival. An accomplished moderator\, Alison is frequently called upon to facilitate conversations with thought leaders and public figures. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $15\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway and receive a recording afterwards! \n\n\n\nAccessibility: Please note that automatic closed captioning will be provided for this program. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\nAbout the speakers\nDenise Garder is chair of the Art Institute of Chicago’s board of trustees. Her history with the museum dates back to 1995\, when she began her decades-long involvement with the Leadership Advisory Committee. Denise joined the museum’s board in 2006 and has been a member of the governing board of the School of the Art Institute since 2011. In addition to her work with the Art Institute\, Denise is a member of the boards of the Arts Club of Chicago and the Gaylord and Dorothy Donnelley Foundation and previously served on the executive committee of the Chicago Community Trust\, the board of visitors of Weinberg College of Arts and Sciences at Northwestern University\, and the boards of the Chicago Humanities Festival and the Chicago Public Library. \nAlison Cuddy is a Chicago-based writer\, curator\, and programmer. She has extensive experience developing programs for diverse audiences including eight years as the Marilynn Thoma Artist Director of the Chicago Humanities Festival and more than a decade at Chicago’s NPR affiliate WBEZ\, where she hosted the award-winning flagship program\, Eight Forty-Eight and was named among “the most powerful women in Chicago journalism” by local media journalist Robert Feder. She is the Vice Chair of Mayor Lightfoot’s Cultural Advisory Council and serves on the boards of the Chicago Reader and the Arts Club of Chicago. \nCuddy holds a B.F.A. in cinema studies from Concordia University in Montreal\, Quebec\, Canada. She has also earned an M.A. in English from the University of Pittsburgh. \n\nImage: Headshots of Denise Gardner and Alison Cuddy (Photo by David Kindler) \nThank you to ArtTable Chicago Chapter Leaders Diane Dinkins Carr and Julie Gustafson for organizing this program.
URL:https://www.arttable.org/event/virtual-conversation-with-denise-gardner-alison-cuddy/
LOCATION:Zoom
CATEGORIES:National,Chicago
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-13-at-2.04.46-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220428T120000
DTEND;TZID=America/New_York:20220428T120000
DTSTAMP:20260523T211050
CREATED:20220407T175328Z
LAST-MODIFIED:20220425T143810Z
UID:8409-1651147200-1651147200@www.arttable.org
SUMMARY:Virtual | Discovering Digital - Making Sense of NFT Platforms
DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\n\n\n\nTo celebrate the one-year anniversary of the “Discovering Digital” series\, we are bringing together four leading voices of the art crypto community. Please join Amanda Cassatt\, Co-Founder and President of Mojito (Sotheby’s Metaverse)\, Marisa Kayyem\, Chief Curator of LiveArt and LiveArtX Studio\, Stephanie Pereira\, VP of Creator Success at Rally for a discussion on NFT marketplaces and the opportunities they offer art world professionals. The discussion will be moderated by Elena Zavelev\, Co-Founder and CEO of CADAF Digital Art Fair. \n\n\n\nMore than $17 billion worth of NFTs were traded in 2021 and the market is expected to grow to more than $35 billion this year. Artists and collectors are now embracing blockchain-based technologies and NFT marketplaces have proliferated\, many of them with specific focus or niche. But what is an NFT platform? How do you buy and sell an NFT? How are marketplaces different? Our panelists will share an overview of the space\, the platforms they are building\, and discuss what makes a successful NFT project. \n\n\n\nClick here for some helpful terms that might come up during the conversation! \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $25\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\n \nAbout the speakers\nAmanda Cassatt is Co-founder and President of Mojito\, a new web3 platform for NFT commerce\, finance\, and community engagement. Mojito is the first venture to spin out of Serotonin\, a crypto-native strategic marketing firm and product studio for transformative technologies that Amanda founded in 2020 and currently leads as its CEO. Amanda is a notable product builder and master marketer who has helped bring some of the leading blockchain companies to market and advised global institutions on how to adopt NFTs and crypto to bring their brands into the metaverse.  \nFrom 2016 to 2019\, Amanda spearheaded bringing Ethereum to market as the CMO of ConsenSys\, supporting its growth to become the largest and most robust blockchain ecosystem. Prior to joining ConsenSys\, Amanda co-founded media startup Slant\, which she launched after working under Arianna Huffington at The Huffington Post where she learned about the challenges for creators in web2 that she would spend her subsequent career addressing. \nMarisa Kayyem is Chief Curator of LiveArt & LiveArtX Studio. Marisa is an art historian\, curator\, and art advisor specializing in modern\, contemporary\, and digital art. Prior to LiveArt\, she was the Director of Education at Christie’s\, where she established the art business and art market programs. She has taught\, lectured and participated in panel discussions about art\, art history\, collecting\, the art market\, at art fairs\, auction houses and universities. As an art advisor\, Marisa has assembled collections for both private individuals and corporations. She received her Ph.D. from Columbia University. \n \nStephanie Pereira is VP of Creator Success at Rally\, a web3 platform that makes it possible for anyone to launch their own digital economy using blockchain technology. She has more than 15 years of experience working at the intersection of arts\, tech and business and before joining Rally\, Stephanie served as Director of New Museum’s NEW INC where she co-founded extended reality studio and accelerator\, ONX Studio. Prior to that\, she was a senior leader at Kickstarter where she worked for over six years\, first as the inaugural Director of Arts\, and ultimately as Director of Creator Engagement where she oversaw strategic growth and management of a global community of over 100K people. \nElena Zavelev is an entrepreneur focusing on digital art & NFTs\, based in New York City. Elena has been successfully building tools for artists\, curators & collectors in digital art and NFT space since 2017 with CADAF\, Digital Art Month and New Art Academy. Earlier engagements include Christie’s\, 1stDibs\, Skate’s Art Market Research and more. Elena’s writings can be found on Forbes\, Observer\, ESP Cultural Magazine and Deloitte. She holds a MA degree in contemporary art and connoisseurship from Christie’s Education. \n\nImage: Image: CryptoPunks / Larva Labs \nThank you to ArtTable NY Programs Committee Members Laurence Lafforgue and Sophie Coco\, and ArtTable NY Programs Committee Co-Chair\, Regan Lynn Larroque\, for organizing this program.
URL:https://www.arttable.org/event/virtual-discovering-digital-making-sense-of-nft-platforms/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-07-at-3.30.42-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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