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SUMMARY:Virtual | DC BreakfastTable with Jaynelle Hazard
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Jaynelle Hazard\, Executive Director & Curator of the newly rebranded Tephra Institute of Contemporary Art. Jaynelle will discuss how the Greater Reston Arts Center repositioned and transformed into Tephra ICA as the institution’s programs\, audience\, and impact had drastically evolved over the past several years. \nThis program is free for ArtTable members only. Members may bring one guest for an additional $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Jaynelle Hazard\nPrior to joining Greater Reston Arts Center\, Jaynelle Hazard was the Director of Exhibitions at Workhouse Art Center. There she developed\, implemented\, and oversaw contemporary art programming initiatives. In previous roles\, she supported various art programs and worked with some of the most celebrated artworks by supporting the corporate contemporary art collection at UBS\, the Union Bank of Switzerland\, and via her work at Blank Projects\, a contemporary art gallery in Cape Town\, South Africa. Significant milestones throughout Hazard’s career include producing more than 75 exhibitions in turn providing opportunities to more than 200 artists\, introducing the first outdoor mural project and festival in the Northern Virginia region\, and partnering with the Smithsonian American Art Museum in leading the conference\, State of Art 5/DC. \nJaynelle Hazard relocated to Washington\, DC from New York in 2017 where she earned a Master of Arts degree at Sotheby’s Institute of Art. She currently serves as the Co-Chair for the Washington\, DC Chapter of Sotheby’s Institute of Art Alumni and Chair of the Faith Flanagan Fellowship for ArtTable’s DC Chapter. \nAs the Executive Director and Curator of Tephra ICA\, Jaynelle builds a critically engaged practice by introducing methods to advance scholarship; extending reach in interdisciplinary experimentation of contemporary art and ideas; as well as engaging audiences of all backgrounds and identities. With a curatorial foundation and leadership style rooted in care\, Hazard is a catalyst and serves as a bridge between the public and the most innovative art of our time. \nAbout Tephra ICA\nTephra ICA is a non-profit\, non-collecting institution committed to promoting innovative contemporary art and thinking. Leading with curiosity and care\, the organization is a catalyst\, generator\, and advocate for visual arts. The institution is devoted to celebrating artists. It values the power of art to broaden and shift perspectives\, start difficult conversations\, and consider alternative ideas. \nThank you to ArtTable’s Washington\, D.C. Chapter for organizing this program. \n\nImage: Jaynelle C. Hazard
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-jaynelle-hazard/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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UID:4385-1612533600-1612533600@www.arttable.org
SUMMARY:Virtual | Conversation: Howardena Pindell and Adeze Wilford\, 'Rope/Fire/Water' at The Shed
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with artist Howardena Pindell and Adeze Wilford\, Assistant Curator at The Shed and organizer of the exhibition\, Howardena Pindell: Rope/Fire/Water\, currently on view at The Shed in New York. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $20\nArtTable Members – $15\nArtTable Circle Members – Free \n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Speakers \nBorn in Philadelphia in 1943\, Howardena Pindell studied painting at Boston University and Yale University. After graduating\, she accepted a job at the Museum of Modern Art\, where she worked for 12 years (1967–1979). Her first role was an Exhibition Assistant\, then Assistant Curator in the Department of National and International Traveling Exhibitions\, and finally Associate Curator and Acting Director in the Department of Prints and Illustrated Books. In 1979\, she began teaching at the State University of New York\, Stony Brook where she is now a full-time professor. Throughout her career\, Pindell has exhibited extensively. Notable solo-exhibitions include: Spelman College (1971\, Atlanta)\, Just Above Midtown (1977\, New York)\, Lerner-Heller Gallery (1980\, 1981\, New York)\, The Studio Museum in Harlem (1986\, New York)\, the Wadsworth Atheneum (1989\, Hartford)\, G.R. N’Namdi Gallery (1992\, 1995\, 1996\, 2000\, 2002\, 2006\, Chicago\, Detroit\, and New York)\, Garth Greenan Gallery\, New York (2014\, 2017)\, Spelman College Museum of Fine Art\, Atlanta (2015) and the Museum of Contemporary Art\, Chicago (2018). \nPindell often employs lengthy\, metaphorical processes of destruction/reconstruction. She cuts canvases in strips and sews them back together\, building up surfaces in elaborate stages. She paints or draws on sheets of paper\, punches out dots from the paper using a hole punch\, drops the dots onto her canvas\, and squeegees paint through the “stencil” left in the paper from which she had punched the dots. Almost invariably\, her paintings are installed unstretched\, held to the wall merely by the strength of a few finishing nails. The artist’s fascination with gridded\, serialized imagery\, along with surface texture appears throughout her oeuvre. Even in her later\, more politically charged work\, Pindell reverts to these thematic focuses in order to address social issues of homelessness\, AIDs\, war\, genocide\, sexism\, xenophobia\, and apartheid. \nMost recently\, Pindell’s work appeared in: Black in the Abstract: Part I\, Epistrophy (2013\, Contemporary Arts Museum\, Houston)\, and Painting 2.0: Expression in the Information Age\, (2015–2016\, Museum Brandhorst; 2016\, Museum Moderner Kunst) and We Wanted a Revolution: Black Radical Women\, 1965–1985 (2017\, the Brooklyn Museum\, New York). Howardena Pindell was the subject of the 2018 retrospective at the Museum of Contemporary Art\, Chicago titled ‘Howardena Pindell: What Remains to Be Seen.’ The exhibition later traveled to the Virginia Museum of Fine Arts (2018) and the Rose Art Museum (2019). \nView the artist’s full biography here. \n \nAdeze Wilford is an Assistant Curator at The Shed. She was an inaugural joint curatorial fellow at The Studio Museum in Harlem and the Museum of Modern Art. She organized Vernacular Interior at Hales Gallery in 2019\, as well as Excerpt (2017) at the Studio Museum and Black Intimacy (2017)\, a film series at MoMA. Other curatorial projects include Harlem Postcards F/W 2016/2017 and Color in Shadows the 2016 Expanding The Walls exhibition at Studio Museum. Prior to this Adeze was the Public Programs and Community Engagement assistant at the Studio Museum. She has contributed scholarship to various catalogues and magazines including Young\,Gifted and Black and Black Refractions. She graduated from Northwestern University with a BA in Art History and African-American Studies.\n \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImages: Installation view of ‘Howardena Pindell: Rope/Fire/Water’ at The Shed; Howardena Pindell; Adeze Wilford\, © 2015 Scott Rudd
URL:https://www.arttable.org/event/virtual-conversation-howardena-pindell-and-adeze-wilford/
LOCATION:Zoom
CATEGORIES:National
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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