BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ArtTable - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ArtTable X-ORIGINAL-URL:https://www.arttable.org X-WR-CALDESC:Events for ArtTable REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20210314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20211107T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20220313T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20221106T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20230312T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20231105T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20220224T130000 DTEND;TZID=America/New_York:20220224T140000 DTSTAMP:20260403T174007 CREATED:20220127T235534Z LAST-MODIFIED:20220223T154956Z UID:7782-1645707600-1645711200@www.arttable.org SUMMARY:Virtual | DEIA Action Plan Talk Back - Programming DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\nAt its inception\, ArtTable was a driving force for gender parity in the arts – creating community\, driving policy change\, and building a network of resources for women to forge a confident and unquestioned place as leaders in the art world. At the core of our mission\, we aim to advance the leadership of women in the visual arts by expanding opportunities for women from diverse backgrounds and at all stages of their careers. It is with our mission in mind that we have outlined an action plan for ensuring that diversity\, equity\, inclusion\, and accessibility remain at the center of our organization. \nWe invite you all to read our proposal for furthering the key ideas of diversity\, equity\, inclusion\, and accessibility in our organization. We hope to gather feedback on the action plan at a series of Talk Backs which aim to gather community feedback and answer any questions you all may have. This third and final Talk Back will focus on the Programming portions of the action plan. \nIn advance of the Talk Back\, please submit your questions here to allow for adequate preparation. \nIf you are unable to attend or would like to provide anonymous feedback\, you can do so on our DEIA Community Engagement form. \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. URL:https://www.arttable.org/event/virtual-deia-action-plan-talk-back-3/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-25-at-2.22.28-PM-e1643138613740.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220310T160000 DTEND;TZID=America/New_York:20220310T163000 DTSTAMP:20260403T174007 CREATED:20220217T155907Z LAST-MODIFIED:20220223T154921Z UID:7922-1646928000-1646929800@www.arttable.org SUMMARY:Virtual | New Member Orientation DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! URL:https://www.arttable.org/event/virtual-new-member-orientation/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220310T200000 DTEND;TZID=America/New_York:20220310T200000 DTSTAMP:20260403T174007 CREATED:20220224T163548Z LAST-MODIFIED:20220224T163656Z UID:7975-1646942400-1646942400@www.arttable.org SUMMARY:Partner Program with PBS Books | Author Talk - "Dismantling the Patriarchy\, Bit by Bit: Art\, Feminism\, and Digital Technology\," with Judith K. Brodsky and Jodi Throckmorton DESCRIPTION:5pm PT/6pm MT/7pm CT/8pm ET\n\n\n\nPBS Books presents this Author Talk with Judith Brodsky about her newest book\, Dismantling the Patriarchy\, Bit by Bit: Art\, Feminism\, and Digital Technology. Brodsky will be in conversation with Jodi Throckmorton\, Chief Curator at the John Michael Kohler Arts Center. \n\n\n\nIn her recent book\, Brodsky explores trailblazing women\, including artists of color\, who have been innovators in the digital art arena as early as the late 1960s. Through an examination of artists’ work and feminist art theory\, Brodsky will discuss the crucial role women are playing in the art world in this digital realm\, including in new media as video\, websites and social networking\, virtual and augmented reality\, artificial intelligence\, and NFTs. Through this discussion\, viewers will gain critical insights into the important role female artists are playing in the digital space\, which historically has been dominated by men. Audience questions will be answered at the end of the conversation. \n\n\n\nClick here to read more about the book and the speakers. \n\n\n\nThe event will be live streamed for free on the PBS Books Facebook Page. \n\n\n\nImage courtesy of PBS Books. URL:https://www.arttable.org/event/partner-program-with-pbs-books-author-talk-dismantling-the-patriarchy-bit-by-bit-art-feminism-and-digital-technology-with-judith-k-brodsky-and-jodi-throckmorton/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/02/Untitled-design-e1645720121758.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20220313T113000 DTEND;TZID=America/Los_Angeles:20220313T113000 DTSTAMP:20260403T174007 CREATED:20220217T190413Z LAST-MODIFIED:20220311T170926Z UID:7924-1647171000-1647171000@www.arttable.org SUMMARY:LAST CHANCE TO REGISTER - SoCal | Tour & Artist Talk with Nancy Buchanan & Barbara T. Smith DESCRIPTION:11:30am PT\nPlease join us for an in-person tour of how we are in time and space: Nancy Buchanan\, Marcia Hafif\, Barbara T. Smith\, followed by a discussion with two of the exhibition artists – Nancy Buchanan and Barbara T. Smith. \nThis major group exhibition is the first to focus on the collaborations and empathic intersections between three remarkable artists in the form of drawing\, photography\, collage\, video\, performance documentation\, and architectural proposals comprising over 50 years of art making. Embracing the differences between these artists as well as their points of convergence\, the exhibition will probe various notions of being\, including the political\, scientific\, and spiritual. \nAll three artists have deep connections to Southern California\, intersecting in the inaugural MFA program at UC-Irvine from 1969 to 1971. Buchanan\, Hafif\, and Smith all entered graduate school as mothers and were emphatically aware of the gendered expectations and hostilities toward women choosing art making as their primary pursuit\, though each presented a unique version of the struggle for liberation from the orthodoxies of gender and sexuality. The exhibition will be anchored by three time-based works demonstrating the overlaps between each artist’s practice and revealing the primary subjects of the exhibition—bodies\, communication\, and dwelling. \nClick here to read more about the exhibition\, on view through June 12\, 2022. \nAdmission: \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20.\n\nNot a member? Join today! \n\n \nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The following will ensure a safe experience for everyone: No more than 20 visitors will be permitted in the exhibition at any given time. Some rooms have additional restrictions.Regardless of vaccination status\, all visitors and staff must wear masks in the building. Upon arrival\, a member of the Armory staff will verify that you have no Covid symptoms and that you are fully vaccinated.Please bring proof of vaccination with you. Acceptable proof of vaccination documents and additional details regarding guidelines for visiting the Armory are available at armoryarts.org/visit/covid-19-protocols.Please reschedule your appointment if you have any of the following Covid-related symptoms: fever or chills; cough; shortness of breath or difficulty breathing; fatigue; muscle or body aches; headache; new loss of taste or smell; sore throat; congestion or runny nose; nausea or vomiting; diarrhea. Accessibility The Armory is wheelchair and stroller accessible. There are several ADA parking spots in the Marriott garage directly north of the Armory as well as metered street parking. All Armory galleries\, classrooms\, meeting rooms\, and restrooms are wheelchair and stroller accessible. Restrooms: A designated women's restroom as well as a lockable\, all-gender restroom can be found just past our front entrance\, to the right. Two more gender neutral restrooms can be found in the back of our studio. Each restroom has one ADA-compatible stall\, and each is equipped with an infant changing station. Animals: Certified service animals are welcome inside the Armory. Please email programs@arttable.org to request additional accommodations. Getting There & Parking The Armory Center for the Arts is located at 145 North Raymond Avenue\, Pasadena\, CA 91103.Up to 90 minutes of free parking is available at the city parking structure just north of the Armory on Raymond Avenue. There are several ADA parking spots in the parking garage next door as well as metered spots throughout street parking.\n \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the artists\nNancy Buchanan (b. 1946\, Boston) is an artist whose work has been shown in exhibitions at the Museum of Modern Art\, the New Museum of Contemporary Art\, the Museum of Contemporary Art Los Angeles\, the Centre Pompidou\, the Getty Research Institute\, and was included in four of the Getty-sponsored Pacific Standard Time exhibitions. She was the subject of a solo screening of her videotapes at REDCAT in 2013\, and her videos have been included in group exhibitions including Agitprop at the Brooklyn Museum; RE-ACTION\, a traveling exhibition originating in Spain; and Jonny at Insitu\, Berlin. Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants\, a COLA grant\, and a Rockefeller Fellowship in New Media. In 2016\, she organized It’s Your Party\, a durational performance at UC Irvine’s xMPL Theater as the second event in The Art of Performance. Beginning with her participation as a founding member of F Space Gallery in Costa Mesa\, Buchanan has been involved in numerous artists’ groups including The Los Angeles Woman’s Building and Los Angeles Contemporary Exhibitions (LACE); she has also acted as curator for several exhibitions and projects. From 1988-2012\, she taught in the Film/School at CalArts; she worked with community activist Michael Zinzun on his cable access show Message to the Grassroots for ten years and as a member of Zinzun’s LA 435 Committee; and she traveled to Namibia to produce a documentary about that country’s transition to independence from the Republic of South Africa. Buchanan lives and works in Los Angeles. \nBarbara T. Smith (b. 1931) has lived and worked in the Los Angeles area her whole life. She received a BA from Pomona College in 1953\, and MFA in 1971 from University of California\, Irvine where she was a founding member of F Space with Chris Burden and Nancy Buchanan. Smith has been represented in historic survey exhibitions including Whatever Happened to Sex in Scandinavia? at Office for Contemporary Art\, Oslo\, Norway (2009); WACK! Art and the Feminist Revolution (traveling exhibition 2008-09); Drawing in L.A.: The 1960s and 70s\, Los Angeles County Museum of Art (2016); and in several major exhibitions as part of Pacific Standard Time organized by the Getty (2011-12)\, including State of Mind: New California Art Circa 1970\, Orange County Museum of Art\, CA and Bronx Museum\, NY; and Under the Big Black Sun: California Art 1974 – 1981\, Museum of Contemporary Art\, Los Angeles. Recent notable exhibitions include The 21st Century Odyssey at The Box\, Los Angeles; Outside Chance\, Andrew Kreps Gallery\, New York; Artists and Their Books / Books and Their Artists\, the Getty Research Institute\, Los Angeles; Experiments in Electrostatics\, Whitney Museum of American Art\, New York; 56 Artillery Lane\, Raven Row\, London\, UK; Still Life with Fish: Photography from the Collection\, Hammer Museum\, Los Angeles; and Mommy\, Yale Union\, Portland\, OR. In 2005\, Smith had a retrospective The 21st Century Odyssey Part II: The Performances of Barbara T. Smith at Pomona College Museum of Art\, CA. \nAbout the venue\nArmory Center for the Arts\, in Pasadena\, California\, is one of the Los Angeles region’s leading independent institutions for contemporary art and community arts education. The Armory believes that an understanding and appreciation of the arts is essential for a well-rounded human experience and a healthy civic community. The organization’s board and staff are committed to holding deep conversations around diversity\, equity\, and inclusion; and acknowledge that these efforts are ongoing\, a process of growth\, and require intense self-reflection and collective consideration. Under Covid-19\, and in keeping with these institutional practices\, the Armory has deepened and expanded its programmatic reach to include online exhibition programs and artmaking classes\, along with hands-on art activities safely delivered in-person to those with limited digital access. For more information on the Armory Center for the Arts\, visit www.armoryarts.org. \n\nImages: Nancy Buchanan and Barbara T. Smith\, With Love from A to B\, 1977. 2022 installation photo at Armory Center for the Arts. Photo by Ian Byers-Gamber; Barbara T. Smith\, Michael Ned Holte (exhibition curator)\, and Nancy Buchanan \n \n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. URL:https://www.arttable.org/event/socal-tour-and-artist-talk-how-we-are-in-time-and-space-nancy-buchanan-barbara-t-smith/ LOCATION:Armory Center for the Arts\, 145 North Raymond Avenue\, Pasadena\, CA\, 91103\, United States CATEGORIES:National,Southern California ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/02/NB-2a.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220322T130000 DTEND;TZID=America/New_York:20220322T130000 DTSTAMP:20260403T174007 CREATED:20220309T190121Z LAST-MODIFIED:20220309T194931Z UID:8204-1647954000-1647954000@www.arttable.org SUMMARY:Virtual | Artist Talk with Nneka Jones DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual Artist Talk with contemporary multidisciplinary artist Nneka Jones.\n\n\nGrowing up in Trinidad and Tobago was one of the main factors that has molded Nneka Jones into the artist she is today. Her astounding love for color and special attention to detail\, as influenced by her culture\, have always been prominent throughout her artistic journey. She enjoys working in mixed media\, embroidery\, textiles\, and paint\, exploring both large-scale mural work and small-scale intimate pieces. Through her practice\, she produces thought-provoking artwork that comments on social and environmental injustice\, strongly advocating for the protection of women and girls of color. These are often topics that as a society\, we feel uncomfortable addressing but are necessary to view head on for a positive change. \nSince graduating from the University of Tampa in May 2020\, Jones’ work has caught the eyes of art directors in top publications like TIME\, where she was commissioned to produce the hand embroidered flag that appears on the August 31st/September 7th 2020 issue. She was also commissioned by the Washington Post to capture the history made by Vice President Kamala Harris and even appeared as a keynote speaker for Adobe MAX; emphasizing the importance of art as a vehicle for activism. \nJones’ unique hand embroidery work has been featured in Colossal magazine\, The Jealous Curator blog\, The American Craft Council\, Embroidery Mag UK\, and Domestika. With work in the permanent collections of the Florida Craft Art Gallery\, Ferman Art Center\, and Tampa Museum of Art\, Jones continues to broaden her professional practice and break barriers at an early stage in her a career as an inspiration to other young\, aspiring artists. \n\n\nWe hope you’ll join us to hear more from this incredible\, trailblazing artist! \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nImages: Nneka Jones\, Colorblind Shooting Range\, 2019\, hand embroidery on canvas; courtesy of the artist. / Headshot courtesy of the artist. \n\n\n\nImages have been provided specifically for ArtTable’s use and are prohibited to be used\, reproduced or redistributed without written permission from the artist. \n\n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\n\n\n\n\n\n\n\nLink. URL:https://www.arttable.org/event/virtual-artist-talk-with-nneka-jones/ CATEGORIES:National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/NnekaJones_Colorblind-Shooting-Range-scaled.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220324T170000 DTEND;TZID=America/New_York:20220324T170000 DTSTAMP:20260403T174007 CREATED:20220310T160630Z LAST-MODIFIED:20220311T185516Z UID:8237-1648141200-1648141200@www.arttable.org SUMMARY:Virtual | Panel Discussion - 'Before Silence: Afghan Artists in Exile' DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nBefore Silence: Afghan Artists in Exile is an online exhibition presented by Art at a Time Like This\, in partnership with PEN America’s Artists At Risk Connection(ARC). \n\n\n\nSince the U.S. withdrawal from Afghanistan last August and the subsequent takeover by the Taliban\, which has a long and brutal history of censoring artistic expression\, many Afghan artists\, including writers\, musicians\, filmmakers\, and intellectuals\, have been persecuted and targeted simply for being artists. Fearing for their lives\, many artists have been forced to go into hiding\, self-censor or destroy  their creative work\, or flee the country\, putting the future of the arts and culture in the country into question.  \n\n\n\nBefore Silence presents a powerful selection of works representative of the up and coming generation of Afghan artists who have continued to create and inspire amidst insecurity and humanitarian suffering. Through photographs\, paintings\, cartoons\, murals\, and performances\, this powerful exhibition offers a complex dialogue between artists\, danger\, deprivation\, and insecurity. The artists featured in the exhibition are Ali Rahimi\, ArtLords\, Latifa Zafar Attaii\, Lida Afghan\, Mohsin Taasha\, Morteza Herati\, Naseer Turkmani\, Rada Akbar\, and Shamayel Shalizi. It was a monumental task to pull together this exhibition with the artists scattered throughout the world after fleeing Afghanistan in recent months. This exhibition would not have been possible without unique collaboration between an arts organization and a leading human rights advocacy group. \n\n\n\nTo mark the occasion of this exceptional exhibition\, please join us for a panel discussion with Art at a Time Like This co-founders Anne Verhallen and Barbara Pollack\, conceptual artist Rada Akbar\, and director of PEN America’s Artists at Risk Connection\, Julie Trebault. \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nAbout the speakers\n\n\nRada Akbar\, born and raised in Afghanistan\, is an activist and artist who uses her art to speak out against misogyny and oppression. Her work consists of a mixture of wearable monuments\, performance\, photography and installation pieces. It has been displayed in numerous national and international exhibitions. In 2015\, she received an honorable mention in the UNICEF Photo of the Year Award. In 2020\, her art exhibit called Abarzanan—Superwomen—which celebrates pioneering Afghan women\, was featured in the New York Times\, and in 2021 she received the Prince Claus Seed Award\, MujerHoy awards and BBC 100 Women. \n  \nBarbara Pollack is the co-founder of Art at a Time Like This Inc.\, a platform for free expression for artists at times of crises. An independent curator and writer\, Pollack will be lead curator for the exhibition\, Mirror Image: A Transformation of Chinese Identity\, opening at the Asia Society Museum in June. In 2021\, she organized Lu Yang: DOKU—Digital Alaya at Jane Lombard Gallery. Since 1994\,  Pollack has written extensively for  a broad range of arts publications and catalogues and monographs and is also a professor at the School of Visual Arts.  \n  \nJulie Trébault is the director of the Artists at Risk Connection (ARC)\, a project of PEN America. ARC safeguards the right to artistic freedom by connecting threatened artists to support\, building a global network of resources for artists at risk\, and forging ties between arts and human rights organizations. She has nearly two decades of experience in international arts programming and network-building\, including at the Museum of the City of New York\, the Center for Architecture\, the National Museum of Ethnology in The Netherlands\, and the Musée du quai Branly in Paris. Trébault holds a Master’s Degree in Arts Management from Sorbonne University\, a Master’s Degree in Archeology and Cultural Heritage from the University of Strasbourg\, and taught at Fordham University. She is co-author of Freedom of Artistic Expression Through the Lens of the Sustainable Development Goals (Springer\, 2021) and A Safety Guide for Artists (ARC\, 2021)\, and has been instrumental in the creation of numerous reports on the state of artistic freedom of expression. These include but are not limited to Arresting Art: Repression\, Censorship\, and Artistic Freedom in Asia and Art under Pressure: Decree 349 Restricts Creative Freedom in Cuba. Julie and ARC have also been featured in numerous media outlets such as Hyperallergic\, The Art Newspaper\, Artnet\, BBC News\, The Financial Times\, Al Jazeera\, Diario de Cuba\, NPR\, among others. \nAnne Verhallen is the co-founder of Art At A Time Like This\, launched in 2020 in response to the global health crisis. The non-profit arts organization supports artists working in response to crisis and current events by presenting their work online and in the public space. \nVerhallen is also an agent for visual artists and is currently the director of partnership at 291 Agency. She has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath\, DRIFT\, and Lily Kwong.  In this capacity\, Verhallen has overseen large-scale activations and installations in collaboration with brands in the luxury industry. Prior to 291 Agency\, Verhallen was the director of the fine art division at CXA for 4 consecutive years.  \nBorn in the Netherlands\, Verhallen brings a global perspective to her projects and seeks to cultivate the intersection between technology\, design\, art\, and health. \n  \n\n\n \n\n\n\n\n\n\n\nImages: Photograph by Morteza Herati\, courtesy of the artist; all headshots provided by the speakers. \n\n\n\nThank you to Art at a Time Like This for organizing this program. \n\n\n\n\n\n\n\nLink. URL:https://www.arttable.org/event/virtual-panel-discussion-before-silence-afghan-artists-in-exile/ CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/03/Screen-Shot-2022-03-11-at-1.06.05-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220407T190000 DTEND;TZID=America/New_York:20220407T190000 DTSTAMP:20260403T174007 CREATED:20220308T221232Z LAST-MODIFIED:20220309T203117Z UID:8166-1649358000-1649358000@www.arttable.org SUMMARY:Benefit Week | VIP Reception Hosted by Nohra Haime DESCRIPTION:ArtTable Board\, Circle\, and Benefit Host Committee Members are invited to join us for an evening of refreshments and networking with friends and colleagues. \n\n\n\nThis event is taking place on ArtTable Day\, officially declared by the Mayor of New York City in 2005 to mark ArtTable’s 25th Anniversary. Over 15 years later\, we continue to acknowledge this day and celebrate our incredible community of professional women in the arts! \n\n\n\nThis event is by invitation only. The address and any additional information will be shared with attendees in advance. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\nOur sincerest thanks to our host for the evening\, Nohra Haime\, for welcoming us into her home. URL:https://www.arttable.org/event/benefit-vip-reception-hosted-by-nohra-haime/ LOCATION:New York City\, New York City\, New York\, United States CATEGORIES:National,ArtTable Circle ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/FY22_Benefit_VIP_REAL2-scaled.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220408T120000 DTEND;TZID=America/New_York:20220408T120000 DTSTAMP:20260403T174007 CREATED:20210726T211951Z LAST-MODIFIED:20220406T133145Z UID:6446-1649419200-1649419200@www.arttable.org SUMMARY:ArtTable's 2022 Annual Benefit & Award Ceremony DESCRIPTION:Honoring\n\n\n\n\n\nCarol Cole LevinOrganizer\, Curator\, and Artist \n\n\n\n\n\n\n\nDistinguished Service to the Visual Arts Award\n\n\n\n\n\nDr. Nicole R. FleetwoodAcademic\, Curator\, and Author \n\n\n\n\n\n\n\nNew Leadership Award\n\n\n\n\n\nWith Special Remarks by\n\n\n\n\n\n\n\n\n\nLegacy RussellExecutive Director & Chief Curator\, The Kitchen \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBenefit Co-Chairs\n\n\n\n\n\nJK Brown and Eric Diefenbach \n\n\n\n\n\nDenise Murrell \n\n\n\n \n\n\n\n\n\nRuby Lerner \n\n\n\n\n\n\n\n\n\nJoin ArtTable for our Annual Benefit & Award Ceremony on Friday\, April 8\, 2022 at Capitale in New York City!\n\n\n\nBenefit Week Program\n\n\n\n\n\n\n\n\n\nThursday\, April 7\n\n\n\n7:00 PM\n\n\n\nBenefit Week VIP Reception\n\n\n\nHosted by Nohra Haime \n\n\n\nThis event is by invitation only for ArtTable’s Board of Directors\, ArtTable Circle Members\, and members of the Benefit Host Committee. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\n Friday\, April 8\n\n\n\n11:00 AM\n\n\n\nBoard & Chapter Leadership Reception(by invitation only) \n\n\n\n12:00 PM\n\n\n\nCheck-in & Networking \n\n\n\n12:30-1:45 PM\n\n\n\nAnnual Benefit & Award Ceremony \n\n\n\nFeaturing remarks by Distinguished Service to the Visual Arts Awardee Carol Cole Levin\, New Leadership Awardee Dr. Nicole R. Fleetwood\, and Special Remarks by Legacy Russell \n\n\n\n1:45-3:00 PM\n\n\n\nNetworking Reception \n\n\n\n4:00 PM\n\n\n\nPrivate Members-Only Tour of Faith Ringgold: American People at the New MuseumClick here to register. \n\n\n\nSaturday\, April 9\n\n\n\n1:30 PM & 3:00 PM\n\n\n\nPrivate Tours of The Whitney Biennial at the Whitney Museum of American Art (more details to come) \n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Host Committee Tables $25\,000 - Fellowship Program Supporter (Diamond) Named support of one ArtTable FellowshipPremier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Acknowledgement in Fellowship press release and listing on Impact webpagePremier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Benefit ticket for a past or current ArtTable Fellow$20\,000 - Mentorship Supporter (Ruby) Premier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$15\,000 - New Leadership Supporter (Platinum) Prime table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listingsOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$10\,000 - Gold Supporter Preferred table for 10 at the Benefit on April 8; 5 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listingsProvides one Mentorship ticket for an emerging professional in the field$7\,500 - Silver Supporter Priority table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listings$5\,000 - Bronze Supporter Table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit webpage Host Committee Tickets $3\,000 - Leadership Ticket Two tickets to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$1\,000 - Executive Ticket One ticket to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$550 - Friend Ticket One ticket to the Benefit on April 8One ticket to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage Standard Tickets $375 - Member Ticket One ticket to the Benefit on April 8$485 - Non-Member Ticket One ticket to the Benefit on April 8$295 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professionals (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad at the benefitInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatPlease email all ad files to programs@arttable.org no later than March 30\, 2022. \n\n\n\n\n\n\n\nPlease review before registering:\n\n\n Health & Safety Guidelines Per current New York State guidelines for indoor dining\, all Annual Benefit attendees and staff must provide proof of vaccination in advance of the event in order to attend. As of January 19\, 2022\, the CDC defines “fully vaccinated” as follows: – Two weeks have passed since the person’s second dose in a two-dose series\, such as the Pfizer or Moderna vaccines\, OR– Two weeks have passed since the person received a single-dose vaccine\, such as Johnson & Johnson’s Janssen vaccine. Please note that these guidelines are subject to change given the nature of the pandemic. All attendees will be notified in advance if there are any changes to the current guidelines. Venue Accessibility ArtTable strives to host inclusive and accessible events that enable all individuals\, including individuals with disabilities\, to engage fully. To request an accommodation or for inquiries about accessibility\, service animals\, or other questions\, please contact us at benefit@arttable.org. Visitors Who Use Wheelchairs or Other Mobility Devices There is a small staircase at the front entrance to Capitale. Railings are in place and a ramp will also be installed so that the entrance is wheelchair accessible.Once indoors\, Capitale is fully wheelchair accessible. The restrooms\, check-in area\, main ballroom space\, and the foyer are all on the ground floor.Portions of the program may take place on the 2nd level of the venue\, and there is an elevator if needed.Lactation Accommodations Dedicated space will be provided as a lactation room. Please email us at benefit@arttable.org in advance if you anticipate needing this space. Travel DIRECTIONS TO CAPITALE 130 Bowery\, New York\, NY 10013Tel: (212) 334-5500 Directions from New Jersey –Take the Holland Tunnel ** Take the Canal St. Exit ** Make left on Centre St. ** Turn right on Kenmare St. ** Turn right on Bowery St. ** Capitale -130 Bowery Directions from Long Island NY –I-495 West ** To the Queens Midtown Tunnel ** Tunnel exit towards Downtown ** Bear left on Tunnel Exit St ** Continue in Queens Midtown Tunnel Exit/Tunnel Exit St. ** Turn left on 34th St. ** Turn right on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery St. ** Capitale -130 Bowery Directions from West Chester NY –Take the Bruckner Expwy/I -278 ramp towards Triboro Bridge ** Merge on I- 278 West ** Take I- 278 West exit ** To the FDR drive/Grand Central Parkway exit towards Triboro Bridge exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. Ramp ** Merge onto highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Directions from Connecticut –Take I-95 ** Continue on I 278 West towards Bruckner Exp/Triboro Br. Exit 6B ** Take the I-278 West exit ** Merge on I-278 West ** Take the I 278 West/FDR Drive/ Grand Central PKWY exit towards Triboro Br. ** Exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. ramp ** Merge onto the highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Subway –B\, D to Grand StreetN\, R\, W\, Q\, 1\, 9 to Canal Street6 to Spring Street NEARBY GARAGES: Park-In Auto (212-966-1186) \n\n\n\n\n\n\n\nRegistration for the Annual Benefit has now closed.\n\n\n\nIf you would like to make a fully tax-deductible contribution\, you may do so here. Please call the ArtTable Office at 212-343-1735 with any questions.\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the below button to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 5th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. URL:https://www.arttable.org/event/arttable-2022-annual-benefit-and-award-ceremony/ LOCATION:Capitale\, 130 Bowery\, New York\, NY\, 10013\, United States CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,Metro Atlanta ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/FY22-Benfit_STD_FINAL-e1644336622216.png ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220408T160000 DTEND;TZID=America/New_York:20220408T160000 DTSTAMP:20260403T174007 CREATED:20220308T190056Z LAST-MODIFIED:20220321T191857Z UID:8119-1649433600-1649433600@www.arttable.org SUMMARY:Benefit Week | Tour of 'Faith Ringgold: American People' at the New Museum DESCRIPTION:Please join us at the New Museum after our Annual Benefit & Award Ceremony for a private tour of Faith Ringgold: American People. Our tour will be led by Curatorial Assistant\, Madeline Weisburg. Bringing together over fifty years of work\, the exhibition provides the most comprehensive assessment to date of the artist’s vision. \n\n\n\nArtist\, author\, educator\, and organizer\, Faith Ringgold is one of the most influential cultural figures of her generation. Her career links the multi-disciplinary practices of the Harlem Renaissance to the political art of young Black artists working today. For sixty years\, Ringgold has drawn from both personal autobiography and collective histories to both document her life as an artist and mother and to amplify the struggles for social justice and equity. From creating some of the most indelible artworks of the civil rights era to challenging accepted hierarchies of art versus craft through her experimental story quilts\, Faith Ringgold has produced a body of work that bears witness to the complexity of the American experience. \n\n\n\nThis program is $35 and open to ArtTable members only. Capacity is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors to the Museum will have their proof of vaccination and photo ID checked at the door. Face masks are required for the duration of the tour. Accessibility The Museum’s main entrance at 235 Bowery is wheelchair-accessible. All floors—including the New Museum Theater\, Cafe\, Sky Room\, and all gallery levels—are serviced by an elevator and are wheelchair-accessible. The shaft gallery\, located in a stairwell between the Third and Fourth Floors\, is not wheelchair-accessible. Restrooms\, located on the Lower Level\, include an accessible stall. Manual wheelchairs are available free of charge on a first-come\, first-served basis. Please inquire at the Visitor Services desk on the Ground Floor for availability\, or contact the museum directly to reserve one in advance (access@newmuseum.org or 212.219.1222 ×235). The below services are available BY REQUEST:American Sign Language interpretation for public programs is available free of charge upon request with three weeks’ advance notice.Real-time captioning (CART) for public programs is available upon request with two weeks’ advance notice. Please be advised that this accommodation is contingent upon the availability of captioners.There is limited seating throughout the Museum. Lightweight\, portable gallery stools are available free of charge. Please inquire at the Visitor Services desk on the Ground Floor for availability.During this time of physical distancing\, we do not have shared headsets or neck loops available. Service animals on a leash and under their owner’s control are welcome at the New Museum. The New Museum is committed to creating an inclusive and welcoming environment for people of all abilities. Please inquire at the Visitor Services desk on the Ground Floor for any assistance you may require. Please email programs@arttable.org for assistance. Getting There & Parking The New Museum is located at 235 Bowery. The nearest subway stations are 2nd Avenue (F)\, Bowery (J\, Z)\, Spring Street (6)\, and Broadway-Lafayette/Bleeker Street (B\, D\, F\, M\, 6) The nearest wheelchair-accessible subway station is Broadway-Lafayette Street/Bleecker Street B/D/F/M/6. The elevator is located on the north side of Houston Street between Lafayette and Crosby Streets. The nearby Bowery J/Z station has an escalator but no elevator. On-street parking on the Bowery is extremely limited. The Museum does not provide parking. Click here for parking options nearby. Click here to get directions from your location. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nAbout Madeline Weisburg\n\n\nMadeline Weisburg is a curator\, editor\, and researcher based in Brooklyn\, New York. She is a Curatorial Assistant at the New Museum of Contemporary Art and Curatorial Researcher for the 59th Venice Biennale (2022). Madeline has previously held curatorial positions at the Jewish Museum and in the Department of Photography at MoMA. She was 2017–18 Curatorial Fellow at the Miriam and Ira D. Wallach Art Gallery at Columbia University. Her writing has appeared in Art in America\, The Brooklyn Rail\, post at MoMA\, and elsewhere. She holds an MA in Modern and Contemporary Art History: Critical and Curatorial Studies (MODA) from Columbia University as well as a dual BA in Art History and BFA in Studio Art from Tufts University in partnership with the School of the Museum Fine Arts\, Boston. \n\n\nAbout the Exhibition\n\n\n\nFaith Ringgold: American People is the most comprehensive exhibition to date of this groundbreaking artist’s vision\, highlighted by the first full presentation of her historic French Collection in over twenty years along with many other quintessential works that will be exhibited together for the first time in decades. Featuring Ringgold’s best-known series\, this show examines the artist’s figurative style as it evolved to meet the urgency of political and social change. The exhibition also foregrounds her radical explorations of gender and racial identities\, which the artist incorporates into the rich textures of her paintings\, soft sculptures\, and story quilts. Among the most important artworks of the past fifty years\, Ringgold’s fabric works combine local traditions and global references to compose a polyphonic history of this country. Long overdue\, this retrospective provides a timely opportunity to experience the art of an American icon. \n\n\n\n\n\n\n\nImage: Faith Ringgold\, American People Series #18: The Flag Is Bleeding\, 1967. Oil on canvas\, 72 × 96 in. (182.9 × 243.8 cm). National Gallery of Art\, Washington\, Patrons’ Permanent Fund and Gift of Glenstone Foundation (2021.28.1). © Faith Ringgold / ARS\, NY and DACS\, London\, courtesy ACA Galleries\, New York 2021 URL:https://www.arttable.org/event/new-york-tour-of-faith-ringgold-american-people-at-the-new-museum/ LOCATION:New Museum\, 235 Bowery\, New York\, 10002 CATEGORIES:National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/Faith-ringgold-the-flag-is-bleeding-1967-scaled-1.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220409T133000 DTEND;TZID=America/New_York:20220409T133000 DTSTAMP:20260403T174007 CREATED:20220325T220115Z LAST-MODIFIED:20220328T152419Z UID:8320-1649511000-1649511000@www.arttable.org SUMMARY:Benefit Week | Tour of the Whitney Biennial DESCRIPTION:Please join us at the Whitney Museum of American Art for one of two private tours of the 2022 Whitney Biennial. \n\n\n\nThe 80th edition of the biennial\, entitled Quiet as It’s Kept\, will showcase the work of 63 artists and collectives distributed throughout most of the museum’s space. \n\n\n\n“Quiet as It’s Kept—a colloquialism typically said before the statement of something obviously meant to be kept a secret—was selected as the title after the co-organizers\, curators David Breslin and Adrienne Edwards\, were inspired by the usage of the phrase in a Toni Morrison novel and as the title of a Max Roach album. ‘The 2022 biennial arrives at a time haunted by a global pandemic and plagued by ongoing racial and economic inequities and polarizing politics\,’ says Adam D. Weinberg\, the museum’s Alice Pratt Brown director. ‘The artists in the exhibition challenge us to consider how these realities affect our senses of self and community and offer one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years.'” \n\n\n\n– Pili Swanson\, Gotham Magazine \n\n\n\nThe Whitney Biennial is the longest-running survey of American art\, and has been a hallmark of the Museum since 1932. Initiated by the Museum’s founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years\, the biennials were originally organized by medium\, with painting alternating with sculpture and works on paper. Starting in 1937\, the Museum shifted to yearly exhibitions called Annuals. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. More than 3\,600 artists have participated in a biennial or annual. \n\n\n\nThis is the first of two tours on Saturday\, April 9. The second is at 3:00pm. Please click here if you are looking for the 1:30pm tour. \n\n\n\nThis program is $30 for ArtTable members\, who may bring an additional guests for $45. Capacity is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. When you next visit the Whitney\, you’ll see that enhanced precautions are being taken for your health and well-being. Prepare for your next visit by reading these updated guidelines the Museum has put in place to make your visit as safe and stress-free as possible. Stay at home if you are feeling sick.Please do not visit the Museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19. Face coverings are required\, even if you are vaccinated.Face coverings that cover the nose and mouth must be worn at all times on the premises by all visitors over the age of two. Face visors can be worn\, but only in conjunction with a mask. Masks with valves will not be allowed in the Museum\, due to the sustained risk of COVID-19 transmission these coverings pose; visitors who arrive wearing these coverings will be required to use a mask provided by the Whitney to gain entry. Stay six feet apart.Please follow all directional signage and ground markings throughout the Museum to help visitors and staff navigate galleries\, stairwells\, elevators\, and restrooms while maintaining distances of at least six feet. Leave large bags at home.Coat check is not available at this time. All backpacks\, shoulder bags\, and strollers will need to stay with you at all times. Please note that oversized bags (larger than 11x15x5 inches) will not be permitted in the Museum. On wet days\, umbrella bags will be issued. Comply with our safety protocols.The Museum reserves the right to require that visitors who do not follow posted safety guidelines or instructions from staff leave the premises. Contact tracing.The Museum may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email privacy@whitney.org. An inherent risk of exposure to COVID-19 exists in any public space where people are present. The museum cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering the Whitney do so at their own risk as to such exposure. Whitney staff and visitors have the right to an environment free from abusive\, threatening\, or inappropriate behavior. The Museum reserves the right to remove any person acting in an unacceptable or inappropriate manner. Accessibility The Whitney invites visitors to experience the richness and complexity of American art in an inclusive\, welcoming environment. Wheelchair AccessGetting here - Download a map of the area surrounding the Museum\, highlighting accessible pathways from public transportation\, parking facilities\, and the High Line. Due to ongoing construction\, some streets and sidewalks may not be accessible.Access-a-Ride - The New York City MTA offers drop-off and pick-up service from the Whitney Museum on the corner of Washington and Gansevoort Street. Entrance - The accessible path to the Whitney’s main entrance at 99 Gansevoort Street runs from Washington Street along the south side of the building\, past the Museum's restaurant on the ground floor. The staff entrance at 555 West Street is also accessible. Wheelchair availability - Manual wheelchairs are available free of charge on a first-come\, first-served basis at the admissions desk on Floor 1 or at the coat check.Restrooms - Accessible restrooms are located on Floors -1\, 3\, 7\, and 8. Single user/all-gender restrooms are located on Floors -1\, 3\, and 8.Galleries - All levels of the Museum are accessible by elevator. Doorways to outdoor terraces are equipped with automatic openers. Service animals - Service animals are welcome at the Whitney.   Assistive listening systemsFloor 1: Service locations at the admissions desk and membership desk are equipped with induction hearing loops that transmit sound directly to hearing aids equipped with a T-coil.In the galleries: The Kaufman Gallery (Floor 5) is equipped with an induction hearing loop. To use\, please switch your hearing aid to “T.” ASL Mobile Guide tour: This engaging video tour explores iconic highlights from the Whitney’s collection in American Sign Language with closed captioning. The Mobile Guide is available for free online.Transcripts - Transcripts are available for audio and video works with sound in the Access section of the Mobile Guide.Synchronous mobile captioning - Synchronous mobile captioning is available for select video and sound works on view by scanning a QR code in the galleries with your mobile device\, or by accessing the Mobile Guide. Many video works on view also have open captions.Services Available By RequestAmerican Sign Language interpretation - ASL-English interpretation is available for public programs and events upon request with five business days advance notice. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Braille - Please email accessfeedback@whitney.org or call (646) 666-5574 to request English language publications in Braille. Please provide two weeks advance notice for Braille requests.Live captioning - Live captioning is available for public programs and events upon request with five business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Verbal Description - Verbal Description is available for public programs and events upon request with two weeks advance notice. Please be advised that this accommodation is contingent upon the availability of describers. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.If you have access-related questions or feedback about your visit to the Whitney\, please contact us at accessfeedback@whitney.org or (646) 666-5574.  Getting There & Parking Located at 99 Gansevoort Street in Manhattan's Meatpacking District—steps away from the Hudson River Greenway and the West Side Highway—the Whitney is easily accessible by bicycle\, car\, and public transportation. Click here to get directions from any location. There are numerous parking garages in the area: There are three ICON parking facilities nearby\, at 99 Jane Street\, 134–36 Jane Street\, and 385 West 15th Street. Bicycle racks are available in the front of the Museum\, and Citi Bike docks are located at the southwest corner of Gansevoort and Washington Streets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Whitney Biennial 2022 Logo URL:https://www.arttable.org/event/benefit-week-tour-of-the-whitney-biennial/ LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/03/Screen-Shot-2022-03-25-at-5.45.15-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220409T150000 DTEND;TZID=America/New_York:20220409T150000 DTSTAMP:20260403T174007 CREATED:20220328T152115Z LAST-MODIFIED:20220328T152430Z UID:8336-1649516400-1649516400@www.arttable.org SUMMARY:Benefit Week | Tour of the Whitney Biennial DESCRIPTION:Please join us at the Whitney Museum of American Art for a private tour of the 2022 Whitney Biennial. \n\n\n\nThe 80th edition of the biennial\, entitled Quiet as It’s Kept\, will showcase the work of 63 artists and collectives distributed throughout most of the museum’s space. \n\n\n\n“Quiet as It’s Kept—a colloquialism typically said before the statement of something obviously meant to be kept a secret—was selected as the title after the co-organizers\, curators David Breslin and Adrienne Edwards\, were inspired by the usage of the phrase in a Toni Morrison novel and as the title of a Max Roach album. ‘The 2022 biennial arrives at a time haunted by a global pandemic and plagued by ongoing racial and economic inequities and polarizing politics\,’ says Adam D. Weinberg\, the museum’s Alice Pratt Brown director. ‘The artists in the exhibition challenge us to consider how these realities affect our senses of self and community and offer one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years.'” \n\n\n\n– Pili Swanson\, Gotham Magazine \n\n\n\nThe Whitney Biennial is the longest-running survey of American art\, and has been a hallmark of the Museum since 1932. Initiated by the Museum’s founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years\, the biennials were originally organized by medium\, with painting alternating with sculpture and works on paper. Starting in 1937\, the Museum shifted to yearly exhibitions called Annuals. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. More than 3\,600 artists have participated in a biennial or annual. \n\n\n\nThis is the second of two tours on Saturday\, April 9. The first is at 1:30pm. Please click here if you are looking for the 1:30pm tour. \n\n\n\nThis program is $30 for ArtTable members\, who may bring an additional guests for $45. Capacity is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. When you next visit the Whitney\, you’ll see that enhanced precautions are being taken for your health and well-being. Prepare for your next visit by reading these updated guidelines the Museum has put in place to make your visit as safe and stress-free as possible. Stay at home if you are feeling sick.Please do not visit the Museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19. Face coverings are required\, even if you are vaccinated.Face coverings that cover the nose and mouth must be worn at all times on the premises by all visitors over the age of two. Face visors can be worn\, but only in conjunction with a mask. Masks with valves will not be allowed in the Museum\, due to the sustained risk of COVID-19 transmission these coverings pose; visitors who arrive wearing these coverings will be required to use a mask provided by the Whitney to gain entry. Stay six feet apart.Please follow all directional signage and ground markings throughout the Museum to help visitors and staff navigate galleries\, stairwells\, elevators\, and restrooms while maintaining distances of at least six feet. Leave large bags at home.Coat check is not available at this time. All backpacks\, shoulder bags\, and strollers will need to stay with you at all times. Please note that oversized bags (larger than 11x15x5 inches) will not be permitted in the Museum. On wet days\, umbrella bags will be issued. Comply with our safety protocols.The Museum reserves the right to require that visitors who do not follow posted safety guidelines or instructions from staff leave the premises. Contact tracing.The Museum may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email privacy@whitney.org. An inherent risk of exposure to COVID-19 exists in any public space where people are present. The museum cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering the Whitney do so at their own risk as to such exposure. Whitney staff and visitors have the right to an environment free from abusive\, threatening\, or inappropriate behavior. The Museum reserves the right to remove any person acting in an unacceptable or inappropriate manner. Accessibility The Whitney invites visitors to experience the richness and complexity of American art in an inclusive\, welcoming environment. Wheelchair AccessGetting here - Download a map of the area surrounding the Museum\, highlighting accessible pathways from public transportation\, parking facilities\, and the High Line. Due to ongoing construction\, some streets and sidewalks may not be accessible.Access-a-Ride - The New York City MTA offers drop-off and pick-up service from the Whitney Museum on the corner of Washington and Gansevoort Street. Entrance - The accessible path to the Whitney’s main entrance at 99 Gansevoort Street runs from Washington Street along the south side of the building\, past the Museum's restaurant on the ground floor. The staff entrance at 555 West Street is also accessible. Wheelchair availability - Manual wheelchairs are available free of charge on a first-come\, first-served basis at the admissions desk on Floor 1 or at the coat check.Restrooms - Accessible restrooms are located on Floors -1\, 3\, 7\, and 8. Single user/all-gender restrooms are located on Floors -1\, 3\, and 8.Galleries - All levels of the Museum are accessible by elevator. Doorways to outdoor terraces are equipped with automatic openers. Service animals - Service animals are welcome at the Whitney.   Assistive listening systemsFloor 1: Service locations at the admissions desk and membership desk are equipped with induction hearing loops that transmit sound directly to hearing aids equipped with a T-coil.In the galleries: The Kaufman Gallery (Floor 5) is equipped with an induction hearing loop. To use\, please switch your hearing aid to “T.” ASL Mobile Guide tour: This engaging video tour explores iconic highlights from the Whitney’s collection in American Sign Language with closed captioning. The Mobile Guide is available for free online.Transcripts - Transcripts are available for audio and video works with sound in the Access section of the Mobile Guide.Synchronous mobile captioning - Synchronous mobile captioning is available for select video and sound works on view by scanning a QR code in the galleries with your mobile device\, or by accessing the Mobile Guide. Many video works on view also have open captions.Services Available By RequestAmerican Sign Language interpretation - ASL-English interpretation is available for public programs and events upon request with five business days advance notice. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Braille - Please email accessfeedback@whitney.org or call (646) 666-5574 to request English language publications in Braille. Please provide two weeks advance notice for Braille requests.Live captioning - Live captioning is available for public programs and events upon request with five business days advance notice. We will make every effort to provide accommodation for requests made outside of that window of time. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.Verbal Description - Verbal Description is available for public programs and events upon request with two weeks advance notice. Please be advised that this accommodation is contingent upon the availability of describers. To place a request\, please contact us at accessfeedback@whitney.org or (646) 666-5574 (voice). Relay and voice calls welcome.If you have access-related questions or feedback about your visit to the Whitney\, please contact us at accessfeedback@whitney.org or (646) 666-5574.  Getting There & Parking Located at 99 Gansevoort Street in Manhattan's Meatpacking District—steps away from the Hudson River Greenway and the West Side Highway—the Whitney is easily accessible by bicycle\, car\, and public transportation. Click here to get directions from any location. There are numerous parking garages in the area: There are three ICON parking facilities nearby\, at 99 Jane Street\, 134–36 Jane Street\, and 385 West 15th Street. Bicycle racks are available in the front of the Museum\, and Citi Bike docks are located at the southwest corner of Gansevoort and Washington Streets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Whitney Biennial 2022 Logo URL:https://www.arttable.org/event/benefit-week-tour-of-the-whitney-biennial-2/ LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/03/Screen-Shot-2022-03-25-at-5.45.15-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220414T160000 DTEND;TZID=America/New_York:20220414T163000 DTSTAMP:20260403T174007 CREATED:20220321T213611Z LAST-MODIFIED:20220321T213621Z UID:8295-1649952000-1649953800@www.arttable.org SUMMARY:Virtual | New Member Orientation DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! URL:https://www.arttable.org/event/virtual-new-member-orientation-2/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220423T130000 DTEND;TZID=America/New_York:20220423T130000 DTSTAMP:20260403T174007 CREATED:20220329T174901Z LAST-MODIFIED:20220411T173955Z UID:8363-1650718800-1650718800@www.arttable.org SUMMARY:NoCal | The New Art Collection: NFTs and Digital Art\, presented in partnership with Art Market San Francisco DESCRIPTION:Join ArtTable and Art Market San Francisco for a discussion on NFTs and digital art collecting! \n\n\n\nAs the art world continues to develop amidst the ever-evolving world of digital art\, NFTs\, and cryptocurrencies\, so too must the established habits of art collectors. The past several years have seen significant developments in the digital realm\, both when it comes to digital art itself as well as purchasing art on digital platforms. NFTs have quickly become a mainstay in art world news\, with new information and initiatives being announced on a regular basis. Artists are more frequently using digital art to address gender and minority imbalances in the art world; art fairs are launching digital viewing sites and permitting non-physical galleries to show at the fair; and NFT platforms are going green. Where years ago purchasing a work of art online might have been unheard of\, now it is a common occurrence. Art\, and how we access it\, is ever-changing\, and we are all just trying to keep up. \n\n\n\nIn this discussion\, we will hear from art advisor Claudia Worthington-Hess\, Christina Steinbrecher\, co-founder of Blockchain.art\, a digital platform for artists and collectors\, and Kelani Nichole\, founder of TRANSFER\, a gallery that explores the friction between virtual studio practice and its physical instantiation. \n\n\n\nClick here to read more about the program and the speakers. \n\n\n\nThis program is free with fair admission and open to all. For more information about the fair and to purchase tickets\, click here. \n\n\n\nThis program is presented in partnership with Art Market San Francisco. Complimentary tickets are available for ArtTable members via the membership portal. \n\n\n\n\n\n\n\nImage: TBD URL:https://www.arttable.org/event/nocal-the-new-art-collection-nfts-and-digital-art-presented-with-art-market-san-francisco/ LOCATION:Fort Mason Center – Festival Pavilion\, 2 Marina Blvd.\, San Francisco\, California\, 94123\, United States CATEGORIES:National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/NFTs.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220426T130000 DTEND;TZID=America/New_York:20220426T130000 DTSTAMP:20260403T174007 CREATED:20220413T185824Z LAST-MODIFIED:20220414T162035Z UID:8512-1650978000-1650978000@www.arttable.org SUMMARY:Virtual | A Conversation with Denise Gardner & Alison Cuddy DESCRIPTION:10am PT/11am MT/12pm CT/1pm ET\n\n\n\nJoin ArtTable’s Chicago Chapter for a conversation with Denise Gardner as she shares insights and experiences from her career journey\, including roles as a senior executive in the marketing and beauty/hair care industries\, a passionate art collector and philanthropist\, a dedicated member of numerous boards and committees\, and her newest role as the first woman and the first African-American to chair the board of a major U.S. art museum – the Art Institute of Chicago. \n\n\n\nIn conversation with Denise will be Alison Cuddy\, former host of Chicago Public Radio’s “Eight Forty-Eight” weekday news magazine show. For over twenty years\, Alison Cuddy has been a respected leader in the fields of broadcast journalism\, arts and culture\, and philanthropy in Chicago\, including eight years as the Marilynn Thoma Artistic Director of the Chicago Humanities Festival. An accomplished moderator\, Alison is frequently called upon to facilitate conversations with thought leaders and public figures. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $15\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway and receive a recording afterwards! \n\n\n\nAccessibility: Please note that automatic closed captioning will be provided for this program. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\nAbout the speakers\nDenise Garder is chair of the Art Institute of Chicago’s board of trustees. Her history with the museum dates back to 1995\, when she began her decades-long involvement with the Leadership Advisory Committee. Denise joined the museum’s board in 2006 and has been a member of the governing board of the School of the Art Institute since 2011. In addition to her work with the Art Institute\, Denise is a member of the boards of the Arts Club of Chicago and the Gaylord and Dorothy Donnelley Foundation and previously served on the executive committee of the Chicago Community Trust\, the board of visitors of Weinberg College of Arts and Sciences at Northwestern University\, and the boards of the Chicago Humanities Festival and the Chicago Public Library. \nAlison Cuddy is a Chicago-based writer\, curator\, and programmer. She has extensive experience developing programs for diverse audiences including eight years as the Marilynn Thoma Artist Director of the Chicago Humanities Festival and more than a decade at Chicago’s NPR affiliate WBEZ\, where she hosted the award-winning flagship program\, Eight Forty-Eight and was named among “the most powerful women in Chicago journalism” by local media journalist Robert Feder. She is the Vice Chair of Mayor Lightfoot’s Cultural Advisory Council and serves on the boards of the Chicago Reader and the Arts Club of Chicago. \nCuddy holds a B.F.A. in cinema studies from Concordia University in Montreal\, Quebec\, Canada. She has also earned an M.A. in English from the University of Pittsburgh. \n\nImage: Headshots of Denise Gardner and Alison Cuddy (Photo by David Kindler) \nThank you to ArtTable Chicago Chapter Leaders Diane Dinkins Carr and Julie Gustafson for organizing this program. URL:https://www.arttable.org/event/virtual-conversation-with-denise-gardner-alison-cuddy/ LOCATION:Zoom CATEGORIES:National,Chicago ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-13-at-2.04.46-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220428T120000 DTEND;TZID=America/New_York:20220428T120000 DTSTAMP:20260403T174007 CREATED:20220407T175328Z LAST-MODIFIED:20220425T143810Z UID:8409-1651147200-1651147200@www.arttable.org SUMMARY:Virtual | Discovering Digital - Making Sense of NFT Platforms DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\n\n\n\nTo celebrate the one-year anniversary of the “Discovering Digital” series\, we are bringing together four leading voices of the art crypto community. Please join Amanda Cassatt\, Co-Founder and President of Mojito (Sotheby’s Metaverse)\, Marisa Kayyem\, Chief Curator of LiveArt and LiveArtX Studio\, Stephanie Pereira\, VP of Creator Success at Rally for a discussion on NFT marketplaces and the opportunities they offer art world professionals. The discussion will be moderated by Elena Zavelev\, Co-Founder and CEO of CADAF Digital Art Fair. \n\n\n\nMore than $17 billion worth of NFTs were traded in 2021 and the market is expected to grow to more than $35 billion this year. Artists and collectors are now embracing blockchain-based technologies and NFT marketplaces have proliferated\, many of them with specific focus or niche. But what is an NFT platform? How do you buy and sell an NFT? How are marketplaces different? Our panelists will share an overview of the space\, the platforms they are building\, and discuss what makes a successful NFT project. \n\n\n\nClick here for some helpful terms that might come up during the conversation! \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $25\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\n\n\n\n\n\n \nAbout the speakers\nAmanda Cassatt is Co-founder and President of Mojito\, a new web3 platform for NFT commerce\, finance\, and community engagement. Mojito is the first venture to spin out of Serotonin\, a crypto-native strategic marketing firm and product studio for transformative technologies that Amanda founded in 2020 and currently leads as its CEO. Amanda is a notable product builder and master marketer who has helped bring some of the leading blockchain companies to market and advised global institutions on how to adopt NFTs and crypto to bring their brands into the metaverse. \nFrom 2016 to 2019\, Amanda spearheaded bringing Ethereum to market as the CMO of ConsenSys\, supporting its growth to become the largest and most robust blockchain ecosystem. Prior to joining ConsenSys\, Amanda co-founded media startup Slant\, which she launched after working under Arianna Huffington at The Huffington Post where she learned about the challenges for creators in web2 that she would spend her subsequent career addressing. \nMarisa Kayyem is Chief Curator of LiveArt & LiveArtX Studio. Marisa is an art historian\, curator\, and art advisor specializing in modern\, contemporary\, and digital art. Prior to LiveArt\, she was the Director of Education at Christie’s\, where she established the art business and art market programs. She has taught\, lectured and participated in panel discussions about art\, art history\, collecting\, the art market\, at art fairs\, auction houses and universities. As an art advisor\, Marisa has assembled collections for both private individuals and corporations. She received her Ph.D. from Columbia University. \n \nStephanie Pereira is VP of Creator Success at Rally\, a web3 platform that makes it possible for anyone to launch their own digital economy using blockchain technology. She has more than 15 years of experience working at the intersection of arts\, tech and business and before joining Rally\, Stephanie served as Director of New Museum’s NEW INC where she co-founded extended reality studio and accelerator\, ONX Studio. Prior to that\, she was a senior leader at Kickstarter where she worked for over six years\, first as the inaugural Director of Arts\, and ultimately as Director of Creator Engagement where she oversaw strategic growth and management of a global community of over 100K people. \nElena Zavelev is an entrepreneur focusing on digital art & NFTs\, based in New York City. Elena has been successfully building tools for artists\, curators & collectors in digital art and NFT space since 2017 with CADAF\, Digital Art Month and New Art Academy. Earlier engagements include Christie’s\, 1stDibs\, Skate’s Art Market Research and more. Elena’s writings can be found on Forbes\, Observer\, ESP Cultural Magazine and Deloitte. She holds a MA degree in contemporary art and connoisseurship from Christie’s Education. \n\nImage: Image: CryptoPunks / Larva Labs \nThank you to ArtTable NY Programs Committee Members Laurence Lafforgue and Sophie Coco\, and ArtTable NY Programs Committee Co-Chair\, Regan Lynn Larroque\, for organizing this program. URL:https://www.arttable.org/event/virtual-discovering-digital-making-sense-of-nft-platforms/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-07-at-3.30.42-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220503T180000 DTEND;TZID=America/New_York:20220503T180000 DTSTAMP:20260403T174007 CREATED:20220419T172758Z LAST-MODIFIED:20220419T221631Z UID:8581-1651600800-1651600800@www.arttable.org SUMMARY:Virtual | Artist Conversation with Ambrose Rhapsody Murray and Isis Davis-Marks DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nPlease join us for a virtual Artist Conversation with Ambrose Murray and New York-based freelance writer and artist\, Isis Davis-Marks.\n\n\nAmbrose Rhapsody Murray was born in September in Jacksonville\, Florida\, child of a creative writer and bluegrass musician. Raised up in the mountains of Western North Carolina\, you may have found a young Ambrose in the forest assembling fairy houses out of bark and moss. Through sewing\, painting\, collage and material experimentation\, making home for Spirit and the mystical to reside has become the grounding force in their work. Ambrose was transformed by Black Studies while at Yale College where they received their BA. Dedicated to the stories\, lives and bodies of Black girls\, women and queer folks\, their work and practice are rooted in ethea of care\, reverence\, intimacy\, time-travel\, healing\, grief and attending to the stories of the dead. \nIn the Press: Galerie Magazine – Next Big Things: Ambrose Rhapsody MurrayWhitewall – Ambrose Murray: Veiling/Unveiling the Ancestral RealmCultured – Artist Ambrose Murray Is Working to Make Viewers Feel Seen \nIsis Davis-Marks is a freelance writer and artist based in New York City. Her work has appeared in the Nation\, Artsy\, Smithsonian Magazine\, Philips Auctions\, Cultured Magazine\, the Columbia Journal\, and elsewhere. In her writing practice\, Isis focuses on covering contemporary art\, and most of her written work draws from philosophical and art historical texts to discuss issues like representation and contemporary visual culture. \n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nImages: Ambrose Murray (Photo by Celeste Burns) and Isis Davis-Marks. \n\n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\n\n\n\n\n\n\n\nLink. URL:https://www.arttable.org/event/virtual-artist-conversation-with-ambrose-murray-and-isis-davis-marks/ CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Conversation-Program.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220507T153000 DTEND;TZID=America/New_York:20220507T153000 DTSTAMP:20260403T174007 CREATED:20220414T153911Z LAST-MODIFIED:20220414T154905Z UID:8521-1651937400-1651937400@www.arttable.org SUMMARY:New York | Private Tour of TEFAF New York DESCRIPTION:Please join us for a private behind-the-scenes tour of TEFAF New York Spring\, taking place this year from May 6-10. \n\n\n\nAs the world’s most prestigious and vibrant art market\, New York City provides the ideal setting for a TEFAF fair outside of Maastricht. The fair is proud to present the eighth edition of TEFAF New York at the Park Avenue Armory\, May 6–10\, 2022. The historic Park Avenue Armory is a prime Manhattan location and setting for the world’s leading art dealers to showcase their work. \n\n\n\nClick here to view more information about the fair and this year’s exhibitors. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $30Member Guests – $45\n\n\n\nYour ticket includes one-day access to the fair and the private group tour (a value of over $100). \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. To provide the safest and the best experience possible for exhibitors\, visitors and staff\, TEFAF organisers are doing everything they can to follow the current COVID-19 capacity rules and guidelines from the State\, the City of New York\, CDC and the Park Avenue Armory. All ticket holders above the age of 5 years old must be fully vaccinated. “Fully vaccinated” means that you received your final dose of an FDA or WHO-approved vaccine at least 14 days before your entrance date. At check-in\, ticket-holders will be required to show proof of full vaccination (the NEW YORK STATE EXCELSIOR PASS or a hard copy or photo of your vaccination card) and a government-issued photo ID (for ticket holders 18 years of age or older). In addition\, all guests under the age of 12 must be accompanied by a fully-vaccinated adult. Please do not come to the Armory if you have symptoms of COVID-19\, have been diagnosed with COVID-19 within the past 10 days\, or have been in close contact with someone infected with or experiencing symptoms of COVID-19 within the past 10 days. In addition to the precautions taken above\, all patrons and staff are required to wear masks while inside the Armory (N95\, KN95 or KF94 masks are recommended). To provide outside ventilation and air filtration\, the Wade Thompson Drill Hall is equipped with large air handlers with MERV 8 and MERV 14 filters that exceeding the government standards for filtration. Nonetheless\, an inherent risk of exposure to COVID-19 exists in any public space where people are present. Those attending events at the Armory do so at their own risk. For more information on health & safety regulations\, as well as general conditions for visiting the fair\, please visit the TEFAF website. Accessibility The Park Avenue Armory is accessible for visitors with wheelchairs and other mobility assisting devices. For individuals requiring assisted access\, a sidewalk-level entrance is available at 103 East 66th Street\, located just east of Park Avenue. Patrons can ring the service bell when they arrive or can arrange prior to arrival by calling the main security desk at (212) 616-3950\, Ext. 1. Assisted Living Devices may be available upon request. Please call the Box Office for information on accessible seating for performances at (212) 933-5812. Please email us at programs@arttable.org or call 917-409-7793 if you need assistance. Getting There & Parking The Park Avenue Armory is located at 643 Park Avenue and is easily accessible by car and public transportation. Click here for directions from your location.The nearest subway stop is 68 St - Hunter College (6). The PAA is approximately a 3 minute walk away.ParkingColony Parking Garage30 East 65th Street+1 (212) 879-8798Imperial House Garage155 East 68th Street+1 (212) 439-1770 Quik Park 3rd Avenue166 East 67th Street+1 (212) 628-4512 \n\n\n\n \n\n\n\n\n\n\n\nImage: TEFAF New York entryway\, courtesy of TEFAF URL:https://www.arttable.org/event/new-york-private-tour-of-tefaf-new-york/ LOCATION:TEFAF New York at the Park Avenue Armory\, 643 Park Avenue\, New York\, New York\, 10065\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/ENTRANCE_TEFAFNYC19_MN_00149.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220512T120000 DTEND;TZID=America/New_York:20220512T120000 DTSTAMP:20260403T174007 CREATED:20220420T160356Z LAST-MODIFIED:20220422T191850Z UID:8653-1652356800-1652356800@www.arttable.org SUMMARY:Virtual | Professional Development: The Art World Career Landscape DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\n\n\n\nThe pandemic upended traditional ways of working and seeking employment in the art world. Please join Suzanne Julig\, Career Coach and owner of Suzanne Julig Art Advisory\, and Anne Johnson\, Senior Consultant and VP of the Aspen Leadership Group\, for a conversation around the art world career landscape. We will explore effective approaches to pursuing and building an enriching art world career in both the for-profit and non-profit sectors. The discussion will include an overview of growth areas in various art industry sectors and techniques for identifying how one’s professional skills\, expertise\, and education can be applied to suitable art world positions. We will touch upon goal setting for success\, as well as creating the most effective job search materials. This includes resumes\, LinkedIn profiles\, and related elements of personal branding\, networking\, and more. \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\nAbout the Speakers\nAnne Johnson works with ALG clients throughout every step of the search process\, helping to define goals\, source and vet talent\, and ensure mutually beneficial matches between organizations and candidates alike. She brings a collaborative approach to her work in search and in working with her clients. She manages a diverse portfolio of executive searches and has placed leaders at the country’s most recognized organizations in higher education\, foundations and institutes\, and arts and cultural organizations\, including museums\, orchestras\, ballet companies\, and more. \nAnne most recently served as the chief development professional for the San Francisco Symphony\, where she played a senior management role\, working closely with the Board of Governors and leading the Symphony’s contributed revenue division. Previously she served as San José State University’s Associate Vice President of Development and Campaign Director\, leading the university through its first comprehensive campaign\, which exceeded its goal of $200 million by $9 million\, one full year in advance of the publicly-announced deadline. Prior to her work in the Bay Area she held fundraising positions at the University of Kansas and Boston University. \nShe holds a M.A. degree in Education from Boston University and a B.A. in French from the University of Kansas\, which included studies at the Sorbonne University in Paris. \nSuzanne Julig\, Owner of Suzanne Julig Art Advisory\, is a fine art professional with more than three decades in the field. Over the past several years she has expanded her expertise to include Career Consulting to provide individuals with the tools to pursue and secure employment in the art world. Most recently\, Suzanne was a member of the senior management team at Christie’s Education\, serving as the Career Services Officer. Prior to that\, she was a Director at three New York galleries\, specializing in contemporary as well as American and European art of the 19th and 20th century\, before founding her Art Advisory business in 2008\, through which she provides expertise to collectors in the acquisition of art and management of collections. Suzanne has taught courses at NYU and Sotheby’s Institute of Art\, in addition to organizing exhibitions\, leading museum and gallery tours\, and lecturing to private groups on a variety of art-related topics. She holds B.A. and M.A. degrees in Art History with distinction. \n\n\n\n\n\n\nImages: Header image courtesy of Sotheby’s Institute of Art; speaker images courtesy of the speakers. \n\n\n\nThank you to Regan Lynn Larroque\, ArtTable NY Chapter Programs Committee Co-Chair\, and Edie Meyer\, ArtTable NY Chapter Membership Committee Co-Chair\, for organizing this program. \n\n\n\n\n\n\n\nLink. URL:https://www.arttable.org/event/virtual-professional-development-the-art-world-career-landscape/ CATEGORIES:National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/Careers-in-the-Art-World-Header_banner.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220512T160000 DTEND;TZID=America/New_York:20220512T163000 DTSTAMP:20260403T174007 CREATED:20220428T194352Z LAST-MODIFIED:20220428T194355Z UID:8829-1652371200-1652373000@www.arttable.org SUMMARY:Virtual | New Member Orientation DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! URL:https://www.arttable.org/event/virtual-new-member-orientation-3/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220519T110000 DTEND;TZID=America/New_York:20220519T123000 DTSTAMP:20260403T174007 CREATED:20220420T211238Z LAST-MODIFIED:20220421T132400Z UID:8663-1652958000-1652963400@www.arttable.org SUMMARY:New York | ArtTable Reception and Tour at VOLTA New York DESCRIPTION:Please join us for a private brunch reception and tour at VOLTA New York! \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members\, followed by a highlights tour focused on women artists and gallerists exhibiting at the fair. \n\n\n\nThis program is currently open to ArtTable members and guests only. Your ticket covers general access to the fair\, early private access to the reception\, and refreshments. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $55Member Guests – $65\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety In accordance with The New York Health Department guidance\, in order to access the fair: All visitors aged 12 and over must provide proof of full course COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 5-11 must provide proof of at least one course of COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 18 and over must also provide appropriate photo identification matching the name on the vaccination proofIn addition\, all visitors aged 2 and over shall wear a face maskAll WHO vaccines will be recognised if the full course has been completed more than 14 days before visiting the fair: Moderna\, Pfizer\, Astra Zeneca\, J&J. We strongly recommend that visitors who are eligible for their booster vaccine ensure they receive it before attending the fair.Please note\, since national guidance can change\, VOLTA reserves the right to modify the required documents and protocols at any time. Please check back ahead of your visit. Accessibility The venue is wheelchair accessible and an elevator is available. 548 West spreads over three floors. Please email Haley at programs@arttable.org if you have any questions about accessibility or require specific accommodations.  Getting There VOLTA New York 2022 will take place at 548 West 22nd Street\, New York\, NY 10011\, an approximately 10 minute walk from The Shed\, where Frieze New York will be taking place concurrently. The nearest subway station is 23rd Street (A\, C\, E)\, an approximately 17 minute walk to the fair. The venue is also easily accessible by car\, though parking may be limited. \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nOperating as a beacon for creative discovery\, VOLTA New York is the American incarnation of the original Basel fair since debuting in New York in 2008. VOLTA will return to New York from May 18 – 22\, 2022 at 548 West 22nd Street\, the former Dia Building and Hauser & Wirth gallery space. The fair welcomes a vibrant cohort of over 50 national and international galleries\, both new and returning to the New York edition. \n\n\n\nVOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector. \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA URL:https://www.arttable.org/event/new-york-arttable-reception-and-tour-at-volta-new-york/ LOCATION:VOLTA New York\, 548 West 22nd Street\, New York\, New York\, 10011\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/VOLTA_NYC_2022_04_BrooklynMag_900x600px_v1.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220519T190000 DTEND;TZID=America/New_York:20220519T203000 DTSTAMP:20260403T174007 CREATED:20220412T171532Z LAST-MODIFIED:20220421T180630Z UID:8475-1652986800-1652992200@www.arttable.org SUMMARY:Boston | AAM2022 - ArtTable Reception at Skinner Auctioneers & Appraisers DESCRIPTION:Please join us for a special ArtTable reception in Boston during AAM2022\, hosted by Skinner Auctioneers & Appraisers! \n\n\n\nAfter settling in before a full day at the conference\, join us in Boston’s Back Bay neighborhood\, where we will enjoy drinks\, bites\, and conversation among friends and peers. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $25Member Guests – $30Non-members – $50\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety While there are no guidelines currently in place in Boston in regards to Covid-19\, we strongly recommend wearing a face mask at all times while not eating or drinking. Accessibility The entrance to Skinner is on the ground floor\, opening directly to the sidewalk. The reception area is on the ground floor. Our event will take place on the 2nd floor. Stairs are available from the reception area. Should anyone need an elevator and/or wheelchair accessibility\, go to the 63 Park Plaza entrance and a staff member will take you to the main entrance\, where an elevator is available. Getting There Skinner is located at 63 Park Plaza\, Boston\, MA 02116. The nearest public transportation is the Arlington T stop (B\, C\, D\, E)\, an approximately 2 minute walk. The Boylston T Stop (B\, C\, D\, E) is also nearby\, an approximately 8 minute walk to the venue. There are several parking options nearby: 75 Park Plaza Parking75 Park Plaza\, Boston\, MA 02116 2-98 Eliot St Parking26 Eliot St\, Boston\, MA 02116SpotAngels Boston Common GarageEntrance on Charles St\, Boston\, MA 02116Open 24 hourshttp://bostoncommongarage.com/+16179542098 If you're coming straight from AAM\, we recommend using a ride-sharing app like Uber or Lyft to get to Skinner. Public transportation options are available\, but not recommended as they require multiple switches and time.  \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Skinner Auctioneers and Appraisersfor generously sponsoring this event. URL:https://www.arttable.org/event/boston-aam2022-arttable-reception-at-skinner-auctioneers-appraisers/ LOCATION:Skinner Auctioneers & Appraisers\, 63 Park Plaza\, Boston\, Massachusetts\, United States CATEGORIES:National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/Skinner-Boston-Gallery-Heritage-on-the-Garden-at-Night.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220526T180000 DTEND;TZID=America/New_York:20220526T180000 DTSTAMP:20260403T174007 CREATED:20220422T210603Z LAST-MODIFIED:20220422T213251Z UID:8782-1653588000-1653588000@www.arttable.org SUMMARY:Virtual | Let's Connect! Spring National Networking Event DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nWe invite all ArtTable members to join us for our next virtual national networking event! Join us as we reflect on both our successes and failures in our professional lives\, and what we can learn from both. \n\n\n\nOur first national networking event took place in May 2021 and allowed members from all over the world to share ideas and make new connections. We are thrilled to offer our members this opportunity to connect with each other worldwide! Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones. This is an exclusive opportunity for ArtTable members to form new connections and find ways to collaborate with one another. \n\n\n\nThis program is free for all ArtTable members. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\n\n\nLink. URL:https://www.arttable.org/event/virtual-spring-national-networking-event/ CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Networking-Graphic.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220604 DTEND;VALUE=DATE:20220614 DTSTAMP:20260403T174007 CREATED:20191122T221302Z LAST-MODIFIED:20220419T191944Z UID:1540-1654329600-1655139600@www.arttable.org SUMMARY:AT Tours - Scandinavia Art Experience 2022 DESCRIPTION:Interested in this program? Please email travel@arttable.org for more information.\n\nThe light! In Scandinavia this has been an inspiration for artist throughout the ages. This alone is a reason to visit the splendid art capitals of this region. The art worlds are truly exciting with the new Munch Museum and the Twist in Oslo. Helsinki has its first Biennial this year and as a result the art world is more vibrant than ever. And of course we dive into the wonderful art scene of Copenhagen. Exceptional clean Nordic design and the amazing equally ‘clean’ cuisine are further draws. Add the stunning natural beauty and we have a ‘not-to-be missed’ destination. It is no coincidence that the three countries we will visit are home of the Top-3 of Happiest People in the world. \nITINERARY\nHELSINKI\, FinlandThe Biennial of 2020 (postponed to 2021) really put Helsinki on the art world map. We ‘dive into’ the thriving art scene and see the best it has to offer. We will meet fantastic artists and collectors in their studios and homes. Of course we will include design from the world-renowned Aalto studio. We will enjoy a special behind-the-scenes tour in the Kiasma museum. And in contrast we visit the most beautiful examples of Finnish Jugendstill architecture. \nOSLO\, Norway‘Oslo is Europe’s next great Art Capitol’ according to ARTnews.com. And we agree. The new Munch Museum is set be open this fall. It promises to be a fabulous tribute to the artist and of course we will enjoy a special visit. The Oslo art scene is booming and we include the best galleries\, museums and private collections in the program. We also make a spectacular trip north to visit the Twist Museum and the sculpture garden surrounding it. Then it is time to take in the natural beauty from the water. We board the cruise-ferry and leave Oslo behind with stunning views of the Norwegian fjords. On board we enjoy a great dinner and spend the night in a first class cabin. \nCOPENHAGEN\, DenmarkWe wake up arriving in wonderful Copenhagen. The hugely successful contemporary artist Olafur Elliason was born here and we meet some of his contemporaries. We will visit intriguing private collections. And we will enjoy visits to the Hirschsprung Collection for masterpieces from the Danish Golden Age as well as the fantastic modern and contemporary Louisiana Museum and sculpture garden. There is also time for some great (design) shopping. Of course we will eat what could be the best food you have ever tasted in some of the 25+ Michelin star restaurants of the Danish capital. A fantastic last stop on what promises to be a truly magical tour. \nMonday\, June 13Flight back home or on your way for further experiences….*Subject to change due to unforeseen circumstances \n\nTRIP DETAILS\nDATESJune 4-13\, 2022 \nDURATION9 days / 9 nights \nSTAYPerfectly located luxury hotels; First class cabin on the ferry from Copenhagen to Oslo \nMEALSBreakfast\, lunches\, dinners included (alcohol not included) \nTRAVELIncluded:Local transport by luxury coachFlight from Helsinki to OsloOvernight ferry Oslo to Copenhagen \nNot included:Trans-Atlantic flights  (Artigo will advise on preferred flights) \nPRICING / ROOM TYPES– Single occupancy  – $8\,450– Double occupancy – $7\,750 \nPAYMENT SCHEDULE (Payable to Artigo Tours): \nSeptember 1\, 2021 | 1st payment – $2\,000February 1\, 2022 | 2nd payment – $3\,000April 1\, 2022 | 3rd payment – (dependent on type of room\, see below)– Single Occupancy: $3\,450– Double Occupancy: $2\,750 \nARTTABLE TAX-DEDUCTIBLE CONTRIBUTION  \nDue by September 1\, 2021Click here to submit payment. \nMembers: $750Guests: $1100 \nAll payments made to ArtTable are final and non-refundable. \nPlease contact ArtTable at travel@arttable.org with any questions. All payments are non-refundable. \n\nImages: \n\nAmos Rex by JKMM Architects in Helsinki. Photo: Mika Huisman\nHelsinki Biennial brings Janet Echelman’s artwork 1.78 to Senate Square from 31 July to 31 August.\nestudio Herreros’ long-awaited Munch Museum is opening its doors on October 22\, 2021. Photo: Adrià Goula\, courtesy estudio Herreros.\nInterior of the Hirschsprung Collection. Photo: Jakob Hunosøes URL:https://www.arttable.org/event/scandinavia-art-experience/ CATEGORIES:National,Travel ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/Amos.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220607T130000 DTEND;TZID=America/New_York:20220607T130000 DTSTAMP:20260403T174007 CREATED:20220512T151459Z LAST-MODIFIED:20220517T204748Z UID:8955-1654606800-1654606800@www.arttable.org SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink. URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/ CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-12-at-11.10.08-AM.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220609T160000 DTEND;TZID=America/New_York:20220609T163000 DTSTAMP:20260403T174007 CREATED:20220428T194640Z LAST-MODIFIED:20220428T194643Z UID:8831-1654790400-1654792200@www.arttable.org SUMMARY:Virtual | New Member Orientation DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! URL:https://www.arttable.org/event/virtual-new-member-orientation-4/ LOCATION:Zoom CATEGORIES:National ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220622T170000 DTEND;TZID=America/New_York:20220622T170000 DTSTAMP:20260403T174007 CREATED:20220516T194122Z LAST-MODIFIED:20220526T204736Z UID:8976-1655917200-1655917200@www.arttable.org SUMMARY:New York | Curator’s Talk with Cecilia Alemani\, Artistic Director of the 59th Venice Biennale\, on “The Milk of Dreams” DESCRIPTION:The James Howell Foundation and ArtTable present a special curator’s talk with Cecilia Alemani\, Artistic Director of the 59th International Art Exhibition of La Biennale di Venezia\, on this edition’s theme: “The Milk of Dreams.” Alemani will be in conversation with Laura Bardier\, Executive Director of the James Howell Foundation. \n\n\n\nOrganized around Leonora Carrington’s The Milk of Dreams\, the exhibition reflects on what it means to be human today. It focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; and the connection between bodies and the Earth. \n\n\n\nThis program is free and open to ArtTable Circle\, Board\, and Executive level members only. Registration is required. ArtTable Circle and Board members receive priority registration. Registration for Executive level members will open on Wednesday\, June 8\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional though recommended inside the gallery. Please note that by registering for this event you consent to have your contact information shared with the James Howell Foundation and ArtTable to be used in the event that contact tracing is needed. Accessibility The James Howell Foundation is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There The James Howell Foundation is located in the West Village neighborhood of New York City. The nearest subway station is Christopher Street (1 and 2 trains). The exact address will be shared with attendees upon registration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Cecilia Alemani\n\n\n\nCecilia Alemani is an Italian curator based in New York. Currently\, she is the Artistic Director of the upcoming 59th International Art Exhibition (2022) in Venice. Since 2011\, she has been the Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. \n\n\n\nAbout the James Howell Foundation\n\n\n\nThe James Howell Foundation is a proud sponsor of the 59th International Art Exhibition of La Biennale di Venezia “The Milk of Dreams.” The James Howell Foundation supports Howell’s vision of committed investigation of like-minded endeavors through a variety of professional programs and projects. The Foundation creates and furthers philanthropic initiatives that empower art professionals\, curators and artists\, as a contribution to cultural and humanistic advancement. \n\n\n\n\n\n\n\n\n\n\n\nAbout The Milk of Dreams\n\n\n\n“The Milk of Dreams” takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. The exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures\, along with other figures of transformation\, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human. \n\n\n\nThis exhibition is grounded in many conversations with artists held in the last few years. The questions that kept emerging from these dialogues seem to capture this moment in history when the very survival of the species is threatened\, but also to sum up many other inquiries that pervade the sciences\, arts\, and myths of our time. How is the definition of the human changing? What constitutes life\, and what differentiates plant and animal\, human and non-human? What are our responsibilities towards the planet\, other people\, and other life forms? And what would life look like without us? \n\n\n\n\n\n\n\nThank you to ArtTable Board member Laura Bardier for organizing this program. \n\n\n\nImage: Cecilia Alemani; Cover art for the 59th Venice Biennale Catalog URL:https://www.arttable.org/event/new-york-curator-talk-cecilia-alemani-milk-of-dreams/ LOCATION:The James Howell Foundation\, New York\, New York\, 10014\, United States CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-17-at-11.01.07-AM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220625T000000 DTEND;TZID=America/New_York:20220625T235959 DTSTAMP:20260403T174007 CREATED:20220411T213018Z LAST-MODIFIED:20220427T191216Z UID:8445-1656115200-1656201599@www.arttable.org SUMMARY:A Day in Baltimore DESCRIPTION:ArtTable is going to Baltimore! \n\n\n\nPlease join us for a day of art and exploration in Baltimore\, Maryland. This trip will feature visits to two of Baltimore’s leading arts institutions\, a private collection\, and a contemporary gallery. Enjoy a lovely early summer’s day with members and friends exploring this vibrant city! \n\n\n\nPlease note: Transportation to and from Baltimore is not included in this trip. We will meet at the first location on the itinerary\, after which a private bus will provide transportation between other locations on the itinerary. We will also utilize ride-sharing apps for the final visit of the day. Recommended transportation to/from the city can be found below. \n\n\n\nITINERARY \n\n\n\n10:45 AM – Meet us at the American Visionary Art Museum for a tour of Healing and the Art of Compassion (and the Lack Thereof!) with the museum’s Founder & Director\, Rebecca Hoffberger. This will be Rebecca’s last exhibition before she retires in the fall.12:15 PM – Our shuttle bus will take us to the residence of Keith Eric Timmons for a private viewing of his collection\, which includes works by Amy Sherald\, Jerrell Gibbs\, and many more.1:30 PM – We will enjoy a delicious lunch at Gertrude’s Chesapeake Kitchen.3:00 PM – After lunch\, we will have time at the Baltimore Museum of Art to see dozens of works from public and private collections in an exploration of the full arc of Joan Mitchell’s artistic practice. Entry includes access to the whole museum in addition to the Joan Mitchell exhibition. Attendees will have time to explore at their leisure.4:15 PM – Finally\, we will end our day with a private tour and reception at Goya Contemporary/Goya-Girl Press\, where the exhibition\, The Soul Selects: Louise Fishman and her Heroes\, Mitchell\, Martin and Hesse\, will be on view.\n\n\n\nThis program is open to ArtTable members only $165\, and non-members for $195. Your ticket includes entry to both museums\, lunch\, and transportation (from the American Visionary Art Museum\, to the private collection\, to the Baltimore Museum of Art\, and to Goya Contemporary). \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety American Visionary Art Museum All visitors over the age of 2 must wear a face covering.All visitors are required to maintain 6 feet of social distancing at all times\, including in the elevators and restrooms. Parties/families may remain together. Children must remain with adults at all times.Coat check and water fountains are temporarily suspended. Please limit your bags to 12”X12” in size. Coats and strollers are allowed.No food or drink allowed in the museum.Frequent hand washing is encouraged\, or use of hand sanitizer stations located throughout the museum when hand washing is not possible.Restrooms and high-touch surfaces\, such as doorknobs\, are frequently cleaned all day.Photo and video without flash for personal use is welcome!If you’re not feeling well\, please stay home and visit us another time!​Private Residence Our host has requested that visitors wear a face covering for the duration of the tour.Gertrude's Gertrude's currently does not have any COVID guidelines in place. Staff have the option to wear a mask\, but it is not mandatory. Guests do not have to wear a mask while on the premises.Baltimore Museum of Art More information to come.Goya Contemporary Masks are encouraged but not required.Please email Haley at programs@arttable.org if you have any questions! Accessibility American Visionary Art Museum The main entrance is the accessible entrance.Mobility Aids: The museum and its campus are accessible to wheelchairs and those with limited mobility. Wheelchairs are available free of charge at Visitor Services on a first-come\, first-served basis.Service animals are welcome in the museum.For visitors who are hearing impaired\, films are either captioned\, or transcripts are available upon request at Visitor Services.Private Residence There are 2 steps to enter the residence\, and multiple staircases inside. Please prepare accordinglyIf you will require accommodations for this portion of the trip\, please email Haley at programs@arttable.org.Gertrude's The restaurant is wheelchair accessible. Once you get up the small curb into the museum building (and there's even a ramp for that curb)\, the entire ground floor is one level without any steps.Baltimore Museum of Art More information to come.Goya Contemporary The gallery is wheelchair accessible\, though there is not a wheelchair available on site. The ramp is to the left of the entrance. Staff can meet the individual(s) at the entrance to assist with entry if needed.Please email Haley at programs@arttable.org if you have any questions! Getting There To Baltimore from: Washington\, DC Amtrak has several train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Washington\, DC's Union Station at 8:12 AM and arrives at 8:54 AM. The next train departs at 9:15 AM and arrives at 9:56 AM. The following train does not arrive in Baltimore until 11:00 AM\, so not in time for the first tour of the day. You may also look into bus options via Peter Pan\, Megabus\, or Greyhound.Philadelphia Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Philadelphia's William H. Gray III 30th Street Station at 8:54 AM and arrives at 10:02 AM. The next train departs at 9:13 AM and arrives at 10:21 AM.New York City Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs New York Moynihan Trail Hall at 7:17 AM and arrives at 10:02 AM. The next train departs at 8:00 AM and arrives at 10:21 AM.To the American Visionary Art Museum The AVAM is located at 800 Key Hwy\, Baltimore\, MD 21230. From Baltimore Penn Station\, it is approximately a 12 minute drive\, or you can utilize local public transportation by taking the CityLink Green Bus Downtown from the train station to the Light Street & Redwood Street stop. Then switch to the 71 Bus at 71 Patapsco Station and ride 4 minutes to the Key Hwy & Covington NS EB stop\, just a 2 minute walk from the museum. To Baltimore Penn Station (from Goya Contemporary) Depending on traffic\, the drive from Goya Contemporary to Baltimore Penn Station is approximately 6-9 minutes. Public transportation is also available by walking approximately 6 minutes from the gallery to 33RD Street & Chestnut Avenue\, where you can pick up the 94 bus towards Fort McHenry\, and get off at the Howard St & North Ave stop. From there it is about a 9 minute walk to the train station. From Baltimore to: Washington\, DC Our day ends at 5:30 PM\, but yours doesn't have to! We encourage all members to stick around the city and explore at their leisure. When you're ready to head back\, Amtrak has plenty of trains departing Baltimore Penn Station at 5:53 PM (arrive 6:35 PM)\, 6:13 PM (arrive 6:51 PM)\, 6:55 PM (arrive 7:41 PM)\, and 7:57 PM (arrive 8:45 PM).Philadelphia Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in Philadelphia at 7:16 PM. If you want to stick around Baltimore a bit longer\, the next train departs at 6:44 PM and arrives in Philadelphia at 8:02 PM.New York City Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in New York City at 8:45 PM. If you want to stick around Baltimore for a bit longer and don't mind getting home late\, the next train departs at 6:44 PM and arrives in New York City at 9:45 PM.Please email Haley at programs@arttable.org if you have any questions! \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Click here to read our full cancellation policy. \n\n\n\nImage: Baltimore skyline\, courtesy of tripsavvy URL:https://www.arttable.org/event/national-a-day-in-baltimore/ LOCATION:Baltimore\, Maryland\, Baltimore\, Maryland\, 21201\, United States CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-03-at-8.41.49-AM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220709T110000 DTEND;TZID=America/New_York:20220709T140000 DTSTAMP:20260403T174007 CREATED:20220520T154702Z LAST-MODIFIED:20221101T202424Z UID:9063-1657364400-1657375200@www.arttable.org SUMMARY:Ridgefield\, CT | Curator-led Exhibition Tour - '52 Artists: A Feminist Milestone' at The Aldrich Contemporary Art Museum DESCRIPTION:Please join us for a special tour of 52 Artists – A Feminist Milestone at The Aldrich Contemporary Art Museum\, with Senior Curator Amy Smith-Stewart. After our tour\, enjoy free time exploring the rest of the museum and join us for a no-host lunch at Bailey’s Backyard in Ridgefield’s Cultural District (which also includes bookstores\, sweet shops\, and more!). \n\n\n\n52 Artists: A Feminist Milestone celebrates the fifty-first anniversary of the historic exhibition Twenty Six Contemporary Women Artists\, curated by Lucy R. Lippard and presented at The Aldrich Contemporary Art Museum in 1971. 52 Artists will showcase work by the artists included in the original 1971 exhibition\, alongside a new roster of twenty-six female-identifying or nonbinary emerging artists\, tracking the evolution of feminist art practices over the past five decades. 52 Artists will encompass the entirety of the Museum (approx. 8\,000 sq. ft)—the first exhibition to do so in The Aldrich’s new building which was inaugurated in 2004. \n\n\n\nThe exhibition is organized by The Aldrich’s Senior Curator Amy Smith-Stewart\, who selected the emerging twenty-six artists\, and independent curator Alexandra Schwartz\, with The Aldrich’s Curatorial Assistant and Publications Manager Caitlin Monachino. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $15Member Guests/Non-Members – $25\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that transportation to The Aldrich is not included in this program. We will meet at the museum by 11:00 AM. See ‘Getting There’ below for directions. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The Aldrich Contemporary Art Museum is a private institution devoted to serving the public. The museum requires that visitors adhere to the protocols and Code of Conduct outlined below\, which apply to the Museum’s galleries and grounds. If you are feeling ill\, the museum asks that you please wait to visit the Museum at a later date. No outside food or beverages are permitted inside the museum. In an effort to keep our visitors safe\, The Aldrich has taken the following precautions: An acrylic panel has been placed at the Front Desk to keep staff and visitors apartTouchless hand sanitizing stations are installed throughout the MuseumThe coat room and water fountains are closedIf you're sick\, please stay home! By registering for this program\, you are affirming that you are currently not exhibiting symptoms consistent with COVID-19. If\, after this registration you become ill\, please contact Haley at programs@arttable.org. If you become ill with COVID-19 following your visit we ask that you kindly notify us so that we may inform the museum. Liability Statement from the Museum: I am aware that visiting The Aldrich Contemporary Art Museum includes risks arising from possible exposure to communicable diseases including COVID-19. I knowingly and voluntarily accept this risk and assume full responsibility for any injury\, illness or other loss that I may sustain as a result. Accessibility The Aldrich is committed to providing a welcoming and accessible environment for all. The museum extends an inclusive and respectful invitation for visitors to engage\, learn\, and be inspired by their visit. The Aldrich is fully accessible to visitors who use mobility assistive devices. There is a ramp from the parking lot onto the walkway. There are no steps from the parking lot to the front doors of the Museum. Elevators are available to access both floors. Wheelchairs are available and disinfected before use; please ask the Front Desk for options. Service animals are welcome to visit the Museum. Gender inclusive restrooms are located on the first floor and are ADA compliant. For visitors who are blind or have low vision: the Museum is equipped with braille directional signage. These signs have been included in our cleaning protocols for health and safety. Our staff are available to give verbal descriptions of the artwork on view and assist with any way-finding. For visitors who are deaf or hard of hearing: The Museum works to ensure that all multimedia exhibitions are captioned\, if possible. Please ask about captioned works upon arrival. For visitors with Autism: the Museum is often less crowded during open hours on weekdays and mornings and late afternoons on weekends. Please call ahead to find out about your visit date. The galleries are kept between 68 and 72 degrees Fahrenheit. If you need quiet space during your visit\, please ask a Museum staff member to help you locate a suitable place. You may also step outside into the Sculpture Garden through the doors located in the Museum’s lobby on the first floor. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There The Aldrich Contemporary Art Museum is located at 258 Main Street\, Ridgefield\, CT 06877. Driving Directions The Aldrich is a short drive from many major metropolitan areas – 1.5 hours from New York City\, 3 hours from Philadelphia\, and 3 hours from Boston – and is located near I-95 and I-84. Free parking is available on site. Use Google Maps for driving directions.By Rail from New York City Take Metro North’s Harlem Line to the Katonah Station. The train ride is approximately one hour. From the train station\, take a 20-minute car ride (via Katonah Taxi\, Uber\, or Lyft) to the Museum. If taking Uber or Lyft\, please note that there may be a wait time for your car to arrive due to limited availability in the area. If taking Katonah Taxi\, you may schedule your pick-up time in advance.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Amy Smith-Stewart\n\n\n\nAmy Smith-Stewart is Senior Curator at The Aldrich Contemporary Art Museum. Since 2013 she has organized forty-two exhibitions and projects at the Museum. Her unique perspective has brought artists to The Aldrich during important stages of their careers including first time solo museum presentations with artists Milano Chow\, Lucia Hierro\, Genesis Belanger\, Eva LeWitt\, and Jessi Reaves\, and survey shows with Jackie Winsor\, Ruth Root\, Suzanne McClelland\, Harmony Hammond\, and Karla Knight. Harmony Hammond: Material Witness\, Five Decades of Art was named one of the best exhibitions of 2019 by the New York Times. The show traveled to the Sarasota Art Museum and was accompanied by the artist’s first monograph. Her upcoming curatorial project is 52 Artists: A Feminist Milestone. It revisits the historic exhibition\, Twenty Six Contemporary Women Artists\, curated by Lucy R. Lippard in 1971 and joins it with a new roster of twenty-six female identifying and nonbinary emerging artists to track the evolution of feminist art practices over half a century.  \n\n\n\nSmith-Stewart has organized more than seventy exhibitions in museums\, collections\, galleries\, and temporary spaces. She is founder of the eponymous nomadic curatorial project\, Smith-Stewart\, previously located on the Lower East Side from 2007–2009. She began her career as a curator at P.S.1 Contemporary Art Center (now MoMA PS1)\, where she mounted nineteen exhibitions and projects including first time solo museum presentations with artists Adrian Paci\, Mika Rottenberg\, Taryn Simon\, and Aleksandra Mir\, as well as group exhibitions including Day Labor and Greater New York 2005 (co-curator). From 2006–2007\, she was a Curatorial Advisor for the Mary Boone Gallery\, where she organized a series of group exhibitions introducing a new generation of artists to the Gallery. She has organized exhibitions at Socrates Sculpture Park and the Noguchi Museum and was the 2006–2008 Guest Curator for the Peter Norton Collection. She has served on faculty at the School of the Visual Arts\, MFA Fine Arts department\, and the Sotheby’s Institute of Art MA Contemporary Art program. Her writing has appeared in books and catalogues published by Taschen\, Gregory R. Miller & Co.\, Revolver Publishing\, Bates College Museum of Art\, Aldrich Contemporary Art Museum\, P.S.1 Contemporary Art Center\, KW Institute for Contemporary Art\, Charta\, among others. \n\n\n\n\n\n\n\nImages: Merrill Wagner\, Untitled\, 1969. Courtesy of the artist and David Zwirner\, New York. / Tourmaline\, Coral Hairstreak\, 2020. Courtesy of the artist and Chapter NY\, New York Photo: Dario Lasagni URL:https://www.arttable.org/event/curator-led-exhibition-tour-52-artists-feminist-milestone-aldrich-contemporary-art-museum/ LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street\, Ridgefield\, Connecticut\, 06877\, United States CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-19-at-6.02.36-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220723T110000 DTEND;TZID=America/New_York:20220723T110000 DTSTAMP:20260403T174007 CREATED:20220622T195804Z LAST-MODIFIED:20220630T160358Z UID:9504-1658574000-1658574000@www.arttable.org SUMMARY:Seattle | ArtTable Reception at the Seattle Art Fair DESCRIPTION:Join ArtTable members from around the country for a private half-hour brunch reception\, followed by a tour of the Seattle Art Fair with Director Kelly Freeman. The tour will highlight woman-owned galleries and their artistic programs. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $45Member Guests/Non-Members – $65\n\n\n\nRegistration includes a complimentary fair pass which allows access for one person starting at 6:00pm on Thursday\, July 21 and all fair hours\, July 22-24\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All attendees to the fair are required to show proof of vaccination and wear a face mask while visiting the fair. Ticket holders may present any one of the following in paper form (original documents) or by digital application (photo of vaccination card\, Clear application\, State of California Digital COVID-19 Vaccination Record QR) to gain entry to the event: Proof of full vaccination\, which means your final dose of the COVID-19 vaccine has been administered at least 14 days before you plan to attend.Ticket holders\, ages 12 and older\, will be required to show either a government-issued (i.e. driver’s license\, passport) or school-issued photo ID that matches the name on your COVID-19 proof of vaccination. Guests under 12 do not require ID\, but must be accompanied by an adult who meets the above requirements. Entry will be denied for ticket holders who do not provide the documentation as required above. Everyone\, ages two (2) years and older\, must wear a face always covering within the event.Face coverings must cover the nose and mouth.Cloth\, surgical/3-ply\, KN95\, and 95 masks are permitted.Cloth face coverings should be made of tightly woven fabric and ideally composed of two or three layers of material. Cloth masks must fit snugly around the nose and chin to prevent leakage of air; a nose wire may be helpful in achieving a close seal. They may not be made of lace or similarly open or web-like material.Face shields can be used in addition to face coverings\, but are not an acceptable alternative to face coverings\, as described above.Gaiters\, bandanas\, and face coverings with an exhalation valve are not permitted.Masks will be made available if you do not bring your own.Non-compliance with face covering guidelines will result in immediate dismissal from the event. Refunds will not be administered.Art Market Productions will require a valid e-mail address at time of ticket purchase should contact tracing need to be administered.We encourage you to alert us by email or in person upon your arrival if you are concerned about any of the following. We would be glad to refund your tickets. That you may have been in contact with a person has tested positive for COVID-19 in the last 7 days.That you are experiencing any symptoms of fever or chills\, cough\, shortness of breath or difficulty breathing\, fatigue\, muscle or body aches\, headache\, the new loss of taste or smell\, sore throat\, congestion\, or runny nose\, nausea or vomiting\, or diarrhea.Hand sanitizer stations will be available throughout the event for your use. Signage will promote proper hand washing and hygiene practices. Staff will clean and sanitize the restrooms frequently. Please note that the regulations and recommended protocols continue to evolve\, and Art Market Productions reserves the right to revise these measures and requirements as needed\, in order to comply with federal and state regulations\, as well as to ensure the utmost safety of all visitors and staff onsite. Accessibility The Lumen Field Event Center is fully ADA accessible. Getting There The Seattle Art Fair will take place at the Lumen Field Event Center\, located at 800 Occidental Ave S\, Seattle\, WA 98134. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Kelly Freeman\nKelly Freeman directs AMP’s suite of art fairs\, sourcing and placing domestic and international galleries. She develops special projects and exhibitions – opportunities to appeal to a high end\, collecting audience\, shaping unique spaces and events to retain visitors year after year. Kelly also oversees all marketing and communications\, focusing on reaching the right audience for each event. Kelly also consults across AMP immersive events business\, working to develop strong content and drive quality attendance.Kelly previously worked with UBS and Citigroup’s Business Development Departments and has also managed the sales teams of several New York City contemporary art galleries. \n\n\nImage: Courtesy of the Seattle art fair URL:https://www.arttable.org/event/arttable-reception-at-the-seattle-art-fair/ LOCATION:Seattle Art Fair\, Lumen Field Event Center\, 800 Occidental Ave S\, Seattle\, Washington\, 98134\, United States CATEGORIES:National,Northwest ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/06/AMP.SAF_.2019_028-scaled.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220728T120000 DTEND;TZID=America/New_York:20220728T133000 DTSTAMP:20260403T174007 CREATED:20220617T172833Z LAST-MODIFIED:20220628T144733Z UID:9468-1659009600-1659015000@www.arttable.org SUMMARY:Virtual | Meet the 2022 ArtTable Fellows! DESCRIPTION:9am PT / 19am MT / 11am CT / 12pm ET\n\n\n\nPlease join us for a virtual meet & greet with the 2022 ArtTable Fellows! This year ArtTable was able to award 17 fellowship positions to emerging professionals throughout the country\, all thanks to generous donations from individuals\, foundations\, and corporations. The fellows will discuss their projects and overall experience with the ArtTable Fellowship Program so far. We are also thrilled to have Alana Hernandez\, Executive Director & Curator CALA Alliance (Celebración Artística de las Américas) and former ArtTable Fellow\, join us to share her perspective on her ArtTable Fellowship experiences\, and to offer valuable advice to the current fellows. This is a wonderful opportunity to meet our current fellowship cohort and learn more about the ArtTable Fellowship Program and the opportunities it provides to emerging professionals. We are pleased to celebrate over 20 years of this impactful program in which we have partnered with 64 leading arts organizations nation-wide\, supported 127 women-identifying fellows\, and dispersed over $371\,000 in stipends for the fellows since its inception. Click here to read more about our Impact initiatives! \n\n\n\nRegistration for this program is free and open to all\, with a suggested donation of $15.00 to continue to support the program. We hope to see you there! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the ArtTable Fellowship Program\nSince the year 2000\, ArtTable has conducted a Fellowship Program to address the marked lack of diversity in arts employment. The Fellowship provides quality experiences and mentorship to women-identifying graduate students and emerging professionals from backgrounds generally underrepresented in the field to aid their transition from academic to professional careers. Through one-on-one mentoring relationships at select museums and cultural organizations\, fellows have the opportunity to work with established leaders and gain exposure to a range of professional activities. \nThe 2022 ArtTable Fellows\nCheyene Adams | The Studio Museum in Harlem | New York\, NYLara Arafeh | The Baltimore Museum of Art | Baltimore\, MDAlexandria Bingham | Capital One Art Program | Tysons\, VACandace Borders | Contemporary Art Museum St. Louis | St. Louis\, MOAmanda Elena Brito | Oklahoma Contemporary Arts Center | Oklahoma City\, OKLulu Luyao Chang | The James Howell Foundation | New York\, NYMichelle Huynh Chu | Cooper Hewitt\, Smithsonian Design Museum | New York\, NYRebeca Cintrón-Loáisiga | The Metropolitan Museum of Art | New York\, NYYocari De los Santos | CALA Alliance | Phoenix\, AZSophia Ellis | The Morgan Library & Museum | New York\, NYLuiza Repsold França | El Museo del Barrio | New York\, NYKimari Jackson | Seattle Art Museum | Seattle\, WAStefanie Jason | Amant Foundation | Brooklyn\, NYJuliet Johnson | Materials & Applications (M&A) | Los Angeles\, CATatyana Neal | American Indian Artists Inc. (AMERINDA) | New York\, NYchristian reeder | Montclair Art Museum | Montclair\, NJXiao Wei | Swann Galleries | New York\, NY \nClick here to read more about the ArtTable Fellowship Program\, the 2022 Fellows\, and the projects they are working on this summer. \n2022 Fellowship Supporters\nThis project is supported in part by the National Endowment for the Arts. ArtTable is grateful for our new supporters\, Herschel Supply Co.\, Murk & Co\, Capital One Art Program\, and The James Howell Foundation. For their continued support\, ArtTable also thanks the Helen Frankenthaler Foundation\, Lenore Tawney Foundation\, Pierre & Tana Matisse Foundation\, and The Leon Polk Smith Foundation\, among others\, along with the invaluable support of individuals\, including Lila Harnett\, ArtTable’s founder and original supporter of this program\, and also the help of our Fellowship Committee Members and Mentors involved in the program. A list of all supporters of the ArtTable Fellowship can be found here. \nTo find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov. \nFor more information on how to contribute to this program or to participate\, visit arttable.org/impact.\n \n\n\n\n\n\n\n\n\n\nTo learn more about supporting this program\, email director@arttable.org. \n\n\n\nTo learn more about participating in this program as a Host Organization or Fellow\, email lroldan@arttable.org. \n\n\n\nLink. URL:https://www.arttable.org/event/virtual-meet-the-2022-arttable-fellows/ CATEGORIES:National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/06/Screen-Shot-2022-06-02-at-12.41.24-PM.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT END:VCALENDAR