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DTSTART;TZID=America/New_York:20240306T180000
DTEND;TZID=America/New_York:20240306T193000
DTSTAMP:20260412T061346
CREATED:20240104T145056Z
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UID:15893-1709748000-1709753400@www.arttable.org
SUMMARY:New York | After-Hours Gallery Tour of Lee Krasner Exhibition at Kasmin
DESCRIPTION:Lee Krasner\, Number 2\, 1951\, oil on canvas\, 92 1/2 x 132 inches\, 235 x 335.3 cm. Jorge M. Pérez Collection\, Miami. © 2024 Pollock-Krasner Foundation / Artists Rights Society (ARS)\, New York. Photo: Diego Flores. Courtesy of Kasmin\, New York.\n\n\n\nJoin ArtTable for an after-hours gallery tour of Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 at Kasmin\, in association with the Pollock-Krasner Foundation. Eric Gleason\, Executive Director of Kasmin\, will provide an introduction and answer questions about the works on view and their context with Krasner’s oeuvre. The conversation will be followed by refreshments generously provided by the Pollock Krasner Foundation.  \n\n\n\nThrough the Pollock-Krasner Foundation\, Kasmin has represented Lee Krasner’s work since 2016. Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 is Kasmin’s fourth solo presentation of her work. It is the first exhibition to focus on this under-examined period of the artist’s work\, which laid the groundwork for several major series of paintings Krasner completed later in her career. Drawing on formative connections with peers in the American Abstract Artists group as well as Piet Mondrian\, Krasner’s work in the late forties and early fifties attracted early critical praise. Constrasting rectilinear forms\, painted in somber tones with varying thicknesses of brushwork\, sometimes appear on repainted canvases. Highlights of this presentation of Krasner’s work include the only two extant paintings from her first solo exhibition\, reunited for the first time; Number 3 (Untitled) (1951)\, on loan from the Museum of Modern Art\, and Number 2 (1951)\, on view in New York for the first time in over 70 years. \n\n\n\n  \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic  – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEric Gleason is Head of Sales at Kasmin Gallery. Since Eric joined the gallery in 2013\, he has played a key role in its expansion\, which involved the opening of its new flagship gallery and rooftop sculpture garden in New York in 2018. Eric works closely with a number of the prominent contemporary artists at Kasmin\, including Diana Al-Hadid\, Judith Bernstein\, Lyn Liu and Jan-Ole Schiemann\, and is the primary representative for several artist estates\, notably Barry Flanagan\, Lee Krasner\, Robert Motherwell\, and George Rickey. Eric has spearheaded numerous critically recognized Kasmin exhibitions\, including Lee Krasner: The Umber Paintings 1959-1962 (2017–2018) and Lee Krasner: Collage Paintings (2021). Eric has contributed to numerous institutional exhibitions to promote the careers and legacies of the gallery’s artists. Eric represents Kasmin at art world events and participates in the gallery’s domestic and international art fair program. In 2020\, Eric joined the Council of the Visual and Performing Arts school at Syracuse University\, and in August of 2023\, Eric joined the Board of Directors at Artistic Noise\, a non-profit offering visual arts and entrepreneurship programs to young people impacted by the juvenile justice system.
URL:https://www.arttable.org/event/after-hours-gallery-tour-lee-krasner-exhibition-at-the-kasmin-gallery/
LOCATION:Kasmin Gallery\, 509 W 27th St\, Manhattan\, New York\, 10001\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20240308T154500
DTEND;TZID=America/New_York:20240308T170000
DTSTAMP:20260412T061346
CREATED:20240218T011020Z
LAST-MODIFIED:20240222T215648Z
UID:16755-1709912700-1709917200@www.arttable.org
SUMMARY:Philadelphia | Tour of (Re)FOCUS: Then and Now at Moore College of Art & Design
DESCRIPTION:Installation view of (Re)Focus: Then and Now\, with art by Miriam Schapiro\, Mary Beth Edelson\, Joan Snyder and Alice Neel. Photo: Jack Stawowczyk.\n\n\n\nCelebrate International Women’s Day with a very special curator-led tour of (Re)FOCUS: Then and Now at Moore College of Art & Design in downtown Philadelphia. With Judith K. Brodsky\, Judith E. Stein\, and Diane Burko\, three of the original Focus team\, we will explore this two-part installation.:  \n\n\n\n(Re)FOCUS: Then commemorates the fiftieth anniversary of Philadelphia Focuses on Women in the Visual Arts: FOCUS\, a citywide festival highlighting women in the arts which took place across multiple Philadelphia venues in 1974. Curated by Brodsky and Burko\, who brought the original FOCUS to life in 1974\, (Re)FOCUS: Then reunites works by the 81 artists represented in the original exhibition\, including Louise Bourgeois\, Lee Krasner\, Howardena Pindell\, Faith Ringgold\, Alma Thomas\, and Moore College graduate Alice Neel. \n\n\n\n(Re)FOCUS: Now—curated by Gabrielle Lavin Suzenski\, Director of the Galleries at Moore; Denise M. Brown\, Executive Director of the Leeway Foundation; and Isa Isioma Matisse of The Future is Us Collective—explores themes of social justice\, gender identity\, equity\, and power present in the recent work of Philadelphia-based artists\, several of whom are Moore graduates. Over fifteen multidisciplinary visual artists\, educators\, and performers are represented\, including Wit López\, Atisha Fordyce\, and Moore faculty member Li Sumpter.  \n\n\n\nLearn more about the exhibition in recent coverage from WHYY News and The Philadelphia Inquirer. \n\n\n\n \n\n\n\nLike the original FOCUS\, (Re)FOCUS: Then and Now at Moore College of Art & Design is part of a citywide arts festival: Re(FOCUS) 2024\, happening through May 31 at over 30 venues across the Philadelphia area. The Colored Girls Museum\, the Free Library of Philadelphia\, the Philadelphia Academy of the Fine Arts\, and the Philadelphia Museum of Art are just a few of the institutions hosting Re(FOCUS) 2024 exhibitions and events—we encourage ArtTable members to visit! \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Judith Stein for coordinating this tour for ArtTable.
URL:https://www.arttable.org/event/philadelphia-tour-of-refocus-then-and-now-at-moore-college-of-art-design/
LOCATION:The Galleries at Moore – Moore College of Art & Design\, 1916 Race Street\, Philadelphia\, 19103
CATEGORIES:New York,National,Philadelphia
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DTSTART;TZID=America/New_York:20240315T110000
DTEND;TZID=America/New_York:20240315T123000
DTSTAMP:20260412T061346
CREATED:20240223T023616Z
LAST-MODIFIED:20240226T154024Z
UID:16958-1710500400-1710505800@www.arttable.org
SUMMARY:Los Angeles | Private Tour of The Getty Center with Ellen Greenberg
DESCRIPTION:Vincent van Gogh\, Irises\, 1889; Oil on canvas; The J. Paul Getty Museum\, Los Angeles\, 90.PA.20.\n\n\n\n\nDemystify Art at The Getty Center \n\n\n\nEnjoy walking through time from the Middle Ages to the early 20th century and “peek behind and beyond the canvas” as Ellen Greenberg\, art historian\, guides you through the spectacular collection at The Getty Center in Brentwood. You’ll see the highlights of the museum and be wowed and amazed with the stories she’ll tell you about how artists have impacted history and yet still relate to our current\, everyday lives. Be titillated by Titian. Baffled by Bernini. Rembrandt revealed. Monet mastered. Van Gogh verified. These are among the groundbreaking artists that will be featured on the tour. In this 90-minute tour\, find out why there are so many nudes in Renaissance Art— and so many dead bugs\, wilted flowers and skulls in Dutch paintings! And why is the Virgin Mary always depicted wearing red and blue during the Renaissance and Baroque periods? What were the inspirations for Impressionism? You’ll never look at art the same way again! \n\n\n\nYour guide will be Ellen Greenberg. Ellen’s interests and expertise have been inspired by interior design\, fashion design and production and costume design in her early years to museum touring and unique travel journeys as owner of Quick Culture. Ellen has been an instructor at the Fashion Institute of Design & Merchandising and has guest lectured at UCLA. She holds Docent Program certificates at both The Getty Center and LACMA—and is the author of Inside Chocolate\, a pictorial art book published by Abrams Books (formerly Harry N. Abrams) New York. Notables Ellen has toured range from Merrick Garland\, United States Attorney General\, to Max Getty\, J. Paul Getty’s great-grandson. Her studies continue at The Getty Research Institute. \n\n\n\nThis tour will depart from the Museum Atrium Entrance. \n\n\n\nPlease Note: The fee to park at The Getty Center is $25.  \n\n\n\n  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Jane Glassman for coordinating on behalf of ArtTable.
URL:https://www.arttable.org/event/los-angeles-private-tour-of-the-getty-center-with-ellen-greenberg/
LOCATION:The Getty Center\, 1200 Getty Center Dr.\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:New York
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