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DTSTART;TZID=America/New_York:20200220T083000
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SUMMARY:NY | Artist Breakfast with Ilana Harris-Babou
DESCRIPTION:Image: Ilana Harris-Babou\, Decision Fatigue \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Ilana Harris-Babou\, whose work was included in last year’s Whitney Biennial and whose exhibition Decision Fatigue\, opens this month at Hesse Flatow. \nAbout the artist:  \nIlana Harris-Babou uses music videos\, cooking shows\, and home improvement television as material in an abject exploration of the American Dream. She works primarily in ceramic sculpture and video installation\, and frames messy scenes with studio lighting and HD video in order to ask questions about intimacy\, violence\, and consumption.\n\nHarris-Babou showed in the 2019 Whitney Biennial and in a 2017 exhibition at the Museum of Arts and Design in New York. In a well-reviewed New York gallery show she parodied Restoration Hardware’s rugged chic aesthetic. Her Reparation Hardware video\, inspired by the chain’s own video promoting its salvaged wood furniture line\, suggests a hypothetical reparations plan for the descendants of enslaved Americans. \nHarris-Babou received an MFA in New Genres from Columbia University and a BA in Art from Yale University. She has exhibited her work throughout the United States and Europe. See more about Ilana here and here. \n\nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable’s Artist Breakfast Committee and Karen Flatow. 
URL:https://www.arttable.org/event/ny-artist-breakfast-with-ilana-harris-babou/
LOCATION:Spring Place\, 6 St Johns Ln\, 10013\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20200219T173000
DTEND;TZID=America/New_York:20200219T183000
DTSTAMP:20210216T193839Z
CREATED:20200117T213308Z
LAST-MODIFIED:20210216T193839Z
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SUMMARY:NY | Curatorial Perspective: Zilia Sánchez: Soy Isla (I Am an Island)
DESCRIPTION:Image: Zilia Sánchez\, Topología erotica [Erotic Topology]\, 1960–71. Acrylic on stretched canvas\, 41 × 56 × 13 in. Collection [Colección] Jose R. Landron\, San Juan \nClick here to Register!\nJoin ArtTable NY for a curatorial walkthrough of Zilia Sánchez: Soy Isla (I Am an Island) with Susanna Temkin\,  Curator at El Museo del Barrio. \nZilia Sánchez: Soy Isla (I Am an Island)is the first museum retrospective of the prolific\, innovative\, and yet largely unknown artist Zilia Sánchez (b. 1926\, Havana – lives and works in San Juan). The exhibition features over 40 works from the early 1950s to the present\, including paintings\, works on paper\, shaped canvases\, sculptural pieces\, graphic illustrations\, and ephemera. The retrospective traces Sánchez’s artistic journey from her early days in Cuba to her extended travels in Europe in the 1950s and residence in New York in the 1960s\, and finally her move to Puerto Rico\, where she has lived and worked since the early 1970s. For more information\, see here. \nSusanna Temkin is a Curator at El Museo del Barrio since 2018\, and recently organized the museum’s fiftieth-anniversary exhibition\, Culture and the People: El Museo del Barrio\, 1969-2019. Prior to El Museo\, she served as Assistant Curator at Americas Society in New York. From 2011-2016 she was the Research and Archive Specialist at the Cecilia de Torres\, Ltd.\, where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin has published essays and reviews in the Rutgers Art Review\, Burlington Magazine\, and Hemispheres\, and authored the chronology of Concrete Cuba: Cuba Geometric Abstraction from the 1950s\, produced by David Zwirner Books.  She earned her master’s and PhD degrees from the Institute of Fine Arts\, New York University\, where her research concentrated on modern art in the Americas\, with a focus on Cuba. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Ingrid Dinter\, Julia Herzberg and Susanna Temkin. 
URL:https://www.arttable.org/event/ny-curatorial-perspective-zilia-sanchez-soy-isla-i-am-an-island/
LOCATION:El Museo Del Barrio\, 1230 Fifth Avenue\, New York\, NY\, 10029\, United States
CATEGORIES:New York
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DTSTART;TZID=America/Los_Angeles:20200212T180000
DTEND;TZID=America/Los_Angeles:20200212T200000
DTSTAMP:20210216T193910Z
CREATED:20191202T224235Z
LAST-MODIFIED:20210216T193910Z
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SUMMARY:National | Los Angeles 40th Anniversary New Leadership Award Celebration
DESCRIPTION:Click here for tickets\nJoin ArtTable poolside\, at the Standard Hotel in Los Angeles\, as we celebrate our 40th Anniversary and toast the achievements of our 2020 New Leadership Award recipients: \nWassan Al-Khudhairi (Contemporary Art Museum St. Louis\, MO) \nErin Christovale (Hammer Museum\, Los Angeles\, CA) \nLauren Haynes (Crystal Bridges Museum of American Art\, Bentonville\, AR) \nJami Powell (The Hood Museum of Art\, Hanover\, NH) \nIn recognition of ArtTable’s 40th Anniversary in 2020\, we are presenting four New Leadership Awards\, representing the four decades of ArtTable’s influence in the visual arts community. The New Leadership Award was first introduced as part of ArtTable’s 25th anniversary celebration in 2005. It recognizes women whose early career accomplishments and distinguished service merit national and international recognition in the professional visual arts community. \nLearn more about the accomplishments of our 2020 honorees here. \n  \nThank you to First Republic Bank for their support. \n 
URL:https://www.arttable.org/event/national-la-40th-anniversary-new-leadership-award-celebration/
LOCATION:The Standard West Hollywood\, 8300 Sunset Boulevard\, Los Angeles\, CA\, 90069\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
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DTSTART;TZID=America/New_York:20200205T180000
DTEND;TZID=America/New_York:20200205T200000
DTSTAMP:20210216T194156Z
CREATED:20200107T220625Z
LAST-MODIFIED:20210216T194156Z
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SUMMARY:NY | Private Viewing of "Pan y Circo: Appease\, Distract\, Disrupt" at Another Space
DESCRIPTION:Image: Héctor García\, Fellinesca\, Cd. de Mexico\, 1955. Gelatin silver print. Estrellita B. Brodsky Collection \nClick here to Register!\nJoin ArtTable for a viewing of Pan y Circo: Appease\, Distract\, Disrupt at Another Space. \nFeaturing Kathryn Andrews\, Diane Arbus\, Maria Fernanda Cardoso and Ross Rudesch Harley\, Maurizio Cattelan\, Gabriel Chaile\, Felipe Jesus Consalvos\, Pablo Curatella Manes\, Bruce Davidson\, Paz Errázuriz\, Héctor Fuenmayor\, Hector García\, Anna Bella Geiger\, Victor Grippo\, Bob Gruen\, Philippe Halsman\, Addie Herder\, Anna Maria Maiolino\, Mary Ellen Mark\, Leo Matiz\, Hermanos Mayo\, Miralda\, Bruce Nauman\, Laure Prouvost\, Rubén Ortíz Torres\, Rosângela Rennó\, Miguel Rio Branco\, Andres Serrano\, Cindy Sherman\, Javier Téllez \nANOTHER SPACE is pleased to announce the exhibition Pan y Circo: Appease\, Distract\, Disrupt\, taking its title from the popular Spanish expression used to describe populist governments’ use of giveaways and entertainment to distract the public’s attention. Originally attributed to the Roman poet Juvenal\, ‘Panem et circenses\,’ referred to Ancient Rome’s use of free wheat and costly circus games to appease the populace as the Empire collapsed. Curated by Estrellita Brodsky in collaboration with ANOTHER SPACE\, the show will examine the work of international artists from the late 19th century to the present and their fascination with the world of circus performers and other forms of spectacle\, most often as a tool for political and social critique. Other artists in the exhibition focus on food and hunger as a reflection of facile and failed economic policies. Scheduled to open on Thursday\, September 12\, the exhibition will remain on view through January 2020. \nFrom Diane Arbus\, Bruce Davidson\, Héctor García and Paz Errázuriz’ poignant portraits of life on the road in the 1950s-80s to Andres Serrano\, Cindy Sherman or Bruce Nauman’s images of unnerving clowns\, the circus is often just a lens to reflect on social anxieties and poverty of those attending as well as those participating. Anna Maria Maiolino\, Victor Grippo\, Miralda\, Laure Prouvost and Anna Bella Geiger reflect on food and hunger as powerful symbols of hope and despair. In many ways\, the objects seem to de-stabilize power structures and embody the most absurd yet the most poetic of mixed emotions\, simultaneously conflicting reactions of attraction and repulsion towards frightening and mundane absurdity. \nA human cannonball flying over the US-Mexico border in Javier Téllez’s notorious 2005 video One flew over the void (Bala Perdida)\, offers a prescient take on the current administration’s use of the southern wall as a political circus. Coinciding with one of the most spectacular presidential campaigns in U.S. history\, the exhibition ultimately aims to reflect on the increasing role of spectacle and entertainment as economic motivators and an integral part of the U.S. political arena. \nThank you to Estrellita Brodsky and Julia Herzberg.
URL:https://www.arttable.org/event/ny-private-viewing-of-pan-y-circo-appease-distract-disrupt-at-another-space/
LOCATION:To be provided upon registration
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20200204T190000
DTEND;TZID=America/New_York:20200204T190000
DTSTAMP:20210216T194313Z
CREATED:20200113T162858Z
LAST-MODIFIED:20210216T194313Z
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SUMMARY:NY | Conversation: Women Leaders in the Arts
DESCRIPTION:Anne Pastnernak. (Photo: Timothy Greenfield-Sanders); Nathalie Bondil. (Photo: Jean-François Brière); Kaywin Feldman. (Photo: Courtesy of National Gallery of Art\, Washington\, D.C.) \nThis event is free\, but please click here to RSVP. Seating is first come\, first served. NOTE: The rest of the Museum is closed on this date. \nArtTable in partnership with Artnet and the Brooklyn Museum presents a conversation with women leaders in the arts.  \nThe directors of three major metropolitan museums—Nathalie Bondil (Montreal Museum of Fine Arts)\, Kaywin Feldman (National Gallery of Art\, Washington\, D.C.)\, and Anne Pasternak (Brooklyn Museum)—come together to discuss the changing role of museums in the twenty-first century. In a conversation moderated by Alison Stewart\, host of WNYC’s live daily show All Of It\, the three leaders reflect on their experiences at the helm of encyclopedic museums\, explore the challenges museums will face in the future\, and consider how cultural institutions can become more accessible\, inclusive spaces for community engagement and social justice. \nThe Brooklyn Museum is committed to making our galleries and programs accessible to everyone. To request accommodations\, such as assistive listening devices\, ASL interpretation\, or open captioning\, contact us at access@brooklynmuseum.org.
URL:https://www.arttable.org/event/ny-conversation-women-leaders-in-the-arts/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238-6052\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20200130T183000
DTEND;TZID=America/New_York:20200130T200000
DTSTAMP:20210216T194417Z
CREATED:20200103T160654Z
LAST-MODIFIED:20210216T194417Z
UID:1893-1580409000-1580414400@www.arttable.org
SUMMARY:NY | Book Talk: 'Unspeakable Acts...' with Nancy Princenthal
DESCRIPTION:Image: Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s by Nancy Princenthal. \nClick here to Register\nJoin ArtTable for a conversation with Nancy Princenthal on her most recent book\, “Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s\,” about how artists have made sense (or not) of sexual violence against women. Nancy will be in dialogue with artist Lisa Corinne Davis at the home of Laura Kruger. \nNancy is a former Editor of Art in America had has contributed to Artforum\, Parkett \, the Village Voice and the New York Times.  She has received the 2016 PEN American award for biography\, a book on Agnes Martin\, and has written catalogue essays in monographs on Louise Fishman\, Nancy Rubins\, Mark di Suvero\, Robert Mangold\, Ann Hamilton Shirin Neshat\, Joyce Kozloff\, Alfred Jaar\, Eija-Liisa Ahtila\, Chuck Close\, Deborah Butterfield\, and others as well. She has taught at Princeton\, Yale and is currently on the faculty of the School of Visual Arts.  \n“Nancy Princenthal is an award-winning author of many books on important topics in art. In “Unspeakable Acts\,” she delves into the links between violence and silence\, art and terror\, and how pioneering women made them into art… Princenthal is also deft at drawing a roadmap through the political\, social and aesthetic divisions of the ‘70s”- Hyperallergic \nLisa Corinne Davis is an artist whose works have been exhibited in museums and galleries across the country. Her works are in numerous public and private collections.  She has received numerous awards and grants and has taught art for the past 25 years at Parsons School of Design Cooper Union School of Art\, Yale University and is currently a Full Professor at Hunter College. Lisa also writes essays on her own work\, that of others and on what it means to be Black in the American Art World today. \nWho’s attending this event? Click here to see who’s signed up! \nThank you to Susan Halper\, Laura Kruger and Lori Shepard for organizing this program. 
URL:https://www.arttable.org/event/ny-book-talk-unspeakable-acts-women-art-and-sexual-violence-in-the-1970s-with-nancy-princenthal/
LOCATION:To be provided upon registration
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20200127T173000
DTEND;TZID=America/New_York:20200127T190000
DTSTAMP:20210216T194524Z
CREATED:20200110T222155Z
LAST-MODIFIED:20210216T194524Z
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SUMMARY:NY | The Aesthetics of Femininity through the Ages at The Winter Show
DESCRIPTION:Image: Max Colby. Cadmium Wilt. Crystal and plastic beads\, sequins\, found fabric\, trim\, fabric flowers\, polyester batting\, thread. 12 x 12 x 16”. 2018. \nThis event is free and open to the public. Click here to RSVP. \n\n\nArtTable\, in collaboration with the Winter Show\, invites guests to investigate the aesthetics of femininity throughout the ages in antiques\, fine and decorative arts. Touching on examples included in this year’s show\, we’ll be engaging dealers\, scholars\, writers and experts in a lively panel to explore expressions and appearances of femininity. How has the feminine been employed by makers and designers of the past? We’ll be breaking down cliches and contemplating how feminine aesthetics reflect periodical trends and power structures. This conversation will be moderated by Elissa Auther\, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. \n\nElissa Auther is the Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design (MAD). Previously\, she was the Windgate Research Curator at MAD and Visiting Associate Professor at the Bard Graduate Center\, where her teaching focused on the intersection of craft and contemporary art. She has published widely on a diverse set of topics\, including the history of modernism and its relationship to craft and the decorative\, the material culture of the American counterculture\, and feminist art. Her monograph\, String\, Felt\, Thread: The Hierarchy of Art and Craft in American Art (University of Minnesota Press)\, focuses on the broad utilization of fiber in art of the 1960s and 1970s and the changing hierarchical relationship between art and craft expressed by the medium’s new visibility. Auther is also an accomplished curator. Her exhibitions include West of Center: Art and the Counterculture Experiment in America\, 1965–1977\, Pretty/Dirty\, the retrospective exhibition of the painter and photographer Marilyn Minter\, and Improvisational Gestures\, a survey exhibition of the sculptor and performance artist Senga Nengudi. Her most recent exhibitions for the Museum of Arts and Design include Surface/Depth: The Decorative After Miriam Schapiro and Vera Paints a Scarf: The Art and Design of Vera Neumann. A feminist public intellectual\, Auther founded and co-directed for ten years the program “Feminism & Co.: Art\, Sex\, Politics\,” which focused on issues of women and gender through the lens of creative practice.  \nPanelists:  \nMax Colby\, artist \nThrough lush\, detailed work in embroidery and textiles\, Max Colby reframes traditional notions of domesticity\, power\, and gender through a queer and non-binary lens. Colby has exhibited internationally including Jane Lombard Gallery\, Wave Hill\, and Museum Rijswijk. Colby’s work has been featured in the Huffington Post\, NBC Out\, Gay City News\, and The Evergreen Review\, among others. They were recently an artist in residence at the Museum of Arts and Design in Manhattan\, The Wassaic Project\, MASS MoCA and a Leslie-Lohman Museum Queer Artists’ Fellow. Born in West Palm Beach\, Colby received their BFA from the School of the Museum of Fine Arts\, Boston and Tufts University. They live and work in Brooklyn.  \nElizabeth Feld\, Managing Director; Director\, Furniture & Decorative Arts\, Director\, American Decorative Arts\, Hirschl & Adler \nElizabeth has just celebrated her 20th anniversary at Hirschl & Adler Galleries\, where she serves as Managing Director as well as Director of American Furniture and Decorative Arts. Since 1999\, she has curated six furniture and decorative arts exhibitions for the gallery\, all with extensive accompanying catalogues\, as well as five exhibitions of the work of contemporary artist MacArthur grant recipient Elizabeth Turk\, one of the gallery’s represented living artists. \nElizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years and is a regular lecturer on the subjects of furniture\, decorative arts\, and the art market in general. \nGabriella Picone\, Director of Communications\, R&Company\, and founder of Idda Studio\n\nGabriella Picone is a New York-based artist working in painting\, textiles\, and ceramics. She is currently the Director of Communications at R & Company\, the renowned design gallery based in New York City. She plays an integral role in the conception and promotion of numerous exhibitions\, international fairs\, and projects for the contemporary and historical artists represented by the gallery\, all bridging fine art and collectable design. Prior to her current role\, she worked at leading New York creative agency Black Frame developing branding and marketing strategies for a range of art\, design and fashion clients including Lindsey Adelman\, MoMA PS1\, Jean Nouvel\, David Kordansky Gallery\, Nike\, and RxArt. She has also worked with Frieze Art Fair and was part of the inaugural team to launch the first Frieze Art Fair in New York. She continually maintains her own studio practice as a painter and is the founder of idda studio\, an emerging design studio that specializes in fabric artworks for women that are both wearable and sculptural. 
URL:https://www.arttable.org/event/ny-the-aesthetics-of-femininity-through-the-ages-at-the-winter-show/
LOCATION:The Winter Show\, Park Avenue Armory\, Park Avenue at 67th Street\, New York\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T083000
DTEND;TZID=America/New_York:20200124T100000
DTSTAMP:20210216T194628Z
CREATED:20200103T174729Z
LAST-MODIFIED:20210216T194628Z
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SUMMARY:NY | Dutch Treat Breakfast at Sant Ambroeus
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at Sant Ambroeus Madison Avenue. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. Sant Ambroeus is less than a 5-minute walk from the Met Breuer and surrounding museums.  \nTo view the menu and for more information\, visit Sant Ambroeus. \nSubways: \n6 to 77th Street \n  \n\nWho’s attending this program? Click here to see who’s currently registered!\n\n\n\nThank you to Ingrid Dinter for organizing this program and Lori Shepard.  
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-sant-ambroeus/
LOCATION:Sant Ambroeus Madison Avenue\, 1000 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T090000
DTEND;TZID=America/New_York:20200123T100000
DTSTAMP:20210216T194738Z
CREATED:20200103T155257Z
LAST-MODIFIED:20210216T194738Z
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SUMMARY:NY | Curatorial Perspective: Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein
DESCRIPTION:Image: Liza Lou\, Kitchen\, 1991-96. Beads\, plaster\, wood and found objects\, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art\, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel\, courtesy the artist \nClick here to Register!\nJoin ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein\, assistant curator\, Whitney Museum\, and co-curator of this exhibition. \nMaking Knowing: Craft in Art\, 1950–2019 foregrounds how visual artists have explored the materials\, methods\, and strategies of craft over the past seven decades. Some expand techniques with long histories\, such as weaving\, sewing\, or pottery\, while others experiment with textiles\, thread\, clay\, beads\, and glass\, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here. \nJennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art\, 1950–2019\, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum\, 1940 – 2017 (2017-2018). \nPlease meet in the Whitney’s Lobby at 8:50 AM. \nThank you to ArtTable member\, Jennie Goldstein.
URL:https://www.arttable.org/event/ny-curatorial-perspective-making-knowing-craft-in-art-1950-2019-with-jennie-goldstein/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/xlarge_LizaLou_lores-e1578066597413.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20250903T181251Z
CREATED:20191223T220609Z
LAST-MODIFIED:20250903T181251Z
UID:1858-1579716000-1579721400@www.arttable.org
SUMMARY:ArtTable Circle ⎟ JPMorgan Chase Collection Tour
DESCRIPTION:Content is protected.
URL:https://www.arttable.org/event/arttable-circle-%e2%8e%9f-jpmorgan-chase-collection-tour/
LOCATION:JP Morgan Private Bank\, 390 Madison Avenue\, New York\, NY
CATEGORIES:New York,National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200113T173000
DTEND;TZID=America/New_York:20200113T190000
DTSTAMP:20210216T195045Z
CREATED:20191211T214552Z
LAST-MODIFIED:20210216T195045Z
UID:1757-1578936600-1578942000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
DESCRIPTION:Image: Aloïse Corbaz (1886\, Lausanne\, Switzerland–1964\, Gimel\, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil\, graphite\, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler.  © L’association Aloïse Photography  © Visko Hatfield\, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications\, Inc. \nClick here to REGISTER\nJoin ArtTable and Valérie Rousseau\, PhD\, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum\, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler. \nThe collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States\, which manifests a strong interest for African American artists\, a consistent attention on American classics\, a curiosity for European art brut\, and a search for international discoveries. For the last twenty-seven years\, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche\, among them Emery Blagdon\, Aloïse Corbaz\, William Edmondson\, August Klett\, Augustin Lesage\, Martín Ramírez\, Thornton Dial\, and Anna Zemánková. For more information see here. \nThank you to Valérie Rousseau and Elisabeth Rochau- Shalem\, NY Programs Committee Chair\, for organizing this program.
URL:https://www.arttable.org/event/ny-curatorial-perspective-memory-palaces-inside-the-collection-of-audrey-b-heckler/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191217T183000
DTEND;TZID=America/New_York:20191217T203000
DTSTAMP:20241024T180117Z
CREATED:20191120T204717Z
LAST-MODIFIED:20241024T180117Z
UID:1504-1576607400-1576614600@www.arttable.org
SUMMARY:NY | ArtTable NY Holiday Party at Poster House!
DESCRIPTION:Click here to Register\nCelebrate the holidays with ArtTable New York at The Poster House! \n\nWelcome new ArtTable Members!\n\nSupport our chapter’s programs!\n\nEnjoy festive food\, drinks\, and a photo booth!\n\nCongratulate Denise Murrell\, ArtTable’s NY Chapter Leadership Awardee!\n\nWin amazing prizes in the silent auction!\n\nThis year’s exhibition will take place at the Poster House\, the first museum in the United States dedicated exclusively to posters. On view during this celebration will be America Got Grabbed: 20/20 Insight: Posters from the 2017 Women’s March\, as well as\, Baptized By Beefcake: The Golden Age of Hand-Painted Movie Posters from Ghana.\n\n\n\nArtTable New York Chapter Leadership Award\n\n\nDenise Murrell. John Pinderhughes/Columbia University\n\nThis year ArtTable awards Denise Murrell with the New York Chapter Leadership Award. This award celebrates ArtTable members who are exceptional professionals\, with the intention of recognizing their outstanding performance and contribution to the field. We look forward to presenting this award at this year’s New York Holiday Party at Poster House. \n\nArtTable’s New York Programs Committee is thrilled to announce Denise Murrell as the recipient of this year’s New York Chapter Leadership Award. Murrell’s dissertation and subsequent curatorial direction of Posing Modernity: The Black Model from Manet and Matisse to Today that began at The Wallach (with a sold-out 40 + ArtTable member tour)\, before traveling to the Musee D’Orsay\, Paris\, this Spring\, received an overwhelming amount of praise for its situation of black female subjects as central to the development of modernity.\n\nCelebrated as “A sweeping re-examination of the history of modern art at the Wallach Art Gallery at Columbia University.” –Alison Stewart\, WNYC\, and\, “-a historically significant and aesthetically illuminating show that centers on the black female form as she appears and reappears in the work\, lives\, and imaginations of a number of painters\, photographers\, and filmmakers.”–Hilton Als\, The New Yorker\, Posing Modernity has altered the way that many of our members\, and the art world at large\, interpret the key players in art history.\n\nLast week Denise Murrell was named associate curator for 19th- and 20th-century art at the Metropolitan Museum of Art in New York\, a newly created position that will involve her working closely with both the museum’s modern and contemporary department and its European painting department. She will begin this role in January.\n\n\n\nPoster House is the first museum in the United States dedicated exclusively to posters.\nThrough exhibitions\, events\, and publications\, Poster House presents a global view of posters from their earliest appearance in the late 1800s\, to their present-day use. Poster House takes its mission from the medium\, aiming to engage and educate all audiences as we investigate this large format graphic design and its public impact.\n\nPosters explore:\n\n 	mass communication and persuasion\n 	the intersection of art and commerce\n 	control of the public domain\n\nFor a poster to succeed\, it must communicate. By combining the power of images and words\, posters speak to audiences quickly and persuasively. Blending design\, advertising\, and art\, posters clearly reflect the place and time in which they were made. Through them\, Poster House explores everything from avant-garde design\, to changing societal norms\, and all the fads and fashions over the last 160 years.\n\nPoster House was founded in 2015 with an eye towards filling a long-acknowledged gap in the New York cultural landscape. While there are several poster museums around the world\, New York\, with its long relationship with advertising and design\, did not have such a dedicated public institution. After several years of planning and construction\, Poster House opened its doors on June 20\, 2019.\n\n\n\nWho’s attending this program? Click here to see who’s currently registered!\n\nThank you to Judith Richards\, Louky Keijsers Koning\, Linda Fischbach\, and the Holiday Party Committee\, as well as Julia Knight\, Director Poster House.
URL:https://www.arttable.org/event/ny-arttable-ny-holiday-party-at-poster-house/
LOCATION:The Poster House\, 119 W 23rd Street\, New York\, NY\, 10011\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191216T093000
DTEND;TZID=America/New_York:20191216T103000
DTSTAMP:20210216T195646Z
CREATED:20191113T160656Z
LAST-MODIFIED:20210216T195646Z
UID:1461-1576488600-1576492200@www.arttable.org
SUMMARY:NY | Morning Walk-through of "Paris\, Capital of Fashion" with Dr. Valerie Steele
DESCRIPTION:Image: Paris\, Capital of Fashion\, exhibition view. The Museum at FIT. ©The Museum at FIT \nClick here to Register!\nStart your day/ week with a curator-led walkthrough of Paris\, Capital of Fashion with Dr. Valerie Steele\, director of The Museum at FIT and curator of this exhibition.  \nParis\, Capital of Fashion explores how and why Paris became the international capital of fashion. It will feature approximately 75 fashion ensembles\, dating from the 18th century to the present\, as well as accessories. Curated by Dr. Valerie Steele\, director of The Museum at FIT\, this major exhibition is accompanied by a book and symposium that took place on October 18. \nThe introductory gallery places Paris within the global fashion system. After the Second World War\, Paris was repeatedly challenged by new fashion centers\, such as London\, Milan\, and New York. The first section of the main gallery focuses on the rise of the Paris fashion system in the late seventeenth and eighteenth centuries. The court at Versailles was the official epicenter of fashion\, but fashion professionals were based in the city of Paris and foreign visitors were amazed by the Parisian “mania” for fashion. The second section explores the growth of the Paris fashion system with its many métiers de la mode and its increased focus on feminine fashion. Particular attention is paid to the development of the haute couture\, which transformed dressmaking from a small-scale artisanal craft into big business and high art. Today\, globalization and technology have transformed the world of fashion. Yet Paris remains a unique fashion city. \nPlease enter the Goodman Center located at the Southwest corner of Seventh Avenue and 27th Street. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Valerie Steele\, Elisabeth Rochau- Shalem and Lynn Sallaberry.
URL:https://www.arttable.org/event/ny-morning-walk-through-of-paris-capital-of-fashion-with-dr-valerie-steele/
LOCATION:Museum at the Fashion Institute of Technology\, 227 West 27th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191211T081500
DTEND;TZID=America/New_York:20191211T093000
DTSTAMP:20210216T195804Z
CREATED:20191122T180108Z
LAST-MODIFIED:20210216T195804Z
UID:1521-1576052100-1576056600@www.arttable.org
SUMMARY:NY | Professional Empowerment: Mounting Effective Communications Campaigns
DESCRIPTION:Click here to Register\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \n\nSession 12: Mounting Effective Communications Campaigns with Juliet Sorce and Barbara Escobar \nA strategic communications campaign can convey your vision and mission to key stakeholders – media\, collectors\, donors\, clients\, and the public – and have a long-term\, lasting impact. In addition to discussing the key elements of an effective campaign\, this session will provide an overview of best practices and strategies for leveraging digital\, print\, and in-person communications platforms and positioning an organization or enterprise to achieve its long-term goals. \nJuliet Sorce has 15 years of experience spearheading strategic planning and integrated communications programs for an international roster of clients across the visual arts\, architecture\, and design. As Executive Vice President at Resnicow and Associates\, Juliet works with clients such as The Frick Art Collection\, where she directs strategic planning and media relations for the Collection’s enhancement and expansion project; Madison Square Park Conservancy\, where she leds communications for the Park’s public art commissioning program and for its presentation at the U.S. Pavilion of the 2019 Venice Biennale; and the Park Avenue Armory\, where she leads media relations for all visual arts programs and commissions among others. Prior to joining Resnicow and Associates\, Juliet was an editor at Tema Celeste\, a bilingual contemporary art magazine based in Milan\, and worked at the Solomon R. Guggenheim Museum in its Education Department. She has a master’s degree in Italian language and culture from Middlebury College in Florence and a bachelor of arts degree in humanities and art history from Yale University. \n  \nBarbara Escobar is Vice President at Resnicow and Associates (R+A)\, where she leads communications campaigns and provides counsel on planning\, programming and partnership strategies for leading arts organizations. Her projects have included international campaigns for the opening of the Institute of Contemporary Art\, Miami’s new permanent home in the Miami Design District in 2017; the U.S. Pavilion at the 2017 Venice Biennale\, commissioned by the Baltimore Museum of Art and the Rose Art Museum; and national campaigns for the launch of Frieze Los Angeles and the launch of Frieze Sculpture in New York at Rockefeller Center in 2019. Barbara has also led campaigns for organizations including the Art Dealers Association of America and its annual fair The Art Show\, the Dallas Museum of Art\, The Gordon Parks Foundation\, and Sharjah Art Foundation. Prior to joining R+A\, Barbara was the publicity and events manager at Aperture Foundation where she spearheaded communications\, publicity\, and social media for more than 120 publications\, exhibitions\, and initiatives. She previously worked in a marketing role at Phillips\, and has served as adjunct faculty in arts marketing at SUNY Purchase College and as an advisory board member for the Honolulu Biennial. Barbara received a master’s degree in museum studies from Johns Hopkins University and a dual bachelor’s degree in art history and philosophy from Catholic University. \nWho’s attending this program? Click here to see who’s currently registered! \n\nMany thanks to ArtTable NY’s Professional Empowerment Committee: Sarah McNaughton\, Elileen Jeng-Lynch\, Jacqueline Towers-Perkins\, Louky Keijsers Koning and Katherine Wilson-Milne. 
URL:https://www.arttable.org/event/ny-professional-empowerment-mounting-effective-communications-campaigns/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191210T173000
DTEND;TZID=America/New_York:20191210T190000
DTSTAMP:20210216T200000Z
CREATED:20191108T194846Z
LAST-MODIFIED:20210216T200000Z
UID:1401-1575999000-1576004400@www.arttable.org
SUMMARY:NY | ArtTable at The Brant Foundation for Third Dimension
DESCRIPTION:Image: Karen Kilimnik. Switzerland\, the Pink Panther Sellars & Boris & Natasha & Gelsey Kirkland in Siberia\, 1991. Courtesy Karen Kilimnik\, 303 Gallery\, New York; Galerie Eva Presenhuber\, Zurich; Spruth Magers\, Berlin\, London \nClick here to register! \nThis program is for ArtTable members only. \nJoin ArtTable NY for an exclusive after-hours look at the latest exhibition from The Brant Foundation Art and Study Center\, Third Dimension: Works from The Brant Foundation. \nThe Brant Foundation is pleased to present the second exhibition at its New York City space\, Third Dimension: Works from The Brant Foundation\, featuring over 20 artists integral to its collection. The selected sculptures\, installations\, and other works oscillating between painting and object represent the multifaceted practices of the artists on view\, offering visitors the opportunity to encounter artists who have been collected in depth by Brant Foundation founder Peter M. Brant over the past 50 years. With a focus on sculpture and installation\, The Brant Foundation pays tribute to the history of its East Village space\, formerly the longtime studio of artist and sculptor Walter De Maria. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Sarah McNaughton and Sabrina Marsalisi for organizing this program.
URL:https://www.arttable.org/event/ny-arttable-at-the-brant-foundation-for-third-dimension/
LOCATION:The Brant Foundation\, 421 East 6th Street\, New York\, NY\, 10009\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T120000
DTEND;TZID=America/New_York:20191206T143000
DTSTAMP:20210216T200145Z
CREATED:20191111T204541Z
LAST-MODIFIED:20210216T200145Z
UID:1444-1575633600-1575642600@www.arttable.org
SUMMARY:Miami Art Week | ArtTable at The Rubell Museum
DESCRIPTION:Image: Keith Haring\, Untitled\, 1982\, acrylic on vinyl tarpaulin\, 180 x 180 in. (4570 x 4570 cm)\, acquired in 1982.  © Keith Haring Foundation \nClick here to Register \nJoin ArtTable at the new home of the Rubell Collection Museum for our annual national Art Basel Miami Beach program.  \nDuring this event\, we will hear directly from Mera Rubell and Juan Roselione-Valadez\, Director\, Rubell Family Collection\, about the vision for the Rubell’s fifty-year passion for the arts\, the new museum construction process\, and the collection. Following the walkthrough\, meet us in the beautifully landscaped garden for a celebratory reception catered by Le Basque catering! \nAbout the Rubell Museum  \nOriginally launched as the Rubell Family Collection\, the museum has been renamed the Rubell Museum to emphasize its public mission and welcome audiences to see its contemporary art. “The word ‘museum’ makes the public feel welcome\, which is exactly our goal\,” stated Mera Rubell. The Rubells pioneered the model for sharing a private collection with the public. The new Rubell Museum expands their commitment to serving as a public resource and extends the public mission they’ve developed to date.  \nSince opening in Wynwood 26 years ago\, the Rubells have added many public programs\, including a partnership with the Miami-Dade County Public Schools\, which engages thousands of students every year\, and collaborations with local universities to offer seminars and critiques. The museum also hosts curatorial training internships and artist residencies with the support of the Knight Foundation. In addition to Mera\, Don\, and Jason Rubell\, the museum leadership includes Juan Roselione-Valadez\, who is the director of the museum and has been part of the team for 21 years.  \nThe Rubell Museum represents a new kind of institution that serves as an advocate for a diverse group of contemporary artists and a resource for both the public and the art world. Since the Rubells moved to  \nMiami\, many museums and public collections have opened in the city\, and it has developed a vital arts ecology. The Rubells see their new museum as providing a context for art and exhibitions that are available to the public in South Florida and beyond. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Mera Rubell and Juan Roselione-Valadez.
URL:https://www.arttable.org/event/national-miami-art-week-meet-up-at-the-rubell-museum/
LOCATION:The Rubell Museum\, 1100 NW 23rd St\, Miami\, FL\, 33127\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T093000
DTEND;TZID=America/New_York:20191206T113000
DTSTAMP:20210216T200205Z
CREATED:20191119T203220Z
LAST-MODIFIED:20210216T200205Z
UID:1496-1575624600-1575631800@www.arttable.org
SUMMARY:Miami Art Week | The Power of Community at Art Miami
DESCRIPTION:Click here to Register\nArtTable\, the Association of Women Art Dealers (AWAD) and the Professional Organization for Women in the Arts (POWarts) invite you the first event of its kind… \nThese three professional networks for women in the art world are joining forces for a thought-provoking conversation to foster new ideas and generate opportunities with individuals across all three networks\, not to mention collectors\, curators\, academics and special guests who champion gender parity.\n \nArtnet journalist Sarah Cascone will facilitate a discussion with the leaders of the three organizations: \nJessica Porter (Executive Director\, ArtTable)\nSara Kay (Founder\, POWarts)\nSusan J Mumford (Founder and CEO\, Association of Women Art Dealers) \nThe panel will be accompanied by a Q&A followed by an open networking session. \nRefreshments will be aplenty\, to awaken and bolster conversation alike! Treats include coffee\, tea\, mimosas\, quiche\, bagels and croissants. \nWith gratitude…\nThe event takes place on the occasion of Art Miami’s 30th edition\, prompting us to look at the position of women in the industry when the fair began in 1989 (think: Guerrilla Girls era)\, comparing that to the reality today (post #metoo)\, and looking ahead to 2049. \nIndividuals of any gender are welcome to attend.\n \nTimetable\nArrivals // 9.30am\nPanel // 10.00am\nOpen networking // 10.50am\nDepartures // 11.30am \nThis exclusive\, invite-only occasion has been made possible with much thanks to Yvel.\nhttps://www.yvel.com | Instagram @yvel_jewelry
URL:https://www.arttable.org/event/miami-art-week-the-power-of-community-at-art-miami/
LOCATION:Art Miami\, CONTEXT Art Miami\, Miami\, FL\, 33132\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/https___cdn.evbuc_.com_images_81643635_28009869141_1_original.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191202
DTEND;VALUE=DATE:20191203
DTSTAMP:20210216T201001Z
CREATED:20191024T155629Z
LAST-MODIFIED:20210216T201001Z
UID:1234-1575273600-1575306000@www.arttable.org
SUMMARY:Miami Art Week | ArtTable VIP Fair Pass Packages
DESCRIPTION:Image: Art Basel Miami Beach 2018 \nWe’re out of passes! Email programs@arttable.org to be placed on a waitlist\nJoin ArtTable members for special access to fairs during Miami Art Week\, December 2 – 6\, 2019! This year ArtTable is offering a VIP Pass Package. Please note that there is a very limited number of packages and that these will be distributed on a first come first serve basis. \nVIP Package includes: \nArt Miami\, CONTEXT\, Aqua Art Miami (VIP Pass) \nArt Basel Miami Beach (Single Day Pass)  \nDesign Miami (VIP Pass) \nNADA  (VIP Pass) \nPrizm  (VIP Pass) \nPulse (VIP Pass) \nScope  (VIP Pass) \nUNTITLED (VIP Pass) \nPasses to be distributed digitally and by mail. This offer is exclusive to ArtTable members\, limited to one package per member.
URL:https://www.arttable.org/event/national-arttable-vip-fair-pass-packages/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T083000
DTEND;TZID=America/New_York:20191122T100000
DTSTAMP:20210216T201023Z
CREATED:20191103T152929Z
LAST-MODIFIED:20210216T201023Z
UID:1296-1574411400-1574416800@www.arttable.org
SUMMARY:NY | Dutch Treat Breakfast at L'Express
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at L’Express. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. \nTo view the menu and for more information\, visit: L’Express \nL’Express is located at 249 Park Avenue south\, SE corner of 20th Street \nSubways:\n6 or R to 23 rd Street  or N/R\,4\,5\,6 to 14th street.\nIf on the West side crosstown bus at 23 rd street. Exit at Park Ave south or if taking the L to 14th Street from Brooklyn or West side\, exit at Union Square and walk or take 6 to 23rd street. \n\n\nWho’s attending this program? Click hereto see who’s currently registered!\n\n\nThank you to Ingrid Dinter for organizing and Susan Halper for hosting this program.
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-lexpress/
LOCATION:L’Express\, 249 Park Ave S\, New York\, NY\, 10003\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191121T180000
DTEND;TZID=America/New_York:20191121T200000
DTSTAMP:20210216T201041Z
CREATED:20191105T225050Z
LAST-MODIFIED:20210216T201041Z
UID:1312-1574359200-1574366400@www.arttable.org
SUMMARY:NY | MeetAT at the Arts Student League for 'Post-War Women'
DESCRIPTION:Image Credit: MAY STEVENS. Forming the Fifth International\, 1985. Acrylic on canvas\, 78 x 120 inches. Courtesy of Arts Student League and Ryan Lee Gallery. \nClick here to register now!\nProgram is free and open to members and guests\, advance registration required.  \nArtTable’s MeetAT networking program continues in November! This month we are hosted by the Arts Student League whose fantastic exhibition\, Post-War Women\, is currently on view. \nArtTable MeetATs are a free member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nPostwar Women is The Art Students League’s first exhibition to explore the vital contributions of these alumnae on the international stage. On view at The Phyllis Harriman Mason Gallery from November 2 to December 1\, 2019\, Postwar Women challenges the misperception that great art produced by women artists is somehow an exception rather than the rule. Curator Will Corwin investigates the history of innovative art academies like The League that promoted democratic ideologies\, which in turn created artistic opportunities for women of all social classes. \nThank you to Will Corwin\, Curator\, Arts Student League and creator of MeetAT programs\, Louky Keijsers-Koning\, Director/Owner\, LMAK Gallery\, for organizing and supporting this program.
URL:https://www.arttable.org/event/meetat-meetat-at-the-arts-student-league-for-post-war-women/
CATEGORIES:New York
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191120T170000
DTEND;TZID=America/New_York:20191120T180000
DTSTAMP:20210216T201109Z
CREATED:20191106T173810Z
LAST-MODIFIED:20210216T201109Z
UID:1337-1574269200-1574272800@www.arttable.org
SUMMARY:NY | Walk-through of Agnes Denes: Absolutes and Intermediates with Emma Enderby
DESCRIPTION:Image: Installation view: Agnes Denes: Absolutes and Intermediates\, The Shed\, New York\, October 9\, 2019 – March 22\, 2020. Photo: Dan Bradica. \nClick here to Register!\nJoin ArtTable NY for a curator led walk through of Agnes Denes: Absolutes and Intermediates at The Shed with Emma Enderby\, senior curator at The Shed. \nAgnes Denes rose to international attention in the 1960s and 1970s as a leading figure in conceptual\, environmental\, and ecological art. A pioneer of several art movements\, she creates work in a broad range of mediums\, utilizing various disciplines—science\, philosophy\, linguistics\, ecology\, psychology—to analyze\, document\, and ultimately aid humanity. Denes turns her analysis into beautiful\, sensual visual forms\, poetry\, and a philosophy that she has developed over the course of her career. \nThis comprehensive survey exhibition\, Agnes Denes: Absolutes and Intermediates\, brings together over 150 works spanning her 50-year career. The exhibition includes a comprehensive look at her important series the “Philosophical Drawings” (1969 – 80)\, “Map Projections” (1973 – 79)\, and “Pyramid Series” (1970 –); her realized monumental public works\, including the iconic Wheatfield—A Confrontation (1982); as well as a presentation of unrealized works. The Shed has also commissioned a number of works that both expound and expand on the ideas that have been ever present throughout Denes’s career. Agnes Denes: Absolutes and Intermediates is accompanied by a fully illustrated catalogue. \nEmma Enderby is the senior curator at The Shed\, NYC\, where she has organized the retrospective exhibitions Agnes Denes: Absolutes and Intermediates\, as well as Collision/Coalition featuring Tony Cokes\, Oscar Murillo\, Vanessa Bergonzoli and Yanina Valdivieso)\, Open Call (52 emerging artists)\, and Trisha Donnelly. As adjunct curator at Public Art Fund\, Enderby curated Tauba Auerbach: Flow Separation (2018); as associate curator solo presentations Katja Novitskova: EARTH POTENTIAL (2017)\, Spencer Finch: Lost Man Creek (2016–18)\, and David Shrigley: MEMORIAL (2016–17)\, along with group exhibitions Commercial Break (2017) and The Language of Things (2016). Previously\, as exhibitions curator at the Serpentine Galleries\, London\, she organized exhibitions including Hilma af Klint: Painting the Unseen (2016)\, Rachel Rose: Palisades (2015)\, Leon Golub: Bite Your Tongue (2015)\, Trisha Donnelly (2014)\, and Haim Steinbach: once again the world is flat (2014) and assisted on Adrián Villa Rojas: Today We Reboot the Planet (2013). She was also co-project curator for the Serpentine’s Pavilion commissions of selgascano (2015) and Smiljan Radić (2014). Previously\, she worked at the Royal Academy of Arts\, London\, and Whitechapel Gallery\, London.\n\n\n\n\nAgnes Denes The Ghost of Nautlus\n\nThis work\, printed for ArtTable\, re-imagines one of Denes’ most iconic forms\, a snail shaped nautilus spiraling delicately through space\, as an ode to The Nautilus\, a destroyed amphitheater designed by Denes. Proceeds from the sale of this work support ArtTable and its mission to support inclusion in the art world. For more information\, see here.  \n\nThank you to Emma Enderby and Leslie Tonkonow.
URL:https://www.arttable.org/event/ny-walk-through-of-agnes-denes-absolutes-and-intermediates-with-emma-enderby/
LOCATION:The Shed\, 545 West 30th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191119T083000
DTEND;TZID=America/New_York:20191119T100000
DTSTAMP:20210216T201133Z
CREATED:20191031T175208Z
LAST-MODIFIED:20210216T201133Z
UID:1258-1574152200-1574157600@www.arttable.org
SUMMARY:NY | Artist Breakfast with Nona Faustine at Two Palms
DESCRIPTION:Image: Nona Faustine\, Fragment of Evidence\, Statue of Liberty\, 2019. Silkscreen on lanaquarelle\, 40 x 60 in\, edition of 20. \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Nona Faustine\, whose work  has been exhibited at Harvard University\, the Studio Museum of Harlem\, and who’s body of work My Country\, is currently on view at Two Palms and will be traveling with the studio to Miami Art Basel. \nAbout the artist:  \nNona Faustine is an award-winning photographer and visual artist born and raised in Brooklyn\, New York. She is a graduate of the School of Visual Arts and The International Center of Photography at Bard College’s MFA program. Her work focuses on history\, identity\, representation\, evoking a critical and emotional understanding of the past\, and proposes a deeper examination of contemporary racial and gender stereotypes. \nFaustine’s images have received worldwide acclaim and have been published in a variety of national and international media outlets such as Artforum\, New York Times\, Huffington Post\, Hyperallergic\, The Guardian\, New Yorker Magazine\, and Los Angeles Times\, among many others. Faustine’s work have been exhibited at Harvard University\, Rutgers University\, Maryland State University\, the Studio Museum of Harlem\, the African American Museum in Philadelphia\, Schomburg Center for Black Research in Harlem\, the International Center of Photography\, Saint Johns Divine Cathedral\, Tomie Ohtake Institute in Sao Paulo\, among other institutions. Her work is in the collection of the David C. Driskell Center at Maryland State University\, the Studio Museum of Harlem\, the Brooklyn Museum\, and recently\, the Carnegie Museum in Pittsburgh\, Pennsylvania. In 2019\, Faustine was the recipient of the NYSCA/NYFA Fellowship\, Colene Brown Art Prize\, Finalist in the Outwinn Boochever Competition of the National Portrait Gallery and selected to be the first inaugural class of Kehinde Wiley’s Black Rock Senegal Residency. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable’s Artist Breakfast Committee\, Tiana Webb Evans and to Two Palms for hosting this event. 
URL:https://www.arttable.org/event/ny-artist-breakfast-with-nona-faustine-at-two-palms/
LOCATION:Two Palms\, 38 Crosby Street\, 3rd floor\, New York\, NY\, 10013\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T090000
DTEND;TZID=America/New_York:20191115T120000
DTSTAMP:20210216T201211Z
CREATED:20190926T145134Z
LAST-MODIFIED:20210216T201211Z
UID:852-1573808400-1573819200@www.arttable.org
SUMMARY:NY | 2019 CAREER ROUNDTABLE PROGRAM
DESCRIPTION:Established in 2009 ArtTable New York’s Career Development Roundtable is one of our longest standing and most impactful career mentoring programs. The program is designed to give emerging leaders in arts administration\, art business\, museum studies\, art history\, curatorial studies\, and arts internships across the New York metropolitan area an experience to meet with professional women in the visual arts to discuss career opportunities. It is also a chance to network among peers and build lasting relationships\n  \nEmerging professionals seeking career advice and inspiration for careers in the visual arts\, are invited to attend ArtTable’s 2019 Career Development Roundtable taking place on November 15\, 2019. Graduate students in art history\, in art history\, design history\, museum and curatorial studies\, museum education\, art business\, and arts administration programs in the New York City area are invited to participate. Students will have the opportunity to gather around selected tables for open and engaged conversations with leading professional women in the visual arts\, to learn about their diverse career paths and experiences\, to gain insights and advice for their own career development\, and to network and build future relationships with peers and mentors.\n\n\n\n  \nCareer Topics that will be explored include: appraiser | art advisor | art fairs | art publishing | art conservator | auction houses/online art businesses | collection management/ registrar/archivist | curator/art historian | development/fundraising | gallerist/dealer | museum/nonprofit director | public programing/museum education | public relations/marketing/social media. \n\nFor more information about these topics click here \n\n  \n\n                      \n 
URL:https://www.arttable.org/event/ny-2019-career-roundtable-program/
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/FIT-17-11-17_362.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T174500
DTEND;TZID=America/New_York:20191114T190000
DTSTAMP:20210216T201312Z
CREATED:20191017T220910Z
LAST-MODIFIED:20210216T201312Z
UID:1182-1573753500-1573758000@www.arttable.org
SUMMARY:NY | Curatorial Walk-through of Edith Halpert and the Rise of American Art
DESCRIPTION:Image: Edith Halpert at the Downtown Gallery\, wearing the 13 watch brooch and ring designed for her by Charles Sheeler\, in a photograph for Life magazine in 1952. She is joined by some of the new American artists she was promoting that year. Credit: Photograph © Estate of Louis Faurer \nClick here to register!\nJoin ArtTable NY for a curatorial walk through of Edith Halpert and the Rise of American Art at The Jewish Museum with Rebecca Shaykin\, Associate Curator\, The Jewish Museum. \nThe Jewish Museum will present Edith Halpert and the Rise of American Art\, the first exhibition to explore the remarkable career of Edith Gregor Halpert (1900-1970)\, the influential American art dealer and founder of the Downtown Gallery in New York City. A pioneer in the field and one of New York’s first female art dealers\, Halpert propelled American art to the fore at a time when the European avant-garde still enthralled the world. The artists she supported — Stuart Davis\, Jacob Lawrence\, Georgia O’Keeffe\, Yasuo Kuniyoshi\, Ben Shahn\, and Charles Sheeler key among them — became icons of American modernism. Halpert also brought vital attention to overlooked nineteenth-century American artists\, such as William Michael Harnett\, Edward Hicks\, and Raphaelle Peale\, as well as little-known and anonymous folk artists. With her revolutionary program at the Downtown Gallery\, her endless energy\, and her extraordinary business acumen\, Halpert inspired generations of Americans to value the art of their own country\, in their own time. \nThe exhibition\, on view at the Jewish Museum from October 18\, 2019 through February 9\, 2020\, will feature 100 works of American modern and folk art\, including paintings\, sculptures\, and prints by artists such as Davis\, Lawrence\, O’Keeffe\, Kuniyoshi\, Shahn\, and Sheeler\, as well as Arthur Dove\, Elie Nadelman\, Max Weber\, and Marguerite and William Zorach\, among others\, and prime examples of American folk art portraits\, weathervanes\, and trade signs. Along with major artworks that were exhibited at and sold through the Downtown Gallery\, highlights from Halpert’s acclaimed personal collection of both modern and folk art\, reassembled for the first time since its landmark sale in 1973\, will also be on view. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Randy Rosen\, ArtTable NY Program Committee Member\, for organizing this program. 
URL:https://www.arttable.org/event/ny-curatorial-walk-through-of-edith-halpert-and-the-rise-of-american-art/
LOCATION:The Jewish Museum\, 1109 5th Ave at 92nd St\, New York\, NY\, 10128\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T183000
DTEND;TZID=America/New_York:20191112T200000
DTSTAMP:20210216T201450Z
CREATED:20191022T202537Z
LAST-MODIFIED:20210216T201450Z
UID:1218-1573583400-1573588800@www.arttable.org
SUMMARY:NY | Artist-Led Tour of "A Bridge Between You and Everything..." curated by Shirin Neshat
DESCRIPTION:Image: Hadieh Shafie\, Turn No 11. Ink\, Acrylic and pencil on mat board\, 12 inch in diameter\, 2019 \nClick here to REGISTER!\nJoin ArtTable for an evening with the artists of A Bridge Between You and Everything: An Exhibition of Iranian Women Artists presented by the Center for Human Rights in Iran and curated by Shirin Neshat\, an internationally renowned\, Iranian-born\, New York-based artist whose work includes film\, video and photography. \nA Bridge Between You and Everything features nearly 100 works—paintings\, drawings\, sculpture\, photography and video—by both established and emerging artists\, who began working after Iran’s 1979 Islamic Revolution.  \n“At a time when the Western world is shining a spotlight on women’s issues and equality\, it’s vital that we use this moment of the public imagination to empower dialogues from women and immigrant artists who have\, and likely still continue to experience forms of repression\, both in the extreme and every day\,” curator Shirin Neshat said. \n“This exhibit showcases the richness of contemporary Iranian art and the ability of these women to communicate vital and universal themes of identity and gender through their artistic vision\,” added Hadi Ghaemi\, executive director of the Center for Human Rights in Iran. \nParticipating Artists:  \nAfruz Amighi is an Iranian-born artist who completed her BA in political science at Barnard College at Columbia University\, before going on to complete her MFA at New York University. She was the inaugural recipient of the Jameel Prize for Middle Eastern Contemporary art awarded by the Victoria & Albert Museum in London in 2009. Afruz’s work draws heavily upon Iranian architecture for both its forms and concepts. Working with a wide variety of materials\, including textiles and steel\, the mainstay of her practice involves the interplay between light and shadow. Through the manipulation of light\, she creates imagined sanctuaries for the purpose of both reflection and escape.  In 2011\, Afruz was granted a fellowship in sculpture by the New York Foundation for the Arts and in 2013 her work was commissioned for the 55th Venice Biennale. Her work is included in the collections of the Metropolitan Museum of Art; (New York\, NY); the Houston Museum of Fine Art (Houston\, TX); the Victoria & Albert Museum (London\, UK); and the Morgan Library & Museum (New York\, NY)\, among others. In 2018\, she had her first solo museum exhibition at the Frist Art Museum in Nashville\, Tennessee. Afruz currently lives and works in Brooklyn\, NY. \nRoya Farassat is a painter and sculptor born and raised in Tehran\, Iran. She moved to New York prior to the Islamic revolution and received a BFA in painting from the Parsons School of Design. The themes of oppression\, solitude and identity animate both her paintings and sculptures\, welded on steel. In an earlier body of work from the series\, A Mirror Has Two Faces\, she paints abstracted and symbolic portraits of women in veil and frames them in ornamental elements as seen in compositions familiar to the history of imperial Persian painting. Roya challenges the cultural expectations of her heritage with humor and investigates the identity of women and their silent resistance\, living under the scrutiny of a patriarchal society. These paintings have been reviewed by The New York Times and exhibited widely in the United States including at The Edward Hopper House (Nyack\, NY); The Queens Museum (Queens\, NY); The Taubman Museum 9Roanoke\, VA0; Leila Heller Gallery (New York\, NY); The Center for Book Arts (New York\, NY); and most recently the Milwaukee Institute of Art and Design. Roya currently lives and works in New York. \nShahrzad Changalvaee is a sculptor and visual artist. Born in Tehran\, Iran\, she received her BA in Visual Communications from Tehran University and her MFA in Sculpture from Yale University in 2015. Working across installation\, sculpture\, photography\, performance and video\, her practice responds to time and space\, using found images and footages in adjacent to artist-made and primary materials. Through structures that are mostly temporal\, fragile and fragmented\, she constructs narratives that question local/global\, information/anecdote\, language/communication and alienism/exoticism. Shahrzad’s work has been featured in both solo and group exhibitions in Iran\, the UAE\, Britain\, Canada and the U.S. Notable shows have been held at The Chimney (Brooklyn\, NY)\, Soho20 Gallery (Brooklyn\, NY) and the O Gallery (Tehran\, Iran). In 2011 Shahrzad was introduced as the runner-up for the Magic of Persia Award.  She currently is a member and co-director of Bon-Gah Collective in Tehran. Shahrzad lives and works in Brooklyn\, New York. \nNazanin Noroozi works predominantly in the medium of printmaking\, but also incorporates painting and alternative photographic processes\, exploring new ways to represent the ideas of collective memory\, longing and diaspora. She invites the viewer to look into broken narratives through various juxtapositions of personal and family archives\, landscapes\, found imagery and lo-fi graphics. These works are a riff on the voyeuristic pleasures of looking at strangers’ personal archives and at the same time recalling a sense of ambiguity and fragility that the analogue world of the recent past carried. Nazanin’s work has been widely exhibited in both Iran and the United States\, including at the Museum of Russian Art (Jersey City\, NJ); Noyes Museum of Art (Atlantic City\, NJ); Prizm Art Fair (Miami\, FL); and Columbia University (New York\, NY). She is the recipient of NYFA IAP Program 2018\, Saltonstall Foundation for the Arts fellowship\, MASS MoCA Studio Residency 2019\, and the winner of  “Selection of a New Generation” award in Iran. She is the editor at large of Kaarnamaa\, a Journal of Art History and Criticism. Nazanin received her MFA in painting and drawing from Pratt Institute in 2015 and her MA in Art History from Tehran University of Art in 2012.  She currently lives and works in New York City.  \nBahar Sabzevari is an Iranian artist exploring identity through self-portraiture\, narrative painting and video art. In her most recent series of self-portraits\, she questions Iranians’ tendency and obsession to praise the past. Why do we romanticize Persian history which is so far from the realities of our contemporary life? Integrating Persian motifs\, religious details and characters into her self-portraits\, Bahar explores the concept of nostalgia and creates illusions of a lost age of glory. Her earlier self-portraits focus on contemporary Iranian society. In the “Bad Girls” series\, Bahar explores the paradoxes she has experienced\, being a woman caught between the restrictions of the Islamic cultural regime and everyday existence living in modern times. Born in Shahroud\, Iran\, Bahar received her MFA in painting at the New York Academy of Art in 2018. Notable exhibition venues include FIAC Art Fair (Paris\, France); Leila Heller Gallery (New York\, NY); Galerie RX (Paris\, France); Kamil Art Gallery (Monte Carlo\, Monaco); Cité Internationale des Arts (Paris\, France); and a solo show at the Watson Institute\, Brown University (Providence\, RI). Bahar has been the recipient of the Central Academy of Fine Arts Residency in Beijing\, China summer of 2017. She lives and works in New York. \nHadieh Shafie is a visual artist based in Brooklyn\, New York. In her works the occulting of text can be traced back to her childhood and adolescence growing up in post-revolutionary Iran\, where the influence of books on political and social affairs was highly scrutinized and policed by the newly established government. Books\, poetry and music were conversely also a means of mental escape for her from the subsequent years of political turmoil during the Iran-Iraq war. In 1983 she immigrated to the USA. Her work is included in prominent public collections namely the Metropolitan Museum of Art (New York\, NY); The Victoria and Albert Museum (London\, UK); The Columbus Museum of Art (Columbus\, OH); Sheldon Museum of Art (Lincoln\, NE); The Alfond Collection of Contemporary Art (Winter Park\, FL); Los Angeles County Museum of Art (LACMA); The Davis Museum (Wellesley\, MA); The British Museum (London\, UK); and The Brooklyn Museum of Art (Brooklyn\, NY). Hadieh holds an MFA in Imaging and Digital Arts from the University of Maryland\, Baltimore County\, and an MFA in Painting from Pratt Institute in Brooklyn. In 2017\, she was nominated for the “Anonymous Was A Woman” Award. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Lauren Poehl\, Director of Development\, Center for Human Rights in Iran and Lucy Oakley\, Head of Education and Programs\, Grey Art Gallery for organizing this program. \n 
URL:https://www.arttable.org/event/artist-led-tour-of-a-bridge-between-you-and-everything-an-exhibition-of-iranian-women-artists-curated-by-shirin-neshat/
LOCATION:High Line Nine Galleries\, 507 West 27th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T081500
DTEND;TZID=America/New_York:20191112T093000
DTSTAMP:20210216T201519Z
CREATED:20191030T171717Z
LAST-MODIFIED:20210216T201519Z
UID:1250-1573546500-1573551000@www.arttable.org
SUMMARY:NY | Employment Law 101: What every art business and worker should know
DESCRIPTION:Click here to REGISTER!\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \nSession 11 with Kerry C. Zaroogian \nWhat we’ll be discussing: \n\nEmployees\, independent contractors and interns\nExempt versus non-exempt and overtime\nWhen you need a written agreement\nFamily leave and benefits\nTermination considerations\, including restrictive covenants\n\nKERRY C. ZAROOGIAN is an associate in Outten & Golden LLP’s Executives and Professionals Practice Group and its Financial Services Practice Group in New York.  She represents employees\, partners\, consultants and freelancers in the negotiation and drafting of employment\, severance\, independent contractor\, international assignment and restrictive covenants agreements.  She also counsels individuals and groups of individuals with respect to employment-related issues such as lift-outs\, restructurings and corporate transactions.  Ms. Zaroogian has experience working with individuals in a wide array of industries—including finance\, tech\, healthcare\, entertainment\, and luxury retail—and with employees of companies of all sizes—from large\, public conglomerates to small start-ups. \nPrior to joining Outten & Golden\, Ms. Zaroogian represented individuals and small businesses in employment matters and litigations at Sapir Schragin LLP.  Ms. Zaroogian received her B.A. from Brandeis University and her J.D. from Northeastern University School of Law\, where she served on the Editorial Board of the Northeastern University Law Journal and interned at another plaintiff-side employment law firm in New York City and the Legal Unit of the U.S. Equal Employment Opportunity Commission’s New York office. \nMs. Zaroogian is the Chair of the New York City Bar Association’s New Lawyers Practice and Skills Committee\, a leader of City Bar’s New Lawyers’ Council and a member of the City Bar’s Council on the Profession.  She is also an active member of the American Bar Association’s Labor and Employment Section. \n  \nMany thanks to ArtTable NY’s Professional Empowerment Committee: Sarah McNaughton\, Elileen Jeng-Lynch\, Jacqueline Towers-Perkins\, Louky Keijsers Koning and Katherine Wilson-Milne. 
URL:https://www.arttable.org/event/ny-employment-law-101-what-every-art-business-and-worker-should-know/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191107T183000
DTEND;TZID=America/New_York:20191107T200000
DTSTAMP:20210216T201619Z
CREATED:20190918T193824Z
LAST-MODIFIED:20210216T201619Z
UID:803-1573151400-1573156800@www.arttable.org
SUMMARY:NTL | Annual Leadership Series with Amy Sherald
DESCRIPTION:Image: Amy Sherald by Jordan Geiger \nClick here to REGISTER now!\nArtTable’s Annual Leadership Series returns this year with Amy Sherald\, Artist\, and Ashley James\, Assistant Curator\, Contemporary Art\, Brooklyn Museum.  \nArtTable’s Annual Leadership series presents a public forum featuring a distinguished roster of artists\, change-makers and leaders in our field to discuss relevant and emerging issues for those working in arts and culture. This year we turn our attention to the politics of portraiture and representation\, thinking deeply about the ways a portrait can convey power and subvert truths and using as a starting point Sherald’s transformation of the everyday into the monumental in her most recent series at Hauser & Wirth . \n“‘Artists of color are using portraiture to author a narrative of people that art history was written without. It speaks to the human condition and holds up a mirror to life.’”- Amy Sherald in conversation with Marc Payot\, Partner and Vice President of Hauser and Wirth for her upcoming exhibition Amy Sherald the Heart of the Matter… \nCelebrated for her presidential portrait of First Lady Michelle Obama\, Sherald positions her subjects firmly within our understanding of American Art\, reimagining the style of traditional portraiture to construct layered identities through colorful compositions. \nAbout Amy Sherald\nBorn in 1973 in Columbus\, GA\, Amy Sherald documents contemporary African-American experience in the United States through arresting\, otherworldly portraits. Sherald subverts the medium of portraiture to tease out unexpected narratives\, inviting viewers to engage in a more complex debate about accepted notions of race and representation\, and to situate black heritage centrally in the story of American art. \nSherald received her MFA in Painting from Maryland Institute College of Art (2004) and BA in Painting from Clark-Atlanta University (1997). She was the first woman and first African-American ever to receive first prize in the 2016 Outwin Boochever Portrait Competition from the National Portrait Gallery in Washington D.C.; in February 2018\, the museum unveiled her portrait of former First Lady Michelle Obama. Sherald has also received the 2018 David C. Driskell Prize from the High Museum of Art in Atlanta GA\, the 2018 Pollock Prize for Creativity\, and the 2017 Anonymous Was A Woman grant. Her solo exhibition “heart of the matter..” opened at Hauser & Wirth NYC in September 2019. Alongside her painterly practice\, Sherald has worked for almost two decades along-side socially committed creative initiatives\, including teaching art in prisons and art projects with teenagers. \nPublic collections include Embassy of the United States\, Dakar\, Senegal; National Museum of Women in the Arts; Smithsonian National Museum of African American History and Culture; Smithsonian National Portrait Gallery; The Columbus Museum; Kemper Museum of Contemporary Art; Baltimore Museum of Art; and Nasher Museum of Art\, Durham\, NC. \nAbout Ashley James \nAt the Brooklyn Museum\, Ashley James organized the Brooklyn Museum presentation of “Soul of a Nation: Art in the Age of Black Power”; and “Eric N. Mack: Lemme walk across the room”; and is co-curating the forthcoming “John Edmonds: A Sidelong Glance.” Prior to Brooklyn she worked in the Department of Drawings and Prints at the Museum of Modern Art\, where she contributed to the 2018 Charles White retrospective and the 2018 Adrian Piper retrospective. James is a Ph.D. candidate in the Departments of African American Studies; English Literature; and Women’s\, Gender\, and Sexuality Studies at Yale University\, from which she holds Master’s degrees in those fields. At Yale she co-curated the 2014 University Art Gallery exhibition “Odd Volumes: Book Art from the Allan Chasanoff Collection.” James writes broadly on modern and contemporary visual and literary arts practices\, and her dissertation reorients the contemporary discourse of black representation by way of experimental art making practices of the late 1960s/early 1970s. \nThank you to Hauser & Wirth for their support.  \n \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n 
URL:https://www.arttable.org/event/ntl-amy-sherald-in-conversation/
LOCATION:The Manny Cantor Center\, 197 E Broadway\, New York\, NY\, 10002\, United States
CATEGORIES:New York,National
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191105T183000
DTEND;TZID=America/New_York:20191105T193000
DTSTAMP:20210216T201643Z
CREATED:20191004T204528Z
LAST-MODIFIED:20210216T201643Z
UID:1058-1572978600-1572982200@www.arttable.org
SUMMARY:NY | Tour of the New MoMA with Ann Temkin
DESCRIPTION:Image: Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8′ x 7’8″ (243.9 x 233.7 cm). The Museum of Modern Art\, New York. Acquired through the Lillie P. Bliss Bequest. © 2004 Estate of Pablo Picasso / Artists Rights Society (ARS)\, New York. \n\nThis program is SOLD OUT! Log in and click here to be added to the waitlist!\nJoin ArtTable NY for an after hours visit to the newly renovated galleries of the Museum of Modern Art with Ann Temkin\, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture.  \nAnn Temkin assumed the role of Chief Curator of Painting and Sculpture in 2008\, after joining The Museum of Modern Art in 2003 as Curator. During her tenure\, Ms. Temkin has focused especially on the acquisitions program of the Department of Painting and Sculpture\, and on reimagining the Museum’s collection galleries. The acquisitions program has followed a three-pronged approach: to strengthen the holdings of landmark works by modern artists whom the Museum collects in depth; to widen its breadth with works by historical artists new to the department’s collection\, especially women\, artists of African descent\, and artists working outside of Europe and North America; and to collect actively from the new generation of artists working today. \nMs. Temkin is currently preparing an exhibition of the work of Donald Judd (2020). Her exhibitions at MoMA include Studio Visit: Selected Gifts from Agnes Gund (2018)\, Picasso Sculpture (2015)\, Robert Gober: The Heart Is Not a Metaphor (2014)\, Jasper Johns: Regrets (2014)\, Ileana Sonnabend: Ambassador for the New (2013)\, Ellsworth Kelly: Chatham Series (2013)\, Claes Oldenburg: The Street and The Store and Mouse Museum/Ray Gun Wing (2013)\, Abstract Expressionist New York (2010)\, Gabriel Orozco (2009)\, and Color Chart: Reinventing Color\, 1950 to Today (2008). \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/ny-tour-of-the-new-moma-with-ann-temkin/
LOCATION:The Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191030T083000
DTEND;TZID=America/New_York:20191030T100000
DTSTAMP:20210216T201742Z
CREATED:20190927T182753Z
LAST-MODIFIED:20210216T201742Z
UID:938-1572424200-1572429600@www.arttable.org
SUMMARY:NY | Artist Breakfast with Valerie Hegarty
DESCRIPTION:Image: Flowers with Roots Elegy. 2019. Wood\, canvas\, wire\, foil\, epoxy clay\, foam\, acrylic paint45” (h) x 31” (w) x 6” (d) \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Valerie Hegarty\, whose work is currently on show at Figuring the Floral at Wave Hill. \nValerie Hegarty is a visual artist based in Brooklyn who creates paintings\, sculptures\, and installations that often address themes of memory\, place and history. Hegarty’s solo exhibitions include Nicelle Beauchene\, NY; Marlborough Gallery Chelsea; Locust Projects\, Miami; Museum 52\, London; The MCA in Chicago; and Guild & Greyshkul\, NY\, among others including a commission for a public sculpture on the High Line\, NY and her most recent show of site-specific installations in The Brooklyn Museum’s period rooms. Selected group exhibitions in NY include Artists Space\, The Drawing Center\, D’Amelio Terras Gallery\, Derek Eller\, White Columns and MoMA PS1. Hegarty has been awarded numerous grants through foundations such as the Pollock Krasner Foundation\, The New York Foundation for the Arts\, the Rema Hort Mann Foundation\, the Tiffany Foundation\, and Campari NY. Residencies include LMCC\, Marie Walsh Sharpe\, PS 122\, MacDowell\, Yaddo and Smack Mellon. Hegarty received an MFA from The School of the Art Institute of Chicago\, a BFA from San Francisco’s Academy of Art College and a BA from Middlebury College\, VT. Hegarty was the first Andrew W. Mellon Arts and the Common Good Artist-in-Residence at Drew University in Madison\, New Jersey from 2014-2015. \nThis program is gernerously funded by the Pollock Krasner FoundationThe Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nWho’s attending this program? Click here to see who’s currently registered! \n\nThank you to ArtTable NY’s Artist Breakfast Committee and to The Flag Art Foundation for hosting this event. \nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/ny-artist-breakfast-with-valerie-hegarty/
LOCATION:The Flag Foundation\, 545 W 25th St #9\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191028T174500
DTEND;TZID=America/New_York:20191028T190000
DTSTAMP:20210216T202028Z
CREATED:20190925T143548Z
LAST-MODIFIED:20210216T202028Z
UID:830-1572284700-1572289200@www.arttable.org
SUMMARY:NY | Alice Miceli: Project Chernobyl at America’s Society
DESCRIPTION:Image: Alice Miceli Chernobyl Exclusion Zone\, radioactive woods\, Belarus\, 2008 \nClick here to REGISTER!\nJoin ArtTable NY for a private curatorial walk through of Alice Miceli: Project Chernobyl at the America’s Society.  \nThis exhibition presents Alice Miceli’s Projeto Chernobyl (Chernobyl Project)\, a series of 30 radiographs produced in 2006–2010. Miceli developed a method of image making to document the enduring effects of the Soviet nuclear plant explosion of April 26\, 1986. Though gamma radiation continues to be present and to cause health problems and deaths in the area\, it is invisible to the naked eye and to traditional methods of photography that have been used to document the region’s ruins. With Projeto Chernobyl\, Miceli made this contamination visible via direct contact between the radiation and film\, which was exposed in the Chernobyl Exclusion Zone for months at a time. Both technically and conceptually complex\, Miceli’s work questions our ideas of vision\, memory\, politics\, and environmental issues. \nLearn more about the exhibition. \nDiana Flatto is assistant curator\, Visual Arts at the Americas Society\, where she has co-curated Alice Miceli: Projeto Chernobyl and assisted on Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For and Lydia Cabrera and Édouard Glissant: Trembling Thinking. Prior to that\, she worked for over five years as a specialist at an auction house. She graduated from Brandeis University with a BA in art history and business\, and earned an MA in art history with an advanced certificate in curatorial studies from Hunter College\, where she co-curated exhibitions including Framing Community: Magnum Photos 1947–Present and Copy\, Translate\, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros. \nCarolina Scarborough is Assistant Curator for Public Programs\, Visual Arts at Americas Society\, where she has realized all public programs related to the organization’s exhibitions including\, Alice Miceli: Projeto Chernobyl\, Walls of Air: The Brazilian Pavilion at the 16th Venice Architecture Biennale\, Victoria Cabezas and Priscilla Monge: Give Me What You Ask For\, and Lydia Cabrera and Édouard Glissant:Trembling Thinking. At the Americas Society she also creates public programs to contextualize\, educate and promote Latin American Art. She is also responsible for the donors\, the Arts of the Americas Circle and fundraising of special public programs of the Visual Arts Department. Ms. Scarborough’s previous experience includes four years at Phillips Auction House as Latin American Art Specialist in the Latin American and Contemporary Art Departments\, and four years as Sales Associate at the Thomas Segal Gallery\, Baltimore. She interned and volunteered in prestigious museum and art institutions including the Museum of Modern Art\, New York\, Independent Curators International\, International Center of Photography\, and The Smithsonian Institution. Ms. Scarborough holds an MA in Museum Studies from New York University and a BA in Comparative Literature from Oberlin College. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Julia Herzberg\, Independent Curator and ArtTable NY Programs Committee Member\, and Carolina Scarborough\, Assistant Curator\, America’s Society\, for organizing this program.  \n 
URL:https://www.arttable.org/event/ny-alice-miceli-project-chernobyl-at-americas-society/
LOCATION:America’s Society\, 680 Park Ave\, New York\, NY\, 10065\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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