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DTSTART;TZID=America/New_York:20250508T110000
DTEND;TZID=America/New_York:20250513T180000
DTSTAMP:20260503T115416
CREATED:20250425T175705Z
LAST-MODIFIED:20250425T175708Z
UID:45026-1746702000-1747159200@www.arttable.org
SUMMARY:2025 TEFAF New York | Complimentary VIP & General Admission Passes
DESCRIPTION:ArtTable Members are invited to claim their complimentary VIP Collector’s Pass or General Admission pass for 2025 TEFAF New York from May 8 – May 13. \n\n\n\nAs the world’s most prestigious and vibrant art market\, New York City provides the ideal setting for a TEFAF fair outside of Maastricht. TEFAF is proud to present the tenth edition of TEFAF New York at the Park Avenue Armory from May 9-13\, 2025. The historic Park Avenue Armory is a prime Manhattan location and setting for the world’s leading art dealers to showcase their work. TEFAF New York will also include a concurrent edition of TEFAF Online with a selection of the works on display at the Armory\, alongside Programming\, Stories\, and other content from the TEFAF community. \n\n\n\nThese passes are only offered while supplies last\, and Collector’s Passes are first-come\, first-served.You choose from the following: \n\n\n\n– Collector’s Pass – Access May 8– General Admission Pass with secret digital floor plan – Access May 9  \n\n\n\nThese passes are only offered while supplies last. \n\n\n\nAll registrants will receive an email after registration here with how to get their ticket(s). These passes are only offered while supplies last. \n\n\n\nLocationPark Avenue Armory643 Park AvenueNew York\, NY 10065United States\, IL 60611 \n\n\n\nOpening HoursCollectors Preview (by invitation only):Thursday\, May 8 \n\n\n\nGeneral AdmissionFriday\, May 9\, 11 am – 7 pmSaturday\, May 10\, 11 am – 7 pmSunday\, May 11\, 11 am – 7 pmMonday\, May 12\, 11 am – 7 pmTuesday\, May 13\, 11 am – 6 pm \n\n\n\nIf you want to be eligible for this or other opportunities\, consider upgrading your membership! Reach out to membership@arttable.org with any questions. \n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/2025-tefaf-new-york-complimentary-vip-general-admission-passes/
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20250513T140000
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DTSTAMP:20260503T115416
CREATED:20250326T015732Z
LAST-MODIFIED:20250501T135740Z
UID:42347-1747144800-1747148400@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Madalena Santos Reinbolt: A Head Full of Planets" at the American Folk Art Museum
DESCRIPTION:Join ArtTable for a curator-led tour of Madalena Santos Reinbolt: A Head Full of Planets at the American Folk Art Museum\, led by Valérie Rousseau\, PhD\, Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art. \n\n\n\nFeaturing 42 textile works and oil paintings\, Madalena Santos Reinbolt: A Head Full of Planets is the first comprehensive survey of Santos Reinbolt’s art ever presented and marks the first-ever solo museum exhibition for the artist organized outside her native Brazil. Best known for her large-scale embroideries made from hundreds of vibrant colored threads\, which the artist referred to as quadros de lã (“wool paintings”)\, the exhibition represents more than half of all known works by the artist and examines the artist’s work through a variety of lenses\, including gender\, race\, and socio-economic dynamics. \n\n\n\nA Head Full of Planets explores the context in which Santos Reinbolt’s artistic practice crystallized in the early 1950s\, after she became a live-in cook for the architect Lota de Macedo Soares and her partner\, the American poet Elizabeth Bishop\, at their home in Petrópolis\, a mountain getaway favored by Brazilian high society. It was not until the mid-1960s\, while working in another household\, that she began to dedicate herself to embroidery and would begin creating many of the works for which she is best known today. \n\n\n\nClick here to read more about the exhibition and this mysterious yet extraordinary artist\, as well as a recent artnet article about the exhibition and Dr. Rousseau’s curatorial process. \n\n\n\nThe American Folk Art Museum is fully accessible. Gallery stools and wheelchairs are available upon request\, and an access ramp is available to enter the upper gallery if needed. If you require additional accommodations\, please email us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout Valérie Rousseau\, PhD\n\n\n\n\nValérie Rousseau\, PhD\, is Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art at the American Folk Art Museum\, New York. She overviewed critically acclaimed exhibitions\, notably Willem van Genk: Mind Traffic (2014)\, When the Curtain Never Comes Down (AAMC award\, 2015)\, Art Brut in America: The Incursion of Jean Dubuffet (2015)\, Photo|Brut (2021)\, Morris Hirshfield Rediscovered (2022)\, as well as projects on the legacy of Francesc Tosquelles\, the concomitance of psychiatric and artistic avant-gardes (FACE Foundation Curatorial Fellowship “Étant Donnés\,” 2019)\, neurodiversity (IMLS\, 2023–2025)\, art brut literature\, art environments\, and artists like Henry Darger\, William Edmondson\, Eugen Gabritschevsky\, and Madalena Santos Reinbolt. She authored Bill Traylor (FILAF award\, 2018)\, “Regarder par les failles de ce monde: Intersections de l’art brut et de l’art populaire” (Les cahiers du Musée national d’art moderne\, 2024)\, The Hidden Art (Rizzoli\, 2017)\, “Visionary Architectures” (Alternative Guide to the Universe\, Hayward Gallery\, 2013)\, and guest edited the issue “The Fate of Self-Taught Art” (The Brooklyn Rail\, 2018). In 2022\, she participated in the seminar “Showing/Searching: art brut and its archival impulse” of the Bibliothèque Kandinsky Summer University (Centre Pompidou\, Paris). \n\n\n\n \n\n\n\n\n\n\n\n\nImage credits:Madalena Santos Reinbolt\, Untitled\, 1965–1976. Acrylic wool on burlap\, 35 7/8 x 46 in. Collection Renan Quevedo\, São Paulo\, Brazil \n\n\n\nValérie Rousseau\, courtesy of the American Folk Art Museum.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-madalena-santos-reinbolt-a-head-full-of-planets-at-the-american-folk-art-museum/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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