BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ArtTable
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200113T173000
DTEND;TZID=America/New_York:20200113T190000
DTSTAMP:20260622T080523
CREATED:20191211T214552Z
LAST-MODIFIED:20210216T195045Z
UID:1757-1578936600-1578942000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
DESCRIPTION:Image: Aloïse Corbaz (1886\, Lausanne\, Switzerland–1964\, Gimel\, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil\, graphite\, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler.  © L’association Aloïse Photography  © Visko Hatfield\, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications\, Inc. \nClick here to REGISTER\nJoin ArtTable and Valérie Rousseau\, PhD\, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum\, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler. \nThe collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States\, which manifests a strong interest for African American artists\, a consistent attention on American classics\, a curiosity for European art brut\, and a search for international discoveries. For the last twenty-seven years\, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche\, among them Emery Blagdon\, Aloïse Corbaz\, William Edmondson\, August Klett\, Augustin Lesage\, Martín Ramírez\, Thornton Dial\, and Anna Zemánková. For more information see here. \nThank you to Valérie Rousseau and Elisabeth Rochau- Shalem\, NY Programs Committee Chair\, for organizing this program.
URL:https://www.arttable.org/event/ny-curatorial-perspective-memory-palaces-inside-the-collection-of-audrey-b-heckler/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20260622T080523
CREATED:20191223T220609Z
LAST-MODIFIED:20250903T181251Z
UID:1858-1579716000-1579721400@www.arttable.org
SUMMARY:ArtTable Circle ⎟ JPMorgan Chase Collection Tour
DESCRIPTION:Content is protected.
URL:https://www.arttable.org/event/arttable-circle-%e2%8e%9f-jpmorgan-chase-collection-tour/
LOCATION:JP Morgan Private Bank\, 390 Madison Avenue\, New York\, NY
CATEGORIES:New York,National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T090000
DTEND;TZID=America/New_York:20200123T100000
DTSTAMP:20260622T080523
CREATED:20200103T155257Z
LAST-MODIFIED:20210216T194738Z
UID:1885-1579770000-1579773600@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein
DESCRIPTION:Image: Liza Lou\, Kitchen\, 1991-96. Beads\, plaster\, wood and found objects\, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art\, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel\, courtesy the artist \nClick here to Register!\nJoin ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein\, assistant curator\, Whitney Museum\, and co-curator of this exhibition. \nMaking Knowing: Craft in Art\, 1950–2019 foregrounds how visual artists have explored the materials\, methods\, and strategies of craft over the past seven decades. Some expand techniques with long histories\, such as weaving\, sewing\, or pottery\, while others experiment with textiles\, thread\, clay\, beads\, and glass\, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here. \nJennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art\, 1950–2019\, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum\, 1940 – 2017 (2017-2018). \nPlease meet in the Whitney’s Lobby at 8:50 AM. \nThank you to ArtTable member\, Jennie Goldstein.
URL:https://www.arttable.org/event/ny-curatorial-perspective-making-knowing-craft-in-art-1950-2019-with-jennie-goldstein/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/xlarge_LizaLou_lores-e1578066597413.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T083000
DTEND;TZID=America/New_York:20200124T100000
DTSTAMP:20260622T080523
CREATED:20200103T174729Z
LAST-MODIFIED:20210216T194628Z
UID:1899-1579854600-1579860000@www.arttable.org
SUMMARY:NY | Dutch Treat Breakfast at Sant Ambroeus
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at Sant Ambroeus Madison Avenue. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. Sant Ambroeus is less than a 5-minute walk from the Met Breuer and surrounding museums.  \nTo view the menu and for more information\, visit Sant Ambroeus. \nSubways: \n6 to 77th Street \n  \n\nWho’s attending this program? Click here to see who’s currently registered!\n\n\n\nThank you to Ingrid Dinter for organizing this program and Lori Shepard.  
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-sant-ambroeus/
LOCATION:Sant Ambroeus Madison Avenue\, 1000 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/sant-ambroeus-madison-avenue-new-york-1.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200127T173000
DTEND;TZID=America/New_York:20200127T190000
DTSTAMP:20260622T080523
CREATED:20200110T222155Z
LAST-MODIFIED:20210216T194524Z
UID:1970-1580146200-1580151600@www.arttable.org
SUMMARY:NY | The Aesthetics of Femininity through the Ages at The Winter Show
DESCRIPTION:Image: Max Colby. Cadmium Wilt. Crystal and plastic beads\, sequins\, found fabric\, trim\, fabric flowers\, polyester batting\, thread. 12 x 12 x 16”. 2018. \nThis event is free and open to the public. Click here to RSVP. \n\n\nArtTable\, in collaboration with the Winter Show\, invites guests to investigate the aesthetics of femininity throughout the ages in antiques\, fine and decorative arts. Touching on examples included in this year’s show\, we’ll be engaging dealers\, scholars\, writers and experts in a lively panel to explore expressions and appearances of femininity. How has the feminine been employed by makers and designers of the past? We’ll be breaking down cliches and contemplating how feminine aesthetics reflect periodical trends and power structures. This conversation will be moderated by Elissa Auther\, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. \n\nElissa Auther is the Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design (MAD). Previously\, she was the Windgate Research Curator at MAD and Visiting Associate Professor at the Bard Graduate Center\, where her teaching focused on the intersection of craft and contemporary art. She has published widely on a diverse set of topics\, including the history of modernism and its relationship to craft and the decorative\, the material culture of the American counterculture\, and feminist art. Her monograph\, String\, Felt\, Thread: The Hierarchy of Art and Craft in American Art (University of Minnesota Press)\, focuses on the broad utilization of fiber in art of the 1960s and 1970s and the changing hierarchical relationship between art and craft expressed by the medium’s new visibility. Auther is also an accomplished curator. Her exhibitions include West of Center: Art and the Counterculture Experiment in America\, 1965–1977\, Pretty/Dirty\, the retrospective exhibition of the painter and photographer Marilyn Minter\, and Improvisational Gestures\, a survey exhibition of the sculptor and performance artist Senga Nengudi. Her most recent exhibitions for the Museum of Arts and Design include Surface/Depth: The Decorative After Miriam Schapiro and Vera Paints a Scarf: The Art and Design of Vera Neumann. A feminist public intellectual\, Auther founded and co-directed for ten years the program “Feminism & Co.: Art\, Sex\, Politics\,” which focused on issues of women and gender through the lens of creative practice.  \nPanelists:  \nMax Colby\, artist \nThrough lush\, detailed work in embroidery and textiles\, Max Colby reframes traditional notions of domesticity\, power\, and gender through a queer and non-binary lens. Colby has exhibited internationally including Jane Lombard Gallery\, Wave Hill\, and Museum Rijswijk. Colby’s work has been featured in the Huffington Post\, NBC Out\, Gay City News\, and The Evergreen Review\, among others. They were recently an artist in residence at the Museum of Arts and Design in Manhattan\, The Wassaic Project\, MASS MoCA and a Leslie-Lohman Museum Queer Artists’ Fellow. Born in West Palm Beach\, Colby received their BFA from the School of the Museum of Fine Arts\, Boston and Tufts University. They live and work in Brooklyn.  \nElizabeth Feld\, Managing Director; Director\, Furniture & Decorative Arts\, Director\, American Decorative Arts\, Hirschl & Adler \nElizabeth has just celebrated her 20th anniversary at Hirschl & Adler Galleries\, where she serves as Managing Director as well as Director of American Furniture and Decorative Arts. Since 1999\, she has curated six furniture and decorative arts exhibitions for the gallery\, all with extensive accompanying catalogues\, as well as five exhibitions of the work of contemporary artist MacArthur grant recipient Elizabeth Turk\, one of the gallery’s represented living artists. \nElizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years and is a regular lecturer on the subjects of furniture\, decorative arts\, and the art market in general. \nGabriella Picone\, Director of Communications\, R&Company\, and founder of Idda Studio\n\nGabriella Picone is a New York-based artist working in painting\, textiles\, and ceramics. She is currently the Director of Communications at R & Company\, the renowned design gallery based in New York City. She plays an integral role in the conception and promotion of numerous exhibitions\, international fairs\, and projects for the contemporary and historical artists represented by the gallery\, all bridging fine art and collectable design. Prior to her current role\, she worked at leading New York creative agency Black Frame developing branding and marketing strategies for a range of art\, design and fashion clients including Lindsey Adelman\, MoMA PS1\, Jean Nouvel\, David Kordansky Gallery\, Nike\, and RxArt. She has also worked with Frieze Art Fair and was part of the inaugural team to launch the first Frieze Art Fair in New York. She continually maintains her own studio practice as a painter and is the founder of idda studio\, an emerging design studio that specializes in fabric artworks for women that are both wearable and sculptural. 
URL:https://www.arttable.org/event/ny-the-aesthetics-of-femininity-through-the-ages-at-the-winter-show/
LOCATION:The Winter Show\, Park Avenue Armory\, Park Avenue at 67th Street\, New York\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Cadmium-Wilt-e1578414011901.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200130T183000
DTEND;TZID=America/New_York:20200130T200000
DTSTAMP:20260622T080523
CREATED:20200103T160654Z
LAST-MODIFIED:20210216T194417Z
UID:1893-1580409000-1580414400@www.arttable.org
SUMMARY:NY | Book Talk: 'Unspeakable Acts...' with Nancy Princenthal
DESCRIPTION:Image: Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s by Nancy Princenthal. \nClick here to Register\nJoin ArtTable for a conversation with Nancy Princenthal on her most recent book\, “Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s\,” about how artists have made sense (or not) of sexual violence against women. Nancy will be in dialogue with artist Lisa Corinne Davis at the home of Laura Kruger. \nNancy is a former Editor of Art in America had has contributed to Artforum\, Parkett \, the Village Voice and the New York Times.  She has received the 2016 PEN American award for biography\, a book on Agnes Martin\, and has written catalogue essays in monographs on Louise Fishman\, Nancy Rubins\, Mark di Suvero\, Robert Mangold\, Ann Hamilton Shirin Neshat\, Joyce Kozloff\, Alfred Jaar\, Eija-Liisa Ahtila\, Chuck Close\, Deborah Butterfield\, and others as well. She has taught at Princeton\, Yale and is currently on the faculty of the School of Visual Arts.  \n“Nancy Princenthal is an award-winning author of many books on important topics in art. In “Unspeakable Acts\,” she delves into the links between violence and silence\, art and terror\, and how pioneering women made them into art… Princenthal is also deft at drawing a roadmap through the political\, social and aesthetic divisions of the ‘70s”- Hyperallergic \nLisa Corinne Davis is an artist whose works have been exhibited in museums and galleries across the country. Her works are in numerous public and private collections.  She has received numerous awards and grants and has taught art for the past 25 years at Parsons School of Design Cooper Union School of Art\, Yale University and is currently a Full Professor at Hunter College. Lisa also writes essays on her own work\, that of others and on what it means to be Black in the American Art World today. \nWho’s attending this event? Click here to see who’s signed up! \nThank you to Susan Halper\, Laura Kruger and Lori Shepard for organizing this program. 
URL:https://www.arttable.org/event/ny-book-talk-unspeakable-acts-women-art-and-sexual-violence-in-the-1970s-with-nancy-princenthal/
LOCATION:To be provided upon registration
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/ee7f277d-449d-4080-a5af-ef080659b7c9.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR