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DTSTART;TZID=America/New_York:20200307T100000
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SUMMARY:NATIONAL | The Armory Show Brunch
DESCRIPTION:Click here to Register!\nJoin ArtTable and Nicole Berry\, Executive Director\, The Armory Show for our annual brunch at the Armory show! This is a great event to meet members and friends from across the country while enjoying delicious breakfast refreshments in the Armory VIP lounge.  \nTickets to this event cover access to the show\, early private access to the VIP lounge\, and breakfast! \nThe Armory Show is New York City’s premier art fair and a leading cultural destination for discovering and collecting the world’s most important 20th- and 21st-century art. The Armory Show features presentations by leading international galleries\, innovative artist commissions\, and dynamic public programs. Since its founding in 1994\, The Armory Show has served as a nexus for the art world\, inspiring dialogue\, discovery\, and patronage in the visual arts. \nThe Armory Show was founded by four New York gallerists – Colin de Land\, Pat Hearn\, Matthew Marks and Paul Morris – who sought a platform to present and promote new voices in the visual arts. In its 25 years\, The Armory Show has stayed firm to its mission while establishing itself as an unmissable art event set in the heart of New York City.
URL:https://www.arttable.org/event/national-the-armory-show-brunch/
LOCATION:The Armory Show VIP Lounge at Pier 90\, 711 12th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
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DTSTART;TZID=America/New_York:20200313T104500
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SUMMARY:POSTPONED: NY | Curatorial Walk-through of Agnes Pelton: Desert Transcendentalist
DESCRIPTION:Image: Agnes Pelton. Ahmi in Egypt\, 1931. Oil on canvas\, 36 3/16 × 24 3/16 in. (91.9 × 61.4 cm). Whitney Museum of American Art\, New York; purchase with funds from the Modern Painting and Sculpture Committee 96.175 \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \nPlease see here for an epic graphic novel about Agnes Pelton’s life shared with Elisabeth Rouchau-Shalem\, ArtTable NY Programs Chair. \nDue to limited capacity\, this program is currently open to ArtTable members only.  \nJoin ArtTable NY for a first look at Agnes Pelton: Desert Transcendentalist at the Whitney Museum with Gilbert Vicario\, The Selig Family Chief Curator\, Phoenix Art Museum.  \nAgnes Pelton (1881–1961) was a visionary symbolist who depicted the spiritual reality she experienced in moments of meditative stillness. Art for her was a discipline through which she gave form to her vision of a higher consciousness within the universe. Using an abstract vocabulary of curvilinear\, biomorphic forms and delicate\, shimmering veils of light\, she portrayed her awareness of a world that lay behind physical appearances—a world of benevolent\, disembodied energies animating and protecting life.  For most of her career\, Pelton chose to live away from the distractions of a major art center\, first in Water Mill\, Long Island\, from 1921 to 1932\, and subsequently in Cathedral City\, a small community near Palm Springs\, California. Her isolation from the mainstream art world meant that her paintings were relatively unknown during her lifetime and in the decades thereafter. This exhibition of approximately forty-five works introduces to the public a little-known artist whose luminous\, abstract images of transcendence are only now being fully recognized. \nAgnes Pelton: Desert Transcendentalist is organized by the Phoenix Art Museum\, and curated by Gilbert Vicario\, The Selig Family Chief Curator. The installation at the Whitney Museum is overseen by Barbara Haskell\, curator\, with Sarah Humphreville\, senior curatorial assistant. \nThank you to Elisabeth Rochau-Shalem\, NY Programs Chair\, Gilbert Vicario and Sarah Humphreville.
URL:https://www.arttable.org/event/ny-curatotial-walk-through-of-agnes-pelton-desert-transcendentalist-with-gilbert-vicario/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20200331T120000
DTEND;TZID=America/New_York:20200331T130000
DTSTAMP:20260404T132221
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SUMMARY:VIRTUAL | How Can We Think of Art at a Time Like This? with Barbara Pollack and Anne Verhallen
DESCRIPTION:Image: Marilyn Minter. Lithium\, 2019. \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation with curators Barbara Pollack and Anne Verhallen on responsive online curatorial action and collaboration! Pollack and Verhallen are the co-curators of\, How Can We Think of Art at a Time Like This? an online exhibition that serves as a platform for the exchange of ideas at this time of crisis. On March 14th\, 2020\, in quick reaction to the US’s gallery and museum closures\, the two writers-curators and longtime collaborators immediately spent the weekend to kick start a group show to respond to the crisis. \n“We invited artists who are considered thought leaders\, artists who struggle with futuristic pessimism\, political outrage and psychic melt-downs. The invited artists have responded with unbridled enthusiasm and we will be posting new artists every day for the foreseeable future.” \nClick here for How can we Think of Art at Time Like This? \nBarbara Pollack is the author of Brand New Art from China: A Generation on the Rise published in 2018 by I.B. Tauris.  Her first book was The Wild\, Wild East: An American Art Critic’s Adventures in China\, published in May 2010 by Timezone 8 Books.  She is a leading authority on Chinese contemporary art and has been a featured speaker at the World Economic Forum’s Annual Meeting of New Champions in China\, also known as Summer Davos.     \nSince 1994\, Pollack has written extensively on contemporary Chinese art for such publications as Artnews\, Art & Auction\, the Village Voice\, Vanity Fair\, the New York Times\, and many others.  In addition to articles\, Pollack has contributed major catalogue essays for such leading artists as Li Songsong\, Lin Tianmiao\, Wang Gongxin\, Zhao Zhao\, Sun Xun\, and Tu Hongtao. Several of her essays were included in the China Art Book\, published by Dumont Literatur in 2007.   \nPollack was the lead curator of many shows of Chinese contemporary art including the groundbreaking My Generation: Young Chinese Artists\, the first exhibition of the 1980s generation of Chinese artists in the U.S.  which was shown at the Tampa Museum of Art and Museum Fine Arts\, St. Petersburg in 2014 and traveled to the Oklahoma City Museum of Art and the Orange County Museum of Art in 2015. She has also curated in China most notably Tu Hongtao: A Timely Journey\, at the Long Museum West Bund in November 2018and Sun Xun:  Prediction Laboratory at Yuz Museum\, also in Shanghai in 2016. In 2022\, she will present Mirror Image: Changing Chinese Identity at the Asia Society Museum in New York. \nBased on her research in this field\, she received two grants from Asian Cultural Council in 2008 and 2016 and the prestigious Creative Capital/Warhol Foundation arts writers grant in 2008.  Additionally\, Pollack is an adjunct professor at the School of Visual Arts in New York City and frequently lectures on contemporary art at universities and museums throughout the United States and Asia. \nAnne Verhallen is a New York-based curator\, writer and artist agent. As director of the fine art division at CXA\, she has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath and Lily Kwong. \nHer independent curatorial projects include Virtually There\, a performance conceived by Roya Sachs and Mafalda Milllies at MANA Comtemporary with collaborating artists the Compana Brothers\,  Kate Gillmore and Heather Row. She also writes monthly for Arte Fuse. Born and raised in the Netherlands\, Verhallen started her career as a high-fashion model working for Vogue\, Hermes\, Marc Jacobs\, exclusively for Givenchy and with leading photographers such Inez and Vinoodh\, Roe Etheridge and Daniel Jackson. Currently\, as an independent curator\, she seeks to cultivate the intersection between technology\, design\, art and health.
URL:https://www.arttable.org/event/virtual-how-can-we-think-of-art-at-a-time-like-this-with-barbara-pollack-and-anne-verhallen/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
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