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DTSTART;TZID=America/New_York:20210919T140000
DTEND;TZID=America/New_York:20210919T140000
DTSTAMP:20260404T144945
CREATED:20210810T144247Z
LAST-MODIFIED:20210812T135802Z
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SUMMARY:Virtual | Reading at the (Art)Table - 'The Free World: Art & Culture in the Cold War' - Louis Menand
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin Reading at the (Art)Table as we delve into ‘The Free World: Art and Culture in the Cold War” by Louis Menand\, hosted by ArtTable’s Northern California chapter. This deep and detailed history shines a light on the art and culture of the period from WWII through the war in Vietnam. \nThis program is for ArtTable members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program. Please note that registration for this program will close at 4pm ET/1pm PT on Friday\, September 17.\nYou will receive a registration confirmation via email that contains the Zoom link. If you need to download the Zoom app\, you may do so here.\nFor further instruction on how to use Zoom\, see here.\n\n\nThank you to Jan Wurm\, ArtTable Northern California Chapter\, for organizing this program. \nImage: The Free World: Art and Thought in the Cold War by Louis Menand
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-the-free-world-by-louis-menand/
LOCATION:Zoom
CATEGORIES:National,Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210929T180000
DTEND;TZID=America/New_York:20210929T193000
DTSTAMP:20260404T144945
CREATED:20210617T210428Z
LAST-MODIFIED:20210805T144914Z
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SUMMARY:New York | ArtTable Circle Private Collection Visit with Lillian Heidenberg
DESCRIPTION:Join fellow ArtTable Circle members for a special Collection Visit to the home of Brooklyn-based art dealer Lillian Heidenberg. \nPriority registration is available to ArtTable Circle members until August 24\, 2021. Registration will open to Executive level members on August 25\, 2021\, and to all other members on September 14\, 2021. Space is limited. Light refreshments will be served. \nTo learn more about the ArtTable Circle membership level\, please visit the Membership page on our website or email membership@arttable.org. \n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nProof of Covid-19 vaccination is required in order to attend this program. You will be asked to submit this information safely and securely after you register. If proof of vaccination is not submitted at least 2 weeks in advance of the program\, you will not be permitted to attend.\n\nAccessibility: \n\nPlease note that the residence is not wheelchair accessible\, as there are some stairs leading up to the main entrance. There is an elevator inside to travel between the different floors.\n\nGetting There: \n\nThis program will take place in the neighborhood of Park Slope in Brooklyn\, New York. The closest subway stops are Grand Army Plaza along the 2\, 3\, or 4 lines and 7th Avenue along the B or Q lines. The actual address will be shared with registrants in advance of the event.\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Lillian Heidenberg\nLillian Heidenberg is both a collector and an internationally renown art dealer. She has been specializing in modern and contemporary masters for many years. Today she also includes several contemporary cutting edge artists in her collection including Ebony Patterson and Summer Wheat. She also has a special interest in British sculpture and has represented the works of Henry Moore and Lynn Chadwick and is an expert on their art. Her collection includes Louise Bourgeois\, Fernando Botero\, John Wesley\, Helen Frankenthaler\, Alex Katz among many others. Lillian also has a strong interest in Chinese contemporary art. \nNow located in a historic brownstone in Park Slope\, Brooklyn her collection includes both new and more historic elements. \nLillian has advised many important private collectors\, museums\, and institutions around the world. As a member of the prestigious Art Dealers Association of America\, she has exhibited at art fairs internationally. She has also donated works to many museums. \nEducation: Barnard College\, cum laude Bachelors of Art; New York University Institute of Fine Arts\, Masters Degree in Fine Art; Attended Ecole du Louvre\, speaks French fluently \nBoard Affliations: Tel Aiv Museum of Art\, Israel (also co-chaired several galas for American friends of Tel Aviv Museum); Museum of Contemporary Art\, Montreal\, Canada \nSelect Charitable Organizations and Art Donations: Jewish Federation of North America; Lions of Judah member; Lions of Judah Endowment; Montreal Museum of Fine Arts\, Montreal\, Canada; Yale University Center for British Art; Brandeis University of Art Museum; Boca Raton Museum of Art\, Florida; Norton Museum of Art\, Florida; Perez Art Museum Miami\, Florida; Meijer Garden and Museum of Art\, Grand Rapids Michigan; New Museum\, New York; Boston Museum of Fine Arts\, Massachusetts; American Friends of the Uffizi; Israel Museum; and others. \n\nImages: \n\nA peek at Lillian Heidenberg’s collection: Flanking the fireplace are Jim Dine’s Glow of July\, 1992\, oil\, enamel and charcoal on canvas\, and Eric Fischl’s Woman in Water\, 1980\, oil on canvas. A Tang Dynasty (618-907 CE) clay horse sits on the 1940s art deco dining table and three ceramic pieces by Pablo Picasso (1881-1973) are on the mantle. On the Aldo Tura circa 1940s sideboard are\, from left\, Mao Culture collars\, 20th century\, and 19th-century Chinese ceremonial necklaces.
URL:https://www.arttable.org/event/arttable-circle-lillian-heidenberg-collection-visit/
LOCATION:Park Slope\, Brooklyn\, Park Slope\, Brooklyn\, NY\, 11215\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211013T160000
DTEND;TZID=America/New_York:20211013T173000
DTSTAMP:20260404T144945
CREATED:20210826T180033Z
LAST-MODIFIED:20210930T214523Z
UID:6667-1634140800-1634146200@www.arttable.org
SUMMARY:Virtual | Annual Leadership Series - The Precarious Position of Women in Leadership
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWomen-identifying leaders in the arts are stepping down or being fired in larger proportions to their male counterparts. The issue was further exacerbated in the year 2020 when women\, either by choice or circumstance\, continued to leave the workforce in greater numbers than men. However\, as the world began to reopen\, more and more women came into leadership positions at large-scale arts organizations and institutions. In 2020\, CultureType listed 54 Arts Leaders Who Took on New Appointments in 2020\, 43 of whom are women. This past year\, of approximately 75 new appointments to various leadership positions in the art world\, 62 of them have been women\, as noted by CultureType and ARTnews.  \nDespite the growing visibility of women in the art world\, issues still plague the industry\, such as the ongoing gender pay gap (as of now\, women continue to earn approximately 73 cents for every dollar that men earn; the number is even lower for women of color\, ranging from 55 to 62 cents for Latina\, Native American\, and Black women.)\, disparities in gender representation depending on operating budget (the majority of museums with budgets less than $15 million are run by a female rather than a male director; the reverse is true for museums with budgets of over $15 million\, where female representation decreases as budget size increases)\, and the glass cliff phenomenon (the idea of women being placed in leadership positions during periods of crisis or downturn\, when the chance of failure is highest\, but under the pretense of providing an exciting professional opportunity).  \nFor this year’s Annual Leadership Series\, we want to acknowledge and celebrate the incredible strides that women have made as leaders in the art world\, but we also want to look to the future and ask ourselves\, what still needs to be done\, and how can we ensure women always have a seat at the table? \nPlease join us for what is sure to be an enlightening and thought-provoking discussion with women-identifying leaders in the art world with various perspectives on the issues. We will address questions including: \n\nWhat do these phenomena mean for women in the workforce\, and particularly in the art world\, both women leaving the workforce in greater numbers and the incredible amount of women being promoted to leadership positions?\nHow do we advocate for women leaders from racially\, ethnically\, and socio-economically diverse backgrounds and reach greater gender parity in leadership roles? \nThe glass cliff is the phenomenon of women in leadership roles\, such as executives in the corporate world and female political election candidates\, being likelier than men to achieve leadership roles during periods of crisis or downturn\, when the chance of failure is highest. Is this a phenomenon that we may have recently witnessed\, with all of the significant appointments of woman-identifying leaders in the art world? Or are we finally\, truly on the path to equality? Do women continue to be more vulnerable to career displacement than men? \nWhat lessons have we learned\, and how can we ensure lasting change?\n\nThe panel will be moderated by Stephanie A. Stebich\, Director of the Smithsonian American Art Museum in Washington\, DC. Additional speakers include: \n\nMin Jung Kim\, Director\, Saint Louis Museum of Art\, St. Louis\, MO\nDorothy Kosinski\, Vradenburg Director and CEO of The Phillips Collection\, Washington DC\nMia Locks\, Independent Curator and Culture Worker\, Los Angeles\, CA\nDanyelle Means\, Executive Director\, Center for Contemporary Arts\, Santa Fe\, NM\nBrittany Webb\, Evelyn and Will Kaplan Curator of 20th-Century Art & the John Rhoden Collection\, Pennsylvania Academy of Fine Art\, Philadelphia\, PA\n\nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms. ArtTable programs are a time for members and non-members to connect with old friends and meet new people\, both in-person and virtually. We hope you will stick around afterwards to discuss important themes from the conversation and talk about new ideas and insights. \nAdmission \n\nArtTable Members – $10 (ArtTable members may bring a guest for an additional $15)\nNon-Members – $25\n\nNot an ArtTable member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Automatic closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations. \n\nAbout the Speakers\nStephanie A. Stebich (pronounced STEE-BISH) is responsible for the nation’s premier collection of American art and major exhibition\, research\, publication\, education and digital-media programs at the museum and its Renwick Gallery. She was named director of the Smithsonian American Art Museum in January 2017. Stebich also serves as co-chair of the Smithsonian American Women’s History Initiative. \nBefore coming to Washington\, D.C.\, Stebich had been executive director of the Tacoma Art Museum since 2005. Under her leadership\, the museum underwent a major renovation that doubled its exhibition space; launched a capital campaign with a goal of $17 million and raised more than $37 million; and added endowed curator\, educator and fellow positions. She oversaw the development and implementation of the museum’s strategic plan\, as well as a 10-year collecting strategy. At Tacoma\, Stebich championed the presentation of many groundbreaking exhibitions and secured major collection gifts\, including the Haub Family Collection of Western American Art\, and the Rebecca and Jack Benaroya Collection of American studio glass. \nStebich was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001. She was previously a trustee of the Association of Art Museum Directors and the American Alliance of Museums. \nStebich earned a bachelor’s degree in art history from Columbia University and a master’s degree with a concentration in modern art from the Institute of Fine Arts at New York University. She has a certificate in nonprofit management from Case Western Reserve University and is a graduate of the Getty Leadership Institute in Los Angeles. She was a fellow at the Guggenheim Museum and has studied at the University College London. She is fluent in German. \nMin Jung Kim was named the Barbara B. Taylor Director of the Saint Louis Art Museum in 2021. She brings to St. Louis extensive experience in museum leadership roles. As the director and chief executive officer of the New Britain Museum of American Art\, she enhanced the museum’s profile through exhibitions and collection development designed to expand the definition of American Art and reflect greater diversity while strengthening community engagement and collaborative partnerships. As deputy director of the Eli and Edythe Broad Art Museum at Michigan State University\, she was in charge of implementing the completion of the Zaha Hadid-designed Broad MSU. As director of content alliances at the Solomon R. Guggenheim Museum\, she managed collaborative projects among the Guggenheim; the State Hermitage Museum in St. Petersburg\, Russia; and the Kunsthistorisches Museum in Vienna. Min Jung Kim was born and raised in Seoul\, South Korea. She graduated from Wheaton College and holds a master’s degree in art history from the Courtauld Institute of Art at the University of London. \nDr. Dorothy Kosinski has been the Vradenburg Director & CEO of The Phillips Collection since April 2008. Previously\, Dr. Kosinski was Senior Curator of Painting and Sculpture at the Dallas Museum of Art. She was also the museum’s Barbara Thomas Lemmon Curator of European Art. Over the course of 30 years in museum work\, Kosinski has earned a reputation internationally as an accomplished curator and scholar of 19th and 20th century art. For over 12 years\, Dr. Kosinski was based in Basel\, Switzerland\, where she was a curator\, scholar\, and university instructor\, including curator and administrator of the Douglas Cooper Collection. In August 2013\, Dr. Kosinski was appointed by President Barack Obama to the National Council on the Humanities. She currently serves on the Board of the Sherman Fairchild Foundation and The Morris and Gwendolyn Cafritz Foundation. Dr. Kosinski received a BA from Yale University and an MA and PhD from the Institute of Fine Arts at New York University. \n \nMia Locks is an independent curator and culture worker based in Los Angeles. She was previously a curator at The Museum of Contemporary Art (MOCA) in Los Angeles as well as MoMA PS1 and the Whitney Museum of American Art in New York. She was a 2018 fellow at the Center for Curatorial Leadership and currently co-leads Museums Moving Forward\, a data-driven initiative focused on accountability in the museum field. \n  \n\nDanyelle Means is the newly appointed Executive Director of the Center for Contemporary Arts (CCA) in Santa Fe\, New Mexico. She will continue her successful philanthropic and non-profit leadership by advancing CCA’s mission to celebrate creativity across the arts\, humanities\, and sciences by generating transformative experiences designed to ignite minds and connect people. Means has served as the Director of Advancement at the Institute of American Indian Arts (IAIA) and the Executive Director of the IAIA Foundation. During her tenure at IAIA\, like many in the philanthropic sector\, Means and her staff shifted all efforts online during the pandemic\, bringing IAIA one of the most successful fundraising years ever. \n\n \nDr. Brittany Webb is the Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection at the Pennsylvania Academy of the Fine Arts (PAFA). She is currently working on a retrospective exhibition on 20th century African-American sculptor John Rhoden (1916-2001) that includes an initiative to gift more than 250 sculptures by Rhoden to museums around the country. Dr. Webb came to PAFA from the African American Museum in Philadelphia (AAMP). She holds a PhD in Anthropology from Temple University and a BA in Political Science from the University of Southern California (USC). \n  \n\nImages:  \n\nStephanie A. Stebich\, The Margaret and Terry Stent Director\, Smithsonian American Art Museum; Photo credit: Smithsonian American Art Museum\nMin Jung Kim\, Photo by Tim Parker\nDorothy Kosinski\, Photo by Daniel Schwartz\nMia Locks © 2016 Scott Rudd; www.scottruddevents.com; scott.rudd@gmail.com\nDanyelle Means\nBrittany Webb
URL:https://www.arttable.org/event/virtual-arttables-annual-leadership-series-with-stephanie-a-stebich-2021/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/08/2021-ALS.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211027T120000
DTEND;TZID=America/Los_Angeles:20211027T130000
DTSTAMP:20260404T144945
CREATED:20210924T170154Z
LAST-MODIFIED:20211005T194338Z
UID:6882-1635336000-1635339600@www.arttable.org
SUMMARY:Virtual | Marcela Guerrero & Daisy Nam on Donna Huanca's exhibition at Ballroom Marfa
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nPlease join Marcela Guerrero\, Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, and Daisy Nam\, Curator at Ballroom Marfa\, for a discussion on Donna Huanca’s exhibition ESPEJO QUEMADA\, on view at Ballroom Marfa through January 22\, 2022. The two will also discuss Guerrero’s work on influential recent exhibitions of contemporary art from Latin America\, including the exhibitions Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art at the Whitney Museum of American Art and Radical Women: Latin American Art\, 1960-1985 at the Hammer Museum. \nDonna Huanca presents a series of new works commissioned by Ballroom Marfa in her exhibition ESPEJO QUEMADA. Huanca creates experiential installations that incorporate paintings\, sculptures\, video\, scent and sound. The profound experiences and memories of Huanca’s first visit to Marfa in 2005 inspired the work in the exhibition. The artworks draw on visual\, cultural\, and mythological cues informed by feminism\, decolonialism and the artist’s personal and familial histories\, while simultaneously engaging with the biodiversity\, geology\, and dark skies of Far West Texas. The sky was particularly striking for Huanca–animated with cosmic and extraterrestrial forces while also revealing the natural rhythms of the sun and moon. \nESPEJO QUEMADA\, Huanca’s first exhibition since the pandemic\, uses mirrors as formal and metaphorical devices to respond to changing conditions. The title\, which translates to “burnt mirror” in English and is purposefully feminized in Spanish\, alludes to Huanca’s feminist praxis. “Espejo Quemada” suggests reflections of the current moment\, portals to the past and future\, and catalysts for combustion and change. Click here to read more about the exhibition! \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for an additional $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: Please note that live closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations.  \n\nAbout the Speakers\nMarcela Guerrero is the Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, New York. Recently\, she was part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art\, 1925-1945. In summer 2018\, Guerrero curated the exhibition Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art. From 2014 to 2017 she worked as Curatorial Fellow at the Hammer Museum in Los Angeles\, where she was involved in the much-lauded exhibition Radical Women: Latin American Art\, 1960-1985\, organized as part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative and guest-curated by Cecilia Fajardo-Hill and Andrea Giunta. Prior to her position at the Hammer\, she worked in the Latin American and Latino Art Curatorial department at the Museum of Fine Arts\, Houston (MFAH) where she served as Research Coordinator for the International Center for the Arts of the Americas (ICAA). Guerrero’s writing has appeared in a variety of publications and has contributed articles to numerous exhibition catalogues. Born and raised in Puerto Rico\, Guerrero received her BA from the University of Puerto Rico\, Rio Piedras Campus\, and holds a Ph.D. in Art History from the University of Wisconsin-Madison. \nDaisy Nam is the curator at Ballroom Marfa\, a contemporary art space located at the borderlands of Far West Texas. She recently co-edited a publication\, Best! Letters from Asian Americans in the arts with Paper Monument. Previously from 2015–19\, she was the assistant director at the Carpenter Center for the Visual Arts\, Harvard University where she organized exhibitions\, publications\, and public programs working closely with artists to engage with the campus community and public at large. Prior\, she curated and produced seven seasons of talks\, screenings\, performances\, and workshops from 2008–2015 as the assistant director of public programs at the School of the Arts\, Columbia University. Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum\, New York (2020); Bellas Artes\, Bataan\, Philippines (2020); Surf Point in York\, Maine (2019); Gwangju Biennale Foundation\, Korea (2018). She holds a master’s degree in Curatorial and Critical Studies from Columbia University and a bachelor’s degree in Art History and Cinema Studies from New York University. She has taught at RISD\, and lectured at Lesley University\, Northeastern\, SMFA/Tufts\, SVA as a visiting critic. \n  \nAbout Ballroom Marfa\nBallroom Marfa is an internationally recognized non-collecting contemporary art museum located in Marfa\, a rural town of less than 2\,000 people in Far West Texas. Established in 2003 by Virginia Lebermann and Fairfax Dorn\, the contemporary art and performance space is housed in a 1920s-era ballroom and is free and open to the public. With generous support from individuals and foundations\, Ballroom commissions new site-specific and site-inspired projects and gives artists and musicians the opportunity to engage with the magnificent landscape of the Big Bend. Read more about Ballroom Marfa here. \nThis program is presented in collaboration with Ballroom Marfa.\nPublic programs for ESPEJO QUEMADA are generously supported by Humanities Texas. \n                \n\nImages: \n\nInstallation view\, SCRYING CON DIOS(A)\, 2021\, in Donna Huanca: Espejo Quemada\, June 26\, 2021–January 2\, 2022\, Ballroom Marfa. Courtesy the artist and Ballroom Marfa. Photograph by Makenzie Goodman.\nMarcela Guerrero\, Photo by Javier Romero\nDaisy Nam
URL:https://www.arttable.org/event/virtual-conversation-daisy-nam-marcela-guerrero-donna-huanca-espejo-quemada/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/BM1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211028T120000
DTEND;TZID=America/New_York:20211028T120000
DTSTAMP:20260404T144945
CREATED:20211013T182851Z
LAST-MODIFIED:20211014T210711Z
UID:7015-1635422400-1635422400@www.arttable.org
SUMMARY:Virtual | A Brief History of Digital Art\, Before and Beyond NFTs\, with Dr. Tina Rivers Ryan
DESCRIPTION:9am PT/ 10am MT / 11am CT / 12pm ET\nIf you’re curious to know more about the history of digital art before and beyond NFTs\, join Dr. Tina Rivers Ryan as she offers a brief survey of digital art since the 1960s. Her talk will emphasize digital art’s major artists\, practices\, and themes\, as well as the evolution of its relation to traditional arts institutions\, such as galleries and museums. \nNFTs have brought digital art into the spotlight\, but they also have cast a long shadow over the decades-long history of digital art that preceded them. Even the artistic projects that were made with and about blockchain technologies just five years ago seem to have been erased in the rush to hail this “revolutionary” development in contemporary art. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $5\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Dr. Tina Rivers Ryan\nTina Rivers Ryan is an Assistant Curator of modern and contemporary art at the Albright-Knox Art Gallery in Buffalo\, New York. Most recently\, she co-curated the exhibition Difference Machines: Technology and Identity in Contemporary Art\, which opened October 16th and runs through January 16th\, 2022. An art historian by training\, Ryan is a specialist in the history of art and technology since the 1960s and has written extensively on topics ranging from kinetic light environments to virtual reality. Over the past decade\, her work has appeared in publications from museums such as The Met\, the Walker Art Center\, and Pirelli HangarBicocca. She also is an active critic for Artforum; her essay on NFTs\, “Token Gesture\,” appeared in its May 2020 issue. Ryan holds five degrees in art history\, including a BA from Harvard and PhD from Columbia. \n\nThank you to Regan Lynn Larroque\, Programs Committee Co-Chair for ArtTable’s New York Chapter\, for organizing this program. \n\nImages: \n\nFrame from Chris Torres’s Nyan Cat\, 2011\, GIF.\nTina Rivers Ryan
URL:https://www.arttable.org/event/virtual-a-brief-history-of-digital-art-with-tina-rivers-ryan/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/10/rbEBvrwhZw.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211104T180000
DTEND;TZID=America/New_York:20211104T180000
DTSTAMP:20260404T144945
CREATED:20211004T152852Z
LAST-MODIFIED:20211013T184054Z
UID:6957-1636048800-1636048800@www.arttable.org
SUMMARY:Virtual | Reimagining Memorials and Memory\, with Judy Baca
DESCRIPTION:3pm PT/ 4pm MT / 5pm CT / 6pm ET\nJoin our conversation with Judy Baca\, Los Angeles-based artist\, educator\, scholar/activist\, community arts pioneer\, UCLA professor emeritus\, and founder of the Social and Public Art Resource Center (SPARCinLA). Judy has produced numerous murals in Los Angeles and elsewhere since the early 1970’s\, and is particularly renown for The Great Wall of Los Angeles (also known as The History of California). \n“I want to produce artwork that is beautiful and inspirational\, and beyond decorative.  I excavate public spaces to hear public voice\, and to create public consciousness about the presence of people who are often the majority of the population but are not represented in a visual way. By telling their stories I hope to give voice to those least heard and to visualize a more whole American story. I call this creating sites of public memory.” – Judy Baca \nThis program will highlight Baca’s artistic practice as a tool for both people and place. She will present several of her murals which dramatically document both told and untold American stories of the disenfranchised. Baca will also share her wisdom\, personal perspective\, and vast experience on how to effectively reimagine memorials and memory. Cathie Behrend\, ArtTable New York member who co-organized this series\, will introduce the program and speaker. There will be ample time for questions so come prepared with your inquiry about Memorials and Memory. \n  \n           \n \n  \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Judy Baca\nOne of America’s leading visual artists\, Dr. Judith F. Baca\, grew up in Los Angeles and has been creating public art for more than four decades. In 1974\, Baca founded the City of Los Angeles’ first mural program which produced over 400 murals and employed thousands of local participants\, evolving into an arts organization known as the Social and Public Art Resource Center (SPARC). \nDr. Baca\, now Professor Emeritus\, was a University of California senior professor of Studio Art  (1980-96)\, founded UC’s Cesar Chavez Center for Interdisciplinary Studies in 1993\, and has long been a professor in UC’s Chicano/a Studies and World Cultures Department in UCLA’s School of Art and Architecture.  She continues to serve as SPARC’s artistic director\, and within the UCLA@SPARC Digital/Mural Lab\, now uses digital technology as she co-creates murals promoting social justice and participatory public art projects. Her honors include a 2003 Guggenheim Fellowship\, a 2015  Rockefeller Fellowship and over 50 awards from various community groups. Judy Baca’s artwork is included in the collections of The Smithsonian American Art Museum\, Hartford’s Wadsworth Atheneum\, New York’s Museum of Modern Art\, among others. The Lucas Museum of Narrative Art in L.A. has recently acquired The History of California archive; and currently\, the Museum of Latin American Art in Long Beach\, CA presents a major retrospective of Judy Baca’s practice. \nHer most well-known work\, ‘The Great Wall of Los Angeles\,’ created between 1976-1983\, runs for one-half mile in the Tujunga Wash\, a flood control channel of the Los Angeles River\, featuring images of California’s pre-history into the 1950’s. In 2017 it was named to the National Register of Historic Places. In 2021\, Baca and SPARC received a $5 million Andrew Mellon Foundation grant to extend The Great Wall’s imagery for another half mile to include narratives up to the present and develop further interpretive material. \n  \nThank you to Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, ArtTable member (New York Chapter)\, for organizing this program series. \n\nImages: \n\nPortrait of Judy Baca at the 2004 partial restoration of the Great Wall of Los Angeles. Background mural detail from the 1950’s section “Forebearers of Civil Rights.”\n3 mural images: Judith F. Baca(c)1976\, Great Wall of Los Angeles\, detail from the 1950’s section “Division of the Barrios and Chavez Ravine\,”; detail from the 1950’s section “Asians Gain Citizenship and Property\,”;detail from the 1950’s section “Olympic Champions 1948-1964 Breaking Barriers.”\nJudy Baca at the Social and Public Art Resource Center (SPARC).\n\nAll images courtesy of the SPARC Archives.
URL:https://www.arttable.org/event/virtual-a-conversation-with-judy-baca-reimagining-memorials-and-memory/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/GWLA_JB2005-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211107T110000
DTEND;TZID=America/Los_Angeles:20211107T120000
DTSTAMP:20260404T144945
CREATED:20210914T170655Z
LAST-MODIFIED:20221005T191118Z
UID:6779-1636282800-1636286400@www.arttable.org
SUMMARY:Virtual | Self-Mythology and the Unreliable Narrator in the Life & Times of Sam Francis
DESCRIPTION:11am PT/ 12pm MT / 1pm CT / 2pm ET\nPlease join Gabrielle Selz\, Jeremy Stone\, and Debra Burchett-Lere as they probe the self-mythologizing narratives of artists and personalities of the 20th Century. This talk will focus on discoveries Selz made in her new book\, Light on Fire\, the first comprehensive biography of Sam Francis.\n\nLight on Fire traces the extraordinary and ultimately tragic journey of a complex and charismatic artist who first learned to paint while encased for three years in a full-body plaster cast. Francis portrayed himself as a pilot who heroically crashed his plane in the Arizona desert; a story Selz reveals is a fabrication that was repeated by all the male historians who wrote about his illustrious career. For indeed\, Francis’s color-saturated paintings went on to fetch the highest prices of any living artist. His restless desire resulted in five marriages and homes on three continents. His entrepreneurial spirit led to the founding of MoCA\, Lapis Press\, a reforestation program\, and several nonprofits. Light on Fire captures the art\, life\, personality\, and talent of a man who sought to resolve in art\, the contradictions he couldn’t resolve in life.\n\nAdmission\n\n 	ArtTable Circle Members– Free\n 	All other ArtTable Members – $5\n 	Non-Members – $7\n\nNot an ArtTable member? Join today!\n\n \n\n\n\n \n\nAccessibility: Please email programs@arttable.org if you require specific accommodations. \n\n\n\nAbout the Speakers\nDebra Burchett-Lere brings a range of professional international art-world experiences as an author\, curator\, and executive director of the artist-endowed Sam Francis Foundation\, California. Her background includes key positions at the fine-art limited editions print studio Gemini G.E.L. and the Los Angeles Institute of Contemporary Art (LAICA). For over twenty-five years\, Debra has collaborated on museum exhibitions including projects with the Museum of Contemporary Art (MOCA)\, Los Angeles; the Milwaukee Art Museum; Bechtler Museum of Modern Art\, Charlotte\, NC; the Jeu de Paume\, Paris; Kunsthalle- der Bundesrepublik Deutschland\, Bonn; Fundacio Caja de Madrid; and the Los Angeles County Museum of Art (LACMA).\n\nIn addition\, Burchett-Lere has authored books and catalogues including publications by the Getty Museum Conservation Institute\, Los Angeles and the University of California\, Berkeley (UC Press). She has worked as a grant writer for university art programs\, an art consultant\, and accredited appraiser with the Appraisers Association of America\, NYC. Her recent volunteer board services include positions for ArtTable\, NYC and the Brand Associates of the Brand Library and Arts Center\, Glendale\, CA.\n\n \n\nArtTable member Gabrielle Selz is the award-winning author of Unstill Life: Art and Love in the Age of Abstraction (W.W. Norton 2014) and Light on Fire: The Art and Life of Sam Francis (UC Press\, 2021)\, the first comprehensive biography of one of the most important American abstract artists of the 20th century. Her essays and art reviews have appeared in The New Yorker\, The New York Times\, The Los Angeles Times\, Hyperallergic\, Square Cylinder\, Art & Object\, Art Papers\, The Rumpus\, and The Huffington Post\, among others. She makes her home in Oakland\, CA. For more information\, visit: https://gabrielleselz.com.\n\n \n\nJeremy Stone\, also an ArtTable member\, is a former gallerist\, art advisor/appraiser\, and collector who has advised many important private collectors\, museums\, and institutions. Her expert witness work over the past 25 years has included legal cases across the United States and the government of Canada. She has served on the board and held office on multiple levels with ArtTable\, the American Society of Appraisers\, and the San Francisco Art Dealers Association.\n\nJeremy specializes in Post-War\, modern\, and contemporary art. Her collection includes Hank Murta Adams\, Robert Arneson\, Elmer Bischoff\, Squeak Carnwath\, John Chamberlain\, Willem de Kooning\, Nancy Drosd\, Sam Francis\, Mike Henderson\, Mildred Howard\, David Huffman\, Kazuko Inoue\, Franz Kline\, John Graham\, Rick Hickam\, David Huffman\, Gaston Lachaise\, Joanne Leonard\, Robert Mapplethorpe\, Grace Munakata\, Edith Schloss\, Richard Sheehan\, Katherine Sherwood\, Lorna Simpson\, Louise M. Stanley\, Pia Stern\, Masami Teraoka\, Wayne Thiebaud\, Ai Wei Wei\, and John Zurier\, among many others.\n\n \n\nThank you to Gabrielle Selz\, Jeremy Stone\, and ArtTable’s Northern California Chapter Leaders for organizing this program.\n\n\n\nImages:\n\n 	Light On Fire: The Art and Life of Sam Francis by Gabrielle Selz
URL:https://www.arttable.org/event/virtual-self-mythology-and-the-unreliable-narrator/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/QLkbmLlarN.jpeg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211108T180000
DTEND;TZID=America/New_York:20211108T190000
DTSTAMP:20260404T144945
CREATED:20210930T152517Z
LAST-MODIFIED:20211110T185607Z
UID:6910-1636394400-1636398000@www.arttable.org
SUMMARY:CANCELLED | Virtual | An ArtTable Friendsgiving\, with The Artisan's Palate
DESCRIPTION:3pm PT/ 4pm MT / 5pm CT / 6pm ET\nCome celebrate Friendsgiving with ArtTable and The Artisan’s Palate! We will be joined by founder and chef Christa Csoka and artist Melissa Herriott for a conversation about how The Artisan’s Palate came to be\, the importance of art\, food\, and community\, and the local arts scene in Charlotte\, North Carolina. We’ll also be making a specialty cocktail called “The Weight of the World\,” inspired by a series of paintings by Herriott that were on view at The Artisan’s Palate during her time as featured artist. See below for the ingredients so you can make the cocktail with us! \nAfter the discussion and drinks\, we’ll go into breakout rooms for a classic ArtTable networking session. \nRECIPE: The Weight of the World\nIngredients: \n\n1 ½ oz Reposado Tequila\n½ oz Mezcal\n1 oz Blood Orange Puree (Alternative: blood orange soda OR 1/2 oz orange juice + 1/2 oz grapefruit juice)\n½ oz Blood Orange Aperitif (vermouth) (Alternative: sweet vermouth)\n1 fresh lime\nSmoked Chili Bitters (Alternative: any bitters will work if smoked chili is unavailable) \nOrange Zest\nSal de Gusano (worm salt; or substitute with chili salt) (Alternative: just mix some salt and chili powder!)\n\nHow to make it: \nServe this cocktail in a Rocks Glass with a large ice cube. Stir all ingredients except bitters in a glass pitcher. Pour over your ice cube. Put in 3-4 dashes of bitters after the mix is in the glass (do not put these on the cube\, but around the edges). Put worm salt/chili salt on the ice cube and garnish with an orange zest on the glass. Voila! \nThis program is free for ArtTable members and $10 for non-members. Members are encouraged to bring a friend for an additional $10. \nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: Automatic closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations.  \n\nAbout the Speakers\nOwner and chef Christa Csoka’s love for entertaining and passion for food began when she was a child\, helping her mother host dinners and events for officers and cadets at West Point. \nCsoka has over 30 years’ experience in the service industry\, including working as a chef at French restaurants in NYC and Chicago and catering in Austin\, New York\, and Charlotte. She has lived in and visited many cities all over the world\, all of which have given her a diverse culinary perspective and palate. After graduating from the French Culinary Institute in New York\, Christa moved to Charlotte in 2003 to be closer to family. Although she was not immediately immersed in the culinary world of Charlotte\, she kept her love of cooking alive by catering on weekends and special events as well as hosting many themed parties and events over the years. This would launch the idea of the Artisan’s Palate. The inclusion of art as part of a whole experience was always her passion and she envisioned a space in which food\, drinks\, music and art co-existed in harmony – and that is how The Artisan’s Palate came to be. \nMelissa Herriott is a Charlotte-based abstract artist and interior stylist working in multiple mediums. Her paintings are full of color\, texture\, and symbolism. Melissa is an award-winning artist\, featured in QC Exclusive Magazine and the KNOW Book of Women. Melissa’s hope is that her work sparks conversation\, inspires\, and allows you (if even for a moment) to get lost inside of it. \n\nAbout The Artisan’s Palate\nThe Artisan’s Palate is a restaurant\, art gallery and gathering space in the NoDa neighborhood of Charlotte\, North Carolina. It offers a unique menu of craft cocktails\, wine and share plates in a neighborly\, relaxed atmosphere with a focus on art and those who create it. \nOver the years the NoDa community has seen most of its galleries close\, but The Artisan’s Palate is working to change that. The space includes a gallery that features local artists monthly. Guests are introduced to immersive experiences\, crafted by Chef and Owner\, Christa Csoka. These experiences converge all five senses through food\, beverage\, art\, music and more based on each collection. \nThe Artisan’s Palate is an inclusive destination for its customers – from local coffee during the day\, to rustic-yet-refined plates and curated cocktails at night\, to savory and sweet brunch on Sunday. They also sell wine\, coffee\, and art in support of local artisans all within a creative\, community environment. \n\nImages: \n\nInterior shot of The Artisan’s Palate gallery\, featuring work by Melissa Herriott\nHeadshots provided by the speakers\nInterior shot of The Artisan’s Palate\, courtesy of The Artisan’s Palate
URL:https://www.arttable.org/event/virtual-an-arttable-friendsgiving-with-the-artisans-palate/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/Melissa-Herriott-in-Artisans-Palate-e1634569748313.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211110T120000
DTEND;TZID=America/New_York:20211110T130000
DTSTAMP:20260404T144945
CREATED:20211025T180340Z
LAST-MODIFIED:20211027T171303Z
UID:7108-1636545600-1636549200@www.arttable.org
SUMMARY:Virtual | AT Connect with Tiffany Williams
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nArtTable’s AT Connect program series encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from Tiffany Williams\, Assistant Curator at Art in Embassies and a member of ArtTable’s Washington\, DC Chapter. \nAdmission \n\nArtTable Circle Members – Free\nAll other ArtTable Members – $5\nNon-Members – $10\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Tiffany Williams\nTiffany Williams is an advocate for the arts as a tool for cultural diplomacy and dialogue\, critical thinking\, and self expression. For ten years\, she has worked for the U.S. Department of State’s Office of Art in Embassies (AIE). Serving ten years in total at AIE\, she has curated dozens of exhibitions for U.S. Ambassadors on six continents. Tiffany has assisted on and co-curated several permanent U.S. embassy collections\, including those in Harare\, Zimbabwe; N’Djamena\, Chad; Niamey\, Niger; and Nogales\, Mexico. Previously\, she served as a Henry Luce Curatorial Assistant Fellow for The Corning Museum of Glass. Tiffany holds a BA from Virginia Commonwealth University as well as an MA in the History of Decorative Arts from George Mason University in partnership with the Smithsonian.
URL:https://www.arttable.org/event/virtual-at-connect-with-tiffany-williams/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/10/Screen-Shot-2021-10-25-at-2.03.13-PM-e1635185041297.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211114T140000
DTEND;TZID=America/New_York:20211114T140000
DTSTAMP:20260404T144945
CREATED:20211018T163721Z
LAST-MODIFIED:20211018T211213Z
UID:7041-1636898400-1636898400@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'Culture Strike: Art & Museums in the Age of Protest' by Laura Raicovich
DESCRIPTION:11am PT / 12pm MT / 1pm CT / 2pm ET\nJoin us in reading “Culture Strike – Art and Museums in an Age of Protest” by Laura Raicovich and lend your voice to the discussion that promises to be lively and engaging! \nThis program is for ArtTable members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program. Please note that registration for this program will close at 5pm ET/2pm PT on Friday\, November 12.\nYou will receive a registration confirmation via email that contains the Zoom link. If you need to download the Zoom app\, you may do so here. For further instruction on how to use Zoom\, see here.\n\n\nThank you to Jan Wurm\, ArtTable Northern California Chapter\, for organizing this program. \nImage: Culture Strike – Art and Museums in the Age of Protest by Laura Raikovich
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-culture-strike-art-and-museums-in-the-age-of-protest-by-laura-raikovich/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/10/SMnaIssxpe.png
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211117T130000
DTEND;TZID=America/New_York:20211117T140000
DTSTAMP:20260404T144945
CREATED:20211020T033211Z
LAST-MODIFIED:20211020T141703Z
UID:7064-1637154000-1637157600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Andrea Chung
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\nPlease join us for a virtual artist talk with Andrea Chung\, whose exhibition\, We Was Girls Together\, was recently presented at Tyler Park Presents in San Diego. \nWe Was Girls Together\, inspired by Toni Morrison’s book Sula\, is a series of large-scale collages that celebrates the relationships of black women in all their complexities and displays Chung’s gratitude for them. As Chung says\, “Our sisterhood\, our love for one another\, is not always visible to the unfamiliar\, nor should it always be.” Click here to read more about the exhibition. \nChung’s work has recently been featured in Prospect 4 (New Orleans) and the Jamaican Biennale (Kingston\, Jamaica)\, as well as the Chinese American Museum and California African American Museum in Los Angeles\, and the San Diego Art Institute. In 2017\, her first solo museum exhibition took place at the Museum of Contemporary Art San Diego\, You broke the ocean in half to be here. She has participated in national and international residencies\, including Headlands Center for the Arts and Skowhegan School of Painting and Sculpture. Her work has been written about in the Artfile Magazine\, Artnet\, and Los Angeles Times\, as well as a number of academic essays looking at the subject of colonialism and slavery in the Caribbean. (Full bio below) \nAdmission \n\nArtTable Circle Members – Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Artist\nAndrea Chung lives and works in San Diego\, California. She received a Bachelor of Fine Arts from Parsons School of Design\, New York\, and a Master of Fine Arts from Maryland Institute College of Art\, Baltimore. Her recent biennale and museum exhibitions include Prospect 4\, New Orleans and the Jamaican Biennale\, Kingston\, Jamaica\, as well as the Chinese American Museum and California African American Museum in Los Angeles\, and the San Diego Art Institute. In 2017\, her first solo museum exhibition took place at the Museum of Contemporary Art San Diego\, You broke the ocean in half to be here. She has participated in national and international residencies\, including the Vermont Studio Center\, McColl Center for Visual Arts\, Headlands Center for the Arts\, and Skowhegan School of Painting and Sculpture. Her work has been written about in the Artfile Magazine\, New Orleans Times\, Picayune\, Artnet\, Los Angeles Times\, and International Review of African-American Art\, as well as a number of academic essays looking at the subject of colonialism and slavery in the Caribbean.
URL:https://www.arttable.org/event/virtual-artist-talk-with-andrea-chung/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/Wayfinding.Chung_.03-e1634700910319.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211129
DTEND;VALUE=DATE:20211206
DTSTAMP:20260404T144945
CREATED:20211102T165334Z
LAST-MODIFIED:20211111T220004Z
UID:7160-1638172800-1638691200@www.arttable.org
SUMMARY:Miami Art Week 2021 | ArtTable VIP Fair Pass Packages
DESCRIPTION:ArtTable members enjoy special access to art fairs during Miami Art Week\, taking place this year from November 29 – December 5\, 2021! This year we are offering multiple levels of packages\, as outlined below: \n  \n Platinum Level - Sold Out VIP Pass - Art Basel Miami Beach(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 30 at 12pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, December 1 at 10am) VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 29 at 11am) $150  Diamond Level - Sold Out Day Pass - Art Basel Miami Beach(Entry for 1 for 1 day starting on Friday\, December 3 at 11am) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 30 at 12pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, December 1 at 10am) VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 29 at 11am) $140  Gold Level - Sold Out Day Pass - Art Basel Miami Beach(Entry for 1 for 1 day starting on Friday\, December 3 at 11am) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 29 at 11am) Each VIP pass is good for entry for 2 people to each fair. A day pass provides entry for 1 person. $130  Ruby Level Day Pass - Art Basel Miami Beach(Entry for 1 for 1 day starting on Friday\, December 3 at 11am) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 29 at 11am) $120  Silver Level Day Pass - Art Basel Miami Beach(Entry for 1 for 1 day starting on Thursday\, December 2 at 11am) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) Day Pass - UNTITLED ART\, Miami Beach(Entry for 1 for 1 day starting on Tuesday\, November 30 at 11am) $110  Bronze Level VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) VIP Pass - Art Miami & CONTEXT(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 6:30pm) Day Pass - UNTITLED ART\, Miami Beach(Entry for 1 for 1 day starting on Tuesday\, November 30 at 11am) $100  General Admission Level VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 30 at 4pm) Day Pass - Art Miami & CONTEXT(Entry for 1 for 1 day starting on Wednesday\, December 2 at 11am) Day Pass - UNTITLED ART\, Miami Beach(Entry for 1 for 1 day starting on Tuesday\, November 30 at 11am) $90  \n\n  \nConditions: \nVIP Pass Packages are available for purchase by current ArtTable members only. Members are limited to one package each. We have a limited number of packages available at each level that will be distributed on a first come first serve basis. Not an ArtTable member? Join today! \n  \nClick here to purchase your 2021 Miami Art Week VIP Pass Package!\n  \nDon’t miss these other events during Miami Art Week!\nArtTable Brunch at Design Miami/\nNADA Miami Director’s Tour\n\nImages: \n\nArt Basel Miami Beach 2019\, Courtesy of Art Basel © Art Basel
URL:https://www.arttable.org/event/miami-art-week-2021-arttable-vip-fair-pass-package/
LOCATION:Miami\, Miami\, FL\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/ABMB-scaled.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211202T113000
DTEND;TZID=America/New_York:20211202T123000
DTSTAMP:20260404T144945
CREATED:20211108T200215Z
LAST-MODIFIED:20211123T150149Z
UID:7194-1638444600-1638448200@www.arttable.org
SUMMARY:REGISTRATION NOW OPEN - Miami Art Week | ArtTable Brunch at Design Miami/
DESCRIPTION:Please join us for our annual ArtTable Brunch during Miami Art Week\, this year at Design Miami/! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \nYour ticket includes a light breakfast at the fair\, VIP Preview Access for you and one guest\, as well as return admission for duration of the fair. \nAdmission: \n\nArtTable Members – $50\nMember Guest – $65\nNon-member – $75\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Face Masks Required: Face masks are required once inside the Design Miami/ tent and must not be removed. Staff will be required to wear a face mask at all times.Social Distancing Recommended: Social distancing of six feet or more is encouraged and adjustments to the exhibition floorplan have been made to allow for wider aisles and increased ventilation.Click here to read the full list of health & safety protocols during the fair.  Accessibility Please email programs@arttable.org if you require accessibility information for this program.  Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here.  \n  \n \n  \nDon’t miss these other opportunities and events during Miami Art Week!\nVIP Fair Pass Packages\nNADA Miami Director’s Tour\n\nImage: Design Miami/’s flagship fair pictured in 2019. Courtesy Design Miami/
URL:https://www.arttable.org/event/national-arttable-at-designmiami/
LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle,Metro Atlanta
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/DesignMiami.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211203T080000
DTEND;TZID=America/New_York:20211203T090000
DTSTAMP:20260404T144945
CREATED:20211112T210957Z
LAST-MODIFIED:20211115T212530Z
UID:7282-1638518400-1638522000@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Charlotte Ickes
DESCRIPTION:7am CT / 8am ET\nJoin ArtTable’s DC Chapter for December’s BreakfastTable with Charlotte Ickes\, curator of time-based media and special projects at the National Portrait Gallery in Washington\, D.C. She will be discussing her background as an art historian and highlighting her current work at NPG. Currently\, Ickes is co-curating a yearlong virtual screening and conversation series supported by the Smithsonian American Women’s History Initiative called Viewfinder: Women’s Film and Video from the Smithsonian. \nThis program is free and open to ArtTable members only. Not a member? Join today! \n  \n \n  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Charlotte Ickes\nPreviously the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago\, Charlotte has held fellowship appointments at the Whitney Independent Study Program\, the Philadelphia Museum of Art\, and the Institute of Contemporary Art (Philadelphia). \nIckes has curated and co-curated exhibitions and public programs at multiple institutions and cultural spaces. This includes the Institute of Contemporary Art (Philadelphia)\, Slought\, the Studio Museum in Harlem\, the Philadelphia Museum of Art\, Anthology Film Archives\, and the Museum of Contemporary Art Chicago. In addition to her BA from Yale University\, Ickes received her PhD from the University of Pennsylvania. \nHer writing has appeared in American Art\, Women & Performance: A Journal of Feminist Theory\, and several exhibition catalogues\, including Descent (2016)\, Ginny Casey & Jessi Reaves (2017)\, and Anna Kunz: Color Cast (forthcoming). \n  \nThank you to Ruth Abrahams\, Graphic designer\, Ruth Abrahams Design and former DC Chapter Co-Chair for organizing this program.\n \n\nImages: \n\nCharlotte Ickes. Photo by Nathan Keay.
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-charlotte-ickes/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/Charlotte-Ickes-Ashley-Templeton.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211203T110000
DTEND;TZID=America/New_York:20211203T120000
DTSTAMP:20260404T144945
CREATED:20211110T224402Z
LAST-MODIFIED:20211111T215335Z
UID:7212-1638529200-1638532800@www.arttable.org
SUMMARY:Miami Art Week 2021 | NADA Miami Director's Tour\, with Heather Hubbs
DESCRIPTION:Please join us for a director-led tour of the 2021 edition of NADA Miami. We will be joined by Heather Hubbs\, Executive Director of New Art Dealers Alliance\, who will guide us through highlights of the fair. \n\nThis program is $10 to attend and is open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Health & Safety Guidelines at NADA Miami Entrance:All visitors\, participants\, and staff (ages 2 and older) will be required to wear masks in order to enter NADA Miami. Masks must adequately cover the nose and mouth at all times. No entry will be permitted without a face covering. All visitors\, participants\, and staff at NADA Miami over 12 years old must provide proof of a negative COVID-19 test to enter the fair. Test results can be a negative PCR test administered within 72 hours or a negative antigen test administered within 48 hours. Alternatively\, visitors\, participants\, and staff may choose to voluntarily provide proof of completed COVID-19 vaccination to enter the fair. Please bring your government issued ID for identification to verify your health screening. Health & Safety Guidelines at the Fair:NADA Miami will have a timed-ticketing system to allow for more space between visitors and groups. NADA Miami will have separate entry and exit locations reconfigured to create less congestion for visitors—the entrance to the fair will remain the same at the corner of North Miami Avenue and NW 14th Street. NADA Miami will have sanitizing stations spread throughout the Ice Palace Studios. Stay Home if You Are Sick:If you have had any symptoms consistent with COVID-19 within the past 3 days or you have had any recently known exposures to COVID-19 within the past 14 days\, please stay home and postpone your visit. Anyone exhibiting signs of illness will not be permitted entry.  Accessibility Please email programs@arttable.org if you require accessibility information for this program.  Getting There NADA Miami will be held at Ice Palace Studios at 1400 North Miami Avenue\, Miami\, Florida.  \n  \n\n  \nDon’t miss these other opportunities and events during Miami Art Week!\nVIP Fair Pass Packages\nArtTable Brunch at Design Miami/\n\nAbout the New Art Dealers Alliance\nFounded in 2002\, the New Art Dealers Alliance (NADA) is a not-for-profit 501c6 collective of professionals working with contemporary art. Our mission is to create an open flow of information\, support\, and collaboration within our field and to develop a stronger sense of community among our constituency. We believe that the adversarial approach to exhibiting and selling art has run its course. We believe that change can be achieved through fostering constructive thought and dialogue between various points in the art industry from large galleries to small spaces\, non-profit and commercial alike. Through support and encouragement\, we facilitate strong and meaningful relationships between our members working with new contemporary and emerging art; while enhancing the public’s interaction with contemporary art. Click here to read more about the New Art Dealers Alliance. \n\nImages: \n\nImage courtesy of NADA Miami
URL:https://www.arttable.org/event/miami-art-week-nada-miami-directors-tour-with-heather-hubbs/
LOCATION:NADA Miami\, Ice Palace Studios\, 1400 North Miami Ave\, Miami\, FL\, 33136\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/11/NADA_Miami_2021_Newsletter_02_211003.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211209T180000
DTEND;TZID=America/Chicago:20211209T180000
DTSTAMP:20260404T144945
CREATED:20211105T195038Z
LAST-MODIFIED:20211105T201420Z
UID:7189-1639072800-1639072800@www.arttable.org
SUMMARY:New York | MAD About Jewelry Holiday Edition - Private Member Tour
DESCRIPTION:6:00pm ET\nThis December\, the Museum of Arts and Design will present MAD About Jewelry\, its annual show and sale featuring designs from more than 40 emerging and acclaimed US-based jewelry artists. MAD About Jewelry has become known as the ultimate pop-up shop for contemporary artist-made jewelry\, where collectors and jewelry enthusiasts have the rare opportunity to meet and acquire pieces from some of the most innovative creators in the field. We are thrilled to offer ArtTable members a special private walkthrough of the show with the shows’ curator\, Bryna Pomp. \nThis program is open to ArtTable members only. ArtTable Circle members have first access. Registration will open to all other members on Friday\, November 19. \nAdmission \n\nArtTable Circle members – $10\nAll other ArtTable Members – $15\n\nNot a member? Join today! \n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. For the protection of staff and visitors\, the Museum’s health and safety policies adhere to Centers for Disease Control recommendations\, as well as Federal\, State\, and City guidelines. All visitors over the age of twelve and Museum staff must provide proof of vaccination against Covid-19 to enter the building.Face coverings must be worn by all staff members and all visitors over the age of two.Enhanced cleaning of high-touch surfaces throughout the day; with hand-sanitizer units stationed throughout the building for visitors to use regularly.Social distancing throughout the galleries and the Store at MAD.Please use the stairs if you are able.Visitors who are feeling unwell\, have a fever of 100°F or higher\, tested positive for Covid-19 in the last 14 days\, or had close contact with anyone who is confirmed or suspected of having Covid-19 should not visit the museum.To learn more about MAD’s response to Covid-19\, please click here.  Accessibility The Museum offers people with disabilities free admission and a $15 discount on Individual and Dual/Family memberships. For tickets\, please inquire at the Visitor Services desk or contact info@madmuseum.org to reserve a ticket in advance. For membership information\, please call the membership office at 212.299.7732. Please click here for more information about accessibility at the Museum of Arts and Design. If you require accommodations for this particular program\, please email programs@arttable.org.  Getting There The Museum is located at 2 Columbus Circle\, New York\, NY 11001. It is easily accessible by subway via the A\, B\, C\, and 1 lines.  \n  \n\n  \nThank you to Bryna Pomp and the Museum of Arts and Design.\n \n\nImage: Photo courtesy of the Museum of Arts and Design
URL:https://www.arttable.org/event/new-york-mad-about-jewelry-private-member-tour/
LOCATION:Museum of Arts & Design\, 2 Columbus Circle\, New York City\, NY\, 10019\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/11/MAJ_21_TOP_GRAPHIC_04-e1636140632368.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211210T180000
DTEND;TZID=America/Los_Angeles:20211210T191500
DTSTAMP:20260404T144945
CREATED:20211112T162026Z
LAST-MODIFIED:20211208T173328Z
UID:7262-1639159200-1639163700@www.arttable.org
SUMMARY:Virtual | An Evening with Barbara Earl Thomas
DESCRIPTION:6pm PT / 7pm MT / 8pm CT / 9pm ET\nArtTable’s Northwest Chapter invites members and guests to celebrate the holidays by spending a virtual evening with esteemed artist Barbara Earl Thomas. She will be joined in conversation by Nina Bozicnik\, Curator at the Henry Art Gallery\, discussing the current exhibition\, Packaged Black: Derrick Adams and Barbara Earl Thomas. \nThis special event promises to be a fun\, informative\, and intimate evening for ArtTable members and friends. Time will be set aside for questions from the audience. The evening will be peppered with chances to win exciting prizes through a raffle\, and of course there will be a chance to connect with each other during some lively chat roulette. \nProgram:\n– 6:00-6:10pm: Welcome + Thanks\n– 6:10-6:40pm: Live conversation with Barbara Earl Thomas and Nina Bozicnik\n– 6:40-6:50pm: Q&A\n– 6:50-6:55pm: Introduction of new Chapter Leaders\n– 6:55-7:05pm: Breakout rooms\n– 7:05-7:15pm: Raffle \nRaffle items include: \n\nA chance to make a reservation at TOMO Seattle for 2 + a bottle of wine.\nReservations at this new restaurant sell out each month in minutes – but this item is the opportunity to make a reservation outside of their online reservation system for a date of your choice. Dinner will cost the winner $78/person\, but TOMO will generously include special VIP gratis extras (bubbles\, snacks\, dessert). A bottle of wine (or non-alcoholic drinks) will be included with dinner (up to $75)\nMidnight Bloom glass stud earrings by Kait Rhoads ($115)\nA set of champagne coupes by Decicio Glass (created by Greg Clark) & a bottle of champagne.\nAn Individual-level Membership to the Henry ($45)\nThe forthcoming catalog from the Seattle Art Museum: Barbara Earl Thomas: The Geography of Innocence (donated by Lucia | Marquand)\nYoung\, Gifted & Black: A New Generation of Artists: The Lumpkin-Boccuzzi Family Collection of Contemporary Art (Art Catalog)\nFour Generations: The Joyner / Giuffrida Collection of Abstract Art (Art Catalog)\n\nMore raffle items to be announced! \n  \nAdmission (includes one raffle ticket) \n\nArtTable Members – $10\nNon-Members – $15\n\nAdditional raffle tickets: \n\n1 ticket – $15\n4 tickets – $60\n8 tickets – $120\n\n \n  \nNot a member? Join today for reduced admission on most programs! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the speakers\nNina Bozicnik is Curator at the Henry Art Gallery\, where she has organized exhibitions including most recently Packaged Black: Derrick Adams and Barbara Earl Thomas (2021); Will Rawls: Everlasting Stranger (2021); Bambitchell: Bugs & Beasts Before the Law (2021)\, Carrie Yamaoka: recto/verso (2019)\, & Between Bodies (2018-19). She has also organized presentations & projects for the museum with artists including Demian DinéYazhi´ (2018)\, Chris E. Vargas & the Museum of Transgender Hirstory and Art (2016-17)\, & Michelle Handelman (2015)\, among others. Prior to the Henry\, Bozicnik held curatorial positions at the Currier Museum of Art\, Manchester\, New Hampshire; deCordova Sculpture Park & Museum\, Lincoln\, Massachusetts; and the Tufts University Art Gallery\, Medford\, Massachusetts. \nBarbara Earl Thomas earned her BA and MFA from the University of Washington. She has been the recipient of the Howard S. Wright Award\, Stranger Genius Award\, Mayor’s Arts Award\, and Hauberg Fellowship. Thomas has completed residencies at the Pilchuck School of Glass\, Stanwood; Museum of Glass\, Tacoma; and Goathead Press\, Tieton. She has held solo exhibitions at the Evansville Museum of Arts and Science; Seattle Art Museum; Bainbridge Island Art Museum; and Whatcom Museum of History and Art\, Bellingham. Thomas has participated in numerous group exhibitions\, including at the Bellevue Arts Museum; Northwest African American Museum\, Seattle; and Savannah College of Art and Design Museum of Art. Her work is included in the public collections of the Portland Art Museum\, Seattle Art Museum\, and Tacoma Art Museum. She is represented by the Claire Oliver Gallery in New York. \nAbout the exhibition\nPackaged Black brings together the work of artists Derrick Adams (b. 1970\, Baltimore\, MD) and Barbara Earl Thomas (b. 1948\, Seattle\, WA) in a collaborative\, multi-media installation developed from their shared dialogue about representation\, Black identity\, and practices of cultural resistance. This exhibition is a synthesis of a multi-year\, intergenerational\, and cross-country exchange between New York-based Adams and Seattle-based Thomas that began after the two artists exhibited work alongside each other in a group show at the Savannah College of Art and Design in 2017. For this exhibition\, Thomas draws upon the role of media and fairytales in shaping social expectations and her own conception of self. She is presenting all new work\, including an immersive installation conceived as a ‘transformation room’ and a series of new cut-paper portraits of friends and colleagues that riff on the concept of the royal court. \n  \nThank you to ArtTable’s Northwest Chapter Leaders Jessica Landau\, Judith Rinehart\, and Gina Broze for organizing this program.\n \n\nImage: Barbara Earl Thomas. Installation view of Packaged Black: Derrick Adams and Barbara Earl Thomas\, 2021\, Henry Art Gallery\, University of Washington\, Seattle. Photo: Jueqian Fang\, courtesy of the Henry Art Gallery
URL:https://www.arttable.org/event/virtual-an-evening-with-barbara-earl-thomas/
LOCATION:Zoom
CATEGORIES:National,Northwest
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/Henry-20211005-197.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211215T120000
DTEND;TZID=America/Los_Angeles:20211215T120000
DTSTAMP:20260404T144945
CREATED:20211117T182540Z
LAST-MODIFIED:20211118T013225Z
UID:7320-1639569600-1639569600@www.arttable.org
SUMMARY:Virtual | Preserving Cultural Heritage in Afghanistan & Beyond\, with Laura Tedesco & Anna Bottinelli
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nAfghanistan is currently facing an incredible crisis. Since the US left the country and Taliban forces reentered\, many aspects of daily life have come into question\, including how the country’s cultural heritage will be affected. Just two decades ago\, when the Taliban were last in power\, they called for the destruction of any and all pre-Islamic statues and sanctuaries on the land. While this new regime has promised to honor Afghanistan’s cultural heritage\, history makes us skeptical. \nOne woman who has spent many years living and traveling throughout Afghanistan\, overseeing the preservation of its archaeological sites\, artifacts\, monuments\, and museums\, is Laura Tedesco\, Cultural Heritage Program Manager at the U.S. Department of State. As a cultural heritage and preservation specialist\, Laura has experienced firsthand the challenges of preserving art and heritage amidst conflict\, an experience she shares with Anna Bottinelli\, President of the Monuments Men Foundation. Join us for a discussion about the preservation of cultural heritage in Afghanistan and beyond with these two leading experts! \nAdmission \n\nArtTable Circle members – Free\nAll other ArtTable members – $10\nNon-Members – $15\nMembers may bring a guest for an additional $15.\n\n \n  \nNot a member? Join today for reduced admission on most programs! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the speakers\n \nDr. Laura A. Tedesco serves as the Cultural Heritage Program Manager for the U.S. Department of State’s Bureau of South and Central Asian Affairs. Laura’s work is centered on supporting U.S. Embassies across the region in identifying and guiding cultural preservation projects supported by the Department of State. In 2021 there are more than 30 active projects that preserve intangible and built heritage of more than 12 nations. Now based in Washington\, D.C. and Charleston\, S.C.\, she previously worked in Afghanistan at the U.S. Embassy from 2010-2012 developing and overseeing the State Department’s large-scale initiatives to support the preservation of Afghanistan’s imperiled cultural patrimony. Prior to joining the Department of State\, Laura worked at the Metropolitan Museum of Art in New York City for 13 years. She has also worked in the private sector field of cultural resources management\, managing archaeological recovery of cultural resources for land development and corporate investment programs. Tedesco has participated in archaeological excavations in Syria\, Palestine\, the Republics of Armenia and Georgia\, Italy\, Cyprus\, and in several locations across the United States. She holds a PhD in Anthropology from New York University. Laura has a popular podcast that focuses on her personal story of the challenges she’s faced as a woman carrying out heritage preservation programs in Afghanistan. The title of the podcast is Monuments Woman. \nBorn and raised in Florence\, Italy\, Anna Bottinelli earned her B.A. in History of Art from John Cabot University (JCU) in Rome\, graduating Magna Cum Laude. There\, she was also the recipient of numerous accolades including the 2010 JCU Excellence in Art History Award and JCU Leadership Award. In 2011\, she received her M.A. in Art History at The Courtauld Institute of Art in London. She specialized in the Franciscan and Dominican Art of 13th century Italy. At the same time\, Ms. Bottinelli began work as the lead Italian research assistant to #1 New York Times Bestselling Author Robert Edsel on his project to write about the Monuments Men and their preservation work in Italy during World War II. Her work contributed greatly to the success of Mr. Edsel’s acclaimed bestseller\, “Saving Italy: The Race to Save a Nation’s Treasure from the Nazi.” \nIn 2014\, Ms. Bottinelli accepted a full time research position with the Monuments Men Foundation for the Preservation of Art\, in Dallas\, Texas. By 2017\, she had advanced to senior leadership positions and in December 2019\, she was appointed as the Foundation’s new President\, succeeding its founder\, Mr. Edsel . During her tenure at the Foundation\, Ms. Bottinelli has overseen numerous restitutions of cultural objects to individuals and museums in Europe. She has also served as a consultant for “Hunting Nazi Treasure\,” an eight-part investigative documentary that continues to air on Discovery’s American Heroes Channel\, History Channel-Canada\, and Canale Focus in Italy\, with additional future broadcasts planned internationally. \nToday Ms. Bottinelli is considered an expert on the subject of art looting and recovery during World War II. She regularly is a point of contact for provenance attorneys seeking expert opinions on art restitution cases involving Italy. Ms. Bottinelli has close ties with the art restitution unit of the Italian Carabinieri\, who have been steadfast supporters of the Monuments Men Foundation and its mission. Anna Bottinelli is currently based in Dallas with her husband and two little boys. She divides her time between the U.S. and Italy. \n\nImages: Laura Tedesco in Ghazni\, Afghanistan; Laurie Tedesco\, The Monuments Woman photographed for publication by Jackie Neale October\, 2021 in Charleston\, SC; Anna Bottinelli
URL:https://www.arttable.org/event/virtual-preserving-cultural-heritage-in-afghanistan-and-beyond-anna-bottinelli-laura-tedesco/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/Tedesco-Ghazni-Afghanistan-photo.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211216T170000
DTEND;TZID=America/Chicago:20211216T170000
DTSTAMP:20260404T144945
CREATED:20211112T173208Z
LAST-MODIFIED:20211116T175813Z
UID:7278-1639674000-1639674000@www.arttable.org
SUMMARY:Virtual | Chicago Chapter Holiday Happy Hour!
DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\nGrab a glass of your favorite wine or mix up a festive cocktail! Catch up with fellow members you’ve missed and help us welcome new members into ArtTable’s Chicago Chapter! \nAs we look forward to a brighter future in 2022\, let’s support one another by sharing how this year has gone and share ideas for programming and gatherings in the New Year! \nThis program is free and open to ArtTable members only. Click below to register! \nNot a member? Join today! \n \n  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n  \nThank you to Diane Dinkins-Carr and Julie Gustafson\, Chicago Chapter Leaders\, for organizing this program.
URL:https://www.arttable.org/event/virtual-chicago-chapter-holiday-happy-hour/
LOCATION:Zoom
CATEGORIES:National,Chicago
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/11/HAPPY-HOLIDAYS-e1637085467767.png
ORGANIZER;CN="ArtTable Chicago":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220110T170000
DTEND;TZID=America/New_York:20220110T170000
DTSTAMP:20260404T144945
CREATED:20211206T185913Z
LAST-MODIFIED:20211206T190718Z
UID:7379-1641834000-1641834000@www.arttable.org
SUMMARY:Virtual | Let's Connect! New Year National Networking Event
DESCRIPTION:2pm PT | 3pm MT | 4pm CT | 5pm ET\nWe invite all ArtTable members to join us for our next virtual national networking event celebrating the start of 2022! Join us as we reflect on our accomplishments and challenges of the past year and our goals and aspirations for the future. \nOur first national networking event took place in May 2021 and allowed members from all over the world to share ideas and make new connections. We are thrilled to offer our members this opportunity to connect with each other worldwide! Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is an exclusive opportunity for ArtTable members to form new connections and find ways to collaborate with one another. \nThis program is free for all ArtTable members. Not a member? Join today! \nCLICK HERE TO REGISTER.\n(You will receive an email confirmation containing the Zoom link.) \nCan’t join us for this event? Don’t worry\, there will be plenty more opportunities to connect with members in the future! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-lets-connect-new-year-national-networking-event/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/12/Networking-Graphic.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220113T160000
DTEND;TZID=America/New_York:20220113T163000
DTSTAMP:20260404T144945
CREATED:20211201T185328Z
LAST-MODIFIED:20211215T005134Z
UID:7367-1642089600-1642091400@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer! This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-1/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220119T130000
DTEND;TZID=America/New_York:20220119T130000
DTSTAMP:20260404T144945
CREATED:20211103T193311Z
LAST-MODIFIED:20211228T162715Z
UID:7173-1642597200-1642597200@www.arttable.org
SUMMARY:Virtual | 'The Empress and I\,' with Donna Stein and Dorothy Goldeen
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\nPlease join us for a conversation between author Donna Stein Korn and art advisor Dorothy Goldeen about Donna’s newest book\, The Empress and I: How an Ancient Empire Collected\, Rejected and Rediscovered Modern Art. The book was written to reflect Donna’s work to assemble a collection of contemporary art for a new Museum of Contemporary Art in Tehran\, Iran under the auspices of the Imperial Empress Pahlavi\, wife of the Shah of Iran. She writes about how she worked curatorial miracles through her connections with colleagues especially in the USA and with encouragement from the Shabanou and some obstacles from other government members. \nClick here to read a feature article on the book in Architectural Digest. \nAdmission \n\nArtTable Circle Members – Free\nAll other ArtTable Members – $5\nNon-Members – $10\n\nNot a member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nDonna Stein worked for six years at the Museum of Modern Art in New York\, NY after completing her BA at University of California\, Los Angeles. She continued her studies at The Institute of Fine Arts at NYU\, NYC. Stein has written extensively in articles and books on many art subjects including Cubism\, Modern Illustrated Books\, and Photography. She is the first American scholar to study 19th century photography in Iran. Stein has also received awards for her meticulous scholarship. She recently retired as Deputy Director at the Wende Museum of the Cold War in Los Angeles. \nDorothy Goldeen is an art advisor and former gallery owner. Between 2014-2020\, Dorothy was honored to serve as the President of Stone Art LLC and Allan Stone Projects in New York\, the exclusive representative of the Allan Stone Collection\, one of the largest private art collections ever amassed by an individual. Dorothy presided over the sale of an unprecedented number of artworks\, through exhibitions at Allan Stone Projects\, to private collectors\, institutions\, and at auction. In 2021\, Dorothy relaunched Dorothy Goldeen Art Advisory\, which she had initiated in Los Angeles in 1996. Prior to that\, she owned and operated Dorothy Goldeen Gallery in Santa Monica. The gallery represented artists such as Nam June Paik and Magdalena Abakanowicz\, gave early shows to international and trailblazing artists\, such as Beatriz Milhazes\, Diana Thater\, Charles Gaines\, and David Wojnarowicz. Dorothy currently lives and works in New York. She has served on ArtTable’s Board of Directors and was the founding Chair of the Chapter Leadership Forum\, as well as serving twice as the Chair of the Southern California Chapter in Los Angeles. She was honored with New York’s Chapter Leadership Award in 2019. \n  \nThank you to Susan Halper\, ArtTable member\, for organizing this program. \n\nImages: Book cover\, The Empress and I: How an Ancient Empire Collected\, Rejected and Rediscovered Modern Art
URL:https://www.arttable.org/event/virtual-the-empress-and-i-donna-stein-dorothy-goldeen/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/empress-e1635968035431.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220126T180000
DTEND;TZID=America/New_York:20220126T180000
DTSTAMP:20260404T144945
CREATED:20220103T160313Z
LAST-MODIFIED:20220621T153450Z
UID:7507-1643220000-1643220000@www.arttable.org
SUMMARY:Virtual | Listening to Native American Voices: Reimagining & Honoring a Diverse Heritage
DESCRIPTION:3pm PT/ 4pm MT / 5pm CT / 6pm ET\nIn this 4th and final program in ArtTable’s Monuments and Memorials series\, we shift our attention to those memorials that bear witness to Native American heritage\, through their own voices. By exploring Native American memorials and sites\, we will learn how they honor and preserve cultural memory in the United States. This series continues to ask: whose stories are we telling and who is telling them?\n\nJoin us for a discussion with artists Malynn Foster (Coast Salish of Squaxin Island) and Erin Genia (Sisseton-Wahpeton Oyate)\, as well as attorney Shannon O’Loughlin (Citizen of the Choctaw Nation of Oklahoma). Foster and Genia will each speak about their artistic practice\, as well as reimagine\, re-contextualize\, or otherwise address the general conversation around public monuments and memorials. O’Loughlin will bring our focus to some sites of memory that are sacred to Native Americans\, sharing the need to protect and preserve them. The presentations and discussion will be followed by a Q&A session.\n\nIn the previous three programs in this series\, we looked at “old stories and new narratives through other lenses” with Harriet Senie\, Alison Saar and Marisa Williamson\, with a special focus on creating sites of public memory\, particularly for the disenfranchised\, as so eloquently expressed by Judy Baca and her “Great Wall of Los Angeles.” The series included a fall walking tour in Harlem to view the sculptures honoring Duke Ellington\, Harriet Tubman\, and Frederick Douglass.\n\nAdmission\n\n 	ArtTable Circle Members– Free\n 	All other ArtTable Members – $10\n 	Non-Members – $15\n 	Members may bring an additional guest for $5\n\nNot an ArtTable member? Join today!\n\n \n\n\n\n \n\nCan’t make the program at this time? Register anyway to receive a recording after!\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org.\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.\n\n\n\nAbout the speakers\nErin Genia (Sisseton-Wahpeton Oyate) is a multidisciplinary artist\, educator\, and community organizer specializing in Native American and Indigenous arts and culture. Her work in these areas focuses on amplifying the under-recognized presence of native peoples in the arts\, sciences\, and the public arena. Erin earned an M.S. in Art\, Culture\, and Technology from MIT and an M.P.A. in Tribal Governance from Evergreen State College. She also studied at the Institute of American Indian Arts. In recent years\, her artwork has been exhibited nationally and internationally including at Boston’s Urbano Project\, the Venice Biennale\, Ars Electronica\, The Museum of Northwest Art\, and the International Space Station. Public commissions have come from the Tufts University Art Galleries\, the Minnesota Historical Society\, the City of St. Paul\, and the City of Seattle. Also in the public realm\, Erin was named artist-in-residence with the City of Boston (2020-2021) and co-founded\, “Centering Justice: Indigenous Artists’ Perspectives on Public Art\,” with the New England Foundation for the Arts’ Public Art Team.\n\nShannon O’Loughlin is a citizen of the Choctaw Nation of Oklahoma\, and the Chief Executive and Attorney for the oldest non-profit serving Indian Country – the Association on American Indian Affairs. Throughout its 99-year history\, the Association has provided national advocacy on watershed issues that support sovereignty and culture\, while working at a grassroots level with Tribes. The Association’s vision is to create a world where diverse Native American cultures and values are lived\, protected and respected.\n\n\n\nShannon has been practicing law for more than 20 years and is a lecturer at Johns Hopkins University. In 2013\, she was appointed by Secretary of the Department of the Interior to the Native American Graves Protection and Repatriation Act Review Committee. In 2015 she was appointed by President Barack Obama as the first Native American to the Cultural Property Advisory Committee within the State Department. Shannon received a B.A. in American Indian Studies from California State University\, Long Beach. She then received joint M.A. and J.D. degrees from the University of Arizona in Indigenous Peoples Law and Policy.\n\nMalynn Wilbur-Foster is a Squaxin Island tribal member\, raised among her people near the Skokomish and Squaxin Island reservations where she has lived most of her life. She works in a variety of media \, including weaving\, painting\, jewelry\, and carving both stone and wood. Malynn is always looking for new ways to tell the stories of her people fusing tradition and technology.\n\nSince 1998\, her work has been shown in galleries and featured in\n\n\n\nbooks. It has also entered collections of the Seattle Art Museum\, Burke Museum\, and Washington State History Museum. Additionally she has collaborated on a number of commissioned works in the Seattle area\, with family members and friends. 2020 brought a significant new commission: Malynn is now collaborating with Tamela LaClair and Kimberly Deriana\, as a team\, known as the MTK Matriarchs.\n\nThey have been selected as the artists for the Salish Steps\, part of the Seattle project re-imagining the city’s waterfront. Representing both local tribes and Urban Natives\, they are working with the design team\, developing a permanent artwork to elevate the importance of indigenous culture and history to this very public site. Malynn has received grants for her achievements in both art and for being an indigenous knowledge keeper.\n\n \n\nThank you to ArtTable members Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, Independent art advisor\, for organizing this program series.\n\n\n\nImages:\n\n 	Erin Genia\, “Acoustic Tipi.” Courtesy of the artist.\n 	Erin Genia\, courtesy of the artist\n 	Shannon O’Loughlin\, courtesy of the speaker\n 	Pueblo Bonito\, Chaco Canyon\, Courtesy of the National Park Service\n 	Malynn Wilbur-Foster\, courtesy of Sam Jones of Quinn/Brein Communication\n 	“Seal Roost\,” woven by Malynn Foster
URL:https://www.arttable.org/event/virtual-listening-to-native-american-voices-reimagining-and-honoring-shared-heritage/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/12/unnamed.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220202T170000
DTEND;TZID=America/New_York:20220202T180000
DTSTAMP:20260404T144945
CREATED:20220125T161838Z
LAST-MODIFIED:20220128T162320Z
UID:7749-1643821200-1643824800@www.arttable.org
SUMMARY:Virtual | DEIA Action Plan Talk Back - Leadership
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\nAt its inception\, ArtTable was a driving force for gender parity in the arts – creating community\, driving policy change\, and building a network of resources for women to forge a confident and unquestioned place as leaders in the art world. At the core of our mission\, we aim to advance the leadership of women in the visual arts by expanding opportunities for women from diverse backgrounds and at all stages of their careers. It is with our mission in mind that we have outlined an action plan for ensuring that diversity\, equity\, inclusion\, and accessibility remain at the center of our organization. \nWe invite you all to read our proposal for furthering the key ideas of diversity\, equity\, inclusion\, and accessibility in our organization. We hope to gather feedback on the action plan at a series of Talk Backs which aim to gather community feedback and answer any questions you all may have. This first Talk Back will focus on the Leadership portions of the action plan. Future Talk Backs will focus on Membership and Programming. \nIn advance of the Talk Back\, please submit your questions here to allow for adequate preparation. \nIf you are unable to attend or would like to provide anonymous feedback\, you can do so on our DEIA Community Engagement form. \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this Talk Back session? The next session will take place on Wednesday\, February 9\, at 5pm ET with a focus on Membership.
URL:https://www.arttable.org/event/virtual-deia-action-plan-talk-back-1/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-25-at-2.22.28-PM-e1643138613740.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T110000
DTEND;TZID=America/New_York:20220203T110000
DTSTAMP:20260404T144945
CREATED:20220114T195704Z
LAST-MODIFIED:20220118T153016Z
UID:7637-1643886000-1643886000@www.arttable.org
SUMMARY:Virtual | Discovering Digital - Yam Karkai and the World of Women NFT Project
DESCRIPTION:8am PT/9am MT/10am CT/11am ET\nThe world is abuzz about NFTs\, and it does not come as a shock that the space is awash with male artists. Yam Karkai\, the sole artist behind the World of Women (WoW)\, is a critical voice in the NFT space not just for women but for collective diversity in the crypto community. Join Yam and Yennefer\, Head of Communications at WoW\, for a virtual discussion about Yam’s vision for this project\, how she became a part of the NFT space\, the seemingly overnight success of World of Women\, and her thoughts on how NFT projects stay relevant in a booming crypto market. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nNon-Members – $20\n\nNot a member? Join today! \n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nYam Karkai is a digital illustrator and NFT artist who creates pieces that focus on bringing women into the spotlight while at the same time addressing certain aspects of women’s lives. She does so through vivid harmonious color combinations together with playful\, delicate lines and a touch of fantasy. \nShe is also the creator and illustrator of the “World of Women” project that works on bringing more diversity and representativeness into the NFT world while creating a safe welcoming space for women and minorities and also supporting up and coming artists. \n\nImage: World of Women NFT project samples; Yam Karkai \nThank you to Sophie Coco\, New York Chapter Programs Committee member\, for organizing this program.
URL:https://www.arttable.org/event/virtual-discovering-digital-yam-karkai-world-of-women-nft-project/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2022/01/icon.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220207T120000
DTEND;TZID=America/New_York:20220207T120000
DTSTAMP:20260404T144945
CREATED:20220121T172613Z
LAST-MODIFIED:20220121T230656Z
UID:7684-1644235200-1644235200@www.arttable.org
SUMMARY:Virtual | Global Perspectives - Adenrele Sonariwo on Contemporary African Art
DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\nPlease join us for a presentation from Adenrele Sonariwo\, founder of Rele Gallery. With two locations in Lagos\, Nigeria and Los Angeles\, California\, the gallery was founded to act as a critical interface between the African and international art worlds\, situating contemporary art and artists from Africa in broader\, international contexts. \nSonariwo will speak about the contemporary art scene in Nigeria\, being a woman in this business\, and her gallery’s emphasis on emerging women artists. \nAdenrele Sonariwo is an award-winning gallerist\, curator\, and founder of Rele Gallery and Rele Art Foundation. She has curated and overseen high-profile art exhibitions in Lagos\, Los Angeles\, New York\, and Venice\, challenging the boundaries of art and engaging in provocative subjects and techniques. Sonariwo curated the first ever Nigerian Pavilion at the 2017 Venice Biennale. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nNon-Members – $20\n\nNot a member? Join today! \n  \n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImages: Artworks by Rele Gallery Artists\, Marcellina Akpojotor and Tonia Nneji \nThank you to Michelle Perr of the New York Chapter Programs Committee for organizing this program.
URL:https://www.arttable.org/event/virtual-global-perspectives-contemporary-african-art-with-adenrele-sonariwo-rele-gallery-lagos/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Untitled-design.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220208T163000
DTEND;TZID=America/New_York:20220208T163000
DTSTAMP:20260404T144945
CREATED:20220203T184426Z
LAST-MODIFIED:20220203T215721Z
UID:7809-1644337800-1644337800@www.arttable.org
SUMMARY:Virtual | Alternative Art Spaces in Southern California\, presented with Intersect Palm Springs
DESCRIPTION:1:30pm PT/2:30pm MT/3:30pm CT/4:30pm EST\nPlease join us for a discussion about the development of alternative art spaces\, specifically throughout the Southern California region. In this virtual discussion\, we will hear from several professionals who have either founded or currently run alternative art spaces in the Southern California region\, and will address questions like\, what makes an art space “alternative?” How are these spaces addressing the underserved needs within the local art world? Our panelists will speak to how their respective organizations are implementing alternative methods in order to reach their goals and further their missions. \nPanelists: \n\nJordan Karney Chaim\, Art historian\, writer\, and independent curator\nKristine Schomaker\, Director\, Shoebox Projects\nJoy Silverman\, Former Executive Director\, LACE; Board Member\, Feminist Center for Creative Work\n\nThe discussion will be moderated by Liza Shapiro\, Director & Co-founder of CURA. \nThis program is free and open to all. Please register via the below button to receive the Zoom information. \n \n  \nAccessibility: Please note that this program will include live closed captioning services. Please email programs@arttable.org to request any additional accommodations.  \nThis program is presented in partnership with Intersect Palm Springs. Complimentary VIP tickets are available for ArtTable members via the membership portal.
URL:https://www.arttable.org/event/partner-program-virtual-alternative-art-spaces-in-southern-california-presented-with-intersect-palm-springs/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/02/AltArt.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T170000
DTEND;TZID=America/New_York:20220209T180000
DTSTAMP:20260404T144945
CREATED:20220127T235837Z
LAST-MODIFIED:20220128T163353Z
UID:7786-1644426000-1644429600@www.arttable.org
SUMMARY:Virtual | DEIA Action Plan Talk Back - Membership
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\nAt its inception\, ArtTable was a driving force for gender parity in the arts – creating community\, driving policy change\, and building a network of resources for women to forge a confident and unquestioned place as leaders in the art world. At the core of our mission\, we aim to advance the leadership of women in the visual arts by expanding opportunities for women from diverse backgrounds and at all stages of their careers. It is with our mission in mind that we have outlined an action plan for ensuring that diversity\, equity\, inclusion\, and accessibility remain at the center of our organization. \nWe invite you all to read our proposal for furthering the key ideas of diversity\, equity\, inclusion\, and accessibility in our organization. We hope to gather feedback on the action plan at a series of Talk Backs which aim to gather community feedback and answer any questions you all may have. This second Talk Back will focus on the Membership portions of the action plan. The next and final Talk Back will focus on Programming. \nIn advance of the Talk Back\, please submit your questions here to allow for adequate preparation. \nIf you are unable to attend or would like to provide anonymous feedback\, you can do so on our DEIA Community Engagement form. \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this Talk Back session? The next session will take place on Thursday\, February 24\, at 1pm ET with a focus on Programming.
URL:https://www.arttable.org/event/virtual-deia-action-plan-talk-back-2/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-25-at-2.22.28-PM-e1643138613740.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220210T160000
DTEND;TZID=America/New_York:20220210T163000
DTSTAMP:20260404T144945
CREATED:20220111T154800Z
LAST-MODIFIED:20220111T154800Z
UID:7602-1644508800-1644510600@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-feb22/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220210T170000
DTEND;TZID=America/Chicago:20220210T170000
DTSTAMP:20260404T144945
CREATED:20220111T222922Z
LAST-MODIFIED:20220111T224746Z
UID:7607-1644512400-1644512400@www.arttable.org
SUMMARY:New York | Curator-led tour of 'Greater New York' at MoMA PS1
DESCRIPTION:5pm ET\nPlease join us for a tour of Greater New York at MoMA PS1\,  led by curator Ruba Katrib and assistant curator Jody Graf. This signature survey of artists living and working in the New York City area returns for its fifth edition\, after a one year delay due to the COVID-19 pandemic. This year’s iteration offers an intimate portrayal of New York City\, forging connections between often under-examined histories of art-making in the city. \nThis program is open to ArtTable members and their guests only. Not a member? Join today!\n \nAdmission \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20\n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors (ages 5+) to The Museum of Modern Art and its Stores must show proof of COVID-19 vaccination authorized by the United States Food and Drug Administration or by the World Health Organization. Visit the Key to NYC for dosage requirements and timeline details. We continue to require masks for visitors (ages 2+) and staff in all indoor areas of the Museum; complimentary face masks are available. To enter the Museum\, you may show any of these accepted forms of proof of COVID-19 vaccination (together with a valid photo ID for ages 18+): NYC COVID Safe AppCLEAR Health PassNew York State Excelsior App or Excelsior Plus AppA photo or hard copy of an official immunization record of a vaccine administered from within or outside the U.S.For visitors who received an immunization within the U.S.\, a photo or hard copy of their CDC vaccination card or other official immunization record showing proof of the following vaccines is acceptable: Pfizer-BioNTech\, Moderna\, Johnson & Johnson\, or an active (not placebo) COVID-19 vaccine candidate that is part of a U.S.-based clinical trialFor visitors who received an immunization outside of the U.S.\, in addition to those listed above\, proof of the following vaccines is acceptable: AstraZeneca/SK Bioscience\, Serum Institute of India/COVISHIELD and Vaxzevria\, Sinopharm-BBIBP\, or Sinovac.Learn more about Key to NYC requirementsWe are working to keep you safe and healthy\, but we cannot guarantee you won’t be exposed to COVID-19. By entering MoMA or MoMA PS1 you assume the risk of such exposure. If you feel sick or have a cough\, sore throat\, shortness of breath or trouble breathing\, fever\, chills\, loss of smell\, or muscle pain\, or if you have been exposed to COVID-19\, contact your health care provider and please do not visit MoMA or MoMA PS1. We may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email donotshare@moma.org. Admire artwork from a distance\, at least an arm’s length. And no touching art\, platforms\, or cases (unless a sign or label says it’s okay). MoMA PS1’s checkroom is currently closed. Visitors will not be admitted with bags larger than 11 × 17 × 5” (28 × 43 × 13 cm). Still photography is permitted for personal\, noncommercial use only unless otherwise noted. Video is not permitted. Flash\, tripods\, and camera extension poles are not allowed.  Accessibility MoMA PS1 offers a variety of free programs and services to make the museum accessible to all. MoMA PS1’s public entrance on Jackson Avenue\, including the entrance to the main building\, is accessible by ramp. Wheelchairs are available free of charge at the admissions desk\, lobby\, and coat check on a first-come\, first-served basis. The three main floors of the museum\, including the bookstore\, café\, and basement level\, are accessible by elevator. For elevator access to the basement\, please ask for assistance at the greeter podium in the lobby of the main museum building. Wheelchair-accessible bathrooms are located on floors one and three. For more information\, or to request accommodations\, please call the front desk during regular public hours\, Thursday to Monday\, 12:00–6:00 p.m.\, at (718) 784-2086. Visit MoMA's website for more information.  Getting There Enter the museum at 46-01 21st Street\, Long Island City\, NY 11101. We will meet in the 1st Floor Lobby.MoMA PS1 is accessible by car and public transportation via the G\, 7\, E\, & M trains. Click here to access directions from your location. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the curators\nJody Graf is a curator and writer based in New York. She is an Assistant Curator at MoMA PS1\, where she has worked on exhibitions including Greater New York 2021; Niki de Saint Phalle: Structures for Life (2021); Marking Time: Art in the Age of Mass Incarceration (2020); Theater of Operations: The Gulf Wars 1991-2011 (2019); Simone Fattal: Works and Days (2019); and Sue Coe: Graphic Resistance (2018)\, among others. She curated the 2021 Parsons MFA Thesis show\, and has worked as an independent curator on numerous projects. Her writing has been featured in publications including Texte Zur Kunst\, Frieze\, Mousse\, CURA\, and The Exhibitionist. She received her BA from the Gallatin School of Individualized Study at NYU\, and her MA from the Center for Curatorial Studies\, Bard College. \nRuba Katrib is Curator at MoMA PS1. At MoMA PS1 she has curated exhibitions such as Niki de Saint Phalle: Structures for Life (2021)\, Theater of Operations: The Gulf Wars 1991 – 2011 (2019) (co-curated with Peter Eleey)\, the retrospective of Simone Fattal in 2019\, and the solo shows of Edgar Heap of Birds (2019)\, Karrabing Collective (2019)\, Fernando Palma Rodríguez\, and Julia Phillips (2018). From 2012 – 2018 she was Curator at SculptureCenter in New York where she curated over twenty solo and group exhibitions\, including solo shows of the work of Carissa Rodriguez (2018)\, Kelly Akashi\, Sam Anderson\, Teresa Burga\, Nicola L.\, Charlotte Prodger (all 2017)\, Rochelle Goldberg\, Aki Sasamoto\, Cosima von Bonin (all 2016)\, Anthea Hamilton\, Araya Rasdjarmrearnsook\, Magali Reus\, Gabriel Sierra\, Michael E. Smith\, Erika Verzutti (all 2015)\, David Douard\, and Jumana Manna (both 2014). Previously\, Katrib was the Associate Curator at the Museum of Contemporary Art North Miami from 2007 – 2012. Katrib was also co-founder of the residency and exhibition space Threewalls in Chicago\, and has also held positions at the Renaissance Society and the Center for Curatorial Studies at Bard College\, where she currently serves on the Graduate Committee. She was a research advisor for the 2018 Carnegie International and a member of the Advisory Board for Recess\, a non-profit artist residency and exhibition space in New York. Katrib co-curated SITE Santa Fe’s 2018 biennial\, Casa Tomada\, along with José Luis Blondet and Candice Hopkins. \nAbout the exhibition\nFeaturing the work of 47 artists and collectives\, Greater New York opens up geographic and historical boundaries by expanding familiar narratives around artists and art movements in New York. Bridging strategies of the documentary and the archive on the one hand\, and surrealism and fabulation on the other\, the exhibition considers the ways that artists record experiences of belonging and estrangement. Drawing connections across the interdisciplinary practices of international and intergenerational artists\, Greater New York examines the many ways that affinities form in relation to place and through time. \nThe exhibition foregrounds the resilience of artists and artist communities in the city\, while marking ways these artists have both profoundly shaped New York\, and borne witness to its many transformations. As New York emerges from the COVID-19 pandemic\, the exhibition offers an opportunity to mourn\, celebrate\, and reconnect with artist communities. This iteration of Greater New York honors not only the persistence of artists\, many of whom have worked unrecognized over decades\, but their ability to help us make sense of the many ruptures—social\, political\, and ecological—that have shaped New York City in this critical and transformative moment. \n\nImage: Installation view of Shanzhai Lyric\, Incomplete Poem (2015-ongoing). Greater New York 2021 on view at MoMA PS1 from October 7\, 2021 to April 18\, 2022. Image courtesy MoMA PS1. Photo: Noel Woodford; headshots courtesy of the speakers
URL:https://www.arttable.org/event/new-york-curator-led-tour-of-greater-new-york-at-moma-ps1/
LOCATION:MoMA PS1\, 22–25 Jackson Avenue\, Queens\, NY\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/01/Greater-New-York_Noel-Woodford_2-2000x1333-1-e1641939876187.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR