BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210325T120000
DTEND;TZID=America/New_York:20210325T120000
DTSTAMP:20260403T183227
CREATED:20210211T155527Z
LAST-MODIFIED:20210219T161101Z
UID:4730-1616673600-1616673600@www.arttable.org
SUMMARY:Virtual | Exhibition Tour of 'Stayin' Alive' with Estrellita Brodsky
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a virtual exhibition tour of the exhibition Stayin’ Alive at ANOTHER SPACE with art historian\, collector\, and philanthropist\, Estrellita B. Brodsky.  Taking its title from the Bee Gees disco hit\, Stayin’ Alive explores artists’ responses to social and environmental crises\, as well as the threat to the natural and indigenous environments. \nArtTable Registration Fee* \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\n*All proceeds benefit ArtTable and support our mission of advancing the leadership of womxn in the visual arts. ANOTHER SPACE is not associated with the above fees. \nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nEstrellita B. Brodsky\, PhD\, is a New York-based art historian\, collector and philanthropist\, as well as an advocate for art from Latin America. A founding member of The Metropolitan Museum of Art’s Latin American Art Initiative\, the Latin American Acquisitions Committee at Tate\, and founder of the Pompidou Foundation’s Latin American Acquisitions Committee\, she has endowed curatorial positions in Latin American art at Metropolitan Museum of Art\, Tate\, and MoMA. Additionally\, in 2015 she founded ANOTHER SPACE\, a program and not-for-profit exhibition gallery established by the Daniel and Estrellita B. Brodsky Foundation to broaden international awareness and appreciation of art from Latin America. \nBrodsky holds a doctorate in art history from the Institute of Fine Arts\, New York University as well as a Master’s Degree from Hunter College. She curated the first U.S. museum survey of Julio Le Parc at the Pérez Art Museum Miami (PAMM): Julio Le Parc: Form into Action\, (2016-2017)\, which she subsequently organized in Sao Paulo\, Brazil and Buenos Aires\, Argentina; the first U.S. retrospective of the Venezuelan kinetic artist Carlos Cruz-Diez at the Americas Society in 2008; and Jesus Soto: Paris and Beyond\, 1950-1970 at Grey Art Gallery\, New York University\, in 2012. \nThank you to Julia P. Herzberg\, Ph.D. for organizing this program. \n\nImages:  \n\nInstallation view of Stayin’ Alive\nEstrellita Brodsky\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-stayin-alive-with-estrellita-brodsky/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FullSizeRender-preview-scaled-e1613064797590.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210409T083000
DTEND;TZID=America/New_York:20210409T093000
DTSTAMP:20260403T183227
CREATED:20210316T145940Z
LAST-MODIFIED:20210318T141406Z
UID:5070-1617957000-1617960600@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Alison McNeil
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Alison McNeil\, Founder and Chief Creative Officer of McNeil Creative Enterprises. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5.  \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Alison McNeil\nAlison T. McNeil is a nationally recognized award-winning strategic thinker and creative entrepreneur with over 20 years of experience in performing arts and education. She leads with the intention of creating resources\, removing roadblocks and designing roadmaps to make arts and culture accessible to all. Alison’s work has addressed the blind spots that perpetuate the disparities in funding\, hiring\, and operational practices with and for Black\, Indigenous and people of color (BIPOC) arts administrators. Alison’s work is rooted in arts advocacy and is at the intersection between philanthropy\, strategy and justice. She has led multi-million-dollar change efforts\, therefore directly informing policy\, grant-making\, and strategic partnerships. \nHer efforts have fortified leadership and secured grants\, and as a result expanded equity and access for women\, emerging leaders and communities of color. Every effort she’s contributed to is in service to the communities noted above including launching McNeil Creative Enterprises and co-founding Third Eye Cultural Collaborative\, Women of Color in the Arts (WOCA)\, and the Maynor Biggers Artist Fund. \nAlison’s talent has resulted in accolades both inside and outside of the arts and culture sector. She has served as a thought leader on numerous grant panels\, boards\, conference panels\, and advisory committees including the National Endowment for the Arts\, Americans for the Arts\, Mid Atlantic Arts Foundation\, as well as the Heinz Endowments\, Association of Performing Arts Professionals\, Step Afrika!\, FRESHH Inc. Theatre Company\, DC Commission on the Arts and Humanities\, Arts Council of Fairfax County\, Alexandria Commission for the Arts and Emerging Practitioners in Philanthropy. If you really want to get Alison to smile\, ask her about her nephew or her favorite Stevie Wonder song. \nAbout McNeil Creative Enterprises\nMcNeil Creative Enterprises (MCE) is an organizational development firm committed to improving company culture\, reinvigorating program operations\, igniting growth and facilitating change in the arts and culture sector. MCE provides tactical solutions that help their clients strategically position themselves to achieve their goals. MCE removes the roadblocks and creates roadmaps. This contributes to healthy work environments\, increased access to funding and opportunity\, and holistic programming. \nThank you to Alissa Maru\, ArtTable Washington\, D.C. Chapter\, for organizing this program. \n\nImage: Alison McNeil
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-alison-mcneil/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/Alison-McNeil-Headshot-Ashley-Templeton-e1615906831843.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210414T120000
DTEND;TZID=America/New_York:20210414T120000
DTSTAMP:20260403T183227
CREATED:20210407T003746Z
LAST-MODIFIED:20210407T133032Z
UID:5285-1618401600-1618401600@www.arttable.org
SUMMARY:Virtual | Benefit Week VIP Program - A Conversation with Michele Oka Doner & Marieluise Hessel
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable Circle and Annual Benefit Host Committee Members are invited to join us for a virtual VIP program during Benefit Week – a conversation with renowned artist Michele Oka Doner and art collector and philanthropist Marieluise Hessel. \nThis program is open to ArtTable Circle and Annual Benefit Host Committee Members only. To confirm your attendance\, please email programs@arttable.org. You will receive the Zoom link after your registration is confirmed.\nTo purchase a Host Committee ticket for the 2021 Annual Benefit\, click here. \nTo join ArtTable at the Circle level\, click here.  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Michele Oka Doner\nMichele Oka Doner is an internationally renowned artist and author whose work spans five decades. Her artwork is fueled by a lifelong study and appreciation of the natural world\, from which she derives her formal vocabulary. Her artistic production encompasses sculpture\, public art\, prints\, drawings\, functional objects\, artist books\, costume and set design\, video and other media. She is well known for creating over 40 public and private permanent art installations\, including “A Walk On The Beach.” The mile and a quarter long bronze and terrazzo concourse at Miami International Airport is seen by 40\,000\,000 travelers a year. She has authored or been the subject of eight books. Oka Doner has received grants from the John S. and James L. Knight Foundation\, the New York State Council of the Arts\, the Samuel H. Kress Foundation and others. She has also received many awards\, including those given by the United Nations Society of Writers and Artists\, Pratt Institute “Legends” and an Honorary Doctor of Fine Arts degree from the University of Michigan\, where she received her undergraduate and MFA degrees. \nOka Doner’s work can be found in the Metropolitan Museum of Art\, Whitney Museum of American Art\, Chicago Art Institute\, Cooper Hewitt National Design Museum (Smithsonian)\, the Louvre – Paris\, Victoria & Albert Museum\, London\, as well as in museum collections at the University of Michigan\, Harvard\, Princeton\, Yale\, and Oxford\, among numerous others nationally and internationally. She maintains a studio in New York City. \nAbout Marieluise Hessel\nMarieluise Hessel is an art collector and philanthropist. She established the Marieluise Hessel Foundation and founded the Hessel Museum of Art. She is also a co-founder of the Center for Curatorial Studies at Bard College. \nFounded 30 years ago\, CCS-Bard was the first graduate curatorial program in the United States. CCS Bard is now an international research center with a library and archives\, and is dedicated to the study of late 20th and 21st century art\, curatorial practice\, and art in contemporary culture. It offers a master’s degree in curatorial practice\, the study of museum activities\, exhibitions\, art criticism\, and the interpretation of art. CCS-Bard’s graduate students come from all over the world. Its alumni work in museums\, art institutions and non-profits all over the world. \nMarieluise has been a collector of contemporary art since the late 1960’s\, and her still growing collection of over 2\,000 works is on permanent loan to CCS-Bard & the Hessel Museum. \nThe Library was established with a 7\,000-volume collection donated by Marieluise from her personal library. It now holds over 37\,000 volumes\, including international exhibition catalogs\, artists’ monographs\, international art periodicals\, and special collections. The Archives now house over 2\,500 linear feet of physical collection holdings. They document the institutional history of CCS Bard as well as serving as the repository for the archives of select galleries\, art spaces\, and initiatives\, and the personal papers of important contemporary art curators. \nShe is married to Edwin L. Artzt\, Retired Chairman and CEO of Procter & Gamble. \n\nImages:  \n\nMichele Oka Doner\, Glyphs\, PAMM exhibition\, 2015\nMichele Oka Doner\, courtesy of the Wall Street Journal\, 2015\nMarieluise Hessel\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-benefit-week-vip-program-a-conversation-with-michele-oka-doner-marieluise-hessel/
LOCATION:Zoom
CATEGORIES:National,ArtTable Circle
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Screen-Shot-2021-04-06-at-8.19.42-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210416T120000
DTEND;TZID=America/New_York:20210416T120000
DTSTAMP:20260403T183227
CREATED:20210127T185408Z
LAST-MODIFIED:20210416T150255Z
UID:4498-1618574400-1618574400@www.arttable.org
SUMMARY:Virtual | ArtTable's 2021 Annual Benefit & Award Ceremony
DESCRIPTION:Registration for this event is now closed. Please email benefit@arttable.org with any questions.\nSee below for more information on ticket levels and limited editions: \n  \n Benefit Host Committee Ticket Levels $25\,000.00 - Fellowship Program Supporter Supports one ArtTable Fellowship Acknowledgement in Fellowship press release and listing on Impact webpageProminent recognition on 40th Anniversary webpage\, acknowledgement in event emails\, and spoken recognition during the virtual benefitPremier Video Ad (see details below)Opportunity to send dedicated e-blast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 10 guestsProvides one Mentor Ticket for a past or current Fellow$20\,000.00 - 40th Anniversary Supporter Prominent recognition on 40th Anniversary webpage\, acknowledgment in event emails\, and spoken recognition during virtual benefit Premier Video Ad (see details below)Opportunity to send dedicated e-blast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 10 guestsProvides one Mentor Ticket for an emerging professional$15\,000.00 - New Leadership Supporter Recognition on 40th Anniversary webpage\, acknowledgment in event emails\, and spoken recognition during virtual benefitPremier Video Ad (see details below)Opportunity to send dedicated eblast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 5 guestsProvides one Mentor Ticket for an emerging professional$10\,000.00 - Gold Supporter Recognition on 40th Anniversary webpage and in event emailsPriority Screen Ad (see details below)Access to virtual benefit\, VIP event\, and virtual networking event for 5 guestsProvides one Mentor Ticket for an emerging professional$7\,500.00 - Silver Supporter Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Limited-Edition Jewelry piece by Joan Hornig and Anonymous was a Woman Limited-Edition Scarf by Alice RiotAccess to virtual benefit\, VIP event\, and virtual networking event for 5 guests$5\,000.00 - Bronze Supporter Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Limited-Edition Jewelry piece by Joan HornigAccess to virtual benefit and virtual networking event for 5 guests$3\,000.00 - Leadership Ticket Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Anonymous was a Woman Limited-Edition Scarf by Alice RiotAccess to virtual benefit and virtual networking event for 2 guests$1\,000.00 - Executive Ticket Recognition on 40th Anniversary webpage and event emailsTwo Limited-Edition Prints by Sara SosnowyAccess to virtual benefit and virtual networking event for 2 guests$550.00 - Friend Ticket Recognition on 40th Anniversary webpage and event emailsOne Limited-Edition Print by Sara SosnowyAccess to virtual benefit and virtual networking event for 1 guest Standard Benefit Ticket Levels $150.00 - Member Ticket $200.00 - Non-Member Ticket $150.00 - Mentorship Ticket *Please note this ticket will be donated to an individual by ArtTable.  Help ArtTable provide tickets for fellowship recipients and other early career women professionals to join in our celebration! (Mentorship tickets purchased will be distributed through the national office).   Exclusive Limited Editions Click on the image to view a larger version in a new tab.  $500 - Limited Edition Necklace for ArtTable from Philanthropy Is Beautiful® by Joan Hornig        $350 - Limited Edition Scarf celebrating 25 year of Anonymous Was a Woman\, produced by Alice Riot Main Material - 100% Silk HabotaiDimensions - 36” x 36” (91cm x 91cm)Square silk scarf w/ hand-rolled\, hand-stitched hemMade in USA with silk printed in Italy $250 - Limited Edition Print by Sara Sosnowy: Untitled I\, edition of 350\, 22" x 22"\, unframed       $250 - Limited Edition Print by Sara Sosnowy: Untitled II\, edition of 350\, 22" x 22"\, unframed        Advertising Opportunities The deadline to purchase advertisements for the 2021 Annual Benefit has passed. Please email benefit@arttable.org for more information. Premier Video Ad ($2\,000 for members; $2\,200 for non-members) Full-screen\, five-second video ad to be played at virtual benefit and virtual networking eventInclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio1920 x 1080 resolution.mp4 formatPriority Screen Ad ($700 for members\, $800 for non-members) Full-screen\, three-second ad at virtual benefit and virtual networking eventInclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio (horizontal format)1920 x 1080 resolution.jpg or .pdf formatClassic Screen Ad ($400 for members\, $500 for non-members) Full-screen\, three-second ad at virtual benefit Inclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio (horizontal format)1920 x 1080 resolution.jpg or .pdf format
URL:https://www.arttable.org/event/2021benefit/
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/01/ArtTable_E-vite_2021_Final2-e1614267340522.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210422T120000
DTEND;TZID=America/New_York:20210422T120000
DTSTAMP:20260403T183227
CREATED:20210331T195918Z
LAST-MODIFIED:20210402T142029Z
UID:5228-1619092800-1619092800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - In Beeple's Wake: The Next 5000 Days of NFTs & the Art Market
DESCRIPTION:12pm ET | 11am CT | 9am PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee that will explore different aspects of new media initiatives in the art world. These virtual conversations will be led by experts in the field and appeal to all who are interested in digital media. \nJoin Meghan Doyle\, cataloguer at Christie’s New York\, as she takes you through a behind the scenes look at the now historic March 2021 sale at Christie’s – Beeple’s EVERYDAYS: The First 5000 Days. Minted exclusively for Christie’s\, this purely-digital artwork was presented as an NFT (non-fungible token)\, effectively a guarantee of its authenticity. Bidding started at $100\, an approachable entry price that paralleled the accessible nature of the work’s medium and content\, and within an hour drew over 180 bids from across the globe\, pushing the price over $1 million in the first eight minutes alone. The work eventually realized $69\,356\,250 with 88% of active bidders entirely new to Christie’s\, thus ushering in a new art market era – one that transcends the boundaries of established collecting and traditional media. Marrying art and technology\, Beeple’s EVERYDAYS opened up the art market to a new world of possibilities. There will be plenty of time for questions and lively discussion. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Meghan Doyle\nMeghan Doyle is a Cataloguer at Christie’s New York. She joined the Post-War and Contemporary Art Department in August 2018. She has been directly involved in a diverse range of specialized auctions of Post-War and Contemporary Art including a pivotal role in the sourcing\, marketing and sale of Beeple’s EVERYDAYS: The First 5000 Days\, the first digital-only artwork to be offered at a major auction house\, which achieved $69\,346\,250 in March 2021\, and continues to support the development of and education around the burgeoning NFT art market. \nMs. Doyle holds BAs in Art History and Italian\, with a minor in Nonprofit Management\, from Pepperdine University\, where she graduated as valedictorian and was named the Art History student of the year in 2018. Prior to her work at Christie’s Ms. Doyle has served in positions at a variety of museums\, including The British Museum\, Tel Aviv Museum of Art and the Frederick R. Weisman Museum of Art. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Member\, for organizing this program. \n\nImages:  \n\nChristie’s Inc. with copyright Beeple 2021\nMeghan Doyle\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-in-beeples-wake-the-next-5000-days-of-nfts/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/BEEPLE-EVERYDAYS_THE_FIRST_5000_DAYS_smaller-2-scaled-e1617220415667.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210427T130000
DTEND;TZID=America/New_York:20210427T130000
DTSTAMP:20260403T183227
CREATED:20210331T223817Z
LAST-MODIFIED:20210427T161432Z
UID:5236-1619528400-1619528400@www.arttable.org
SUMMARY:Virtual | Deaccessioning: Competing Needs\, Contested Terrain\, & the Future of the American Museum
DESCRIPTION:1pm ET | 11pm CT | 10am PT\nhttps://www.arttable.org/wp-content/uploads/2021/03/ABCDFEGHIJKLMNOPQRSTUVWXYZ.mp4\n  \nAmerican art museums are at a critical crossroads. The economic fallout from COVID-19 coupled with the urgent need to address systemic racism and social injustice are converging to create a looming state of emergency. These intertwined crises have given rise to debates about who and what museums are for\, and what role permanent collection objects play in fulfillment of their missions. At the forefront of these discussions is the controversial practice of collection deaccessioning. A succession of headlines announcing the consignment of valuable art from high-profile institutions to auction houses throws into relief just how important it is\, at a time when art collections are increasingly seen to be in tension with addressing equity needs. This clash of priorities exists in the face of eroding resources\, and raises existential questions about the nature of museums and the public they serve\, as well as considerations of ethical guardrails and legislative oversight. \nWe invite you to join ArtTable and our expert panel on April 27 from 1-2 PM (EST) for a lively conversation about this pressing issue. We will hear from Dr. Jill Deupi\, Beaux Arts Director & Chief Curator of the Lowe Art Museum (University of Miami); Katie Wilson-Milne\, Partner at Schindler\, Cohen & Hochman LLP; and Sara Raza\, former Guggenheim UBS MAP Curator for the Middle East & North Africa; moderated by Hope Davis\, fine art appraiser\, Hudson River Museum trustee\, and member of the ArtTable New York Programs Committee. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nDr. Jill Deupi is the Beaux Arts Director and Chief Curator of the Lowe Art Museum (University of Miami). Prior to assuming this position\, Deupi was Director and Chief Curator of University Museums at Fairfield University\, where she was also an Assistant Professor of Art History. Deupi is a Trustee of the Association of Art Museum Directors (AAMD)\, co-chairs the Task Force for the Protection of University Collections (AAMG)\, and chairs the City of Coral Gables Arts Advisory Panel. She is also a Fellow of the American Academy in Rome\, the Leading Change Institute\, and the Getty Leadership Institute. \nKatie Wilson-Milne is a Partner at Schindler\, Cohen & Hochman LLP. Katie advises clients in the art\, cultural and creative communities\, including art galleries\, other art businesses\, collectors\, artists\, and not-for-profit organizations on matters related to the purchase\, sale\, lending and financing of art\, as well as gallery\, auction house\, and museum relationships and corporate governance. She also represents clients in the art world in disputes involving representation\, collaborations\, contracts\, copyright\, authenticity\, title\, provenance and appraisals. Katie also teaches and speaks regularly on art law topics. She is the former Secretary of the Art Law Committee of the New York City Bar Association and co-hosts the Art Law Podcast with Steven Schindler. \nSara Raza is the former Guggenheim UBS MAP Curator for the Middle East and North Africa. She has curated exhibitions of visual art art and culture for over a decade (2004-2018) internationally\, in both an independent and institutional capacity\, for museums\, festivals and biennials\, focusing on global art practices from Asia and the Middle East. She has also curated a number of public programs of artist talks and symposia to accompany her projects. \nHope Davis (moderator) is a fine art appraiser and a trustee of the Hudson River Museum in Westchester\, NY. Beginning at Sotheby’s\, her professional experience brought her to M. Knoedler & Co.\, where as Director of American Art\, she organized major exhibitions on James McNeill Whistler (Margaret MacDonald\, Curator)\, and Winslow Homer (Lloyd Goodrich\, Curator). She established Hope Davis Fine Art in the late 1980s\, specializing in late 19th-20th century American art. Now living in the Berkshires\, she also curates exhibitions and promotes contemporary regional artists through Davis Gregory Art. \n  \nThank you to Hope Davis\, ArtTable’s New York Chapter Programming Committee\, for organizing this program. \n\nImages:  \n\nArt Storage. Image via kasten-storage.com\, via Widewalls\nGIF Headlines courtesy of the New York Times\, Hyperallergic\, The Art Newspaper\, and Artnet News
URL:https://www.arttable.org/event/virtual-museum-deaccessioning/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/whitewall-e1617230200340.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210505T180000
DTEND;TZID=America/New_York:20210505T180000
DTSTAMP:20260403T183227
CREATED:20210420T160917Z
LAST-MODIFIED:20210427T172335Z
UID:5365-1620237600-1620237600@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Plural Possibilities & the Female Body' at the Henry Art Gallery
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Join Curator Nina Bozicnik and Associate Curator of Collections Dr. Ann Poulson to discuss Plural Possibilities & the Female Body\, currently on display at the Henry Art Gallery\, University of Washington\, Seattle. Shamim M. Momin\, Director of Curatorial Affairs at the Henry and ArtTable’s 2010 New Leadership Awardee\, will introduce the discussion. Across painting\, photography\, and sculpture and a range of artistic strategies from abstraction to documentary\, the exhibition explores the gendered construction and deconstruction of the female body and its representation\, and creates a counterpoint to persistent myths and reductive ideas about femininity and gender norms. Artists include: Hannah Wilke\, Kiki Smith\, Chakaia Booker\, Patty Chang\, Zanele Muholi\, Wangechi Mutu\, Toyin Ojih Odutola\, Catherine Opie\, Mickalene Thomas\, Lisa Yuskavage\, and more. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nNina Bozicnik is Curator at the Henry Art Gallery\, where she has organized exhibitions including most recently Bambitchell: Bugs & Beasts Before the Law (2021)\, Carrie Yamaoka: recto/verso (2019)\, & Between Bodies (2018-19). She has also organized presentations & projects for the museum with artists including Demian DinéYazhi´ (2018)\, Chris E. Vargas & the Museum of Transgender Hirstory and Art (2016-17)\, & Michelle Handelman (2015)\, among others. Prior to the Henry\, Bozicnik held curatorial positions at the Currier Museum of Art\, Manchester\, New Hampshire; deCordova Sculpture Park & Museum\, Lincoln\, Massachusetts; and the Tufts University Art Gallery\, Medford\, Massachusetts. \nDr. Ann Poulson is the Associate Curator of Collections at the Henry Art Gallery. Before joining the Henry\, she worked with international organizations in the arts\, heritage\, and design\, including the National Portrait Gallery\, London; the Cooper-Hewitt National Design Museum; and Sotheby’s. She received her PhD in Modern British History from King’s College London; has an MA in the same from the University of Durham\, UK; an MA in Fashion History and Museum Practice from the Fashion Institute of Technology\, NY; and a BA in Art History from Brigham Young University\, UT. \nThank you to Lori Shepard\, ArtTable New York Programming Committee member\, for organizing this program. \n\nImages: \n\nInstallation view of Plural Possibilities & the Female Body\, 2021\, the Henry Art Gallery\, University of Washington\, Seattle; Photo: Jueqian Fang\nNina Bozicnik\, Photo: Jonathan Vanderweit.\nDr. Ann Poulson\, courtesy of the Henry Art Gallery
URL:https://www.arttable.org/event/virtual-plural-possibilities-and-the-female-body-henry-art-gallery/
LOCATION:Zoom
CATEGORIES:New York,National,Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Screen-Shot-2021-04-20-at-12.10.29-PM-1-e1619005370207.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210506T083000
DTEND;TZID=America/New_York:20210506T083000
DTSTAMP:20260403T183227
CREATED:20210427T160006Z
LAST-MODIFIED:20210428T153146Z
UID:5495-1620289800-1620289800@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Nancy Miyahira & Deirdre MacWilliams
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for May’s Breakfast Table with Nancy Miyahira\, Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, and Deirdre Ehlen MacWilliams\, public art manager and curator of Georgetown GLOW. Now in its 7th edition\, GLOW is an outdoor public light-based art experience featuring local\, national\, and international artists. Nancy and Deirdre will give presentations and talk about the history and vision of GLOW. They will also tell us about current GLOW artworks and artists. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5.  \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Nancy Miyahira\n\nNancy Miyahira is the Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, where she has overseen the creation and growth of new experiences to attract visitors to one of D.C.’s most historic districts since 2009. In 2014\, she and the BID team began to delve into public art as a placemaking initiative for the commercial district. They launched D.C.’s first free\, curated\, outdoor Light Art exhibition\, Georgetown GLOW. GLOW started as a three-night experience with five art installations. It has since grown over six years to a month-long exhibition with 11 installations in 2019. \nAfter a pause in 2020 due to the pandemic\, GLOW is back in spring and summer 2021 as a two-part\, six-month exhibition with eight installations featuring many local artists. In addition to working on public art initiatives\, Nancy and her team oversee marketing strategy\, events and communications to promote Georgetown as a destination to local\, national and international visitors. Nancy believes in the accessibility and power of public art\, and hopes that BID can be a catalyst for increasing opportunities for all. One of her most memorable public art experiences is Desert X 2019 in the Coachella Valley. One of her favorite museums is the Honolulu Museum of Art. \nNancy has over 20 years of experience in marketing – primarily in the retail and real estate industries. Prior to joining the BID\, she served in marketing leadership roles for Nordstrom’s East Coast region. There she worked to launch Nordstrom stores in over 20 new markets; The Mills Corporation (national retail REIT acquired by Simon Property Group) – leading the branding for the regional mall portfolio; and Duke Realty Corporation (national office REIT) – overseeing marketing of office and industrial properties in four East Coast markets. Nancy has an MBA in Marketing from the George Washington University\, and currently serves on the Board of STABLE Arts in Eckington\, D.C. Originally from Honolulu\, Hawaii\, Nancy lives in Woodley Park\, D.C. with her husband and two silly beagles. \n  \nAbout Deirdre MacWilliams\n \nDeirdre MacWilliams brings passion\, effective oversight and management skills to large- and small-scale public art projects. Since 2005\, Deirdre has collaborated with design professionals\, community members\, government colleagues and artists to develop public art for Washington\, D.C. and Arlington\, Virginia. \nDeirdre serves as public art project manager for Arlington’s nationally renowned Public Art program. She develops and manages County-initiated projects and advises on various public art and design enhancement requests. Prior to joining Arlington\, Deirdre worked as the public art coordinator for the DC Commission on the Arts and Humanities (DCCAH) and for Weitzman Studios.  \nDeirdre also works independently on creative projects and initiatives.  She has been the curator of Georgetown GLOW since 2014. She was the co-curator for What’s Going on Voices of Shaw in 2016 and in 2015 she was a project manager for Finding a Line\, working with local artist and skateboarder Ben Ashworth and the Kennedy Center. In 2014\, Deirdre was the curator for the Foggy Bottom Sculpture Biennial and in 2014 and 2012 was the producer for DCCAH’s temporary public art program 5×5.   \nDeirdre received her BA in Art History from The George Washington University and an MA from the Fashion Institute of Technology in Art Market Studies\, and currently serves on the board of Washington Project for the Arts. Originally from Cold Spring Harbor\, N.Y.\, she lives on Capitol Hill\, D.C. with her husband\, four-year-old son and super sweet Pitbull mix.  \nAbout The Georgetown Business Improvement District (BID)\nThe Georgetown BID is a city chartered private non-profit organization who focuses on managing the commercial district of the historic neighborhood of Georgetown. It is one of eleven BIDs in Washington\, D.C.\, and the fourth largest\, with an annual budget of $4.5 million and 850+ business members. Membership consists of local\, national and international retailers\, restaurateurs\, real estate developers and corporations. The BID’s property owners and merchants established\, funded and founded the BID in 1999. They work to protect and enhance the accessibility\, attractiveness and overall appeal of Georgetown. The BID is governed by a 24-member Board of Directors and works with city agencies of the District of Columbia on issues of concern to the business district. Major program areas for the BID are: Streetscape\, Street Services\, Public Safety\, Transportation\, Economic Development\, Placemaking and Marketing. \nThank you to Concetta Duncan\, Head of Communications at the Smithsonian’s National Portrait Gallery\, for organizing this program. \n\nImages: \n\nSnapshot from Georgetown GLOW\, 2019\nNancy Miyahira\, courtesy of the speaker\nDeirdre MacWilliams\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-nancy-miyahira/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Copy-of-Thank-you-gif.png
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210513T120000
DTEND;TZID=America/New_York:20210513T120000
DTSTAMP:20260403T183227
CREATED:20210323T235246Z
LAST-MODIFIED:20210427T171707Z
UID:5128-1620907200-1620907200@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Estamos Bien - La Trienal 20/21' at El Museo
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Curator Susanna V. Temkin and Guest Curator Elia Alba about El Museo del Barrio’s first national large-scale survey of Latinx contemporary art\, featuring more than 40 artists from across the United States and Puerto Rico: ESTAMOS BIEN – LA TRIENAL 20/21. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\n \nSusanna Temkin (middle) is a Curator at El Museo del Barrio\, where she most recently organized the museum’s fiftieth anniversary exhibition\, Culture and the People: El Museo del Barrio\, 1969-2019\, drawing from objects from the Permanent Collection. Prior to this\, she served as Assistant Curator at Americas Society in New York\, as well as the research and archive specialist at the Cecilia de Torres\, Ltd.\, where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin earned her master’s and PhD degrees from the Institute of Fine Arts\, New York University\, where her research concentrated on modern art in the Americas\, with a focus on Cuba. She has published essays and reviews in the Rutgers Art Review\, Burlington Magazine\, and Hemispheres\, and authored the chronology of Concrete Cuba: Cuba Geometric Abstraction from the 1950s\, produced by David Zwirner Books. \nElia Alba (right) is a multidisciplinary artist\, who works in sculpture\, photography and video. She has exhibited at El Museo del Barrio\, New York; Stedelijk Museum\, Amsterdam; Smithsonian Museum of Art\, Washington D.C.; Perez Art Museum Miami; National Museum of Art\, Reina Sofía\, Madrid; as well as at the 10th Havana Biennial. Alba has received the Studio Museum in Harlem Artist-in Residence Program; the Joan Mitchell Foundation Grant and most recently the Anonymous Was A Woman award. Elia is also a published author. Her recent book\, The Supper Club\, (Hirmer\, June 2019)\, was critically acclaimed by The New York Times and produced by the Shelley and Donald Rubin Foundation. Elia brought together artists\, scholars and performers of diasporic cultures to examine race and culture in the United States through photography\, food and dialogue. \nThank you to Julia P. Herzberg\, PhD\, Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nEstamos Bien Banner Logo\, courtesy of the museum\nChief Curator Rodrigo Moura\, Curator Susanna V. Temkin\, and New York-based artist and Guest Curator Elia Alb
URL:https://www.arttable.org/event/virtual-curatorial-perspective-estamos-bien-la-trienal-20-21-at-el-museo/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/03/Untitled-design.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210516T140000
DTEND;TZID=America/New_York:20210516T140000
DTSTAMP:20260403T183227
CREATED:20210419T163543Z
LAST-MODIFIED:20210427T162801Z
UID:5348-1621173600-1621173600@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'Consuming Stories: Kara Walker' by Rebecca Peabody
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for Reading at the (Art)Table as we delve into the new selection\, “Consuming Stories: Kara Walker and the Imagining of American Race\,” by Rebecca Peabody. Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. \nThis program is for ArtTable members only. Not a member? Join today! \nClick here to see who’s already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThank you to Jan Wurm\, ArtTable Northern California Chapter\, for organizing this program. \nImage: “Consuming Stories: Kara Walker and the Imagining of American Race” by Rebecca Peabody
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-consuming-stories/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/IilbkLvWmo.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210518T180000
DTEND;TZID=America/New_York:20210518T180000
DTSTAMP:20260403T183227
CREATED:20210501T013034Z
LAST-MODIFIED:20210501T014541Z
UID:5525-1621360800-1621360800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - Immersive Technology & Art with Laura Hertzfeld & Nancy Baker Cahill
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee. Each discussion will explore different aspects of new media initiatives in the art world. These virtual conversations are led by experts in the field and appeal to all who are interested in digital media. \nAs COVID-19 has created a higher demand for art that can be experienced in the public space\, immersive technologies like augmented reality and virtual reality have become synonymous with what’s marketable and accessible in our current pandemic world. Artist Nancy Baker Cahill and journalist/producer Laura Hertzfeld will discuss immersive art\, the creative process\, and the possibilities and perils of the brave new world of NFTs – as well as provide insight on how to get started in the digital art world. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Nancy Baker Cahill\n \nNancy Baker Cahill is a new media artist who examines power\, selfhood\, and embodied consciousness through drawing and shared immersive space. She is the Founder and Artistic Director of 4th Wall\, a free Augmented Reality (AR) art platform exploring resistance and inclusive creative expression. Her recent AR public art project\, Liberty Bell\, commissioned by Art Production Fund\, earned features in the New York Times\, frieze Magazine\, Artnet\, Smithsonian Magazine and the Washington Post\, among many other publications. The project\, on view through 2021\, spans six historic and culturally significant sites along the Eastern Seaboard of the U.S. and appeared in Artnews’ list\, The Defining Public Artworks of 2020. Baker Cahill was also included in ARTnews’ list of 2021 Deciders. \nHer 2018 TED talk\, Augmented Reality (AR) as an Artist’s Tool for Equity and Access\, launched her international public speaking practice. She has since delivered keynotes at the 2019 Games For Change\, 2020 A.W.E. (Augmented World Expo) and has spoken at the Hirshhorn Museum and numerous academic institutions and conferences. Baker Cahill is an artist scholar in the Berggruen Institute’s inaugural Transformations of the Human Fellowship\, and will begin a residency focused on AR monuments at Oxy Arts this summer. She is the Art and Creative Technologies Advisor for the XRSI Safety Initiative\, and is a member of the Guild of Future Architects. In May 2021\, she will receive the Williams College Bicentennial Medal of Honor. \nAbout Laura Hertzfeld\nLaura Hertzfeld is an Emmy-winning producer\, writer\, and editor with over a decade of experience helping news organizations develop online content\, engagement and distribution strategies. She leads the XR Partner Program at Yahoo Ryot Labs\, building AR and VR projects for Verizon Media’s news partners. Laura was a 2018-2019 John S. Knight Journalism Fellow at Stanford University where she researched the intersection of art\, immersive storytelling\, and journalism. She previously led Journalism 360\, an immersive storytelling initiative from Google News Lab\, Knight Foundation\, and ONA. She has held leadership roles at Entertainment Weekly\, Ora TV\, and PBS.org and was an editor on the original Yahoo News team. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Co-Chair\, for organizing this program. \n\nImages:  \n\nHollow Point 101\, LUMINEX: Dialogues of Light\, Courtesy of Nancy Baker Cahill\nNancy Baker Cahill\, courtesy of the speaker\nLaura Hertzfeld\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-immersive-technology-and-art/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/Nancy-Cahill-ArtTable-program-scaled-e1619833074158.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210520T110000
DTEND;TZID=America/New_York:20210520T120000
DTSTAMP:20260403T183227
CREATED:20210218T171057Z
LAST-MODIFIED:20210427T162447Z
UID:4835-1621508400-1621512000@www.arttable.org
SUMMARY:Virtual | Demystifying Art World Anti-Money Laundering & Compliance Regulations
DESCRIPTION:11am ET | 10am CT | 8am PT\nAnti-money laundering (AML) regulations are very much in play in the United Kingdom and throughout the European Union\, putting more obligations on art dealers. While legislation regarding anti-money laundering for the US market is still uncertain\, we live in a global age where art market professionals need to be aware of and understand regulations in different countries. Join us and expert panelists Susan J Mumford (CEO of ArtAML and former gallerist)\, Azmina Jasani (Partner\, Art & Cultural Property Law Group)\, and Megan Noh (Co-chair\, Pryor Cashman’s Art Law Group)\, and moderated by Eileen Kinsella (Senior Market Reporter\, artnet News)\, for a discussion on these new regulations coming out of Europe\, and the implications for international transactions when involved parties are on opposite sides of the Atlantic. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nAzmina Jasani is a Partner in the Art & Cultural Property Law Group at Constantine Cannon and a leading art law and luxury assets specialist. She is valued by her clients for her “effective”\, “diligent” and “straightforward” style and for her dual qualifications and experience in New York and London\, which they deem “a real asset.” Azmina represents clients on a variety of matters\, including disputes involving issues of authenticity\, provenance\, title and copyright as well as disputes relating to artist-gallery relations and looted or illegally exported cultural property. She is also often instructed by art and luxury businesses to help them comply with regulations pertaining to anti-money laundering\, consumer protection\, import and export\, data protection\, bribery and introductory commissions. \nAzmina lectures at the Institute of Art & Law\, Queen Mary School of Law\, Sotheby’s Institute of Art and the Courtauld Institute of Art. She received her Juris Doctorate from the University of California\, Berkeley School of Law and her B.A.\, summa cum laude\, from Queens College\, City University of New York. \nMegan Noh co-chairs Pryor Cashman’s Art Law Group. With over 15 years of combined experience in private practice and both in-house legal and business positions in the auction world\, Megan is sought after for her extensive knowledge of the complex issues impacting today’s art market\, including specifically with respect to transactional matters and artists’ rights. Megan’s practice is uniquely holistic in its representation of members of almost every segment of the art market\, and she is known for her ability to negotiate a transaction from both sides of its key issues—whether it’s an auction house consignment agreement\, a museum exhibition loan agreement\, or an artist-gallery representation agreement. \n \nSusan J Mumford is a serial entrepreneur in the art market. Having arrived in the UK from the USA in 2000\, she ran a gallery in Soho\, London\, from 2006-11. When the art world entered a new era following the credit crunch of 2008\, she founded the Association of Women Art Dealers (AWAD)\, an international multi-chapter non-profit network connect women and women-identifying art dealers on a global basis. This was followed by the creation of Be Smart About Art\, an online-accessible professional development platform that helps creative professionals thrive in a changing world. In 2018\, she embarked upon ArtAML\, which unites technology and art market know-how to help dealers keep dealing and buyers keep buying in the face of anti-money laundering legislation that hit the art market in 2020. \nEileen Kinsella (moderator) is a journalist who has been covering the international art market\, and the intersection of art and finance\, for more than 20 years. After starting as a news assistant on the national news desk of the Wall Street Journal in New York\, she moved to the Money & Investing section of the paper where she wrote stories on commercial real estate\, mutual funds\, equity markets and investment trends. Kinsella joined the paper’s newly debuted “Weekend Section” in 1998 with expanded coverage of the art market\, where she first started reporting on art. \nKinsella spent more than a decade at ARTnews magazine as a contributing writer and editor of a newsletter that covered a wide range of issues related to the international art market\, including auction sales\, gallery shows\, and legal developments that impact issues of authenticity\, ownership and international repatriation. She has covered numerous high-profile art-fraud related cases and trials and appeared as a guest on numerous CNBC art market news segments and its “American Greed” series\, as well as BBC News\, BBC Radio\, NPR\, Reuters\, and numerous podcasts Artnet News’s own The Art Angle. \nShe has appeared on and moderated numerous art market panels around the world and made presentations on art crime including at New York University’s Visual Arts Administration Program\, and at the Foundation for Appraisal Education (FAE’s) conference in Philadelphia in 2016. Since 2014\, Kinsella has been senior market reporter for Artnet News\, based in New York. \n\nImages:  \n\nCopyright The Financial Times Limited 2021. All rights reserved.\nAzmina Jasani\, courtesy of Constantine Cannon\nMegan Noh\, courtesy of Pryor Cashman\nSusan J Mumford\, courtesy of the speaker\nEileen Kinsella\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-demystifying-anti-money-laundering-in-the-art-world/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FT-e1614357418250.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210524T120000
DTEND;TZID=America/New_York:20210524T120000
DTSTAMP:20260403T183227
CREATED:20210421T232030Z
LAST-MODIFIED:20210428T180405Z
UID:5391-1621857600-1621857600@www.arttable.org
SUMMARY:Virtual | AT Connect with Silvia Karman Cubiñá
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s AT Connect program series encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from Silvia Karman Cubiñá\, Executive Director and Chief Curator of The Bass in Miami Beach and a member of ArtTable’s Florida Chapter. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nClick here to REGISTER for this program. \n\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speaker\n \nSince 2008\, Silvia Karman Cubiñá has held the position of Executive Director and Chief Curator of The Bass in Miami Beach. During her tenure\, Ms. Cubiñá led a $12 million institutional transformation\, complete with a building renovation by Pritzker Prize-winning architect Arata Isozaki and David Gauld. Throughout this time\, the museum’s annual budget and full-time staff quadrupled and the board grew from three members to thirty. Prior to The Bass\, Ms. Cubiñá was the Director of The Moore Space\, Miami\, from 2002-2008. She also held the position of Adjunct Curator at INOVA\, the Institute of Visual Arts at University of Wisconsin- Milwaukee. \nMs. Cubiñá has curated numerous exhibitions\, lectured extensively\, and has participated in grant panels and award selection committees\, including serving as a juror for both the Guggenheim Museum’s Hugo Boss Award 2006 and the 2008 Biennale de Lyon. In 2007\, she was a finalist for the Walter Hopps Award for Curatorial Achievement and a fellow in the Center for Curatorial Leadership (CCL) fellowship program. Ms. Cubiñá served on the Knight Foundation National Arts Advisory Board and\, in 2012\, she was awarded the distinction of Chevalier de l’Ordre des Arts et Lettres by the French Ministry of Culture. In 1997\, she was the Puerto Rico commissioner to the Bienal de São Paolo. \nIn her role as Chief Curator of The Bass\, Ms. Cubiñá has organized more than 30 major exhibitions including: Where Do We Go From Here: Selections from la Colección Jumex (2009)\, Isaac Julien: Ten Thousand Waves (2011)\, Ugo Rondinone: good evening beautiful blue (2017)\, The Haas Brothers: Ferngully (2018)\, Haegue Yang: In the Cone of Uncertainty (2019) and Mickalene Thomas: Better Nights (2019)\, all while at The Bass; Jim Lambie: Paradise Garage (2004)\, Miami Calling…Jonathan Monk (2005)\, Allora & Calzadilla: Clamor (2006) and Kalup Linzy (2008) during her time at The Moore Space; and Pepón Osorio: Door to Door (2002). \nMarried and a mother of two\, Ms. Cubiñá is fluent in English\, Spanish and French; proficient in Italian. \n\nImages:  \n\nSilvia Karman Cubiñá\, Executive Director and Chief Curator\, The Bass. Photo by Nick Garcia.\nThe Bass\, Miami Beach\, Florida. Photo by Zachary Balber. Courtesy of The Bass.
URL:https://www.arttable.org/event/virtual-at-connect-with-silvia-karman-cubina/
LOCATION:Zoom
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/SilviaKarmanCubina_PhotographybyNickGarcia14-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210525T190000
DTEND;TZID=America/New_York:20210525T190000
DTSTAMP:20260403T183227
CREATED:20210419T153251Z
LAST-MODIFIED:20210427T153016Z
UID:5343-1621969200-1621969200@www.arttable.org
SUMMARY:Virtual | DC Around the Table Book Group - Infinity Net: The Autobiography of Yayoi Kusama
DESCRIPTION:7pm ET | 6pm CT | 4pm PT\nJoin ArtTable’s Washington\, D.C. Chapter for an Around the Table Book Group. This program is open to all ArtTable members and meets four times a year; participants can join for one book or for all! \nNot an ArtTable member? Join today! \nClick here to see who is already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nFor the second DC Around the Table Book Group of 2021\, we will discuss “Infinity Net: The Autobiography of Yayoi Kusama.” \n\nIn 1957\, encouraged by Georgia O’Keeffe\, artist Yayoi Kusama left Japan for New York City to become a star. By the time she returned to her home country in 1973\, she had established herself as a leader of New York’s avant-garde movement\, known for creating happenings and public orgies to protest the Vietnam War and for the polka dots that had become a trademark of her work. Her sculptures\, videos\, paintings\, and installations are to this day included in major international exhibitions. \n\nThank you to Ruth Abrahams\, ArtTable DC Committee Member at Large and ArtTable VP of Chapter Leadership for organizing this program. \n\nImage: Infinity Net: The Autobiography of Yayoi Kusama
URL:https://www.arttable.org/event/virtual-dc-around-the-table-book-group-infinity-net/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/EJNTEPkPmE.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210526T120000
DTEND;TZID=America/New_York:20210526T120000
DTSTAMP:20260403T183227
CREATED:20210331T174756Z
LAST-MODIFIED:20210427T161546Z
UID:5216-1622030400-1622030400@www.arttable.org
SUMMARY:Virtual | Professional Empowerment: Taxation Insights on Art Transactions\, with Galina Portnoy
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Professional Empowerment program series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Please join us and Galina Portnoy\, CPA\, Director at Marks Paneth Accountants & Advisors for a discussion on issues of taxation in the art world. We will touch upon how similar art transactions are treated differently by the IRS depending on who is conducting the transaction (artist vs. dealer vs. investor vs. collector)\, art inclusion in estate planning\, art transactions and crypto currency\, among other essential topics! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Galina Portnoy\nGalina Portnoy\, CPA\, is a Director in the Private Client Services Group at Marks Paneth LLP. For more than 20 years\, Ms. Portnoy has provided tax\, accounting and consulting services to high-net-worth individuals\, family partnerships and their related entities. She has advised on a broad range of complex issues\, including strategic income tax planning and execution\, gifts and estates\, philanthropy\, matrimonial accounting\, business management and planning\, real estate and other transactions\, multi-state taxation and financial planning. \nMs. Portnoy has extensive experience advising artists\, art dealers and art investors\, as well as educators and researchers. In addition\, her clients include hedge fund managers\, investment advisors\, real estate investors and providers of legal\, financial and real estate-related services. She also oversees engagements that provide concierge services to high-net-worth individuals and their related entities. \nMs. Portnoy has represented clients before the Internal Revenue Service\, as well as the State and City of New York\, including on income tax\, residency and UBT issues. \nBefore joining Marks Paneth LLP in 2016\, Ms. Portnoy was a CPA at another accounting firm and\, prior to that\, worked in a variety of private and publicly traded organizations in a tax and accounting capacity. She is based in the firm’s New York City headquarters. \nThank you to ArtTable’s New York Chapter Programming Committee for organizing this program. \n\nImages:  \n\nHeader image courtesy of Kyle E. Krull\nGalina Portnoy\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-professional-empowerment-taxation-insights-on-art-transactions-with-galina-portnoy/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/gal-e1617212859973.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210527T170000
DTEND;TZID=America/New_York:20210527T170000
DTSTAMP:20260403T183227
CREATED:20210422T145100Z
LAST-MODIFIED:20210427T151328Z
UID:5405-1622134800-1622134800@www.arttable.org
SUMMARY:Virtual | Let's Connect! Spring National Networking Event
DESCRIPTION:5pm ET | 4pm CT | 2pm PT\nWe invite all ArtTable members to join us for this virtual national networking event! Building upon the success of the networking event held after this year’s Annual Benefit and Award Ceremony\, we are thrilled to offer our members this opportunity to connect with each other nationwide. Participants will go into breakout rooms to chat\, connect\, see old friends and make new ones! This is a great opportunity for members from all over the country (and the world!) to form new connections and find ways to collaborate with one another. \nThis program is Free for all ArtTable members. Not a member? Join today! \nCLICK HERE TO REGISTER.\n(You will receive an email confirmation containing the Zoom link.) \nCan’t join us for this event? Don’t worry\, there will be plenty more opportunities to connect with members in the future! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! \n\nImage: Courtesy of Point Road Group
URL:https://www.arttable.org/event/virtual-lets-connect-spring-national-networking-event/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/virtual-networking-with-coworkers-1-e1619104601661.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T140000
DTEND;TZID=America/New_York:20210528T140000
DTSTAMP:20260403T183227
CREATED:20210504T143443Z
LAST-MODIFIED:20210505T140211Z
UID:5588-1622210400-1622210400@www.arttable.org
SUMMARY:Virtual | Coffee Break with Ruri Yampolsky\, Seattle Waterfront Program Arts Manager
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nGrab a cup of coffee and join us for an informal chat and virtual presentation about the Seattle Waterfront Arts Program! This presentation will highlight the ongoing installation taking place along the Seattle Waterfront that includes the work of female-identifying artists who have indigenous backgrounds. Ruri Yampolsky will speak about this public art program\, sharing with ArtTable Northwest’s audience and anyone else who is interested. After the presentation there will be time set aside for questions and also for networking in smaller groups. \nAdmission \n\nNon-Members – $5\nArtTable Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Ruri Yampolsky\nRuri Yampolsky is the Waterfront Program Arts Manager for the city of Seattle’s Office of the Waterfront and Civic Projects\, working to ensure that arts and culture are fully integrated into one of the largest civic transformations Seattle has undertaken. With 30 years’ experience in the public art field\, including managing Seattle’s public art program and numerous art projects\, she has worked to expand collective experience by advocating for a variety of artistic expressions in artworks that shape urban space\, engage community\, encourage civic dialog and bring new voices into the field. \n\nRuri served on the Public Art Network Council for Americans for the Arts\, finishing out as vice-chair\, and focusing on diversity\, equity and inclusion in public art practice\, policies and procedures. Most recently\, she collaborated with national colleagues on a document addressing issues of problematic monuments and memorials. She is a registered architect with a Master of Architecture from Columbia University\, and earned her Bachelor of Arts in architecture with a minor in Latin from Barnard College. \n\nThank you to Ruri Yampolsky\, Waterfront Program Arts Manager\, and ArtTable’s Northwest Chapter for organizing this program.\n \n\nImages: \n\nImage courtesy of Waterfront Program
URL:https://www.arttable.org/event/virtual-coffee-break-with-ruri-yampolsky/
LOCATION:Zoom
CATEGORIES:National,Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/BzGfswzJdU.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210602T180000
DTEND;TZID=America/New_York:20210602T180000
DTSTAMP:20260403T183227
CREATED:20210514T010501Z
LAST-MODIFIED:20210515T132349Z
UID:5724-1622656800-1622656800@www.arttable.org
SUMMARY:Virtual | Reimagining Public Monuments: Old Stories & New Narratives
DESCRIPTION:6pm ET | 5pm CT | 4pm PT\nWe are delighted to present Monuments & Memorials: Then & Now\, a three part series about the history\, context and creation of public monuments and memorials. \nThis first panel will introduce milestones and controversies of past memorials and monuments. We will hear from Professor Harriet F. Senie\, Professor of Art History at C.U.N.Y. and its Graduate Center\, who will offer her perspective on The Evolution of Monuments: Paradigms and Underlying Issues based on her 30 years of experience teaching\, writing and participating on national selection commissions in the field of public art. She is joined by artist Alison Saar\, who will reflect on her much admired permanent 2007 Harriet Tubman Monument in Harlem\, a case study\, in New York City where there are few monuments to women or non-white males. We will also hear from artist Marisa Williamson\, who is known for reimagining under-represented historical subjects by bringing these figures to life through performance art and augmented reality (AR). She will speak about her practice using new narratives and new media for contemporary audiences. Cathie Behrend\, ArtTable New York member who co-organized this series\, will introduce the program and panelists. \nThe second panel in this series will be announced in the coming weeks and will focus on Reimagining Public Monuments & Memorials: Through Other Lenses. What have we seen? Whose stories will we now tell? Who will decide? Who will provide funding? What visions do artists now imagine for the future? A third panel in September will wrap up the series with a focus on the Preservation of Public Monuments & Sacred Spaces at Home & Abroad. We hope you will join us for all three! \nWe also look forward to sharing more information on an upcoming walking tour of Harlem with Cathie Behrend that will highlight monuments and memorials in the neighborhood\, including Alison Saar’s “Swing Low: Harriet Tubman Memorial” and the Frederick Douglass Sculpture and Water Wall. Stay tuned for more details! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Professor Harriet F. Senie\nHarriet F. Senie is professor of art history at City College and the CUNY Graduate Center. She is the author of Memorials to Shattered Myths: Vietnam to 9/11; The “Tilted Arc” Controversy: Dangerous Precedent?; and Contemporary Public Sculpture: Tradition\, Transformation\, and Controversy.  She is co-editor and contributor to Teachable Monuments: Using Public Art to Spark Dialogue and Confront Controversy; Museums and Public Art?; A Companion to Public Art; and Critical Issues in Public Art. In 2008\, she cofounded Public Art Dialogue\, an international organization and College Art Association affiliate\, and coedited its peer review journal Public Art Dialogue from 2011-17. She has served on the New York City Mayoral Advisory Commission on City Art\, Monuments\, and Markers; the She Built New York advisory committee\, and selection committees for the Women’s Rights Pioneers Monument in Central Park; the Mexico City 1968 Memorial; and the Flight 587 Memorial. Her current book project is Monumental Controversies: Mount Rushmore\, Four Presidents\, and the Quest for National Identity. \nAbout Alison Saar\nAlison Saar was born in Los Angeles\, California. She has been commissioned to create a number of Public Monuments including Swing Low a monument to Harriet Tubman\, Terra Incognita a memorial to York of the Lewis and Clark expedition and Embodied a monument to Justice. She received the United States Artist Fellowship in 2012 and has also been awarded the John Simon Guggenheim Memorial Foundation Fellowship and two National Endowment Fellowships. Alison has exhibited at many galleries and museums\, including the Hirshhorn Museum and Sculpture Garden and the Whitney Museum of American Art. Her art is represented in the collections of the Whitney Museum of American Art\, the Baltimore Art Museum\, the Modern Museum of Art and the Metropolitan Museum of Art. \nAbout Marisa Williamson\nMarisa Williamson is a project-based artist who has produced site-specific works at Monticello\, & by commission from Storm King Art Center\, the Metropolitan Museum of Art\, Monument Lab\, & the National Park Service. She has had solo exhibitions at the University of Virginia\, the University of Washington\, & SPACES in Cleveland. Her work has been exhibited nationally & internationally. Williamson has received grants from the Rema Hort Mann Foundation\, the Schlesinger Library on the History of Women in America\, & the Graham Foundation. Williamson holds a BA from Harvard & an MFA from CalArts. She lives & works in New Jersey & Connecticut\, serving as an assistant professor of media arts at the University of Hartford. \n  \nThank you to Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, member of ArtTable’s New York Chapter Programs Committee\, for organizing this program series. \n\nImages: \n\nMarisa Williamson\, Ruffin Hall: University of Virginia – Seeing that nothing is purely black or white\, the Ghost of Thomas Jefferson wanders in this grey area. Charlottesville\, VA. From Postcard Book: The Ghost of Thomas Jefferson\, 2018. Edition of 150. Photo by Gabby Fuller. Courtesy of the Artist. | Swing Low: A Harriet Tubman memorial by Alison Saar (Photo: Devin A. Hill for TravelMag)\nHarriet F. Senie\, courtesy of the speaker\nAlison Saar Self Portrait\, courtesy of the artist\nMarisa Williamson\, courtesy of the artist
URL:https://www.arttable.org/event/virtual-reimagining-public-monuments-old-stories-and-new-narratives/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/05/Mons.gif
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210607T120000
DTEND;TZID=America/New_York:20210612T133000
DTSTAMP:20260403T183227
CREATED:20210518T163257Z
LAST-MODIFIED:20210520T164325Z
UID:5826-1623067200-1623504600@www.arttable.org
SUMMARY:Partner Program | The Convening: Women in Art
DESCRIPTION:June 7-12\, 2021 \nThe Convening is a week-long virtual leadership conference founded by Sheri Pasquerella of SLP The Class + SLP Women’s Group\, and Lauren Jackson Harris & Daricia Mia DeMarr of Black Women in Visual Art. Presented in collaboration with ArtTable and inaugurating in June 2021\, the gathering will provide tools\, education\, and mentorship for women of all ages working in the visual arts ecosystem. We will unite more than 300 female visionaries from across the country and convene around the question: How can we lead real change in 2021? \nFor 5 Days\, The Convening will present daily programming on a rotating schedule designed to encourage equity and growth in the arts\, including Morning Meditations\, Afternoon Workshops\, and Evening Panel Discussions. All these programs are leading up to The Great Convening on Friday and Saturday. During these gatherings\, 10 inspiring women will lead small groups & mentor-based sessions of 10-15 people to brainstorm and consider the question: How can we lead real change? Each circle is tasked with coming up with 1-2 actions that they can commit to. The group will nominate a ‘presenter’ to share the ideas & actions during Saturday’s The Great Convening. \nAdmission \n\nStudents – $50 (limited amount available)\nMonday – Thursday (Workshops & Panels only) – $125\nFull Week – The Great Convening Combo Ticket – $250\n\nVisit The Convening website to read more about the event\, the speakers and panelists\, view the full schedule\, and purchase your ticket today!
URL:https://www.arttable.org/event/partner-program-the-convening-women-in-art/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/Untitled-design.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210609T203000
DTEND;TZID=America/New_York:20210609T203000
DTSTAMP:20260403T183227
CREATED:20210520T175304Z
LAST-MODIFIED:20210526T195145Z
UID:5879-1623270600-1623270600@www.arttable.org
SUMMARY:Virtual | NoCal Film Night -  "Everybody Knows...Elizabeth Murray"
DESCRIPTION:8:30pm ET | 7:30pm CT | 5:30pm PT\nJoin ArtTable’s Northern California Chapter for a virtual film night to view and discuss Everybody Knows…Elizabeth Murray — The Life of a Great Contemporary Painter. You can also view the film in advance and join us for the discussion afterwards. We are delighted that after the viewing\, we will be joined Daisy Murray Holman\, daughter of the late artist. We look forward to a moving documentary and discussion of an inspiring artist. \nThis program is free for ArtTable Members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nHow to view the film in advance:\nMembers can watch the film at their leisure through their own public library Kanopy accounts. \nKanopy – San Francisco Public Library\nKanopy – Berkeley Public Library – California\nPBS (only available to KQED Passport Members) \nAbout Daisy Murray Holman\nDaisy Murray Holman is Head of Archives for the Richard Diebenkorn Foundation and manages the estate of her mother\, Elizabeth Murray. \n  \nThank you to Jan Wurm for organizing this program. \n\nImage: Elizabeth Murray\, Everybody Knows\, 2007\, oil on canvas\, 87″ x 93″ © 2019 The Murray-Holman Family Trust / Artists Rights Society (ARS)\, New York
URL:https://www.arttable.org/event/virtual-at-local-nocal-film-night-everybody-knows-elizabeth-murray/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/nGhtsgVAUG-e1621533146972.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210610T140000
DTEND;TZID=America/New_York:20210610T140000
DTSTAMP:20260403T183227
CREATED:20210506T185047Z
LAST-MODIFIED:20210520T140636Z
UID:5629-1623333600-1623333600@www.arttable.org
SUMMARY:Virtual | Global Perspectives - Art & Culture in Mali with Massira Toure
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Massira Toure\, the founder and director of a digital art gallery\, Agansi.com\, which combines art and technology to enhance visibility for visual artists from Africa and allow them to sell their work worldwide. Through this platform\, Massira organizes virtual exhibitions\, sales\, and rentals of works of art. An artist herself\, Massira also organizes in-person exhibitions in Mali. She will speak with ArtTable member Janet Goldner about her gallery\, her art\, and the Malian cultural scene. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Massira Toure\nMassira has a masters from the Conservatoire des Arts et Métiers de Bamako. Her painting practice centers around traditional Malian cloth. She has exhibited her works in group and individual exhibitions in Mali\, Tunisia\, Benin\, the USA and France. She is also a committed educator\, teaching drawing and painting at the Conservatoire. \nAbout Janet Goldner\nJanet is an independent researcher\, scholar\, consultant and artist. She has a lifelong relationship with Africa. She received a Fulbright Senior Research Fellowship to Mali in 1995. Since then\, she has spent several months every year in Mali engaged cultural research and projects concerning cultural preservation\, contemporary art\, and artists in Mali. Her research takes the form of immersive fieldwork\, and she often collaborates with Malian artists. She has received three Fulbright Specialist grants and grants from the Ford Foundation and the UN Special Committee Against Apartheid. She has lectured widely. Published articles include a chapter in Contemporary African Fashion\, Indiana University Press\, an essay in Poetics of Cloth\, Grey Art Gallery\, NYU. \n  \nThank you to Janet Goldner from ArtTable’s New York Chapter Programming Committee for organizing this program.\n \n\nImages: \n\nMassira Toure\, courtesy of the speaker\nJanet Goldner\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-global-perspectives-art-and-culture-in-mali-with-massira-toure/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Massira-e1620944566363.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T160000
DTEND;TZID=America/New_York:20210611T170000
DTSTAMP:20260403T183227
CREATED:20210517T143606Z
LAST-MODIFIED:20210520T133854Z
UID:5767-1623427200-1623430800@www.arttable.org
SUMMARY:New York | Tour of 'RE:GROWTH\, A Celebration of Art\, Riverside Park\, & the New York Spirit'
DESCRIPTION:Please join us for an in-person tour of ‘RE:GROWTH\, A Celebration of Art\, Riverside Park\, and the New York Spirit‘ on view at Riverside Park in New York City. The tour will be led by Independent Curator Karin Bravin. We will also be joined by artists Blanka Amezkua\, Dahlia Elsayed\, and Jean Shin\, who will speak about the pieces they have on view in the show. \nThis program is open to ArtTable members only. The program fee is $15. The exact meeting spot will be circulated prior to the program. During the tour we will walk for approximately 10-12 blocks\, so please prepare accordingly! \nAll attendees are invited to stick around after this program to meet the New York-based 2021 ArtTable Fellows! More details on this to come. \nNot a member? Join today! \nRegistration for this program is limited to 20 attendees. Waitlisted registrants will be notified if space becomes available.  \n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.  \n\n  \n\nAbout Karin Bravin\n \nKarin Bravin is a curator with a strong focus on site-specific\, public and installation art projects. In 2006 she curated and produced Studio in The Park\, a three month exhibition of eleven art installations in Riverside Park. The projects were sited in unexpected places: under tunnels\, on baseball backstops\, in the Hudson River\, and along the meandering paths. In 2009 she became consultant for the Downtown Alliance\, where she selected and oversaw several art projects on construction barriers in lower Manhattan. Among some of her other projects\, she curated 19 site -specific works at Lehman College and several installations for a gallery during Bushwick Open Studios. She is the curator and consultant for The Public Arts Commission of Lewes\, Delaware and on the arts advisory committee for The Stirner Arts Trail in Easton Pennsylvania. \nSince 1991\, Karin Bravin and her husband\, John Post Lee\, have owned and operated BravinLee programs\, a contemporary art gallery in New York. They focus their attention on their exhibition program\, artist rug program\, site-specific/public art program and an artist book program. They curate outside of the gallery\, lecture\, teach\, participate in art fairs\, and foster an active art advisory. Bravin received her BA in art history from Dartmouth College. \nAbout Blanka Amezkua\nBlanka Amezkua is formally trained as a painter; she attended the Accademia di belle Arti in Florence\, Italy and received her B.A. from California State University Fresno. Her work and projects have been shown in the United States\, Mexico\, Belgium and Greece. In cultural establishments such as: MoMA-P.S.1\, Exit Art\, The Bronx Museum of the Arts\, El Museo del Barrio\, Queens Museum of Art\, Towson University\, Dorsky Gallery\, The Taller Boricua\, The Block Gallery among others. You can read more about Blanka’s work and projects on her website. \nMentions of Blanka’s work and projects are included in ARTnews\, the New York Times\, TimeOut\, Daily News\, Art21:blog\, athinorama\, Athens News\, Queens Chronicle\, International Museum of Women\, WNYC\, as well as other publications. \nAbout Dahlia Elsayed\nDahlia Elsayed is an artist and writer who makes text and image based work that synthesizes an internal and external experience of place\, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings\, print and installation. Her work has been exhibited at galleries and institutions throughout the United States and internationally\, including the 12th Cairo Biennale\, Robert Miller Gallery\, BravinLee Programs\, The New Jersey State Museum and Aljira Center for Contemporary Art. Her work is in the public collections of the Newark Museum\, the Zimmerli Museum\, Johnson & Johnson Corporation\, the US Department of State\, amongst others. Dahlia has received awards from the Joan Mitchell Foundation\, the Edward Albee Foundation\, Visual Studies Workshop\, the MacDowell Colony\, Women’s Studio Workshop\, Headlands Center for the Arts\, and the NJ State Council on the Arts. She received her MFA from Columbia University\, and lives and works in New Jersey. Ms. Elsayed is Professor of Humanities at CUNY LaGuardia Community College in Long Island City\, NY. You can view more of her work on her website. \nAbout Jean Shin\nBorn in Seoul\, South Korea\, and raised in the United States\, is nationally recognized for her monumental installations that transform everyday objects into elegant expressions of identity and community engagement. For each project\, she amasses vast collections of a particular object—prescription pill bottles\, sports trophies\, sweaters—which are often sourced through donations from individuals in a participating community. These intimate objects then become the materials for her conceptually rich sculptures\, videos\, and site-specific installations. Distinguished by her meticulous\, labor-intensive process\, and her engagement of community\, Shin’s arresting installations reflect individuals’ personal lives as well as collective issues that we face as a society. \nShin attended the Skowhegan School of Painting and Sculpture in 1999 and received a BFA and MS from Pratt Institute in Brooklyn. She is a tenured Adjunct Professor of Fine Art at Pratt Institute and a recipient of Pratt’s 2017 Alumni Achievement Award. She lives and works in Brooklyn and Hurley\, NY. You can view her full bio and see more of her work on her website. \n\nImages: \n\nDigital rendering of Letha Wilson\, ‘Double Arc Leaves and Lava (Hawaii California)\,’ courtesy of Karin Bravin.\nKarin Bravin\, courtesy of the speaker.\nBlanka Amezkua\, courtesy of Greece-Is. Photo by Nikos Kokkas\nDahlia Elsayed\, courtesy of the artist.\nJean Shin\, courtesy of the artist.
URL:https://www.arttable.org/event/new-york-tour-of-regrowth-a-celebration-of-art-riverside-park-the-new-york-spirit-at-riverside-park/
LOCATION:Riverside Park\, Riverside Blvd\, New York\, 10069
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/site-mockup1-e1621262921280.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210616T120000
DTEND;TZID=America/New_York:20210616T120000
DTSTAMP:20260403T183227
CREATED:20210520T135718Z
LAST-MODIFIED:20210525T020754Z
UID:5870-1623844800-1623844800@www.arttable.org
SUMMARY:Virtual | Professional Empowerment: Repatriation of Cultural Heritage w/ Leila Amineddoleh
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a discussion with Leila Amineddoleh\, internationally recognized expert on art and cultural heritage crime and law and Founder of Amineddoleh & Associates\, LLC on the topic of repatriation of cultural heritage. \nFor centuries\, sought-after art objects and antiquities have been subject to high-profile ownership disputes. From the smuggling of religious artifacts out of the Holy Land to Hitler’s extensive looting of artistic property\, cultural objects have been targeted by rapacious collectors and leaders. The British Museum’s ownership of the Parthenon Marbles is perhaps the best-known cultural heritage debate\, yet legal battles are often not the focus of such intense public scrutiny. The presentation will examine antiquities disputes\, including a discussion of the laws that regulate ownership of cultural heritage and the evolution of the art market. \nArtTable’s Professional Empowerment program series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. If you have a topic or idea for a Professional Empowerment program\, email us at programs@arttable.org! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Leila Amineddoleh\nLeila A. Amineddoleh represents art collectors\, museums\, galleries\, dealers\, non-profit organizations\, artists\, estates\, foundations and foreign governments. She has been involved in matters related to multi-million dollar contractual disputes\, international cultural heritage law violations\, the recovery of stolen art and antiquities\, authentication disputes\, art-backed loans\, and the purchase and sale of hundreds of millions of dollars of art and collectibles. As a specialist in art authentication and title disputes\, Leila advises clients on the acquisition and sale of fine art and cultural heritage. \nLeila began her career as an intellectual property law litigator. She continues to work with artists and entrepreneurs to develop their intellectual property portfolios and protect their works and artistic rights. \nLeila has lectured at esteemed institutions\, including the Frick Collection\, Victoria & Albert Museum\, and the Philadelphia Museum of Art. She has appeared in major news outlets\, including the NY Times\, ABC News\, LA Times\, Forbes\, The Guardian\, TIME Magazine\, and the Wall Street Journal. She has been published in legal journals and has had scholarly contributions published in books\, including Nazi Law: From Nuremberg to Nuremberg and The Provenance Research Handbook. \nLeila teaches International Art & Cultural Heritage Law at Fordham University School of Law\, in addition to Art Crime and the Law at New York University. \n\nImages:  \n\nPart of the Elgin Marbles\, were originally part of the Parthenon in Athens. Photo: by VCG Wilson/Corbis via Getty Images. via artnet news.\nLeila Amineddoleh\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-professional-empowerment-repatriation-of-cultural-heritage-with-leila-amineddoleh/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/elgin.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210622T120000
DTEND;TZID=America/New_York:20210622T120000
DTSTAMP:20260403T183227
CREATED:20210503T160658Z
LAST-MODIFIED:20210528T163008Z
UID:5541-1624363200-1624363200@www.arttable.org
SUMMARY:Virtual | Artist Talk with Shahzia Sikander
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Shahzia Sikander. \nShahzia will talk about individual works she created from 1988 to 2003\, elaborating on the evolution of her unique visual lexicon as she negotiated a language between the pictorial traditions of Central and South Asia and contemporary practices\, through the lens of her experience from Pakistan to the US as an immigrant pre and post 9/11 and how that period’s shifting socio-political culture shaped her broader practice. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Shahzia Sikander\nPioneering Pakistani-American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting pre-modern and classical Central and South-Asian miniature painting traditions and launching the form known today as neo-miniature. By bringing traditional and historical practice into dialogue with contemporary international art practices\, Sikander’s multivalent and investigative work examines colonial archives to readdress orientalist narratives in western art history. Interrogating ideas of language\, trade\, empire\, and migration through imperial and feminist perspectives Sikander’s paintings\, video animations\, mosaics and sculpture explore gender roles and sexuality\, cultural identity\, racial narratives\, and colonial and postcolonial histories. \nSikander earned a B.F.A. in 1991 from the National College of Arts in Lahore\, Pakistan. Her seminal thesis work\, The Scroll (1989–1990) which initiated the start of the neo-miniature movement\, garnered awards\, exhibitions and press\, as well as led to increased enrollment in the NCA’s miniature painting department. Subsequently\, Sikander was appointed as a lecturer in miniature painting at the school. The artist then moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts\, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012)\, Sikander’s innovative work has been exhibited and collected internationally. \nShahzia Sikander will be the subject of a traveling exhibition titled Shahzia Sikander: Extraordinary Realities. The exhibition will open at The Morgan Library in New York in June 2021\, followed by the RISD Museum in Providence\, Rhode Island in November 2021\, and then the MFA Houston in Texas in Spring 2022. On the occasion of these exhibitions\, there will be a major new monograph printed. Extraordinary Realities is an exhaustive examination of Sikander’s work from 1987 to 2003\, charting her early development as an artist in Lahore and the United States\, and foregrounding her critical role in bringing miniature painting into dialogue with contemporary art. Edited by Jan Howard and Sadia Abbas\, with contributions by Gayatri Gopinath\, Faisal Devji\, Kishwar Rizvi\, Sadia Abbas\, Jan Howard\, Vasif Kortun\, Dennis Congdon\, Bashir Ahmed\, Rick Lowe\, and Julie Mehretu. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Julia P. Herzberg\, Ph.D.\, member of ArtTable’s New York Chapter Programming Committee\, for organizing this program.\n \n\nImages: \n\n“Cholee Kay Peechay Kiya? Chunree Kay Neechay Kiya? (What Is under the Blouse? What Is under the Dress?)”\, 1997; Vegetable Color\, dry pigment\, watercolor and tea on wasli paper; Marieluise Hessel Collection\, Hessel Museum of Art\, Center for Curatorial Studies\, Bard College\, Annandale-on-Hudson\, New York\n“Hood’s Red Rider No. 2”\, 1997; Vegetable Color\, dry pigment\, watercolor\, gold and tea on wasli paper; Collection of Susan and Lew Manilow
URL:https://www.arttable.org/event/virtual-artist-talk-with-shahzia-sikander/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/Two-Images-for-Programs-e1620057992499.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210624T120000
DTEND;TZID=America/New_York:20210624T120000
DTSTAMP:20260403T183227
CREATED:20210604T181944Z
LAST-MODIFIED:20210607T231730Z
UID:6006-1624536000-1624536000@www.arttable.org
SUMMARY:Virtual | Luise Kaish and Women Artists in America\, with Gail Levin
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a discussion with Gail Levin\, Distinguished Professor of Art History\, American Studies\, and Women’s Studies at the City University of New York. Levin is Judy Chicago’s and Lee Krasner’s biographer\, and an acknowledged authority on Edward Hopper\, having written his catalogue raisonné\, his biography\, and many other publications. She is the editor and author of Theresa Bernstein: A Century in Art; a co-editor of Ethics and the Visual Arts; as well as contributor to the recently published monograph Luise Kaish: An American Art Legacy. Levin will speak about the work of pioneering artist Luise Kaish\, in the context of the history of women artists in America. \nLuise Clayborn Kaish (1925–2013) was a pioneer. A key figure in the New York art scene of the late 20th century\, her multidisciplinary practice and process-oriented work spanned a range of mediums\, materials\, techniques\, and themes. The strength and breadth of her work—monumental sculptures in bronze\, oil paintings\, watercolours\, lithographs\, collage—and the prestigious awards and fellowships she received set her apart as an early female leader in the visual arts. Dedicated to absorbing world cultures through travel and research\, Kaish studied a broad range of subjects from architecture\, design\, and engineering to spiritualism\, metaphysics\, and the cosmos. Through her wide-ranging practice\, she explored the spaces and connections between material\, natural\, and spiritual worlds. The publication Luise Kaish: An American Art Legacy celebrates her immense talent\, highly individual point of view\, far- reaching influence\, pursuit of the sublime\, and passion for life. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nThis program is generously supported by the Kaish Family Art Project.\n \n\nImages: \n\nLuise Kaish at work on the Ark of Revelation\, MacDougal Street Studio\, New York\, circa\, 1962.
URL:https://www.arttable.org/event/virtual-luise-kaish-and-women-artists-in-america-with-gail-levin/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-04-at-2.54.14-PM-e1622832935110.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210628T140000
DTEND;TZID=America/New_York:20210628T140000
DTSTAMP:20260403T183227
CREATED:20210514T191833Z
LAST-MODIFIED:20210514T220200Z
UID:5746-1624888800-1624888800@www.arttable.org
SUMMARY:Virtual | Fierce Poise: Helen Frankenthaler and 1950s New York
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Alexander Nemerov\, author of Fierce Poise: Helen Frankenthaler and 1950s New York\, and Sarah Kirk Hanley\, an independent prints and editions expert and critic based in the New York area\, who is currently writing an essay for the Dulwich Picture Gallery for their Fall exhibition of woodcuts by Helen Frankenthaler. \nDr. Nemerov’s biography of Frankenthaler encompasses her life and work beginning with her college years at Bennington\, where Nemerov’s father was her English teacher\, and Clement Greenberg\, her first significant romantic partner\, gave seminars in Art history and organized exhibitions. Nemerov concentrates his text on Frankenthaler of the 1950s which\, Karen Wilkin’s review of the book writes\,” she was notably strong and inventive\, almost from the start at a time when artists were expected to spend years maturing before their work was considered to be worthy of attention.” Nemerov acknowledges her importance as an Ab-ex painter and also writes about Freudian sources of her lifetime romantic relationships. There is a great deal to unpack about this major abstract woman artist of the twentieth century. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Alexander Nemerov\nAlexander Nemerov is The Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities\, as well as Chair of the Department of Art and Art History at Stanford University. He formerly taught Yale University where he was the Vincent J. Scully Professor of the History of Art. He has a Masters and Doctor of Philosophy in History of Art from Yale University and has published several books before the Frankenthaler. A scholar of American art\, Nemerov writes about the presence of art\, the recollection of the past and the importance of humanities in our lives today. \n\nAbout Sarah Kirk Hanley\nSarah Kirk Hanley is an independent prints and editions expert and critic based in the New York area. Her critical writing focuses on prints by women artists\, artists of color\, as well as work grounded in socio-political themes. Her past experiences include Consultant for Auctionata and 1st Dibs (2009-19); Assistant Vice President \, Christie’s Print Department (2006-2009); Associate Curator of Prints\, Drawings and Photographs\, Milwaukee Art Museum (2000-2005). She writes extensively for Art 21 Magazine and Art in Print. \n\nThank you to Susan L Halper\, President \, Susan L Halper Fine Art\, Inc. for organizing this program.\n \n\nImages: \n\nFierce Poise: Helen Frankenthaler and 1950s New York\, courtesy of Penguin Random House\nAlexander Nemerov\, courtesy of Penguin Random House\nSarah Kirk Hanley\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-fierce-poise-helen-frankenthaler-and-1950s-new-york/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Fierce.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210701T163000
DTEND;TZID=America/New_York:20210701T163000
DTSTAMP:20260403T183227
CREATED:20210614T195559Z
LAST-MODIFIED:20210615T213923Z
UID:6060-1625157000-1625157000@www.arttable.org
SUMMARY:Virtual | Exhibition Tour - 'Taking Space: Contemporary Women Artists & the Politics of Scale'
DESCRIPTION:4:30pm ET | 3:30pm CT | 1:30pm PT\nTaking Space: Contemporary Women Artists and the Politics of Scale\, on view at the Pennsylvania Academy of the Fine Arts\, examines the approaches of women artists for whom space is a critical feature of their work\, whether they take the space on a wall\, the real estate of a room through sculpture and installation\, engage seriality as a spatial visual practice\, cast a wide legacy in art history or claim the space of their body. Curated by Jodi Throckmorton and Brittany Webb\, this exhibition features more than sixty works of art from the Pennsylvania Academy of the Fine Arts’ permanent collection. In this virtual exhibition tour\, Dr. Brittany Webb will discuss the exhibition and the importance of women’s leadership in producing this exhibition. \nThis program is open to ArtTable members only. \nAdmission \n\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Brittany Webb\nBrittany Webb is the inaugural Evelyn and Will Kaplan Curator of Twentieth-Century Art and the John Rhoden Collection. In this role\, Webb oversees the Museum’s collections\, exhibitions\, and programs of 20th century art and provides instruction for the School of Fine Arts at PAFA. Webb’s first exhibition at PAFA\, Taking Space: Contemporary Women Artists and the Politics of Scale (November 2020-September 5\, 2021) is co-curated with Jodi Throckmorton\, Curator of Contemporary Art at PAFA. Webb is also organizing a major retrospective exhibition and catalogue of the work of the African American sculptor John Rhoden (1916-2001) and stewards a collection of nearly 300 sculptures by Rhoden\, leading PAFA’s ongoing effort to place his artworks into the permanent collections of museums around the world. \nPrior to joining PAFA\, Webb was a member of the curatorial staff of the African American Museum in Philadelphia. Dr. Webb holds a Ph.D. in Anthropology from Temple University and a B.A. in Political Science from the University of Southern California. \nThank you to ArtTable Philadelphia Chapter Co-Chairs Laurie McGahey and Rachel Zimmerman for organizing this program\, and Dr. Brittany Webb and Christiana Cruz-Council from PAFA. \n\nImages: \n\nDeborah Willis\, I Made Space For a Good Man\, 2009\, Lithograph\, gift from the collection of Winston and Carolyn Lowe in honor of Brandywine founder\, Allan L. EdmundsDeborah Willis/Courtesy of the Pennsylvania Academy of the Fine Arts\, Philadelphia\, 2019.18.35\nTaking Space: Contemporary Women Artists and the Politics of Scale. Pennsylvania Academy of the Fine Arts\, January 21\, 2021–September 5\, 2021. Photo by Adrian Cubillas\, courtesy of the Pennsylvania Academy of the Fine Arts\, Philadelphia.
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-taking-space-at-pafa/
LOCATION:Zoom
CATEGORIES:National,Philadelphia
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-14-at-3.56.19-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210707T120000
DTEND;TZID=America/New_York:20210707T120000
DTSTAMP:20260403T183227
CREATED:20210601T160326Z
LAST-MODIFIED:20210624T163111Z
UID:5940-1625659200-1625659200@www.arttable.org
SUMMARY:Virtual | Asian American Perspectives at the Whitney Museum\, with Xin Wang
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us and Xin Wang\, art historian and John Tisch Teaching Fellow at the Whitney Museum of American Art\, for a presentation on Asian American Perspectives\, drawing on contemporary artists works from the Whitney Museum’s collection. \nAdmission \n\nArtTable Circle Members – Free\nAll other membership levels – $12\nNon-members – $15\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Xin Wang\nXin Wang is the John Tisch Teaching Fellow at the Whitney Museum of American Art in New York City. She is an art historian and curator whose past curatorial projects include Ink Art: Past and Present in Contemporary China\, Metropolitan Museum of Art (2013); Field Meeting of Asian Contemporary Art Week (2014\, New York)\, Lu Yang’s solo debut in New York THE BANK SHOW: Vive le Capital and THE BANK SHOW: Hito Steyerl (2015)\, Art in China since the 1990s (2018\, Ulm\, Germany)\, to highlight a few projects. Her writing has appeared in E-flux journal\, Artforum\, Kaleidoscope\, Hyperallergic and Leap. \nXin is currently pursuing her PhD in modern and contemporary art at the Institute of Fine Arts\, New York University\, and holds an MA in Art History from Columbia University and a BA in Art History\, Mathematics\, and Psychology from Hamilton College. She is currently planning an exhibition that explores Asian Futurisms for The Museum of Chinese in America in New York City and manages the discursive archive on Asian Futurisms at afuturism.tumblr.com. \n\n\nImages: \n\nSarah Sze\, (not yet titled)\, 2000\, Chromogenic print mounted on aluminum; courtesy of the Whitney Museum of American Art\, New York; gift of Arthur and Susan Fleischer\, © Sarah Sze
URL:https://www.arttable.org/event/virtual-asian-american-perspectives-at-the-whitney-museum-with-xin-wang/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-07-at-7.07.48-PM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210715T140000
DTEND;TZID=America/New_York:20210715T140000
DTSTAMP:20260403T183227
CREATED:20210512T184349Z
LAST-MODIFIED:20210604T153724Z
UID:5677-1626357600-1626357600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Charlotte Caspers
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved most programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Charlotte Caspers. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Charlotte Caspers\nCharlotte Caspers (Ghent\, 1979) is an artist who makes use of historical painting techniques and materials in a contemporary way. Central to her work is the subtle communication of materials\, of human beings as makers\, with nature as the basis of everything. She connects these themes with her specific form language and with her clearly recognisable aesthetics. Caspers studied Art History at Radboud University in Nijmegen and took the postgraduate course in painting restoration at Stichting Restauratie Atelier Limburg in Maastricht (SRAL). She specialized in historical painting materials and techniques and has made historical reconstructions for numerous museums and institutions\, including the Van Gogh Museum\, the Rijksmuseum\, Tate Britain\, Princeton and Duke University\, and Dutch television. For ten years\, Caspers has been a guest lecturer in historical painting techniques at the Department of Conservation and Restoration at the University of Amsterdam. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImages: \n\nColour composition maple tree\, 2019. 93 x 72 cm. Oak panels\, mineral pigments in distemper\, graphite\, & goldleaf. Image courtesy of the artist.\nCharlotte Caspers\, courtesy of the artist; Photo by Joris Hilterman
URL:https://www.arttable.org/event/virtual-artist-talk-with-charlotte-caspers/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/IMG_2348-scaled-e1620844894493.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210720T200000
DTEND;TZID=America/New_York:20210720T200000
DTSTAMP:20260403T183227
CREATED:20210715T144507Z
LAST-MODIFIED:20210715T144624Z
UID:6310-1626811200-1626811200@www.arttable.org
SUMMARY:Partner Program | Author Talk - Art: Creating With Judy Chicago
DESCRIPTION:July 20\, 2021 at 8pm\nPBS Books presents this Author Talk with Judy Chicago about her book The Flowering: The Autobiography of Judy Chicago. Chicago will be in conversation with ArtTable’s Lila Harnett Executive Director\, Jessica Porter! \nThis event will be a time for viewers to get to know America’s most dynamic living artist. Known for her extraordinary and genre-defying art\, such as The Dinner Party\, Birth Project\, Holocaust Project\, and more\, Chicago is a trailblazing feminist and a champion of using art to express visions and challenge boundaries. PBS Books is honored to learn more about Chicago alongside viewers nationwide\, as she explores her own personal journey to becoming a multi-talented American icon. This special event will showcase the stories behind her works and celebrate her lifelong aim: a more just and equitable world for all beings. \nClick here to read more about the book and the artist. \nThe event will be live streamed on the PBS Books Facebook Page. \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nImages courtesy of the artist and PBS Books.
URL:https://www.arttable.org/event/author-talk-art-creating-with-judy-chicago/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/Screen-Shot-2021-07-15-at-10.43.52-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR