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DTSTART;TZID=America/New_York:20210513T120000
DTEND;TZID=America/New_York:20210513T120000
DTSTAMP:20260404T143015
CREATED:20210323T235246Z
LAST-MODIFIED:20210427T171707Z
UID:5128-1620907200-1620907200@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Estamos Bien - La Trienal 20/21' at El Museo
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Curator Susanna V. Temkin and Guest Curator Elia Alba about El Museo del Barrio’s first national large-scale survey of Latinx contemporary art\, featuring more than 40 artists from across the United States and Puerto Rico: ESTAMOS BIEN – LA TRIENAL 20/21. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\n \nSusanna Temkin (middle) is a Curator at El Museo del Barrio\, where she most recently organized the museum’s fiftieth anniversary exhibition\, Culture and the People: El Museo del Barrio\, 1969-2019\, drawing from objects from the Permanent Collection. Prior to this\, she served as Assistant Curator at Americas Society in New York\, as well as the research and archive specialist at the Cecilia de Torres\, Ltd.\, where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin earned her master’s and PhD degrees from the Institute of Fine Arts\, New York University\, where her research concentrated on modern art in the Americas\, with a focus on Cuba. She has published essays and reviews in the Rutgers Art Review\, Burlington Magazine\, and Hemispheres\, and authored the chronology of Concrete Cuba: Cuba Geometric Abstraction from the 1950s\, produced by David Zwirner Books. \nElia Alba (right) is a multidisciplinary artist\, who works in sculpture\, photography and video. She has exhibited at El Museo del Barrio\, New York; Stedelijk Museum\, Amsterdam; Smithsonian Museum of Art\, Washington D.C.; Perez Art Museum Miami; National Museum of Art\, Reina Sofía\, Madrid; as well as at the 10th Havana Biennial. Alba has received the Studio Museum in Harlem Artist-in Residence Program; the Joan Mitchell Foundation Grant and most recently the Anonymous Was A Woman award. Elia is also a published author. Her recent book\, The Supper Club\, (Hirmer\, June 2019)\, was critically acclaimed by The New York Times and produced by the Shelley and Donald Rubin Foundation. Elia brought together artists\, scholars and performers of diasporic cultures to examine race and culture in the United States through photography\, food and dialogue. \nThank you to Julia P. Herzberg\, PhD\, Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nEstamos Bien Banner Logo\, courtesy of the museum\nChief Curator Rodrigo Moura\, Curator Susanna V. Temkin\, and New York-based artist and Guest Curator Elia Alb
URL:https://www.arttable.org/event/virtual-curatorial-perspective-estamos-bien-la-trienal-20-21-at-el-museo/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/03/Untitled-design.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210516T140000
DTEND;TZID=America/New_York:20210516T140000
DTSTAMP:20260404T143015
CREATED:20210419T163543Z
LAST-MODIFIED:20210427T162801Z
UID:5348-1621173600-1621173600@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'Consuming Stories: Kara Walker' by Rebecca Peabody
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for Reading at the (Art)Table as we delve into the new selection\, “Consuming Stories: Kara Walker and the Imagining of American Race\,” by Rebecca Peabody. Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. \nThis program is for ArtTable members only. Not a member? Join today! \nClick here to see who’s already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThank you to Jan Wurm\, ArtTable Northern California Chapter\, for organizing this program. \nImage: “Consuming Stories: Kara Walker and the Imagining of American Race” by Rebecca Peabody
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-consuming-stories/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/IilbkLvWmo.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210518T180000
DTEND;TZID=America/New_York:20210518T180000
DTSTAMP:20260404T143015
CREATED:20210501T013034Z
LAST-MODIFIED:20210501T014541Z
UID:5525-1621360800-1621360800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - Immersive Technology & Art with Laura Hertzfeld & Nancy Baker Cahill
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee. Each discussion will explore different aspects of new media initiatives in the art world. These virtual conversations are led by experts in the field and appeal to all who are interested in digital media. \nAs COVID-19 has created a higher demand for art that can be experienced in the public space\, immersive technologies like augmented reality and virtual reality have become synonymous with what’s marketable and accessible in our current pandemic world. Artist Nancy Baker Cahill and journalist/producer Laura Hertzfeld will discuss immersive art\, the creative process\, and the possibilities and perils of the brave new world of NFTs – as well as provide insight on how to get started in the digital art world. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Nancy Baker Cahill\n \nNancy Baker Cahill is a new media artist who examines power\, selfhood\, and embodied consciousness through drawing and shared immersive space. She is the Founder and Artistic Director of 4th Wall\, a free Augmented Reality (AR) art platform exploring resistance and inclusive creative expression. Her recent AR public art project\, Liberty Bell\, commissioned by Art Production Fund\, earned features in the New York Times\, frieze Magazine\, Artnet\, Smithsonian Magazine and the Washington Post\, among many other publications. The project\, on view through 2021\, spans six historic and culturally significant sites along the Eastern Seaboard of the U.S. and appeared in Artnews’ list\, The Defining Public Artworks of 2020. Baker Cahill was also included in ARTnews’ list of 2021 Deciders. \nHer 2018 TED talk\, Augmented Reality (AR) as an Artist’s Tool for Equity and Access\, launched her international public speaking practice. She has since delivered keynotes at the 2019 Games For Change\, 2020 A.W.E. (Augmented World Expo) and has spoken at the Hirshhorn Museum and numerous academic institutions and conferences. Baker Cahill is an artist scholar in the Berggruen Institute’s inaugural Transformations of the Human Fellowship\, and will begin a residency focused on AR monuments at Oxy Arts this summer. She is the Art and Creative Technologies Advisor for the XRSI Safety Initiative\, and is a member of the Guild of Future Architects. In May 2021\, she will receive the Williams College Bicentennial Medal of Honor. \nAbout Laura Hertzfeld\nLaura Hertzfeld is an Emmy-winning producer\, writer\, and editor with over a decade of experience helping news organizations develop online content\, engagement and distribution strategies. She leads the XR Partner Program at Yahoo Ryot Labs\, building AR and VR projects for Verizon Media’s news partners. Laura was a 2018-2019 John S. Knight Journalism Fellow at Stanford University where she researched the intersection of art\, immersive storytelling\, and journalism. She previously led Journalism 360\, an immersive storytelling initiative from Google News Lab\, Knight Foundation\, and ONA. She has held leadership roles at Entertainment Weekly\, Ora TV\, and PBS.org and was an editor on the original Yahoo News team. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Co-Chair\, for organizing this program. \n\nImages:  \n\nHollow Point 101\, LUMINEX: Dialogues of Light\, Courtesy of Nancy Baker Cahill\nNancy Baker Cahill\, courtesy of the speaker\nLaura Hertzfeld\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-immersive-technology-and-art/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/Nancy-Cahill-ArtTable-program-scaled-e1619833074158.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210520T110000
DTEND;TZID=America/New_York:20210520T120000
DTSTAMP:20260404T143015
CREATED:20210218T171057Z
LAST-MODIFIED:20210427T162447Z
UID:4835-1621508400-1621512000@www.arttable.org
SUMMARY:Virtual | Demystifying Art World Anti-Money Laundering & Compliance Regulations
DESCRIPTION:11am ET | 10am CT | 8am PT\nAnti-money laundering (AML) regulations are very much in play in the United Kingdom and throughout the European Union\, putting more obligations on art dealers. While legislation regarding anti-money laundering for the US market is still uncertain\, we live in a global age where art market professionals need to be aware of and understand regulations in different countries. Join us and expert panelists Susan J Mumford (CEO of ArtAML and former gallerist)\, Azmina Jasani (Partner\, Art & Cultural Property Law Group)\, and Megan Noh (Co-chair\, Pryor Cashman’s Art Law Group)\, and moderated by Eileen Kinsella (Senior Market Reporter\, artnet News)\, for a discussion on these new regulations coming out of Europe\, and the implications for international transactions when involved parties are on opposite sides of the Atlantic. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nAzmina Jasani is a Partner in the Art & Cultural Property Law Group at Constantine Cannon and a leading art law and luxury assets specialist. She is valued by her clients for her “effective”\, “diligent” and “straightforward” style and for her dual qualifications and experience in New York and London\, which they deem “a real asset.” Azmina represents clients on a variety of matters\, including disputes involving issues of authenticity\, provenance\, title and copyright as well as disputes relating to artist-gallery relations and looted or illegally exported cultural property. She is also often instructed by art and luxury businesses to help them comply with regulations pertaining to anti-money laundering\, consumer protection\, import and export\, data protection\, bribery and introductory commissions. \nAzmina lectures at the Institute of Art & Law\, Queen Mary School of Law\, Sotheby’s Institute of Art and the Courtauld Institute of Art. She received her Juris Doctorate from the University of California\, Berkeley School of Law and her B.A.\, summa cum laude\, from Queens College\, City University of New York. \nMegan Noh co-chairs Pryor Cashman’s Art Law Group. With over 15 years of combined experience in private practice and both in-house legal and business positions in the auction world\, Megan is sought after for her extensive knowledge of the complex issues impacting today’s art market\, including specifically with respect to transactional matters and artists’ rights. Megan’s practice is uniquely holistic in its representation of members of almost every segment of the art market\, and she is known for her ability to negotiate a transaction from both sides of its key issues—whether it’s an auction house consignment agreement\, a museum exhibition loan agreement\, or an artist-gallery representation agreement. \n \nSusan J Mumford is a serial entrepreneur in the art market. Having arrived in the UK from the USA in 2000\, she ran a gallery in Soho\, London\, from 2006-11. When the art world entered a new era following the credit crunch of 2008\, she founded the Association of Women Art Dealers (AWAD)\, an international multi-chapter non-profit network connect women and women-identifying art dealers on a global basis. This was followed by the creation of Be Smart About Art\, an online-accessible professional development platform that helps creative professionals thrive in a changing world. In 2018\, she embarked upon ArtAML\, which unites technology and art market know-how to help dealers keep dealing and buyers keep buying in the face of anti-money laundering legislation that hit the art market in 2020. \nEileen Kinsella (moderator) is a journalist who has been covering the international art market\, and the intersection of art and finance\, for more than 20 years. After starting as a news assistant on the national news desk of the Wall Street Journal in New York\, she moved to the Money & Investing section of the paper where she wrote stories on commercial real estate\, mutual funds\, equity markets and investment trends. Kinsella joined the paper’s newly debuted “Weekend Section” in 1998 with expanded coverage of the art market\, where she first started reporting on art. \nKinsella spent more than a decade at ARTnews magazine as a contributing writer and editor of a newsletter that covered a wide range of issues related to the international art market\, including auction sales\, gallery shows\, and legal developments that impact issues of authenticity\, ownership and international repatriation. She has covered numerous high-profile art-fraud related cases and trials and appeared as a guest on numerous CNBC art market news segments and its “American Greed” series\, as well as BBC News\, BBC Radio\, NPR\, Reuters\, and numerous podcasts Artnet News’s own The Art Angle. \nShe has appeared on and moderated numerous art market panels around the world and made presentations on art crime including at New York University’s Visual Arts Administration Program\, and at the Foundation for Appraisal Education (FAE’s) conference in Philadelphia in 2016. Since 2014\, Kinsella has been senior market reporter for Artnet News\, based in New York. \n\nImages:  \n\nCopyright The Financial Times Limited 2021. All rights reserved.\nAzmina Jasani\, courtesy of Constantine Cannon\nMegan Noh\, courtesy of Pryor Cashman\nSusan J Mumford\, courtesy of the speaker\nEileen Kinsella\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-demystifying-anti-money-laundering-in-the-art-world/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FT-e1614357418250.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210524T120000
DTEND;TZID=America/New_York:20210524T120000
DTSTAMP:20260404T143015
CREATED:20210421T232030Z
LAST-MODIFIED:20210428T180405Z
UID:5391-1621857600-1621857600@www.arttable.org
SUMMARY:Virtual | AT Connect with Silvia Karman Cubiñá
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s AT Connect program series encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from Silvia Karman Cubiñá\, Executive Director and Chief Curator of The Bass in Miami Beach and a member of ArtTable’s Florida Chapter. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nClick here to REGISTER for this program. \n\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speaker\n \nSince 2008\, Silvia Karman Cubiñá has held the position of Executive Director and Chief Curator of The Bass in Miami Beach. During her tenure\, Ms. Cubiñá led a $12 million institutional transformation\, complete with a building renovation by Pritzker Prize-winning architect Arata Isozaki and David Gauld. Throughout this time\, the museum’s annual budget and full-time staff quadrupled and the board grew from three members to thirty. Prior to The Bass\, Ms. Cubiñá was the Director of The Moore Space\, Miami\, from 2002-2008. She also held the position of Adjunct Curator at INOVA\, the Institute of Visual Arts at University of Wisconsin- Milwaukee. \nMs. Cubiñá has curated numerous exhibitions\, lectured extensively\, and has participated in grant panels and award selection committees\, including serving as a juror for both the Guggenheim Museum’s Hugo Boss Award 2006 and the 2008 Biennale de Lyon. In 2007\, she was a finalist for the Walter Hopps Award for Curatorial Achievement and a fellow in the Center for Curatorial Leadership (CCL) fellowship program. Ms. Cubiñá served on the Knight Foundation National Arts Advisory Board and\, in 2012\, she was awarded the distinction of Chevalier de l’Ordre des Arts et Lettres by the French Ministry of Culture. In 1997\, she was the Puerto Rico commissioner to the Bienal de São Paolo. \nIn her role as Chief Curator of The Bass\, Ms. Cubiñá has organized more than 30 major exhibitions including: Where Do We Go From Here: Selections from la Colección Jumex (2009)\, Isaac Julien: Ten Thousand Waves (2011)\, Ugo Rondinone: good evening beautiful blue (2017)\, The Haas Brothers: Ferngully (2018)\, Haegue Yang: In the Cone of Uncertainty (2019) and Mickalene Thomas: Better Nights (2019)\, all while at The Bass; Jim Lambie: Paradise Garage (2004)\, Miami Calling…Jonathan Monk (2005)\, Allora & Calzadilla: Clamor (2006) and Kalup Linzy (2008) during her time at The Moore Space; and Pepón Osorio: Door to Door (2002). \nMarried and a mother of two\, Ms. Cubiñá is fluent in English\, Spanish and French; proficient in Italian. \n\nImages:  \n\nSilvia Karman Cubiñá\, Executive Director and Chief Curator\, The Bass. Photo by Nick Garcia.\nThe Bass\, Miami Beach\, Florida. Photo by Zachary Balber. Courtesy of The Bass.
URL:https://www.arttable.org/event/virtual-at-connect-with-silvia-karman-cubina/
LOCATION:Zoom
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/SilviaKarmanCubina_PhotographybyNickGarcia14-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210525T190000
DTEND;TZID=America/New_York:20210525T190000
DTSTAMP:20260404T143015
CREATED:20210419T153251Z
LAST-MODIFIED:20210427T153016Z
UID:5343-1621969200-1621969200@www.arttable.org
SUMMARY:Virtual | DC Around the Table Book Group - Infinity Net: The Autobiography of Yayoi Kusama
DESCRIPTION:7pm ET | 6pm CT | 4pm PT\nJoin ArtTable’s Washington\, D.C. Chapter for an Around the Table Book Group. This program is open to all ArtTable members and meets four times a year; participants can join for one book or for all! \nNot an ArtTable member? Join today! \nClick here to see who is already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nFor the second DC Around the Table Book Group of 2021\, we will discuss “Infinity Net: The Autobiography of Yayoi Kusama.” \n\nIn 1957\, encouraged by Georgia O’Keeffe\, artist Yayoi Kusama left Japan for New York City to become a star. By the time she returned to her home country in 1973\, she had established herself as a leader of New York’s avant-garde movement\, known for creating happenings and public orgies to protest the Vietnam War and for the polka dots that had become a trademark of her work. Her sculptures\, videos\, paintings\, and installations are to this day included in major international exhibitions. \n\nThank you to Ruth Abrahams\, ArtTable DC Committee Member at Large and ArtTable VP of Chapter Leadership for organizing this program. \n\nImage: Infinity Net: The Autobiography of Yayoi Kusama
URL:https://www.arttable.org/event/virtual-dc-around-the-table-book-group-infinity-net/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/EJNTEPkPmE.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210526T120000
DTEND;TZID=America/New_York:20210526T120000
DTSTAMP:20260404T143015
CREATED:20210331T174756Z
LAST-MODIFIED:20210427T161546Z
UID:5216-1622030400-1622030400@www.arttable.org
SUMMARY:Virtual | Professional Empowerment: Taxation Insights on Art Transactions\, with Galina Portnoy
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Professional Empowerment program series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Please join us and Galina Portnoy\, CPA\, Director at Marks Paneth Accountants & Advisors for a discussion on issues of taxation in the art world. We will touch upon how similar art transactions are treated differently by the IRS depending on who is conducting the transaction (artist vs. dealer vs. investor vs. collector)\, art inclusion in estate planning\, art transactions and crypto currency\, among other essential topics! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Galina Portnoy\nGalina Portnoy\, CPA\, is a Director in the Private Client Services Group at Marks Paneth LLP. For more than 20 years\, Ms. Portnoy has provided tax\, accounting and consulting services to high-net-worth individuals\, family partnerships and their related entities. She has advised on a broad range of complex issues\, including strategic income tax planning and execution\, gifts and estates\, philanthropy\, matrimonial accounting\, business management and planning\, real estate and other transactions\, multi-state taxation and financial planning. \nMs. Portnoy has extensive experience advising artists\, art dealers and art investors\, as well as educators and researchers. In addition\, her clients include hedge fund managers\, investment advisors\, real estate investors and providers of legal\, financial and real estate-related services. She also oversees engagements that provide concierge services to high-net-worth individuals and their related entities. \nMs. Portnoy has represented clients before the Internal Revenue Service\, as well as the State and City of New York\, including on income tax\, residency and UBT issues. \nBefore joining Marks Paneth LLP in 2016\, Ms. Portnoy was a CPA at another accounting firm and\, prior to that\, worked in a variety of private and publicly traded organizations in a tax and accounting capacity. She is based in the firm’s New York City headquarters. \nThank you to ArtTable’s New York Chapter Programming Committee for organizing this program. \n\nImages:  \n\nHeader image courtesy of Kyle E. Krull\nGalina Portnoy\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-professional-empowerment-taxation-insights-on-art-transactions-with-galina-portnoy/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/gal-e1617212859973.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210527T170000
DTEND;TZID=America/New_York:20210527T170000
DTSTAMP:20260404T143015
CREATED:20210422T145100Z
LAST-MODIFIED:20210427T151328Z
UID:5405-1622134800-1622134800@www.arttable.org
SUMMARY:Virtual | Let's Connect! Spring National Networking Event
DESCRIPTION:5pm ET | 4pm CT | 2pm PT\nWe invite all ArtTable members to join us for this virtual national networking event! Building upon the success of the networking event held after this year’s Annual Benefit and Award Ceremony\, we are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \nThis program is Free for all ArtTable members. Not a member? Join today! \nCLICK HERE TO REGISTER.\n(You will receive an email confirmation containing the Zoom link.) \nCan’t join us for this event? Don’t worry\, there will be plenty more opportunities to connect with members in the future! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! \n\nImage: Courtesy of Point Road Group
URL:https://www.arttable.org/event/virtual-lets-connect-spring-national-networking-event/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/virtual-networking-with-coworkers-1-e1619104601661.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T140000
DTEND;TZID=America/New_York:20210528T140000
DTSTAMP:20260404T143015
CREATED:20210504T143443Z
LAST-MODIFIED:20210505T140211Z
UID:5588-1622210400-1622210400@www.arttable.org
SUMMARY:Virtual | Coffee Break with Ruri Yampolsky\, Seattle Waterfront Program Arts Manager
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nGrab a cup of coffee and join us for an informal chat and virtual presentation about the Seattle Waterfront Arts Program! This presentation will highlight the ongoing installation taking place along the Seattle Waterfront that includes the work of female-identifying artists who have indigenous backgrounds. Ruri Yampolsky will speak about this public art program\, sharing with ArtTable Northwest’s audience and anyone else who is interested. After the presentation there will be time set aside for questions and also for networking in smaller groups. \nAdmission \n\nNon-Members – $5\nArtTable Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Ruri Yampolsky\nRuri Yampolsky is the Waterfront Program Arts Manager for the city of Seattle’s Office of the Waterfront and Civic Projects\, working to ensure that arts and culture are fully integrated into one of the largest civic transformations Seattle has undertaken. With 30 years’ experience in the public art field\, including managing Seattle’s public art program and numerous art projects\, she has worked to expand collective experience by advocating for a variety of artistic expressions in artworks that shape urban space\, engage community\, encourage civic dialog and bring new voices into the field. \n\nRuri served on the Public Art Network Council for Americans for the Arts\, finishing out as vice-chair\, and focusing on diversity\, equity and inclusion in public art practice\, policies and procedures. Most recently\, she collaborated with national colleagues on a document addressing issues of problematic monuments and memorials. She is a registered architect with a Master of Architecture from Columbia University\, and earned her Bachelor of Arts in architecture with a minor in Latin from Barnard College. \n\nThank you to Ruri Yampolsky\, Waterfront Program Arts Manager\, and ArtTable’s Northwest Chapter for organizing this program.\n \n\nImages: \n\nImage courtesy of Waterfront Program
URL:https://www.arttable.org/event/virtual-coffee-break-with-ruri-yampolsky/
LOCATION:Zoom
CATEGORIES:National,Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/BzGfswzJdU.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210602T180000
DTEND;TZID=America/New_York:20210602T180000
DTSTAMP:20260404T143015
CREATED:20210514T010501Z
LAST-MODIFIED:20210515T132349Z
UID:5724-1622656800-1622656800@www.arttable.org
SUMMARY:Virtual | Reimagining Public Monuments: Old Stories & New Narratives
DESCRIPTION:6pm ET | 5pm CT | 4pm PT\nWe are delighted to present Monuments & Memorials: Then & Now\, a three part series about the history\, context and creation of public monuments and memorials. \nThis first panel will introduce milestones and controversies of past memorials and monuments. We will hear from Professor Harriet F. Senie\, Professor of Art History at C.U.N.Y. and its Graduate Center\, who will offer her perspective on The Evolution of Monuments: Paradigms and Underlying Issues based on her 30 years of experience teaching\, writing and participating on national selection commissions in the field of public art. She is joined by artist Alison Saar\, who will reflect on her much admired permanent 2007 Harriet Tubman Monument in Harlem\, a case study\, in New York City where there are few monuments to women or non-white males. We will also hear from artist Marisa Williamson\, who is known for reimagining under-represented historical subjects by bringing these figures to life through performance art and augmented reality (AR). She will speak about her practice using new narratives and new media for contemporary audiences. Cathie Behrend\, ArtTable New York member who co-organized this series\, will introduce the program and panelists. \nThe second panel in this series will be announced in the coming weeks and will focus on Reimagining Public Monuments & Memorials: Through Other Lenses. What have we seen? Whose stories will we now tell? Who will decide? Who will provide funding? What visions do artists now imagine for the future? A third panel in September will wrap up the series with a focus on the Preservation of Public Monuments & Sacred Spaces at Home & Abroad. We hope you will join us for all three! \nWe also look forward to sharing more information on an upcoming walking tour of Harlem with Cathie Behrend that will highlight monuments and memorials in the neighborhood\, including Alison Saar’s “Swing Low: Harriet Tubman Memorial” and the Frederick Douglass Sculpture and Water Wall. Stay tuned for more details! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Professor Harriet F. Senie\nHarriet F. Senie is professor of art history at City College and the CUNY Graduate Center. She is the author of Memorials to Shattered Myths: Vietnam to 9/11; The “Tilted Arc” Controversy: Dangerous Precedent?; and Contemporary Public Sculpture: Tradition\, Transformation\, and Controversy.  She is co-editor and contributor to Teachable Monuments: Using Public Art to Spark Dialogue and Confront Controversy; Museums and Public Art?; A Companion to Public Art; and Critical Issues in Public Art. In 2008\, she cofounded Public Art Dialogue\, an international organization and College Art Association affiliate\, and coedited its peer review journal Public Art Dialogue from 2011-17. She has served on the New York City Mayoral Advisory Commission on City Art\, Monuments\, and Markers; the She Built New York advisory committee\, and selection committees for the Women’s Rights Pioneers Monument in Central Park; the Mexico City 1968 Memorial; and the Flight 587 Memorial. Her current book project is Monumental Controversies: Mount Rushmore\, Four Presidents\, and the Quest for National Identity. \nAbout Alison Saar\nAlison Saar was born in Los Angeles\, California. She has been commissioned to create a number of Public Monuments including Swing Low a monument to Harriet Tubman\, Terra Incognita a memorial to York of the Lewis and Clark expedition and Embodied a monument to Justice. She received the United States Artist Fellowship in 2012 and has also been awarded the John Simon Guggenheim Memorial Foundation Fellowship and two National Endowment Fellowships. Alison has exhibited at many galleries and museums\, including the Hirshhorn Museum and Sculpture Garden and the Whitney Museum of American Art. Her art is represented in the collections of the Whitney Museum of American Art\, the Baltimore Art Museum\, the Modern Museum of Art and the Metropolitan Museum of Art. \nAbout Marisa Williamson\nMarisa Williamson is a project-based artist who has produced site-specific works at Monticello\, & by commission from Storm King Art Center\, the Metropolitan Museum of Art\, Monument Lab\, & the National Park Service. She has had solo exhibitions at the University of Virginia\, the University of Washington\, & SPACES in Cleveland. Her work has been exhibited nationally & internationally. Williamson has received grants from the Rema Hort Mann Foundation\, the Schlesinger Library on the History of Women in America\, & the Graham Foundation. Williamson holds a BA from Harvard & an MFA from CalArts. She lives & works in New Jersey & Connecticut\, serving as an assistant professor of media arts at the University of Hartford. \n  \nThank you to Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, member of ArtTable’s New York Chapter Programs Committee\, for organizing this program series. \n\nImages: \n\nMarisa Williamson\, Ruffin Hall: University of Virginia – Seeing that nothing is purely black or white\, the Ghost of Thomas Jefferson wanders in this grey area. Charlottesville\, VA. From Postcard Book: The Ghost of Thomas Jefferson\, 2018. Edition of 150. Photo by Gabby Fuller. Courtesy of the Artist. | Swing Low: A Harriet Tubman memorial by Alison Saar (Photo: Devin A. Hill for TravelMag)\nHarriet F. Senie\, courtesy of the speaker\nAlison Saar Self Portrait\, courtesy of the artist\nMarisa Williamson\, courtesy of the artist
URL:https://www.arttable.org/event/virtual-reimagining-public-monuments-old-stories-and-new-narratives/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/05/Mons.gif
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210607T120000
DTEND;TZID=America/New_York:20210612T133000
DTSTAMP:20260404T143015
CREATED:20210518T163257Z
LAST-MODIFIED:20210520T164325Z
UID:5826-1623067200-1623504600@www.arttable.org
SUMMARY:Partner Program | The Convening: Women in Art
DESCRIPTION:June 7-12\, 2021 \nThe Convening is a week-long virtual leadership conference founded by Sheri Pasquerella of SLP The Class + SLP Women’s Group\, and Lauren Jackson Harris & Daricia Mia DeMarr of Black Women in Visual Art. Presented in collaboration with ArtTable and inaugurating in June 2021\, the gathering will provide tools\, education\, and mentorship for women of all ages working in the visual arts ecosystem. We will unite more than 300 female visionaries from across the country and convene around the question: How can we lead real change in 2021? \nFor 5 Days\, The Convening will present daily programming on a rotating schedule designed to encourage equity and growth in the arts\, including Morning Meditations\, Afternoon Workshops\, and Evening Panel Discussions. All these programs are leading up to The Great Convening on Friday and Saturday. During these gatherings\, 10 inspiring women will lead small groups & mentor-based sessions of 10-15 people to brainstorm and consider the question: How can we lead real change? Each circle is tasked with coming up with 1-2 actions that they can commit to. The group will nominate a ‘presenter’ to share the ideas & actions during Saturday’s The Great Convening. \nAdmission \n\nStudents – $50 (limited amount available)\nMonday – Thursday (Workshops & Panels only) – $125\nFull Week – The Great Convening Combo Ticket – $250\n\nVisit The Convening website to read more about the event\, the speakers and panelists\, view the full schedule\, and purchase your ticket today!
URL:https://www.arttable.org/event/partner-program-the-convening-women-in-art/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/Untitled-design.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210609T203000
DTEND;TZID=America/New_York:20210609T203000
DTSTAMP:20260404T143015
CREATED:20210520T175304Z
LAST-MODIFIED:20210526T195145Z
UID:5879-1623270600-1623270600@www.arttable.org
SUMMARY:Virtual | NoCal Film Night -  "Everybody Knows...Elizabeth Murray"
DESCRIPTION:8:30pm ET | 7:30pm CT | 5:30pm PT\nJoin ArtTable’s Northern California Chapter for a virtual film night to view and discuss Everybody Knows…Elizabeth Murray — The Life of a Great Contemporary Painter. You can also view the film in advance and join us for the discussion afterwards. We are delighted that after the viewing\, we will be joined Daisy Murray Holman\, daughter of the late artist. We look forward to a moving documentary and discussion of an inspiring artist. \nThis program is free for ArtTable Members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nHow to view the film in advance:\nMembers can watch the film at their leisure through their own public library Kanopy accounts. \nKanopy – San Francisco Public Library\nKanopy – Berkeley Public Library – California\nPBS (only available to KQED Passport Members) \nAbout Daisy Murray Holman\nDaisy Murray Holman is Head of Archives for the Richard Diebenkorn Foundation and manages the estate of her mother\, Elizabeth Murray. \n  \nThank you to Jan Wurm for organizing this program. \n\nImage: Elizabeth Murray\, Everybody Knows\, 2007\, oil on canvas\, 87″ x 93″ © 2019 The Murray-Holman Family Trust / Artists Rights Society (ARS)\, New York
URL:https://www.arttable.org/event/virtual-at-local-nocal-film-night-everybody-knows-elizabeth-murray/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/nGhtsgVAUG-e1621533146972.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210610T140000
DTEND;TZID=America/New_York:20210610T140000
DTSTAMP:20260404T143015
CREATED:20210506T185047Z
LAST-MODIFIED:20210520T140636Z
UID:5629-1623333600-1623333600@www.arttable.org
SUMMARY:Virtual | Global Perspectives - Art & Culture in Mali with Massira Toure
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Massira Toure\, the founder and director of a digital art gallery\, Agansi.com\, which combines art and technology to enhance visibility for visual artists from Africa and allow them to sell their work worldwide. Through this platform\, Massira organizes virtual exhibitions\, sales\, and rentals of works of art. An artist herself\, Massira also organizes in-person exhibitions in Mali. She will speak with ArtTable member Janet Goldner about her gallery\, her art\, and the Malian cultural scene. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Massira Toure\nMassira has a masters from the Conservatoire des Arts et Métiers de Bamako. Her painting practice centers around traditional Malian cloth. She has exhibited her works in group and individual exhibitions in Mali\, Tunisia\, Benin\, the USA and France. She is also a committed educator\, teaching drawing and painting at the Conservatoire. \nAbout Janet Goldner\nJanet is an independent researcher\, scholar\, consultant and artist. She has a lifelong relationship with Africa. She received a Fulbright Senior Research Fellowship to Mali in 1995. Since then\, she has spent several months every year in Mali engaged cultural research and projects concerning cultural preservation\, contemporary art\, and artists in Mali. Her research takes the form of immersive fieldwork\, and she often collaborates with Malian artists. She has received three Fulbright Specialist grants and grants from the Ford Foundation and the UN Special Committee Against Apartheid. She has lectured widely. Published articles include a chapter in Contemporary African Fashion\, Indiana University Press\, an essay in Poetics of Cloth\, Grey Art Gallery\, NYU. \n  \nThank you to Janet Goldner from ArtTable’s New York Chapter Programming Committee for organizing this program.\n \n\nImages: \n\nMassira Toure\, courtesy of the speaker\nJanet Goldner\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-global-perspectives-art-and-culture-in-mali-with-massira-toure/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Massira-e1620944566363.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T160000
DTEND;TZID=America/New_York:20210611T170000
DTSTAMP:20260404T143015
CREATED:20210517T143606Z
LAST-MODIFIED:20210520T133854Z
UID:5767-1623427200-1623430800@www.arttable.org
SUMMARY:New York | Tour of 'RE:GROWTH\, A Celebration of Art\, Riverside Park\, & the New York Spirit'
DESCRIPTION:Please join us for an in-person tour of ‘RE:GROWTH\, A Celebration of Art\, Riverside Park\, and the New York Spirit‘ on view at Riverside Park in New York City. The tour will be led by Independent Curator Karin Bravin. We will also be joined by artists Blanka Amezkua\, Dahlia Elsayed\, and Jean Shin\, who will speak about the pieces they have on view in the show. \nThis program is open to ArtTable members only. The program fee is $15. The exact meeting spot will be circulated prior to the program. During the tour we will walk for approximately 10-12 blocks\, so please prepare accordingly! \nAll attendees are invited to stick around after this program to meet the New York-based 2021 ArtTable Fellows! More details on this to come. \nNot a member? Join today! \nRegistration for this program is limited to 20 attendees. Waitlisted registrants will be notified if space becomes available.  \n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.  \n\n  \n\nAbout Karin Bravin\n \nKarin Bravin is a curator with a strong focus on site-specific\, public and installation art projects. In 2006 she curated and produced Studio in The Park\, a three month exhibition of eleven art installations in Riverside Park. The projects were sited in unexpected places: under tunnels\, on baseball backstops\, in the Hudson River\, and along the meandering paths. In 2009 she became consultant for the Downtown Alliance\, where she selected and oversaw several art projects on construction barriers in lower Manhattan. Among some of her other projects\, she curated 19 site -specific works at Lehman College and several installations for a gallery during Bushwick Open Studios. She is the curator and consultant for The Public Arts Commission of Lewes\, Delaware and on the arts advisory committee for The Stirner Arts Trail in Easton Pennsylvania. \nSince 1991\, Karin Bravin and her husband\, John Post Lee\, have owned and operated BravinLee programs\, a contemporary art gallery in New York. They focus their attention on their exhibition program\, artist rug program\, site-specific/public art program and an artist book program. They curate outside of the gallery\, lecture\, teach\, participate in art fairs\, and foster an active art advisory. Bravin received her BA in art history from Dartmouth College. \nAbout Blanka Amezkua\nBlanka Amezkua is formally trained as a painter; she attended the Accademia di belle Arti in Florence\, Italy and received her B.A. from California State University Fresno. Her work and projects have been shown in the United States\, Mexico\, Belgium and Greece. In cultural establishments such as: MoMA-P.S.1\, Exit Art\, The Bronx Museum of the Arts\, El Museo del Barrio\, Queens Museum of Art\, Towson University\, Dorsky Gallery\, The Taller Boricua\, The Block Gallery among others. You can read more about Blanka’s work and projects on her website. \nMentions of Blanka’s work and projects are included in ARTnews\, the New York Times\, TimeOut\, Daily News\, Art21:blog\, athinorama\, Athens News\, Queens Chronicle\, International Museum of Women\, WNYC\, as well as other publications. \nAbout Dahlia Elsayed\nDahlia Elsayed is an artist and writer who makes text and image based work that synthesizes an internal and external experience of place\, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings\, print and installation. Her work has been exhibited at galleries and institutions throughout the United States and internationally\, including the 12th Cairo Biennale\, Robert Miller Gallery\, BravinLee Programs\, The New Jersey State Museum and Aljira Center for Contemporary Art. Her work is in the public collections of the Newark Museum\, the Zimmerli Museum\, Johnson & Johnson Corporation\, the US Department of State\, amongst others. Dahlia has received awards from the Joan Mitchell Foundation\, the Edward Albee Foundation\, Visual Studies Workshop\, the MacDowell Colony\, Women’s Studio Workshop\, Headlands Center for the Arts\, and the NJ State Council on the Arts. She received her MFA from Columbia University\, and lives and works in New Jersey. Ms. Elsayed is Professor of Humanities at CUNY LaGuardia Community College in Long Island City\, NY. You can view more of her work on her website. \nAbout Jean Shin\nBorn in Seoul\, South Korea\, and raised in the United States\, is nationally recognized for her monumental installations that transform everyday objects into elegant expressions of identity and community engagement. For each project\, she amasses vast collections of a particular object—prescription pill bottles\, sports trophies\, sweaters—which are often sourced through donations from individuals in a participating community. These intimate objects then become the materials for her conceptually rich sculptures\, videos\, and site-specific installations. Distinguished by her meticulous\, labor-intensive process\, and her engagement of community\, Shin’s arresting installations reflect individuals’ personal lives as well as collective issues that we face as a society. \nShin attended the Skowhegan School of Painting and Sculpture in 1999 and received a BFA and MS from Pratt Institute in Brooklyn. She is a tenured Adjunct Professor of Fine Art at Pratt Institute and a recipient of Pratt’s 2017 Alumni Achievement Award. She lives and works in Brooklyn and Hurley\, NY. You can view her full bio and see more of her work on her website. \n\nImages: \n\nDigital rendering of Letha Wilson\, ‘Double Arc Leaves and Lava (Hawaii California)\,’ courtesy of Karin Bravin.\nKarin Bravin\, courtesy of the speaker.\nBlanka Amezkua\, courtesy of Greece-Is. Photo by Nikos Kokkas\nDahlia Elsayed\, courtesy of the artist.\nJean Shin\, courtesy of the artist.
URL:https://www.arttable.org/event/new-york-tour-of-regrowth-a-celebration-of-art-riverside-park-the-new-york-spirit-at-riverside-park/
LOCATION:Riverside Park\, Riverside Blvd\, New York\, 10069
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/site-mockup1-e1621262921280.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210616T120000
DTEND;TZID=America/New_York:20210616T120000
DTSTAMP:20260404T143015
CREATED:20210520T135718Z
LAST-MODIFIED:20210525T020754Z
UID:5870-1623844800-1623844800@www.arttable.org
SUMMARY:Virtual | Professional Empowerment: Repatriation of Cultural Heritage w/ Leila Amineddoleh
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a discussion with Leila Amineddoleh\, internationally recognized expert on art and cultural heritage crime and law and Founder of Amineddoleh & Associates\, LLC on the topic of repatriation of cultural heritage. \nFor centuries\, sought-after art objects and antiquities have been subject to high-profile ownership disputes. From the smuggling of religious artifacts out of the Holy Land to Hitler’s extensive looting of artistic property\, cultural objects have been targeted by rapacious collectors and leaders. The British Museum’s ownership of the Parthenon Marbles is perhaps the best-known cultural heritage debate\, yet legal battles are often not the focus of such intense public scrutiny. The presentation will examine antiquities disputes\, including a discussion of the laws that regulate ownership of cultural heritage and the evolution of the art market. \nArtTable’s Professional Empowerment program series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. If you have a topic or idea for a Professional Empowerment program\, email us at programs@arttable.org! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Leila Amineddoleh\nLeila A. Amineddoleh represents art collectors\, museums\, galleries\, dealers\, non-profit organizations\, artists\, estates\, foundations and foreign governments. She has been involved in matters related to multi-million dollar contractual disputes\, international cultural heritage law violations\, the recovery of stolen art and antiquities\, authentication disputes\, art-backed loans\, and the purchase and sale of hundreds of millions of dollars of art and collectibles. As a specialist in art authentication and title disputes\, Leila advises clients on the acquisition and sale of fine art and cultural heritage. \nLeila began her career as an intellectual property law litigator. She continues to work with artists and entrepreneurs to develop their intellectual property portfolios and protect their works and artistic rights. \nLeila has lectured at esteemed institutions\, including the Frick Collection\, Victoria & Albert Museum\, and the Philadelphia Museum of Art. She has appeared in major news outlets\, including the NY Times\, ABC News\, LA Times\, Forbes\, The Guardian\, TIME Magazine\, and the Wall Street Journal. She has been published in legal journals and has had scholarly contributions published in books\, including Nazi Law: From Nuremberg to Nuremberg and The Provenance Research Handbook. \nLeila teaches International Art & Cultural Heritage Law at Fordham University School of Law\, in addition to Art Crime and the Law at New York University. \n\nImages:  \n\nPart of the Elgin Marbles\, were originally part of the Parthenon in Athens. Photo: by VCG Wilson/Corbis via Getty Images. via artnet news.\nLeila Amineddoleh\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-professional-empowerment-repatriation-of-cultural-heritage-with-leila-amineddoleh/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/elgin.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210622T120000
DTEND;TZID=America/New_York:20210622T120000
DTSTAMP:20260404T143015
CREATED:20210503T160658Z
LAST-MODIFIED:20210528T163008Z
UID:5541-1624363200-1624363200@www.arttable.org
SUMMARY:Virtual | Artist Talk with Shahzia Sikander
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Shahzia Sikander. \nShahzia will talk about individual works she created from 1988 to 2003\, elaborating on the evolution of her unique visual lexicon as she negotiated a language between the pictorial traditions of Central and South Asia and contemporary practices\, through the lens of her experience from Pakistan to the US as an immigrant pre and post 9/11 and how that period’s shifting socio-political culture shaped her broader practice. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Shahzia Sikander\nPioneering Pakistani-American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting pre-modern and classical Central and South-Asian miniature painting traditions and launching the form known today as neo-miniature. By bringing traditional and historical practice into dialogue with contemporary international art practices\, Sikander’s multivalent and investigative work examines colonial archives to readdress orientalist narratives in western art history. Interrogating ideas of language\, trade\, empire\, and migration through imperial and feminist perspectives Sikander’s paintings\, video animations\, mosaics and sculpture explore gender roles and sexuality\, cultural identity\, racial narratives\, and colonial and postcolonial histories. \nSikander earned a B.F.A. in 1991 from the National College of Arts in Lahore\, Pakistan. Her seminal thesis work\, The Scroll (1989–1990) which initiated the start of the neo-miniature movement\, garnered awards\, exhibitions and press\, as well as led to increased enrollment in the NCA’s miniature painting department. Subsequently\, Sikander was appointed as a lecturer in miniature painting at the school. The artist then moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts\, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012)\, Sikander’s innovative work has been exhibited and collected internationally. \nShahzia Sikander will be the subject of a traveling exhibition titled Shahzia Sikander: Extraordinary Realities. The exhibition will open at The Morgan Library in New York in June 2021\, followed by the RISD Museum in Providence\, Rhode Island in November 2021\, and then the MFA Houston in Texas in Spring 2022. On the occasion of these exhibitions\, there will be a major new monograph printed. Extraordinary Realities is an exhaustive examination of Sikander’s work from 1987 to 2003\, charting her early development as an artist in Lahore and the United States\, and foregrounding her critical role in bringing miniature painting into dialogue with contemporary art. Edited by Jan Howard and Sadia Abbas\, with contributions by Gayatri Gopinath\, Faisal Devji\, Kishwar Rizvi\, Sadia Abbas\, Jan Howard\, Vasif Kortun\, Dennis Congdon\, Bashir Ahmed\, Rick Lowe\, and Julie Mehretu. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Julia P. Herzberg\, Ph.D.\, member of ArtTable’s New York Chapter Programming Committee\, for organizing this program.\n \n\nImages: \n\n“Cholee Kay Peechay Kiya? Chunree Kay Neechay Kiya? (What Is under the Blouse? What Is under the Dress?)”\, 1997; Vegetable Color\, dry pigment\, watercolor and tea on wasli paper; Marieluise Hessel Collection\, Hessel Museum of Art\, Center for Curatorial Studies\, Bard College\, Annandale-on-Hudson\, New York\n“Hood’s Red Rider No. 2”\, 1997; Vegetable Color\, dry pigment\, watercolor\, gold and tea on wasli paper; Collection of Susan and Lew Manilow
URL:https://www.arttable.org/event/virtual-artist-talk-with-shahzia-sikander/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210624T120000
DTEND;TZID=America/New_York:20210624T120000
DTSTAMP:20260404T143015
CREATED:20210604T181944Z
LAST-MODIFIED:20210607T231730Z
UID:6006-1624536000-1624536000@www.arttable.org
SUMMARY:Virtual | Luise Kaish and Women Artists in America\, with Gail Levin
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a discussion with Gail Levin\, Distinguished Professor of Art History\, American Studies\, and Women’s Studies at the City University of New York. Levin is Judy Chicago’s and Lee Krasner’s biographer\, and an acknowledged authority on Edward Hopper\, having written his catalogue raisonné\, his biography\, and many other publications. She is the editor and author of Theresa Bernstein: A Century in Art; a co-editor of Ethics and the Visual Arts; as well as contributor to the recently published monograph Luise Kaish: An American Art Legacy. Levin will speak about the work of pioneering artist Luise Kaish\, in the context of the history of women artists in America. \nLuise Clayborn Kaish (1925–2013) was a pioneer. A key figure in the New York art scene of the late 20th century\, her multidisciplinary practice and process-oriented work spanned a range of mediums\, materials\, techniques\, and themes. The strength and breadth of her work—monumental sculptures in bronze\, oil paintings\, watercolours\, lithographs\, collage—and the prestigious awards and fellowships she received set her apart as an early female leader in the visual arts. Dedicated to absorbing world cultures through travel and research\, Kaish studied a broad range of subjects from architecture\, design\, and engineering to spiritualism\, metaphysics\, and the cosmos. Through her wide-ranging practice\, she explored the spaces and connections between material\, natural\, and spiritual worlds. The publication Luise Kaish: An American Art Legacy celebrates her immense talent\, highly individual point of view\, far- reaching influence\, pursuit of the sublime\, and passion for life. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nThis program is generously supported by the Kaish Family Art Project.\n \n\nImages: \n\nLuise Kaish at work on the Ark of Revelation\, MacDougal Street Studio\, New York\, circa\, 1962.
URL:https://www.arttable.org/event/virtual-luise-kaish-and-women-artists-in-america-with-gail-levin/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-04-at-2.54.14-PM-e1622832935110.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210628T140000
DTEND;TZID=America/New_York:20210628T140000
DTSTAMP:20260404T143015
CREATED:20210514T191833Z
LAST-MODIFIED:20210514T220200Z
UID:5746-1624888800-1624888800@www.arttable.org
SUMMARY:Virtual | Fierce Poise: Helen Frankenthaler and 1950s New York
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Alexander Nemerov\, author of Fierce Poise: Helen Frankenthaler and 1950s New York\, and Sarah Kirk Hanley\, an independent prints and editions expert and critic based in the New York area\, who is currently writing an essay for the Dulwich Picture Gallery for their Fall exhibition of woodcuts by Helen Frankenthaler. \nDr. Nemerov’s biography of Frankenthaler encompasses her life and work beginning with her college years at Bennington\, where Nemerov’s father was her English teacher\, and Clement Greenberg\, her first significant romantic partner\, gave seminars in Art history and organized exhibitions. Nemerov concentrates his text on Frankenthaler of the 1950s which\, Karen Wilkin’s review of the book writes\,” she was notably strong and inventive\, almost from the start at a time when artists were expected to spend years maturing before their work was considered to be worthy of attention.” Nemerov acknowledges her importance as an Ab-ex painter and also writes about Freudian sources of her lifetime romantic relationships. There is a great deal to unpack about this major abstract woman artist of the twentieth century. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Alexander Nemerov\nAlexander Nemerov is The Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities\, as well as Chair of the Department of Art and Art History at Stanford University. He formerly taught Yale University where he was the Vincent J. Scully Professor of the History of Art. He has a Masters and Doctor of Philosophy in History of Art from Yale University and has published several books before the Frankenthaler. A scholar of American art\, Nemerov writes about the presence of art\, the recollection of the past and the importance of humanities in our lives today. \n\nAbout Sarah Kirk Hanley\nSarah Kirk Hanley is an independent prints and editions expert and critic based in the New York area. Her critical writing focuses on prints by women artists\, artists of color\, as well as work grounded in socio-political themes. Her past experiences include Consultant for Auctionata and 1st Dibs (2009-19); Assistant Vice President \, Christie’s Print Department (2006-2009); Associate Curator of Prints\, Drawings and Photographs\, Milwaukee Art Museum (2000-2005). She writes extensively for Art 21 Magazine and Art in Print. \n\nThank you to Susan L Halper\, President \, Susan L Halper Fine Art\, Inc. for organizing this program.\n \n\nImages: \n\nFierce Poise: Helen Frankenthaler and 1950s New York\, courtesy of Penguin Random House\nAlexander Nemerov\, courtesy of Penguin Random House\nSarah Kirk Hanley\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-fierce-poise-helen-frankenthaler-and-1950s-new-york/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Fierce.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210701T163000
DTEND;TZID=America/New_York:20210701T163000
DTSTAMP:20260404T143015
CREATED:20210614T195559Z
LAST-MODIFIED:20210615T213923Z
UID:6060-1625157000-1625157000@www.arttable.org
SUMMARY:Virtual | Exhibition Tour - 'Taking Space: Contemporary Women Artists & the Politics of Scale'
DESCRIPTION:4:30pm ET | 3:30pm CT | 1:30pm PT\nTaking Space: Contemporary Women Artists and the Politics of Scale\, on view at the Pennsylvania Academy of the Fine Arts\, examines the approaches of women artists for whom space is a critical feature of their work\, whether they take the space on a wall\, the real estate of a room through sculpture and installation\, engage seriality as a spatial visual practice\, cast a wide legacy in art history or claim the space of their body. Curated by Jodi Throckmorton and Brittany Webb\, this exhibition features more than sixty works of art from the Pennsylvania Academy of the Fine Arts’ permanent collection. In this virtual exhibition tour\, Dr. Brittany Webb will discuss the exhibition and the importance of women’s leadership in producing this exhibition. \nThis program is open to ArtTable members only. \nAdmission \n\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Brittany Webb\nBrittany Webb is the inaugural Evelyn and Will Kaplan Curator of Twentieth-Century Art and the John Rhoden Collection. In this role\, Webb oversees the Museum’s collections\, exhibitions\, and programs of 20th century art and provides instruction for the School of Fine Arts at PAFA. Webb’s first exhibition at PAFA\, Taking Space: Contemporary Women Artists and the Politics of Scale (November 2020-September 5\, 2021) is co-curated with Jodi Throckmorton\, Curator of Contemporary Art at PAFA. Webb is also organizing a major retrospective exhibition and catalogue of the work of the African American sculptor John Rhoden (1916-2001) and stewards a collection of nearly 300 sculptures by Rhoden\, leading PAFA’s ongoing effort to place his artworks into the permanent collections of museums around the world. \nPrior to joining PAFA\, Webb was a member of the curatorial staff of the African American Museum in Philadelphia. Dr. Webb holds a Ph.D. in Anthropology from Temple University and a B.A. in Political Science from the University of Southern California. \nThank you to ArtTable Philadelphia Chapter Co-Chairs Laurie McGahey and Rachel Zimmerman for organizing this program\, and Dr. Brittany Webb and Christiana Cruz-Council from PAFA. \n\nImages: \n\nDeborah Willis\, I Made Space For a Good Man\, 2009\, Lithograph\, gift from the collection of Winston and Carolyn Lowe in honor of Brandywine founder\, Allan L. EdmundsDeborah Willis/Courtesy of the Pennsylvania Academy of the Fine Arts\, Philadelphia\, 2019.18.35\nTaking Space: Contemporary Women Artists and the Politics of Scale. Pennsylvania Academy of the Fine Arts\, January 21\, 2021–September 5\, 2021. Photo by Adrian Cubillas\, courtesy of the Pennsylvania Academy of the Fine Arts\, Philadelphia.
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-taking-space-at-pafa/
LOCATION:Zoom
CATEGORIES:National,Philadelphia
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-14-at-3.56.19-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210707T120000
DTEND;TZID=America/New_York:20210707T120000
DTSTAMP:20260404T143015
CREATED:20210601T160326Z
LAST-MODIFIED:20210624T163111Z
UID:5940-1625659200-1625659200@www.arttable.org
SUMMARY:Virtual | Asian American Perspectives at the Whitney Museum\, with Xin Wang
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us and Xin Wang\, art historian and John Tisch Teaching Fellow at the Whitney Museum of American Art\, for a presentation on Asian American Perspectives\, drawing on contemporary artists works from the Whitney Museum’s collection. \nAdmission \n\nArtTable Circle Members – Free\nAll other membership levels – $12\nNon-members – $15\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Xin Wang\nXin Wang is the John Tisch Teaching Fellow at the Whitney Museum of American Art in New York City. She is an art historian and curator whose past curatorial projects include Ink Art: Past and Present in Contemporary China\, Metropolitan Museum of Art (2013); Field Meeting of Asian Contemporary Art Week (2014\, New York)\, Lu Yang’s solo debut in New York THE BANK SHOW: Vive le Capital and THE BANK SHOW: Hito Steyerl (2015)\, Art in China since the 1990s (2018\, Ulm\, Germany)\, to highlight a few projects. Her writing has appeared in E-flux journal\, Artforum\, Kaleidoscope\, Hyperallergic and Leap. \nXin is currently pursuing her PhD in modern and contemporary art at the Institute of Fine Arts\, New York University\, and holds an MA in Art History from Columbia University and a BA in Art History\, Mathematics\, and Psychology from Hamilton College. She is currently planning an exhibition that explores Asian Futurisms for The Museum of Chinese in America in New York City and manages the discursive archive on Asian Futurisms at afuturism.tumblr.com. \n\n\nImages: \n\nSarah Sze\, (not yet titled)\, 2000\, Chromogenic print mounted on aluminum; courtesy of the Whitney Museum of American Art\, New York; gift of Arthur and Susan Fleischer\, © Sarah Sze
URL:https://www.arttable.org/event/virtual-asian-american-perspectives-at-the-whitney-museum-with-xin-wang/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-07-at-7.07.48-PM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210715T140000
DTEND;TZID=America/New_York:20210715T140000
DTSTAMP:20260404T143015
CREATED:20210512T184349Z
LAST-MODIFIED:20210604T153724Z
UID:5677-1626357600-1626357600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Charlotte Caspers
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved most programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Charlotte Caspers. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Charlotte Caspers\nCharlotte Caspers (Ghent\, 1979) is an artist who makes use of historical painting techniques and materials in a contemporary way. Central to her work is the subtle communication of materials\, of human beings as makers\, with nature as the basis of everything. She connects these themes with her specific form language and with her clearly recognisable aesthetics. Caspers studied Art History at Radboud University in Nijmegen and took the postgraduate course in painting restoration at Stichting Restauratie Atelier Limburg in Maastricht (SRAL). She specialized in historical painting materials and techniques and has made historical reconstructions for numerous museums and institutions\, including the Van Gogh Museum\, the Rijksmuseum\, Tate Britain\, Princeton and Duke University\, and Dutch television. For ten years\, Caspers has been a guest lecturer in historical painting techniques at the Department of Conservation and Restoration at the University of Amsterdam. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImages: \n\nColour composition maple tree\, 2019. 93 x 72 cm. Oak panels\, mineral pigments in distemper\, graphite\, & goldleaf. Image courtesy of the artist.\nCharlotte Caspers\, courtesy of the artist; Photo by Joris Hilterman
URL:https://www.arttable.org/event/virtual-artist-talk-with-charlotte-caspers/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/IMG_2348-scaled-e1620844894493.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210720T200000
DTEND;TZID=America/New_York:20210720T200000
DTSTAMP:20260404T143015
CREATED:20210715T144507Z
LAST-MODIFIED:20210715T144624Z
UID:6310-1626811200-1626811200@www.arttable.org
SUMMARY:Partner Program | Author Talk - Art: Creating With Judy Chicago
DESCRIPTION:July 20\, 2021 at 8pm\nPBS Books presents this Author Talk with Judy Chicago about her book The Flowering: The Autobiography of Judy Chicago. Chicago will be in conversation with ArtTable’s Lila Harnett Executive Director\, Jessica Porter! \nThis event will be a time for viewers to get to know America’s most dynamic living artist. Known for her extraordinary and genre-defying art\, such as The Dinner Party\, Birth Project\, Holocaust Project\, and more\, Chicago is a trailblazing feminist and a champion of using art to express visions and challenge boundaries. PBS Books is honored to learn more about Chicago alongside viewers nationwide\, as she explores her own personal journey to becoming a multi-talented American icon. This special event will showcase the stories behind her works and celebrate her lifelong aim: a more just and equitable world for all beings. \nClick here to read more about the book and the artist. \nThe event will be live streamed on the PBS Books Facebook Page. \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nImages courtesy of the artist and PBS Books.
URL:https://www.arttable.org/event/author-talk-art-creating-with-judy-chicago/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/Screen-Shot-2021-07-15-at-10.43.52-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210721T133000
DTEND;TZID=America/New_York:20210721T133000
DTSTAMP:20260404T143015
CREATED:20210713T180006Z
LAST-MODIFIED:20210720T222131Z
UID:6295-1626874200-1626874200@www.arttable.org
SUMMARY:Virtual | Art in Public Spaces with Sonia Romero\, Danielle Brazell\, Felicia Filer\, & Heidi Zeller
DESCRIPTION:10:30 am PT/12:30pm CT/ 1:30pm ET\nOn July 6\, members of ArtTable’s Southern California chapter met for a walkthrough of Sonia Romero’s unique and powerful Metro Arts mural project in the historic Mariachi Plaza’s Gold Line Station in Boyle Heights. As a result of this successful event\, we are following up with part two!  \nJoin us for a virtual discussion on the current state of public art in Los Angeles and Romero’s public art projects — especially as we emerge from the pandemic with an increased awareness of the profound value of art in activated public spaces across all the city’s diverse communities.  \nRomero unpacks the community and history-centric content of the work\, as well as offers insight as to how the project came into fruition over the course of more than five years. Additionally\, we are honored to welcome to this conversation with the perspectives of LA Metro’s head of Cultural Programming Heidi Zeller\, Director of the City of L.A.’s Public Art Division Felicia Filer\, and the Department of Cultural Affairs General Manager Danielle Brazell. \nAdmission \n\nCurrent ArtTable Members – $10\nMembers may bring a guest for an additional $5\nNon Members – $15\n\nNot an ArtTable member? Join today! \n \nAccessibility: Please email programs@arttable.org if you require accessibility information for this program. \n\nAbout the Speakers\nSonia Romero is a Los Angeles artist known for her paper-cut and printmaking aesthetics which she incorporates into both her fine art and public art commissions. Born in 1980\, she grew up in an artistic household in Echo Park before formally studying at the Rhode Island School of Design. After returning to California\, she began working as a public artist\, and was the artist in residence at Avenue 50 Studio in Northeast Los Angeles from 2007-2014. (soniaromero) \nDanielle Brazell is a visionary national arts and cultural leader\, passionate about the roles that arts\, culture\, and creativity play in advancing civic belonging\, equity\, economic prosperity\, and social connectedness. Her career spans thirty years\, first as an artist\, teaching artist\, cultural producer\, and administrator\, and now as the General Manager of the City of Los Angeles Department of Cultural Affairs (DCA). A passionate advocate\, she advances the agency’s mission to enhance the quality of life in the city. Ms. Brazell provides executive leadership to a staff of 84 full-time employees and over 200 part- time employees\, including a robust roster of teaching artists. Ms. Brazell works with the progressive agency’s Community Arts\, Grants Administration\, Public Art\, and Marketing\, Development\, Design\, and Digital Research division directors\, and the Performing Arts Program and General and Administrative Support Program directors\, to implement an annual budget of $22 million and a robust $150 million portfolio of capital projects\, facilities\, programming\, and initiatives of free and low-cost publicly accessible arts and cultural services citywide. Prior to 2014\, Ms. Brazell was the Executive Director of Arts for LA\, a highly visible arts advocacy organization serving the greater Los Angeles region. Under her stewardship\, Arts for LA became a formidable coalition advancing the arts in the largest county in the country. Ms. Brazell was previously the Artistic Director of Highways Performance Art Space and the Director of Special Projects for the Screen Actors Guild Foundation. She serves as a board member of Americans for the Arts and DataArts. \nFelicia Filer is the public art director for the City of Los Angeles Department of Cultural Affairs. She has overseen the commission and fulfillment of over 200 permanent public art projects throughout the city. In Summer 2016\, Filer co-produced the city’s inaugural Public Art Biennial\, CURRENT: LA Water. The Biennial commissioned 15 original\, temporary public art installations and 150 public programs. A native of Los Angeles\, she earned an MBA in finance and marketing from Claremont Graduate University. (linkedin) \nHeidi Zeller is LA Metro’s Senior Manager of Cultural Programming. Zeller is an arts organizer and cultural planner with a focus on the role of art in enriching public space and civic dialogue. At LA Metro\, she produces Metro Art Presents\, a series of arts and cultural events at historic Union Station. She is a proud native Angeleno. (ciclavia) \nThank you to Shana Nys Dambrot & Ceci Moss\, ArtTable SoCal Chapter Co-Chairs\, for organizing this program. \n\nImages: \n\nHeadshots of the speakers\, clockwise from top left: Sonia Romero\, Danielle Brazell\, Felicia Filer\, & Heidi Zeller
URL:https://www.arttable.org/event/virtual-socal-art-in-public-spaces-with-sonia-romero-danielle-brazell-felicia-filer-and-heidi-zeller/
LOCATION:Zoom
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/virtual-programming.png
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210722T120000
DTEND;TZID=America/New_York:20210722T130000
DTSTAMP:20260404T143015
CREATED:20210614T161239Z
LAST-MODIFIED:20210622T154109Z
UID:6051-1626955200-1626958800@www.arttable.org
SUMMARY:Virtual | Meet the 2021 ArtTable Fellows!
DESCRIPTION:12:00pm ET\nJoin us for a discussion with the 2021 ArtTable Fellows! This year is especially exciting as ArtTable was able to award 16 fellowship positions to emerging professionals throughout the country\, all thanks to generous donations from individuals and foundations. The fellows will discuss their projects and overall experience with the ArtTable Fellowship Program so far. This is a wonderful opportunity to meet our current fellowship cohort and learn more about the ArtTable Fellowship Program and the opportunities it provides to emerging professionals. We are pleased to celebrate over 20 years of this impactful program. Click here to read more about our Impact initiatives! \nRegistration for this program is open to anyone\, with a suggested donation of $15.00 to continue to support the program. We hope to see you there! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the ArtTable Fellowship Program\nSince the year 2000\, ArtTable has conducted a Fellowship Program to address the marked lack of diversity in arts employment. The Fellowship provides quality experiences and mentorship to female-identifying graduate students and emerging professionals from backgrounds generally underrepresented in the field to aid their transition from academic to professional careers. Through one-on-one mentoring relationships at select museums and cultural institutions\, fellows have the opportunity to work with established leaders and gain exposure to a range of professional activities. \nThe 2021 ArtTable Fellows\n\nSarah Ahmed | LACMA\, Los Angeles County Museum of Art | Los Angeles\, CA \nNidhi Gandhi | Brooklyn Museum | Brooklyn\, NY \nKendra Greendeer | Portland Art Museum | Portland\, OR \nAlison Guh | The Morgan Library & Museum | New York\, NY \nMolly Hatesohl | Cooper Hewitt\, Smithsonian Design Museum | New York\, NY \nAndrea Lewis | Philadelphia Museum of Art | Philadelphia\, PA \nAlejandra Lopez-Oliveros | Project for Empty Space | Newark\, NJ \nFrances Melgarejo | American Indian Artists Inc. (AMERINDA) | New York\, NY \nLarissa Nez | Montclair Art Museum | Montclair\, NJ \nAlitzah Oros | Social and Public Art Resource Center (SPARC) | Los Angeles\, CA \nJuliana Ramirez Herrera | Museum of Fine Arts\, Houston | Houston\, TX \nSarika Sanyal | Public Art Fund | New York\, NY \nZoe Toledo | Materials & Applications (M&A) | Los Angeles\, CA \nJoy Tucker | Oklahoma Contemporary Arts Center | Oklahoma City\, OK \nDada Wang | Museum of Chinese in America | New York\, NY \nAshleigh Yallaly | Museum of Arts and Design | New York\, NY \nClick here to read more about the ArtTable Fellowship Program\, the 2021 Fellows\, and the projects they are working on this summer. \n\nTo learn more about supporting this program\, email director@arttable.org. \nTo learn more about participating in this program as a Host Organization or Fellow\, email lroldan@arttable.org
URL:https://www.arttable.org/event/virtual-meet-the-2021-arttable-fellows/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/Welcome-2021-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210911T110000
DTEND;TZID=America/New_York:20210911T123000
DTSTAMP:20260404T143015
CREATED:20210726T150140Z
LAST-MODIFIED:20210823T170036Z
UID:6416-1631358000-1631363400@www.arttable.org
SUMMARY:National | ArtTable at The Armory Show
DESCRIPTION:Please join us for the annual ArtTable Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, now to take place annually in September at the Javits Center. We will be joined by The Armory Show’s Executive Director\, Nicole Berry. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and a light breakfast. \n  \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. \nPlease note that The Armory Show requires that all individuals wear a mask indoors\, regardless of vaccination status. This will be strictly enforced.\nIn addition to masks\, The Armory Show also requires that each attendee provide the following before entry to the fair:\n(1) PROOF OF FULL VACCINATION STATUS IN PAPER FORM\, DIGITAL APPLICATION\, OR THE NEW YORK STATE EXCELSIOR PASS.\nOR\n(2) PROOF OF A NEGATIVE COVID-19 TEST RESULT (I.E.\, PCR/NAAT) TAKEN WITHIN 72 HOURS OF ENTERING THE JAVITS CENTER.\nPlease review The Armory Show’s full  Health and Safety Plan before registering.\n\nAccessibility: \n\nThe Javits Center has sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. For more information regarding accessibility\, please visit the Javits Center website.\n\nGetting There: \n\nThe Armory Show is easily accessible by car\, taxi\, and public transportation. For detailed directions visit the Javits Center website.\n\n\n\nAbout The Armory Show\nIn 1994\, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years\, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape. \nNow in September at the Javits Center\, The Armory Show will kick-off New York’s fall arts season. We have always been a gateway to New York’s art scene\, hosting the world’s best galleries and linking collectors and galleries with museums and institutions across the city. And our updated timing coupled with the proximity to Chelsea and the High Line will create increased access to the city’s vibrant culture. \nAt our core\, The Armory Show is dedicated to ensuring galleries and New York’s art community continue to thrive. We pave the way for its success and strive to be a platform in which it is easier to buy\, sell and discover art. \nClick here to read more about the fair.
URL:https://www.arttable.org/event/arttable-at-the-armory-show/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/07/TAS.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210913T170000
DTEND;TZID=America/New_York:20210913T170000
DTSTAMP:20260404T143015
CREATED:20210729T145841Z
LAST-MODIFIED:20210812T135722Z
UID:6463-1631552400-1631552400@www.arttable.org
SUMMARY:Virtual | Let's Connect! Fall National Networking Event
DESCRIPTION:5pm ET | 4pm CT | 2pm PT\nWe invite all ArtTable members to join us for our next virtual national networking event! Our first national networking event took place in May 2021 and allowed members from all over to share ideas and make new connections! We are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \nThis program is Free for all ArtTable members. Not a member? Join today! \nCLICK HERE TO REGISTER.\n(You will receive an email confirmation containing the Zoom link.) \nCan’t join us for this event? Don’t worry\, there will be plenty more opportunities to connect with members in the future! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-lets-connect-fall-national-networking-event/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/Untitled-design-e1627571439194.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210919T140000
DTEND;TZID=America/New_York:20210919T140000
DTSTAMP:20260404T143015
CREATED:20210810T144247Z
LAST-MODIFIED:20210812T135802Z
UID:6503-1632060000-1632060000@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'The Free World: Art & Culture in the Cold War' - Louis Menand
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin Reading at the (Art)Table as we delve into ‘The Free World: Art and Culture in the Cold War” by Louis Menand\, hosted by ArtTable’s Northern California chapter. This deep and detailed history shines a light on the art and culture of the period from WWII through the war in Vietnam. \nThis program is for ArtTable members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program. Please note that registration for this program will close at 4pm ET/1pm PT on Friday\, September 17.\nYou will receive a registration confirmation via email that contains the Zoom link. If you need to download the Zoom app\, you may do so here.\nFor further instruction on how to use Zoom\, see here.\n\n\nThank you to Jan Wurm\, ArtTable Northern California Chapter\, for organizing this program. \nImage: The Free World: Art and Thought in the Cold War by Louis Menand
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-the-free-world-by-louis-menand/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/08/QiFkdjYEbe.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210929T180000
DTEND;TZID=America/New_York:20210929T193000
DTSTAMP:20260404T143015
CREATED:20210617T210428Z
LAST-MODIFIED:20210805T144914Z
UID:6090-1632938400-1632943800@www.arttable.org
SUMMARY:New York | ArtTable Circle Private Collection Visit with Lillian Heidenberg
DESCRIPTION:Join fellow ArtTable Circle members for a special Collection Visit to the home of Brooklyn-based art dealer Lillian Heidenberg. \nPriority registration is available to ArtTable Circle members until August 24\, 2021. Registration will open to Executive level members on August 25\, 2021\, and to all other members on September 14\, 2021. Space is limited. Light refreshments will be served. \nTo learn more about the ArtTable Circle membership level\, please visit the Membership page on our website or email membership@arttable.org. \n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nProof of Covid-19 vaccination is required in order to attend this program. You will be asked to submit this information safely and securely after you register. If proof of vaccination is not submitted at least 2 weeks in advance of the program\, you will not be permitted to attend.\n\nAccessibility: \n\nPlease note that the residence is not wheelchair accessible\, as there are some stairs leading up to the main entrance. There is an elevator inside to travel between the different floors.\n\nGetting There: \n\nThis program will take place in the neighborhood of Park Slope in Brooklyn\, New York. The closest subway stops are Grand Army Plaza along the 2\, 3\, or 4 lines and 7th Avenue along the B or Q lines. The actual address will be shared with registrants in advance of the event.\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Lillian Heidenberg\nLillian Heidenberg is both a collector and an internationally renown art dealer. She has been specializing in modern and contemporary masters for many years. Today she also includes several contemporary cutting edge artists in her collection including Ebony Patterson and Summer Wheat. She also has a special interest in British sculpture and has represented the works of Henry Moore and Lynn Chadwick and is an expert on their art. Her collection includes Louise Bourgeois\, Fernando Botero\, John Wesley\, Helen Frankenthaler\, Alex Katz among many others. Lillian also has a strong interest in Chinese contemporary art. \nNow located in a historic brownstone in Park Slope\, Brooklyn her collection includes both new and more historic elements. \nLillian has advised many important private collectors\, museums\, and institutions around the world. As a member of the prestigious Art Dealers Association of America\, she has exhibited at art fairs internationally. She has also donated works to many museums. \nEducation: Barnard College\, cum laude Bachelors of Art; New York University Institute of Fine Arts\, Masters Degree in Fine Art; Attended Ecole du Louvre\, speaks French fluently \nBoard Affliations: Tel Aiv Museum of Art\, Israel (also co-chaired several galas for American friends of Tel Aviv Museum); Museum of Contemporary Art\, Montreal\, Canada \nSelect Charitable Organizations and Art Donations: Jewish Federation of North America; Lions of Judah member; Lions of Judah Endowment; Montreal Museum of Fine Arts\, Montreal\, Canada; Yale University Center for British Art; Brandeis University of Art Museum; Boca Raton Museum of Art\, Florida; Norton Museum of Art\, Florida; Perez Art Museum Miami\, Florida; Meijer Garden and Museum of Art\, Grand Rapids Michigan; New Museum\, New York; Boston Museum of Fine Arts\, Massachusetts; American Friends of the Uffizi; Israel Museum; and others. \n\nImages: \n\nA peek at Lillian Heidenberg’s collection: Flanking the fireplace are Jim Dine’s Glow of July\, 1992\, oil\, enamel and charcoal on canvas\, and Eric Fischl’s Woman in Water\, 1980\, oil on canvas. A Tang Dynasty (618-907 CE) clay horse sits on the 1940s art deco dining table and three ceramic pieces by Pablo Picasso (1881-1973) are on the mantle. On the Aldo Tura circa 1940s sideboard are\, from left\, Mao Culture collars\, 20th century\, and 19th-century Chinese ceremonial necklaces.
URL:https://www.arttable.org/event/arttable-circle-lillian-heidenberg-collection-visit/
LOCATION:Park Slope\, Brooklyn\, Park Slope\, Brooklyn\, NY\, 11215\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/lh3.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211013T160000
DTEND;TZID=America/New_York:20211013T173000
DTSTAMP:20260404T143015
CREATED:20210826T180033Z
LAST-MODIFIED:20210930T214523Z
UID:6667-1634140800-1634146200@www.arttable.org
SUMMARY:Virtual | Annual Leadership Series - The Precarious Position of Women in Leadership
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWomen-identifying leaders in the arts are stepping down or being fired in larger proportions to their male counterparts. The issue was further exacerbated in the year 2020 when women\, either by choice or circumstance\, continued to leave the workforce in greater numbers than men. However\, as the world began to reopen\, more and more women came into leadership positions at large-scale arts organizations and institutions. In 2020\, CultureType listed 54 Arts Leaders Who Took on New Appointments in 2020\, 43 of whom are women. This past year\, of approximately 75 new appointments to various leadership positions in the art world\, 62 of them have been women\, as noted by CultureType and ARTnews.  \nDespite the growing visibility of women in the art world\, issues still plague the industry\, such as the ongoing gender pay gap (as of now\, women continue to earn approximately 73 cents for every dollar that men earn; the number is even lower for women of color\, ranging from 55 to 62 cents for Latina\, Native American\, and Black women.)\, disparities in gender representation depending on operating budget (the majority of museums with budgets less than $15 million are run by a female rather than a male director; the reverse is true for museums with budgets of over $15 million\, where female representation decreases as budget size increases)\, and the glass cliff phenomenon (the idea of women being placed in leadership positions during periods of crisis or downturn\, when the chance of failure is highest\, but under the pretense of providing an exciting professional opportunity).  \nFor this year’s Annual Leadership Series\, we want to acknowledge and celebrate the incredible strides that women have made as leaders in the art world\, but we also want to look to the future and ask ourselves\, what still needs to be done\, and how can we ensure women always have a seat at the table? \nPlease join us for what is sure to be an enlightening and thought-provoking discussion with women-identifying leaders in the art world with various perspectives on the issues. We will address questions including: \n\nWhat do these phenomena mean for women in the workforce\, and particularly in the art world\, both women leaving the workforce in greater numbers and the incredible amount of women being promoted to leadership positions?\nHow do we advocate for women leaders from racially\, ethnically\, and socio-economically diverse backgrounds and reach greater gender parity in leadership roles? \nThe glass cliff is the phenomenon of women in leadership roles\, such as executives in the corporate world and female political election candidates\, being likelier than men to achieve leadership roles during periods of crisis or downturn\, when the chance of failure is highest. Is this a phenomenon that we may have recently witnessed\, with all of the significant appointments of woman-identifying leaders in the art world? Or are we finally\, truly on the path to equality? Do women continue to be more vulnerable to career displacement than men? \nWhat lessons have we learned\, and how can we ensure lasting change?\n\nThe panel will be moderated by Stephanie A. Stebich\, Director of the Smithsonian American Art Museum in Washington\, DC. Additional speakers include: \n\nMin Jung Kim\, Director\, Saint Louis Museum of Art\, St. Louis\, MO\nDorothy Kosinski\, Vradenburg Director and CEO of The Phillips Collection\, Washington DC\nMia Locks\, Independent Curator and Culture Worker\, Los Angeles\, CA\nDanyelle Means\, Executive Director\, Center for Contemporary Arts\, Santa Fe\, NM\nBrittany Webb\, Evelyn and Will Kaplan Curator of 20th-Century Art & the John Rhoden Collection\, Pennsylvania Academy of Fine Art\, Philadelphia\, PA\n\nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms. ArtTable programs are a time for members and non-members to connect with old friends and meet new people\, both in-person and virtually. We hope you will stick around afterwards to discuss important themes from the conversation and talk about new ideas and insights. \nAdmission \n\nArtTable Members – $10 (ArtTable members may bring a guest for an additional $15)\nNon-Members – $25\n\nNot an ArtTable member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Automatic closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations. \n\nAbout the Speakers\nStephanie A. Stebich (pronounced STEE-BISH) is responsible for the nation’s premier collection of American art and major exhibition\, research\, publication\, education and digital-media programs at the museum and its Renwick Gallery. She was named director of the Smithsonian American Art Museum in January 2017. Stebich also serves as co-chair of the Smithsonian American Women’s History Initiative. \nBefore coming to Washington\, D.C.\, Stebich had been executive director of the Tacoma Art Museum since 2005. Under her leadership\, the museum underwent a major renovation that doubled its exhibition space; launched a capital campaign with a goal of $17 million and raised more than $37 million; and added endowed curator\, educator and fellow positions. She oversaw the development and implementation of the museum’s strategic plan\, as well as a 10-year collecting strategy. At Tacoma\, Stebich championed the presentation of many groundbreaking exhibitions and secured major collection gifts\, including the Haub Family Collection of Western American Art\, and the Rebecca and Jack Benaroya Collection of American studio glass. \nStebich was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001. She was previously a trustee of the Association of Art Museum Directors and the American Alliance of Museums. \nStebich earned a bachelor’s degree in art history from Columbia University and a master’s degree with a concentration in modern art from the Institute of Fine Arts at New York University. She has a certificate in nonprofit management from Case Western Reserve University and is a graduate of the Getty Leadership Institute in Los Angeles. She was a fellow at the Guggenheim Museum and has studied at the University College London. She is fluent in German. \nMin Jung Kim was named the Barbara B. Taylor Director of the Saint Louis Art Museum in 2021. She brings to St. Louis extensive experience in museum leadership roles. As the director and chief executive officer of the New Britain Museum of American Art\, she enhanced the museum’s profile through exhibitions and collection development designed to expand the definition of American Art and reflect greater diversity while strengthening community engagement and collaborative partnerships. As deputy director of the Eli and Edythe Broad Art Museum at Michigan State University\, she was in charge of implementing the completion of the Zaha Hadid-designed Broad MSU. As director of content alliances at the Solomon R. Guggenheim Museum\, she managed collaborative projects among the Guggenheim; the State Hermitage Museum in St. Petersburg\, Russia; and the Kunsthistorisches Museum in Vienna. Min Jung Kim was born and raised in Seoul\, South Korea. She graduated from Wheaton College and holds a master’s degree in art history from the Courtauld Institute of Art at the University of London. \nDr. Dorothy Kosinski has been the Vradenburg Director & CEO of The Phillips Collection since April 2008. Previously\, Dr. Kosinski was Senior Curator of Painting and Sculpture at the Dallas Museum of Art. She was also the museum’s Barbara Thomas Lemmon Curator of European Art. Over the course of 30 years in museum work\, Kosinski has earned a reputation internationally as an accomplished curator and scholar of 19th and 20th century art. For over 12 years\, Dr. Kosinski was based in Basel\, Switzerland\, where she was a curator\, scholar\, and university instructor\, including curator and administrator of the Douglas Cooper Collection. In August 2013\, Dr. Kosinski was appointed by President Barack Obama to the National Council on the Humanities. She currently serves on the Board of the Sherman Fairchild Foundation and The Morris and Gwendolyn Cafritz Foundation. Dr. Kosinski received a BA from Yale University and an MA and PhD from the Institute of Fine Arts at New York University. \n \nMia Locks is an independent curator and culture worker based in Los Angeles. She was previously a curator at The Museum of Contemporary Art (MOCA) in Los Angeles as well as MoMA PS1 and the Whitney Museum of American Art in New York. She was a 2018 fellow at the Center for Curatorial Leadership and currently co-leads Museums Moving Forward\, a data-driven initiative focused on accountability in the museum field. \n  \n\nDanyelle Means is the newly appointed Executive Director of the Center for Contemporary Arts (CCA) in Santa Fe\, New Mexico. She will continue her successful philanthropic and non-profit leadership by advancing CCA’s mission to celebrate creativity across the arts\, humanities\, and sciences by generating transformative experiences designed to ignite minds and connect people. Means has served as the Director of Advancement at the Institute of American Indian Arts (IAIA) and the Executive Director of the IAIA Foundation. During her tenure at IAIA\, like many in the philanthropic sector\, Means and her staff shifted all efforts online during the pandemic\, bringing IAIA one of the most successful fundraising years ever. \n\n \nDr. Brittany Webb is the Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection at the Pennsylvania Academy of the Fine Arts (PAFA). She is currently working on a retrospective exhibition on 20th century African-American sculptor John Rhoden (1916-2001) that includes an initiative to gift more than 250 sculptures by Rhoden to museums around the country. Dr. Webb came to PAFA from the African American Museum in Philadelphia (AAMP). She holds a PhD in Anthropology from Temple University and a BA in Political Science from the University of Southern California (USC). \n  \n\nImages:  \n\nStephanie A. Stebich\, The Margaret and Terry Stent Director\, Smithsonian American Art Museum; Photo credit: Smithsonian American Art Museum\nMin Jung Kim\, Photo by Tim Parker\nDorothy Kosinski\, Photo by Daniel Schwartz\nMia Locks © 2016 Scott Rudd; www.scottruddevents.com; scott.rudd@gmail.com\nDanyelle Means\nBrittany Webb
URL:https://www.arttable.org/event/virtual-arttables-annual-leadership-series-with-stephanie-a-stebich-2021/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/08/2021-ALS.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211027T120000
DTEND;TZID=America/Los_Angeles:20211027T130000
DTSTAMP:20260404T143015
CREATED:20210924T170154Z
LAST-MODIFIED:20211005T194338Z
UID:6882-1635336000-1635339600@www.arttable.org
SUMMARY:Virtual | Marcela Guerrero & Daisy Nam on Donna Huanca's exhibition at Ballroom Marfa
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nPlease join Marcela Guerrero\, Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, and Daisy Nam\, Curator at Ballroom Marfa\, for a discussion on Donna Huanca’s exhibition ESPEJO QUEMADA\, on view at Ballroom Marfa through January 22\, 2022. The two will also discuss Guerrero’s work on influential recent exhibitions of contemporary art from Latin America\, including the exhibitions Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art at the Whitney Museum of American Art and Radical Women: Latin American Art\, 1960-1985 at the Hammer Museum. \nDonna Huanca presents a series of new works commissioned by Ballroom Marfa in her exhibition ESPEJO QUEMADA. Huanca creates experiential installations that incorporate paintings\, sculptures\, video\, scent and sound. The profound experiences and memories of Huanca’s first visit to Marfa in 2005 inspired the work in the exhibition. The artworks draw on visual\, cultural\, and mythological cues informed by feminism\, decolonialism and the artist’s personal and familial histories\, while simultaneously engaging with the biodiversity\, geology\, and dark skies of Far West Texas. The sky was particularly striking for Huanca–animated with cosmic and extraterrestrial forces while also revealing the natural rhythms of the sun and moon. \nESPEJO QUEMADA\, Huanca’s first exhibition since the pandemic\, uses mirrors as formal and metaphorical devices to respond to changing conditions. The title\, which translates to “burnt mirror” in English and is purposefully feminized in Spanish\, alludes to Huanca’s feminist praxis. “Espejo Quemada” suggests reflections of the current moment\, portals to the past and future\, and catalysts for combustion and change. Click here to read more about the exhibition! \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for an additional $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: Please note that live closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations.  \n\nAbout the Speakers\nMarcela Guerrero is the Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, New York. Recently\, she was part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art\, 1925-1945. In summer 2018\, Guerrero curated the exhibition Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art. From 2014 to 2017 she worked as Curatorial Fellow at the Hammer Museum in Los Angeles\, where she was involved in the much-lauded exhibition Radical Women: Latin American Art\, 1960-1985\, organized as part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative and guest-curated by Cecilia Fajardo-Hill and Andrea Giunta. Prior to her position at the Hammer\, she worked in the Latin American and Latino Art Curatorial department at the Museum of Fine Arts\, Houston (MFAH) where she served as Research Coordinator for the International Center for the Arts of the Americas (ICAA). Guerrero’s writing has appeared in a variety of publications and has contributed articles to numerous exhibition catalogues. Born and raised in Puerto Rico\, Guerrero received her BA from the University of Puerto Rico\, Rio Piedras Campus\, and holds a Ph.D. in Art History from the University of Wisconsin-Madison. \nDaisy Nam is the curator at Ballroom Marfa\, a contemporary art space located at the borderlands of Far West Texas. She recently co-edited a publication\, Best! Letters from Asian Americans in the arts with Paper Monument. Previously from 2015–19\, she was the assistant director at the Carpenter Center for the Visual Arts\, Harvard University where she organized exhibitions\, publications\, and public programs working closely with artists to engage with the campus community and public at large. Prior\, she curated and produced seven seasons of talks\, screenings\, performances\, and workshops from 2008–2015 as the assistant director of public programs at the School of the Arts\, Columbia University. Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum\, New York (2020); Bellas Artes\, Bataan\, Philippines (2020); Surf Point in York\, Maine (2019); Gwangju Biennale Foundation\, Korea (2018). She holds a master’s degree in Curatorial and Critical Studies from Columbia University and a bachelor’s degree in Art History and Cinema Studies from New York University. She has taught at RISD\, and lectured at Lesley University\, Northeastern\, SMFA/Tufts\, SVA as a visiting critic. \n  \nAbout Ballroom Marfa\nBallroom Marfa is an internationally recognized non-collecting contemporary art museum located in Marfa\, a rural town of less than 2\,000 people in Far West Texas. Established in 2003 by Virginia Lebermann and Fairfax Dorn\, the contemporary art and performance space is housed in a 1920s-era ballroom and is free and open to the public. With generous support from individuals and foundations\, Ballroom commissions new site-specific and site-inspired projects and gives artists and musicians the opportunity to engage with the magnificent landscape of the Big Bend. Read more about Ballroom Marfa here. \nThis program is presented in collaboration with Ballroom Marfa.\nPublic programs for ESPEJO QUEMADA are generously supported by Humanities Texas. \n                \n\nImages: \n\nInstallation view\, SCRYING CON DIOS(A)\, 2021\, in Donna Huanca: Espejo Quemada\, June 26\, 2021–January 2\, 2022\, Ballroom Marfa. Courtesy the artist and Ballroom Marfa. Photograph by Makenzie Goodman.\nMarcela Guerrero\, Photo by Javier Romero\nDaisy Nam
URL:https://www.arttable.org/event/virtual-conversation-daisy-nam-marcela-guerrero-donna-huanca-espejo-quemada/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/BM1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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