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DTSTART;TZID=America/New_York:20250509T090000
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DTSTAMP:20260403T143941
CREATED:20250411T163045Z
LAST-MODIFIED:20250424T150930Z
UID:43402-1746781200-1746788400@www.arttable.org
SUMMARY:New York\, NY | ArtTable’s Art Law Series: Building and Managing a Fine Art Collection
DESCRIPTION:Join us for the third installment of ArtTable’s Art Law Series\, produced in partnership with Patterson Belknap Webb & Tyler LLP. In this conversation\, we will explore the various roles and responsibilities that are involved when building and managing an art collection. Coinciding with the Spring art fair season in New York\, a city whose contemporary art scene is constantly evolving\, this panel will focus on the professionals who help collectors navigate the collection- building and management process. What resources are available to guide collectors when purchasing artworks? How should a collector care for the art once it is in their collection? What are the responsibilities when owning fine art that new collectors might not be aware of? We will hear from several arts professionals involved at the different stages of collection-building\, from the initial purchase to long-time care and conservation. \n\n\n\nThis conversation will build on topics explored in the first two conversations in this series: Responsible Transacting in the Art Market (held at Patterson Belknap’s New York office in April 2024) and From Purchase to Patronage: Stewarding Your Growing Collection (hosted at Untitled Art Miami Beach in December 2024\, with additional support from Private Client Select and SRI Fine Art Services). If you missed us in Miami Beach\, you can enjoy our December conversation courtesy of the Untitled Art Fairs Podcast! \n\n\n\nPanelists: \n\n\n\n\nModerator: Anne-Laure Allehaut\, Counsel\, Patterson Belknap Webb & Tyler LLP\n\n\n\nSharon Chrust\, President\, Sharon Chrust & Associates\n\n\n\nMaura Kehoe Collins\, Principal\, Artiphile\n\n\n\nTanya Wells\, Owner\, TMSW Art Advisory\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nThis program is hosted in partnership with and supported by Patterson Belknap Webb & Tyler LLP \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\nAbout the Speakers \n\n\n\n\n\n\n\n\n\n\n\nAnne-Laure Alléhaut is Counsel in Patterson Belknap’s Art and Museum Law practice. Anne-Laure started her career at Skadden Arps in M&A before serving as a Senior Vice President of Sotheby’s legal transactional team\, negotiating many of the auction house’s most complex and high value transactions while also overseeing Sotheby’s advisory\, appraisal and valuation departments. \n\n\n\nAnne-Laure brings 18 years of law firm and in-house experience to the art industry and draws on her broad and deep experience to advise her clients with speed and efficiency. Her client base includes private collectors\, galleries\, estates\, start-ups\, art dealers\, museums\, advisors and financial institutions. Anne-Laure is a graduate of Université Paris X\, Nanterre and Université Paris II\, Panthéon-Assas. She received her J.D. and LL.M. from Cornell University. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMaura Kehoe Collins is founder and director of Artiphile\, an independent art advisory firm specializing in art collections management services.  Established in 1991 to promote the conscientious stewardship of cultural property\, Artiphile is primarily concerned with the preservation of artistic and historic works held in collections outside museums.  Artiphile implements museum standard procedures for inventory and registration\, cataloguing\, photo-documentation and records management\, condition surveys and baseline condition reports; advises on installation\, conservation and framing\, lighting\, environmental controls\, appraisal and insurance needs\, loans\, storage\, packing\, and transit; provenance and authentication procedures\, as well as succession concerns. All needs germane to the proper maintenance of any art collection large or small\, from acquisition to disposition. \n\n\n\nCollins is a graduate of Mount Holyoke College with a BA in Art History and a minor in Asian Studies acquired during fourteen months of study in Taiwan and at Beijing Normal University in the PRC.  During college Collins worked as a curatorial assistant in the Mount Holyoke College Art Museum and as acting registrar initiated the project to computerize the Museum’s catalogue.  In post graduate studies Collins was the first recipient of the C.V. Starr Fellowship for training in Far Eastern Art Conservation at the Metropolitan Museum of Art\, New York\, a position she held for three years.  A Kress Foundation grant then funded an internship in the Eastern Pictorial Art Conservation Department of the British Museum\, London\, which led to a permanent post.  Collins continued her interest in computerized documentation by representing her department on a task force to network conservation records in all UK museums. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSharon Chrust has been involved in the Contemporary Art market for over 25 years.  In 2003\, she started Sharon Chrust & Associates\, which provides appraisal and art consulting services to private and corporate clients. She has attained the highest accreditation of the Appraisers Association of America\, that of a Certified member and is the Immediate Past President of the Board of the organization.  In addition\, Sharon has been an adjunct instructor at New York University in the Appraisal Studies program\, is an instructor for the Appraisers Association of America’s CASP program\, and was President of the Board of Franklin Street Works\, a non-profit arts space in Stamford\, Connecticut. \n\n\n\nSharon has participated in a number of national and international panels\, and discussions on art and art appraising\, in cities as diverse as Shanghai\, New York City\, Greenwich\, and Sarasota. She has been quoted in articles in Artnews\, and Artsy\, and has written articles on insurance appraisals\, and contributed essays to publications on posthumous editions\, and appraisal writing. Prior to starting Sharon Chrust & Associates\, Sharon was a gallery director at the Waterside Art Gallery in Stamford\, CT\, a docent at the Whitney Museum of American Art and worked in the public relations department of the Cooper Hewitt Museum. She has a Masters in Art History from Hunter College\, a BA from Boston University\, has completed the Certificate of Appraisal Studies at NYU and has passed the Uniform Standards of Appraisal Practice Exam. \n\n\n\n\n\n\n\n\n\n\n\n\n\nTanya Wells began her career in museum education at The Modern Art Museum of Fort Worth under Terri Thornton and Michael Auping. She has worked as a specialist and sales director with Christie’s New York and Bonhams in 19th and 20th Century art for almost twenty years. Tanya also spent a brief time with Winston Art Group in the advisory division assisting large collections and family offices.  \n\n\n\nTanya currently owns and oversees TMSW Art Advisory\, an independent practice focused on creating fine art collections and consulting with families and fiduciaries to manage the unique needs of collectors during a transition\, or at the end of a collecting period. Tanya is a former participant in the ArtTable career fair\, a member of The Modern and Contemporary Collectors Committee of The Morgan Library and Museum\, an IFAR supporter\, and recently became a member of The Cosmopolitan Club. 
URL:https://www.arttable.org/event/new-york-ny-arttables-art-law-series-building-a-collection/
LOCATION:Patterson Belknap Webb & Tyler LLP\, 1133 6th Ave 24th Floor\, New York\, New York\, 10036\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/04/pbwt-banner-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250513T140000
DTEND;TZID=America/New_York:20250513T150000
DTSTAMP:20260403T143941
CREATED:20250326T015732Z
LAST-MODIFIED:20250501T135740Z
UID:42347-1747144800-1747148400@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Madalena Santos Reinbolt: A Head Full of Planets" at the American Folk Art Museum
DESCRIPTION:Join ArtTable for a curator-led tour of Madalena Santos Reinbolt: A Head Full of Planets at the American Folk Art Museum\, led by Valérie Rousseau\, PhD\, Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art. \n\n\n\nFeaturing 42 textile works and oil paintings\, Madalena Santos Reinbolt: A Head Full of Planets is the first comprehensive survey of Santos Reinbolt’s art ever presented and marks the first-ever solo museum exhibition for the artist organized outside her native Brazil. Best known for her large-scale embroideries made from hundreds of vibrant colored threads\, which the artist referred to as quadros de lã (“wool paintings”)\, the exhibition represents more than half of all known works by the artist and examines the artist’s work through a variety of lenses\, including gender\, race\, and socio-economic dynamics. \n\n\n\nA Head Full of Planets explores the context in which Santos Reinbolt’s artistic practice crystallized in the early 1950s\, after she became a live-in cook for the architect Lota de Macedo Soares and her partner\, the American poet Elizabeth Bishop\, at their home in Petrópolis\, a mountain getaway favored by Brazilian high society. It was not until the mid-1960s\, while working in another household\, that she began to dedicate herself to embroidery and would begin creating many of the works for which she is best known today. \n\n\n\nClick here to read more about the exhibition and this mysterious yet extraordinary artist\, as well as a recent artnet article about the exhibition and Dr. Rousseau’s curatorial process. \n\n\n\nThe American Folk Art Museum is fully accessible. Gallery stools and wheelchairs are available upon request\, and an access ramp is available to enter the upper gallery if needed. If you require additional accommodations\, please email us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout Valérie Rousseau\, PhD\n\n\n\n\nValérie Rousseau\, PhD\, is Curatorial Chair and Senior Curator of 20th-Century & Contemporary Art at the American Folk Art Museum\, New York. She overviewed critically acclaimed exhibitions\, notably Willem van Genk: Mind Traffic (2014)\, When the Curtain Never Comes Down (AAMC award\, 2015)\, Art Brut in America: The Incursion of Jean Dubuffet (2015)\, Photo|Brut (2021)\, Morris Hirshfield Rediscovered (2022)\, as well as projects on the legacy of Francesc Tosquelles\, the concomitance of psychiatric and artistic avant-gardes (FACE Foundation Curatorial Fellowship “Étant Donnés\,” 2019)\, neurodiversity (IMLS\, 2023–2025)\, art brut literature\, art environments\, and artists like Henry Darger\, William Edmondson\, Eugen Gabritschevsky\, and Madalena Santos Reinbolt. She authored Bill Traylor (FILAF award\, 2018)\, “Regarder par les failles de ce monde: Intersections de l’art brut et de l’art populaire” (Les cahiers du Musée national d’art moderne\, 2024)\, The Hidden Art (Rizzoli\, 2017)\, “Visionary Architectures” (Alternative Guide to the Universe\, Hayward Gallery\, 2013)\, and guest edited the issue “The Fate of Self-Taught Art” (The Brooklyn Rail\, 2018). In 2022\, she participated in the seminar “Showing/Searching: art brut and its archival impulse” of the Bibliothèque Kandinsky Summer University (Centre Pompidou\, Paris). \n\n\n\n \n\n\n\n\n\n\n\n\nImage credits:Madalena Santos Reinbolt\, Untitled\, 1965–1976. Acrylic wool on burlap\, 35 7/8 x 46 in. Collection Renan Quevedo\, São Paulo\, Brazil \n\n\n\nValérie Rousseau\, courtesy of the American Folk Art Museum.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-madalena-santos-reinbolt-a-head-full-of-planets-at-the-american-folk-art-museum/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/03/MSR_038-scaled-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250520T170000
DTEND;TZID=America/New_York:20250520T180000
DTSTAMP:20260403T143941
CREATED:20250429T175922Z
LAST-MODIFIED:20250430T165441Z
UID:45226-1747760400-1747764000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Saya Woolfalk: Empathic Universe" with Alexandra Schwartz
DESCRIPTION:Join ArtTable for a curator-led tour of Saya Woolfalk: Empathic Universe at the Museum of Arts & Design\, led by Alexandra Schwartz\, Curator of Modern and Contemporary Art\, Craft\, and Design. \n\n\n\nThe first retrospective of the artist’s two decades of world-building installations\, the exhibition showcases Woolfalk’s ambitious fictional narrative of an imagined race of women known as “Empathics.” Woolfalk has created for the Empathics’ their own distinctive visual imagery\, symbolism\, and folklore\, which reflect her investigations of African\, African American\, Japanese\, European\, and Brazilian art\, craft\, and storytelling.  In this parable told through garment-based sculptures\, video\, paintings\, works on paper\, and performances\, cultures mix\, clash\, and are ultimately transformed through shared understanding. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nImage courtesy of the Museum of Arts and Design
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-saya-woolfalk-empathic-universe-with-alexandra-schwartz/
LOCATION:Museum of Arts & Design\, 2 Columbus Circle\, New York City\, NY\, 10019\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/04/Saya-Bascom2.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250524T120000
DTEND;TZID=America/New_York:20250524T130000
DTSTAMP:20260403T143941
CREATED:20250429T160038Z
LAST-MODIFIED:20250429T194217Z
UID:45202-1748088000-1748091600@www.arttable.org
SUMMARY:Los Angeles\, CA | Artist Studio Visit with Suchitra Mattai
DESCRIPTION:We’re excited to present a studio visit with Suchitra Mattai in Los Angeles! \n\n\n\nSuchitra Mattai is a multi-disciplinary American artist of Indo-Caribbean descent who creates work that sheds light on untold histories through the exploration of memory and myth.  She often combines processes and materials once associated with the domestic sphere\, such as embroidery\, sewing\, “weaving\,” and found clothing\, to honor the labor of women and to preserve ancestral stories.  Past projects include solo exhibitions at the National Museum of Women in the Arts in Washington\, DC\, the ICA San Francisco\, the Tampa Museum of Art\, Socrates Sculpture Park in NYC and group exhibitions at the MCA Chicago\, the ICA Boston\, Crystal Bridges Museum of Art\, the Sharjah Biennial 14 (Sharjah\, UAE)\, and the MCA San Diego. Her works are represented in public and private collections which include Crystal Bridges Museum of Art\, the Denver Art Museum\, the Tampa Museum of Art\, the MCA San Diego\, the Nasher Museum of Art\, and the Joslyn Museum of Art.  Suchitra received an MFA in painting and drawing and an MA in South Asian Art from the University of Pennsylvania\, Philadelphia and is a recent recipient of an Anonymous Was a Woman Award (2023). \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation. \n\n\n\n\n \n\n\n\n\n\n\n\nImage 1: Headshot of Suchitra Mattai \n\n\n\nImage 2: Pappy’s house\, 2024\, vintage saris\, fabric\, and beaded trim\, dimensions variable\, photo by Nicholas Lea Bruno\, currently on view at the Seattle Asian Art Museum in Mattai’s solo she walked in reverse and found my songs
URL:https://www.arttable.org/event/los-angeles-ca-artist-studio-visit-suchitra-mattai/
LOCATION:Suchitra Mattai’s Studio\, Address will be provided to registrants
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/04/Mattai_S_Image1-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250604T090000
DTEND;TZID=America/New_York:20250604T100000
DTSTAMP:20260403T143941
CREATED:20250424T160929Z
LAST-MODIFIED:20250527T184246Z
UID:44987-1749027600-1749031200@www.arttable.org
SUMMARY:Washington\, DC | Artist Studio Visit with Lex Marie
DESCRIPTION:We’re excited to present a studio visit with Lex Marie in Washington\, DC!  \n\n\n\nLex will walk guests through the large-scale works she has created over the past two years at her current studio before transitioning out in July. She will share her process\, the unconventional materials she often incorporates\, and how they help tell stories about Black childhood\, motherhood\, and social justice. Her work is heavily inspired by personal experiences\, community narratives\, and the resilience of marginalized voices. \n\n\n\nVisitors can expect a behind-the-scenes look at how her sculptures and mixed media works come together\, and insight into the themes that ground her practice. She will also preview a few upcoming projects that continue to explore these narratives in new ways. \n\n\n\nLex Marie (b. 1992: Prince Georges County\, MD) is a multidisciplinary artist who creates paintings\, sculptures and installations that reflect her individual experiences yet encompasses the experiences of many in the African diaspora. Marie’s artistic practice is as an exploration of the weighty realities experienced by many African American children and children of color. Her work is a testament to the profound impact of adultification biases\, food insecurity\, and the systemic challenges entrenched in American school systems\, healthcare systems\, in the home and out in the world. Through a fusion of everyday materials\, often reclaimed and repurposed\, Marie offers a tangible manifestation of the intangible struggles faced by these young minds\, compelling viewers to confront the profound significance inherent in the seemingly ordinary. \n\n\n\nMarie holds a BA in studio art with a concentration in painting from the University of Maryland\, College Park. Marie’s most recent solo exhibition “LetThem Kids Be Kids” opened at the Museum of Contemporary Art Arlington (2022). Marie’s work has been curated into group exhibitions including REVISIT/REIMAGINE (Banneker-Douglas Museum\, 2024)\, In Tender Peaks\, Grace Unfolds (Mitochondria Gallery\, 2024)\, A Color Story (Cierra Britton Gallery\, 2024)\, and Stories From My Childhood (Northern Illinois University Art Museum\, 2022). Marie received the Washingtinton Studio Award from S&R Evermay in 2023 and currently works in Washington\, DC \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation.
URL:https://www.arttable.org/event/washington-dc-artist-studio-visit-with-lex-marie/
LOCATION:Lex Marie’s Studio\, Address will be provided to registrants\, Georgtown\, District of Columbia\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/04/IMG_4716.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250604T181500
DTEND;TZID=America/New_York:20250604T203000
DTSTAMP:20260403T143941
CREATED:20250509T200657Z
LAST-MODIFIED:20250528T152721Z
UID:46712-1749060900-1749069000@www.arttable.org
SUMMARY:New York\, NY | After Hours Reception and Tour of "Amy Sherald: American Sublime" at the Whitney Museum
DESCRIPTION:ArtTable invites you to a special evening at the Whitney Museum of American Art! \n\n\n\n\nJoin us for an after hours reception in the Whitney’s Trustee Room\, which features floor-to-ceiling windows overlooking the Hudson and the High Line. The reception will include wine and light bites.  \n\n\n\nAfter the reception\, join us for a guided tour of Amy Sherald: American Sublime and Louise Nevelson’s Collection View.  \n\n\n\nAmy Sherald is a storyteller. She creates precisely crafted narratives of American life\, selecting\, styling\, and photographing her sitters as the foundation for her nuanced paintings. Thus\, while Sherald (b. 1973; Columbus\, Georgia) bases her works on specific people\, they are more than traditional portraits. They center everyday Black Americans\, compelling in their individuality and extraordinary in their ordinariness\, inviting viewers to step into Sherald’s imagined worlds. In this exhibition\, paintings of such ordinary Americans join her iconic portraits of First Lady Michelle Obama and\, heartbreakingly\, Breonna Taylor\, to produce a resonant ode to the multiplicity and complexity of American identity.  \n\n\n\nLouis Nevelson had a long and deep relationship with the Whitney Museum\, which organized her first retrospective in 1967. Today the Museum is one of the largest repositories of her work\, with over ninety sculptures\, drawings\, and prints in the collection\, many of them gifts of the artist. The works gathered in this exhibition\, which span four decades\, offer a special opportunity to shine a light on this self-proclaimed “architect of shadows.” \n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $35\n\n\n\nArtTable Member Guest – $40\n\n\n\n\nNot a member? Join today! \n\n\n\nNow open to all members and member guests! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-after-hours-reception-and-tour-of-amy-sherald-american-sublime-at-the-whitney-museum/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/05/WMAA73352_Nic-Lehoux-6.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250610T120000
DTEND;TZID=America/New_York:20250610T130000
DTSTAMP:20260403T143941
CREATED:20250507T171710Z
LAST-MODIFIED:20260116T153856Z
UID:46412-1749556800-1749560400@www.arttable.org
SUMMARY:Virtual | From Curating to Engagement: Boston Public Art Triennial
DESCRIPTION:The first Boston Public Art Triennial\, The Exchange\, marks a pivotal moment for Boston and its public art landscape. Known for its elite universities and stellar sports teams\, Boston is now experiencing a shift in narrative through the curation of this groundbreaking public art exhibition. Join Triennial 2025 Curator Tess Lukey and Triennial Director of Partnership and Engagement Marguerite Wynter for a compelling conversation about Lukey’s curatorial approach and Wynter’s community engagement strategies. This program offers insights into how the Boston Public Art Triennial is bringing new perspectives and voices to the city. \n\n\n\nThe zoom link will be provided upon registration.  \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGeneral Admission – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTess Lukey is a member of the Wampanoag Tribe of Gay Head Aquinnah\, MassArt Alum ‘16\, practicing ceramicist\, and Associate Curator of Native American Art at The Trustees of Reservations. She currently serves as the Curator of the Boston Public Art Triennial. Tess was chosen as a 2024 honoree for the Boston Business Journal’s annual 40 Under 40. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMarguerite Wynter is an arts administrator and curator whose work focuses on the intersection of community and public engagement. Outside her role as the Director of Partnership + Engagement at the Boston Public Art Triennial\, she consults with Deem Journal on their annual Designing for Dignity Symposium. Previously\, she was the Public Programs & Partnerships Manager at the Chicago Architecture Biennial and held curatorial roles at the Museum of Contemporary Art\, Chicago\, and the 80WSE Gallery.
URL:https://www.arttable.org/event/virtual-from-curating-to-engagement-boston-public-art-triennial/
LOCATION:Virtual Via Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/05/dtr-4.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250611T130000
DTEND;TZID=America/New_York:20250611T140000
DTSTAMP:20260403T143941
CREATED:20250515T174429Z
LAST-MODIFIED:20250604T165520Z
UID:48463-1749646800-1749650400@www.arttable.org
SUMMARY:Chicago\, IL | Curator-Led Tour of "Highlights from the Intuit Art Museum Collection" with Alison Amick
DESCRIPTION:Join ArtTable in Chicago for this exciting curator-led tour with Alison Amick! \n\n\n\nHighlights from the IAM collection are on view beginning May 23 in the first-ever gallery devoted to continually exhibiting the museum’s collection. Artworks include William Hawkins’ monumental Statute of Liberty (1986); work from an artist-built environment by Emery Blagdon; sculpture by Kevin Sampson and work Lonnie Holley made during a 2007 residency at IAM; paintings and works on paper by Howard Finster\, Sister Gertrude Morgan\, Martín Ramírez and Nellie Mae Rowe; and a recent commission by Milwaukee-based artist Della Wells.  \n\n\n\nThe exhibition acknowledges significant work made by Chicago-based artists such as William Dawson\, Lee Godie\, Mr. Imagination\, Roman Villarreal\, Wesley Willis and Joseph Yoakum. Additional works from the collection may be seen on view in Henry Darger: The Room Revealed and Catalyst: Im/migration and Self-taught Art in Chicago.  \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Minnie Evans\, RevelationsAmerican\, 1892–1987\, 1975. Oil on canvas board\, 11 x 13 3/4 in. Collection of Intuit Art Museum\, gift of Susann Craig\, 2002.1
URL:https://www.arttable.org/event/chicago-il-curator-led-tour-of-highlights-from-the-intuit-art-museum-collection-with-alison-amick/
LOCATION:The Intuit Art Museum\, 756 N. Milwaukee Ave.\, Chicago\, Illinois\, 60642
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/05/Screen-Shot-2025-05-15-at-1.37.26-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250611T180000
DTEND;TZID=America/New_York:20250611T190000
DTSTAMP:20260403T143941
CREATED:20250430T150619Z
LAST-MODIFIED:20250520T155738Z
UID:45276-1749664800-1749668400@www.arttable.org
SUMMARY:New York\, NY | Private Collection Visit with Victoria Rogers
DESCRIPTION:ArtTable invites you to a special evening at the Flatiron\, Manhattan home of noted arts professional Victoria Rogers. Victoria’s tour of her wide-ranging personal collection will include works by Hank Willis Thomas\, Kara Walker\, Lorna Simpson\, Jennifer Packer\, and EJ Hill. Join us to celebrate the start of summer and mingle with fellow ArtTable members after the tour in a beautiful\, art-filled setting! \n\n\n\n\nVictoria currently works at Autodesk\, where she leads a strategy team for the COO organization.  She has also worked as an Advisor at X [Google X]\, where she focused on generative AI\, and as the Director of Arts at Kickstarter\, where she raised over $9M for over 200 cultural projects from more than 90K people. Victoria holds an MBA from Stanford University\, an MFA in Industrial and Civic Service Design from Parsons School of Design\, and a BA in Art History from Yale University. \n\n\n\nVictoria is a board member of the Brooklyn Museum\, the Studio Museum in Harlem\, the Terra Foundation\, and co-chair and co-founder of the Black Trustee Alliance for Art Museums. She serves as an Impact Fellow with BAG VC\, where she is researching and developing strategies to reduce bias in AI. \n\n\n\n\nAddress will be provided to confirmed attendees shortly before the visit. Victoria’s apartment is located in a walkup building\, and stairs will be required to enter. Please contact us for any accomodation questions or requests. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $45\n\n\n\n\nNot a member? Join today! \n\n\n\nThis event is now open to all ArtTable members! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nImage 1: Victoria Rogers in her home in New York. Photo by Davey Adesida\n\n\n\nImage 2: On the wall: Hank Willis Thomas\, American Gothic\, 2014\, On the mantelpiece: Kara Walker\, Untitled (Pitcher). Photo by Davey Adesida
URL:https://www.arttable.org/event/new-york-ny-private-collection-visit-with-victoria-rogers/
LOCATION:Home of Victoria Rogers\, Full Address provided upon registration\, Flatiron\, New York\, New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/04/Victoria-Rogers-Portrait-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250616T100000
DTEND;TZID=America/New_York:20250616T110000
DTSTAMP:20260403T143941
CREATED:20250523T141527Z
LAST-MODIFIED:20250523T141530Z
UID:48556-1750068000-1750071600@www.arttable.org
SUMMARY:New York\, NY | Artist Talk and Studio Visit with Francine Tint
DESCRIPTION:Join ArtTable on June 16th for a studio visit with Francine Tint!  \n\n\n\nFrancine Tint’s practice is rooted in the exploration of color as a means of capturing and embodying light. Tint’s approach emerged within painterly abstraction\, bridging Color Field influences with the dynamic gestures of Abstract Expressionism. While grounded in this tradition\, she continually expands its boundaries\, exploring new forms of expression that challenge conventional abstract frameworks. David Ebony observes that Tint rejects rigid formalism in favor of an intuitive method\, balancing energetic movement with moments of stillness. This interplay creates what he describes as a ‘Zen feeling’—a sense of clarity and resolution within complex visual structures. Over five decades\, Tint has remained committed to discovery and reinvention. While sharing affinities with peers such as Larry Poons\, her synthesis of gesture and color distinguishes her vision. Her work is held in the permanent collections of 30 museums\, including the Neuberger Museum of Art\, the El Paso Museum of Art\, and the Chazen Museum of Art. Tint’s paintings are exhibited across the United States and Europe\, further solidifying her influence in the field of contemporary abstraction. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-artist-talk-and-studio-visit-with-francine-tint/
LOCATION:Francine Tint’s Studio\, Address Provided Upon Registration\, New York\, New York\, 10012
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/05/Wild-Stawberries.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250616T150000
DTEND;TZID=America/New_York:20250616T153000
DTSTAMP:20260403T143941
CREATED:20250430T213346Z
LAST-MODIFIED:20250430T213350Z
UID:45310-1750086000-1750087800@www.arttable.org
SUMMARY:Virtual | New Member Orientation & Member Portal Walkthrough
DESCRIPTION:12 pm PT / 1 pm MT / 2 pm CT / 3 pm ET\n\n\n\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. \n\n\n\nWhether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \n\n\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n(You will receive an email confirmation containing the Zoom link.) \n\n\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-member-portal-walkthrough-7/
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2024/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250618T123000
DTEND;TZID=America/New_York:20250618T133000
DTSTAMP:20260403T143941
CREATED:20250512T163832Z
LAST-MODIFIED:20250616T202835Z
UID:48002-1750249800-1750253400@www.arttable.org
SUMMARY:Virtual | Mentorship Program Information Session
DESCRIPTION:Help Us Shape ArtTable’s New Mentorship Program\n\n\n\nArtTable is in the early stages of developing a new Mentorship Program\, and we want your voice at the table! \n\n\n\nJoin us on Wednesday\, June 18th at 12:30 PM EST / 9:30 AM PST for a virtual information and feedback session\, where we’ll share our initial ideas and invite your input to help shape a program that truly serves our members and the broader arts community. \n\n\n\nWhether you’re seeking guidance from an experienced mentor or you’re ready to share your leadership journey with an emerging or early-career professional\, this is your chance to influence the direction and design of a program that supports meaningful professional growth and connection. \n\n\n\nWe’re not launching just yet — we’re listening\, learning\, and building. Let’s co-create a mentorship experience that empowers and reflects the diversity of ArtTable’s community. \n\n\n\nAll registrants will receive Zoom details the day before the event. Reach out to membership@arttable.org with any questions.Admission: \n\n\n\n\nFREE to the Public! Come and learn about this program\, see what it is all about\, and join the community for this great mentorship opportunity!\n\n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/virtual-mentorship-program-information-session/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/05/Upcoming-Programs-1920-x-1080-px-3.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250624T123000
DTEND;TZID=America/New_York:20250624T133000
DTSTAMP:20260403T143941
CREATED:20250430T220500Z
LAST-MODIFIED:20250623T022757Z
UID:45313-1750768200-1750771800@www.arttable.org
SUMMARY:Virtual | ArtTable Member Networking Event
DESCRIPTION:All ArtTable Members are invited to a Virtual Networking Event on June 24 at 12:30 PM EST/9:30 AM PST. \n\n\n\nGrab your breakfast\, lunch\, or a caffeine pick-me-up and join us on Zoom to connect with fellow ArtTable members across the country. This is a great opportunity to share your projects and ideas while building your network and community nationwide. ArtTable staff members will facilitate this session.Admission: \n\n\n\n\nFREE \n\n\n\nOpen to all ArtTable Members!\n\n\n\n\nAll registrants will receive Zoom details the day before the event. \n\n\n\nReach out to membership@arttable.org with any questions. \n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/virtual-arttable-member-networking-event/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/04/FY25-Fellowship-Host-Open-Eblast-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250625T173000
DTEND;TZID=America/New_York:20250625T183000
DTSTAMP:20260403T143941
CREATED:20250506T212630Z
LAST-MODIFIED:20250617T153914Z
UID:46255-1750872600-1750876200@www.arttable.org
SUMMARY:New York\, NY | Artist Studio Visit with Josely Carvalho
DESCRIPTION:Josely Carvalho (b. 1942\, São Paulo\, Brazil) is an interdisciplinary artist\, poet\, and activist whose work spans printmaking\, installation\, blown glass\, public art\, and olfactory media. Informed by early memories\, including childhood memories of Paraná’s vanishing Araucaria forests\, her practice uses personal experience to explore ecological\, political\, and social themes. Josely Carvalho classifies her work as “Diaries” “Books” and “Chapters”. By approaching a broad range of materials as texts\, Carvalho unravels narrative expectations to address issues of feminism\, indigenous rights\, and shelter in her multisensory and empathetic oeuvre. \n\n\n\nCarvalho studied art and architecture in St. Louis\, Missouri\, before relocating to New York City in the 1970s\, where she became a pivotal figure in the city’s activist and Latin American artist communities. She was a leading member of Artist’s Call Against U.S. Intervention in Central America. She founded The Silk Screen Project at St. Mark’s Church in the Bowery\, amplifying marginalized voices through collective creative production. In recent years\, Carvalho has emerged as a pioneer in the field of olfactory art through her ongoing Diary of Smells series\, culminating in works like Glass Ceiling: Resilience (2018)\, at at the Museum of Contemporary Art in São Paulo\, for which she received the International Art and Olfaction Sadakichi Award in 2019. \n\n\n\nHer work has been exhibited widely across the Americas\, including exhibitions at the Museu Nacional de Belas Artes (Rio de Janeiro)\, the Hammer Museum (Los Angeles)\, the Museum of Contemporary Art (São Paulo)\, and the Brooklyn Museum’s landmark exhibition Radical Women: Latin American Art\, 1960–1985. Carvalho’s practice has been recognized with major awards from the Creative Capital Foundation\, the Rockefeller Foundation\, and the National Endowment for the Arts. In 2022\, she became the first Brazilian artist to receive the Lee Krasner Award for Lifetime Achievement from the Pollock-Krasner Foundation. This distinction honors her decades-long contributions to contemporary art and social consciousness. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\nImage 1: headshot of Josely Carvalho \n\n\n\nImage 2: Suspensio: An Interruption in Time\, 2021Olfactory and sculptural installation.Variable dimension.Exhibited at Olfactory Art Keller New York\, NY (2021)
URL:https://www.arttable.org/event/new-york-ny-artist-studio-visit-with-josely-carvalho/
LOCATION:Josely Carvalho’s Studio\, Address will be provided to registrants\, New York\, New York\, 10018
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/05/JC-Photo-2.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T120000
DTEND;TZID=America/New_York:20250713T190000
DTSTAMP:20260403T143941
CREATED:20250610T210458Z
LAST-MODIFIED:20250623T021643Z
UID:49014-1752148800-1752433200@www.arttable.org
SUMMARY:2025 Hamptons Fine Art Fair | Complimentary VIP Passes
DESCRIPTION:ArtTable Members are invited to claim their 1 complimentary VIP Pass for the 2025 Hamptons Fine Art Fair from July 10 – 13\, 2025. \n\n\n\nA Hamptons prime location — HFAF is staged in a spectacular 70\,000 sq. ft. pavilion complex\, featuring the Pollock and de Kooning Luxury Pavilions\, strategically located on 17 bucolic acres — right on the main road connecting the Hamptons (County Rd 39). This location is just minutes from downtown bustling Southampton Village\, filled with stylish shops\, trendy restaurants\, art galleries and museums. This toney village is one of the most posh districts in the nation\, with local estates valued between $2 million to $50 million\, with an average of about $3.5 million. \n\n\n\nVIP Passes allow access to the VIP Days on July 10 and 11.These passes are only offered while supplies last. \n\n\n\nAll registrants will receive an email after registration here with how to get their ticket(s). These passes are only offered while supplies last. \n\n\n\nLocationSouthampton Fairgrounds605 County Rd 39 Southampton\, NY 11968 \n\n\n\nScheduleThursday\, July 10 & Friday\, July 11: VIP-only admissions (passes valid for all dates)Saturday\, July 12 & Sunday\, July 13: General admissionsShow HoursVIP Opening: Thursday\, July 10VIP “First-Look” Opening Preview: 12 – 5 PM– Benefits Guild HallVIP Opening Preview Evening: 5 – 9:30 PM – Benefits Parrish Art MuseumVIP Collectors Day Opening: Friday\, July 11Early Session: 11 AM – 3 PM; Late Session: 5 – 9:30 PM \n\n\n\nGeneral AdmissionSaturday\, July 12: Early Session: 11 AM – 3 PM; Late Session: 3 – 7 PMSunday\, July 13: Early Session: 11 AM – 3 PM; Late Session: 3 – 7 PM \n\n\n\nIf you want to be eligible for this or other opportunities\, consider upgrading your membership! Reach out to membership@arttable.org with any questions. \n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/2025-hamptons-fine-art-fair-complimentary-vip-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/06/HFAF.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250710T133000
DTEND;TZID=America/New_York:20250710T143000
DTSTAMP:20260403T143941
CREATED:20250516T190148Z
LAST-MODIFIED:20260107T204231Z
UID:48495-1752154200-1752157800@www.arttable.org
SUMMARY:Virtual | Meet the 2025 ArtTable Fellows
DESCRIPTION:10:30am PT / 11:30am MT / 12:30pm CT / 1:30pm ET\n\n\n\nPlease join us for a virtual meet & greet with the 2025 ArtTable Fellows! This year\, ArtTable was able to award 12 Fellowship positions to emerging arts professionals throughout the country\, all thanks to generous donations from individuals\, foundations\, and corporations. The Fellows will discuss their projects and their experience with the ArtTable Fellowship Program so far. This is a wonderful opportunity to meet the current cohort\, and learn more about the ArtTable Fellowship Program and the opportunities it provides to emerging arts professionals. \n\n\n\nThrough the generous support of individuals\, foundations\, corporations\, and government agencies\, ArtTable has supported 195 women-identifying and nonbinary fellows\, partnered with a total of 105 leading art organizations nationwide so far\, and dispersed over $713\,000 since the Fellowship’s inception.  \n\n\n\nRegistration for this program is free and open to all\, with a suggested donation of $15.00 to continue to support the program. We hope to see you there! \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/virtual-meet-the-2025-arttable-fellows/
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/05/FY25-Fellows-3-scaled-e1750873397571.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250711T150000
DTEND;TZID=America/New_York:20250711T160000
DTSTAMP:20260403T143941
CREATED:20250605T185656Z
LAST-MODIFIED:20250605T185709Z
UID:48924-1752246000-1752249600@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Vivian Browne: My Kind of Protest" with Adrienne L. Childs
DESCRIPTION:We are excited to present a Curator-Led Tour of Vivian Browne: My Kind of Protest at the Phillips Collection with Adrienne L. Childs! \n\n\n\nDrawing upon previously unknown works and archival findings\, this exhibition recovers the depth and variety of the more than three-decade career of Vivian Browne (b. 1929\, Laurel\, FL; d. 1993\, New York\, NY). The exhibition features paintings\, prints\, and works on paper across seven bodies of work\, as well as ephemera that highlight Browne’s pioneering activism and influential teaching career. Browne was a founder of the Black Emergency Cultural Coalition\, an organization that fought for Black representation in New York museums; a founder of SoHo20\, one of the first women’s art cooperatives in Manhattan; and a professor at Rutgers University (1971–92). Her signature approach to color and form challenged the neatly defined categories of abstraction and figuration\, and art and politics\, revealing a more nuanced approach to art-making that is part of Browne’s unique contribution to 20th-century art of the US. \n\n\n\nAdrienne L. Childs is an independent scholar\, art historian\, and curator. She is Senior Consulting Curator at The Phillips Collection. Her current book is an exploration of Black figures in European decorative arts entitled Ornamental Blackness: The Black Figure in European Decorative Arts\, publshed by Yale University Press. She is currently co-curator of Vivian Browne: My Kind of Protest for The Phillips Collection. She recently co-curated The Colour of Anxiety: Race\, Sexuality and Disorder in Victorian Sculpture at The Henry Moore Institute in Leeds\, England. She was the guest curator of Riffs and Relations: African American Artists and the European Modernist Tradition at The Phillips Collection in Washington DC\, 2020. \n\n\n\nIn April 2022 The High Museum of Art awarded Childs the 2022 Driskell Prize in recognition of her contribution to African American art and art history. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable AND Phillips Collection Members – $20 (You must be a member of both ArtTable and the Phillips to receive this price. Phillips Member ID number must be provided)\n\n\n\nArtTable Member – $30\n\n\n\nGeneral Admission – $40\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage 1: Headshot of Adrienne L. Childs \n\n\n\nImage 2: Vivian Browne Bini Apron 1973 Acrylic on canvas 493/4 x 513/4 in.The Phillips Collection\, Washington\, DC Gift of Adobe Krow Archives for Vivian Browne\, Los Angeles.Image courtesy of RYAN LEEGallery\, New York\,2024.© Vivian Brown
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-vivian-browne-my-kind-of-protest-with-adrienne-l-childs/
LOCATION:The Phillips Collection\, 1600 21st St NW\, Washington\, DC\, 20009
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/06/Screen-Shot-2025-06-05-at-2.47.24-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250717T110000
DTEND;TZID=America/New_York:20250720T180000
DTSTAMP:20260403T143941
CREATED:20250606T204106Z
LAST-MODIFIED:20250715T211700Z
UID:48910-1752750000-1753034400@www.arttable.org
SUMMARY:2025 Seattle Art Fair | Complimentary VIP & General Fair Passes
DESCRIPTION:ArtTable Members are invited to claim their complimentary VIP Pass or General Fair pass for the 2025 Seattle Art Fair from July 17 – 20\, 2025. \n\n\n\nSeattle Art Fair\, a one-of-a-kind showcase for the vibrant arts community of the Pacific Northwest and a leading destination for the best in modern and contemporary art\, returns to the Lumen Field Event Center for its ninth edition in July 2025. Working alongside Beneficiary Partner Seattle Art Museum\, Artistic Director Nato Thompson\, and the fair’s dedicated Host Committee\, the Seattle Art Fair\, founded by the late Paul G. Allen\, is a celebrated and productive week bringing together the region’s strong collector base\, the Pacific Northwest’s top museums and institutions\, and an array of innovative public programming. \n\n\n\nThese passes are only offered while supplies last\, and VIP Passes are first-come\, first-served.You choose from the following: \n\n\n\n– VIP Pass – Access to VIP Preview on July 17– General Fair Pass  \n\n\n\nAll registrants will receive an email after registration here with how to get their ticket(s). These passes are only offered while supplies last. \n\n\n\nLocationLumen Field Event Center800 Occidental Ave SSeattle\, WA 98134 \n\n\n\nOpening Night presented by RBC Wealth ManagementThursday\, July 17\, 2025: 6— 9pmExclusive Entry for Fair Pass Holders and Select VIPs \n\n\n\nPublic HoursFriday\, July 18\, 2025: 11am — 7pmSaturday\, July 19\, 2025: 11am — 7pmSunday\, July 20\, 2025: 11am — 6pm \n\n\n\nIf you want to be eligible for this or other opportunities\, consider upgrading your membership! Reach out to membership@arttable.org with any questions. \n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/2025-seattle-art-fair-complimentary-vip-general-fair-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/06/SAF-Image-7.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250721T083000
DTEND;TZID=America/New_York:20250721T093000
DTSTAMP:20260403T143941
CREATED:20250703T175034Z
LAST-MODIFIED:20250710T113932Z
UID:50051-1753086600-1753090200@www.arttable.org
SUMMARY:Boston\, MA | Private Walkthrough at Bonhams Skinner’s Newly Reimagined Boston Gallery
DESCRIPTION:We are excited to present a walkthrough of the reimagined galleries at Boston Skinner! Coffee will be provided. \n\n\n\nWe will view Unsung Makers and the New Americana which is comprised of works from two upcoming auctions\, Modern & Contemporary Art and Americana. In this exhibition\, Bonhams aims to honor everything that is great\, wild\, and wonderful about American fine and decorative arts. In choosing the artists and makers in this exhibition\, the team at Bonhams Skinner wants to highlight the voices that shaped and continue to shape our art and culture\, especially those BIPOC\, disabled\, and LGBTQIA+ artists underrecognized for their genius. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: An installation view of “Unsung Makers & the New Americana.” Courtesy of Bonhams Skinner
URL:https://www.arttable.org/event/boston-ma-private-walkthrough-at-bonhams-skinners-newly-reimagined-boston-gallery/
LOCATION:<br>Bonhams Skinner\, 236 Clarendon Street\, Boston\, Massachusetts\, 02116
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/07/Screen-Shot-2025-07-03-at-1.42.37-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250724T170000
DTEND;TZID=America/New_York:20250727T170000
DTSTAMP:20260403T143941
CREATED:20250722T165409Z
LAST-MODIFIED:20250722T165413Z
UID:54873-1753376400-1753635600@www.arttable.org
SUMMARY:2025 Hamptons Jewelry Show | Complimentary VIP Passes
DESCRIPTION:ArtTable Members are invited to claim their complimentary VIP pass for the Hamptons Jewelry Show taking place July 24-27\, 2025. \n\n\n\nThe Hamptons Jewelry Show will showcase over 80 exhibitors\, including world-renowned designers\, top estate jewelers\, contemporary watchmakers\, and rising talents. Exhibitors are hand-selected by curator and 40-year jewelry veteran Hilary Joy Diaz\, ensuring a thoughtfully curated offering across eras\, aesthetics\, and price points. \n\n\n\nThese passes are only offered to ArtTable members while supplies last. \n\n\n\nAll registrants will receive an email after registration here with how to get their ticket(s). \n\n\n\nVIP Passes allow access to the VIP Opening on Thursday\, July 24 from 5 – 9:30 PM.These passes are only offered while supplies last. \n\n\n\nShow Hours \n\n\n\nThursday\, July 24\, 5-9:30pm (VIP Opening Preview)Benefits Longhouse Reserve \n\n\n\nFriday\, July 25\, 11am-6pmSaturday\, July 26\, 11am-6pmSunday\, July 27\, 11am-5pm \n\n\n\nLocation \n\n\n\nSouthampton Fairgrounds605 County Rd 39Southampton\, NY 11968 \n\n\n\nIf you want to be eligible for this or other opportunities\, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!
URL:https://www.arttable.org/event/2025-hamptons-jewelry-show-complimentary-vip-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/07/Screenshot-2025-07-22-at-12.50.28-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250904T100000
DTEND;TZID=America/New_York:20250908T180000
DTSTAMP:20260403T143941
CREATED:20250730T143711Z
LAST-MODIFIED:20250730T184030Z
UID:64199-1756980000-1757354400@www.arttable.org
SUMMARY:2025 New York Armory Week | VIP Pass Packages
DESCRIPTION:ArtTable VIP Access Passes for fairs taking place during New York Armory Week are now live and available to all ArtTable members for purchase! To secure your pass\, click the button below\, login to the member portal and select your preferred available pass option. Participating fairs and remaining pass types indicated below; we look forward to seeing you in in New York in September! \n\n\n\nParticipating Fairs: \n\n\n\n\nThe Armory Show\n\n\n\nIndependent 20th Century\n\n\n\nArt on Paper\n\n\n\n\nVIP Access Pass Levels Available: \n\n\n\n\nPlatinum Level – $100\n\n2 Armory Show VIP passes\n\n\n\n2 Independent VIP passes\n\n\n\n2 Art on Paper VIP passes\n\n\n\n\n\nGold Level – $70\n\n1 Armory Show VIP pass\n\n\n\n1 Independent VIP pass\n\n\n\n2 Art on Paper VIP passes\n\n\n\n\n\nSilver Level – $40\n\n1 Armory Show VIP pass\n\n\n\n2 Art on Paper General Admission passes\n\n\n\n\n\nBronze Level – $20\n\n2 Art on Paper General Admission passes
URL:https://www.arttable.org/event/2025-new-york-armory-week-vip-pass-packages/
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/07/tullo-armoryshow2023.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250910T123000
DTEND;TZID=America/New_York:20250910T133000
DTSTAMP:20260403T143941
CREATED:20250625T165830Z
LAST-MODIFIED:20250625T165837Z
UID:49080-1757507400-1757511000@www.arttable.org
SUMMARY:Boston\, MA | Curator-Led Tour of "Portia Zvavahera" with Ruth Erickson
DESCRIPTION:Gather at ICA Boston for a guided tour of Portia Zvavahera with Ruth Erickson\, Barbara Lee Chief Curator and Director of Curatorial Affairs! \n\n\n\nPortia Zvavahera (b. 1985 in Harare\, Zimbabwe) draws from her dreams to create layered paintings that evoke moments of transition and transcendence. For the artist\, the act of painting is akin to an act of worship. Across her work\, Zvavahera engages deeply with the African Pentecostal and Indigenous Shona traditions in which she was raised\, illuminating the centrality of dreams\, ancestors\, and revelation to both belief systems. The artist merges painting and printmaking techniques to conjure worlds glimpsed in her dreams\, where figures commune with spirits\, and protective comforts and nightmares collide in stirring unions. Culling from an array of sources ranging from the angels and demons of medieval European devotional art to the vibrant patterns of Zimbabwean textile designs\, Zvavahera constructs what the art historian Tamar Garb has described as “a unique and porous pictorial world.”  For the ICA\, her first solo museum exhibition in the U.S.\, Zvavahera is presenting a selection of recent paintings centered on the theme of animals\, considering how they populate her work as well as the collective imagination.   \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Portia Zvavahera\, Ndirikukuona (I can see you)\, 2021. Oil based printing ink and oil bar on linen. © Portia Zvavahera. Courtesy Stevenson and David Zwirner.
URL:https://www.arttable.org/event/boston-ma-curator-led-tour-of-portia-zvavahera-with-ruth-erickson/
LOCATION:ICA Boston\, 25 Harbor Shore Drive\, Boston\, Massachusetts\, 02210\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/06/dtr-12-5.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250915T150000
DTEND;TZID=America/New_York:20250915T153000
DTSTAMP:20260403T143941
CREATED:20250708T184530Z
LAST-MODIFIED:20250708T185452Z
UID:52012-1757948400-1757950200@www.arttable.org
SUMMARY:Virtual | New Member Orientation & Member Portal Walkthrough
DESCRIPTION:12 pm PT / 1 pm MT / 2 pm CT / 3 pm ET\n\n\n\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. \n\n\n\nWhether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \n\n\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n(You will receive an email confirmation containing the Zoom link.) \n\n\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-member-portal-walkthrough-8/
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2024/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250917T180000
DTEND;TZID=America/New_York:20250921T170000
DTSTAMP:20260403T143941
CREATED:20250812T181302Z
LAST-MODIFIED:20250812T181402Z
UID:81384-1758132000-1758474000@www.arttable.org
SUMMARY:2025 Affordable Art Fair | Complimentary VIP Passes
DESCRIPTION:ArtTable Members are invited to claim their complimentary VIP passes for the Affordable Art Fair\, taking place September 17 – 21\, 2025\, in New York City. \n\n\n\nWhen you visit the Affordable Art Fair New York Fall\, you’ll find an inspiring and friendly atmosphere where you can browse thousands of original contemporary paintings\, sculptures\, photographs\, and prints showcased by a myriad of local\, national\, and international exhibitors. With contemporary artwork by over 400 established artists and rising stars\, and price points ranging from $100 to $12\,000\, there is something to suit every taste and wallet\, whether you are a first-time art buyer or a seasoned collector. \n\n\n\nWith two fair editions held annually\, Affordable Art Fair New York is the ideal family day out or creative evening with friends. \n\n\n\nThese passes are only offered to ArtTable members while supplies last. \n\n\n\nAll registrants will receive an email after registration with instructions on how to obtain their ticket(s). \n\n\n\nLocationStarrett-Lehigh Building601 West 26th StreetNew York\, NY 10001 \n\n\n\nPublic HoursWednesday\, September 17 – 6pm – 9pmThursday\, September 18 – 12pm – 8pmFriday\, September 19 – 12pm – 9pmSaturday\, September 20 – 10am – 8pmSunday\, September 21 – 10am – 5pm \n\n\n\nIf you want to be eligible for this or other opportunities\, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!
URL:https://www.arttable.org/event/2025-affordable-art-fair-complimentary-vip-passes/
CATEGORIES:National
ATTACH;FMTTYPE=image/webp:https://www.arttable.org/wp-content/uploads/2025/08/affordable-art-fair.webp
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250920T110000
DTEND;TZID=America/New_York:20250920T120000
DTSTAMP:20260403T143941
CREATED:20250729T150620Z
LAST-MODIFIED:20250804T135944Z
UID:62991-1758366000-1758369600@www.arttable.org
SUMMARY:Los Angeles\, CA | Artist Talk and Exhibition Walkthrough with Rebecca Morris
DESCRIPTION:Rebecca Morris studio\, Los Angeles\, February 24\, 2025. Photo: Flying Studio.\n\n\n\n\n\n\nJoin ArtTable at Regen Projects for an Exhibition Walkthrough with Rebecca Morris! \n\n\n\nRegen Projects is pleased to present #34\, Los Angeles-based artist Rebecca Morris’s first solo exhibition with the gallery and the thirty-fourth of her career. Over the past thirty years Morris has established a sophisticated visual lexicon to expand the limits and possibilities of non-objective abstraction in painting. As Hamza Walker has written\, “Rebecca Morris’s commitment to abstraction lies somewhere between the poles of fierce and rabid\, a prerequisite for coping with a pluralism arising not only from across disciplines but from within the discipline of painting itself.” \n\n\n\n\nParking is available behind the gallery as well as on the street.  \n\n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPhotography by Flying Studio. © Rebecca Morris\, Courtesy of the artist and Regen Projects. \n\n\n\n\n\nRebecca Morris (b.1969 Honolulu\, Hawaii) lives and works in Los Angeles. The survey Rebecca Morris: 2001–2022\, curated by Jamillah James\, opened at the ICA Los Angeles in 2022 and traveled to the MCA Chicago in 2023\, accompanied by a comprehensive monograph. Morris has been the subject of significant solo institutional exhibitions at the Blaffer Art Museum\, Houston (2019); Bonnefanten Museum\, The Netherlands (2014); LAXART\, Los Angeles (2014); and The Renaissance Society\, Chicago (2005). Her work has been included in notable group shows at the Wexner Center for the Arts\, Columbus (2018);  Made in L.A. at the Hammer Museum\, Los Angeles (2016)\, and the Whitney Biennial\, New York (2014). In 2015\, Morris presented a special project at the artist-run 356 Mission in Los Angeles. \n\n\n\nMorris’s work is included in numerous public and private collections\, among them the Whitney Museum of American Art\, New York; Art Institute of Chicago; Hirschhorn Museum and Sculpture Garden\, Washington\, D.C.; Hammer Museum\, Los Angeles; MoCA\, Los Angeles;  MCA Chicago; MCA San Diego; DePaul Art Museum\, Chicago; Bonnefanten Museum\, The Netherlands; Speed Art Museum\, Kentucky; Sammlung Goetz\, Munich; Hall Art Foundation\, Vermont and Germany; and Berezdivin Collection\, Puerto Rico. Morris has received awards and fellowships from the Joan Mitchell Foundation\, John Simon Guggenheim Memorial Foundation\, Louis Comfort Tiffany Foundation\, California Community Foundation Fellowship for Visual Art\, and Art Matters Inc.\, among others. 
URL:https://www.arttable.org/event/los-angeles-ca-artist-talk-and-exhibition-walkthrough-with-rebecca-morris/
LOCATION:Regen Projects\, 6750 Santa Monica Blvd\, Los Angeles\, California\, 90038\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/07/Screen-Shot-2025-07-29-at-11.01.12-AM-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250925T180000
DTEND;TZID=America/New_York:20250925T200000
DTSTAMP:20260403T143941
CREATED:20250812T145758Z
LAST-MODIFIED:20260115T205548Z
UID:75527-1758823200-1758830400@www.arttable.org
SUMMARY:New York\, NY & Virtual | ArtTable's Annual Leadership Series | Art at Risk: Censorship and the Fight for Creative Freedom
DESCRIPTION:In today’s increasingly polarized cultural and political landscape\, arts professionals are grappling with urgent questions: How do institutions remain true to their missions while navigating the risks of presenting complex or controversial narratives? What role does censorship play in shaping the stories we tell through exhibitions\, acquisitions\, publications\, and programming? \n\n\n\nArtTable’s 2025 Annual Leadership Series returns with a timely conversation on the evolving responsibilities of arts institutions in an era of heightened scrutiny and constrained freedoms. This year’s panel features acclaimed artist Marilyn Minter\, cultural leader and curator Sara Reisman\, and art lawyer Katherine Wilson-Milne\, in conversation with moderator Elizabeth Larison\, Arts and Culture Advocacy Program Director at National Coalition Against Censorship. Scroll down to learn more about our panelists! \n\n\n\nTogether\, these thought leaders will explore the challenges and strategies involved in sustaining truthful\, inclusive storytelling across all areas of the arts ecosystem. From debates over funding and institutional values to efforts to protect curatorial independence and artistic freedom\, the discussion will offer insights for anyone invested in the future of the arts. \n\n\n\nWhether you work in a museum\, manage a gallery\, support artists through legal or philanthropic means\, or collect and preserve art\, this event offers critical perspectives and practical strategies for navigating today’s cultural crossroads.     \n\n\n\nJoin us on September 25\, 2025\, for this vital dialogue and an opportunity to engage with leading voices at the intersection of art and public discourse. Immediately following the panel\, we invite you to stay for a 40-minute in-person networking reception with light refreshments. This reception is a rare chance to continue the conversation with our esteemed panelists\, ask follow-up questions\, and build meaningful connections with fellow attendees across the arts industry.                                                                                                                             \n\n\n\nAbout the Annual Leadership Series: This signature ArtTable program was initially launched in 2016\, and since its inception\, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries. \n\n\n\nProgram Admission: This program is open to ArtTable members and member guests through September 1. If space allows\, this program will open to the public on September 2. \n\n\n\n\nArtTable Members – $45\n\n\n\nArtTable Member Guest – $50\n\n\n\nGeneral Admission – $55\n\n\n\nVirtual (ArtTable Member) – $20\n\n\n\nVirtual (General Admission) – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.  \n\n\n\n\n\nMeet Our Panelists \n\n\n\n\n\n\n\n\n\nPhoto by Ryan McGinley\n\n\n\n\n\nMarilyn Minter (b. 1948\, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter\, Lehmann Maupin\, Seoul\, South Korea (2024). Marilyn Minter\, LGDR\, New York\, NY (2023); Marilyn Minter\, Lehmann Maupin\, Hong Kong\, China (2021); All Wet\, Montpellier Contemporary (Mo.Co)\, Montpellier\, France (2021); Smash\, MoCA Westport\, Westport\, CT (2021); Fierce Women\, The Cube\, Moss Arts Center\, Virginia Polytechnic Institute and State University\, Blacksburg\, VA (2020); Nasty Woman\, SCAD Museum of Art\, Savannah GA (2020); among others. From 2015 through 2017\, her retrospective\, Marilyn Minter: Pretty/Dirty\, traveled to the Contemporary Arts Museum\, Houston (TX); the Museum of Contemporary Art\, Denver (CO); the Orange County Museum of Art\, Newport Beach (CA); and the Brooklyn Museum\, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art\, New York from 2010-2011.  Minter is the recipient of numerous prestigious awards\, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter’s work is in the collections of many museums globally\, including the the Museum of Contemporary Art\, Los Angeles (CA); San Francisco Museum of Modern Art\, San Francisco (CA); (MA); the Museum of Modern Art\, New York (NY); the Perez Art Museum\, Miami (FL); the Tate Modern\, London (U.K); the Solomon R. Guggenheim Museum\, New York (NY); and the Whitney Museum of American Art\, New York (NY)\, among many others.Minter is represented by Salon 94\, New York\, Regen Projects\, Los Angeles\, Lehmann Maupin\, Hong Kong/Seoul. \n\n\n\n\n\n\n\nSara Reisman is a curator\, educator\, and writer based in New York City. Her curatorial and educational engagements have focused on socially engaged art\, the history of exhibition making\, public art\, both temporary and permanent\, artist books\, and the intersections between art and activism. She has held roles in curatorial\, philanthropic\, and educational capacities including Chief Curator at the National Academy of Design (2021-2025)\, Executive and Artistic Director of the Shelley & Donald Rubin Foundation (2014-2021)\, and Director of New York City’s Percent for Art Program (2008-2014)\, where she managed more than 100 permanent public art commissions across New York City’s five boroughs. Reisman has taught art history and contemporary art at the University of Pennsylvania and SUNY Purchase School of Art + Design\, and since 2016\, she has been on the faculty at the School of Visual Arts’ Curatorial Practice MA Program. In her most recent curatorial role at the National Academy\, she organized large-scale thematic exhibitions including Past as Prologue: A Historical Acknowledgment\, which examined the role of art in U.S. nation-building; Drawing as Practice; Consequences: A Parlor Game; Exercises in Imagination; and Sites of Impermanence. \n\n\n\n\n\nPhoto by Elia Alba\n\n\n\n\n\n\n\n\n\n\n\n\n\nKatie Wilson-Milne is a partner at the boutique law firm Schindler Cohen & Hochman LLP and advises clients in the art\, cultural and creative communities\, including art businesses\, dealers\, collectors\, artists\, and not-for-profit corporations in the art space on transactional matters related to the creation\, purchase\, sale\, lending and financing of art\, as well as gallery\, auction house\, and museum relationships and intellectual property matters. She also represents art clients in a wide variety of disputes including fraud\, breach of contract\, copyright infringement\, and artist gallery relationships. \n\n\n\nKatie also writes\, teaches and speaks publicly about a variety of art law related topics. Katie teaches art law at the Yale Law School and co-hosts of The Art Law Podcast with Steve Schindler. \n\n\n\n\n\n\n\nElizabeth Larison is our panel moderator for this program. Elizabeth is Director of the Arts & Culture Advocacy Program at the National Coalition Against Censorship\, a member of Don’t Delete Art\, and a curator. Prior to joining NCAC\, Elizabeth earned a BA in Human Rights and a MA in Curatorial Studies\, and worked for organizations including Flux Factory\, the Park Avenue Armory\, and apexart.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-arttables-annual-leadership-series-art-at-risk-censorship-and-the-fight-for-creative-freedom/
LOCATION:Full Address Provided Upon Registration\, Midtown Manhattan\, New York\, New York\, 10017\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/08/Plain-for-website-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250930T140000
DTEND;TZID=America/New_York:20250930T150000
DTSTAMP:20260403T143941
CREATED:20250804T142611Z
LAST-MODIFIED:20260116T153442Z
UID:70889-1759240800-1759244400@www.arttable.org
SUMMARY:Virtual | ArtTable’s Professional Development Series: Art Writing for Art Professionals with Robin Cembalest
DESCRIPTION:In this empowering workshop\, Robin Cembalest demystifies the distinctive and often challenging process of writing about visual art. In her presentation\, she’ll share examples and templates for different types of professional art writing\, from press releases to Instagram posts. As the longtime editor of ARTnews\, Robin taught generations to write professionally. Gallerist or artist\, educator or curator\, this class will give you the tools\, skills\, and best practices to write clearly and accessibly\, with less stress and more success. \n\n\n\nThe zoom link will be provided upon registration.  \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGeneral Admission – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRespected journalist\, influential Instagrammer\, and the former longtime editor of ARTnews\, Robin Cembalest trains art professionals how to communicate effectively about themselves\, their work\, and their projects. She teaches writing\, social media\, public speaking\, and other essential skills across the art industry. An early art-world adapter to social media\, Robin has built a specialty in career development for the digital era\, helping institutions and individuals to create and implement organic content strategies. \n\n\n\nA mentor to generations of emerging writers\, Robin now helps visual artists to express themselves in her workshops at schools\, residencies\, and organizations. She is a faculty member of the School of Visual Arts\, an instructor in the Bronx Museum’s AIM program\, and a coach at Creative Capital. Widely published in the art and mainstream press\, Robin won several awards for investigative reporting\, writing key stories on the culture wars\, censorship\, multiculturalism\, and museum politics. She is best known today as @rcembalest\, handle of her popular Instagram chronicling her travels in the art world.
URL:https://www.arttable.org/event/virtual-arttables-professional-development-series-art-writing-for-art-professionals-with-robin-cembalest/
LOCATION:Virtual Via Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/08/Yellow-Professional-Gradient-App-Development-Brainstorm-Presentation.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251003T123000
DTEND;TZID=America/New_York:20251003T133000
DTSTAMP:20260403T143941
CREATED:20250723T172949Z
LAST-MODIFIED:20260115T205514Z
UID:55407-1759494600-1759498200@www.arttable.org
SUMMARY:New York\, NY | Guided Tour of "Coco Fusco: Tomorrow\, I Will Become an Island" with Zuna Maza
DESCRIPTION:Join ArtTable at El Museo del Barrio for a Curator-Led Tour of Coco Fusco: Tomorrow\, I Will Become an Island with Zuna Maza! \n\n\n\nEl Museo del Barrio is proud to present the first U.S. survey of influential Cuban-American artist\, writer\, and activist Coco Fusco (b. 1960\, lives in New York). A renowned artist\, writer\, and activist\, Fusco has been globally lauded for her distinctly perceptive\, acerbic\, and piercing voice. Since the 1990s\, her films\, photographs\, texts\, installations\, and performances have addressed the dynamics of politics and power in relation to issues of representation\, culture\, and institutional critique. \n\n\n\nThe exhibition will include more than three decades of Fusco’s artistic production\, positioning her as one of the foremost artists shaping the contemporary art field. Spanning her now-canonical performance “Two Undiscovered Amerindians Discover the West” (presented with Guillermo Gomez-Peña) to her on-going investigation of post-revolutionary Cuban history and her most recent photographic explorations around U.S. politics\, the show will offer an expansive view of her multidisciplinary career. \n\n\n\n \n\n\n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.  \n\n\n\n\n\n\n\n\n\n\n\nImage: Coco Fusco\, Dolores From 10 to 10\, 2001. Video Installation\, 98 min. Courtesy of the artist and Mendes Wood DM\, São Paolo\, Brussels\, Paris\, New York.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-coco-fusco-tomorrow-i-will-become-an-island-with-zuna-maza/
LOCATION:El Museo Del Barrio\, 1230 Fifth Avenue\, New York\, NY\, 10029\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/07/Screen-Shot-2025-07-23-at-1.21.46-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T150000
DTEND;TZID=America/New_York:20251022T160000
DTSTAMP:20260403T143941
CREATED:20250717T175511Z
LAST-MODIFIED:20250717T175559Z
UID:52776-1761145200-1761148800@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Women Artists from Antwerp to Amsterdam\, 1600-1750" with Virginia Treanor
DESCRIPTION:Join ArtTable at the National Museum of Women in the Arts for a Curator-Led Tour of Women Artists from Antwerp to Amsterdam\, 1600-1750 with Senior Curator Virginia Treanor! \n\n\n\nWomen Artists from Antwerp to Amsterdam\, 1600-1750 showcases a broad range of work by more than forty Dutch and Flemish women artists\, including Gesina ter Borch\, Maria Faydherbe\, Anna Maria de Koker\, Judith Leyster\, Magdalena van de Passe\, Clara Peeters\, Rachel Ruysch\, Maria Tassaert\, Jeanne Vergouwen\, Michaelina Wautier\, and more. Presenting an array of paintings\, lace\, prints\, paper cuttings\, embroidery\, and sculpture\, this exhibition draws on recent scholarship to demonstrate that a full view of women’s contributions to the artistic economy is essential to understanding Dutch and Flemish visual culture of the period. \n\n\n\nVirginia (Ginny) Treanor\, Ph.D. serves as Senior Curator\, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington\, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art\, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art\, among other institutions. During her time at NMWA\, Treanor has curated numerous contemporary exhibitions\, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015)\, Heavy Metal (2018)\, Paper Routes(2020)\, and New Worlds (2024). \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Rachel Ruysch\, Roses\, Convolvulus\, Poppies and Other Flowers in an Urn on a Stone Ledge\, ca. late 1680s; Oil on canvas\, 42 1/2 x 33 in.; NMWA\, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-women-artists-from-antwerp-to-amsterdam-1600-1750-with-virginia-treanor/
LOCATION:National Museum of Women in the Arts\, 1250 New York Ave NW\, Washington\, DC\, 20005\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/07/Screen-Shot-2025-07-17-at-1.50.28-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251105T150000
DTEND;TZID=America/New_York:20251105T160000
DTSTAMP:20260403T143941
CREATED:20250917T181747Z
LAST-MODIFIED:20250917T182118Z
UID:101528-1762354800-1762358400@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout" with Dr. Vesela Sretenović
DESCRIPTION:Join ArtTable for a curator-led tour of Anonymous Was A Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout at The Kreeger Museum\, led by exhibition curators Dr. Vesela Sretenović. \n\n\n\nAnonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout\, dovetails with the recent group exhibition\, Anonymous Was a Woman: The First 25 Years organized by and presented at the New York University’s Grey Art Museum\, April 1-July 19\, 2025\, and co-curated by Nancy Princenthal and Vesela Sretenović. \n\n\n\nThe Grey exhibition celebrated the first quarter-century of the Anonymous Was a Woman (AWAW) grant program\, established in 1996 by visionary philanthropist and artist Susan Unterberg. The program is dedicated to supporting mid-career women artists living and working in the United States. Its name refers to a phrase in Virginia Woolf’s essay A Room of One’s Own\, which underscores the challenges that creative women have historically faced in a male-dominated society.  \n\n\n\nThe Kreeger Museum’s exhibition\, curated by Sretenović\, focuses exclusively on four AWAW recipients who reside and work in the Washington\, DC metropolitan area: Jae Ko (AWAW 2012)\, linn meyers (AWAW 2023)\, Joyce J. Scott (AWAW 1997)\, and Renée Stout (AWAW 1999). While the Grey exhibition featured works created around the time of each artist’s award\, The Kreeger Museum’s presentation spotlights the most recent work of its participating artists\, picking up where the Grey show left off in 2020. Moreover\, whereas the Grey offered a broader overview of artistic production by women-artists in the first 25 years of the award\, The Kreeger Museum aims to present a more focused\, in-depth look at the new works of Ko\, meyers\, Scott\, and Stout. \n\n\n\nIn this respect\, The Kreeger Museum’s exhibition not only celebrates artists based in the DMV area —aligning with the Museum’s mission—but also extends the reach of the AWAW program beyond New York City\, further disseminating its mission: to support and bring greater visibility to the creative output of women artists. \n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $30\n\n\n\nArtTable Members – $20\n\n\n\nArtTable Member Guests – $25\n\n\n\n\n\nAll registrants for this event will be provided with a 20% discount on ArtTable’s limited edition scarf celebrating 25 Years of Anonymous Was a Woman\, created in 2021 in conjunction with ArtTable’s 45 year anniversary and the year Susan Unterberg received the Distinguished Service to the Visual Arts Award. Made of 100% silk habotai\, only a handful of scarves remain in our inventory!  \n\n\n\n\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator \n\n\n\nDr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure\, she had organized Intersections\, a series of ongoing contemporary art projects\, as well as monographic exhibitions of prominent artists including Robert Ryman\, Ellsworth Kelly\, Antony Gormley\, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally\, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips\, Sretenović worked at Brown University\, the University at Buffalo SUNY\, and the Brooklyn Museum of Art. She is a frequent visiting faculty\, teaching modern and contemporary art history and theory\, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade\, Former Yugoslavia\, an MA from the School of the Art Institute of Chicago\, and a PhD in Humanities from Syracuse University. \n\n\n\n\n\n\n\nImage credits:Pictured (left to right): Detail\, linn meyers\, The Moon is a Thief\, 2025\, acrylic ink and acrylic gouache on linen. Courtesy of the Artist. Detail\, Jae Ko\, Rhombus #3\, 2025\, rolled paper\, pigmented ink. Courtesy of Opera Gallery/Artist. Detail\, Joyce J. Scott\, Untitled Fairy Tale from The Graphic Novel Series\, 2019-2020\, glass beads\, thread\, wire. Courtesy of Goya Contemporary Gallery/Artist. Detail\, Renée Stout\, I Trust My Third Eye\, 2025\, acrylic on panel. Courtesy of Marc Straus Gallery/Artist.
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-anonymous-was-a-woman-jae-ko-linn-meyers-joyce-j-scott-renee-stout-with-dr-vesela-sretenovic/
LOCATION:The Kreeger Museum\, 2401 Foxhall Rd NW\, Washington\, DC\, District of Columbia\, 20007\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/09/Strip-Image-Draft-4-FINAL-copy-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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