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DTSTART;TZID=America/New_York:20221214T183000
DTEND;TZID=America/New_York:20221214T183000
DTSTAMP:20260404T171519
CREATED:20221121T232024Z
LAST-MODIFIED:20230324T192943Z
UID:10779-1671042600-1671042600@www.arttable.org
SUMMARY:New York\, NY | ArtTable Circle - Collection Visit with Alice Sachs Zimet
DESCRIPTION:ArtTable Circle members are invited to join us for a very special collection visit at the home of Alice Sachs Zimet. \n\n\n\nAlice Sachs Zimet began to collect photography in early 1985 at a time when the medium was not recognized as a serious art form. The marketplace was nascent. There were few to no photo-only galleries\, photo-only art fairs\, photo-only auctions\, and it was rare to find a photography exhibition in a museum. While there was little acknowledgement\, Alice consistently defended her love of the medium even when most challenged her by saying ‘it’s not art’. \n\n\n\nToday\, fine art photography is a major global player with increased attention\, respect\, and market share. There are blockbuster museum shows\, photo-only auctions\, photo-only art fairs and photo-only galleries. And of course\, the number of photo collectors and prices have increased significantly. \n\n\n\nZimet’s lifelong passion for the arts began with her parents who were print collectors\, collecting images by Vuillard\, Bonnard\, Vlaminck\, Rouault\, and Lautrec\, among others. Her world was always steeped in the arts – professionally and academically. She holds two degrees in art history and her early professional career began at the Metropolitan Museum of Art. \n\n\n\nHowever\, her life changed when\, for the next 20 years\, Zimet worked at The Chase Manhattan Bank where she created a new sponsorship marketing department and became Director\, Worldwide Cultural Affairs. She was given a small year-end bonus\, which soon became her collecting budget — whether for one photograph or the purchase of several. But that was her acquisition budget for the year. \n\n\n\nZimet has made a conscious effort to buy from all sources — galleries\, auctions\, benefit auctions\, art fairs and even trades. With a collecting career spanning nearly 40 years\, she has developed deep personal relationships with professionals across every aspect of the field. Her collection has grown to roughly 350 museum-quality images\, where she lives surrounded by the vast majority. “I consciously do not have storage. I live with most of my images surrounding me. With storage\, I would not be able to control my collecting impulse. So\, my walls provide that boundary.” \n\n\n\nThis program is open to ArtTable Circle members for $45 each.Members may bring a guest for $55. Registration is required below. \n\n\n\nIf you would like to join this special event and are not yet an ArtTable Circle member\, you can apply for membership here or log into your Member portal to upgrade your current membership. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety All attendees must be fully vaccinated as defined by the Centers for Disease Control and Prevention: You are considered fully vaccinated: 2 weeks (14 days) after your dose of an accepted single-dose vaccine. Masks will be optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility There are some steps to the front entrance of the building. If you require elevator use\, please email Haley at programs@arttable.org to coordinate. A service entrance may be available if needed.  Getting There This program takes place at a private residence in the Upper West Side. The full address will be shared with all registered attendees in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Alice Sachs Zimet\nAlice Sachs Zimet is a collector\, advisor and educator tied to the fine art photography marketplace. Alice’s collection offers a global and intimate portrait of everyday life\, with additional emphasis on the role of the artist in the world as creator\, activist\, and observer. Images in the collection range from classics such as Berenice Abbott\, Brassai\, Lisette Model to Magnum masters such as Cartier-Bresson\, Bruce Davidson\, Susan Meiselas\, Elliott Erwitt\, Martine Franck and Steve McCurry. The collection also includes photographs by influential artists such as Nan Goldin\, Andres Serrano\, Cindy Sherman and Robert Mapplethorpe\, with more recent images by Jess T Dugan and Zanele Muholi. A respected educator and advisor in the field\, Alice is recognized for both her connoisseurship and deep knowledge of the photography market. \nAlice is Chair\, Photography Curatorial Committee\, Harvard Art Museums; board member\, Magnum Foundation; Chair\, Acquisitions Committee\, International Center of Photography (ICP); and teaches workshops at the ICP School\, Christie’s Education\, LA Center of Photography\, Maine Media Workshops + College and NYU’s Steinhardt School\, Graduate Program\, Arts Administration.  “Collector Profiles”; and other press include Private Air magazine\, Artsy\, Wall Street Journal\, Crain’s New York Business\, Forbes\, New York Magazine\, Inside Philanthropy\, The Photograph Collector\, and Art + Auction. \nAlice is President of Arts + Business Partners which she founded in 1999 to initially advise arts groups and business funders on corporate sponsorship\, after a 20-year career as Director\, Worldwide Cultural Affairs\, The Chase Manhattan Bank. She created the first corporate sponsorship program in a commercial bank\, worked across 14 countries and generated over $2 billion using the arts as a strategic marketing tool. \nAlice lives and works in New York City and continues to collect. \n\n\n\n\n\n\nImage: Interior of Alice Sachs Zimet’s home and collection; Headshot of Alice Sachs Zimet by Grace Roselli.
URL:https://www.arttable.org/event/new-york-ny-arttable-circle-collection-visit-with-alice-sachs-zimet/
LOCATION:FL
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/11/Screen-Shot-2022-11-21-at-6.04.40-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221217T120000
DTEND;TZID=America/New_York:20221217T120000
DTSTAMP:20260404T171519
CREATED:20221102T141353Z
LAST-MODIFIED:20230324T192237Z
UID:10524-1671278400-1671278400@www.arttable.org
SUMMARY:Brooklyn\, NY | Curator's Tour of "1-800 Happy Birthday" with Klaudia Ofwona Draber
DESCRIPTION:Please join us for a tour of 1-800 Happy Birthday with ArtTable members Klaudia Ofwona Draber\, the exhibition’s curator\, and Marcia Santoni\, executive director of WORTHLESSSTUDIOS. \n\n\n\n1-800 Happy Birthday is an exhibition honoring Black and Brown lives killed by police. Originally a voicemail project\, now transformed into a large-scale exhibition in a 10\,000 square-foot warehouse\, 1-800 Happy Birthday is created by artist Mohammad Gorjestani and Even/Odd\, curated by Klaudia Ofwona Draber\, with artistic direction by Neil Hamamoto\, and presented by arts nonprofit WORTHLESSSTUDIOS with the aim of honoring the lives of those lost too soon. The families of Dujuan Armstrong\, Sandra Bland\, Philando Castile\, Stephon Clark\, Fred Cox\, Eric Garner\, Oscar Grant\, Xzavier Hill\, Donovon Lynch\, Sean Monterrosa\, Tony Robinson\, and Mario Woods are participating in the exhibition. \n\n\n\n1-800 Happy Birthday was originally created in 2020 by Even/Odd founder\, filmmaker\, and artist Mohammad Gorjestani as an ongoing voicemail project to honor Black and Brown victims of police killings and systemic racism. The project exists online at 1800HappyBirthday.com and allows loved ones and the public to leave and listen to voicemails left on the birthdays of ‘celebrants’ – those unjustly killed. Gorjestani teamed up with WORTHLESSSTUDIOS’ Founder and Artistic Director Neil Hamamoto and Curator Klaudia Ofwona Draber\, along with family members of the twelve celebrants\, to bring the digital project into the physical realm in a community-accessible\, large-scale exhibition. The show utilizes audio and video components\, a large mural created by Art1\, and personal ephemera to tell their stories. \n\n\n\nTwelve upcycled NYC pay phones are arranged on a few patches of lawn\, a concrete wall with a dedicated area for flowers hosts a large mural and balloons\, and birthday cards are available for purchase at a newsstand. Towards the back of this city landscape is a translucent building facade with an opening that leads to an interior setting – a family living room. This room acts as a resource center: filled with photos\, ephemera from the celebrants\, and educational resources. It is also meant as a space of refuge\, to rest and recharge. The exhibition design imagines a world that is just\, where streets are safe for Black and Brown people to just be. \n\n\n\nEach repurposed phone booth\, designed in collaboration with the families of the celebrants\, is dedicated to one person and features portraits of the celebrant and their family and friends. The visuals and ephemera included in the exhibition – such as Philando Castile’s favorite book and Xzavier Hill’s graduation cap – allow visitors a glimpse into the personal milestones\, interests and personalities of those being honored. These objects\, chosen by celebrant family members\, illustrate the divide between private conversation and public space. In a large-scale mural\, each celebrant is represented by their likeness. The tableau serves as a collective memory for the many individuals killed by the police\, and is designed to receive flowers\, birthday cards\, balloons\, and any other memorial offerings. The interactive and educational nature of the exhibition seeks to connect participants to each celebrant and to expand on the pervasive impact of policing and systemic racism in America. \n\n\n\nThis program is free to attend and open to ArtTable members and guests only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The venue is wheelchair accessible. Seating is available if needed. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There WORTHLESS STUDIOS is located at 7 Knickerbocker Avenue\, Brooklyn\, NY 11237. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Klaudia Ofwona Draber\nKlaudia Ofwona Draber is the founder and president of KODA—a social practice residency for mid-career artists. She is also the curator of 1-800 Happy Birthday\, an exhibition at WORTHLESSSTUDIOS honoring lives and legacies of Black and Brown people killed by the police. Klaudia has lived and led arts\, technology and strategy projects in Europe\, Africa and the United States. She also works as Head of Public Relations at Polish Cultural Institute New York. Previously she served as a consultant to the British Council Arts\, and worked at UBS\, managing arts CSR projects. Klaudia is the 2021-2022 Helena Rubinstein Fellow at the Whitney ISP Curatorial Studies Program. She is a member of ArtTable\, mentors at New Museum’s NEW INC\, and is a member of For(bes) The Culture. Klaudia holds MA in Art Business from the Sotheby‘s Institute of Art New York. She also holds MA in Economics from the Warsaw School of Economics. \nMarcia Santoni is the Executive Director of WORTHLESSSTUDIOS where she is leading efforts to provide arts access to the Bushwick/East Williamsburg community\, build capacity\, and renovate its 10\,000 square foot warehouse into a state-of-the-art fabrication facility. Marcia came to WORTHLESSSTUDIOS after spending two years as the Executive Director of Riverdale Neighborhood House\, a historic multi-service organization in the Bronx where she launched the Riverdale Food&Farm Hub. Prior to joining RNH\, she was Managing Director and COO for Pioneer Works\, the Brooklyn-based cultural center dedicated to building community through the arts and sciences. At Pioneer Works she led expansion from $3.5mm to $7mm over three years\, helping the artist founders build systems\, structure and leadership to match mission. Marcia has a BA from Wesleyan University and an MBA from Columbia School of Business. She has been a member of ArtTable since 2017.  \n\n\n\n\n\n\nImage: Installation view of the 1-800 Happy Birthday Newsstand. Courtesy WORTHLESSSTUDIOS; Curator headshot provided by Klaudia Ofwona Draber\, photo by Hidemi Takagi
URL:https://www.arttable.org/event/brooklyn-ny-curators-tour-1-800-happy-birthday-klaudia-ofwona-draber/
LOCATION:WORTHLESS STUDIOS\, 7 KNickerbocker Avenue\, Brooklyn\, New York\, 11237\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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