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DTSTART;TZID=America/New_York:20220512T120000
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DTSTAMP:20260403T142925
CREATED:20220420T160356Z
LAST-MODIFIED:20220422T191850Z
UID:8653-1652356800-1652356800@www.arttable.org
SUMMARY:Virtual | Professional Development: The Art World Career Landscape
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\n\n\n\nThe pandemic upended traditional ways of working and seeking employment in the art world. Please join Suzanne Julig\, Career Coach and owner of Suzanne Julig Art Advisory\, and Anne Johnson\, Senior Consultant and VP of the Aspen Leadership Group\, for a conversation around the art world career landscape. We will explore effective approaches to pursuing and building an enriching art world career in both the for-profit and non-profit sectors. The discussion will include an overview of growth areas in various art industry sectors and techniques for identifying how one’s professional skills\, expertise\, and education can be applied to suitable art world positions. We will touch upon goal setting for success\, as well as creating the most effective job search materials. This includes resumes\, LinkedIn profiles\, and related elements of personal branding\, networking\, and more. \n\n\n\nAdmission \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\nAbout the Speakers\nAnne Johnson works with ALG clients throughout every step of the search process\, helping to define goals\, source and vet talent\, and ensure mutually beneficial matches between organizations and candidates alike. She brings a collaborative approach to her work in search and in working with her clients. She manages a diverse portfolio of executive searches and has placed leaders at the country’s most recognized organizations in higher education\, foundations and institutes\, and arts and cultural organizations\, including museums\, orchestras\, ballet companies\, and more. \nAnne most recently served as the chief development professional for the San Francisco Symphony\, where she played a senior management role\, working closely with the Board of Governors and leading the Symphony’s contributed revenue division. Previously she served as San José State University’s Associate Vice President of Development and Campaign Director\, leading the university through its first comprehensive campaign\, which exceeded its goal of $200 million by $9 million\, one full year in advance of the publicly-announced deadline. Prior to her work in the Bay Area she held fundraising positions at the University of Kansas and Boston University. \nShe holds a M.A. degree in Education from Boston University and a B.A. in French from the University of Kansas\, which included studies at the Sorbonne University in Paris.  \nSuzanne Julig\, Owner of Suzanne Julig Art Advisory\, is a fine art professional with more than three decades in the field. Over the past several years she has expanded her expertise to include Career Consulting to provide individuals with the tools to pursue and secure employment in the art world. Most recently\, Suzanne was a member of the senior management team at Christie’s Education\, serving as the Career Services Officer. Prior to that\, she was a Director at three New York galleries\, specializing in contemporary as well as American and European art of the 19th and 20th century\, before founding her Art Advisory business in 2008\, through which she provides expertise to collectors in the acquisition of art and management of collections. Suzanne has taught courses at NYU and Sotheby’s Institute of Art\, in addition to organizing exhibitions\, leading museum and gallery tours\, and lecturing to private groups on a variety of art-related topics. She holds B.A. and M.A. degrees in Art History with distinction. \n\n\n\n\n\n\nImages: Header image courtesy of Sotheby’s Institute of Art; speaker images courtesy of the speakers. \n\n\n\nThank you to Regan Lynn Larroque\, ArtTable NY Chapter Programs Committee Co-Chair\, and Edie Meyer\, ArtTable NY Chapter Membership Committee Co-Chair\, for organizing this program. \n\n\n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-professional-development-the-art-world-career-landscape/
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/Careers-in-the-Art-World-Header_banner.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220512T160000
DTEND;TZID=America/New_York:20220512T163000
DTSTAMP:20260403T142925
CREATED:20220428T194352Z
LAST-MODIFIED:20220428T194355Z
UID:8829-1652371200-1652373000@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-3/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220519T110000
DTEND;TZID=America/New_York:20220519T123000
DTSTAMP:20260403T142925
CREATED:20220420T211238Z
LAST-MODIFIED:20220421T132400Z
UID:8663-1652958000-1652963400@www.arttable.org
SUMMARY:New York | ArtTable Reception and Tour at VOLTA New York
DESCRIPTION:Please join us for a private brunch reception and tour at VOLTA New York!  \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members\, followed by a highlights tour focused on women artists and gallerists exhibiting at the fair. \n\n\n\nThis program is currently open to ArtTable members and guests only. Your ticket covers general access to the fair\, early private access to the reception\, and refreshments. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $55Member Guests – $65\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety In accordance with The New York Health Department guidance\, in order to access the fair: All visitors aged 12 and over must provide proof of full course COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 5-11 must provide proof of at least one course of COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 18 and over must also provide appropriate photo identification matching the name on the vaccination proofIn addition\, all visitors aged 2 and over shall wear a face maskAll WHO vaccines will be recognised if the full course has been completed more than 14 days before visiting the fair: Moderna\, Pfizer\, Astra Zeneca\, J&J. We strongly recommend that visitors who are eligible for their booster vaccine ensure they receive it before attending the fair.Please note\, since national guidance can change\, VOLTA reserves the right to modify the required documents and protocols at any time. Please check back ahead of your visit. Accessibility The venue is wheelchair accessible and an elevator is available. 548 West spreads over three floors. Please email Haley at programs@arttable.org if you have any questions about accessibility or require specific accommodations.   Getting There VOLTA New York 2022 will take place at 548 West 22nd Street\, New York\, NY 10011\, an approximately 10 minute walk from The Shed\, where Frieze New York will be taking place concurrently. The nearest subway station is 23rd Street (A\, C\, E)\, an approximately 17 minute walk to the fair. The venue is also easily accessible by car\, though parking may be limited. \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nOperating as a beacon for creative discovery\, VOLTA New York is the American incarnation of the original Basel fair since debuting in New York in 2008. VOLTA will return to New York from May 18 – 22\, 2022 at 548 West 22nd Street\, the former Dia Building and Hauser & Wirth gallery space. The fair welcomes a vibrant cohort of over 50 national and international galleries\, both new and returning to the New York edition. \n\n\n\nVOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector.  \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA
URL:https://www.arttable.org/event/new-york-arttable-reception-and-tour-at-volta-new-york/
LOCATION:VOLTA New York\, 548 West 22nd Street\, New York\, New York\, 10011\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220519T190000
DTEND;TZID=America/New_York:20220519T203000
DTSTAMP:20260403T142925
CREATED:20220412T171532Z
LAST-MODIFIED:20220421T180630Z
UID:8475-1652986800-1652992200@www.arttable.org
SUMMARY:Boston | AAM2022 - ArtTable Reception at Skinner Auctioneers & Appraisers
DESCRIPTION:Please join us for a special ArtTable reception in Boston during AAM2022\, hosted by Skinner Auctioneers & Appraisers! \n\n\n\nAfter settling in before a full day at the conference\, join us in Boston’s Back Bay neighborhood\, where we will enjoy drinks\, bites\, and conversation among friends and peers.  \n\n\n\nAdmission: \n\n\n\nArtTable Members – $25Member Guests – $30Non-members – $50\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety While there are no guidelines currently in place in Boston in regards to Covid-19\, we strongly recommend wearing a face mask at all times while not eating or drinking.  Accessibility The entrance to Skinner is on the ground floor\, opening directly to the sidewalk. The reception area is on the ground floor. Our event will take place on the 2nd floor. Stairs are available from the reception area. Should anyone need an elevator and/or wheelchair accessibility\, go to the 63 Park Plaza entrance and a staff member will take you to the main entrance\, where an elevator is available.  Getting There Skinner is located at 63 Park Plaza\, Boston\, MA 02116. The nearest public transportation is the Arlington T stop (B\, C\, D\, E)\, an approximately 2 minute walk. The Boylston T Stop (B\, C\, D\, E) is also nearby\, an approximately 8 minute walk to the venue. There are several parking options nearby: 75 Park Plaza Parking75 Park Plaza\, Boston\, MA 02116 2-98 Eliot St Parking26 Eliot St\, Boston\, MA 02116SpotAngels Boston Common GarageEntrance on Charles St\, Boston\, MA 02116Open 24 hourshttp://bostoncommongarage.com/+16179542098 If you're coming straight from AAM\, we recommend using a ride-sharing app like Uber or Lyft to get to Skinner. Public transportation options are available\, but not recommended as they require multiple switches and time.  \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Skinner Auctioneers and Appraisersfor generously sponsoring this event.
URL:https://www.arttable.org/event/boston-aam2022-arttable-reception-at-skinner-auctioneers-appraisers/
LOCATION:Skinner Auctioneers & Appraisers\, 63 Park Plaza\, Boston\, Massachusetts\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/Skinner-Boston-Gallery-Heritage-on-the-Garden-at-Night.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220526T180000
DTEND;TZID=America/New_York:20220526T180000
DTSTAMP:20260403T142925
CREATED:20220422T210603Z
LAST-MODIFIED:20220422T213251Z
UID:8782-1653588000-1653588000@www.arttable.org
SUMMARY:Virtual | Let's Connect! Spring National Networking Event
DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nWe invite all ArtTable members to join us for our next virtual national networking event! Join us as we reflect on both our successes and failures in our professional lives\, and what we can learn from both. \n\n\n\nOur first national networking event took place in May 2021 and allowed members from all over the world to share ideas and make new connections. We are thrilled to offer our members this opportunity to connect with each other worldwide! Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones. This is an exclusive opportunity for ArtTable members to form new connections and find ways to collaborate with one another. \n\n\n\nThis program is free for all ArtTable members. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-spring-national-networking-event/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Networking-Graphic.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220604
DTEND;VALUE=DATE:20220614
DTSTAMP:20260403T142925
CREATED:20191122T221302Z
LAST-MODIFIED:20220419T191944Z
UID:1540-1654329600-1655139600@www.arttable.org
SUMMARY:AT Tours - Scandinavia Art Experience 2022
DESCRIPTION:Interested in this program? Please email travel@arttable.org for more information.\n\nThe light! In Scandinavia this has been an inspiration for artist throughout the ages. This alone is a reason to visit the splendid art capitals of this region. The art worlds are truly exciting with the new Munch Museum and the Twist in Oslo. Helsinki has its first Biennial this year and as a result the art world is more vibrant than ever. And of course we dive into the wonderful art scene of Copenhagen. Exceptional clean Nordic design and the amazing equally ‘clean’ cuisine are further draws. Add the stunning natural beauty and we have a ‘not-to-be missed’ destination. It is no coincidence that the three countries we will visit are home of the Top-3 of Happiest People in the world. \nITINERARY\nHELSINKI\, FinlandThe Biennial of 2020 (postponed to 2021) really put Helsinki on the art world map. We ‘dive into’ the thriving art scene and see the best it has to offer. We will meet fantastic artists and collectors in their studios and homes. Of course we will include design from the world-renowned Aalto studio. We will enjoy a special behind-the-scenes tour in the Kiasma museum. And in contrast we visit the most beautiful examples of Finnish Jugendstill architecture. \nOSLO\, Norway‘Oslo is Europe’s next great Art Capitol’ according to ARTnews.com. And we agree. The new Munch Museum is set be open this fall. It promises to be a fabulous tribute to the artist and of course we will enjoy a special visit. The Oslo art scene is booming and we include the best galleries\, museums and private collections in the program. We also make a spectacular trip north to visit the Twist Museum and the sculpture garden surrounding it. Then it is time to take in the natural beauty from the water. We board the cruise-ferry and leave Oslo behind with stunning views of the Norwegian fjords. On board we enjoy a great dinner and spend the night in a first class cabin. \nCOPENHAGEN\, DenmarkWe wake up arriving in wonderful Copenhagen. The hugely successful contemporary artist Olafur Elliason was born here and we meet some of his contemporaries. We will visit intriguing private collections. And we will enjoy visits to the Hirschsprung Collection for masterpieces from the Danish Golden Age as well as the fantastic modern and contemporary Louisiana Museum and sculpture garden. There is also time for some great (design) shopping. Of course we will eat what could be the best food you have ever tasted in some of the 25+ Michelin star restaurants of the Danish capital. A fantastic last stop on what promises to be a truly magical tour. \nMonday\, June 13Flight back home or on your way for further experiences….*Subject to change due to unforeseen circumstances \n\nTRIP DETAILS\nDATESJune 4-13\, 2022 \nDURATION9 days / 9 nights \nSTAYPerfectly located luxury hotels; First class cabin on the ferry from Copenhagen to Oslo \nMEALSBreakfast\, lunches\, dinners included (alcohol not included) \nTRAVELIncluded:Local transport by luxury coachFlight from Helsinki to OsloOvernight ferry Oslo to Copenhagen \nNot included:Trans-Atlantic flights  (Artigo will advise on preferred flights) \nPRICING / ROOM TYPES– Single occupancy  – $8\,450– Double occupancy – $7\,750 \nPAYMENT SCHEDULE (Payable to Artigo Tours): \nSeptember 1\, 2021 | 1st payment – $2\,000February 1\, 2022 | 2nd payment – $3\,000April 1\, 2022 | 3rd payment – (dependent on type of room\, see below)– Single Occupancy: $3\,450– Double Occupancy: $2\,750 \nARTTABLE TAX-DEDUCTIBLE CONTRIBUTION  \nDue by September 1\, 2021Click here to submit payment. \nMembers: $750Guests: $1100 \nAll payments made to ArtTable are final and non-refundable. \nPlease contact ArtTable at travel@arttable.org with any questions. All payments are non-refundable. \n\nImages: \n\nAmos Rex by JKMM Architects in Helsinki. Photo: Mika Huisman\nHelsinki Biennial brings Janet Echelman’s artwork 1.78 to Senate Square from 31 July to 31 August.\nestudio Herreros’ long-awaited Munch Museum is opening its doors on October 22\, 2021. Photo: Adrià Goula\, courtesy estudio Herreros.\nInterior of the Hirschsprung Collection. Photo: Jakob Hunosøes
URL:https://www.arttable.org/event/scandinavia-art-experience/
CATEGORIES:National,Travel
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/Amos.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220607T130000
DTEND;TZID=America/New_York:20220607T130000
DTSTAMP:20260403T142925
CREATED:20220512T151459Z
LAST-MODIFIED:20220517T204748Z
UID:8955-1654606800-1654606800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-12-at-11.10.08-AM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220609T160000
DTEND;TZID=America/New_York:20220609T163000
DTSTAMP:20260403T142925
CREATED:20220428T194640Z
LAST-MODIFIED:20220428T194643Z
UID:8831-1654790400-1654792200@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-4/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220622T170000
DTEND;TZID=America/New_York:20220622T170000
DTSTAMP:20260403T142925
CREATED:20220516T194122Z
LAST-MODIFIED:20220526T204736Z
UID:8976-1655917200-1655917200@www.arttable.org
SUMMARY:New York | Curator’s Talk with Cecilia Alemani\, Artistic Director of the 59th Venice Biennale\, on “The Milk of Dreams”
DESCRIPTION:The James Howell Foundation and ArtTable present a special curator’s talk with Cecilia Alemani\, Artistic Director of the 59th International Art Exhibition of La Biennale di Venezia\, on this edition’s theme: “The Milk of Dreams.” Alemani will be in conversation with Laura Bardier\, Executive Director of the James Howell Foundation. \n\n\n\nOrganized around Leonora Carrington’s The Milk of Dreams\, the exhibition reflects on what it means to be human today. It focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; and the connection between bodies and the Earth. \n\n\n\nThis program is free and open to ArtTable Circle\, Board\, and Executive level members only. Registration is required. ArtTable Circle and Board members receive priority registration. Registration for Executive level members will open on Wednesday\, June 8\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional though recommended inside the gallery. Please note that by registering for this event you consent to have your contact information shared with the James Howell Foundation and ArtTable to be used in the event that contact tracing is needed.  Accessibility The James Howell Foundation is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The James Howell Foundation is located in the West Village neighborhood of New York City. The nearest subway station is Christopher Street (1 and 2 trains). The exact address will be shared with attendees upon registration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Cecilia Alemani\n\n\n\nCecilia Alemani is an Italian curator based in New York. Currently\, she is the Artistic Director of the upcoming 59th International Art Exhibition (2022) in Venice. Since 2011\, she has been the Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. \n\n\n\nAbout the James Howell Foundation\n\n\n\nThe James Howell Foundation is a proud sponsor of the 59th International Art Exhibition of La Biennale di Venezia “The Milk of Dreams.” The James Howell Foundation supports Howell’s vision of committed investigation of like-minded endeavors through a variety of professional programs and projects. The Foundation creates and furthers philanthropic initiatives that empower art professionals\, curators and artists\, as a contribution to cultural and humanistic advancement.  \n\n\n\n\n\n\n\n\n\n\n\nAbout The Milk of Dreams\n\n\n\n“The Milk of Dreams” takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. The exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures\, along with other figures of transformation\, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human. \n\n\n\nThis exhibition is grounded in many conversations with artists held in the last few years. The questions that kept emerging from these dialogues seem to capture this moment in history when the very survival of the species is threatened\, but also to sum up many other inquiries that pervade the sciences\, arts\, and myths of our time. How is the definition of the human changing? What constitutes life\, and what differentiates plant and animal\, human and non-human? What are our responsibilities towards the planet\, other people\, and other life forms? And what would life look like without us? \n\n\n\n\n\n\n\nThank you to ArtTable Board member Laura Bardier for organizing this program. \n\n\n\nImage: Cecilia Alemani; Cover art for the 59th Venice Biennale Catalog
URL:https://www.arttable.org/event/new-york-curator-talk-cecilia-alemani-milk-of-dreams/
LOCATION:The James Howell Foundation\, New York\, New York\, 10014\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-17-at-11.01.07-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220625T000000
DTEND;TZID=America/New_York:20220625T235959
DTSTAMP:20260403T142925
CREATED:20220411T213018Z
LAST-MODIFIED:20220427T191216Z
UID:8445-1656115200-1656201599@www.arttable.org
SUMMARY:A Day in Baltimore
DESCRIPTION:ArtTable is going to Baltimore!  \n\n\n\nPlease join us for a day of art and exploration in Baltimore\, Maryland. This trip will feature visits to two of Baltimore’s leading arts institutions\, a private collection\, and a contemporary gallery. Enjoy a lovely early summer’s day with members and friends exploring this vibrant city! \n\n\n\nPlease note: Transportation to and from Baltimore is not included in this trip. We will meet at the first location on the itinerary\, after which a private bus will provide transportation between other locations on the itinerary. We will also utilize ride-sharing apps for the final visit of the day. Recommended transportation to/from the city can be found below. \n\n\n\nITINERARY \n\n\n\n10:45 AM – Meet us at the American Visionary Art Museum for a tour of Healing and the Art of Compassion (and the Lack Thereof!) with the museum’s Founder & Director\, Rebecca Hoffberger. This will be Rebecca’s last exhibition before she retires in the fall.12:15 PM – Our shuttle bus will take us to the residence of Keith Eric Timmons for a private viewing of his collection\, which includes works by Amy Sherald\, Jerrell Gibbs\, and many more.1:30 PM – We will enjoy a delicious lunch at Gertrude’s Chesapeake Kitchen.3:00 PM – After lunch\, we will have time at the Baltimore Museum of Art to see dozens of works from public and private collections in an exploration of the full arc of Joan Mitchell’s artistic practice. Entry includes access to the whole museum in addition to the Joan Mitchell exhibition. Attendees will have time to explore at their leisure.4:15 PM – Finally\, we will end our day with a private tour and reception at Goya Contemporary/Goya-Girl Press\, where the exhibition\, The Soul Selects: Louise Fishman and her Heroes\, Mitchell\, Martin and Hesse\, will be on view.\n\n\n\nThis program is open to ArtTable members only $165\, and non-members for $195. Your ticket includes entry to both museums\, lunch\, and transportation (from the American Visionary Art Museum\, to the private collection\, to the Baltimore Museum of Art\, and to Goya Contemporary). \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety American Visionary Art Museum All visitors over the age of 2 must wear a face covering.All visitors are required to maintain 6 feet of social distancing at all times\, including in the elevators and restrooms. Parties/families may remain together. Children must remain with adults at all times.Coat check and water fountains are temporarily suspended. Please limit your bags to 12”X12” in size. Coats and strollers are allowed.No food or drink allowed in the museum.Frequent hand washing is encouraged\, or use of hand sanitizer stations located throughout the museum when hand washing is not possible.Restrooms and high-touch surfaces\, such as doorknobs\, are frequently cleaned all day.Photo and video without flash for personal use is welcome!If you’re not feeling well\, please stay home and visit us another time!​Private Residence Our host has requested that visitors wear a face covering for the duration of the tour.Gertrude's Gertrude's currently does not have any COVID guidelines in place. Staff have the option to wear a mask\, but it is not mandatory. Guests do not have to wear a mask while on the premises.Baltimore Museum of Art More information to come.Goya Contemporary Masks are encouraged but not required.Please email Haley at programs@arttable.org if you have any questions!  Accessibility American Visionary Art Museum The main entrance is the accessible entrance.Mobility Aids: The museum and its campus are accessible to wheelchairs and those with limited mobility. Wheelchairs are available free of charge at Visitor Services on a first-come\, first-served basis.Service animals are welcome in the museum.For visitors who are hearing impaired\, films are either captioned\, or transcripts are available upon request at Visitor Services.Private Residence There are 2 steps to enter the residence\, and multiple staircases inside. Please prepare accordinglyIf you will require accommodations for this portion of the trip\, please email Haley at programs@arttable.org.Gertrude's The restaurant is wheelchair accessible. Once you get up the small curb into the museum building (and there's even a ramp for that curb)\, the entire ground floor is one level without any steps.Baltimore Museum of Art More information to come.Goya Contemporary The gallery is wheelchair accessible\, though there is not a wheelchair available on site. The ramp is to the left of the entrance. Staff can meet the individual(s) at the entrance to assist with entry if needed.Please email Haley at programs@arttable.org if you have any questions!  Getting There To Baltimore from: Washington\, DC Amtrak has several train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Washington\, DC's Union Station at 8:12 AM and arrives at 8:54 AM. The next train departs at 9:15 AM and arrives at 9:56 AM. The following train does not arrive in Baltimore until 11:00 AM\, so not in time for the first tour of the day. You may also look into bus options via Peter Pan\, Megabus\, or Greyhound.Philadelphia Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Philadelphia's William H. Gray III 30th Street Station at 8:54 AM and arrives at 10:02 AM. The next train departs at 9:13 AM and arrives at 10:21 AM.New York City Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs New York Moynihan Trail Hall at 7:17 AM and arrives at 10:02 AM. The next train departs at 8:00 AM and arrives at 10:21 AM.To the American Visionary Art Museum The AVAM is located at 800 Key Hwy\, Baltimore\, MD 21230. From Baltimore Penn Station\, it is approximately a 12 minute drive\, or you can utilize local public transportation by taking the CityLink Green Bus Downtown from the train station to the Light Street & Redwood Street stop. Then switch to the 71 Bus at 71 Patapsco Station and ride 4 minutes to the Key Hwy & Covington NS EB stop\, just a 2 minute walk from the museum. To Baltimore Penn Station (from Goya Contemporary) Depending on traffic\, the drive from Goya Contemporary to Baltimore Penn Station is approximately 6-9 minutes. Public transportation is also available by walking approximately 6 minutes from the gallery to 33RD Street & Chestnut Avenue\, where you can pick up the 94 bus towards Fort McHenry\, and get off at the Howard St & North Ave stop. From there it is about a 9 minute walk to the train station. From Baltimore to: Washington\, DC Our day ends at 5:30 PM\, but yours doesn't have to! We encourage all members to stick around the city and explore at their leisure. When you're ready to head back\, Amtrak has plenty of trains departing Baltimore Penn Station at 5:53 PM (arrive 6:35 PM)\, 6:13 PM (arrive 6:51 PM)\, 6:55 PM (arrive 7:41 PM)\, and 7:57 PM (arrive 8:45 PM).Philadelphia Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in Philadelphia at 7:16 PM. If you want to stick around Baltimore a bit longer\, the next train departs at 6:44 PM and arrives in Philadelphia at 8:02 PM.New York City Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in New York City at 8:45 PM. If you want to stick around Baltimore for a bit longer and don't mind getting home late\, the next train departs at 6:44 PM and arrives in New York City at 9:45 PM.Please email Haley at programs@arttable.org if you have any questions! \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Click here to read our full cancellation policy. \n\n\n\nImage: Baltimore skyline\, courtesy of tripsavvy
URL:https://www.arttable.org/event/national-a-day-in-baltimore/
LOCATION:Baltimore\, Maryland\, Baltimore\, Maryland\, 21201\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Screen-Shot-2022-04-03-at-8.41.49-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220709T110000
DTEND;TZID=America/New_York:20220709T140000
DTSTAMP:20260403T142925
CREATED:20220520T154702Z
LAST-MODIFIED:20221101T202424Z
UID:9063-1657364400-1657375200@www.arttable.org
SUMMARY:Ridgefield\, CT | Curator-led Exhibition Tour - '52 Artists: A Feminist Milestone' at The Aldrich Contemporary Art Museum
DESCRIPTION:Please join us for a special tour of 52 Artists – A Feminist Milestone at The Aldrich Contemporary Art Museum\, with Senior Curator Amy Smith-Stewart. After our tour\, enjoy free time exploring the rest of the museum and join us for a no-host lunch at Bailey’s Backyard in Ridgefield’s Cultural District (which also includes bookstores\, sweet shops\, and more!). \n\n\n\n52 Artists: A Feminist Milestone celebrates the fifty-first anniversary of the historic exhibition Twenty Six Contemporary Women Artists\, curated by Lucy R. Lippard and presented at The Aldrich Contemporary Art Museum in 1971. 52 Artists will showcase work by the artists included in the original 1971 exhibition\, alongside a new roster of twenty-six female-identifying or nonbinary emerging artists\, tracking the evolution of feminist art practices over the past five decades. 52 Artists will encompass the entirety of the Museum (approx. 8\,000 sq. ft)—the first exhibition to do so in The Aldrich’s new building which was inaugurated in 2004. \n\n\n\nThe exhibition is organized by The Aldrich’s Senior Curator Amy Smith-Stewart\, who selected the emerging twenty-six artists\, and independent curator Alexandra Schwartz\, with The Aldrich’s Curatorial Assistant and Publications Manager Caitlin Monachino. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $15Member Guests/Non-Members – $25\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that transportation to The Aldrich is not included in this program. We will meet at the museum by 11:00 AM. See ‘Getting There’ below for directions. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The Aldrich Contemporary Art Museum is a private institution devoted to serving the public. The museum requires that visitors adhere to the protocols and Code of Conduct outlined below\, which apply to the Museum’s galleries and grounds. If you are feeling ill\, the museum asks that you please wait to visit the Museum at a later date. No outside food or beverages are permitted inside the museum. In an effort to keep our visitors safe\, The Aldrich has taken the following precautions: An acrylic panel has been placed at the Front Desk to keep staff and visitors apartTouchless hand sanitizing stations are installed throughout the MuseumThe coat room and water fountains are closedIf you're sick\, please stay home! By registering for this program\, you are affirming that you are currently not exhibiting symptoms consistent with COVID-19. If\, after this registration you become ill\, please contact Haley at programs@arttable.org. If you become ill with COVID-19 following your visit we ask that you kindly notify us so that we may inform the museum. Liability Statement from the Museum: I am aware that visiting The Aldrich Contemporary Art Museum includes risks arising from possible exposure to communicable diseases including COVID-19. I knowingly and voluntarily accept this risk and assume full responsibility for any injury\, illness or other loss that I may sustain as a result.  Accessibility The Aldrich is committed to providing a welcoming and accessible environment for all. The museum extends an inclusive and respectful invitation for visitors to engage\, learn\, and be inspired by their visit. The Aldrich is fully accessible to visitors who use mobility assistive devices. There is a ramp from the parking lot onto the walkway. There are no steps from the parking lot to the front doors of the Museum. Elevators are available to access both floors. Wheelchairs are available and disinfected before use; please ask the Front Desk for options. Service animals are welcome to visit the Museum. Gender inclusive restrooms are located on the first floor and are ADA compliant. For visitors who are blind or have low vision: the Museum is equipped with braille directional signage. These signs have been included in our cleaning protocols for health and safety. Our staff are available to give verbal descriptions of the artwork on view and assist with any way-finding. For visitors who are deaf or hard of hearing: The Museum works to ensure that all multimedia exhibitions are captioned\, if possible. Please ask about captioned works upon arrival. For visitors with Autism: the Museum is often less crowded during open hours on weekdays and mornings and late afternoons on weekends. Please call ahead to find out about your visit date. The galleries are kept between 68 and 72 degrees Fahrenheit. If you need quiet space during your visit\, please ask a Museum staff member to help you locate a suitable place. You may also step outside into the Sculpture Garden through the doors located in the Museum’s lobby on the first floor. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Aldrich Contemporary Art Museum is located at 258 Main Street\, Ridgefield\, CT 06877. Driving Directions The Aldrich is a short drive from many major metropolitan areas – 1.5 hours from New York City\, 3 hours from Philadelphia\, and 3 hours from Boston – and is located near I-95 and I-84. Free parking is available on site. Use Google Maps for driving directions.By Rail from New York City Take Metro North’s Harlem Line to the Katonah Station. The train ride is approximately one hour. From the train station\, take a 20-minute car ride (via Katonah Taxi\, Uber\, or Lyft) to the Museum. If taking Uber or Lyft\, please note that there may be a wait time for your car to arrive due to limited availability in the area. If taking Katonah Taxi\, you may schedule your pick-up time in advance.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Amy Smith-Stewart\n\n\n\nAmy Smith-Stewart is Senior Curator at The Aldrich Contemporary Art Museum. Since 2013 she has organized forty-two exhibitions and projects at the Museum. Her unique perspective has brought artists to The Aldrich during important stages of their careers including first time solo museum presentations with artists Milano Chow\, Lucia Hierro\, Genesis Belanger\, Eva LeWitt\, and Jessi Reaves\, and survey shows with Jackie Winsor\, Ruth Root\, Suzanne McClelland\, Harmony Hammond\, and Karla Knight. Harmony Hammond: Material Witness\, Five Decades of Art was named one of the best exhibitions of 2019 by the New York Times. The show traveled to the Sarasota Art Museum and was accompanied by the artist’s first monograph. Her upcoming curatorial project is 52 Artists: A Feminist Milestone. It revisits the historic exhibition\, Twenty Six Contemporary Women Artists\, curated by Lucy R. Lippard in 1971 and joins it with a new roster of twenty-six female identifying and nonbinary emerging artists to track the evolution of feminist art practices over half a century.  \n\n\n\nSmith-Stewart has organized more than seventy exhibitions in museums\, collections\, galleries\, and temporary spaces. She is founder of the eponymous nomadic curatorial project\, Smith-Stewart\, previously located on the Lower East Side from 2007–2009. She began her career as a curator at P.S.1 Contemporary Art Center (now MoMA PS1)\, where she mounted nineteen exhibitions and projects including first time solo museum presentations with artists Adrian Paci\, Mika Rottenberg\, Taryn Simon\, and Aleksandra Mir\, as well as group exhibitions including Day Labor and Greater New York 2005 (co-curator). From 2006–2007\, she was a Curatorial Advisor for the Mary Boone Gallery\, where she organized a series of group exhibitions introducing a new generation of artists to the Gallery. She has organized exhibitions at Socrates Sculpture Park and the Noguchi Museum and was the 2006–2008 Guest Curator for the Peter Norton Collection. She has served on faculty at the School of the Visual Arts\, MFA Fine Arts department\, and the Sotheby’s Institute of Art MA Contemporary Art program. Her writing has appeared in books and catalogues published by Taschen\, Gregory R. Miller & Co.\, Revolver Publishing\, Bates College Museum of Art\, Aldrich Contemporary Art Museum\, P.S.1 Contemporary Art Center\, KW Institute for Contemporary Art\, Charta\, among others. \n\n\n\n\n\n\n\nImages: Merrill Wagner\, Untitled\, 1969. Courtesy of the artist and David Zwirner\, New York. / Tourmaline\, Coral Hairstreak\, 2020. Courtesy of the artist and Chapter NY\, New York Photo: Dario Lasagni
URL:https://www.arttable.org/event/curator-led-exhibition-tour-52-artists-feminist-milestone-aldrich-contemporary-art-museum/
LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street\, Ridgefield\, Connecticut\, 06877\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-19-at-6.02.36-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220723T110000
DTEND;TZID=America/New_York:20220723T110000
DTSTAMP:20260403T142925
CREATED:20220622T195804Z
LAST-MODIFIED:20220630T160358Z
UID:9504-1658574000-1658574000@www.arttable.org
SUMMARY:Seattle | ArtTable Reception at the Seattle Art Fair
DESCRIPTION:Join ArtTable members from around the country for a private half-hour brunch reception\, followed by a tour of the Seattle Art Fair with Director Kelly Freeman. The tour will highlight woman-owned galleries and their artistic programs. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $45Member Guests/Non-Members – $65\n\n\n\nRegistration includes a complimentary fair pass which allows access for one person starting at 6:00pm on Thursday\, July 21 and all fair hours\, July 22-24\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All attendees to the fair are required to show proof of vaccination and wear a face mask while visiting the fair. Ticket holders may present any one of the following in paper form (original documents) or by digital application (photo of vaccination card\, Clear application\, State of California Digital COVID-19 Vaccination Record QR) to gain entry to the event: Proof of full vaccination\, which means your final dose of the COVID-19 vaccine has been administered at least 14 days before you plan to attend.Ticket holders\, ages 12 and older\, will be required to show either a government-issued (i.e. driver’s license\, passport) or school-issued photo ID that matches the name on your COVID-19 proof of vaccination. Guests under 12 do not require ID\, but must be accompanied by an adult who meets the above requirements. Entry will be denied for ticket holders who do not provide the documentation as required above. Everyone\, ages two (2) years and older\, must wear a face always covering within the event.Face coverings must cover the nose and mouth.Cloth\, surgical/3-ply\, KN95\, and 95 masks are permitted.Cloth face coverings should be made of tightly woven fabric and ideally composed of two or three layers of material. Cloth masks must fit snugly around the nose and chin to prevent leakage of air; a nose wire may be helpful in achieving a close seal. They may not be made of lace or similarly open or web-like material.Face shields can be used in addition to face coverings\, but are not an acceptable alternative to face coverings\, as described above.Gaiters\, bandanas\, and face coverings with an exhalation valve are not permitted.Masks will be made available if you do not bring your own.Non-compliance with face covering guidelines will result in immediate dismissal from the event. Refunds will not be administered.Art Market Productions will require a valid e-mail address at time of ticket purchase should contact tracing need to be administered.We encourage you to alert us by email or in person upon your arrival if you are concerned about any of the following. We would be glad to refund your tickets. That you may have been in contact with a person has tested positive for COVID-19 in the last 7 days.That you are experiencing any symptoms of fever or chills\, cough\, shortness of breath or difficulty breathing\, fatigue\, muscle or body aches\, headache\, the new loss of taste or smell\, sore throat\, congestion\, or runny nose\, nausea or vomiting\, or diarrhea.Hand sanitizer stations will be available throughout the event for your use. Signage will promote proper hand washing and hygiene practices. Staff will clean and sanitize the restrooms frequently. Please note that the regulations and recommended protocols continue to evolve\, and Art Market Productions reserves the right to revise these measures and requirements as needed\, in order to comply with federal and state regulations\, as well as to ensure the utmost safety of all visitors and staff onsite.  Accessibility The Lumen Field Event Center is fully ADA accessible.  Getting There The Seattle Art Fair will take place at the Lumen Field Event Center\, located at 800 Occidental Ave S\, Seattle\, WA 98134. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Kelly Freeman\nKelly Freeman directs AMP’s suite of art fairs\, sourcing and placing domestic and international galleries. She develops special projects and exhibitions – opportunities to appeal to a high end\, collecting audience\, shaping unique spaces and events to retain visitors year after year. Kelly also oversees all marketing and communications\, focusing on reaching the right audience for each event. Kelly also consults across AMP immersive events business\, working to develop strong content and drive quality attendance.Kelly previously worked with UBS and Citigroup’s Business Development Departments and has also managed the sales teams of several New York City contemporary art galleries. \n\n\nImage: Courtesy of the Seattle art fair
URL:https://www.arttable.org/event/arttable-reception-at-the-seattle-art-fair/
LOCATION:Seattle Art Fair\, Lumen Field Event Center\, 800 Occidental Ave S\, Seattle\, Washington\, 98134\, United States
CATEGORIES:National,Northwest
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/06/AMP.SAF_.2019_028-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220728T120000
DTEND;TZID=America/New_York:20220728T133000
DTSTAMP:20260403T142925
CREATED:20220617T172833Z
LAST-MODIFIED:20220628T144733Z
UID:9468-1659009600-1659015000@www.arttable.org
SUMMARY:Virtual | Meet the 2022 ArtTable Fellows!
DESCRIPTION:9am PT / 19am MT / 11am CT / 12pm ET\n\n\n\nPlease join us for a virtual meet & greet with the 2022 ArtTable Fellows! This year ArtTable was able to award 17 fellowship positions to emerging professionals throughout the country\, all thanks to generous donations from individuals\, foundations\, and corporations. The fellows will discuss their projects and overall experience with the ArtTable Fellowship Program so far. We are also thrilled to have Alana Hernandez\, Executive Director & Curator CALA Alliance (Celebración Artística de las Américas) and former ArtTable Fellow\, join us to share her perspective on her ArtTable Fellowship experiences\, and to offer valuable advice to the current fellows. This is a wonderful opportunity to meet our current fellowship cohort and learn more about the ArtTable Fellowship Program and the opportunities it provides to emerging professionals. We are pleased to celebrate over 20 years of this impactful program in which we have partnered with 64 leading arts organizations nation-wide\, supported 127 women-identifying fellows\, and dispersed over $371\,000 in stipends for the fellows since its inception. Click here to read more about our Impact initiatives! \n\n\n\nRegistration for this program is free and open to all\, with a suggested donation of $15.00 to continue to support the program. We hope to see you there! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the ArtTable Fellowship Program\nSince the year 2000\, ArtTable has conducted a Fellowship Program to address the marked lack of diversity in arts employment. The Fellowship provides quality experiences and mentorship to women-identifying graduate students and emerging professionals from backgrounds generally underrepresented in the field to aid their transition from academic to professional careers. Through one-on-one mentoring relationships at select museums and cultural organizations\, fellows have the opportunity to work with established leaders and gain exposure to a range of professional activities. \nThe 2022 ArtTable Fellows\nCheyene Adams | The Studio Museum in Harlem | New York\, NYLara Arafeh | The Baltimore Museum of Art | Baltimore\, MDAlexandria Bingham | Capital One Art Program | Tysons\, VACandace Borders | Contemporary Art Museum St. Louis | St. Louis\, MOAmanda Elena Brito | Oklahoma Contemporary Arts Center | Oklahoma City\, OKLulu Luyao Chang | The James Howell Foundation | New York\, NYMichelle Huynh Chu | Cooper Hewitt\, Smithsonian Design Museum | New York\, NYRebeca Cintrón-Loáisiga | The Metropolitan Museum of Art | New York\, NYYocari De los Santos | CALA Alliance | Phoenix\, AZSophia Ellis | The Morgan Library & Museum | New York\, NYLuiza Repsold França | El Museo del Barrio | New York\, NYKimari Jackson | Seattle Art Museum | Seattle\, WAStefanie Jason | Amant Foundation | Brooklyn\, NYJuliet Johnson | Materials & Applications (M&A) | Los Angeles\, CATatyana Neal | American Indian Artists Inc. (AMERINDA) | New York\, NYchristian reeder | Montclair Art Museum | Montclair\, NJXiao Wei | Swann Galleries | New York\, NY \nClick here to read more about the ArtTable Fellowship Program\, the 2022 Fellows\, and the projects they are working on this summer. \n2022 Fellowship Supporters\nThis project is supported in part by the National Endowment for the Arts. ArtTable is grateful for our new supporters\, Herschel Supply Co.\, Murk & Co\, Capital One Art Program\, and The James Howell Foundation. For their continued support\, ArtTable also thanks the Helen Frankenthaler Foundation\, Lenore Tawney Foundation\, Pierre & Tana Matisse Foundation\, and The Leon Polk Smith Foundation\, among others\, along with the invaluable support of individuals\, including Lila Harnett\, ArtTable’s founder and original supporter of this program\, and also the help of our Fellowship Committee Members and Mentors involved in the program. A list of all supporters of the ArtTable Fellowship can be found here. \nTo find out more about how National Endowment for the Arts grants impact individuals and communities\, visit www.arts.gov. \nFor more information on how to contribute to this program or to participate\, visit arttable.org/impact.\n \n\n\n\n\n\n\n\n\n\nTo learn more about supporting this program\, email director@arttable.org. \n\n\n\nTo learn more about participating in this program as a Host Organization or Fellow\, email lroldan@arttable.org. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-meet-the-2022-arttable-fellows/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/06/Screen-Shot-2022-06-02-at-12.41.24-PM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220729T160000
DTEND;TZID=America/New_York:20220729T160000
DTSTAMP:20260403T142925
CREATED:20220708T161802Z
LAST-MODIFIED:20220720T135624Z
UID:9666-1659110400-1659110400@www.arttable.org
SUMMARY:New York | VIP Preview at 4Heads Artists-in-Residence Portal Art Fair on Governors Island
DESCRIPTION:Join us on Governors Island for VIP Preview of the Portal Art Fair\, including a discussion with the Founders of 4Heads Artist-in-Residence and an opportunity to meet with the artists in their studios! Light refreshments will be provided. Please note that there are two time slots for this program beginning at 4:15 PM or 6:15 PM. \n\n\n\nThis is the 15th Anniversary of the 4Heads Organization on Governors Island. The founders will share their experience in starting this non-profit arts organization\, how they grew and expanded over the years\, artist success stories\, and how they adapted and adjusted due to the pandemic. \n\n\n\nThe current 8 Artists-in-Residence will give insight into their experiences and installations\, giving individual talks and a VIP preview before the public exhibition taking place from August 5-7. Each artist was assigned a different area of the house and allowed the freedom to transform the space. \n\n\n\nGovernors Island Art Fair (now called Portal: GI) was first launched in 2008\, and was one of the very first major art events to take place on Governors Island. As interest in the Island as a cultural destination has grown\, in particular over the last several years\, 4heads has remained steadfast in maintaining its presence\, continuing to provide working artists with a place to show new and recent work and to build their network of support – both among peers and the public. \n\n\n\nGovernor’s Island is open late on Friday and Saturday nights\, with the last ferry to Manhattan departing at 10 PM. Guests are welcome to stay on the island\, watch the sunset\, and enjoy a drink. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nPlease note that your ferry to Governors Island is not included with your ticket. Attendees are responsible for getting themselves to and from the program. \n\n\n\nNot a member? Join today! \n\n\n\nThere are two time slots for this program beginning at 4:15 PM or 6:15 PM: \n\n\n\nSESSION 1 \n\n\n\n4:15-5:00 PM – Presentation and discussion with 4Heads Founders and team5:00-6:00 PM – Visit artist’s spaces and chat with the artists\n\n\n\nSESSION 2 \n\n\n\n6:15-7:00 PM – Presentation and discussion with 4Heads Founders and team7:00-8:00 PM – Visit artist’s spaces and chat with the artists\n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face masks are required while indoors.  Accessibility Colonel's Row\, Building 408A\, is not wheelchair-accessible. There are stairs to enter the first and second floors of the building. If you require accommodations for this program\, please email Haley at programs@arttable.org for assistance.  Getting There This program will take place at Colonel's Row\, Building 408A\, on Governors Island. Getting to Governors Island Governors Island is accessible via the NYC Ferry\, which operates year-round. See here for ferry pickup and dropoff locations and schedules\, as well as to purchase your ticket. All tickets are roundtrip and you do not have to make a reservation for your return ferry. Tickets are $4 for adults and free for seniors aged 65 and over\, residents of NYCHA housing\, IDNYC holders\, military service members (former and active)\, and Governors Island members. Governor's Island is open late on Friday and Saturday nights\, the last ferry to Manhattan being at 10pm. Guests are welcome to stay on the island\, watch the sunset and enjoy a drink with the view of the skyline or Statue of Liberty behind them.Please email Haley at programs@arttable.org if you need assistance in scheduling your ferry.For additional information:Governor's Island Ferry: https://www.govisland.com/plan-your-visit/ferryNYC Ferry: https://www.ferry.nyc/routes-and-schedules/Getting to Building 408A Upon arriving on Governors Island\, follow this map to Colonel's Row\, Building 408A. \n\n\n\n\n\nClick below to register for the 4:15 PM session. \n\n\n\n\n\n\n\n\n\nClick below to register for the 6:15 PM session. \n\n\n\n\n\n\n\n\n\n\n\nImage: Courtesy of 4Heads
URL:https://www.arttable.org/event/new-york-vip-preview-at-4heads-artists-in-residence-portal-art-fair-on-governors-island/
LOCATION:Governors Island\, Colonel's Row\, Building 408A\, New York\, New York\, United States
CATEGORIES:National,Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/07/Screen-Shot-2022-07-11-at-11.39.43-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220901T170000
DTEND;TZID=America/New_York:20220901T170000
DTSTAMP:20260403T142925
CREATED:20220621T203024Z
LAST-MODIFIED:20220622T155227Z
UID:9479-1662051600-1662051600@www.arttable.org
SUMMARY:Virtual | Landmarks: A Discussion on Public Art\, with Sarah Oppenheimer & Andrée Bober
DESCRIPTION:2pm PT / 3pm MT / 4pm CT / 5pm ET\n\n\n\nPlease join us for a virtual conversation between artist Sarah Oppenheimer and Andrée Bober\, founding director and curator of Landmarks\, the public art program of The University of Texas at Austin. The discussion will offer an inside look at C-010106\, Oppenheimer’s recent commission for the university’s College of Engineering. Oppenheimer and Bober will introduce the work and share insights on developing a major outdoor public art project within a unique and complex architectural setting. \n\n\n\nC-010106 consists of two structures positioned at opposite ends of a new pedestrian footbridge on the Texas Engineering campus. Each structure features four panes of glass⎯ two reflective\, diagonal sheets sandwiched between two vertical sheets. At the intersection of the four panes\, the glass passes through an incision in the bridge’s surface\, enabling pedestrians on top of the bridge to see the reflections of those underneath\, and vice versa.  \n\n\n\nOppenheimer pushes the boundaries between sculpture and architecture\, questioning the limits of both mediums. The artist shifts our frame of spatial reference\, displacing our experience of inside and out\, and inverting our sense of what is near and far. In doing so\, Oppenheimer heightens our awareness of the shared environment and creates unexpected opportunities for social exchange. \n\n\n\nC-010106 is Oppenheimer’s first entirely outdoor public work and is among the artist’s largest works to date. Sited on the Peyton Yates Family footbridge connecting the Engineering Education and Research Center (EERC) to the new Gary L. Thomas Energy Engineering Building (GLT)—designed through a collaboration of Jacobs and Ennead—the work features architectural materials that have been engineered with unique specificity. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout Andrée Bober\n\n\n\nAndrée Bober is the founding director and curator of Landmarks \, the public art program at The University of Texas at Austin. Building upon a long term loan with the Metropolitan Museum of Art\, she has commissioned major works by artists such as Ann Hamilton\, José Parlá\, Nancy Rubins\, Jennifer Steinkamp\, and James Turrell. Bober also created Landmarks Video in 2010\, an ongoing series of video art. She previously led the Contemporary Arts Center Cincinnati through the successful completion of its Zaha Hadid designed facility\, both as deputy and then acting director. Bober studied art history and museology at The University of Texas at Austin\, practiced painting conservation in Vienna\, Austria\, and earned a Master of Arts in Arts Administration from Columbia University in New York. Her recent publications include The Collections: The University of Texas at Austin (2016) and Landmarks (2018). She lives with her family in Chevy Chase\, Maryland. \n\n\n\nAbout Sarah Oppenheimer\n\n\n\nSarah Oppenheimer (b. 1972\, Austin\, Texas) has lived and worked in New York City since earning a Bachelor of Arts from Brown University in 1995 and a Master of Fine Arts from Yale University in 1999. Oppenheimer’s work has been featured in solo exhibitions at Kunstmuseum Thun\, Switzerland (2020); MASS MoCA\, North Adams\,Massachusetts (2019); the Wexner Center for the Arts\, Ohio State University\, Columbus\,Ohio (2017); the Pérez Art Museum Miami\, Florida (2016); MUDAM: Musée d’ArtModerne Grand-Duc Jean\, Luxembourg (2016); and Kunsthaus Baselland\, Muttenz\,Switzerland (2014). The artist is a recipient of the Rome Prize Fellowship (2011–12)\, Louis Comfort Tiffany Foundation Fellowship (2009)\, and Guggenheim FoundationFellowship (2007). Oppenheimer is currently a senior critic at the Yale University School of Art. \n\n\n\nAbout Landmarks\n\n\n\nLandmarks is the award-winning public art program of The University of Texas at Austin and the College of Fine Arts. Its collection of modern and contemporary art celebrates diverse perspectives\, featuring commissioned projects alongside sculptures on long term loan from the Metropolitan Museum of Art. Landmarks inspires thought and growth by making great art free and accessible to all. \n\n\n\n\n\n\n\nImage: Sarah Oppenheimer\, C-010106\, 2022 / Aluminum\, steel\, glass\, and architecture / Two forms: 191 x 125 x 35” and 156 x 125 x 35” / Courtesy of Landmarks\, The University of Texas at Austin / Photo by Richard Barnes
URL:https://www.arttable.org/event/virtual-landmarks-a-discussion-on-public-art-with-sarah-oppenheimer-andree-bober/
LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street\, Ridgefield\, Connecticut\, 06877\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/06/OppenheimerS_C010106_BarnesR_002.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220907T173000
DTEND;TZID=America/New_York:20220907T173000
DTSTAMP:20260403T142925
CREATED:20220707T150021Z
LAST-MODIFIED:20220830T144602Z
UID:9651-1662571800-1662571800@www.arttable.org
SUMMARY:New York | Annual Leadership Series - Latinx and Latin American Identity and Representation in the Visual Arts
DESCRIPTION:ArtTable is pleased to present the 2022 Annual Leadership Series\, focusing on Latinx & Latin American Identity & Representation in the Visual Arts.  \n\n\n\nThe 2022 Armory Show’s fair-wide focus on Latinx and Latin American Art is the culmination of decades-long efforts of critical forerunners in the field\, chief amongst them the incredible visionaries on this panel. Latinx representation in the arts is not simply “having a moment;” Latinx and Latin American artists and arts professionals have and continue to contribute to the development of the culture and history of the United States. Through establishing curators of Latin American/Latinx Art at key cultural institutions and sharing their collections or the curation of exhibitions in these public spaces\, passionate innovators\, such as Estrellita Brodsky and Patricia Phelps de Cisneros\, assisted these visionaries in staying the course to ensure today’s transnational understanding and authentic engagement with the art produced by those who hail from the non-Anglophone nations of the Western hemisphere\, as well as those who have joined the U.S. population from these countries. There is added pressure\, applied to the United States in particular\, to recognize its fellow “America”n countries due to the phenomenon Dr. Mari Carmen Ramirez termed “Latinization\,” the influence of those of Latin American descent as the largest ethnic group in the U.S.\, since historically their contributions have been minimized and excluded in the canon of art history\, both in the Americas and internationally.  \n\n\n\nThe speakers on this panel will share their experiences of the past\, their plans for the present\, and how we can all move forward in the future to continue bringing Latinx/Latin American arts and culture to the forefront of the art world. \n\n\n\nThe program will be moderated by CJ Greenhill Caldera\, Post-War and Contemporary Specialist and Head of Sale\, Americas at artnet\, with panelists: \n\n\n\nMarysol Nieves | VP and Senior Specialist\, Latin American Art\, Christie’sGabriela Palmieri | Founder and Principal\, Palmieri Fine Art\, Inc.E. Carmen Ramos | Chief Curator\, National Gallery of Art\n\n\n\nAdmission: \n\n\n\nArtTable Members – $30Non-members/Guests – $45Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Brunch at The Armory Show on Saturday\, September 10.\n\n\n\nPlease review before registering: \n\n\n Health & Safety Face masks are optional and dependent on the comfort of the individual. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility Christie's New York offers the below accessible options: - Street level access via main entrance on 49th Street- Wheelchair access to all galleries- Access to one of the main floor galleries via lifts can be requested upon arrival at the front entrance- Accessible toilets- Gender neutral bathroom- Braille toilet signage  Getting There Christie's is located at 20 Rockefeller Plaza\, New York\, NY 10020. The nearest subway stop is 47-50 Sts-Rockefeller Ctr (B\, D\, F\, M trains). Click here to get directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Should a program be postponed by ArtTable for any reason\, the purchaser’s ticket will be honored for the rescheduled program. Should a program be canceled and not rescheduled\, the purchaser will receive credit to be used toward a future program. Please email programs@arttable.org with any questions.\n\n\n\n\n\n\n\n\nAbout the Speakers\n(More information to be added) \nMarysol Nieves is Vice President and Senior Specialist\, Latin American Art at Christie’s\, New York where she has worked on several important consignments\, including\, the sale of the world auction record for the category\, Diego Rivera’s The Rivals as well as the 2022 sale of The Embroiderer\, a rediscovered masterpiece by Rivera acquired by the Museum of Fine Arts in Houston. She has also been instrumental in bringing such previously under recognized women artists to the auction market as Zilia Sánchez and Olga Albizu. Prior to joining Christie’s in 2011\, Marysol was an independent curator and art advisor working with institutional\, corporate\, and private clients. Additionally\, she has held various positions in the museum and for-profit art sectors\, including Vice President and Specialist\, Latin American Art\, Sotheby’s\, New York; Senior Curator and Curator of Contemporary Art\, Museo de Arte de Puerto Rico\, San Juan; Director of Visual Arts\, Americas Society\, New York; and Senior Curator\, The Bronx Museum of the Arts\, New York. \nGabriela Palmieri is the Founder and Principal of Palmieri Fine Art\, Inc.\, a bespoke full-service Art firm based in New York City. Prior to establishing PFA\, Inc.\, in 2016\, Ms. Palmieri led a distinguished 17-year career at Sotheby’s\, where she rose to Chairman of Contemporary Art\, Americas\, and was recognized as one of the most respected in the auction industry as a leading specialist in Post-War Art. \nMs. Palmieri founded PFA\, Inc. in order to unequivocally provide her clients with unbiased\, objective and transparent counsel in the increasingly complex and nuanced art market. In her independent role she is committed to providing impartial advice and counsel for established and new collectors aimed at making informed acquisitions\, which requires careful analysis and due diligence. As a seasoned researcher and scholar\, Gabriela brings to bear all the relevant factors about the artist\, the market trajectory for the artist’s work\, the particular work taken in the context of the artist’s career\, provenance\, condition\, literature and comparative uniqueness. \nIn the evolving art market\, Ms. Palmieri recognizes that client advocacy is as important as advisory\, a role that she spearheaded during her tenure at Sotheby’s where she was the client advocate on every transaction. Among the many highlights during her tenure at Sotheby’s included heading Sotheby’s May 2008 Day Sale to realize $107\,800\,000\, a record total for a Day Sale at any auction house at the time\, which followed a $102\,800\,000 performance from November 2007. As the Head of the Evening Sale\, she curated the bespoke Allan Stone Collection\, which fetched $55\,000\,000 in 2011. This role culminated in her stewardship of the prestigious Ahead of the Curve: The Sender Collection sale in May 2014 at Sotheby’s\, which sold in excess of $86\,000\,000. \nThis unparalleled auction house experience uniquely positions Ms. Palmieri to assess the market and deliver the most comprehensive secondary market expertise both on the buying and selling side of the transaction. Still very much part of the auction world\, in her present capacity\, she advised every aspect of the prestigious Visionaries: Works from the Collection of Emily and Jerry Spiegel\, which sold at Christie’s in May 2017 for $128\,000\,000. In November 2017\, she counseled Barbaralee Diamonstein-Spielvogel and Ambassador Carl Spielvogel’s Collection: Magnificent Gestures\, which sold at Sotheby’s in November 2017 for $54\,700\,000\, with all proceeds benefitting a Not-For-Profit Charitable Foundation that will supports science and medicine\, educational reform and cultural projects. \nMore recently\, Ms. Palmieri advised Image World\, a private Collection featuring seminal examples from the Pictures Generation of artists\, as well as more contemporary works. Carrying a pre-sale estimate of $36\,000\,000-52\,000\,000\, the Collection made its debut at auction as the highlight of Christie’s 21st Century Evening Sale in November 2021\, with further sales continuing into Spring 2022. \nIn 2021 Ms. Palmieri also advised on all aspects of bringing the prestigious Brillembourg-Caprilles Collection to market at Sotheby’s. The museum-quality Collection was assembled over forty years of connoisseurship and passion\, and it is distinguished for its depth of iconic works by contemporary Latin American masters. With an overall pre-sale estimate of approximately $13\,000\,000-18\,000\,000\, the Collection first hit the auction block at Sotheby’s Modern Art Marquee Sale in November 2021\, followed by subsequent sales into Fall 2022. \nIn 2018\, Ms. Palmieri joined the Board of Trustees of Anderson Ranch Arts Center\, based in Aspen/Snowmass\, a premier art making destination and catalyst for critical dialogue in the contemporary art world. In 2019\, she joined the Board of Directors of El Museo del Barrio\, New York’s leading Latin American cultural institution\, with an emphasis on works from Puerto Rico and the Puerto Rican community in the city. \nPrior to joining Sotheby’s\, Ms. Palmieri received her Bachelor of Arts degree in Art History cum laude at Boston College in 1997\, and she achieved her Master of Arts and advanced to PhD standing at the University of Chicago. \nMs. Palmieri is a Certified Member\, AAA\, Appraisers Association of America\, and since 2012 she has executed numerous appraisals in compliance with the Uniform Standards of Professional Appraisal Practice (USPAP)\, the only set of appraisal standards promulgated by The Appraisal Foundation and approved by the Internal Revenue Service. \nSince 2021\, E. Carmen Ramos is chief curatorial and conservation officer at The National Gallery of Art in Washington D.C. There she leads the curatorial and conservation teams as they serve the nation and beyond through collections development\, ground-breaking scholarship and exhibitions\, and art conservation. Ramos most recently served as acting chief curator and curator of Latinx art at the Smithsonian American Art Museum\, where she built one of the largest collections of Latinx art at a museum of U.S. art. She organized award-winning exhibitions at SAAM including ¡Printing the Revolution!\, Our America: The Latino Presence in American Art\, and Down These Mean Streets: Community and Place in Urban Photography. Before prior to the Smithsonian\, she was a curator at the Newark Museum and worked on early DEAI initiatives at The Brooklyn Museum. She holds a MA and PhD in art history from the University of Chicago. \n\n\n\n\n\n\n\nSpecial thanks to Christie’s for hosting us for this discussion.
URL:https://www.arttable.org/event/save-the-date-new-york-annual-leadership-series-latinx-and-latin-american-identity-and-representation-in-the-visual-arts/
LOCATION:Christie’s New York\, 20 Rockefeller Plaza\, New York\, New York\, 10020\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/07/Screen-Shot-2022-08-01-at-4.48.46-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220910T110000
DTEND;TZID=America/New_York:20220910T123000
DTSTAMP:20260403T142925
CREATED:20220817T175122Z
LAST-MODIFIED:20220830T144540Z
UID:9954-1662807600-1662813000@www.arttable.org
SUMMARY:New York | ArtTable Annual Brunch Reception at The Armory Show
DESCRIPTION:Please join us for ArtTable’s Annual Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, taking place annually in September at the Javits Center in New York City. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and refreshments. We look forward to seeing you soon! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $50Member Guests – $60Non-Members – $70Combo Ticket – $60 for Members / $95 for Non-Members – Save $20 when registering for this event and ArtTable’s Annual Leadership Series on Wednesday\, September 7.\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety In partnership with the Javits Center\, a New York State-run facility\, The Armory Show will implement all applicable COVID-19 safety procedures recommended by the CDC and New York City health officials. The Javits Center staff is working closely with our clients\, government partners and industry stakeholders to ensure operations are as safe\, efficient and effective as possible. Thanks to the high vaccination rate statewide and in accordance with New York State and New York City guidelines\, proof of COVID-19 vaccination (two doses) is ONLY required for those working in the building\, including: Javits Center employees;Cultivated employees;Employees of vendors performing work for the Javits Center;Employees of our service partners and tenants such as FedEx and Fintech;Employees of General Contractors and Exhibit Appointed Contractors; andIndividuals visiting the Javits Center administrative office area.Face coverings are no longer required to enter the building. Approved vaccines include those authorized for emergency use by the U.S. Food and Drug Administration (FDA) or World Health Organization (WHO). ADDITIONAL MEASURES The Javits Center has implemented additional measures to enhance the safety of all visitors\, including: Installation of High Efficiency Particulate Air (HEPA) air filters to reduce air pollutants throughout the convention center;Installation of socially distanced seating in all food and beverage areas;Installation of hand-sanitizing stations in public areas; andAccreditation by the Global Biorisk Advisory Council (GBAC)\, the industry’s highest standard for cleaning and disinfection.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Please note that these guidelines are subject to change as needed.  Accessibility The Javits Center strives to make our facilities and services accessible to people with disabilities. Our campus features sidewalk ramps and automatic doors at all street levels\, as well as accessible restrooms and elevators. Motorized devices may be used by people with mobility impairments subject to reasonable safety restrictions. The Javits Center offers mobility vehicles to assist visitors with navigating the convention center during events. These vehicles are provided on a first-come\, first-serve basis. If you would like to place an order for a mobility vehicle\, please visit our online ordering system\, Jake. In addition\, a limited number of manually operated wheelchairs are available at no fee by visiting the Concierge Desk in the Crystal Palace off 11th Avenue. You will be required to leave a photo ID which will be returned when you return the wheelchair. The Javits Center campus features sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. If you have any questions\, please contact our Command Center at 212-216-2196. Click here to view all Accessibility information for the Javits Center. Please email Haley Carloni at programs@arttable.org if you require assistance in securing accommodations for this program.  Getting There The Armory Show 2022 will take place at the Javits Center\, located at 429 11th Ave\, Crystal Palace Entrance\, between 35th and 36th\, New York\, NY\, 10001. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Installation view of The Armory Show\, 2021. Photo by Casey Kelbaugh. Courtesy of The Armory Show and Artsy.
URL:https://www.arttable.org/event/new-york-arttable-annual-brunch-reception-at-the-armory-show/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/08/Screen-Shot-2022-08-17-at-1.46.02-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220914T180000
DTEND;TZID=America/New_York:20220914T180000
DTSTAMP:20260403T142925
CREATED:20220818T174337Z
LAST-MODIFIED:20220831T183157Z
UID:9814-1663178400-1663178400@www.arttable.org
SUMMARY:Virtual | Let's Connect! Fall National Networking Event
DESCRIPTION:3pm PT / 4pm MT / 5pm CT / 6pm ET\n\n\n\nWe invite all ArtTable members to join us for our next virtual national networking event! In this session we will discuss our individual challenges and hopefully by doing so uncover ways in which we can help and support one another. \n\n\n\nOur first national networking event took place in May 2021 and allowed members from all over to share ideas and make new connections! We are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \n\n\n\nThis program is free for all ArtTable members. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-lets-connect-fall-national-networking-event-22/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/09/fall.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220915T160000
DTEND;TZID=America/New_York:20220915T163000
DTSTAMP:20260403T142925
CREATED:20220607T200601Z
LAST-MODIFIED:20220607T200605Z
UID:9353-1663257600-1663259400@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. Whether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-5/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2022/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220920T173000
DTEND;TZID=America/New_York:20220920T173000
DTSTAMP:20260403T142925
CREATED:20220906T212314Z
LAST-MODIFIED:20220920T212848Z
UID:10080-1663695000-1663695000@www.arttable.org
SUMMARY:Virtual | The AT Forum: Women in Leadership
DESCRIPTION:2:30pm PT / 3:30pm MT / 4:30pm CT / 5:30pm ET\n\n\n\nAs a woman in a leadership role\, what were the top 3 challenges when you started your career and what are they now? Are the challenges from your early career days resolved? How have they changed? \n\n\n\nOne of the biggest challenges for women in the workforce is a work-life balance since child care\, elder care\, and other family responsibilities still weigh more heavily on women. What are 3 things that would help change this burden and enhance this balance? \n\n\n\nWhat are the ways in which women can help other women while also enhancing their own leadership roles? How have you already incorporated these into your practice? \n\n\n\nThese are the prompt questions that ArtTable provided to several of our current members who currently hold or have held leadership positions within the art world. Presented in partnership with the CAA (College Art Association) 50th Anniversary Celebration of Feminism + Art\, ArtTable is pleased to present the first program in the new The AT Forum Series: Women in Leadership\, a Pecha Kucha-style program welcoming leading women in the arts to provide their insight and expertise on leadership\, equity\, and intersectional feminism. \n\n\n\nThe prompt questions that were provided to the speakers could easily be answered in hours-long conversations or lengthy essays. In this Pecha Kucha-style program\, our speakers have been provided with just 3 minutes each to respond to one of the prompt questions. After hearing from some of the speakers\, all attendees will go into breakout rooms for a group discussion\, after which the others speakers will address a different prompt question. \n\n\n\nThe AT Forum is a new recurring program series in which ArtTable members are invited to speak to a specific topic in a Pecha Kucha-style format\, followed by breakout room discussions for all attendees to get involved. Keep an eye out for the next AT Forum program! \n\n\n\nArtTable is proud to partner with the CAA (College Art Association). If you would like to attend the CAA 50th Anniversary Celebration of Feminism + Art via Livestream on September 23 at 4 p.m. ET\, please register here: https://caafeminism50.eventbrite.co.uk. \n\n\n\nThis program is free for anyone who would like to attend\, though registration is required.  \n\n\n\nDonations are sincerely appreciated and go towards supporting ArtTable’s initiatives.  \n\n\n\n\n\n\n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\n\n\n\nSpeakers\n[Additional Details Forthcoming] \nLaura Ballman is a credentialed art market expert. She offers clients a global perspective developed during two decades building trusted relationships across four continents. Previously\, Laura led US Art & Finance for Deloitte\, the world’s largest business consulting firm\, serving blue-chip auction houses\, collectors\, galleries\, governments\, museums\, and financial institutions. Earlier in her career\, Laura served Democrat and Republican Administrations in a number of international-facing roles\, including as head of intelligence for the FBI Art Crime Team. Laura holds an MA in Art Business from Sotheby’s Institute of Art and an MA in International Affairs from Columbia University’s School of International and Public Affairs. She is Uniform Standards of Professional Appraisal Practice (USPAP) compliant through March 2023. \nTanya Desdunes\, a Haitian-American and African- American living in Miami\, Florida since 2014\, has worked with Diaspora Vibe Cultural Arts Incubator\, Inc. since 2018 in multiple capacities. Desdunes holds a Bachelor of Arts and Master of Arts in History from St. John’s University. She joined DVCAI as the Executive Director in July 2021 and is excited to uphold artistic representation and cultural preservation of the Caribbean and Latin Diaspora arts community in South Florida. \n  \nValerie Gillespie is an independent curator based in Dallas. She holds a doctorate in educational leadership from the University of New England in Portland and curatorial practice from New York University. Her undergraduate degree is in Studio Art and Spanish from Randolph-Macon Woman’s College in Lynchburg\, Virginia. During her years abroad in Santiago de Compostela\, Spain\, Valerie studied art and architecture. While completing her artist in residence program with Università Iuav di Venezia in Venice\, Italy\, she studied painting under the guidance of Maurizio Pellegrin. Valerie currently is the Director of Fine Arts at the Winston School and owner of Pencil on Paper Gallery in Dallas. Some of her recent exhibitions include curatorial projects with the 500X Gallery in Dallas\, 400H Gallery in Fort Worth\, the Hawn Gallery at Southern Methodist University\, the Martin Museum at Baylor University\, and the Texas Visual Arts Association. \nCecilia Yueyi Jalboukh is the Founder and Director of Brooklyn-based YI GALLERY. YI GALLERY program features a diverse and eclectic mixture of emerging and mid-career international artists. Started in 2018 as a curatorial project exhibiting in non-traditional settings\, YI has expanded to include a collaborative exhibition space in Bushwick (2020 – 2021). The gallery program continues to evolve with a new space inside Brooklyn’s vibrant creative hub Industry City\, launched in 2021. YI is committed to offering a platform for distinctive artistic voices\, while enhancing the public’s interaction with contemporary art. \nPassionate about promoting Indigenous values\, Frances Melgarejo\, M.A. (Peruvian Quechua/Irish) is a researcher and emerging curator of Indigenous arts of the Americas. Through a feminist lens and a phenomenological approach\, she aims to unearth women artists’ muted voices to celebrate their significant contributions and learn from their unique experiences. \nCurrently\, she is an administrative assistant for the Native American arts organization in New York City\, Amerinda Inc. She was introduced to the organization as an ArtTable Fellow in the summer of 2021\, where she performed as a curatorial assistant to Native curator David Bunn Martine. Recently\, she conducted research for an exhibit on contemporary Seminole patchwork projected to show in South Florida in 2024. At this time\, she is conducting preliminary research for a New York City exhibit showcasing contemporary visual art by Indigenous women. \n \nNuria Richards is an arts professional who is passionate about art collections and the way they positively impact the market and philanthropy. She attended the Fine Arts School at the National University in Mexico City and holds an Art Business Graduate degree from Sotheby’s Institute of Art – Claremont Graduate University where she extended her academic interests to Economics\, Cultural Studies\, and Management of Corporate Collections. \nAfter studying in New York and Los Angeles\, Nuria relocated to Miami and worked in the gallery system holding the position of Executive Manager for Piero Atchugarry Gallery\, and Director of Museum Relations for Ascaso Gallery. Around this period she became part of ArtTable Florida Chapter as Chair of Programming. \nNuria supports young and emerging artists through the curatorial project Clandestina and is the founder of RICHARDS & Co\, an Art Management & Estate Planning Agency that evaluates and creates strategies for acquiring\, selling\, transferring\, and donating art. She works\, with families and individuals\, designing the sale and acquisition of works by artists like Jean-Michel Basquiat\, George Condo\, Diego Rivera\, Wifredo Lam\, Joaquín Torres-García\, Victor Vasarely\, and Leonora Carrington. Her relationship with art and involvement with museums\, galleries\, artists\, and collectors in the US and Mexico seeks to create cultural impact through the practice of art collecting. \nNuria’s goal is to generate strategies for collectors to successfully fulfill their art interests\, while positively impacting the community. She has been a conduit between secondary and primary markets for a generation of artists and collectors that were caught in the middle of a rapidly changing art world. \nTeresa Silva is the Executive and Artistic Director at the Chicago Artists Coalition\, a nonprofit organization supporting emerging and mid-career artists and curators. Silva has presented exhibitions\, talks and lectures at venues such as the Chicago Cultural Center\, Mana Contemporary\, School of the Art Institute\, Ox-Bow Art School and Artists’ Residency\, and the Artist Communities Alliance. She has served as a Visual Arts panelist for the National Endowment for the Arts and numerous others. In 2018\, she was an Artists’ Administrators Resident at the Robert Rauschenberg Residency Program in Captiva\, FL. In 2022\, Silva was ranked #5 in NewCity’s prestigious list\, Art 50: Chicago’s Visual Vanguard for her influence and contributions to the Chicago art community. \n\n\nLink.
URL:https://www.arttable.org/event/virtual-caa-partner-program/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/Screen-Shot-2022-09-17-at-10.18.37-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221016T110000
DTEND;TZID=America/New_York:20221016T110000
DTSTAMP:20260403T142925
CREATED:20220923T013634Z
LAST-MODIFIED:20221014T154156Z
UID:10244-1665918000-1665918000@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table: YIELD - The Journal of an Artist\, by Anne Truitt
DESCRIPTION:All ArtTable members are welcome to join us on Sunday\, October 16 for our next Reading at the (Art)Table program\, where we will be having a lively discussion of Anne Truitt’s book\, “Yield — The Journal of an Artist.“.  \n\n\n\nIn the spring of 1974\, the artist Anne Truitt (1921–2004) committed herself to keeping a journal for a year. She would continue the practice\, sometimes intermittently\, over the next six years\, writing in spiral-bound notebooks and setting no guidelines other than to “let the artist speak.” These writings were published as Daybook: The Journal of an Artist (1982). Two other journal volumes followed: Turn (1986) and Prospect (1996). This book\, the final volume\, comprises journals the artist kept from the winter of 2001 to the spring of 2002\, two years before her death. In Yield\, Truitt’s unflinching honesty is on display as she contemplates her place in the world and comes to terms with the intellectual\, practical\, emotional\, and spiritual issues that an artist faces when reconciling her art with her life\, even as that life approaches its end. Truitt illuminates a life and career in which the demands\, responsibilities\, and rewards of family\, friends\, motherhood\, and grandmotherhood are ultimately accepted\, together with those of a working artist. \n\n\n\nThis program is free and open to ArtTable members only. Not a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-yield-the-journal-of-an-artist-by-anne-truitt/
LOCATION:Gilman Grill in Berkeley\, 1300 4th street\, Berkeley\, California\, 94710\, United States
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/Screen-Shot-2022-09-22-at-9.28.49-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221017T180000
DTEND;TZID=America/New_York:20221017T180000
DTSTAMP:20260403T142925
CREATED:20220919T153244Z
LAST-MODIFIED:20220922T195258Z
UID:10167-1666029600-1666029600@www.arttable.org
SUMMARY:Virtual | ArtTable Strategic Plan Talkback
DESCRIPTION:3pm PST / 4pm MST / 5pm CST / 6pm EST \n\n\n\nPlease join us for an intimate discussion about ArtTable’s future! \n\n\n\nIn September 2018\, ArtTable’s Board of Directors and Executive Director held a strategic planning workshop to facilitate the strategic planning process resulting in strategic goals outlined for the organization from FY 2020-2022. Within the workshop\, we established key goals for the organization\, conducted an analysis\, and identified our current strengths\, weaknesses\, opportunities\, and threats. In 2021\, as part of our Inclusivity goals included in the strategic plan\, we launched a full diversity\, equity\, inclusion and accessibility action plan. The FY23 Board Members\, Executive Director\, and staff are committed to updating the full strategic plan for our strategic goals from FY 2022 – 2025. As a valued member of ArtTable\, we would like your input! We hope you can be a part of important change for the future of ArtTable. A list of questions and materials will be circulated prior to the discussion\, but please see an overview of our strategic plan here on our website. More information about the structure of the talkback will be available soon. \n\n\n\n \n\n\n\nIn advance of the Talkback\, please submit your questions here to allow for adequate preparation. \n\n\n\n\n\n\n\n\n\n\n\nYou will receive an email confirmation containing the Zoom link. \n\n\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org.
URL:https://www.arttable.org/event/virtual-arttable-strategic-plan-talkback/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/IG-Templates-Wide.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221102T180000
DTEND;TZID=America/New_York:20221102T210000
DTSTAMP:20260403T142925
CREATED:20221019T163811Z
LAST-MODIFIED:20221020T210605Z
UID:10392-1667412000-1667422800@www.arttable.org
SUMMARY:Los Angeles\, CA | Wine & Conversation Networking Event\, with Sarah Russin\, Executive Director of LACE
DESCRIPTION:Please join ArtTable National at 6 PM on November 2 in Los Feliz for a special event hosted by Sarah Russin\, ArtTable member and Executive Director of LACE (Los Angeles Contemporary Exhibitions)\, a past host organization for the ArtTable Fellowship Program. Join Sarah and ArtTable Board Member and VP of Development\, Felice Axelrod\, for wine and conversation\, and be the first to hear a special announcement from ArtTable National. \n\n\n\nThis program is free and open to current ArtTable members and guests only\, though donations are appreciated. Registration is required. Members are strongly encouraged to bring a friend who is interested in learning more about ArtTable and connecting with our community! \n\n\n\nIf you would like to join this special event but are not yet an ArtTable member\, click here to learn more. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Our host requests that all guests be fully vaccinated against Covid-19 at the time of the event. Face masks are optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Please note that there are a few steps at the entrance to the home. It is not wheelchair accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There This program takes place at a private residence. The exact address will be shared with registrants in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Sarah Russin for generously hosting our group in her home\, and to Felice Axelrod for representing ArtTable National.
URL:https://www.arttable.org/event/los-angeles-ca-wine-conversation-networking-event-with-sarah-russin-executive-director-of-lace/
LOCATION:Los Angeles\, CA\, Los Angeles\, California\, 90027\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-19-at-12.36.21-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T173000
DTEND;TZID=America/New_York:20221114T173000
DTSTAMP:20260403T142925
CREATED:20221012T211333Z
LAST-MODIFIED:20221014T162438Z
UID:10335-1668447000-1668447000@www.arttable.org
SUMMARY:New York\, NY | Private Event\, by Invitation Only
DESCRIPTION:An evening of refreshments and reconnection with friends and colleagues. \n\n\n\nThis event is by invitation only. The address and any additional information will be shared with attendees in advance. \n\n\n\nOur sincerest thanks to our host for the evening\, former ArtTable Board President Annette Blaugrund\, PhD\, for welcoming us into her home.
URL:https://www.arttable.org/event/new-york-ny-private-event-invitation-only/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-14-at-12.02.18-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221128T130000
DTEND;TZID=America/New_York:20221205T200000
DTSTAMP:20260403T142925
CREATED:20221102T160427Z
LAST-MODIFIED:20221111T211826Z
UID:10534-1669640400-1670270400@www.arttable.org
SUMMARY:Miami Art Week 2022 | VIP Fair Pass Packages
DESCRIPTION:ArtTable members enjoy special access to art fairs during Miami Art Week\, taking place this year from November 28 – December 5\, 2022! This year we are offering multiple levels of packages\, as outlined below: \n\n\n\n\n\n\n\n SOLD OUT - Diamond Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Basel Miami Beach(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, & Aqua Art(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, November 30 at 12pm) $150  SOLD OUT - Gold Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Basel Miami Beach(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, & Aqua Art(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, November 30 at 12pm) $140  SOLD OUT - Emerald Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on a single day of the fair starting on Thursday\, December 1 at 11am) $135  SOLD OUT - Ruby Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on one day of the fair starting on Thursday\, December 1 at 11am) $130  Silver Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on one day of the fair starting on Thursday\, December 1 at 11am) $125  Bronze Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) $120  Copper Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) $110  General Access Level VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) $100 \n\n\n\n\n\n\n\nConditions: \n\n\n\nVIP Pass Packages are available for purchase by current ArtTable members only. Members are limited to one package each. We have a limited number of packages available at each level that will be distributed on a first come first serve basis.  \n\n\n\nNot an ArtTable member? Join today! \n\n\n\nClick here to purchase your 2022 Miami Art Week VIP Pass Package!\n\n\n\n\n\n\n\nImage: Art Basel Miami Beach 2021\, Courtesy of Art Basel © Art Basel
URL:https://www.arttable.org/event/miami-art-week-2022-vip-fair-pass-packages/
LOCATION:Miami\, Miami\, FL\, United States
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/basel.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T110000
DTEND;TZID=America/New_York:20221202T110000
DTSTAMP:20260403T142925
CREATED:20221017T202524Z
LAST-MODIFIED:20221128T211207Z
UID:10356-1669978800-1669978800@www.arttable.org
SUMMARY:Miami\, FL | ArtTable Brunch at Design Miami
DESCRIPTION:Please join us for ArtTable’s Annual Brunch during Miami Art Week\, set to take place this year at Design Miami/’s Collector’s Lounge\, Presented by AIG Private Client Group! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nMember Guests – $65\n\n\n\nNon-Members – $75\n\n\n\n\nYour ticket includes complimentary access to the fair for the day\, the Collector’s Lounge presented by AIG Private Client Group\, and light brunch refreshments. \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety The health and safety of our guests is of the utmost importance to us. If you are currently testing positive for COVID-19 or exhibiting COVID-19 symptoms\, we encourage you to wear a mask\, stay home\, and follow the guidelines and precautions as recommended by the CDC. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Please email programs@arttable.org if you require accessibility information for this program.  Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Courtesy of Design Miami/
URL:https://www.arttable.org/event/miami-fl-arttable-brunch-at-design-miami/
LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-17-at-4.22.54-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221214T183000
DTEND;TZID=America/New_York:20221214T183000
DTSTAMP:20260403T142925
CREATED:20221121T232024Z
LAST-MODIFIED:20230324T192943Z
UID:10779-1671042600-1671042600@www.arttable.org
SUMMARY:New York\, NY | ArtTable Circle - Collection Visit with Alice Sachs Zimet
DESCRIPTION:ArtTable Circle members are invited to join us for a very special collection visit at the home of Alice Sachs Zimet. \n\n\n\nAlice Sachs Zimet began to collect photography in early 1985 at a time when the medium was not recognized as a serious art form. The marketplace was nascent. There were few to no photo-only galleries\, photo-only art fairs\, photo-only auctions\, and it was rare to find a photography exhibition in a museum. While there was little acknowledgement\, Alice consistently defended her love of the medium even when most challenged her by saying ‘it’s not art’. \n\n\n\nToday\, fine art photography is a major global player with increased attention\, respect\, and market share. There are blockbuster museum shows\, photo-only auctions\, photo-only art fairs and photo-only galleries. And of course\, the number of photo collectors and prices have increased significantly. \n\n\n\nZimet’s lifelong passion for the arts began with her parents who were print collectors\, collecting images by Vuillard\, Bonnard\, Vlaminck\, Rouault\, and Lautrec\, among others. Her world was always steeped in the arts – professionally and academically. She holds two degrees in art history and her early professional career began at the Metropolitan Museum of Art. \n\n\n\nHowever\, her life changed when\, for the next 20 years\, Zimet worked at The Chase Manhattan Bank where she created a new sponsorship marketing department and became Director\, Worldwide Cultural Affairs. She was given a small year-end bonus\, which soon became her collecting budget — whether for one photograph or the purchase of several. But that was her acquisition budget for the year. \n\n\n\nZimet has made a conscious effort to buy from all sources — galleries\, auctions\, benefit auctions\, art fairs and even trades. With a collecting career spanning nearly 40 years\, she has developed deep personal relationships with professionals across every aspect of the field. Her collection has grown to roughly 350 museum-quality images\, where she lives surrounded by the vast majority. “I consciously do not have storage. I live with most of my images surrounding me. With storage\, I would not be able to control my collecting impulse. So\, my walls provide that boundary.” \n\n\n\nThis program is open to ArtTable Circle members for $45 each.Members may bring a guest for $55. Registration is required below. \n\n\n\nIf you would like to join this special event and are not yet an ArtTable Circle member\, you can apply for membership here or log into your Member portal to upgrade your current membership. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety All attendees must be fully vaccinated as defined by the Centers for Disease Control and Prevention: You are considered fully vaccinated: 2 weeks (14 days) after your dose of an accepted single-dose vaccine. Masks will be optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility There are some steps to the front entrance of the building. If you require elevator use\, please email Haley at programs@arttable.org to coordinate. A service entrance may be available if needed.  Getting There This program takes place at a private residence in the Upper West Side. The full address will be shared with all registered attendees in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Alice Sachs Zimet\nAlice Sachs Zimet is a collector\, advisor and educator tied to the fine art photography marketplace. Alice’s collection offers a global and intimate portrait of everyday life\, with additional emphasis on the role of the artist in the world as creator\, activist\, and observer. Images in the collection range from classics such as Berenice Abbott\, Brassai\, Lisette Model to Magnum masters such as Cartier-Bresson\, Bruce Davidson\, Susan Meiselas\, Elliott Erwitt\, Martine Franck and Steve McCurry. The collection also includes photographs by influential artists such as Nan Goldin\, Andres Serrano\, Cindy Sherman and Robert Mapplethorpe\, with more recent images by Jess T Dugan and Zanele Muholi. A respected educator and advisor in the field\, Alice is recognized for both her connoisseurship and deep knowledge of the photography market. \nAlice is Chair\, Photography Curatorial Committee\, Harvard Art Museums; board member\, Magnum Foundation; Chair\, Acquisitions Committee\, International Center of Photography (ICP); and teaches workshops at the ICP School\, Christie’s Education\, LA Center of Photography\, Maine Media Workshops + College and NYU’s Steinhardt School\, Graduate Program\, Arts Administration.  “Collector Profiles”; and other press include Private Air magazine\, Artsy\, Wall Street Journal\, Crain’s New York Business\, Forbes\, New York Magazine\, Inside Philanthropy\, The Photograph Collector\, and Art + Auction. \nAlice is President of Arts + Business Partners which she founded in 1999 to initially advise arts groups and business funders on corporate sponsorship\, after a 20-year career as Director\, Worldwide Cultural Affairs\, The Chase Manhattan Bank. She created the first corporate sponsorship program in a commercial bank\, worked across 14 countries and generated over $2 billion using the arts as a strategic marketing tool. \nAlice lives and works in New York City and continues to collect. \n\n\n\n\n\n\nImage: Interior of Alice Sachs Zimet’s home and collection; Headshot of Alice Sachs Zimet by Grace Roselli.
URL:https://www.arttable.org/event/new-york-ny-arttable-circle-collection-visit-with-alice-sachs-zimet/
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20221215T160000
DTEND;TZID=America/New_York:20221215T163000
DTSTAMP:20260403T142925
CREATED:20220607T201045Z
LAST-MODIFIED:20220607T201048Z
UID:9356-1671120000-1671121800@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. Whether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-6/
LOCATION:Zoom
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20221217T120000
DTEND;TZID=America/New_York:20221217T120000
DTSTAMP:20260403T142925
CREATED:20221102T141353Z
LAST-MODIFIED:20230324T192237Z
UID:10524-1671278400-1671278400@www.arttable.org
SUMMARY:Brooklyn\, NY | Curator's Tour of "1-800 Happy Birthday" with Klaudia Ofwona Draber
DESCRIPTION:Please join us for a tour of 1-800 Happy Birthday with ArtTable members Klaudia Ofwona Draber\, the exhibition’s curator\, and Marcia Santoni\, executive director of WORTHLESSSTUDIOS. \n\n\n\n1-800 Happy Birthday is an exhibition honoring Black and Brown lives killed by police. Originally a voicemail project\, now transformed into a large-scale exhibition in a 10\,000 square-foot warehouse\, 1-800 Happy Birthday is created by artist Mohammad Gorjestani and Even/Odd\, curated by Klaudia Ofwona Draber\, with artistic direction by Neil Hamamoto\, and presented by arts nonprofit WORTHLESSSTUDIOS with the aim of honoring the lives of those lost too soon. The families of Dujuan Armstrong\, Sandra Bland\, Philando Castile\, Stephon Clark\, Fred Cox\, Eric Garner\, Oscar Grant\, Xzavier Hill\, Donovon Lynch\, Sean Monterrosa\, Tony Robinson\, and Mario Woods are participating in the exhibition. \n\n\n\n1-800 Happy Birthday was originally created in 2020 by Even/Odd founder\, filmmaker\, and artist Mohammad Gorjestani as an ongoing voicemail project to honor Black and Brown victims of police killings and systemic racism. The project exists online at 1800HappyBirthday.com and allows loved ones and the public to leave and listen to voicemails left on the birthdays of ‘celebrants’ – those unjustly killed. Gorjestani teamed up with WORTHLESSSTUDIOS’ Founder and Artistic Director Neil Hamamoto and Curator Klaudia Ofwona Draber\, along with family members of the twelve celebrants\, to bring the digital project into the physical realm in a community-accessible\, large-scale exhibition. The show utilizes audio and video components\, a large mural created by Art1\, and personal ephemera to tell their stories. \n\n\n\nTwelve upcycled NYC pay phones are arranged on a few patches of lawn\, a concrete wall with a dedicated area for flowers hosts a large mural and balloons\, and birthday cards are available for purchase at a newsstand. Towards the back of this city landscape is a translucent building facade with an opening that leads to an interior setting – a family living room. This room acts as a resource center: filled with photos\, ephemera from the celebrants\, and educational resources. It is also meant as a space of refuge\, to rest and recharge. The exhibition design imagines a world that is just\, where streets are safe for Black and Brown people to just be. \n\n\n\nEach repurposed phone booth\, designed in collaboration with the families of the celebrants\, is dedicated to one person and features portraits of the celebrant and their family and friends. The visuals and ephemera included in the exhibition – such as Philando Castile’s favorite book and Xzavier Hill’s graduation cap – allow visitors a glimpse into the personal milestones\, interests and personalities of those being honored. These objects\, chosen by celebrant family members\, illustrate the divide between private conversation and public space. In a large-scale mural\, each celebrant is represented by their likeness. The tableau serves as a collective memory for the many individuals killed by the police\, and is designed to receive flowers\, birthday cards\, balloons\, and any other memorial offerings. The interactive and educational nature of the exhibition seeks to connect participants to each celebrant and to expand on the pervasive impact of policing and systemic racism in America. \n\n\n\nThis program is free to attend and open to ArtTable members and guests only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The venue is wheelchair accessible. Seating is available if needed. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There WORTHLESS STUDIOS is located at 7 Knickerbocker Avenue\, Brooklyn\, NY 11237. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Klaudia Ofwona Draber\nKlaudia Ofwona Draber is the founder and president of KODA—a social practice residency for mid-career artists. She is also the curator of 1-800 Happy Birthday\, an exhibition at WORTHLESSSTUDIOS honoring lives and legacies of Black and Brown people killed by the police. Klaudia has lived and led arts\, technology and strategy projects in Europe\, Africa and the United States. She also works as Head of Public Relations at Polish Cultural Institute New York. Previously she served as a consultant to the British Council Arts\, and worked at UBS\, managing arts CSR projects. Klaudia is the 2021-2022 Helena Rubinstein Fellow at the Whitney ISP Curatorial Studies Program. She is a member of ArtTable\, mentors at New Museum’s NEW INC\, and is a member of For(bes) The Culture. Klaudia holds MA in Art Business from the Sotheby‘s Institute of Art New York. She also holds MA in Economics from the Warsaw School of Economics. \nMarcia Santoni is the Executive Director of WORTHLESSSTUDIOS where she is leading efforts to provide arts access to the Bushwick/East Williamsburg community\, build capacity\, and renovate its 10\,000 square foot warehouse into a state-of-the-art fabrication facility. Marcia came to WORTHLESSSTUDIOS after spending two years as the Executive Director of Riverdale Neighborhood House\, a historic multi-service organization in the Bronx where she launched the Riverdale Food&Farm Hub. Prior to joining RNH\, she was Managing Director and COO for Pioneer Works\, the Brooklyn-based cultural center dedicated to building community through the arts and sciences. At Pioneer Works she led expansion from $3.5mm to $7mm over three years\, helping the artist founders build systems\, structure and leadership to match mission. Marcia has a BA from Wesleyan University and an MBA from Columbia School of Business. She has been a member of ArtTable since 2017.  \n\n\n\n\n\n\nImage: Installation view of the 1-800 Happy Birthday Newsstand. Courtesy WORTHLESSSTUDIOS; Curator headshot provided by Klaudia Ofwona Draber\, photo by Hidemi Takagi
URL:https://www.arttable.org/event/brooklyn-ny-curators-tour-1-800-happy-birthday-klaudia-ofwona-draber/
LOCATION:WORTHLESS STUDIOS\, 7 KNickerbocker Avenue\, Brooklyn\, New York\, 11237\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230124T183000
DTEND;TZID=America/New_York:20230124T200000
DTSTAMP:20260403T142925
CREATED:20221221T172953Z
LAST-MODIFIED:20230109T164143Z
UID:11102-1674585000-1674590400@www.arttable.org
SUMMARY:New York\, NY | A Discussion on Pay Equity in the Visual Arts
DESCRIPTION:Data about pay and gender equity when it comes to arts professionals is woefully inaccessible and incomplete. Over the past several months\, in an effort to remedy some of these problems and contribute valuable knowledge to our community\, ArtTable has collected new data via a survey about the changing contours of the artistic labor market in order to better understand trends and advocate for arts professionals\, artists\, and arts workers of all types. Based on the feedback we have received so far\, and continue to receive\, we are pleased to present this discussion on gender\, compensation\, and inequality among arts professionals at the Ford Foundation in New York City. \n\n\n\nClick here to take the survey if you have not done so already! And read\, “Why You Should Fill Out ArtTable’s Survey on Working in the Arts” in Hyperallergic\, an op-ed by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nPanelists \n\n\n\n\nTania Aparicio\, PhD | Full-Time Lecturer\, Program in Arts Administration\, Teachers College\, Columbia University\n\n\n\nLaKeisha M.A. Caton | Partner\, Pryor Cashman\, Labor + Employment and Litigation Groups\n\n\n\nGillian Gualtieri\, PhD | Assistant Professor of Sociology\, Barnard College\, Columbia University of New York \n\n\n\n\nThe discussion will be moderated by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nThis program is free for all to attend. Registration is required due to capacity restrictions. Donations to support our continued efforts toward gender equality are always appreciated. People of all gender identities are allies in supporting women’s leadership in the arts and all are welcome and encouraged to join. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The use of face masks is strongly recommended but not required at the Ford Foundation. Please note that this is subject to change. Program attendees will be notified of any policy changes in advance of the program.If attendees feel unwell or are not able to comply with health and safety guidelines\, we ask that they please refrain from visiting the Ford Foundation at this time.Health screening: Event staff and attendees must be able to answer “no” to the following question:- Within the last 48 hours\, have you had any COVID-19 symptoms?Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Ford Foundation is committed to hosting fully accessible events\, and each of our event spaces meet ADA accessibility standards. If you are planning or attending an event and have questions about our accommodations and accessibility services\, please reach out to thecenter@fordfoundation.org at least two weeks prior to the event. We will make every effort to help you fully participate. Visitors are guaranteed safe access to restrooms\, regardless of their gender identity and/or expression. Event attendees are welcome to use the single-occupancy\, all-gender restrooms located on the eleventh floor and Level B. Guide dogs and service animals are permitted at the Ford Foundation Center for Social Justice. Other animals are not permitted. A room is available for nursing parents hosting or attending an event. Reservations for the space can be arranged through your Ford Foundation venue operations contact. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Ford Foundation is located at 320 E 43rd Street\, New York\, NY 10017. Click here for directions from any location. The nearest subway stop is Grand Central\, which serves the 4\, 5\, 6\, and 7 lines. The M15 bus runs north on 1st Avenue and stops at 1st Avenue & 42nd Street; it runs south on 2nd Avenue and stops at 2nd Avenue & 42nd Street. \n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the city council. We also thank the Ford Foundation for hosting this discussion.\n\n\n\n\n\n\n\n\n\n\nAbout Dr. Tania Aparicio\nDr. Tania Aparicio (she/her) is a full-time lecturer in the Arts Administration Program at Teachers College-Columbia University. Using ethnographic and archival methods\, her research has focused on the study of cultural production\, cultural organizations\, and cultural workers–with particular attention to the dynamics of inequality in art worlds. In particular\, she has conducted a comparative investigation of the effects of unionization in arts organizations and how it shapes racialized and gendered relations in the workplace. Her research has been supported by the Mellon Foundation\, Fulbright Program\, Institute for Critical Social Inquiry\, and Janey Program in Latin American Studies. At The New School she completed her doctoral degree thanks to a Dean’s fellowship and a dissertation award. \nAbout LaKeisha M.A. Caton\nPartner LaKeisha M.A. Caton is a member of Pryor Cashman’s Labor + Employment and Litigation Groups\, and combines her comprehensive litigation background with a focus on employment-related matters to bring results to clients across the globe. Having represented both management and executives in discrimination and harassment cases\, LaKeisha brings her extensive knowledge of the law as well as her familiarity with the strategies often adopted by the opposition to every engagement. She leverages her comprehensive experience with federal\, state\, and local discrimination law and her background in litigation and dispute resolution to achieve favorable outcomes on behalf of her clients. \nRecent representations include: \n\nA Fortune 25 multinational bank in various litigations involving allegations of harassment and discrimination;\nA large global airline in connection with advice concerning employee classifications;\nVarious award-winning restaurants in numerous wage and hour litigations; and\nA global technology and consultancy firm in disputes involving restrictive covenants.\n\nWhile a student at Harvard Law School\, LaKeisha was on the Board of the Harvard Journal on Racial and Ethnic Justice. She also interned with multiple children’s rights organizations during which she represented individual clients as well as prepared for large class actions. \nAbout Gillian Gualtieri\, PhD\nGillian is a sociologist of inequality\, art\, and work. In 2018\, she received her PhD in Sociology from the University of California\, Berkeley\, where she wrote a dissertation focused on understanding how gender and ethno-racial inequality shape the work experiences of cultural entrepreneurs\, especially chefs\, under the direction of two of the leading scholars in feminist theory and work. Alongside her dissertation research\, Gillian worked closely with several campus offices to conduct program evaluation research related to sexual harassment and sexual violence prevention education on campus. After completing her PhD\, she was a Dean’s Fellow at NYU\, where she continued her research focused on inequality and artistic labor and completed several consulting projects for the university focused on diversity\, equity\, and inclusion recruitment and retention efforts at the university. \nAfter two years at NYU\, Gillian moved to Vanderbilt University’s Curb Center for Art\, Enterprise\, and Public Policy\, where she collaborated on projects related to the study of inequality in artistic labor markets\, developing expertise in SNAAP (Strategic National Arts Alumni Project) data and receiving a National Endowment for the Arts grant to fund her collaborative research. Also at Vanderbilt\, she wrote the curriculum and helped lead the NEA-funded Racial Equity in Arts Leadership program\, an evidence-based diversity\, equity\, and inclusion leadership program co-sponsored by the Curb Center and MetroArts Nashville. Gillian recently began a position as an assistant professor of sociology at Barnard College\, Columbia University\, where she teaches classes in race\, gender\, work\, and the sociology of art. \nAdditional speaker information is forthcoming.\n\n\n\n\n\n\nImage courtesy of Getty Images\, Mary Hall/NewsNation.
URL:https://www.arttable.org/event/new-york-ny-a-discussion-on-pay-equity-in-the-visual-arts/
LOCATION:Ford Foundation\, 320 E 43rd Street\, New York\, New York\, 10017\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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