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DTSTART;TZID=America/New_York:20220901T170000
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DTSTAMP:20260418T041444
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SUMMARY:Virtual | Landmarks: A Discussion on Public Art\, with Sarah Oppenheimer & Andrée Bober
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nPlease join us for a virtual conversation between artist Sarah Oppenheimer and Andrée Bober\, founding director and curator of Landmarks\, the public art program of The University of Texas at Austin. The discussion will offer an inside look at C-010106\, Oppenheimer’s recent commission for the university’s College of Engineering. Oppenheimer and Bober will introduce the work and share insights on developing a major outdoor public art project within a unique and complex architectural setting. \n\n\n\nC-010106 consists of two structures positioned at opposite ends of a new pedestrian footbridge on the Texas Engineering campus. Each structure features four panes of glass⎯ two reflective\, diagonal sheets sandwiched between two vertical sheets. At the intersection of the four panes\, the glass passes through an incision in the bridge’s surface\, enabling pedestrians on top of the bridge to see the reflections of those underneath\, and vice versa.  \n\n\n\nOppenheimer pushes the boundaries between sculpture and architecture\, questioning the limits of both mediums. The artist shifts our frame of spatial reference\, displacing our experience of inside and out\, and inverting our sense of what is near and far. In doing so\, Oppenheimer heightens our awareness of the shared environment and creates unexpected opportunities for social exchange. \n\n\n\nC-010106 is Oppenheimer’s first entirely outdoor public work and is among the artist’s largest works to date. Sited on the Peyton Yates Family footbridge connecting the Engineering Education and Research Center (EERC) to the new Gary L. Thomas Energy Engineering Building (GLT)—designed through a collaboration of Jacobs and Ennead—the work features architectural materials that have been engineered with unique specificity. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout Andrée Bober\n\n\n\nAndrée Bober is the founding director and curator of Landmarks \, the public art program at The University of Texas at Austin. Building upon a long term loan with the Metropolitan Museum of Art\, she has commissioned major works by artists such as Ann Hamilton\, José Parlá\, Nancy Rubins\, Jennifer Steinkamp\, and James Turrell. Bober also created Landmarks Video in 2010\, an ongoing series of video art. She previously led the Contemporary Arts Center Cincinnati through the successful completion of its Zaha Hadid designed facility\, both as deputy and then acting director. Bober studied art history and museology at The University of Texas at Austin\, practiced painting conservation in Vienna\, Austria\, and earned a Master of Arts in Arts Administration from Columbia University in New York. Her recent publications include The Collections: The University of Texas at Austin (2016) and Landmarks (2018). She lives with her family in Chevy Chase\, Maryland. \n\n\n\nAbout Sarah Oppenheimer\n\n\n\nSarah Oppenheimer (b. 1972\, Austin\, Texas) has lived and worked in New York City since earning a Bachelor of Arts from Brown University in 1995 and a Master of Fine Arts from Yale University in 1999. Oppenheimer’s work has been featured in solo exhibitions at Kunstmuseum Thun\, Switzerland (2020); MASS MoCA\, North Adams\,Massachusetts (2019); the Wexner Center for the Arts\, Ohio State University\, Columbus\,Ohio (2017); the Pérez Art Museum Miami\, Florida (2016); MUDAM: Musée d’ArtModerne Grand-Duc Jean\, Luxembourg (2016); and Kunsthaus Baselland\, Muttenz\,Switzerland (2014). The artist is a recipient of the Rome Prize Fellowship (2011–12)\, Louis Comfort Tiffany Foundation Fellowship (2009)\, and Guggenheim FoundationFellowship (2007). Oppenheimer is currently a senior critic at the Yale University School of Art. \n\n\n\nAbout Landmarks\n\n\n\nLandmarks is the award-winning public art program of The University of Texas at Austin and the College of Fine Arts. Its collection of modern and contemporary art celebrates diverse perspectives\, featuring commissioned projects alongside sculptures on long term loan from the Metropolitan Museum of Art. Landmarks inspires thought and growth by making great art free and accessible to all. \n\n\n\n\n\n\n\nImage: Sarah Oppenheimer\, C-010106\, 2022 / Aluminum\, steel\, glass\, and architecture / Two forms: 191 x 125 x 35” and 156 x 125 x 35” / Courtesy of Landmarks\, The University of Texas at Austin / Photo by Richard Barnes
URL:https://www.arttable.org/event/virtual-landmarks-a-discussion-on-public-art-with-sarah-oppenheimer-andree-bober/
LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street\, Ridgefield\, Connecticut\, 06877\, United States
CATEGORIES:National
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DTSTART;TZID=America/New_York:20220907T173000
DTEND;TZID=America/New_York:20220907T173000
DTSTAMP:20260418T041444
CREATED:20220707T150021Z
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SUMMARY:New York | Annual Leadership Series - Latinx and Latin American Identity and Representation in the Visual Arts
DESCRIPTION:ArtTable is pleased to present the 2022 Annual Leadership Series\, focusing on Latinx & Latin American Identity & Representation in the Visual Arts.  \n\n\n\nThe 2022 Armory Show’s fair-wide focus on Latinx and Latin American Art is the culmination of decades-long efforts of critical forerunners in the field\, chief amongst them the incredible visionaries on this panel. Latinx representation in the arts is not simply “having a moment;” Latinx and Latin American artists and arts professionals have and continue to contribute to the development of the culture and history of the United States. Through establishing curators of Latin American/Latinx Art at key cultural institutions and sharing their collections or the curation of exhibitions in these public spaces\, passionate innovators\, such as Estrellita Brodsky and Patricia Phelps de Cisneros\, assisted these visionaries in staying the course to ensure today’s transnational understanding and authentic engagement with the art produced by those who hail from the non-Anglophone nations of the Western hemisphere\, as well as those who have joined the U.S. population from these countries. There is added pressure\, applied to the United States in particular\, to recognize its fellow “America”n countries due to the phenomenon Dr. Mari Carmen Ramirez termed “Latinization\,” the influence of those of Latin American descent as the largest ethnic group in the U.S.\, since historically their contributions have been minimized and excluded in the canon of art history\, both in the Americas and internationally.  \n\n\n\nThe speakers on this panel will share their experiences of the past\, their plans for the present\, and how we can all move forward in the future to continue bringing Latinx/Latin American arts and culture to the forefront of the art world. \n\n\n\nThe program will be moderated by CJ Greenhill Caldera\, Post-War and Contemporary Specialist and Head of Sale\, Americas at artnet\, with panelists: \n\n\n\nMarysol Nieves | VP and Senior Specialist\, Latin American Art\, Christie’sGabriela Palmieri | Founder and Principal\, Palmieri Fine Art\, Inc.E. Carmen Ramos | Chief Curator\, National Gallery of Art\n\n\n\nAdmission: \n\n\n\nArtTable Members – $30Non-members/Guests – $45Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Brunch at The Armory Show on Saturday\, September 10.\n\n\n\nPlease review before registering: \n\n\n Health & Safety Face masks are optional and dependent on the comfort of the individual. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility Christie's New York offers the below accessible options: - Street level access via main entrance on 49th Street- Wheelchair access to all galleries- Access to one of the main floor galleries via lifts can be requested upon arrival at the front entrance- Accessible toilets- Gender neutral bathroom- Braille toilet signage  Getting There Christie's is located at 20 Rockefeller Plaza\, New York\, NY 10020. The nearest subway stop is 47-50 Sts-Rockefeller Ctr (B\, D\, F\, M trains). Click here to get directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Should a program be postponed by ArtTable for any reason\, the purchaser’s ticket will be honored for the rescheduled program. Should a program be canceled and not rescheduled\, the purchaser will receive credit to be used toward a future program. Please email programs@arttable.org with any questions.\n\n\n\n\n\n\n\n\nAbout the Speakers\n(More information to be added) \nMarysol Nieves is Vice President and Senior Specialist\, Latin American Art at Christie’s\, New York where she has worked on several important consignments\, including\, the sale of the world auction record for the category\, Diego Rivera’s The Rivals as well as the 2022 sale of The Embroiderer\, a rediscovered masterpiece by Rivera acquired by the Museum of Fine Arts in Houston. She has also been instrumental in bringing such previously under recognized women artists to the auction market as Zilia Sánchez and Olga Albizu. Prior to joining Christie’s in 2011\, Marysol was an independent curator and art advisor working with institutional\, corporate\, and private clients. Additionally\, she has held various positions in the museum and for-profit art sectors\, including Vice President and Specialist\, Latin American Art\, Sotheby’s\, New York; Senior Curator and Curator of Contemporary Art\, Museo de Arte de Puerto Rico\, San Juan; Director of Visual Arts\, Americas Society\, New York; and Senior Curator\, The Bronx Museum of the Arts\, New York. \nGabriela Palmieri is the Founder and Principal of Palmieri Fine Art\, Inc.\, a bespoke full-service Art firm based in New York City. Prior to establishing PFA\, Inc.\, in 2016\, Ms. Palmieri led a distinguished 17-year career at Sotheby’s\, where she rose to Chairman of Contemporary Art\, Americas\, and was recognized as one of the most respected in the auction industry as a leading specialist in Post-War Art. \nMs. Palmieri founded PFA\, Inc. in order to unequivocally provide her clients with unbiased\, objective and transparent counsel in the increasingly complex and nuanced art market. In her independent role she is committed to providing impartial advice and counsel for established and new collectors aimed at making informed acquisitions\, which requires careful analysis and due diligence. As a seasoned researcher and scholar\, Gabriela brings to bear all the relevant factors about the artist\, the market trajectory for the artist’s work\, the particular work taken in the context of the artist’s career\, provenance\, condition\, literature and comparative uniqueness. \nIn the evolving art market\, Ms. Palmieri recognizes that client advocacy is as important as advisory\, a role that she spearheaded during her tenure at Sotheby’s where she was the client advocate on every transaction. Among the many highlights during her tenure at Sotheby’s included heading Sotheby’s May 2008 Day Sale to realize $107\,800\,000\, a record total for a Day Sale at any auction house at the time\, which followed a $102\,800\,000 performance from November 2007. As the Head of the Evening Sale\, she curated the bespoke Allan Stone Collection\, which fetched $55\,000\,000 in 2011. This role culminated in her stewardship of the prestigious Ahead of the Curve: The Sender Collection sale in May 2014 at Sotheby’s\, which sold in excess of $86\,000\,000. \nThis unparalleled auction house experience uniquely positions Ms. Palmieri to assess the market and deliver the most comprehensive secondary market expertise both on the buying and selling side of the transaction. Still very much part of the auction world\, in her present capacity\, she advised every aspect of the prestigious Visionaries: Works from the Collection of Emily and Jerry Spiegel\, which sold at Christie’s in May 2017 for $128\,000\,000. In November 2017\, she counseled Barbaralee Diamonstein-Spielvogel and Ambassador Carl Spielvogel’s Collection: Magnificent Gestures\, which sold at Sotheby’s in November 2017 for $54\,700\,000\, with all proceeds benefitting a Not-For-Profit Charitable Foundation that will supports science and medicine\, educational reform and cultural projects. \nMore recently\, Ms. Palmieri advised Image World\, a private Collection featuring seminal examples from the Pictures Generation of artists\, as well as more contemporary works. Carrying a pre-sale estimate of $36\,000\,000-52\,000\,000\, the Collection made its debut at auction as the highlight of Christie’s 21st Century Evening Sale in November 2021\, with further sales continuing into Spring 2022. \nIn 2021 Ms. Palmieri also advised on all aspects of bringing the prestigious Brillembourg-Caprilles Collection to market at Sotheby’s. The museum-quality Collection was assembled over forty years of connoisseurship and passion\, and it is distinguished for its depth of iconic works by contemporary Latin American masters. With an overall pre-sale estimate of approximately $13\,000\,000-18\,000\,000\, the Collection first hit the auction block at Sotheby’s Modern Art Marquee Sale in November 2021\, followed by subsequent sales into Fall 2022. \nIn 2018\, Ms. Palmieri joined the Board of Trustees of Anderson Ranch Arts Center\, based in Aspen/Snowmass\, a premier art making destination and catalyst for critical dialogue in the contemporary art world. In 2019\, she joined the Board of Directors of El Museo del Barrio\, New York’s leading Latin American cultural institution\, with an emphasis on works from Puerto Rico and the Puerto Rican community in the city. \nPrior to joining Sotheby’s\, Ms. Palmieri received her Bachelor of Arts degree in Art History cum laude at Boston College in 1997\, and she achieved her Master of Arts and advanced to PhD standing at the University of Chicago. \nMs. Palmieri is a Certified Member\, AAA\, Appraisers Association of America\, and since 2012 she has executed numerous appraisals in compliance with the Uniform Standards of Professional Appraisal Practice (USPAP)\, the only set of appraisal standards promulgated by The Appraisal Foundation and approved by the Internal Revenue Service. \nSince 2021\, E. Carmen Ramos is chief curatorial and conservation officer at The National Gallery of Art in Washington D.C. There she leads the curatorial and conservation teams as they serve the nation and beyond through collections development\, ground-breaking scholarship and exhibitions\, and art conservation. Ramos most recently served as acting chief curator and curator of Latinx art at the Smithsonian American Art Museum\, where she built one of the largest collections of Latinx art at a museum of U.S. art. She organized award-winning exhibitions at SAAM including ¡Printing the Revolution!\, Our America: The Latino Presence in American Art\, and Down These Mean Streets: Community and Place in Urban Photography. Before prior to the Smithsonian\, she was a curator at the Newark Museum and worked on early DEAI initiatives at The Brooklyn Museum. She holds a MA and PhD in art history from the University of Chicago. \n\n\n\n\n\n\n\nSpecial thanks to Christie’s for hosting us for this discussion.
URL:https://www.arttable.org/event/save-the-date-new-york-annual-leadership-series-latinx-and-latin-american-identity-and-representation-in-the-visual-arts/
LOCATION:Christie’s New York\, 20 Rockefeller Plaza\, New York\, New York\, 10020\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220910T110000
DTEND;TZID=America/New_York:20220910T123000
DTSTAMP:20260418T041444
CREATED:20220817T175122Z
LAST-MODIFIED:20220830T144540Z
UID:9954-1662807600-1662813000@www.arttable.org
SUMMARY:New York | ArtTable Annual Brunch Reception at The Armory Show
DESCRIPTION:Please join us for ArtTable’s Annual Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, taking place annually in September at the Javits Center in New York City. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and refreshments. We look forward to seeing you soon! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $50Member Guests – $60Non-Members – $70Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Leadership Series on Wednesday\, September 7.\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety In partnership with the Javits Center\, a New York State-run facility\, The Armory Show will implement all applicable COVID-19 safety procedures recommended by the CDC and New York City health officials. The Javits Center staff is working closely with our clients\, government partners and industry stakeholders to ensure operations are as safe\, efficient and effective as possible. Thanks to the high vaccination rate statewide and in accordance with New York State and New York City guidelines\, proof of COVID-19 vaccination (two doses) is ONLY required for those working in the building\, including: Javits Center employees;Cultivated employees;Employees of vendors performing work for the Javits Center;Employees of our service partners and tenants such as FedEx and Fintech;Employees of General Contractors and Exhibit Appointed Contractors; andIndividuals visiting the Javits Center administrative office area.Face coverings are no longer required to enter the building. Approved vaccines include those authorized for emergency use by the U.S. Food and Drug Administration (FDA) or World Health Organization (WHO). ADDITIONAL MEASURES The Javits Center has implemented additional measures to enhance the safety of all visitors\, including: Installation of High Efficiency Particulate Air (HEPA) air filters to reduce air pollutants throughout the convention center;Installation of socially distanced seating in all food and beverage areas;Installation of hand-sanitizing stations in public areas; andAccreditation by the Global Biorisk Advisory Council (GBAC)\, the industry’s highest standard for cleaning and disinfection.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility The Javits Center strives to make our facilities and services accessible to people with disabilities. Our campus features sidewalk ramps and automatic doors at all street levels\, as well as accessible restrooms and elevators. Motorized devices may be used by people with mobility impairments subject to reasonable safety restrictions. The Javits Center offers mobility vehicles to assist visitors with navigating the convention center during events. These vehicles are provided on a first-come\, first-serve basis. If you would like to place an order for a mobility vehicle\, please visit our online ordering system\, Jake. In addition\, a limited number of manually operated wheelchairs are available at no fee by visiting the Concierge Desk in the Crystal Palace off 11th Avenue. You will be required to leave a photo ID which will be returned when you return the wheelchair. The Javits Center campus features sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. If you have any questions\, please contact our Command Center at 212-216-2196. Click here to view all Accessibility information for the Javits Center. Please email Haley Carloni at programs@arttable.org if you require assistance in securing accommodations for this program.  Getting There The Armory Show 2022 will take place at the Javits Center\, located at 429 11th Ave\, Crystal Palace Entrance\, between 35th and 36th\, New York\, NY\, 10001. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Installation view of The Armory Show\, 2021. Photo by Casey Kelbaugh. Courtesy of The Armory Show and Artsy.
URL:https://www.arttable.org/event/new-york-arttable-annual-brunch-reception-at-the-armory-show/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220914T180000
DTEND;TZID=America/New_York:20220914T180000
DTSTAMP:20260418T041444
CREATED:20220818T174337Z
LAST-MODIFIED:20220831T183157Z
UID:9814-1663178400-1663178400@www.arttable.org
SUMMARY:Virtual | Let's Connect! Fall National Networking Event
DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nWe invite all ArtTable members to join us for our next virtual national networking event! In this session we will discuss our individual challenges and hopefully by doing so uncover ways in which we can help and support one another. \n\n\n\nOur first national networking event took place in May 2021 and allowed members from all over to share ideas and make new connections! We are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \n\n\n\nThis program is free for all ArtTable members. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-lets-connect-fall-national-networking-event-22/
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220915T160000
DTEND;TZID=America/New_York:20220915T163000
DTSTAMP:20260418T041444
CREATED:20220607T200601Z
LAST-MODIFIED:20220607T200605Z
UID:9353-1663257600-1663259400@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. Whether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-5/
LOCATION:Zoom
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220920T173000
DTEND;TZID=America/New_York:20220920T173000
DTSTAMP:20260418T041444
CREATED:20220906T212314Z
LAST-MODIFIED:20220920T212848Z
UID:10080-1663695000-1663695000@www.arttable.org
SUMMARY:Virtual | The AT Forum: Women in Leadership
DESCRIPTION:2:30pm PT / 3:30pm MT / 4:30pm CT / 5:30pm ET\n\n\n\nAs a woman in a leadership role\, what were the top 3 challenges when you started your career and what are they now? Are the challenges from your early career days resolved? How have they changed? \n\n\n\nOne of the biggest challenges for women in the workforce is a work-life balance since child care\, elder care\, and other family responsibilities still weigh more heavily on women. What are 3 things that would help change this burden and enhance this balance? \n\n\n\nWhat are the ways in which women can help other women while also enhancing their own leadership roles? How have you already incorporated these into your practice? \n\n\n\nThese are the prompt questions that ArtTable provided to several of our current members who currently hold or have held leadership positions within the art world. Presented in partnership with the CAA (College Art Association) 50th Anniversary Celebration of Feminism + Art\, ArtTable is pleased to present the first program in the new The AT Forum Series: Women in Leadership\, a Pecha Kucha-style program welcoming leading women in the arts to provide their insight and expertise on leadership\, equity\, and intersectional feminism. \n\n\n\nThe prompt questions that were provided to the speakers could easily be answered in hours-long conversations or lengthy essays. In this Pecha Kucha-style program\, our speakers have been provided with just 3 minutes each to respond to one of the prompt questions. After hearing from some of the speakers\, all attendees will go into breakout rooms for a group discussion\, after which the others speakers will address a different prompt question. \n\n\n\nThe AT Forum is a new recurring program series in which ArtTable members are invited to speak to a specific topic in a Pecha Kucha-style format\, followed by breakout room discussions for all attendees to get involved. Keep an eye out for the next AT Forum program! \n\n\n\nArtTable is proud to partner with the CAA (College Art Association). If you would like to attend the CAA 50th Anniversary Celebration of Feminism + Art via Livestream on September 23 at 4 p.m. ET\, please register here: https://caafeminism50.eventbrite.co.uk. \n\n\n\nThis program is free for anyone who would like to attend\, though registration is required.  \n\n\n\nDonations are sincerely appreciated and go towards supporting ArtTable’s initiatives.  \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\n\n\n\nSpeakers\n[Additional Details Forthcoming] \nLaura Ballman is a credentialed art market expert. She offers clients a global perspective developed during two decades building trusted relationships across four continents. Previously\, Laura led US Art & Finance for Deloitte\, the world’s largest business consulting firm\, serving blue-chip auction houses\, collectors\, galleries\, governments\, museums\, and financial institutions. Earlier in her career\, Laura served Democrat and Republican Administrations in a number of international-facing roles\, including as head of intelligence for the FBI Art Crime Team. Laura holds an MA in Art Business from Sotheby’s Institute of Art and an MA in International Affairs from Columbia University’s School of International and Public Affairs. She is Uniform Standards of Professional Appraisal Practice (USPAP) compliant through March 2023. \nTanya Desdunes\, a Haitian-American and African- American living in Miami\, Florida since 2014\, has worked with Diaspora Vibe Cultural Arts Incubator\, Inc. since 2018 in multiple capacities. Desdunes holds a Bachelor of Arts and Master of Arts in History from St. John’s University. She joined DVCAI as the Executive Director in July 2021 and is excited to uphold artistic representation and cultural preservation of the Caribbean and Latin Diaspora arts community in South Florida. \n  \nValerie Gillespie is an independent curator based in Dallas. She holds a doctorate in educational leadership from the University of New England in Portland and curatorial practice from New York University. Her undergraduate degree is in Studio Art and Spanish from Randolph-Macon Woman’s College in Lynchburg\, Virginia. During her years abroad in Santiago de Compostela\, Spain\, Valerie studied art and architecture. While completing her artist in residence program with Università Iuav di Venezia in Venice\, Italy\, she studied painting under the guidance of Maurizio Pellegrin. Valerie currently is the Director of Fine Arts at the Winston School and owner of Pencil on Paper Gallery in Dallas. Some of her recent exhibitions include curatorial projects with the 500X Gallery in Dallas\, 400H Gallery in Fort Worth\, the Hawn Gallery at Southern Methodist University\, the Martin Museum at Baylor University\, and the Texas Visual Arts Association. \nCecilia Yueyi Jalboukh is the Founder and Director of Brooklyn-based YI GALLERY. YI GALLERY program features a diverse and eclectic mixture of emerging and mid-career international artists. Started in 2018 as a curatorial project exhibiting in non-traditional settings\, YI has expanded to include a collaborative exhibition space in Bushwick (2020 – 2021). The gallery program continues to evolve with a new space inside Brooklyn’s vibrant creative hub Industry City\, launched in 2021. YI is committed to offering a platform for distinctive artistic voices\, while enhancing the public’s interaction with contemporary art. \nPassionate about promoting Indigenous values\, Frances Melgarejo\, M.A. (Peruvian Quechua/Irish) is a researcher and emerging curator of Indigenous arts of the Americas. Through a feminist lens and a phenomenological approach\, she aims to unearth women artists’ muted voices to celebrate their significant contributions and learn from their unique experiences. \nCurrently\, she is an administrative assistant for the Native American arts organization in New York City\, Amerinda Inc. She was introduced to the organization as an ArtTable Fellow in the summer of 2021\, where she performed as a curatorial assistant to Native curator David Bunn Martine. Recently\, she conducted research for an exhibit on contemporary Seminole patchwork projected to show in South Florida in 2024. At this time\, she is conducting preliminary research for a New York City exhibit showcasing contemporary visual art by Indigenous women. \n \nNuria Richards is an arts professional who is passionate about art collections and the way they positively impact the market and philanthropy. She attended the Fine Arts School at the National University in Mexico City and holds an Art Business Graduate degree from Sotheby’s Institute of Art – Claremont Graduate University where she extended her academic interests to Economics\, Cultural Studies\, and Management of Corporate Collections. \nAfter studying in New York and Los Angeles\, Nuria relocated to Miami and worked in the gallery system holding the position of Executive Manager for Piero Atchugarry Gallery\, and Director of Museum Relations for Ascaso Gallery. Around this period she became part of ArtTable Florida Chapter as Chair of Programming. \nNuria supports young and emerging artists through the curatorial project Clandestina and is the founder of RICHARDS & Co\, an Art Management & Estate Planning Agency that evaluates and creates strategies for acquiring\, selling\, transferring\, and donating art. She works\, with families and individuals\, designing the sale and acquisition of works by artists like Jean-Michel Basquiat\, George Condo\, Diego Rivera\, Wifredo Lam\, Joaquín Torres-García\, Victor Vasarely\, and Leonora Carrington. Her relationship with art and involvement with museums\, galleries\, artists\, and collectors in the US and Mexico seeks to create cultural impact through the practice of art collecting. \nNuria’s goal is to generate strategies for collectors to successfully fulfill their art interests\, while positively impacting the community. She has been a conduit between secondary and primary markets for a generation of artists and collectors that were caught in the middle of a rapidly changing art world. \nTeresa Silva is the Executive and Artistic Director at the Chicago Artists Coalition\, a nonprofit organization supporting emerging and mid-career artists and curators. Silva has presented exhibitions\, talks and lectures at venues such as the Chicago Cultural Center\, Mana Contemporary\, School of the Art Institute\, Ox-Bow Art School and Artists’ Residency\, and the Artist Communities Alliance. She has served as a Visual Arts panelist for the National Endowment for the Arts and numerous others. In 2018\, she was an Artists’ Administrators Resident at the Robert Rauschenberg Residency Program in Captiva\, FL. In 2022\, Silva was ranked #5 in NewCity’s prestigious list\, Art 50: Chicago’s Visual Vanguard for her influence and contributions to the Chicago art community. \n\n\nLink.
URL:https://www.arttable.org/event/virtual-caa-partner-program/
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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