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DTSTART;VALUE=DATE:20220604
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DTSTAMP:20260520T031749
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UID:1540-1654329600-1655139600@www.arttable.org
SUMMARY:AT Tours - Scandinavia Art Experience 2022
DESCRIPTION:Interested in this program? Please email travel@arttable.org for more information.\n\nThe light! In Scandinavia this has been an inspiration for artist throughout the ages. This alone is a reason to visit the splendid art capitals of this region. The art worlds are truly exciting with the new Munch Museum and the Twist in Oslo. Helsinki has its first Biennial this year and as a result the art world is more vibrant than ever. And of course we dive into the wonderful art scene of Copenhagen. Exceptional clean Nordic design and the amazing equally ‘clean’ cuisine are further draws. Add the stunning natural beauty and we have a ‘not-to-be missed’ destination. It is no coincidence that the three countries we will visit are home of the Top-3 of Happiest People in the world. \nITINERARY\nHELSINKI\, FinlandThe Biennial of 2020 (postponed to 2021) really put Helsinki on the art world map. We ‘dive into’ the thriving art scene and see the best it has to offer. We will meet fantastic artists and collectors in their studios and homes. Of course we will include design from the world-renowned Aalto studio. We will enjoy a special behind-the-scenes tour in the Kiasma museum. And in contrast we visit the most beautiful examples of Finnish Jugendstill architecture. \nOSLO\, Norway‘Oslo is Europe’s next great Art Capitol’ according to ARTnews.com. And we agree. The new Munch Museum is set be open this fall. It promises to be a fabulous tribute to the artist and of course we will enjoy a special visit. The Oslo art scene is booming and we include the best galleries\, museums and private collections in the program. We also make a spectacular trip north to visit the Twist Museum and the sculpture garden surrounding it. Then it is time to take in the natural beauty from the water. We board the cruise-ferry and leave Oslo behind with stunning views of the Norwegian fjords. On board we enjoy a great dinner and spend the night in a first class cabin. \nCOPENHAGEN\, DenmarkWe wake up arriving in wonderful Copenhagen. The hugely successful contemporary artist Olafur Elliason was born here and we meet some of his contemporaries. We will visit intriguing private collections. And we will enjoy visits to the Hirschsprung Collection for masterpieces from the Danish Golden Age as well as the fantastic modern and contemporary Louisiana Museum and sculpture garden. There is also time for some great (design) shopping. Of course we will eat what could be the best food you have ever tasted in some of the 25+ Michelin star restaurants of the Danish capital. A fantastic last stop on what promises to be a truly magical tour. \nMonday\, June 13Flight back home or on your way for further experiences….*Subject to change due to unforeseen circumstances \n\nTRIP DETAILS\nDATESJune 4-13\, 2022 \nDURATION9 days / 9 nights \nSTAYPerfectly located luxury hotels; First class cabin on the ferry from Copenhagen to Oslo \nMEALSBreakfast\, lunches\, dinners included (alcohol not included) \nTRAVELIncluded:Local transport by luxury coachFlight from Helsinki to OsloOvernight ferry Oslo to Copenhagen \nNot included:Trans-Atlantic flights  (Artigo will advise on preferred flights) \nPRICING / ROOM TYPES– Single occupancy  – $8\,450– Double occupancy – $7\,750 \nPAYMENT SCHEDULE (Payable to Artigo Tours): \nSeptember 1\, 2021 | 1st payment – $2\,000February 1\, 2022 | 2nd payment – $3\,000April 1\, 2022 | 3rd payment – (dependent on type of room\, see below)– Single Occupancy: $3\,450– Double Occupancy: $2\,750 \nARTTABLE TAX-DEDUCTIBLE CONTRIBUTION  \nDue by September 1\, 2021Click here to submit payment. \nMembers: $750Guests: $1100 \nAll payments made to ArtTable are final and non-refundable. \nPlease contact ArtTable at travel@arttable.org with any questions. All payments are non-refundable. \n\nImages: \n\nAmos Rex by JKMM Architects in Helsinki. Photo: Mika Huisman\nHelsinki Biennial brings Janet Echelman’s artwork 1.78 to Senate Square from 31 July to 31 August.\nestudio Herreros’ long-awaited Munch Museum is opening its doors on October 22\, 2021. Photo: Adrià Goula\, courtesy estudio Herreros.\nInterior of the Hirschsprung Collection. Photo: Jakob Hunosøes
URL:https://www.arttable.org/event/scandinavia-art-experience/
CATEGORIES:National,Travel
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/Amos.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220607T130000
DTEND;TZID=America/New_York:20220607T130000
DTSTAMP:20260520T031749
CREATED:20220512T151459Z
LAST-MODIFIED:20220517T204748Z
UID:8955-1654606800-1654606800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220609T160000
DTEND;TZID=America/New_York:20220609T163000
DTSTAMP:20260520T031749
CREATED:20220428T194640Z
LAST-MODIFIED:20220428T194643Z
UID:8831-1654790400-1654792200@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-4/
LOCATION:Zoom
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220622T170000
DTEND;TZID=America/New_York:20220622T170000
DTSTAMP:20260520T031749
CREATED:20220516T194122Z
LAST-MODIFIED:20220526T204736Z
UID:8976-1655917200-1655917200@www.arttable.org
SUMMARY:New York | Curator’s Talk with Cecilia Alemani\, Artistic Director of the 59th Venice Biennale\, on “The Milk of Dreams”
DESCRIPTION:The James Howell Foundation and ArtTable present a special curator’s talk with Cecilia Alemani\, Artistic Director of the 59th International Art Exhibition of La Biennale di Venezia\, on this edition’s theme: “The Milk of Dreams.” Alemani will be in conversation with Laura Bardier\, Executive Director of the James Howell Foundation. \n\n\n\nOrganized around Leonora Carrington’s The Milk of Dreams\, the exhibition reflects on what it means to be human today. It focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; and the connection between bodies and the Earth. \n\n\n\nThis program is free and open to ArtTable Circle\, Board\, and Executive level members only. Registration is required. ArtTable Circle and Board members receive priority registration. Registration for Executive level members will open on Wednesday\, June 8\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional though recommended inside the gallery. Please note that by registering for this event you consent to have your contact information shared with the James Howell Foundation and ArtTable to be used in the event that contact tracing is needed.  Accessibility The James Howell Foundation is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The James Howell Foundation is located in the West Village neighborhood of New York City. The nearest subway station is Christopher Street (1 and 2 trains). The exact address will be shared with attendees upon registration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Cecilia Alemani\n\n\n\nCecilia Alemani is an Italian curator based in New York. Currently\, she is the Artistic Director of the upcoming 59th International Art Exhibition (2022) in Venice. Since 2011\, she has been the Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. \n\n\n\nAbout the James Howell Foundation\n\n\n\nThe James Howell Foundation is a proud sponsor of the 59th International Art Exhibition of La Biennale di Venezia “The Milk of Dreams.” The James Howell Foundation supports Howell’s vision of committed investigation of like-minded endeavors through a variety of professional programs and projects. The Foundation creates and furthers philanthropic initiatives that empower art professionals\, curators and artists\, as a contribution to cultural and humanistic advancement.  \n\n\n\n\n\n\n\n\n\n\n\nAbout The Milk of Dreams\n\n\n\n“The Milk of Dreams” takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. The exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures\, along with other figures of transformation\, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human. \n\n\n\nThis exhibition is grounded in many conversations with artists held in the last few years. The questions that kept emerging from these dialogues seem to capture this moment in history when the very survival of the species is threatened\, but also to sum up many other inquiries that pervade the sciences\, arts\, and myths of our time. How is the definition of the human changing? What constitutes life\, and what differentiates plant and animal\, human and non-human? What are our responsibilities towards the planet\, other people\, and other life forms? And what would life look like without us? \n\n\n\n\n\n\n\nThank you to ArtTable Board member Laura Bardier for organizing this program. \n\n\n\nImage: Cecilia Alemani; Cover art for the 59th Venice Biennale Catalog
URL:https://www.arttable.org/event/new-york-curator-talk-cecilia-alemani-milk-of-dreams/
LOCATION:The James Howell Foundation\, New York\, New York\, 10014\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-17-at-11.01.07-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20220625T000000
DTEND;TZID=America/New_York:20220625T235959
DTSTAMP:20260520T031749
CREATED:20220411T213018Z
LAST-MODIFIED:20220427T191216Z
UID:8445-1656115200-1656201599@www.arttable.org
SUMMARY:A Day in Baltimore
DESCRIPTION:ArtTable is going to Baltimore!  \n\n\n\nPlease join us for a day of art and exploration in Baltimore\, Maryland. This trip will feature visits to two of Baltimore’s leading arts institutions\, a private collection\, and a contemporary gallery. Enjoy a lovely early summer’s day with members and friends exploring this vibrant city! \n\n\n\nPlease note: Transportation to and from Baltimore is not included in this trip. We will meet at the first location on the itinerary\, after which a private bus will provide transportation between other locations on the itinerary. We will also utilize ride-sharing apps for the final visit of the day. Recommended transportation to/from the city can be found below. \n\n\n\nITINERARY \n\n\n\n10:45 AM – Meet us at the American Visionary Art Museum for a tour of Healing and the Art of Compassion (and the Lack Thereof!) with the museum’s Founder & Director\, Rebecca Hoffberger. This will be Rebecca’s last exhibition before she retires in the fall.12:15 PM – Our shuttle bus will take us to the residence of Keith Eric Timmons for a private viewing of his collection\, which includes works by Amy Sherald\, Jerrell Gibbs\, and many more.1:30 PM – We will enjoy a delicious lunch at Gertrude’s Chesapeake Kitchen.3:00 PM – After lunch\, we will have time at the Baltimore Museum of Art to see dozens of works from public and private collections in an exploration of the full arc of Joan Mitchell’s artistic practice. Entry includes access to the whole museum in addition to the Joan Mitchell exhibition. Attendees will have time to explore at their leisure.4:15 PM – Finally\, we will end our day with a private tour and reception at Goya Contemporary/Goya-Girl Press\, where the exhibition\, The Soul Selects: Louise Fishman and her Heroes\, Mitchell\, Martin and Hesse\, will be on view.\n\n\n\nThis program is open to ArtTable members only $165\, and non-members for $195. Your ticket includes entry to both museums\, lunch\, and transportation (from the American Visionary Art Museum\, to the private collection\, to the Baltimore Museum of Art\, and to Goya Contemporary). \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety American Visionary Art Museum All visitors over the age of 2 must wear a face covering.All visitors are required to maintain 6 feet of social distancing at all times\, including in the elevators and restrooms. Parties/families may remain together. Children must remain with adults at all times.Coat check and water fountains are temporarily suspended. Please limit your bags to 12”X12” in size. Coats and strollers are allowed.No food or drink allowed in the museum.Frequent hand washing is encouraged\, or use of hand sanitizer stations located throughout the museum when hand washing is not possible.Restrooms and high-touch surfaces\, such as doorknobs\, are frequently cleaned all day.Photo and video without flash for personal use is welcome!If you’re not feeling well\, please stay home and visit us another time!​Private Residence Our host has requested that visitors wear a face covering for the duration of the tour.Gertrude's Gertrude's currently does not have any COVID guidelines in place. Staff have the option to wear a mask\, but it is not mandatory. Guests do not have to wear a mask while on the premises.Baltimore Museum of Art More information to come.Goya Contemporary Masks are encouraged but not required.Please email Haley at programs@arttable.org if you have any questions!  Accessibility American Visionary Art Museum The main entrance is the accessible entrance.Mobility Aids: The museum and its campus are accessible to wheelchairs and those with limited mobility. Wheelchairs are available free of charge at Visitor Services on a first-come\, first-served basis.Service animals are welcome in the museum.For visitors who are hearing impaired\, films are either captioned\, or transcripts are available upon request at Visitor Services.Private Residence There are 2 steps to enter the residence\, and multiple staircases inside. Please prepare accordinglyIf you will require accommodations for this portion of the trip\, please email Haley at programs@arttable.org.Gertrude's The restaurant is wheelchair accessible. Once you get up the small curb into the museum building (and there's even a ramp for that curb)\, the entire ground floor is one level without any steps.Baltimore Museum of Art More information to come.Goya Contemporary The gallery is wheelchair accessible\, though there is not a wheelchair available on site. The ramp is to the left of the entrance. Staff can meet the individual(s) at the entrance to assist with entry if needed.Please email Haley at programs@arttable.org if you have any questions!  Getting There To Baltimore from: Washington\, DC Amtrak has several train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Washington\, DC's Union Station at 8:12 AM and arrives at 8:54 AM. The next train departs at 9:15 AM and arrives at 9:56 AM. The following train does not arrive in Baltimore until 11:00 AM\, so not in time for the first tour of the day. You may also look into bus options via Peter Pan\, Megabus\, or Greyhound.Philadelphia Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Philadelphia's William H. Gray III 30th Street Station at 8:54 AM and arrives at 10:02 AM. The next train departs at 9:13 AM and arrives at 10:21 AM.New York City Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs New York Moynihan Trail Hall at 7:17 AM and arrives at 10:02 AM. The next train departs at 8:00 AM and arrives at 10:21 AM.To the American Visionary Art Museum The AVAM is located at 800 Key Hwy\, Baltimore\, MD 21230. From Baltimore Penn Station\, it is approximately a 12 minute drive\, or you can utilize local public transportation by taking the CityLink Green Bus Downtown from the train station to the Light Street & Redwood Street stop. Then switch to the 71 Bus at 71 Patapsco Station and ride 4 minutes to the Key Hwy & Covington NS EB stop\, just a 2 minute walk from the museum. To Baltimore Penn Station (from Goya Contemporary) Depending on traffic\, the drive from Goya Contemporary to Baltimore Penn Station is approximately 6-9 minutes. Public transportation is also available by walking approximately 6 minutes from the gallery to 33RD Street & Chestnut Avenue\, where you can pick up the 94 bus towards Fort McHenry\, and get off at the Howard St & North Ave stop. From there it is about a 9 minute walk to the train station. From Baltimore to: Washington\, DC Our day ends at 5:30 PM\, but yours doesn't have to! We encourage all members to stick around the city and explore at their leisure. When you're ready to head back\, Amtrak has plenty of trains departing Baltimore Penn Station at 5:53 PM (arrive 6:35 PM)\, 6:13 PM (arrive 6:51 PM)\, 6:55 PM (arrive 7:41 PM)\, and 7:57 PM (arrive 8:45 PM).Philadelphia Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in Philadelphia at 7:16 PM. If you want to stick around Baltimore a bit longer\, the next train departs at 6:44 PM and arrives in Philadelphia at 8:02 PM.New York City Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in New York City at 8:45 PM. If you want to stick around Baltimore for a bit longer and don't mind getting home late\, the next train departs at 6:44 PM and arrives in New York City at 9:45 PM.Please email Haley at programs@arttable.org if you have any questions! \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Click here to read our full cancellation policy. \n\n\n\nImage: Baltimore skyline\, courtesy of tripsavvy
URL:https://www.arttable.org/event/national-a-day-in-baltimore/
LOCATION:Baltimore\, Maryland\, Baltimore\, Maryland\, 21201\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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