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DTSTART;TZID=America/New_York:20191001T190000
DTEND;TZID=America/New_York:20191001T203000
DTSTAMP:20260428T001209
CREATED:20190918T184104Z
LAST-MODIFIED:20210216T202828Z
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SUMMARY:NY | Yayoi Kusama Private Viewing and the Opening of MoCA Westport
DESCRIPTION:Image: Yayoi Kusama with Narcissus Garden\, 1966 \nThis event offers ArtTable members and friends the unique opportunity to view Yayoi Kusama’s Where the Lights in My Heart Goand Narcissus Garden at MoCA Westport\, one week following the museum’s opening on September 22nd. To celebrate the museum’s opening and the first time these two works have been shown in tandem on the East Coast\, members will hear directly from Amanda Innes\, Executive Director\, MoCA Westport\, formerly the Westport Arts Center and enjoy a private after hours reception. \nThroughout her career\, Yayoi Kusama has developed a practice\, which\, though it shares affiliations with movements such as Surrealism\, Minimalism and Pop Art\, resists any singular classification. Born in Matsumoto City\, Japan\, in 1929\, she studied painting in Kyoto before moving to New York in the late 1950s\, and became well known in the avant-garde world for her provocative happenings and exhibitions. Since then Kusama’s extraordinary artistic endeavours have spanned painting\, drawing\, collage\, sculpture\, performance\, film\, printmaking\, installation and environmental art as well as literature\, fashion and product design. In 2016\, Kusama received the Order of Culture\, one of the highest honours bestowed by the Imperial Family in Japan. Kusama is the first woman to be honoured with the prestigious medal for drawings and sculptures. Kusama lives and works in Tokyo\, where the Yayoi Kusama Museum opened in October 2017. Over the past decade there have been museum exhibitions of Kusama’s work enjoyed by millions of visitors in Argentina\, Australia\, Brazil\, Canada\, Chile\, China\, Denmark\, England\, Finland\, France\, Indonesia\, Japan\, Mexico\, Norway\, Russia\, South Korea\, Singapore\, Spain\, Sweden\, and the United States. For more information on these installations see here. \nGetting to MoCA Westport:\nBy Train: Directions from the Westport Train Station:\nTaxis are readily available at the Westport Train Station. \nWe recommend: \nTo Westport:\n1562 Train leaving New York Grand Central at 5:46 PM\, arriving at Westport at 6:53 PM \nReturn to New York: \n1591 Train leaving Westport at 8:28 PM and arriving at Grand Central at 9:51 PM\n1595 Train leaving Westport at 9:22 PM and arrving at Grand Central at 10:46 PM \nBy Car: \nConnecticut I-95 exit 17:\nFrom New Haven or New York\, turn left off ramp\, WAC is approx. 1.4 miles on right.\nMerritt Parkway\, exit 41:\nFrom New Haven\, turn right off ramp\, 2 miles on left.\nFrom New York\, turn left off ramp\, 1.8 miles on left. \nRead this: “Yayoi Kusama ‘Infinity Mirror Room’ Will Alight in Connecticut This Fall” \nThank you to Amanda Innes\, Executive Director\, MoCA Westport\, formerly the Westport Arts Center for organizing this event.  \nClick here to REGISTER!
URL:https://www.arttable.org/event/reception-and-private-viewing-of-yayoi-kusamas-where-the-lights-in-my-heart-go-and-narcissus-garden-to-celebrate-the-opening-of-moca-westport/
LOCATION:MoCA Westport\, 19 Newtown Turnpike\, Westport\, CA\, 06880\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T173000
DTEND;TZID=America/New_York:20191015T190000
DTSTAMP:20260428T001209
CREATED:20191003T171758Z
LAST-MODIFIED:20210216T202322Z
UID:995-1571160600-1571166000@www.arttable.org
SUMMARY:NY |Vija Celmins: To Fix the Image in Memory
DESCRIPTION:Image: Vija Celmins\, Untitled (Big Sea #1)\, 1969. Graphite on acrylic ground on paper. © Vija Celmins\, courtesy the artist and Matthew Marks Gallery. Photo © McKee Gallery\, New York \nClick here to REGISTER!\nJoin ArtTable NY for a curatorial walk through of “Vija Celmins: To Fix the Image in Memory” at the Met Breuer\, New York City\, with Meredith Brown\, Research Associate\, the Metropolitan Museum of Art.  \nThis retrospective will provide a comprehensive view of Vija Celmins’s career through a selection of approximately 120 works—from her earliest paintings made in Los Angeles in the 1960s to objects completed in New York in the last five years. \nThroughout an accomplished career that spans more than fifty years\, Celmins has sustained a practice of deep focus and extraordinary skill in a wide range of media. Celmins bases her exquisitely wrought paintings\, sculpture\, drawings\, and prints on the world around us—sometimes through direct observation\, but more often mediated by photography. Whether her sources are quotidian objects from her first studio in Venice\, California\, photographs of the Pacific Ocean taken at the local pier\, or reproductions from newspapers\, magazines\, scientific exploration and inquiry\, the resulting work possesses a magical verisimilitude. \nMeredith A. Brown first joined the department as the 2013–14 Chester Dale Senior Fellow\, conducting research for a book project on feminist politics and American art institutions in the 1970s. In her current role\, she has worked on various exhibitions of contemporary art\, including The Roof Garden Commission: Pierre Huyghe (2015)\, Kerry James Marshall: Mastry (2016)\, Marisa Merz: The Sky Is a Great Space (2017)\, Range: Experiments in New York\, 1961–2007 (2017)\, David Hockney (2017)\, Odyssey: Jack Whitten Sculpture\, 1963–2017 (2018) and Everything is Connected: Art and Conspiracy (2018). She also researches art for acquisition. A graduate of Stanford University\, Meredith received her MA and PhD from the Courtauld Institute of Art\, University of London\, and previously worked at the Solomon R. Guggenheim Museum. \nThank you to Ian Alteveer\, Aaron I. Fleischman Curator\, Modern and Contemporary Art for helping organize this program. 
URL:https://www.arttable.org/event/995/
LOCATION:The MET Breuer\, 945 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
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DTSTART;TZID=America/New_York:20191018T100000
DTEND;TZID=America/New_York:20191018T140000
DTSTAMP:20260428T001209
CREATED:20190918T192028Z
LAST-MODIFIED:20210216T202234Z
UID:786-1571392800-1571407200@www.arttable.org
SUMMARY:NY | "Yto Barrada: The Dye Garden" at the Neuberger Museum
DESCRIPTION:Image: Yto Barrada. Untitled (After Stella\, Rabat)\, 2017. Cotton\, indigo\, chamomile. 44 x 38 inches. Courtesy of the artist and Pace Gallery. Photography by Mark Waldhauser\, courtesy Pace Gallery. \nClick here to REGISTER!\nJoin ArtTable NY for a trip to the Neuberger Museum to see work by an internationally-acclaimed\, Moroccan-French\, multimedia artist and winner of the 2019 Roy R. Neuberger Prize\, Yto Barrada. Helaine Posner\, Chief Curator at the Neuberger Museum of Art and ArtTable member\, will lead us through this exhibition and the museum’s collection.  \nFollowing our tour\, catered lunch will be provided at the Museum. \nHow does one transmit political courage? Yto Barrada asks. \nThe Neuberger Museum’s 2019 Roy R. Neuberger Prize\, carrying an honorarium of $25\,000\, has been awarded to Yto Barrada\, an internationally-acclaimed\, Moroccan-French multi-media artist. In addition to the cash award\, the exhibition\, Yto Barrada: The Dye Garden\, will be presented for the first time in the United States. \nOriginally presented at the American Academy in Rome and expanded for the Neuberger Museum of Art\, Yto Barrada: The Dye Garden features recent work by Barrada\, whose artistic practice weaves together family history and broader sociopolitical narratives\, employing a variety of media\, including photography\, film\, video\, installation\, sculpture\, books\, and hand-dyed textiles. The artist has long investigated gestures of resistance to structures of power and control. She has an abiding interest in mechanisms of displacement and dislocation\, as well as questions of appropriation and authenticity. \nYto Barrada: The Dye Garden is co-organized by the Neuberger Museum of Art and the American Academy in Rome. Co-curated by Chief Curator Helaine Posner and Peter Benson Miller\, Curator and former Andrew Heiskell Arts Director at the American Academy. A fully-illustrated\, multi-essay catalogue will accompany the exhibition. Generous support for the Roy R. Neuberger Prize has been provided by Jim Neuberger and Helen Stambler Neuberger.\n\nYto Barrada\, who was born in Paris and raised in Tangier\, had her first solo exhibition in 2003 at the Galerie Polaris\, Paris. Since then\, her work has been featured in exhibitions at the Jeu de Paume\, Paris (2006); Venice Biennale (2007\, 2011); and San Francisco Museum of Modern Art (2009)\, among other venues. In 2011\, she received Deutsche Bank’s Artist of the Year Award. According to Ms. Posner\, Barrada’s wide-­-ranging intelligence and global perspective inform her work in a variety of media including photography\, film\, sculpture\, and hand-­-dyed textiles. She creates aesthetically compelling images and objects and tackles serious sociopolitical and cultural issues leavened with humor.” Barrada now lives and works in Brooklyn\, New York. \nHelaine Posner is Chief Curator at the Neuberger Museum of Art\, Purchase College\, SUNY\, Purchase\, New York. Her exhibitions at the Neuberger Museum include Yto Barrada: The Dye Garden (0219)\, Leandro Erlich: Port of Reflections (2017)\, Louise Fishman: A Retrospective (2016)\, Robin Rhode: Animating the Everyday (2014)\, Dana Schutz: If the Face Had Wheels (2011)\, and Tania Bruguera: On the Political Imaginary (2010)\, each accompanied by a monographic catalogue. From 1991-1998\, she was curator at the MIT List Visual Arts Center\, Cambridge\, Massachusetts where she curated such exhibitions as Mirror Images: Women\, Surrealism\, and Self-Representation (1998); Glenn Ligon: Skin Tight (1995); and Leon Golub and Nancy Spero: War and Memory (1994); among other projects.  Previously\, she was Director of the University Gallery\, University of Massachusetts/Amherst. \nPosner is the author of a monograph on the artist Kiki Smith (Monacelli\, 2005) and was United States Co-commissioner for the 48th Venice Biennale where she organized Ann Hamilton: Myein. She is the co-author of the award-winning book After the Revolution: Women Who Transformed Contemporary Art and of The Reckoning: Women Artists of the New Millennium (Prestel\, 2007 and 2013). She was curator of a mid-career survey of the work of Lorna Simpson which traveled to the Museum of Contemporary Art\, Los Angeles; the Miami Art Museum; and the Whitney Museum of American Art\, New York (2006-7). Posner is the recipient of three AICA (International Association of Art Critics) Awards.  She earned a Bachelor of Arts degree in Art History at Georgetown University and a Master of Arts degree from George Washington University\, both in Washington\, D.C.\n\nGetting to the Neuberger Museum of Art:  \nNeuberger Museum of Art is located: \n10 minutes from White Plains\, NY \n10 minutes from Greenwich\, CT \n45 minutes from mid-town Manhattan \nTrain Directions:  \nUse the Harlem Line of the Metro-North Railroad to arrive in White Plains. \nTaxicabs/ Uber are readily available for hire to Purchase College. \nPlease visit http://www.mta.nyc.ny.us/mnr for schedule and fare information. \nThank you to Randy Rosen\, ArtTable Member\, and Helaine Posner\, Chief Curator at the Neuberger Museum of Art. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n 
URL:https://www.arttable.org/event/ny-yto-barrada-the-dye-garden-at-the-neuberger-museum/
LOCATION:Neuberger Museum of Art\, 735 Anderson Hill Road\, Purchase\, NY\, 10577-1400\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191024T081500
DTEND;TZID=America/New_York:20191024T093000
DTSTAMP:20260428T001209
CREATED:20190927T190330Z
LAST-MODIFIED:20210216T202155Z
UID:945-1571904900-1571909400@www.arttable.org
SUMMARY:NY | How to Navigate Recruiting in the Art World
DESCRIPTION:Click here to REGISTER!\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \nSession 10: How to Navigate Recruiting in the Art World with Sarah Murkett\, Founder of Murk & Co \nWhat we’ll be discussing: \n\nThe definition of recruiting and the tools of recruitment\nFor Employers:\n\nWhat employers need to think about when starting a search\nWhy an employer would want to use a recruiter\nFee structures\nWhat employers should be thinking about to attract and retain top talent\n\n\nFor Candidates:\n\nHow the relationship between a candidate and recruiter starts\nWhat recruiters look for in a candidate\nInterview preparation\nSalary expectations and contract negotiations\n\n\n\nSarah Murkett:\nFounder and principal of Murk & Co\, an executive search firm providing staffing solutions for the art world\, Sarah Murkett has over 20-years of experience in the field.  Sarah began her art career at Marlborough and PPOW galleries after which she worked as a development and marketing consultant to art organizations and individuals in the creative industries including NADA\, Socrates Sculpture Park and Atelier 4. She joined Armand Bartos Fine Art in the fall of 2007. As Director\, she was instrumental in launching the prestigious gallery and its exhibition program\, which presented two historical exhibitions a year until the gallery closed in April of 2011.  Murk & Co began that year as a business dedicated to buying and selling artwork with a focus on Post-War and Contemporary Art\, providing advisory services for both beginning and seasoned collectors\, and curating projects with a focus on art historical themes of the 20th Century.  Before turning her focus to recruitment\, Sarah served as an advisor to both the Artist Pension Trust (APT) and MutualArt\, helping to initiate sales programs for both companies and leading to the first financial distributions to artist members of APT in August of 2016.\n \nSarah is a member of PAIAM\, POWarts\, and Art Table\, where she served as co-chair of the New York chapter’s programming committee from 2011-2013. \nThank you to Bonhams for providing breakfast and generously hosting the Optimizing Success: Professional Empowerment series. Bonhams\, founded in 1793\, is one of the world’s largest and most renowned auctioneers\, offering fine art and antiques\, motor cars and jewellery. The main salerooms are in London\, New York\, Los Angeles and Hong Kong\, with auctions also held in Knightsbridge\, Edinburgh\, Paris\, San Francisco and Sydney. With a worldwide network of offices and regional representatives in 22 countries\, Bonhams offers advice and valuation services in 60 specialist areas. For a full list of forthcoming auctions\, plus details of Bonhams specialist departments\, please visit bonhams.com. \nWho’s attending this program? Click here to see who’s currently registered! \n\n\nThank you to ArtTable Members Sarah McNaughton\, Katherine Wilson-Milne\, Eileen Jeng\, Jacqueline Towers-Perkins and Louky Keijsers Koning\, for organizing this series.  \nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/ny-how-to-navigate-recruiting-in-the-art-world/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191024T190000
DTEND;TZID=America/New_York:20191024T210000
DTSTAMP:20260428T001209
CREATED:20191009T181743Z
LAST-MODIFIED:20210216T202120Z
UID:1123-1571943600-1571950800@www.arttable.org
SUMMARY:NY | MeetAT at IFPDA Fine Art Print Fair
DESCRIPTION:This program is free for members and guests\, but advance registration is required.  Click here to register!\nArtTable’s MeetAT networking program continues in October! This month we are teaming up with the IFPDA Fine Art Print Fair. We invite members and guests to join us during the IFPDA Fine Art Print Fair’s Young Collectors Cocktail Reception taking place on Thursday\, October 24\, 2019 from 7-9 PM.  At 8PM members + guests will gather in the VIP Lounge to hear remarks from Fair Director\, Helen Toomer. Fair access is included in registration. All registrants will receive a code to access their fair pass closer to the event date. \nArtTable MeetATs are a free member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable members Klaudia Ofwona Draber\, Founder\, KODA Labs; Helen Toomer\, Fair Director\, IFPDA Fine Art Print Fair; and creator of MeetAT programs\, Louky Keijsers-Koning\, Director/Owner\, LMAK Gallery\, for organizing and supporting this program. \n 
URL:https://www.arttable.org/event/ny-meetat-at-ifpda-fair/
LOCATION:New York
CATEGORIES:New York
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191028T174500
DTEND;TZID=America/New_York:20191028T190000
DTSTAMP:20260428T001209
CREATED:20190925T143548Z
LAST-MODIFIED:20210216T202028Z
UID:830-1572284700-1572289200@www.arttable.org
SUMMARY:NY | Alice Miceli: Project Chernobyl at America’s Society
DESCRIPTION:Image: Alice Miceli Chernobyl Exclusion Zone\, radioactive woods\, Belarus\, 2008 \nClick here to REGISTER!\nJoin ArtTable NY for a private curatorial walk through of Alice Miceli: Project Chernobyl at the America’s Society.  \nThis exhibition presents Alice Miceli’s Projeto Chernobyl (Chernobyl Project)\, a series of 30 radiographs produced in 2006–2010. Miceli developed a method of image making to document the enduring effects of the Soviet nuclear plant explosion of April 26\, 1986. Though gamma radiation continues to be present and to cause health problems and deaths in the area\, it is invisible to the naked eye and to traditional methods of photography that have been used to document the region’s ruins. With Projeto Chernobyl\, Miceli made this contamination visible via direct contact between the radiation and film\, which was exposed in the Chernobyl Exclusion Zone for months at a time. Both technically and conceptually complex\, Miceli’s work questions our ideas of vision\, memory\, politics\, and environmental issues. \nLearn more about the exhibition. \nDiana Flatto is assistant curator\, Visual Arts at the Americas Society\, where she has co-curated Alice Miceli: Projeto Chernobyl and assisted on Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For and Lydia Cabrera and Édouard Glissant: Trembling Thinking. Prior to that\, she worked for over five years as a specialist at an auction house. She graduated from Brandeis University with a BA in art history and business\, and earned an MA in art history with an advanced certificate in curatorial studies from Hunter College\, where she co-curated exhibitions including Framing Community: Magnum Photos 1947–Present and Copy\, Translate\, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros. \nCarolina Scarborough is Assistant Curator for Public Programs\, Visual Arts at Americas Society\, where she has realized all public programs related to the organization’s exhibitions including\, Alice Miceli: Projeto Chernobyl\, Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For\, and Lydia Cabrera and Édouard Glissant:Trembling Thinking. At the Americas Society she also creates public programs to contextualize\, educate and promote Latin American Art. She is also responsible for the donors\, the Arts of the Americas Circle and fundraising of special public programs of the Visual Arts Department. Ms. Scarborough’s previous experience includes four years at Phillips Auction House as Latin American Art Specialist in the Latin American and Contemporary Art Departments\, and four years as Sales Associate at the Thomas Segal Gallery\, Baltimore. She interned and volunteered in prestigious museum and art institutions including the Museum of Modern Art\, New York\, Independent Curators International\, International Center of Photography\, and The Smithsonian Institution. Ms. Scarborough holds an MA in Museum Studies from New York University and a BA in Comparative Literature from Oberlin College. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Julia Herzberg\, Independent Curator and ArtTable NY Programs Committee Member\, and Carolina Scarborough\, Assistant Curator\, America’s Society\, for organizing this program.  \n 
URL:https://www.arttable.org/event/ny-alice-miceli-project-chernobyl-at-americas-society/
LOCATION:America’s Society\, 680 Park Ave\, New York\, NY\, 10065\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191030T083000
DTEND;TZID=America/New_York:20191030T100000
DTSTAMP:20260428T001209
CREATED:20190927T182753Z
LAST-MODIFIED:20210216T201742Z
UID:938-1572424200-1572429600@www.arttable.org
SUMMARY:NY | Artist Breakfast with Valerie Hegarty
DESCRIPTION:Image: Flowers with Roots Elegy. 2019. Wood\, canvas\, wire\, foil\, epoxy clay\, foam\, acrylic paint45” (h) x 31” (w) x 6” (d) \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Valerie Hegarty\, whose work is currently on show at Figuring the Floral at Wave Hill. \nValerie Hegarty is a visual artist based in Brooklyn who creates paintings\, sculptures\, and installations that often address themes of memory\, place and history. Hegarty’s solo exhibitions include Nicelle Beauchene\, NY; Marlborough Gallery Chelsea; Locust Projects\, Miami; Museum 52\, London; The MCA in Chicago; and Guild & Greyshkul\, NY\, among others including a commission for a public sculpture on the High Line\, NY and her most recent show of site-specific installations in The Brooklyn Museum’s period rooms. Selected group exhibitions in NY include Artists Space\, The Drawing Center\, D’Amelio Terras Gallery\, Derek Eller\, White Columns and MoMA PS1. Hegarty has been awarded numerous grants through foundations such as the Pollock Krasner Foundation\, The New York Foundation for the Arts\, the Rema Hort Mann Foundation\, the Tiffany Foundation\, and Campari NY. Residencies include LMCC\, Marie Walsh Sharpe\, PS 122\, MacDowell\, Yaddo and Smack Mellon. Hegarty received an MFA from The School of the Art Institute of Chicago\, a BFA from San Francisco’s Academy of Art College and a BA from Middlebury College\, VT. Hegarty was the first Andrew W. Mellon Arts and the Common Good Artist-in-Residence at Drew University in Madison\, New Jersey from 2014-2015. \nThis program is gernerously funded by the Pollock Krasner FoundationThe Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nWho’s attending this program? Click here to see who’s currently registered! \n\nThank you to ArtTable NY’s Artist Breakfast Committee and to The Flag Art Foundation for hosting this event. \nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/ny-artist-breakfast-with-valerie-hegarty/
LOCATION:The Flag Foundation\, 545 W 25th St #9\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
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