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DTSTART;TZID=America/New_York:20250509T090000
DTEND;TZID=America/New_York:20250509T110000
DTSTAMP:20260524T105612
CREATED:20250411T163045Z
LAST-MODIFIED:20250424T150930Z
UID:43402-1746781200-1746788400@www.arttable.org
SUMMARY:New York\, NY | ArtTable’s Art Law Series: Building and Managing a Fine Art Collection
DESCRIPTION:Join us for the third installment of ArtTable’s Art Law Series\, produced in partnership with Patterson Belknap Webb & Tyler LLP. In this conversation\, we will explore the various roles and responsibilities that are involved when building and managing an art collection. Coinciding with the Spring art fair season in New York\, a city whose contemporary art scene is constantly evolving\, this panel will focus on the professionals who help collectors navigate the collection- building and management process. What resources are available to guide collectors when purchasing artworks? How should a collector care for the art once it is in their collection? What are the responsibilities when owning fine art that new collectors might not be aware of? We will hear from several arts professionals involved at the different stages of collection-building\, from the initial purchase to long-time care and conservation. \n\n\n\nThis conversation will build on topics explored in the first two conversations in this series: Responsible Transacting in the Art Market (held at Patterson Belknap’s New York office in April 2024) and From Purchase to Patronage: Stewarding Your Growing Collection (hosted at Untitled Art Miami Beach in December 2024\, with additional support from Private Client Select and SRI Fine Art Services). If you missed us in Miami Beach\, you can enjoy our December conversation courtesy of the Untitled Art Fairs Podcast! \n\n\n\nPanelists: \n\n\n\n\nModerator: Anne-Laure Allehaut\, Counsel\, Patterson Belknap Webb & Tyler LLP\n\n\n\nSharon Chrust\, President\, Sharon Chrust & Associates\n\n\n\nMaura Kehoe Collins\, Principal\, Artiphile\n\n\n\nTanya Wells\, Owner\, TMSW Art Advisory\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nThis program is hosted in partnership with and supported by Patterson Belknap Webb & Tyler LLP \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\nAbout the Speakers \n\n\n\n\n\n\n\n\n\n\n\nAnne-Laure Alléhaut is Counsel in Patterson Belknap’s Art and Museum Law practice. Anne-Laure started her career at Skadden Arps in M&A before serving as a Senior Vice President of Sotheby’s legal transactional team\, negotiating many of the auction house’s most complex and high value transactions while also overseeing Sotheby’s advisory\, appraisal and valuation departments. \n\n\n\nAnne-Laure brings 18 years of law firm and in-house experience to the art industry and draws on her broad and deep experience to advise her clients with speed and efficiency. Her client base includes private collectors\, galleries\, estates\, start-ups\, art dealers\, museums\, advisors and financial institutions. Anne-Laure is a graduate of Université Paris X\, Nanterre and Université Paris II\, Panthéon-Assas. She received her J.D. and LL.M. from Cornell University. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMaura Kehoe Collins is founder and director of Artiphile\, an independent art advisory firm specializing in art collections management services.  Established in 1991 to promote the conscientious stewardship of cultural property\, Artiphile is primarily concerned with the preservation of artistic and historic works held in collections outside museums.  Artiphile implements museum standard procedures for inventory and registration\, cataloguing\, photo-documentation and records management\, condition surveys and baseline condition reports; advises on installation\, conservation and framing\, lighting\, environmental controls\, appraisal and insurance needs\, loans\, storage\, packing\, and transit; provenance and authentication procedures\, as well as succession concerns. All needs germane to the proper maintenance of any art collection large or small\, from acquisition to disposition. \n\n\n\nCollins is a graduate of Mount Holyoke College with a BA in Art History and a minor in Asian Studies acquired during fourteen months of study in Taiwan and at Beijing Normal University in the PRC.  During college Collins worked as a curatorial assistant in the Mount Holyoke College Art Museum and as acting registrar initiated the project to computerize the Museum’s catalogue.  In post graduate studies Collins was the first recipient of the C.V. Starr Fellowship for training in Far Eastern Art Conservation at the Metropolitan Museum of Art\, New York\, a position she held for three years.  A Kress Foundation grant then funded an internship in the Eastern Pictorial Art Conservation Department of the British Museum\, London\, which led to a permanent post.  Collins continued her interest in computerized documentation by representing her department on a task force to network conservation records in all UK museums. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSharon Chrust has been involved in the Contemporary Art market for over 25 years.  In 2003\, she started Sharon Chrust & Associates\, which provides appraisal and art consulting services to private and corporate clients. She has attained the highest accreditation of the Appraisers Association of America\, that of a Certified member and is the Immediate Past President of the Board of the organization.  In addition\, Sharon has been an adjunct instructor at New York University in the Appraisal Studies program\, is an instructor for the Appraisers Association of America’s CASP program\, and was President of the Board of Franklin Street Works\, a non-profit arts space in Stamford\, Connecticut. \n\n\n\nSharon has participated in a number of national and international panels\, and discussions on art and art appraising\, in cities as diverse as Shanghai\, New York City\, Greenwich\, and Sarasota. She has been quoted in articles in Artnews\, and Artsy\, and has written articles on insurance appraisals\, and contributed essays to publications on posthumous editions\, and appraisal writing. Prior to starting Sharon Chrust & Associates\, Sharon was a gallery director at the Waterside Art Gallery in Stamford\, CT\, a docent at the Whitney Museum of American Art and worked in the public relations department of the Cooper Hewitt Museum. She has a Masters in Art History from Hunter College\, a BA from Boston University\, has completed the Certificate of Appraisal Studies at NYU and has passed the Uniform Standards of Appraisal Practice Exam. \n\n\n\n\n\n\n\n\n\n\n\n\n\nTanya Wells began her career in museum education at The Modern Art Museum of Fort Worth under Terri Thornton and Michael Auping. She has worked as a specialist and sales director with Christie’s New York and Bonhams in 19th and 20th Century art for almost twenty years. Tanya also spent a brief time with Winston Art Group in the advisory division assisting large collections and family offices.  \n\n\n\nTanya currently owns and oversees TMSW Art Advisory\, an independent practice focused on creating fine art collections and consulting with families and fiduciaries to manage the unique needs of collectors during a transition\, or at the end of a collecting period. Tanya is a former participant in the ArtTable career fair\, a member of The Modern and Contemporary Collectors Committee of The Morgan Library and Museum\, an IFAR supporter\, and recently became a member of The Cosmopolitan Club. 
URL:https://www.arttable.org/event/new-york-ny-arttables-art-law-series-building-a-collection/
LOCATION:Patterson Belknap Webb & Tyler LLP\, 1133 6th Ave 24th Floor\, New York\, New York\, 10036\, United States
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250506T093000
DTEND;TZID=America/New_York:20250506T103000
DTSTAMP:20260524T105612
CREATED:20250422T160153Z
LAST-MODIFIED:20250422T210210Z
UID:44853-1746523800-1746527400@www.arttable.org
SUMMARY:New York\, NY | Private Walkthrough at Bonhams with Senior Specialist Kacie Desabla
DESCRIPTION:Bonhams is pleased to welcome ArtTable Members for a private walkthrough and viewing of their 20th and 21st Century Sales\, including the 20th / 21st Century Art Evening Sale\, Impressionist & Modern Art\, and Post-War & Contemporary Art Day Sale\, led by Senior Specialist\, Post War & Contemporary Art\, Kacie Desabla. \n\n\n\nLight refreshments will be provided. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-private-walkthrough-at-bonhams-senior-specialist-kacie-desabla/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, New York\, 10022\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250501T173000
DTEND;TZID=America/New_York:20250501T190000
DTSTAMP:20260524T105612
CREATED:20250225T201705Z
LAST-MODIFIED:20250430T212220Z
UID:41071-1746120600-1746126000@www.arttable.org
SUMMARY:Chicago\, IL | MeetAT at Dark Matter Coffee - Star Lounge
DESCRIPTION:You’re invited to our next Chicago MeetAT networking event on May 1\, graciously hosted by ArtTable member Lindsey Owen at Dark Matter Coffee – Star Lounge. Grab a coffee or a tea and gather around a table to engage in conversations with fellow ArtTable members and new connections.  \n\n\n\nWe look forward to seeing you there! \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*Each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/chicago-il-meetat-at-monique-meloche-gallery/
LOCATION:Dark Matter Coffee – Star Lounge\, 2521 W Chicago Ave\, Chicago\, Illinois\, 60622\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T173000
DTEND;TZID=America/New_York:20250408T190000
DTSTAMP:20260524T105612
CREATED:20250225T210116Z
LAST-MODIFIED:20260116T152125Z
UID:41086-1744133400-1744138800@www.arttable.org
SUMMARY:New York\, NY | MeetAT at Magenta Plains
DESCRIPTION:Moira Dryer. The Perpetual Painting\, 1988. \n\n\n\nYou’re invited to our next NY MeetAT networking event on April 8\, graciously hosted by Olivia Smith\, Director at Magenta Plains. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nMagenta Plains was founded in the Lower East Side in 2016 and relocated to a multi-floor\, 4\,500 square-foot space at the intersection of Canal Street and Bowery in 2022. With an intergenerational emphasis\, the gallery’s mission is to foster context and meaning for the development of new ideas and emerging art as well as to exhibit and preserve older generations of artists’ work. The gallery has organized more than 65 exhibitions and presents a dynamic discourse through curated group shows and programming across a multitude of disciplines.The gallery represents artists including Jennifer Bolande\, Ebecho Muslimova\, Rachel Rossin\, Ken Lum\, Zach Bruder\, Don Dudley\, the Estate of Barbara Ess\, Tiril Hasselknippe\, Jibade-Khalil Huffman\, Alex Kwartler\, Liza Lacroix\, Matt Keegan\, Anne Libby\, Chason Matthams\, Peter Nagy\, Bill Saylor\, Jane Swavely\, and the Stan VanDerBeek Archive. Additionally\, the gallery presents a dynamic discourse through its program of curated group shows and project-based solo exhibitions including Sascha Braunig\, Danica Lundy\, Daniel Boccato\, David Ostrowski\, Matthew Metzger\, Alexis Rockman\, and Alan Uglow.Magenta Plains has presented memorable historical solo exhibitions including William Wegman’s rare\, altered photographs and drawings from the 1970s and 80s\, Lillian Schwartz’ critically acclaimed debut New York solo gallery show at age 89\, German artist Georg Herold’s caviar paintings and sculptures\, a critically acclaimed exhibition of paintings from the 1980s by Martha Diamond\, an exhibition of Tina Girouard’s rarely exhibited “DNA-Icons” series\, and new found object sculptures by Jon Kessler. The gallery also looks forward to upcoming presentations of works by Moira Dryer and Paul Gardère. \n\n\n\nFrom March 13 – April 25\, 2025\, Magenta Plains will present Ebecho Muslimova & Maria Lassnig\, an exhibition that brings together the work of two artists who confront the psychological and physical experience of the body in profoundly individual yet resonant ways. New paintings and Sumi ink drawings by Muslimova are paired with historic works by Lassnig dated from 1970-1992. \n\n\n\nFrom March 13 – April 26\, 2025\, Magenta Plains will also present Moira Dryer: Perpetual Painting\, a posthumous solo exhibition of works from 1986 to 1992. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*Each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-meetat-at-magenta-plains/
LOCATION:Magenta Plains\, 149 Canal St\, New York\, New York\, 10002\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250404T160000
DTEND;TZID=America/New_York:20250404T170000
DTSTAMP:20260524T105612
CREATED:20250211T221424Z
LAST-MODIFIED:20250314T171349Z
UID:40894-1743782400-1743786000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Anonymous Was a Woman: The First 25 Years" at NYU's Grey Art Museum
DESCRIPTION:Join ArtTable for a curator-led tour of Anonymous Was A Woman: The First 25 Years at the Grey Art Museum at New York University\, led by exhibition co-curators Nancy Princenthal and Dr. Vesela Sretenović. \n\n\n\nIn 1996\, artist and philanthropist Susan Unterberg founded the Anonymous Was A Woman (AWAW) award\, making a simple\, yet radical commitment to redress the lack of institutional support for women visual artists over the age of 40. She sought to provide mid-career artists with the means to procure workspace\, art supplies\, childcare\, or whatever else they needed to further their artistic careers. For the past two and a half decades\, AWAW has provided unrestricted grants of $25\,000 to ten or more artists each year.  \n\n\n\nShowcasing some 50 artworks by 41 of the 251 award recipients from AWAW’s first 25 years (1996 through 2020)\, this exhibition explores several themes surrounding anonymity and\, ultimately\, celebrates the transformative impact women artists have made on contemporary art since the award’s founding. With each year represented by at least one artist\, the exhibition includes works created within a few years of their grant\, demonstrating the significance of the award to the artist’s growth. The range of artists featured in the exhibition demonstrates the demographic and aesthetic diversity of past awardees. All 251 artists are represented in a publication accompanying the exhibition\, which also includes critical essays about the awardees by Princenthal\, Sretenović\, and other women scholars. \n\n\n\nClick here to read more about the landmark exhibition. \n\n\n\n\n\nVisitor Notes: \n\n\n\n\nThe Grey is fully walker- and wheelchair-accessible\, and several portable stools are available to borrow for use within the galleries upon request.\n\n\n\nPlease note that large bags and backpacks must be checked in a secure locker\, and food & drink (including water bottles) are not permitted. \n\n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\n\n\nAll registrants for this event will be provided with a 20% discount on ArtTable’s limited edition scarf celebrating 25 Years of Anonymous Was a Woman\, created in 2021 in conjunction with ArtTable’s 45 year anniversary and the year Susan Unterberg received the Distinguished Service to the Visual Arts Award. Made of 100% silk habotai\, only a handful of scarves remain in our inventory!  \n\n\n\n\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\nNancy Princenthal is a Brooklyn-based writer whose book Agnes Martin: Her Life and Art (2015) received the 2016 PEN/Jacqueline Bograd Weld Award for Biography. She is also the author of Hannah Wilke (2010) and Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s (2019)\, and co-author of Mothers of Invention: The Feminist Roots of Contemporary Art (2024). Princenthal has taught at Bard\, Princeton\, Yale\, the School of Visual Arts\, NYU’s Institute of Fine Arts\, and elsewhere. \n\n\n\nDr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure\, she had organized Intersections\, a series of ongoing contemporary art projects\, as well as monographic exhibitions of prominent artists including Robert Ryman\, Ellsworth Kelly\, Antony Gormley\, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally\, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips\, Sretenović worked at Brown University\, the University at Buffalo SUNY\, and the Brooklyn Museum of Art. She is a frequent visiting faculty\, teaching modern and contemporary art history and theory\, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade\, Former Yugoslavia\, an MA from the School of the Art Institute of Chicago\, and a PhD in Humanities from Syracuse University. \n\n\n\n\n\n\n\nImage credits:Judy Pfaff\, Ram’s Delhi\, 2012. Wood\, mild steel rod\, melted plastics\, black aluminum foil\, and LED and UV Fluorescent light\, 70 x 132 x 17 in. Collection of the artist\, New York
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-anonymous-was-a-woman-the-first-25-years-at-nyus-grey-art-museum/
LOCATION:NYU Grey Art Museum\, 18 Cooper Square\, New York\, New York\, 10003
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250403T183000
DTEND;TZID=America/New_York:20250403T203000
DTSTAMP:20260524T105612
CREATED:20250102T215252Z
LAST-MODIFIED:20250211T172728Z
UID:36157-1743705000-1743712200@www.arttable.org
SUMMARY:2025 Annual Benefit & Award Ceremony
DESCRIPTION:People of all gender identities are allies in supporting women and nonbinary professionals’ leadership in the arts\, and everyone is welcome to attend our Benefit events.\n\n\n\n\n\n\n\nDetails on Ticket Levels Below \n\n\n\nPlease join us at the Bohemian National Hall in New York City\, honoring ArtTable’s 2025 Distinguished Service to the Visual Arts Awardee Komal Shah\, and New Leadership Awardee Danielle Amodeo.  \n\n\n\nArtTable’s Annual Benefit & Award Ceremony was launched in 1993\, 13 years after the organization was founded. The inaugural event honored actress\, singer\, television personality\, spokesperson for the arts\, and then Chair of the New York State Council on the Arts\, Kitty Carlisle Hart\, with the first-ever Distinguished Service to the Visual Arts Award. In following years\, the event would go on to honor trailblazers and powerhouse women in the arts\, including Agnes Gund\, Marcia Tucker\, Yoko Ono\, Thelma Golden\, Lowery Stokes Sims\, and many more. In 2005\, the New Leadership Award was introduced to honor and celebrate emerging women leaders in the arts. Click here to learn more about ArtTable’s Annual Benefit & Award Ceremony. \n\n\n\nRegister to be a part of one of the year’s most celebrated art world events and contribute to ArtTable’s vision for a more equitable art world! \n\n\n\nThis program is a standing cocktail reception with refreshments\, light bites\, and remarks from our honorees. Limited seating is available. ASL interpretation will be provided. \n\n\n\n\n\n\n\nDetails on Ticket Levels Below \n\n\n\n\n Tickets $25\,000 - Mentorship and Equity Supporter Named support of one ArtTable Fellowship* in 2025Support 5 Mentorship tickets for emerging professionals or former fellow in the field1 purchaser ticket and 9 guest tickets to the BenefitAcknowledgement as a contributor to ArtTable’s Impact Initiatives Fund\, in Honor of Meg Perlman on website and press releases for one yearPremier recognition on Benefit listings and spoken recognition at BenefitPremier advertisement$15\,000 - Member Supporter  Support of 20 Affiliate level* Memberships for emerging professionals in the artsListing on ArtTable Membership webpage as an Affiliate Supporter for one year1 purchaser ticket and 9 guest tickets to the BenefitSupport 5 Mentorship tickets to the Benefit for emerging professionals in the artsPremier recognition on Benefit listingsPriority screen advertisement$10\,000 - Visionary Supporter 1 purchaser ticket and 9 guest tickets to the BenefitPremier recognition on Benefit listingsSupport 1 Mentorship ticket to the Benefit for an emerging professional in the artsPriority screen advertisement$5\,000 - Community Supporter 1 purchaser ticket and 4 guest tickets to BenefitRecognition in Benefit listingsClassic screen advertisement$3\,000 - Leadership Ticket 1 purchaser ticket and 3 guest tickets to BenefitRecognition in Benefit listings$1\,000 - Executive Ticket 1 purchaser ticket and 1 guest ticket to BenefitRecognition in Benefit listings$550 - Member Friend Ticket 1 purchaser ticket to BenefitRecognition in Benefit listings$375 - General Ticket $225 - ArtTable Member Ticket (Sign into your ArtTable account to access) $200 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professional (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person).*ArtTable's Fellowship Program is one of ArtTable’s Impact Initiatives which provides work experiences and mentorship to women and nonbinary emerging professionals in the visual arts. *ArtTable's Affiliate Level is a subsidized ArtTable Membership Level for early career professionals.  Advertisement Levels $1\,375 - Premier Video Advertisement Five-second video advertisement to be played at the Benefit a minimum of 30 timesInclusion in dedicated e-blast to ArtTable members$775 - Priority Screen Advertisement  Three-second stationary advertisement to be played at the Benefit displayed a minimum of 20 timesInclusion in dedicated e-blast to ArtTable members$475 - Classic Screen Advertisement  Three-second stationary advertisement to be played at the Benefit displayed a minimum of 10 timesInclusion in dedicated e-blast to ArtTable members$200 - Priority Message Maximum 150-character message to be played at the Benefit displayed a minimum of 20 times $100 - Classic Message  Maximum 150-character message to be played at the Benefit displayed a minimum of 10 timesAll advertisements and messages are digital and will be displayed at the Benefit if received by March 20th\, 2025. Messages can be in support of the honorees or ArtTable itself. All messages are subject to review by ArtTable. Advertisement purchases do not include a ticket to the Benefit. \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all events are non-refundable. A portion of all ticket levels is tax-deductible; mentorship tickets are fully tax-deductible for the purchaser. Registrants will receive an acknowledgement letter confirming the tax-deductible donation amount after the event. Please email programs@arttable.org with any questions.
URL:https://www.arttable.org/event/2025-annual-benefit-award-ceremony/
LOCATION:New York
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250318T180000
DTEND;TZID=America/New_York:20250318T200000
DTSTAMP:20260524T105612
CREATED:20250109T223905Z
LAST-MODIFIED:20260116T154037Z
UID:39354-1742320800-1742328000@www.arttable.org
SUMMARY:New York\, NY | Author Talk: "The Blonde with the Balls: An Insider's View of The Art World" with Patricia Hamilton
DESCRIPTION:ArtTable is thrilled to present a book talk with trailblazing gallerist Patricia Hamilton\, a longtime member of the ArtTable community\, at Bortolami in Tribeca. Her memoir\, The Blonde with the Balls: An Insider’s View of the Art World\, recounts stories that only a figure as inimitable as Hamilton could have collected in a voice that is singularly her own. We’ll follow her riveting recollections of life and work as one of the few women and self-made professionals who emerged onto the scene fifty years ago – and transformed it irrevocably. From the Whitney Museum and Art in America to her eponymous Hamilton Gallery – where she championed Louise Bourgeois\, Grace Hartigan\, Deborah Remington\, Joan Snyder\, and many other artists – Hamilton has cut a unique path and shares a perspective no one else has on the art world. Jessica L. Porter\, Lila Harnett Executive Director of ArtTable\, will moderate the discussion. \n\n\n\nPlease note that registration for this event does not include a copy of the book. Books will be available at the gallery for purchase and signing. \n\n\n\nSeating will be available during this event. Please note that Bortolami’s main entrance is a two-step entrance from the street; the elevator-accessible entrance is directly to the left of the steps. The third-floor event space is primarily accessed by stairs\, but there is an onsite elevator that can be used as needed. \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\nMember Guests – $30\n\n\n\nNon-Members – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Author \n\n\n\n\nPatricia Hamilton\, a founding member of ArtTable\, has been involved in the art world for fifty years: first as assistant to Robert Doty at the Whitney Museum\, then as Senior Editor of Art in America. Finally\, she found her calling as a dealer and was Curator of Exhibitions at the Andrew Crispo Gallery. At age 26\, she opened her own gallery on 57th Street\, the Hamilton Gallery of Contemporary Art. This was 1977\, and 10% of women were dealers\, and most had family money. She raised all the money to open and showed 60-70% women. She wanted to show mid-career artists who had been ignored by the world. What better reason to show women? She showed Louise Bourgeois (for the first time in a commercial gallery in 15 years)\, Grace Hartigan\, Deborah Remington\, and Joan Snyder. Six of the artists have attained blue-chip status. Aside from Louise\, Deborah\, and Joan\, she would include Ron Gorchov\, Sam Gilliam\, and Robert Colescott. Then\, due to a family tragedy\, she closed in 1984 and became an artist’s agent. She rented pop-up spaces and showed artists in New York\, Chicago\, and Los Angeles. In 1990\, she moved to Los Angeles before it was fashionable. She became the first director of the Salander-O’Reilly Gallery and then went off on her own\, selling art to Hollywood collectors. Today\, she lives in Whitley Heights in Los Angeles with her two dogs and is peaceful and content.
URL:https://www.arttable.org/event/new-york-ny-author-talk-the-blonde-with-the-balls-an-insiders-view-of-the-art-world-with-patricia-hamilton/
LOCATION:Bortolami Gallery\, 39 Walker St\, New York\, New York\, 10013\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/01/unnamed-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250313T173000
DTEND;TZID=America/New_York:20250313T190000
DTSTAMP:20260524T105612
CREATED:20250122T172910Z
LAST-MODIFIED:20250207T230113Z
UID:40484-1741887000-1741892400@www.arttable.org
SUMMARY:New York\, NY | MeetAT at Fountain House Gallery & Studio
DESCRIPTION:You’re invited to our next NY MeetAT networking event on March 13\, graciously hosted by Rachel Weisman\, Gallery Director of Fountain House Gallery & Studio. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nFountain House Gallery and Studio supports the careers and creative visions of contemporary artists living with mental illness. Founded by Fountain House in 2000 as a not-for-profit exhibition space for its member artists living and working with mental illness\, the Gallery sells original artworks and collaborates with a wide network of artists\, curators\, and cultural institutions. Embracing artists who are emerging or established\, trained or self-taught\, Fountain House Gallery cultivates artistic growth\, makes a vital contribution to the New York arts community\, and challenges the stigma surrounding mental illness. \n\n\n\nFor this event\, the gallery will present Meticulous Markings which features 9 artists who utilize a unique method of mark-making in their work. All works intrigue and invite the viewer to look more closely at the images\, to see something more. This fastidious attention to detail by the artist will hopefully transfer to the viewer and allow them time to focus. Everyone’s life is often busy\, and people rush about\, but we hope this exhibition will allow audiences to pause\, reflect\, and find hidden things in the art\, to bring about a greater sense of well-being. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*Each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
URL:https://www.arttable.org/event/new-york-ny-meetat-at-fountain-house-gallery-studio/
LOCATION:Fountain House Gallery & Studio\, 702 9th Ave\, New York\, New York\, 10019\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/01/IMG_4135-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250303T170000
DTEND;TZID=America/New_York:20250303T183000
DTSTAMP:20260524T105612
CREATED:20241211T172612Z
LAST-MODIFIED:20250211T180017Z
UID:35271-1741021200-1741026600@www.arttable.org
SUMMARY:Los Angeles\, CA | MeetAT at Los Angeles Center of Photography
DESCRIPTION:You’re invited to our next MeetAT networking event on January 9 in Los Angeles\, CA\, graciously hosted by Rotem Rozental at Los Angeles Center of Photography. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and prospective members. \n\n\n\nAbout LACP:Visual storytellers change the world. They need a safe space to hone their craft and articulate their voices. Los Angeles Center of Photography (LACP) is a crucible that forges creative vision\, insight\, and experimentation into a vibrant photographic community that expresses the cultural and artistic crosscurrents that are the essence of Los Angeles.A non-profit since 2013\, LACP supports\, mentors and promotes visual storytellers on their creative journeys\, at all stages of life and career. \n\n\n\nEach year\, LACP programs\, organizes and offers the wider public over 150 exhibitions\, classes\, workshops\, public programs\, reviews and events\, whether in its home in Downtown Los Angeles\, with partners across LA County\, or online. \n\n\n\nFor this event\, the gallery will feature Flourish\, a solo exhibition with inagural winner of the Aline Smithson Next Generation Award\, Stephanie Shih (史欣雲). 欣欣向荣 𝕱𝖑𝖔𝖚𝖗𝖎𝖘𝖍\, focuses on work from the last five years\, seeking to articulate central themes and approaches. As a second generation Taiwanese-Chinese American\, Shih explores contemporary and historical cultural dynamics of the diaspora through still life creations\, drawing on her background in semiotics and research to recode the symbologies of the still life canon. \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and prospective members*\n\n\n\n\n*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/los-angeles-ca-meetat-at-los-angeles-center-of-photography/
LOCATION:Los Angeles Center of Photography\, 252 S Los Angeles St.\, Los Angeles\, California\, 90012\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/12/AwardsCeremony2024_byYuliaMorris-1019815-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250226T160000
DTEND;TZID=America/New_York:20250226T170000
DTSTAMP:20260524T105612
CREATED:20250110T190207Z
LAST-MODIFIED:20250110T190905Z
UID:39629-1740585600-1740589200@www.arttable.org
SUMMARY:North Miami\, FL | Curator Tour of "See Me\, Hear Me: Native Cultures" at ArtNexus Space
DESCRIPTION:Please join us for a tour of the group exhibition “See Me\, Hear Me: Native Cultures\,” the inaugural exhibition at the new ArtNexus Space in North Miami. The exhibition delves into the creative production of members of Indigenous communities\, artists of Indigenous descent\, and contemporary visual artists who have addressed issues related to the cosmogonies of various Indigenous peoples of Latin America and the problems they have faced over time. Artists on view include Claudia Andújar\, Lastenia Canayo García (Pecón Quena)\, Sandra Gamarra\, Santiago Yahuarcani\, Sheroanawe Hakihiiwë\, Zoila Andrea Coc-Chang\, and many others. ArtNexus Space Executive Director & Chief Curator\, Francine Birbragher-Rozencwaig\, Ph.D.\, will lead us through the space and exhibition. Light refreshments will be provided. \n\n\n\nThe new ArtNexus Space will expand the work the organization has been doing for 48 years to promote the dissemination\, knowledge\, and study of art from Latin America and the Caribbean. ArtNexus Space will present two annual shows drawn from private collections to which the public does not usually have access. In many cases\, early works by important artists\, acquired shortly after their production\, will be on view. These projects will be accompanied by curatorial studies and publications that will become valuable reference documents. \n\n\n\nThe ArtNexus Space has a small elevator that can accommodate up to 2 people or a wheelchair. Benches are located throughout the gallery. \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nGeneral Admission – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Francine Birbragher-Rozencwaig\, Ph.D. \n\n\n\nFrancine Birbragher-Rozencwaig is an art historian\, independent curator\, and art critic. Shereceived a Master’s in art history and a Ph.D. in Latin American history from the University ofMiami. She is a founding and contributing editor of ArtNexus magazine and was recentlyappointed Executive Director and Curator of the ArtNexus Space in North Miami. Since 1989\,she has written about modern and contemporary art for specialized magazines\, newspapers\,artists’ monographs\, and exhibition catalogs. She specializes in Latin American and Caribbeanart\, emphasizing young emerging artists and pioneering women artists from the 20 th century. Sheis the author of the book Essays on 20 th Century Latin American Art (Routledge\, 2022). From2008 to 2015\, she worked as an adjunct curator at The Patricia and Phillip Frost Art Museum\,Florida International University\, Miami\, Florida. In 2023\, she co-curated the XXIII Bienal deArte Paiz in Guatemala with Juan Canela. As an independent curator\, she has organized over onehundred exhibitions in the United States and Latin America. She serves on the Advisory Boardof the Friends of the Uffizi Gallery in Florence\, Italy. She belongs to several professionalorganizations\, including the International Association of Art Critics (AICA)\, the College ArtAssociation (CAA)\, the Association for Latin American Art (ALAA)\, and ArtTable. \n\n\n\nImage: Zoila Andrea Coc-Chang\, Más mazorca verde (More Green Cob)\, 2021Silk organza\, corn husks and leaves\, plastic\, glitter\, floral wire\, and nails on the wall15.7 x 17.7 in. Courtesy of the artistPhoto: Etienne Frossard
URL:https://www.arttable.org/event/north-miami-fl-curator-tour-of-see-me-hear-me-native-cultures-at-artnexus-space/
LOCATION:ArtNexus Space\, 12500 N.E. 8th Avenue\, 2nd Floor\, North Miami\, Florida\, 33161\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/01/Screen-Shot-2025-01-10-at-1.59.50-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250220T173000
DTEND;TZID=America/New_York:20250220T190000
DTSTAMP:20260524T105612
CREATED:20250203T194347Z
LAST-MODIFIED:20250203T194350Z
UID:40733-1740072600-1740078000@www.arttable.org
SUMMARY:Washington\, D.C. | MeetAT at Chela Mitchell Gallery
DESCRIPTION:You’re invited to our next D.C. MeetAT networking event on February 20\, graciously hosted by Chela Mitchell\, Art Advisor and Creative Director of Chela Mitchell Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nChela Mitchell Gallery is a contemporary art space rooted in community cultivation\, the richness of culture\, and the amplification of unique voices in fine art and design. Founded in 2021 by art advisor Chela Mitchell\, the gallery has quickly become a premier destination for discovering artists who push boundaries and inspire new perspectives. Through curated exhibitions\, educational programming\, and a carefully curated store featuring art\, gifts\, and design objects\, Chela Mitchell Gallery fosters meaningful connections between artists\, collectors\, and the broader art ecosystem. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-d-c-meetat-at-chela-mitchell-gallery/
LOCATION:Chela Mitchell Gallery\, 1350 5th Street NE\, Suite C\, Washington\, District of Columbia\, 20002\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/02/Screenshot-2025-02-03-at-2.38.59 PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250204T153000
DTEND;TZID=America/New_York:20250204T163000
DTSTAMP:20260524T105612
CREATED:20250104T002935Z
LAST-MODIFIED:20250104T003056Z
UID:38180-1738683000-1738686600@www.arttable.org
SUMMARY:Los Angeles\, CA | Guided Tour of 'Diane von Furstenberg: Woman Before Fashion' at the Skirball Cultural Center
DESCRIPTION:Installation view of Diane von Furstenberg: Woman Before Fashion. Courtesy Skirball Cultural Center. \n\n\n\nJoin ArtTable for an exclusive tour of Diane von Furstenberg: Woman Before Fashion at the Skirball Cultural Center with Chief Curator Cate Thurston. Organized by the Fashion & Lace Museum in Brussels\, where von Furstenberg was born\, the exhibition uncovers the fascinating life story of a woman whose business transformed the world of fashion – and whose designs have empowered and celebrated the women who wear them. Program registration includes admission to the Skirball\, with time to explore the galleries until the Center closes at 5:00 pm. \n\n\n\n \n\n\n\n\nAbout the exhibition: Diane von Furstenberg: Woman Before Fashion explores the remarkable life and work of fashion designer Diane von Furstenberg. This expansive\, multidisciplinary exhibition\, enriched by a lavishly illustrated catalogue featuring interviews and scholarly essays\, invites visitors to discover the extraordinary features of von Furstenberg’s career\, from the 1970s to the present day. \n\n\n\nOrganized in four thematic sections\, Diane von Furstenberg: Woman Before Fashion includes a selection of over sixty pieces drawn from the DVF archives along with ephemera\, fabric swatches\, media pieces\, and information on her philanthropic work. The Skirball’s presentation of this exhibition will also include new images and audio that shed light on von Furstenberg’s personal biography as the daughter of a Holocaust survivor and a war refugee\, offering additional perspective on the factors that shaped her life and work. Diane von Furstenberg: Woman Before Fashion was organized by the Fashion & Lace Museum in von Furstenberg’s native city of Brussels\, Belgium. \n\n\n\n \n\n\n\n\nParking and Accessibility (please see the Skirball’s website for full details): \n\n\n\nParking at the Skirball Cultural Center is free. ADA accessible parking is available in the South Parking garage\, with a limited number of additional ADA accessible spaces available in the North and East garages.  \n\n\n\nAll indoor and outdoor spaces are accessible to mobility devices\, with heelchairs available for check-out from the Main Entrance lobby desk and North Parking Garage security kiosk on a first-come\, first-served basis. \n\n\n\n \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\nMember Guests – $30\n\n\n\nNon-Members – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nArtTable extends its sincerest thanks to Felice Axelrod for coordinating this program. \n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator: \n\n\n\nCate Thurston\, Chief Curator\, joined the Skirball team in 2015 and is the coordinating curator for Diane von Furstenberg: Woman Before Fashion. She is also the co-curator of the Skirball exhibition “I’ll Have What She’s Having”: The Jewish Deli\, which is currently traveling on a five-city national tour. Thurston previously curated the acclaimed exhibition Notorious RBG: Ruth Bader Ginsburg (2018). She was the managing curator for the Skirball’s presentations of Blacklist: Hollywood’s Red Scare (2023) Sara Berman’s Closet (2018)\, Future Aleppo (2018)\, Paul Simon: Words & Music (2017)\, Chasing Dreams: Baseball and Becoming American (2016)\, and the curator for The Unauthorized History of Baseball in 100-Odd Paintings: The Art of Ben Sakoguchi (2016). Prior to joining the Skirball\, Thurston worked at the Autry Museum of the American West for five years in a variety of exhibition\, education\, and visitor experience-related positions\, culminating in a hybrid curatorial role. Thurston holds a B.A. in American History from Franklin Pierce University in New Hampshire and an M.A. in History from California State University\, Northridge.
URL:https://www.arttable.org/event/los-angeles-ca/
LOCATION:Skirball Cultural Center\, 2701 N. Sepulveda Blvd\, Los Angeles\, California\, 90049\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/01/dvf_main_gallery.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250129T180000
DTEND;TZID=America/New_York:20250129T200000
DTSTAMP:20260524T105612
CREATED:20241222T042822Z
LAST-MODIFIED:20260116T154322Z
UID:36660-1738173600-1738180800@www.arttable.org
SUMMARY:New York\, NY | Author Talk: 'Mothers of Invention: The Feminist Roots of Contemporary Art'
DESCRIPTION:Join ArtTable for an Author Talk exploring Mothers of Invention: The Feminist Roots of Contemporary Art (Lund Humphries\, 2024)\, written by Eleanor Heartney\, Helaine Posner\, Nancy Princenthal\, and Sue Scott. This talk will be generously hosted in the home of Joyce Pomeroy Schwartz\, a founding Board member of ArtTable. \n\n\n\nThis program will begin with light refreshments and conversation\, with the Author Talk beginning at 6:30 PM. Seating will be provided. \n\n\n\nAbout the book: Offering a radical rewriting of the history of contemporary art from a feminist perspective\, four distinguished authors explore the lineages of performance\, abstraction\, craft and ecofeminism in ways that reveal the debt these important genres owe to the work of pioneering women artists. Tracing these influences over time\, Mothers of Invention underscores the enormous impact of feminist ideas on the work of contemporary artists of all genders. \n\n\n\nThe painters\, sculptors and performance artists featured here have shaped ideas now dominating the art world: the vulnerability of the environment\, the rise of activist art\, the challenge to the reign of high technology (including digital culture)\, and the development of a new language of abstraction. Having demolished the linear narrative of modernism\, the privileging of a white male ethnocentric vision\, the division of high and low art and the separation of art from larger social issues\, feminist artists laid the groundwork for the globalised\, multi-media\, postmodern art world of today. \n\n\n\nIllustrated with a spread of work from the last sixty years (and including contextual discussion of earlier practitioners)\, this book makes a compelling case for placing feminist art and artists at the heart of contemporary art. \n\n\n\n \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\nMember Guests – $30\n\n\n\nNon-Members – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\nAbout the Authors: \n\n\n\nEleanor Heartney is Contributing Editor to Art in America and Artpress. Recent publications include: Doomsday Dreams: the Apocalyptic Imagination in Contemporary Art (2019).  \n\n\n\nHelaine Posner is Chief Curator Emerita at the Neuberger Museum of Art\, SUNY\, Purchase College\, New York. She is the author of monographs on the artists Kiki Smith\, Louise Fishman\, and\, most recently\, Donna Dennis: A Poet in Three Dimensions (2023).  \n\n\n\nNancy Princenthal is a writer whose most recent book Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s (2019) was named one of the best art books of the year by the New York Times. She is also the author of Agnes Martin: Her Life and Art (2015)\, which won a PEN America award for biography.  \n\n\n\nSue Scott is an independent curator and writer. She was Adjunct Curator of Contemporary Art at the Orlando Museum of Art from 1989 to 2008 and founder and director of Sue Scott Gallery in New York City. All four writers are co-authors of the award-winning book After the Revolution: Women Who Transformed Contemporary Art (2007) and of The Reckoning: Women Artists of the New Millennium (2013).
URL:https://www.arttable.org/event/new-york-ny-author-talk-mothers-of-invention-the-feminist-roots-of-contemporary-art/
LOCATION:Home of Joyce Pomeroy Schwartz\, Address to be shared with registrants\, Midtown Manhattan\, New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/12/Screen-Shot-2024-12-21-at-11.07.31-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250108T173000
DTEND;TZID=America/New_York:20250108T183000
DTSTAMP:20260524T105612
CREATED:20241201T191610Z
LAST-MODIFIED:20260116T154217Z
UID:34412-1736357400-1736361000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of 'Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde' at the NYU Grey Art Museum
DESCRIPTION:Installation view of ”Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde.” Courtesy Grey Art Museum\, New York University. Photo: Simon Cherry\n\n\n\n\n \n\n\n\n*This program has reached capacity. To join the waitlist\, please cick “Register” below. An ArtTable staff member will contact you if a space becomes available.* \n\n\n\nJoin ArtTable for our first event of 2025! Join us at NYU’s Grey Art Museum for a tour of Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde with Lynne Gumpert\, Director of the Grey and co-curator of the exhibition. This tour covers a pivotal chapter in the history of modern art: the career of Berthe Weill\, who broke boundaries as the first woman in her profession and as the dealer who recognized and cultivated the talents of many of the most influential artists of the 20th century.  \n\n\n\nMake Way for Berthe Weil is the second exhibition presented in the Grey Art Museum’s new and expanded home on Cooper Square\, where NYU’s campus museum moved in 2024 after nearly fifty years as the Grey Art Gallery on Washington Square East. \n\n\n\nAbout the Exhibition: Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde surveys the groundbreaking career of the first woman modern art dealer. Berthe Weill (1865–1951) championed many fledgling masters of modern art early on—such as Pablo Picasso\, Henri Matisse\, and Amedeo Modigliani—as well as numerous others who did not achieve wide acclaim. Yet her role in early 20th century modernism has been omitted from most historical accounts. \n\n\n\nThe exhibition will feature some 110 paintings\, drawings\, prints\, and sculpture—many of which were shown at her gallery during the first four decades of the 20th century. The exhibition also includes archival documents—such as letters\, exhibition catalogs\, photographs\, and journals—that reveal her deep relationships with a range of artists. Examining Weill’s contributions to the history of modernism as a gallerist\, a passionate advocate of contemporary art\, and a Jewish woman\, it brings to light the remarkable achievements of a singular figure who overcame sexism\, antisemitism\, and economic struggles in her quest to promote emerging artists. \n\n\n\nCo-organized by NYU’s Grey Art Museum\, the Montreal Museum of Fine Arts\, and the Musée de l’Orangerie\, the exhibition’s curatorial team includes Grey Director Lynn Gumpert\, Marianne Le Morvan\, founder of the Berthe Weill Archives in Paris\, Anne Grace\, curator of modern art at the Montreal Museum of Fine Arts\, and Sophie Eloy\, collections administrator and coordinator of the Contrepoints installations at the Musée de l’Orangerie. The exhibition will tour to the Montreal Museum of Fine Arts May 10–September 7\, 2025\, and the Musée de l’Orangerie in Paris October 8\, 2025–January 25\, 2026. \n\n\n\nVisitor Policies and Accessibility: Please note that large bags and backpacks must be checked in a secure locker\, and food & drink (including water bottles) are not permitted. The Grey is fully walker- and wheelchair-accessible\, and several portable stools are available to borrow for use within the galleries. \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator: \n\n\n\n\nLynn Gumpert is the Director of NYU’s Grey Art Museum\, formerly known as the Grey Art Gallery. During her tenure\, the Grey has presented over 75 exhibitions. Among them are: Make Way for Berthe Weill: Art Dealer of the Parisian Avant-Garde (2024); Taking Shape: Abstraction from the Arab World (2020); and The Beautiful Brain: The Drawings of Santiago Ramón y Cajal (2018). Lynn received a BA from the University of California at Berkeley and an MA in art history from the University of Michigan. The French government honored Gumpert with the distinction of Chevalier of the Order of Arts and Letters in 1999. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable would like to thank Dorothea Basile\, Riva Blumenfeld\, and Donna Harkavy for coordinating this event\, and to acknowledge the late Julie Saul‘s contributions to the ArtTable community as well as to the NYU Grey Art Museum.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-make-way-for-berthe-weill-art-dealer-of-the-parisian-avant-garde-at-the-nyu-grey-art-museum/
LOCATION:NYU Grey Art Museum\, 18 Cooper Square\, New York\, New York\, 10003
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T180000
DTEND;TZID=America/New_York:20241212T200000
DTSTAMP:20260524T105612
CREATED:20241022T181644Z
LAST-MODIFIED:20241030T183837Z
UID:28690-1734026400-1734033600@www.arttable.org
SUMMARY:Washington\, DC | Holiday MeetAT at Morton Fine Art
DESCRIPTION:You’re invited to our upcoming Holiday MeetAT networking event on December 12\, graciously hosted by Amy Morton\, Owner & Chief Curator of Morton Fine Art. Enjoy light refreshments while catching up with fellow ArtTable members\, prospective members and making new connections. \n\n\n\nFounded in 2010 in Washington\, DC by curator Amy Morton\, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance\, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African and Global Diaspora.  \n\n\n\nMorton Fine Art founded the trademark *a pop-up project in 2010. A pop-up project is MFA’s mobile gallery component which hosts temporary curated exhibitions nationally. \n\n\n\nOn view from November 12th\, 2024 to January 18th\, 2025\, Meditation on Blue brings together a diverse group of artists whose works transcend geographical boundaries to explore the depth and versatility of blue in abstract art. Learn more about their Art and Healing Series: Meditation on Blue \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and prospective members*\n\n\n\n\n*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\nWith this free event\, ArtTable would like to thank all its members for a wonderful year! We appreciate any contribution you can make to help us continue to create opportunities for connections like these. Please kindly add a fully tax-deductible donation in support of ArtTable and our mission to empower\, engage\, and foster the leadership of women and nonbinary professionals in the visual arts! \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-dc-holiday-meetat-at-morton-fine-art/
LOCATION:Morton Fine Art\, 52 O St NW\, Washington\, District of Columbia\, 20001\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241212T160000
DTEND;TZID=America/New_York:20241212T171500
DTSTAMP:20260524T105612
CREATED:20241102T011449Z
LAST-MODIFIED:20241103T201836Z
UID:29148-1734019200-1734023700@www.arttable.org
SUMMARY:San Francisco\, CA | Guided Tour of 'Amy Sherald: American Sublime' at SFMOMA
DESCRIPTION:Amy Sherald\, Michelle LaVaughn Robinson Obama (detail)\, 2018; National Portrait Gallery\, Smithsonian Institution. The National Portrait Gallery is grateful to the following lead donors for their support of the Obama portraits: Kate Capshaw and Steven Spielberg; Judith Kern and Kent Whealy; Tommie L. Pegues and Donald A. Capoccia. Courtesy of the Smithsonian’s National Portrait Gallery.\n\n\n\nJoin ArtTable at SFMOMA an exclusive guided tour of Amy Sherald: American Sublime with Auriel Garza\, Curatorial Assistant\, Painting & Sculpture. \n\n\n\nAbout the exhibition: Amy Sherald: American Sublime invites you to breathe. Come and be taken in by the colors\, shapes\, and forms painted by one of America’s defining contemporary portraitists. This exhibition presents nearly 50 of Amy Sherald’s luminous paintings\, including her iconic portraits of Michelle Obama and Breonna Taylor\, poetic early works\, and new works on view for the first time. Sherald’s artworks convey the quiet power in everyday people and invite viewers to participate in a more complex debate about accepted notions of American identity. In the spirit of great American artists like Edward Hopper\, Alice Neel\, and Kerry James Marshall\, Sherald’s works reframe our understanding of American culture. American Sublime is organized thematically\, with each gallery presenting a crucial idea in her work and explaining her detailed approach to making paintings. Learn more about Sherald’s central themes. \n\n\n\n \n\n\n\nAccessibility note: SFMOMA offers gallery stools\, wheelchairs\, and canes at the Coat Check on Floor 1 as you enter at 151 Third Street. Benches are installed at several points in the galleries. \n\n\n\n \n\n\n\nProgram Registration (includes admission): \n\n\n\n\nArtTable Member – $20\n\n\n\nFriend of Member – $25\n\n\n\nNon-Member – $35\n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/amy-sherald-sfmoma/
LOCATION:SFMOMA\, 151 Third Street\, San Francisco\, CA\, 94103\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/11/x2024.4606.02_NPG_2018_15-M-Obama-HR_01_G02-PowerPoint-or-email-JPEG_1024-pixels-long-854x1024-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241211T173000
DTEND;TZID=America/New_York:20241211T193000
DTSTAMP:20260524T105612
CREATED:20241023T231310Z
LAST-MODIFIED:20241203T161212Z
UID:28959-1733938200-1733945400@www.arttable.org
SUMMARY:New York\, NY | Holiday MeetAT at DC Moore Gallery
DESCRIPTION:You’re invited to our upcoming Holiday MeetAT networking event on December 11\, graciously hosted by DC Moore Gallery. Enjoy light refreshments while catching up with fellow ArtTable members and prospective members\, and making new connections right before the holiday season! \n\n\n\nFounded in 1995\, DC Moore Gallery represents nationally and internationally known contemporary artists whose diverse practices include painting\, drawing\, photography\, sculpture\, and installation; important estates and foundations including those of Charles Burchfield\, Romare Bearden\, Robert De Niro\, Sr.\, David Driskell\, Jacob Lawrence\, George Tooker\, Jane Wilson and George Woodman; and specializes in the sale of major 20th century American painting\, sculpture\, and works on paper\, including Modernism\, Magic Realism\, African American\, Social Realism\, and Abstract Expressionism. The gallery organizes fifteen to twenty exhibitions a year and publishes significant catalogues and books\, with essays by distinguished historians and critics.  As a member of the Art Dealers Association of America (ADAA) the gallery subscribes to the highest standard of connoisseurship and scholarship. \n\n\n\nThis Holiday Party MeetAT will also include a raffle for your chance to win items ArtTable prizes and additional generous contributions from Kendra Scott\, BLICK Art Materials\, and Gourmet Gift Baskets.  \n\n\n\nOn View at DC Moore GalleryRomare Bearden: Paris Blues/Jazz and Other WorksNovember 14\, 2024 – January 11\, 2025 \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and prospective members*\n\n\n\n\n*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\nWith this free event\, ArtTable would like to thank all its members for a wonderful year! We appreciate any contribution you can make to help us continue to create opportunities for connections like these. Please kindly add a fully tax-deductible donation in support of ArtTable and our mission to empower\, engage\, and foster the leadership of women and nonbinary professionals in the visual arts! \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-ny-holiday-meetat-at-dc-moore-gallery/
LOCATION:DC Moore Gallery\, 535 West 22nd Street\, New York\, New York\, 10011\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/10/New-York-Holiday-MeetAT-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241211T173000
DTEND;TZID=America/New_York:20241211T190000
DTSTAMP:20260524T105612
CREATED:20241023T011118Z
LAST-MODIFIED:20241030T184104Z
UID:28906-1733938200-1733943600@www.arttable.org
SUMMARY:Dallas\, TX | MeetAT at Cris Worley Fine Arts
DESCRIPTION:You’re invited to our next MeetAT networking event on December 11 in Dallas\, Texas\, graciously hosted by Cris Worley\, Owner and Director of Cris Worley Fine Arts. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and prospective members. \n\n\n\nCris Worley Fine Arts is a contemporary art gallery established in 2010 in Dallas\, TX. Cris Worley Fine Arts is dedicated to promoting innovative work by contemporary artists at various stages of their careers. The gallery’s dynamic approach to fostering artistic growth includes the presentation of compelling exhibitions\, and collaborations with public institutions\, professional art organizations\, and collectors\, both locally and internationally. \n\n\n\nFor over two decades\, Cris Worley has contributed to national art dialogues as a gallery director participating in art fairs\, as a guest juror for numerous exhibitions\, and as an esteemed art advisor. As a charter member of the Contemporary Art Dealers of Dallas\, Cris Worley has played a vital role in the vigorous growth of the Dallas arts community\, encouraging the evolution of contemporary art collections. \n\n\n\nFor this event\, the gallery will feature present their eighth solo exhibition of oil paintings by Paul Manes. The exhibition entitled\, Into the Woods\, opens Saturday\, November 16\, and will be on view through December 28. Whether it be the differing color palettes of the landscape images or the wall of rain or the bowls falling upon one another\, Manes’ new works seem to be a random smattering of subjects across his oeuvre. Yet\, in this new show\, the artist invites us to see how his subject matter has been affected through his own experiences.Manes’ new work reflects his own physical move from New York City to Colorado a decade ago. Manes traded the concrete jungle for a sky of stars\, and that location shift has changed his subject matter. In this new show\, Manes has moved from the sky to the landscape\, where he interacts with different elements and environments that he sees every day. Many of the works depicted reflect images of meadows and plants\, and Manes’ large canvases and use of perspective allow for us all to step into this world he lives in daily. Every new painting acts as a window into another world – one where we get to see landscapes through the lens of the artist. Suddenly\, we are alongside Manes on his motorcycle ride from home to the studio through the Colorado mountains. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and prospective members*\n\n\n\n\n*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/dallas-tx-meetat-at-cris-worley-fine-arts/
LOCATION:Cris Worley Fine Arts\, 1845 E Levee St #110\, Dallas\, Texas\, 75207
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/10/CW_1024_001-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241204T160000
DTEND;TZID=America/New_York:20241204T180000
DTSTAMP:20260524T105612
CREATED:20240927T215719Z
LAST-MODIFIED:20241123T010950Z
UID:27606-1733328000-1733335200@www.arttable.org
SUMMARY:Miami Beach\, FL | ArtTable's Art Law Series\, Part II | Panel Discussion & VIP Lounge Reception at Untitled Art
DESCRIPTION:Image credit: Untitled Art Fair\n\n\n\n\n \n\n\n\n\n\n\n\n\n\nFrom Purchase to Patronage: Stewarding Your Growing Collection \n\n\n\nWith generous support from Private Client Select\, SRI Fine Art Services\, and Patterson Belknap Webb & Tyler LLP\, ArtTable presents an engaging discussion of the roles of steward and patron that the collector assumes upon purchasing a work of art. This second program in ArtTable’s Art Law Series\, appropriate for new and seasoned collectors alike\, covers multiple dimensions of stewardship each collector must consider to ensure the long-term integrity and care of works of art. Meticulous planning for insurance\, shipping\, and protection from natural disasters is paramount to maintaining the physical safety of the collection\, but the collector’s actions following the sale—ascertaining holding periods\, loaning works to museums\, and exploring the resale market—must also be conducted diligently\, with the sustainability of the artist’s career in mind. This panel brings together experts from the insurance\, shipping\, legal\, and curatorial fields to cover collectors’ contractual\, financial\, and ethical responsibilities to the artists they work with\, setting up all participants for success. \n\n\n\nSpeakers include: \n\n\n\n\nBarbara Chamberlain\, Director\, Art Services\, Private Client Select\n\n\n\nAmani Lewis\, Artist and Co-Founder\, Artists First Collective\n\n\n\nShamim Momin\, Curator; former Director of Curatorial Affairs\, Henry Art Gallery; and co-founder\, LAND (Los Angeles Nomadic Division)\n\n\n\nMelissa Osterwind\, President\, SRI Fine Art Services \n\n\n\nModerator: Samantha Anderson\, Attorney\, Art and Museum Law\, Patterson Belknap Webb & Tyler LLP\n\n\n\n\n\n\n\n\nProgram Itinerary: \n\n\n\n\n4:00–5:00 PM: Panel Discussion\, Untitled Art Podcast Lounge\n\n\n\n5:00 PM Onward: Networking Reception\, Untitled Art VIP Lounge\n\n\n\n\nJoin us on the beach as the sun sets\, and connect with friends and colleagues between stops on your busy Miami calendar! Please note that seating is limited for the panel discussion – we encourage you to arrive early to secure your seat. \n\n\n\nRegistration for this program includes a pass to Untitled Art Miami Beach. \n\n\n\nProgram Registration: \n\n\n\n\nArtTable Member – $45\n\n\n\nFriend of Member – $55\n\n\n\nNon-Member – $65\n\n\n\n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOur sincere thanks to Samantha Anderson of the Art Law Group at Patterson Belknap Webb & Tyler LLP and Andrea Zorrilla of AMZ Art Advisory + Appraisals LLC for coordinating this event. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Panelists \n\n\n\n\nBarbara Chamberlain has more than 25 years of experience in private\, public\, and corporate collections\, museums\, and galleries\, plus knowledge of library and archival science. She started her career managing works of art in a contemporary art gallery in New York City\, after which she was assistant curator of The FORBES Magazine Collection\, and the registrar at the Appleton Museum of Art in Ocala\, Florida. Since 2008\, she has provided collections management and care\, risk management\, and claims support services to hundreds of Private Client Select (formerly AIG Private Client Group) policyholders with private collections\, museums\, and/or foundations. Today\, Barbara is also a member of the Association of Registrars and Collections Specialists (ARCS) Board of Directors and an Executive Board member of the Friends of the Uffizi Gallery. Barbara earned a BA in Art History and Psychology from Smith College and an MA in Museum Studies at Johns Hopkins University where she now teaches the first course in private collectors\, collections\, and museums. \n\n\n\n\n\nAmani Lewis is a Miami-based artist\, known for their powerful explorations of identity\, community\, and social justice. Amani holds a BFA from the Maryland Institute College of Art (MICA)\, where they graduated in 2016 with a focus on painting and printmaking. Amani has been featured in several prominent exhibitions\, including “Amani Lewis: Subjective Nature” at the August Wilson African American Cultural Center in Pittsburgh\, “It’s from the light that we are found\, blessed and guided” at Lévy Gorvy Dayan (2021)\, “Amani Lewis: Nothing Remains the Same” at Salon 94\, and “Unapologetic WomXn” at The Venice Biennale in 2024. Their work often combines vibrant color\, photography\, and mixed media to challenge narratives around marginalized communities. Amani’s work has been extensively covered by publications such as Hyperallergic\, Juxtapoz\, and The New York Times\, which have praised their ability to combine social activism with artistic expression. As co-founder of Artist First Collective\, Amani is dedicated to advocating for artist-friendly business models\, ensuring transparency\, and providing resources that support artists in their studio practices. \n\n\n\n\n\nShamim M. Momin currently lives and works in New York. She is the former Director of Curatorial Affairs at the Henry Art Gallery. In this role from 2018-2024\, she has overseen the Curatorial Department\, and organized numerous exhibitions\, including the museum-wide group exhibition In Plain Sight\, as well as major commissions by Tala Madani\, Gary Simmons\, Kelly Akashi\, Donna Huanca\, Diana Al-Hadid\, and others. Prior to joining the Henry\, she was director\, curator\, and co-founder of LAND (Los Angeles Nomadic Division)\, a nonprofit public art organization committed to curating site- and situation-specific contemporary art projects. Previously\, Momin served for more than ten years at the Whitney Museum of American Art\, co-curating the 2004 and 2008 Whitney Biennials and overseeing the Contemporary Projects series. Momin was Adjunct Professor of Contemporary Art for Williams College for the 2007 and 2008 Semester in New York program\, and is currently Affiliate Professor of Art at the School of Art\, Art History and Design\, University of Washington. [Photo credit: Stefanie Fink] \n\n\n\n\n\nMelissa Osterwind\, President at SRI Fine Art Servives\, joined the SRI team in 2013 and brings over two decades of financial management and operations experience to our table.  Prior to SRI\, Melissa was the Controller at the NYC Department of Health and Mental Hygiene and oversaw their $1.6 billion expense budget.  In addition to her extensive managerial experience and financial expertise\, Melissa is visionary team builder. She has guided SRI through record growth; doubling the staff\, storage footprint and gross sales over the past decade.  She recently navigated SRI through the Covid-related shutdowns without layoffs or furloughs. Melissa is currently a Trustee at The Bronx Museum of Art and Project for Empty Space. She holds a Masters Degree in Public Administration from Syracuse University\, with a concentration in finance. \n\n\n\n\n\nSamantha Anderson (Moderator) is an Attorney in Patterson Belknap Webb & Tyler’s Art and Museum Law practice. Prior to joining the firm\, Ms. Anderson served as in-house counsel to an international Art Advisory\, and Sotheby’s auction house where she was Vice President in their Fiduciary Client Group. Ms. Anderson advises clients on a broad range of issues in the Art industry including transactional matters such as private sales and consignments\, as well as commissions of art\, artist representation\, and various estate\, planning and philanthropic matters surrounding complex collections\, including valuation issues. Ms. Anderson is a frequent speaker on Art Law topics and holds various leadership and board positions. She teaches Law and the Arts at both Columbia University and Cardozo School of Law.
URL:https://www.arttable.org/event/miami-fl-arttables-art-law-series-with-patterson-belknap-webb-tyler-llp-part-ii/
LOCATION:Untitled Art Miami Beach\, Ocean Drive and 12th Street\, Miami Beach\, Florida\, 33139\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241202T140000
DTEND;TZID=America/New_York:20241202T163000
DTSTAMP:20260524T105612
CREATED:20240929T152309Z
LAST-MODIFIED:20241121T173022Z
UID:27639-1733148000-1733157000@www.arttable.org
SUMMARY:West Palm Beach\, FL | Private Tour of The Bunker Artspace
DESCRIPTION:Image credit: The Bunker Artspace – The Collection of Beth Rudin DeWoody\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n*Registration for this event is at capacity. To join the waitlist\, please click Register Here.* \n\n\n\n \n\n\n\nTo gather our members and kick off a very busy arts week\, we will gather in West Palm Beach for visits to two private collections. \n\n\n\nArtTable will be one of the first to experience The Bunker Artspace\, the new home of the Beth Rudin DeWoody Collection\, located in a historic Art Deco building in downtown West Palm Beach. Featured work includes over three hundred leading modern and contemporary artists\, from Lynda Benglis\, Robert Mapplethorpe\, Betye Saar\, Mickalene Thomas\, Rirkrit Tiravanija\, and Cy Twombly. Many of these works entered the DeWoody Collection early in an artist’s career\, a testament to DeWoody’s vision as a collector and curator. The Collection has been the subject of exhibitions at the Norton Museum of Art in West Palm Beach and the Parrish Museum in Southampton\, among others. Our guide will take us through the space\, highlighting stories about the history of the collection. \n\n\n\nAfter the tour\, ArtTable member Eileen Ekstract invites us to her home (fifteen minutes from The Bunker Artspace) for a cocktail reception. We will also be treated to a viewing of Eileen’s private collection\, featuring works by Alison Zuckerman\, vanessa german\, Jessie Makinson\, and Lisa Roy. \n\n\n\nThis program is open to ArtTable members and their guests. Space is limited\, so we encourage you to reserve your spot early!  \n\n\n\n \n\n\n\n \n\n\n\n\nProgram admission: \n\n\n\n\nArtTable Member: $55 \n\n\n\nFriend of Member: $65 \n\n\n\n\nNot yet a member? Join us today! \n\n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nParking will be available immediately in front of The Bunker and across Webster Avenue (at the intersection with Bunker Rd).
URL:https://www.arttable.org/event/west-palm-beach-fl-private-tour-of-the-bunker-artspace/
LOCATION:The Bunker Artspace\, 444 Bunker Rd\, West Palm Beach\, Florida\, 33405\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/09/lobby1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241119T160000
DTEND;TZID=America/New_York:20241119T171500
DTSTAMP:20260524T105612
CREATED:20241102T021841Z
LAST-MODIFIED:20241115T181230Z
UID:29159-1732032000-1732036500@www.arttable.org
SUMMARY:*CANCELED* San Francisco\, CA | Curator-Led Tour of Mary Cassatt at Work at the de Young Museum with Emily Beeny
DESCRIPTION:Mary Cassatt at Work\, Legion of Honor\, 2024. Photo by Gary Sexton.\n\n\n\nJoin ArtTable for a tour of Mary Cassatt at Work with Emily Beeny\, PhD\, Curator in Charge of European Paintings at the de Young Museum. The largest exhibition of Cassatt’s work in the US in decades\, Mary Cassatt at Work was organized by the Philadelphia Museum of Art with the support of the Fine Arts Museums of San Francisco. \n\n\n\nAbout the exhibition: Too often dismissed as a sentimental painter of mothers and children\, Mary Cassatt (1844–1926) was in fact a modernist pioneer. Her paintings\, pastels\, and prints are characterized by restless experimentation and change. Cassatt was the only American to join the French Impressionists\, first exhibiting with the group at Degas’s invitation in 1879\, and quickly emerged as a key member of the movement. Alongside scenes of women at the opera\, visiting friends\, and taking tea\, Cassatt produced many images of “women’s work” — knitting and needlepoint\, bathing children\, and nursing infants. These images suggest parallels between the work of art making and the work of caregiving. The exhibition calls attention to the artist’s own processes of making — how she used her brush\, etching needle\, pastel stick\, and even fingertips to create radical art under the cover of “feminine” subject matter. \n\n\n\n \n\n\n\nAccessibility note: Wheelchairs and lightweight portable stools are available from Coat Check or the Admissions counter on a first come\, first-served basis. A Photo ID must be provided to ensure items are returned prior to leaving the museum. \n\n\n\n \n\n\n\nProgram Registration: \n\n\n\n\nArtTable Member – $30\n\n\n\nArtTable Member with FAMSF membership – $15\n\n\n\nFriend of Member – $35\n\n\n\nNonmember of ArtTable – $40\n\n\n\nNonmember of ArtTable with FAMSF membership – $20\n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/san-francisco-ca-curator-led-tour-of-mary-cassatt-at-work-at-the-de-young-museum-with-emily-beeny-2/
LOCATION:de Young Museum\, Golden Gate Park \ 50 Hagiwara Tea Garden Drive\, San Francisco\, California\, 94118\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/11/077-cassatt-sexton-24.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241119T093000
DTEND;TZID=America/New_York:20241119T103000
DTSTAMP:20260524T105612
CREATED:20241102T035049Z
LAST-MODIFIED:20241102T035244Z
UID:29166-1732008600-1732012200@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of Nicole Eisenman: Fixed Crane at Madison Square Park
DESCRIPTION:Nicole Eisenman (American\, b. France 1965)\, Fixed Crane\, 2024. Crane\, bronze\, plaster\, wire\, and various additional materials. Approximately 12 feet x 12 feet x 102 feet. Courtesy the artist and Hauser & Wirth. Commissioned by Madison Square Park Conservancy\, New York. Photo: Elisabeth Bernstein\n\n\n\n\n \n\n\n\nThis tour with Brooke Kamin Rapaport\, Artistic Director and Martin Friedman Chief Curator of Madison Square Park Conservancy\, explores Nicole Eisenman: Fixed Crane\, the current project in the Conservancy’s field-leading program of contemporary public art.  \n\n\n\n \n\n\n\nAbout the exhibition: Nicole Eisenman – one of the most influential artists working today — assembles a monumental public project for Madison Square Park that destabilizes familiar heroic objects associated with human achievement. Fixed Crane features a toppled industrial crane embellished with handmade sculptural objects. The work marks a significant moment in Eisenman’s practice\, expanding her explorations of the twentieth-century concept of the “readymade\,” created in 1916 by Dada artist Marcel Duchamp to elevate everyday\, mass-produced objects to the status of an artwork\, and pushing the boundaries of her work in figuration. The project is part of the milestone twentieth anniversary of Madison Square Park Conservancy’s art program. \n\n\n\nParkgoers can walk around the deflated machine\, a mighty symbol of construction prowess and urban growth that now rests impotently on the park’s Oval Lawn. Rather than reach valiantly into the sky\, the once imperious 1969 Link-Belt crane has capsized\, provocatively challenging our notions of betterment. Turned on its side\, the operator’s cab reaches nine-feet high; the tracks extend up twelve feet\, and the boom stretches ninety feet. The artist upends an Edenic refuge from the city by placing a rusted relic of presumed advancement center stage. Eisenman questions cycles of progress in public space: how powerful cranes build skyscrapers–and\, lately\, “supertalls”–like those near Madison Square Park. In recent months\, a towering wisp of an 860-foot-high structure has risen to eclipse views of the Empire State Building from in and around the park. Eisenman critiques New York City’s impulse for ever higher ascension\, which advances some lives and compromises others\, and alludes to how the human condition may be endangered by ongoing urban construction. \n\n\n\nAt the apex of the cab is a diminutive explorer. The figure is a symbol of surrender or of occupation. Sculptural bandages placed on the crane’s boom are there to heal the fallen apparatus. A large foot wearing a Birkenstock sandal adjacent to the engine\, is footloose no longer\, an unexpected culprit as the kicker who capsized the crane. Visible through a small portal is a tableau of a solitary seated female figure\, draped in a shawl\, and bathed in the soft light of a chandelier. She sits before a small cast-iron stove. She is now a vision (or a squatter)\, a glowing soul who recently found a haven for a wiener roast\, skewering a sausage with a stick. The crane’s original counterweight and interior mechanisms become benches for seating as the artist daylights what was once hidden in the machine’s interior. Viewers can look at the fallen crane–once a commanding\, necessary force for building\, but now in stasis. \n\n\n\n \n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nAbout the Curator: \n\n\n\nBrooke Kamin Rapaport is Artistic Director and Martin Friedman Chief Curator at New York’s Madison Square Park Conservancy\, where she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She was commissioner and curator of the 2019 US Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator in the contemporary art department at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-nicole-eisenman-fixed-crane-at-madison-square-park/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/11/MSPC_Eisenman_Install_Bernstein10.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241118T153000
DTEND;TZID=America/New_York:20241118T164500
DTSTAMP:20260524T105612
CREATED:20241027T180834Z
LAST-MODIFIED:20241028T142948Z
UID:29026-1731943800-1731948300@www.arttable.org
SUMMARY:Philadelphia\, PA | Curator-Led Tour: 'Mickalene Thomas: All About Love' at The Barnes Foundation
DESCRIPTION:Mickalene Thomas. Afro Goddess Looking Forward\, 2015. Rhinestones\, acrylic\, and oil on wood panel. © 2024 Mickalene Thomas\n\n\n\nJoin ArtTable for a tour of Mickalene Thomas: All About Love on the East Coast debut of this major international survey of Thomas’ work. Meet us in the galleries of the Barnes Foundation\, where ArtTable member Nina Diefenbach\, The Barnes’ Senior Vice President and Deputy Director for Advancement will provide an introduction to the exhibition. At 3:45\, our 60-minute tour with Nancy Ireson\, Deputy Director for Collections & Exhibitions and Gund Family Chief Curator at The Barnes\, begins. \n\n\n\nAbout the exhibition: Mickalene Thomas: All About Love is the first major international tour focused on the work of pioneering artist Mickalene Thomas (American\, b. 1971)\, whose influences range from 19th-century painting to popular culture. All About Love is co-organized by the Hayward Gallery\, London\, and The Broad\, Los Angeles\, and in partnership with the Barnes and Les Abattoirs\, Musée–Frac Occitanie Toulouse. The Barnes presentation of All About Love showcases a selection of vivid artworks—paintings\, collage\, photography\, video\, and site-specific installation—that celebrates Thomas’s distinctive artistic practice from the late 2000s to the present day. Her work is characterized by spectacularly staged\, rhinestoned\, large-scale painted tableaux and bold\, intimate compositions\, decisively foregrounding Black femininity in abundant realms of visual pleasure\, agency\, and kinship. Whether in imaginative dialogue with canonical works from the history of art or playfully reckoning with popular culture\, Thomas’s exuberant portraits offer an empowered vision of beauty and desire\, formulated through a sensual\, Black feminist lens. The Barnes presentation is curated by independent curator and scholar Renée Mussai. \n\n\n\nAbout the Artist: Mickalene Thomas (b. 1971\, Camden\, New Jersey) is one of today’s most influential artists. Her innovative practice has yielded instantly recognizable and widely celebrated aesthetic languages within contemporary visual culture. Thomas completed her MFA at the Yale University School of Art in 2002 and a residency at the Studio Museum in Harlem in 2003\, and soon became known for her large-scale acrylic paintings of Black women in states of leisure and repose. Her confident and assured subjects are often depicted in domestic interiors from Black America\, claiming the agency of womanhood while deconstructing the art historical canon. Outside of her core practice\, Thomas is a Tony Award–nominated co-producer\, curator\, educator\, and mentor to many emerging artists. Thomas’s work has become an undeniable force within the contemporary art world and an indispensable inspiration to younger generations of artists. She lives and works in New York. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable member: $25\n\n\n\nFriend of member: $30\n\n\n\nNot-yet-member: $35\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/philadelphia-pa-curator-led-tour-mickalene-thomas-all-about-love-at-the-barnes-foundation/
LOCATION:The Barnes Foundation\, 2025 Benjamin Franklin Parkway\, Philadelphia\, Pennsylvania\, 19130\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/10/Afro_Goddess_Looking-Forward.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241113T180000
DTEND;TZID=America/New_York:20241113T193000
DTSTAMP:20260524T105612
CREATED:20241004T192027Z
LAST-MODIFIED:20241031T163302Z
UID:27929-1731520800-1731526200@www.arttable.org
SUMMARY:Brooklyn\, NY | Behind-the-Scenes Tour: Dieu Donné
DESCRIPTION:Join ArtTable for an immersive experience at Dieu Donné\, where artists create unique handmade paper artworks in collaboration with an expert team. This event includes a behind-the-scenes tour of the Brooklyn-based hand papermaking studio\, a live demonstration by a Master Papermaker\, and an opportunity to learn about different hand papermaking techniques. Discover exclusive works made in collaboration with Dieu Donné by artists including Howardena Pindell\, Diana Al-Hadid\, Melvin Edwards\, Glenn Ligon\, Lynda Benglis\, and more. \n\n\n\n\n\n\nProgram admission (limited spots available): \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $25\n\n\n\nNon-Members – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\nAccessibility Note: The closest walk-in entrance to the building is through a turnstile\, followed by a few stairs. If you require a wheelchair- or walker-accessible entry\, please let ArtTable know\, and they will provide detailed campus directions from Dieu Donné. Seating will be available to those who need it during our visit. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nArtTable extends a special thank you to Angelica Semmelbauer for coordinating this visit. \n\n\n\n\n\nDIRECTIONS: \n\n\n\nBy NYC Ferry: The Brooklyn Navy Yard stop is a 10-15 minute ride on the Astoria line\, either from Wall Street (take the northbound/90th Street-bound ferry 1 stop to the Brooklyn Navy Yard) or from East 34th Street (take the southbound/Wall Street-bound ferry 1 stop to the Brooklyn Navy Yard). Dieu Donné\, in Building 3 at the Navy Yard\, is a 12-minute walk from the ferry stop (see map below). \n\n\n\nBus/Subway: Please see below for directions provided by Dieu Donné\, as well as a map of Dieu Donné’s section of the Brooklyn Navy Yard campus.
URL:https://www.arttable.org/event/brooklyn-ny-behind-the-scenes-tour-dieu-donne/
LOCATION:Dieu Donné\, Brooklyn Navy Yard\, Bldg 3 / 63 Flushing Ave\, Suite 602 (6th floor)\, Brooklyn\, New York\, 11205
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/10/230920-MHALL-DIEU-DONNE-0177.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241112T170000
DTEND;TZID=America/New_York:20241112T180000
DTSTAMP:20260524T105613
CREATED:20241020T153538Z
LAST-MODIFIED:20241020T153540Z
UID:28782-1731430800-1731434400@www.arttable.org
SUMMARY:San Francisco\, CA | Walkthrough of Forms Unbound: Peter Young and Maren Hassinger at Gallery Wendi Norris
DESCRIPTION:[L] Peter Young\, #5 – 1967\, 1967\, Acrylic on canvas\, 144 x 72.25 inches (365.76 x 183.52 cm). Courtesy of the artist and Gallery Wendi Norris\, San Francisco. [R] Maren Hassinger\, Untitled Vessel (Small Body)\, 2021\, Stainless steel wire rope on steel armature\, 48 x 36 inches (121.92 x 91.44 cm). Courtesy of the artist and Susan Inglett Gallery\, NYC. Photo by Adam Reich.\n\n\n\nJoin ArtTable for a walkthrough of Forms Unbound: Peter Young and Maren Hassinger at Gallery Wendi Norris\, along with an overview of the gallery’s program. Installed across two venues—Gallery Wendi Norris\, and Gallery Wendi Norris Offsite\, located across the street in the historic carriage house at 38 Hotaling Place—Forms Unbound pairs fluid wire and fiber-based sculptures by Maren Hassinger (b. 1947) with monumental dot paintings by Peter Young (b. 1940). Young and Hassinger have followed parallel journeys in life and art: both raised in Los Angeles\, they launched their careers in New York\, where the art world was dominated by Abstract Expressionism and Minimalism. As the works on view in Forms Unbound demonstrate\, each artist developed new visual vocabularies and practices to mark their own departure from the limiting influence of formalism. Bringing these two artists into dialogue\, this exhibition explores the limits—and possibilities—of abstraction and minimalism. Our tour will focus especially on Hassinger’s work; reshaping industrial materials like steel wire rope into forms that appear organic or handmade\, and melding natural materials with the manmade\, Hassinger contemplates the relationship between the earth and our human world. Juxtaposed with Young’s monumental paintings\, the full impact of Hassinger’s large-scale sculptures is fully felt in the carriage house space\, where viewing the works becomes an immersive experience. \n\n\n\nEnjoy conversation and a glass of wine following the tour! \n\n\n\n \n\n\n\nAccessibility note: There no stairs leading into or within the main gallery space and Carriage House. Limited seating is available for guests who need. \n\n\n\n \n\n\n\nProgram Registration: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMaren Hassinger (b. 1947\, Los Angeles) has built an expansive practice that articulates the relationship between nature and humanity. Carefully choosing materials for their innate characteristics\, Hassinger has explored the subject of movement\, family\, love\, nature\, environment\, consumerism\, identity\, and race. Wire rope has played a prominent role in Maren Hassinger’s artistic practice since the early 1970s when\, as a sculptor placed in the Fiber Arts program at UCLA\, Hassinger used the material to bridge the gap between the two disciplines. The artist often takes a biomimetic approach to her material\, whether bundling it to resemble a monolithic sheaf of wheat or planting it in cement to create an industrial garden. Within the past five years\, Hassinger has been commissioned to make work for Sculpture Milwaukee (curated by Ugo Rondinone)\, Dia Bridgehampton\, Socrates Sculpture Park\, the Hirshhorn Museum and Sculpture Garden\, the Rockefeller Foundation\, and the Aspen Art Museum. Her work is currently installed at Dia Beacon and at Longhouse Reserve in East Hampton. Hassinger will be honored with an upcoming two-person survey alongside Senga Nengudi at IVAM\, Valencia\, as well as participation in an upcoming exhibition at The Met. Hassinger is the recipient of the Women’s Caucus for the Arts Lifetime Achievement Award. Her work can be found in the collections of the Art Institute of Chicago; the Hirshhorn Museum\, Washington D.C; the Los Angeles County Museum of Art; the Museum of Modern Art\, NYC; the San Francisco Museum of Art; the Walker Art Center\, Minneapolis; and the Whitney Museum\, NYC\, among others. \n\n\n\nPeter Young (b. 1940\, Pittsburgh) grew up in Los Angeles and studied at Pomona College for two years before moving to New York in 1960. Young’s paintings have continuously defied categorization since his early New York years showing with Leo Castelli and Richard Bellamy. He has been described variously as the first post-modernist painter\, as well as a minimalist and an abstract surrealist. From the beginning\, his paintings have addressed the rigid formal criteria of minimal art that prevailed in the 1960’s. Following his first two solo exhibitions in 1967 and 1970 at the Noah Goldowsky Gallery\, Young then exhibited at Richard Bellamy’s Oil & Steel Gallery in Tribeca in 1984. Through Bellamy’s interest in Young’s work\, it came to the attention of then P.S.1 Director\, Alanna Heiss\, and in 2007 the P.S.1 Contemporary Art Center dedicated a comprehensive survey exhibition to the artist’s work\, accompanied by a monograph\, focusing on the period between 1963 and 1977. His work has been included in exhibitions at The Museum of Modern Art\, New York; the Museum of Contemporary Art Tucson\, Arizona; the Whitney Museum of American Art\, New York; The Guggenheim\, New York; Albright-Knox Art Gallery\, Buffalo; as well as the Walker Art Center\, Minneapolis; Tate St. Ives\, United Kingdom; Rolf Ricke\, Cologne; and Documenta 5\, Kassel\, Germany. Peter Young’s work is featured in collections\, including the Allen Art Museum\, Oberlin College\, Ohio; the American University\, Washington D.C.; the Australian National Gallery\, Canberra\, Australia; the Solomon R. Guggenheim Museum\, New York; the Museum of Contemporary Art\, Chicago; The Museum of Modern Art\, New York; the Neuberger Museum\, Purchase College\, New York; Phoenix Art Museum\, Arizona; San Francisco Museum of Modern Art; Edwin A. Ulrich Museum of Art\, Wichita; University of Texas\, Austin; and the Whitney Museum of American Art\, New York\, among others. \n\n\n\nAbout Gallery Wendi Norris: Gallery Wendi Norris is a leading international art gallery with headquarters in San Francisco\, California. The gallery holds decades-long relationships with 20th-century luminaries such as Leonora Carrington\, Dorothea Tanning\, Wolfgang Paalen\, Remedios Varo\, and Alice Rahon\, artists whose nomadic and visionary practices interrogated the aesthetic\, scientific\, and philosophical movements of their times. The gallery also represents María Magdalena Campos-Pons\, Enrique Martínez Celaya\, Chitra Ganesh\, Julio César Morales\, Ranu Mukherjee\, Eva Schlegel\, Peter Young\, and other contemporaries\, artists whose work similarly flows across disciplines\, continents\, and generations as they speculate on the present moment. Opened in 2002\, Gallery Wendi Norris remains committed to its founding principles of rigorous programming\, development of artists’ legacies\, public accessibility\, and cultural significance. To those ends\, the gallery hosts visiting academics\, sponsors artist talks\, and publishes highly-researched books with original contributions from international scholars. The gallery actively supports artists in engaging new audiences through influential commercial\, biennial\, and institutional collaborations. Pioneering an offsite exhibition model in 2017\, the gallery produces public-facing artworks and shows wherever they might reach the widest viewership and provide the deepest impact. Working in concert with major museums\, private collectors\, and innovative curators\, Gallery Wendi Norris builds enduring\, well-represented collections for its respected array of international clients.
URL:https://www.arttable.org/event/san-francisco-ca-walkthrough-of-forms-unbound-peter-young-and-maren-hassinger-at-gallery-wendi-norris/
LOCATION:Gallery Wendi Norris\, 436 Jackson St\, San Francisco\, California\, 94111\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/10/Untitled-design-4.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241112T150000
DTEND;TZID=America/New_York:20241112T163000
DTSTAMP:20260524T105613
CREATED:20240926T204933Z
LAST-MODIFIED:20241007T035249Z
UID:27589-1731423600-1731429000@www.arttable.org
SUMMARY:Washington\, DC | Tour of 'Breaking It Down: Conversations from the Vault' at the Phillips Collection
DESCRIPTION:Sam Gilliam\, April\, 1971 [detail]\, Acrylic on canvas\, 60 x 60 x 2 1/2 in.\, The Phillips Collection\, Bequest of Mercedes H. Eichholz\, 2013\n\n\n\nJoin curator Renee Maurer on a one-hour guided tour of The Phillips Collection\, exploring Breaking It Down: Conversations from the Vault plus access to the exhibition Creative Aging. In connection with Breaking It Down‘s examination of the history of collecting at the Phillips\, inseparable from its founding mission of using the arts to support healing and community-building\, the tour will introduce us to the museum’s current cutting-edge education programs. \n\n\n\nAbout the exhibition:  \n\n\n\nThe Phillips Collection\, from its inception\, has focused on creating what founder Duncan Phillips called “units”: groups of works of art that represent key aspects of an artist’s vision or spirit. Leaders in championing the independent-minded artist\, Duncan and Marjorie Phillips gave many their first museum exhibitions and acquisitions. This presentation offers a deep dive and new take on several artists who are cornerstones of the collection\, including Georges Braque\, Richard Diebenkorn\, Arthur Dove\, Sam Gilliam\, Paul Klee\, and Georgia O’Keeffe\, alongside a growing collection of works by trailblazers of our time\, including Sean Scully\, Sylvia Snowden\, Renée Stout\, Joyce Wellman\, and more. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable member: $15\n\n\n\nFriend of member: $20\n\n\n\nNot-yet-member: $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-dc-tour-of-breaking-it-down-conversations-from-the-vault-at-the-phillips-collection/
LOCATION:The Phillips Collection\, 1600 21st St NW\, Washington\, DC\, 20009
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/09/Sam-Gilliam_April_1971_The-Phillips-Collection-Bequest-of-Mercedes-H.-Eichholz.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241029T164500
DTEND;TZID=America/New_York:20241029T180000
DTSTAMP:20260524T105613
CREATED:20241004T020152Z
LAST-MODIFIED:20241006T020554Z
UID:27916-1730220300-1730224800@www.arttable.org
SUMMARY:Los Angeles\, CA | Tour of 'Life on Earth: Art & Ecofeminism' with Catherine Taft at The Brick
DESCRIPTION:Meech Boakye (1997- )\, Untitled (Biomaterial Research)\, 2020. Roundup contaminated wild violets\, wild onions\, purple dead nettle and dandelions suspended in gelatin bioplastic. Courtesy of the artist. Meech Boakye (1997- )\, Untitled (Sloppy Bondage Test)\, 2021. Cherry blossom wild yeast loaves. Courtesy of the artist.\n\n\n\nJoin ArtTable for an exclusive tour of The Brick in its new home in East Hollywood! With Catherine Taft\, Deputy Director and Curator of The Brick (formerly LAXART)\, we will explore Life on Earth: Art & Ecofeminism\, one of over 70 exhibitions and programs supported by The Getty as part of PST ART: Art & Science Collide. This inagural exhibition at The Brick\, where a pivotal institution in Los Angeles’ art scene embarks on its next chapter\, explores the interwoven histories of feminst and environmental thought and platforms a wide array of contemporary artists expanding the boundaries of these fields in the 21st century. \n\n\n\n \n\n\n\nAbout the Exhibition: Life on Earth: Art & Ecofeminism\, on view through December 21\, 2024\, is inspired by four decades of ecofeminist thought and action in art. Ecofeminism is a theoretical and activist movement that locates critical connections between gender oppression and the exploitation of natural resources. In the U.S.\, it developed from the environmental\, anti-nuclear\, and feminist movements in the late 1970s and 1980s; in addition to their primary concerns around the subordination of nature and women\, ecofeminists sought to resist racism\, homophobia\, and the capitalist patriarchy. As quickly as the movement was developed\, artists began adopting an ecofeminist position\, producing ambitious\, often site-specific work that addressed the systemic subjection of women and the environment. \n\n\n\nLife on Earth uses ecofeminism as a both a lens and departure point\, bringing together eighteen international artists and collectives who present new methodologies for thinking-with our natural environment in the twenty-first century. These artists challenge anthropocentric notions around both gender and ecology to call for new positions that embrace communality\, intersectionality\, mythmaking\, joy\, and reparative action. Installations\, mixed-media sculptures\, video and performance art address themes including social ecologies\, the commons\, indigenous cosmologies\, deep time\, witchcraft\, hydrofeminism\, plant knowledge\, science fiction\, and speculative futures\, among other threads. Participating artists include Alliance of the Southern Triangle (A.S.T.)\, Alicia Barney Caldas\, Meech Boakye\, Carolina Caycedo\, Francesca Gabbiani\, Masumi Hayashi\, Institute of Queer Ecology\, Kite\, Leslie Labowitz Starus\, Maria Maea\, Otobong Nkanga\, yétúndé olagbaju\, Alicia Piller\, Aviva Rahmani\, Tabita Rezaire\, Yo-E Ryou\, Emilija Škarnulytė\, and A.L. Steiner.  \n\n\n\n \n\n\n\nAbout The Brick: The Brick is a nonprofit visual art space that promotes developments in contemporary culture through exhibitions\, publications\, and public programs. It was founded as LAXART by art historian and curator Lauri Firstenberg in 2005\, LAXART was created as a platform for emerging and under-recognized talent in Los Angeles. Evolving under the directorship of Hamza Walker\, who took the helm of the organization in 2016\, The Brick has expanded its mission to encompass thematic exhibitions that engage with a range of local and international artists at every stage of their careers. Through a range of free\, accessible offerings\, The Brick contextualizes contemporary art both socially and discursively. \n\n\n\nParking: The Brick recommends parking on Western Ave (metered)\, or on the side streets adjacent to The Brick. \n\n\n\nProgram Registration: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/los-angeles-ca-tour-of-life-on-earth-art-ecofeminism-with-catherine-taft-at-the-brick/
LOCATION:The Brick\, 518 N. Western Ave\, Los Angeles\, California\, 90004
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/10/gtc_pst2024_laxart00041.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241025T180000
DTEND;TZID=America/New_York:20241025T190000
DTSTAMP:20260524T105613
CREATED:20240823T003850Z
LAST-MODIFIED:20240901T142426Z
UID:24617-1729879200-1729882800@www.arttable.org
SUMMARY:Greenwich\, CT | Artist & Curator-Led Tour: 'The Elusive Art of Kumi Yamashita'
DESCRIPTION:Kumi Yamashita\, Arc\, 2014. Carved wood\, single source light\, shadow. 30 x 13 x 2 inches. Photo by Erik Maahs.\n\n\n\nJoin ArtTable at the Greenwich Library’s Flinn Gallery for a tour of The Elusive Art of Kumi Yamashita co-led by the artist and Leslee Asch\, exhibition curator\, Flinn Gallery chair\, and member of ArtTable. \n\n\n\nAbout the exhibition: Kumi Yamashita transforms simple materials into astonishing works of art. Discussing her shadow art and the elusive nature of light\, she explains\, “I sculpt using both light and shadow. I construct single or multiple objects and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow).” In addition to Yamashita’s Light & Shadow series\, the exhibition features provocative portraits crafted by meticulously winding a single\, unbroken sewing thread around thousands of small galvanized nails. Yamashita’s body of work showcases an astounding range of materials and techniques. \n\n\n\nLearn more about her practice in this interview with the Smithsonian’s National Portrait Gallery. \n\n\n\n\n\n\n\nAbout the Artist \n\n\n\n\nKumi Yamashita was born in Takasaki\, Japan. She earned her Master of Fine Arts from the Glasgow School of Art and her Bachelor of Fine Arts from Cornish College of the Arts in Seattle\, Washington. Her solo exhibitions have been held at prestigious venues such as the Seattle Art Museum\, Boise Art Museum\, Roswell Museum\, Yerba Buena Center for the Arts\, Taipei’s Chiang Kai-shek Memorial Hall\, Esplanade – Theatres on the Bay in Singapore\, Art Front Gallery in Tokyo\, and Kent Gallery in New York City.  \n\n\n\n\nYamashita has also participated in group exhibitions at the Musée des Arts Décoratifs at the Louvre\, the CODA Museum in the Netherlands\, the Smithsonian’s National Portrait Gallery\, Honolulu Museum of Art\, Grand Rapids Art Museum\, Liverpool Biennial\, Southeast Center for Contemporary Art\, Scottish Parliament\, Karşı Sanat Çalışmaları in Istanbul\, and the Echigo-Tsumari Art Triennial in Japan. She continues to exhibit her work internationally. \n\n\n\nHer art is featured in both private and public collections\, including the Microsoft Art Collection\, New Mexico History Museum\, American Express\, Birmingham Museum of Art\, Thoma Art Foundation\, Le Meridien Shenyang\, Otsuma University\, Seattle City Light\, Tokyo’s Akiru Medical Center\, Osaka’s Namba Parks Tower\, Stellar Place at Sapporo JR Tower\, Boise Art Museum\, and Hamada Children’s Art Museum. \n\n\n\nYamashita has received several awards and grants\, including the Pollock-Krasner Foundation Grant\, Artist Trust GAP\, and China’s Crystal Kirin Award. She has participated in residencies at RAIR (Roswell Artist-in-Residence)\, the Bemis Center for Contemporary Arts\, and the Millay Colony. She currently lives and works in Woodstock\, New York. \n\n\n\n\n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Courtney Maier Burbela for organizing this program. \n\n\n\n Program Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/event-greenwich-ct-artist-curator-led-tour-the-elusive-art-of-kumi-yamashita/
LOCATION:Flinn Gallery\, Greenwich Library\, 101 West Putnam Avenue\, Second Floor\, Greenwich\, Connecticut\, 06830
CATEGORIES:New York,National
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DTSTART;TZID=America/New_York:20241022T173000
DTEND;TZID=America/New_York:20241022T190000
DTSTAMP:20260524T105613
CREATED:20240906T221836Z
LAST-MODIFIED:20240913T185518Z
UID:25843-1729618200-1729623600@www.arttable.org
SUMMARY:New York\, NY | MeetAT at Morgan Lehman Gallery
DESCRIPTION:You’re invited to our next MeetAT networking event on October 22\, graciously hosted by Sally Morgan Lehman\, Founder and Director of Morgan Lehman Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nMorgan Lehman Gallery\, founded in New York City in 2005 by Sally Morgan (née Oberbeck) and Jay Lehman\, specializes in promoting the work of emerging and mid-career American artists working in a wide spectrum of creative media. In addition to representing its roster of artists\, the gallery collaborates on exhibitions and projects with creative practitioners across the globe. Morgan Lehman has mounted the first New York exhibitions for artists such as Frohawk Two Feathers\, Bret Slater\, John Salvest\, Paul Wackers\, and Andrew Schoultz. \n\n\n\nFor this event\, the gallery will feature the work of Naomi Kawanishi Reis and Hilary Irons. Reis\, a transcultural visual artist\, seeks out ephemeral moments of beauty and magic in everyday life. Her work\, rooted in folk craft traditions\, uses simple materials such as paper\, fabric\, blades\, and brushes. Hilary Irons\, a painter based in Maine\, focuses on landscapes that fuse natural and imaginative elements\, with a strong sense of color and pattern. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-ny-meetat-at-morgan-lehman-gallery/
LOCATION:Morgan Lehman Gallery\, 526 W 26th St 4th Floor\, New York\, NY 10001\, New York\, New York\, 10001\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20241022T163000
DTEND;TZID=America/New_York:20241022T174500
DTSTAMP:20260524T105613
CREATED:20240923T152003Z
LAST-MODIFIED:20241017T202618Z
UID:27470-1729614600-1729619100@www.arttable.org
SUMMARY:Washington\, DC | Tour of the Kennedy Center for the Performing Arts
DESCRIPTION:Following an introduction by Alexa Kaye\, Director of Major & Leadership Gifts at the Kennedy Center for the Performing Arts\, our tour with a Friends of the Kennedy Center volunteer guide will explore its visual arts collection\, its interdisciplinary community engagement programs\, and its long history of championing the arts’ vital role in American civic life. Following the 75-minute tour\, join us for Dutch Treat drinks at the Kennedy Center’s Roof Terrace Restaurant\, hosted by Jessica L. Porter\, the Lila Harnett Executive Director of ArtTable. \n\n\n\nVisual art spans the entire Kennedy Center campus\, from performance and reception spaces to the REACH\, the Kennedy Center’s innovative home for community programs and its first expansion since it opened in 1971. Reflecting its role as the National Cultural Center and a living memorial to President John F. Kennedy\, the Center is home to over 88 works of art\, presented as diplomatic gifts from 36 countries and counting and displayed in the Center’s grand public spaces. Throughout the REACH’s indoor and outdoor performance and education spaces\, designed by architect Steven Holl\, works by Roy Lichtenstein\, Deborah Butterfield\, and Joel Shapiro welcome audiences and invite cross-pollination between the visual arts\, theatre\, dance\, and music. The interactive exhibition Art and Ideals: President John F. Kennedy\, the newest addition to the Kennedy Center campus\, explores the importance of the arts to the Kennedy Administration’s diplomacy and its vision for the civic life of the United States. Art and Ideals also covers the establishment\, design\, and construction of the Kennedy Center and highlights many of the incredible performances that have graced its stages over the past five decades. \n\n\n\n \n\n\n\nAccessibility Note: Given the vast size of the Kennedy Center campus\, guests are advised to wear comfortable shoes and be prepared to walk for the better part of an hour. While there may be some stairs on the tour route\, the tour guide can adjust the itinerary to an accessible route. The tour will make multiple stops\, with seating available at some of the stops. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable member: $15\n\n\n\nFriend of member: $20\n\n\n\nNot-yet-member: $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-dc-tour-of-the-kennedy-center-for-the-performing-arts/
LOCATION:John F. Kennedy Center for the Performing Arts\, 2700 F St.\, NW\, Washington\, District of Columbia\, 20566
CATEGORIES:New York
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