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DTSTART;TZID=America/New_York:20240808T171500
DTEND;TZID=America/New_York:20240808T183000
DTSTAMP:20240731T041937Z
CREATED:20240628T213154Z
LAST-MODIFIED:20240731T041937Z
UID:19644-1723137300-1723141800@www.arttable.org
SUMMARY:New York\, NY | Studio Visit with Lily Wong
DESCRIPTION:Lily Wong\, Autumn Moon\, 2021\, acrylic on paper\, 48 1/4 x 62 1/4 inches\, 122.6 x 158.1 cm. Image courtesy Lyles & King.\n\n\n\nArtTable is pleased to invite you to explore Lily Wong’s process and current projects on a visit to the artist’s studio in Lower Manhattan.  \n\n\n\nLily Wong (b. 1989 Seattle\, USA) is a figurative painter whose work taps into the vulnerabilities and complexities of yearning. Personal and poetic\, the protagonists in her work are made of experiences that extend beyond the physical. They are composed of sensations\, moods\, inarticulable interiorities\, moving through dreamlike space and disoriented time. Color is its own character\, a pulse in the circulatory system of the painting which is often a map of something beyond the depictive. Wong’s paintings probe at the way that literal and metaphorical fracturings influence the body’s relationship to memory\, intimacy and desire. \n\n\n\n \n\n\n\nLily Wong’s studio is located in Lower Manhattan\, a short walk from the World Trade Center. The exact address will be shared with attendees prior to the visit. Learn more about her practice in Juxtapoz and on the Cerebral Women podcast. \n\n\n\n  \n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\nNot a member? Join today!  \n\n\n\n\n \n\n\n\nPLEASE NOTE: Registration for this program closes at 4:45 PM on Tuesday\, August 6.
URL:https://www.arttable.org/event/new-york-ny-studio-visit-with-lily-wong/
LOCATION:New York
CATEGORIES:New York,National
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240731T170000
DTEND;TZID=America/New_York:20240731T180000
DTSTAMP:20240708T045645Z
CREATED:20240628T220443Z
LAST-MODIFIED:20240708T045645Z
UID:19651-1722445200-1722448800@www.arttable.org
SUMMARY:New York\, NY | Artist Talk: Liz Collins\, Lightning Wheel at Candice Madey
DESCRIPTION:Liz Collins\, Rainbow Mountains: Storm\, 2024\, Woven textile\, 120 x 154 inches. Image courtesy Candice Madey.\n\n\n\nJoin ArtTable at Candice Madey on the Lower East Side for an Artist Talk with Liz Collins\, exploring her exhibition Lightning Wheel (on view through August 2). Lightning Wheel features an exciting selection of new work from Collins\, who was recently profiled by the New York Times and featured in the 2024 Venice Biennale. Collins’ work can also be seen in Weaving Abstraction—organized by the National Gallery of Art and set to travel in the coming months to LACMA\, the National Gallery of Canada in Ottowa\, and MoMA—among numerous other exhibitions. \n\n\n\n \n\n\n\n\nAbout the Exhibition: Candice Madey is thrilled to announce the gallery’s second exhibition with Liz Collins\, Lightning Wheel\, presenting a series of new textile-based works that explore the artist’s distinctive and evolving symbology through recurring patterns and forms. Collins’s abstractions verge on the fantastical or energetic\, suggesting the effects of extraordinary natural phenomena and a rapidly changing environment on the artist’s interior world.  \n\n\n\nAs in Collins’s past work in textile\, installation\, drawing\, and design\, recent works employ a vibrant color spectrum that incorporates queer feminist sensibilities as well as references to twentieth-century abstraction in painting and in fiber. Reflecting the artist’s interest in Theosophist visual and spiritual traditions\, the imagery investigates the idea that the occult movement is an esoteric predecessor of—or a link to—the origins of modern abstraction. \n\n\n\nCentral to the exhibition is a large-scale tapestry in which rainbows traverse sky and mountainscapes. The work is part of a series of woven landscapes entitled Rainbow Mountains that evoke the inner turmoil of an artist-activist in this contemporary moment–a consciousness at once hopeful\, utopic\, apocalyptic\, and sublime. The exhibition’s title\, Lightning Wheel\, references one of several forms that reappear alongside lightning bolts\, spheres\, and cracked mirrors. Collins frequently crafts multiple iterations of her enigmatic compositions in different color combinations\, materials\, and fabrications in woven\, embroidered\, and embellished textiles\, compounding and building her cosmology and iconographic vocabulary through repetition and the handmade. \n\n\n\nCollins’s work powerfully testifies to artists’ agency in creating new worlds. By reconfiguring symbols\, patterns\, shapes\, forms\, colors\, and textures\, she seeks to better understand the human spirit in an uncertain and ever-changing ecosystem. \n\n\n\n\n \n\n\n\n \n\n\n\n  \n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-ny-artist-talk-liz-collins-lightning-wheel-at-candice-madey/
LOCATION:Candice Madey\, 1 Freeman Alley\, New York\, New York\, 10002
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240726T110000
DTEND;TZID=America/New_York:20240726T120000
DTSTAMP:20240710T170107Z
CREATED:20240702T230426Z
LAST-MODIFIED:20240710T170107Z
UID:19642-1721991600-1721995200@www.arttable.org
SUMMARY:Seattle\, WA | Private Guided Tour of the Seattle Art Fair
DESCRIPTION:Image credit: Seattle Art Fair\n\n\n\nMeet ArtTable at the Seattle Art Fair for a private tour with Charlie Manzo of Winston Art Group\, covering a selection of new galleries and returning favorites. \n\n\n\n \n\n\n\nAbout the Fair: Summer means time for the Seattle Art Fair! Seattle Art Fair is a one-of-a-kind showcase for the vibrant arts community of the Pacific Northwest\, and a leading destination for the best in modern and contemporary art. Experience presentations from 85 leading galleries from around the world—many new!—alongside captivating artist installations and public programming this July 25-28 at Lumen Field Event Center. \n\n\n\n \n\n\n\nTour Registration only: * \n\n\n\n\nArtTable Member – $15 \n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\n\n* Current ArtTable members: instructions for accessing your complimentary Seattle Art Fair pass were emailed to you from membership@arttable.org on July 8 (June 27 for Circle\, Patron\, and Benefactor-level members). \n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/seattle-wa-private-guided-tour-of-the-seattle-art-fair/
LOCATION:Lumen Field Event Center\, 800 Occidental Ave S\, Seattle\, Washington\, 98134
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240723T160000
DTEND;TZID=America/New_York:20240723T170000
DTSTAMP:20240701T220034Z
CREATED:20240622T211816Z
LAST-MODIFIED:20240701T220034Z
UID:19338-1721750400-1721754000@www.arttable.org
SUMMARY:New York\, NY | Beatrice Glow: When Our Rivers Meet Tour with the Artist & Curator at the New-York Historical Society
DESCRIPTION:Beatrice Glow (b. 1986)\, Tecumseh Caesar (b. 1990)\, Revolutions to Love Our More-Than-Human Relatives\, 2023\n\n\n\nMeet ArtTable at the New-York Historical Society for a tour of Beatrice Glow: When Our Rivers Meet\, co-led by the artist and Rebecca Klassen\, New-York Historical’s Curator of Material Culture. This Artist Talk is generously supported by the Pollock-Krasner Foundation. \n\n\n\n \n\n\n\nAbout the exhibition: Drawing on research into New-York Historical’s vast Museum and Library collections\, artist-in-residence Beatrice Glow reckons with the 400th anniversary of the establishment of the Dutch colony of New Amsterdam from local and global perspectives. Working in conversation with a group of culture bearers\, artists\, and scholars whose heritages were impacted by the Dutch colonial enterprise\, Glow is creating a series of seven parade float maquettes that envision an alternative commemoration. The small VR-sculpted and 3D-printed sculptures will be complemented by Glow’s interpretations of decorative arts collection objects\, such as embroidered textiles and gilded baby rattles that reflect ideas of social and cultural power. \n\n\n\nProject participants: Raul Balai\, Tecumseh Ceaser\, Deborah Jack\, Nancy Jouwe\, Chief Vincent Mann\, Michaeline Picaro Mann\, Wim Manuhutu\, Brent Stonefish\, Teresa Vega \n\n\n\n \n\n\n\nYour reservation includes admission to the New-York Historical Society prior to the tour. The Museum is open from 11:00-5:00 on Tuesdays. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $20\n\n\n\nFriend of Member – $25\n\n\n\nNon-Member – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist \n\n\n\n\nBeatrice Glow is a New York and Bay Area-based multidisciplinary artist whose practice includes examinations of archives and collaboration with culture bearers and researchers in the creation of sculptural installations\, textiles\, emerging media\, and olfactory experiences to envision a more just and thriving world guided by history. An American of Taiwanese heritage\, she works in the service of public history with the goal of awakening care and empathy about the impacts of colonialism and the necessity of bridging diasporic and indigenous solidarities. She interrogates historical forms of visual and material culture as a means to reimagine a more socially and environmentally thriving world. Recent solo exhibitions have taken place at New-York Historical Society and Baltimore Museum of Art\, amongst others. Her work has been supported by Creative Capital\, the National Endowment for the Arts\, Rockefeller Brothers Fund\, Smithsonian Artist Research Fellowship\, Yale-NUS College\, Lower Manhattan Cultural Council\, the Asian/Pacific/American Institute at New York University\, the Fulbright Program\, and many more. \n\n\n\n\nAbout the Curator \n\n\n\n\nRebecca Klassen is curator of material culture at the New-York Historical Society. She has curated and contributed to such exhibitions as Beatrice Glow: When Our Rivers Meet\, Art for Change: The Artist & Homeless Collaborative\, and the Gallery of Tiffany Lamps.
URL:https://www.arttable.org/event/new-york-ny-beatrice-glow-where-our-rivers-meet-tour-with-the-artist-curator-at-the-new-york-historical-society/
LOCATION:New-York Historical Society\, 170 Central Park West at W 77 Street\, New York\, New York\, 10024
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/06/Screen-Shot-2024-06-22-at-4.59.03-PM.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240719T123000
DTEND;TZID=America/New_York:20240719T133000
DTSTAMP:20240701T175019Z
CREATED:20240622T014628Z
LAST-MODIFIED:20240701T175019Z
UID:19286-1721392200-1721395800@www.arttable.org
SUMMARY:New Windsor\, NY | Curator-Led Tour of Arlene Shechet: Girl Group at Storm King Art Center
DESCRIPTION:Arlene Shechet\, Rapunzel\, 2024. Aluminum\, stainless steel\, paint\, 20 ft. x 11 ft. 5/8 in. x 8 ft. 13/16 in. (609.6 x 336.8 x 245.9 cm). Courtesy of the Artist and Pace Gallery. Photo by David Schulze\n\n\n\nExplore one of this year’s most notable exhibitions with ArtTable during Upstate Art Weekend! Join us at Storm King Art Center for a private tour of Arlene Shechet: Girl Group with Eric Booker\, Associate Curator at Storm King and co-curator of the exhibition. Surrounded by the stunning landscape of the Hudson Valley\, we will encounter six monumental sculptures\, created by Shechet in aluminum and stainless steel for Storm King’s exhibition. Painted in subtle gradations of color that evoke the impact of light and the elements of nature on manmade objects\, Shechet’s towering sculptures interrogate the overwhelmingly masculine history of their genre. Girl Group continues in Storm King’s indoor galleries\, where smaller ceramic works from Shechet’s Together series illustrate the artist’s iterative process of making and reshaping the forms she would ultimately express on a monumental scale. \n\n\n\nPlease note: ArtTable will gather at 12:00 PM to allow adequate time to walk to the exhibition site prior to the 12:30 PM tour. Admission to Storm King Art Center is included with registration.  \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $25\n\n\n\nFriend of Member – $30\n\n\n\nNon-Member – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nGirl Group Performance: Arlene Shechet x Annie-B Parson \n\n\n\n\nFriday\, July 19\, 6:45–8:45 pm\n\n\n\nExtend your Upstate Art Weekend experience with an interactive evening performance on the grounds of Storm King. Tickets are available here; performances repeat on July 20\, Sept. 27\, and Sept. 28.  \n\n\n\nImage credit: Storm King Art Center
URL:https://www.arttable.org/event/new-windsor-ny-curator-led-tour-arlene-shechet-girl-group-at-storm-king-art-center/
LOCATION:Storm King Art Center\, 1 Museum Road\, New Windsor\, New York\, 12553
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/06/Screen-Shot-2024-06-21-at-7.29.48-PM.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240718T120000
DTEND;TZID=America/New_York:20240718T131500
DTSTAMP:20240607T181311Z
CREATED:20240605T222918Z
LAST-MODIFIED:20240607T181311Z
UID:18956-1721304000-1721308500@www.arttable.org
SUMMARY:Virtual | Meet the 2024 ArtTable Fellows
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\n\n\n\nPlease join us for a virtual meet & greet with the 2024 ArtTable Fellows! This year ArtTable was able to award 16 fellowship positions to emerging professionals throughout the country\, all thanks to generous donations from individuals\, foundations\, and corporations. The fellows will discuss their projects and their experience with the ArtTable Fellowship Program so far. This is a wonderful opportunity to meet our current fellowship cohort and learn more about the ArtTable Fellowship Program and the opportunities it provides to emerging professionals. \n\n\n\nThrough the generous support of individuals\, foundations\, corporations\, and government agencies\, ArtTable has supported 183 women-identifying and nonbinary fellows\, partnered with a total of 98 leading art organizations nationwide so far\, and dispersed over $665\,000 since the Fellowship’s inception.  \n\n\n\nRegistration for this program is free and open to all\, with a suggested donation of $15.00 to continue to support the program. We hope to see you there!
URL:https://www.arttable.org/event/virtual-meet-the-2024-arttable-fellows/
LOCATION:New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/06/FY24-Fellows.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240715T170000
DTEND;TZID=America/New_York:20240715T190000
DTSTAMP:20240710T162242Z
CREATED:20240628T202933Z
LAST-MODIFIED:20240710T162242Z
UID:19628-1721062800-1721070000@www.arttable.org
SUMMARY:New York\, NY | Artist Talk: Deborah Druick in Conversation with Sasha Phyars Burgess
DESCRIPTION:Deborah Druick (b. 1951)\, Absent\, 2023\, signed\, titled\, and dated on back. Diptych; Flashe paint on linen. Each: 40 x 30 in (DD8811). Image courtesy David Nolan Gallery\n\n\n\nArtTable invites you to David Nolan Gallery on the Upper East Side for a special viewing of BODIES: Ray Yoshida\, Christina Ramberg\, Deborah Druick featuring Deborah Druick in conversation with Sasha Phyars Burgess\, 2023 Guggenheim Fellow for Creative Arts. This talk will be moderated by writer and critic Julie Baumgardner. \n\n\n\n \n\n\n\n\nAbout the exhibition: \n\n\n\nBODIES brings together three intergenerational artists united by their strong interest in pattern\, design\, figuration\, and the human body. Collectively\, their work is informed by the human experience and the politics around the representation of the human form\, as well as by popular culture.  \n\n\n\nThe work of Ray Yoshida (1930-2009)\, Christina Ramberg (1946-1995)\, and Deborah Druick (b. 1951) strays from the overarching influence of Abstract Expressionism that especially dominated Yoshida and Ramberg’s generations. Their commitment to formal principles instead lends itself to careful studies of the body that crop it or focus on its minute details. Their mutual interest in the human body is more physiological than illustrative\, a commitment that is further demonstrated by their works’ compositional strength which reflects more than just raw emotion. \n\n\n\nThe influence of popular culture in the form of cartoons and comic books manifests in defined lines and weighty figures for whom a world beyond the canvas does not exist. Like the panels of a comic book\, these spaces are contained\, unlike the Abstract Expressionist tendency to imply the brushstroke’s extension well beyond the space of the canvas. \n\n\n\nAll three artists bring their investigations into so-called low art to a high plane that questions our perceptions of the world around us. They do not shy from depicting “private” body parts or “negative” human conditions\, like isolation. They employ style for study’s sake\, deeply informed by the very principles of art as observation and as a translation of what it means to be human. \n\n\n\n\n \n\n\n\nThe exhibition viewing and cocktail reception beginning at 5:00 PM. The Artist Talk will begin at 5:30 PM. \n\n\n\n \n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. Our sincere thanks to Alaina Simone for coordinating this program. \n\n\n\n \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-ny-artist-talk-deborah-druick-in-conversation-with-sasha-phyars-burgess/
LOCATION:David Nolan Gallery\, 24 E 81st St\, 4th floor\, New York\, New York\, 10028
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240711T170000
DTEND;TZID=America/New_York:20240711T183000
DTSTAMP:20240702T015010Z
CREATED:20240622T032020Z
LAST-MODIFIED:20240702T015010Z
UID:19299-1720717200-1720722600@www.arttable.org
SUMMARY:New York\, NY | Chakaia Booker: Shaved Portions Installation Viewing and Artist Talk
DESCRIPTION:Image Credit: Alexandre Ayer\, Diversity Pictures\, for Garment District Alliance\n\n\n\nMeet ArtTable in Midtown for a viewing of Chakaia Booker’s Shaved Portions before heading over to the Elizabeth Foundation for the Arts’ Robert Blackburn Printmaking Workshop for a talk with the artist. Presented in New York as part of the Garment District Alliance’s public art program\, Shaved Portions was originally commissioned for the Oklahoma Center for Contemporary Art and previously exhibited at Washington University in St. Louis. A sculptor\, painter\, and photographer\, Booker is widely known for her use of repurposed materials\, like the rubber tires cut up and rewoven to construct Shaved Portions. The interwoven\, branching structure of the installation exemplifies Booker’s ability to push the limits of abstraction\, using unconventional media to evoke interconnectedness in the natural world and in society.  \n\n\n\nProgram Itinerary: \n\n\n\n\n5:00–5:40 pm: Chakaia Booker in conversation with artist Phoebe Collings-James at Shaved Portions (installed on Broadway between West 39th and West 40th Streets) \n\n\n\n5:40–6:00 pm: Move to EFA Robert Blackburn Printmaking Workshop (an 8-minute walk); cocktail reception\n\n\n\n6:00–6:30 pm: Chakaia Booker in conversation with Essye Klempner\, Director of Programing and Partnerships at Robert Blackburn Printmaking Workshop  \n\n\n\n\n \n\n\n\n \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nNon-Member – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Alaina Simone for coordinating this program. \n\n\n\n\n\n\n\n\nChakaia Booker (born 1953 Newark\, NJ) is an internationally renowned and widely collected American sculptor known for creating monumental\, abstract works from recycled tires and stainless steel for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the US\, in Europe\, Africa\, and Asia. Booker was included in the 2000 Whitney Biennial and received a Guggenheim Fellowship in 2005. Recent public installation highlights include Millennium Park\, Chicago (2016-2018)\, Garment District Alliance Broadway Plazas\, New York\, NY (2014)\, and National Museum of Women in the Arts New York Avenue Sculpture Project\, Washington DC (2012). Chakaia Booker is represented by David Nolan Gallery. \n\n\n\nImage Credit: Alexandre Ayer\, Diversity Pictures\, for Garment District Alliance
URL:https://www.arttable.org/event/new-york-ny-chakaia-booker-shaved-portions-installation-viewing-and-artist-talk/
LOCATION:Elizabeth Foundation for the Arts\, Robert Blackburn Printmaking Workshop\, Address: 323 W 39th St\, New York\, New York\, 10018
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/06/c2a614d749336410cb27744e9fa50c27-1-scaled.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240627T180000
DTEND;TZID=America/New_York:20240627T191500
DTSTAMP:20240614T151728Z
CREATED:20240607T173556Z
LAST-MODIFIED:20240614T151728Z
UID:18982-1719511200-1719515700@www.arttable.org
SUMMARY:Baltimore\, MD | Curator-Led Tour of Joyce J. Scott: Walk A Mile in My Dreams at the Baltimore Museum of Art
DESCRIPTION:Joyce J. Scott\, Joyce’s Neckace (detail). Image courtesy Baltimore Museum of Art. \n\n\n\n \n\n\n\nArtTable community members are invited on a special tour of Joyce J. Scott: Walk a Mile in My Dreams\, led by Cecilia Wichmann\, Associate Curator of Contemporary Art at the Baltimore Museum of Art and co-curator of the exhibition. Best known for her virtuosic use of beads and glass\, Joyce J. Scott’s works across all media beguile viewers with beauty and humor while confronting racism\, sexism\, ecological devastation\, and complex family dynamics. For five decades\, Scott (born Baltimore\, MD\, 1948) has upended hierarchies of art and craft\, insisting that artistic expression is that “extra inch of life” that nourishes the soul even in the most challenging circumstances. Co-organized with the Seattle Art Museum and developed in close collaboration with the artist\, this comprehensive career retrospective reveals the full breadth of Scott’s utterly unique vision through nearly 140 objects\, from her woven tapestries and soft sculpture of the 1970s to her audacious genre-defying performances of the 1980s\, and her ascendancy as a sculptor of astonishing social force and formal ingenuity. \n\n\n\n \n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nNon-Members – $20\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/baltimore-md-curator-led-tour-of-joyce-j-scott-walk-a-mile-in-my-dreams-at-the-baltimore-museum-of-art/
LOCATION:New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/06/Joyces-Necklace-1229x1536-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240625T183000
DTEND;TZID=America/New_York:20240625T200000
DTSTAMP:20240529T165608Z
CREATED:20240507T023331Z
LAST-MODIFIED:20240529T165608Z
UID:18291-1719340200-1719345600@www.arttable.org
SUMMARY:New York\, NY | Studio and Private Collection Visit with Michele Oka Doner
DESCRIPTION:Associated throughout her life with Miami—where her 1.25-mile bronze and terracotta intallation A Walk on the Beach is seen by millions of Miami International Airport travelers each year—the multimedia artist and writer Michele Oka Doner also maintains a studio and personal art collection in SoHo\, Manhattan. ArtTable is delighted to invite you to join Michele in the singular space where she collects her inspirations and makes much of her work. Her experimentation is boundless: in addition to creating over 40 public and private installations\, she works in video\, textile\, and print; makes artist books and functional art; and produces prints and drawings. A deep curiosity about natural phenomena unites the work she has created throughout her five-decade career\, and continues to challenge and inspire. The author or subject of eight books\, Oka Doner has been recognized by NYSCA\, the Samuel H. Kress Foundation\, and the United Nations Society of Writers and Artists. She is an alumna and receipeint of an honorary doctorate from the University of Michigan\, and her work is included in the collections of the Louvre\, the V&A\, The Metropolitan Museum of Art\, and university museum collections across the globe. \n\n\n\n \n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. \n\n\n\nMichele Oka Doner’s studio is located in SoHo\, Manhattan. The exact address will be shared with attendees shortly before the program.  \n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-ny-studio-and-private-collection-visit-with-michele-oka-doner/
LOCATION:New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/IMG_0463-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240622T120000
DTEND;TZID=America/New_York:20240622T130000
DTSTAMP:20240620T220811Z
CREATED:20240605T220016Z
LAST-MODIFIED:20240620T220811Z
UID:18951-1719057600-1719061200@www.arttable.org
SUMMARY:POSTPONED: Los Angeles\, CA | Visit to Studio Daniel Canogar
DESCRIPTION:Daniel Canogar\, Dynamo [detail]\, Spanish Pavilion at Expo Dubai\, 2020. Temporary sculptural LED screens\, computers\, generative custom software\, real-time data\, metal structures. Image courtesy Studio Daniel Canogar.  \n\n\n\n\nPlease note: this program has been postponed. An email announcement will be made once a new date has been selected. \n\n\n\n\nJoin ArtTable for a visit to Studio Daniel Canogar in the Arts District of Downtown LA. Our conversation with the artist and Stacie Martinez\, Los Angeles Studio Director\, will cover Canogar’s practice and recent projects\, as well as the dynamic partnership between Canogar and Martinez. This conversation will explore the creative process behind Canogar’s multimedia works—which range from generative animations on LED screens to metalwork and mosaic—as well as the collaborations and challenges involved in displaying these works internationally. \n\n\n\nParking Info (address below): There is street parking on Mateo and Jesse\, and surrounding streets\, or a parking lot for $5/hour on the corner of Jesse / Mateo. The door code to the building will be provided upon RSVP. \n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nNon-Members – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\nAbout Studio Daniel Canogar \n\n\n\nDaniel Canogar’s works are are often driven by a custom-designed algorithm that gathers real- time data via the internet. The final outcome of these artworks is often hypnotic and varies across different media including generative animations on LED screens\, metal works\, recycled- glass mosaics\, or wallpaper. Many of the artworks are an attempt to integrate generative art into the history of art\, as they explore unexpected aesthetic influences\, such as postwar Abstract Expressionism\, Performance\, and Op Art from the 1960s\, among others. Canogar has created permanent public art installations for Nike World Headquarters (Beaverton\, OR)\, the Sobrato Foundation (Mountain View\, CA)\, Tampa International Airport (Tampa\, FL) and the Novartis Pavilion (Basel\, Switzerland)\, among others. He currently exhibits with bitforms gallery in New York\, Galerie Anita Beckers in Frankfurt\, and Max Estrella Gallery in Madrid. He has exhibited extensively in major museums and galleries across the world\, including Reina Sofia Art Museum\, Madrid; The Phillips Collection\, Washington DC; ZKM Center for Art and Media\, Karlsruhe; Wexner Center for the Arts\, Columbus OH; Hamburger Bahnhof Museum\, Berlin; Andy Warhol Museum\, Pittsburgh\, PA and Art Vault at the Carl & Marilynn Thoma Foundation\, Santa Fe\, NM. His work will be included in a forthcoming exhibition at the Los Angeles County Museum of Art\, “Digital Witness\,” curated by Britt Salveson as part of the Pacific Standard Time initiative. \n\n\n\nStacie Martinez is the Los Angeles Studio Director for Daniel Canogar. Prior to this she was director at Los Angeles galleries Luis De Jesus Los Angeles\, Philip Martin Gallery\, and Christopher Grimes Gallery. She began her career as Curatorial Associate at the Orange County Museum of Art\, and was Program and Panel Co-Chair for the Southern California Chapter of ArtTable from 2016-2018.
URL:https://www.arttable.org/event/los-angeles-ca-visit-to-studio-daniel-canogar/
LOCATION:Studio Daniel Canogar\, 652 Mateo St\, Unit 304\, Los Angeles\, California\, 90021
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/06/unnamed-3.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240621T154500
DTEND;TZID=America/New_York:20240621T164500
DTSTAMP:20240607T205411Z
CREATED:20240511T204307Z
LAST-MODIFIED:20240607T205411Z
UID:18370-1718984700-1718988300@www.arttable.org
SUMMARY:Ridgefield\, CT | Curator-Led Tour of Loie Hollowell: Space Between\, A Survey of Ten Years
DESCRIPTION:Loie Hollowell: Space Between\, A Survey of Ten Years (installation view)\, The Aldrich Contemporary Art Museum\, January 21 to August 11\, 2024. Courtesy of the artist. Photo: Jason Mandella\n\n\n\nJoin us for an art-filled summer Friday in Ridgefield\, Connecticut! Amy Smith-Stewart\, Chief Curator at The Aldrich Contemporary Art Museum\, will lead a tour of Loie Hollowell: Space Between\, A Survey of Ten Years for ArtTable community members and their guests. The Aldrich’s exhibition—Hollowell’s first survey and first solo museum show on the East Coast—features paintings\, works on paper\, and multimedia works\, several of which have not been publicly exhibited before. Drawing inspiration from Judy Chicago\, Hilma af Klint\, Georgia O’Keeffe\, Agnes Pelton\, and Neo-Tantric painting\, Hollowell’s deeply feminist art explores how the body relates to themes of temporality\, identity\, freedom\, and parenthood. Read more about the exhibition in Artnet and Vogue. \n\n\n\nAdmission to The Aldrich Contemporary Art Museum is included with program registration. Please note\, program participants are responsible for their own transportation to/from The Aldrich. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $25\n\n\n\nFriend of Member – $30\n\n\n\nNon-Member – $35\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/ridgefield-ct-curator-led-tour-of-loie-hollowell-space-between-a-survey-of-ten-years-2/
LOCATION:The Aldrich Contemporary Art Museum\, 258 Main Street Ridgefield\, Ridgefield\, Connecticut\, 06877\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/Loie-Hollowell-Install_1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240620T093000
DTEND;TZID=America/New_York:20240620T103000
DTSTAMP:20240512T075548Z
CREATED:20240506T165939Z
LAST-MODIFIED:20240512T075548Z
UID:18267-1718875800-1718879400@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of Rose B. Simpson's "Seed" at Madison Square Park
DESCRIPTION:This tour with Brooke Kamin Rapaport\, Artistic Director and Martin Friedman Chief Curator of Madison Square Park Conservancy\, explores the current project in the Conservancy’s field-leading program of contemporary public art. In Seed\, Rose B. Simpson (Santa Clara Pueblo\, New Mexico\, b. 1983) presents a circle of seven steel figures\, each eighteen feet tall\, surrounding a female form in bronze. The steel figures protect and support the central figure\, while simultaneously looking to the past\, the present\, and the future. While this tour will cover Simpson’s work in Madison Square Park\, additional figures are installed in Inwood Hill Park in upper Manhattan\, marking the Conservancy’s twentieth anniversary as well as its first public art collaboration with a public New York City park. \n\n\n\nOf her installations in each park\, Simpson says: “While I am there with my work\, I have the opportunity to guide through reminders. Maybe my work is about the displaced Indigenous residents who had thousands of years communing with that ground—a heuristic relationship that shaped their culture. Maybe it’s about the act of being in that space\, gendered. Maybe it’s about the feeling of communing in a public space\, about safety\, about the feeling of anonymity that comes from an immense crowd\, the clench of protective identity and the need to exhale.” While Seed is Simpson’s first solo exhibition of public art in New York\, her work can also be seen in the 2024 Whitney Biennial as well as collections including the Hirshhorn Museum & Sculpture Garden\, LACMA\, and The Metropolitan Museum of Art. In 2023\, President Biden appointed Simpson to the Board of the Institute of American Indian Arts. \n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nAbout the Curator: \n\n\n\nBrooke Kamin Rapaport is Artistic Director and Martin Friedman Chief Curator at New York’s Madison Square Park Conservancy\, where she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She was commissioner and curator of the 2019 US Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator in the contemporary art department at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-rose-b-simpsons-seed-at-madison-square-park/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/05/222-2-1536x1146-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240613T170000
DTEND;TZID=America/New_York:20240613T180000
DTSTAMP:20240531T165601Z
CREATED:20240529T181230Z
LAST-MODIFIED:20240531T165601Z
UID:18621-1718298000-1718301600@www.arttable.org
SUMMARY:New York\, NY | Walkthrough of Mika Tajima: Super Natural at the Hill Art Foundation
DESCRIPTION:Installation view: Mika Tajima: Super Natural. Hill Art Foundation\, May 3–July 26\, 2024. © Hill Art Foundation. Photo: Matthew Herrmann. \n\n\n\n \n\n\n\nArtTable community members are invited on a walkthrough of Mika Tajima: Super Natural in the galleries of the Hill Art Foundation in Chelsea\, overlooking the High Line. With Astrid Hill\, Founder of Monticule Art Advisory and the Vice President of the Hill Art Foundation\, and Sarah Needham\, Executive Director of the Hill Art Foundation\, we will explore a selection of Tajima’s recent work in a diverse and inventive range of media\, from textiles and thermoformed paintings to sculpture in blown glass and stone. Curated by Mika Yoshitake\, Super Natural highlights Tajima’s investigation of the complex relationships humans have with technology\, the built environment\, and one another\, as well as her interest in making the invisible visible through works of art. \n\n\n\n \n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\nAbout the Hill Art FoundationThe Hill Art Foundation is a public exhibition and education space that presents rotating exhibitions and ongoing arts education programs. Opened in 2019 in a custom-built 7\,700-square-foot space in New York’s Chelsea neighborhood\, the Foundation is free and open to the public. Exhibitions include works on loan from the Hill Collection\, as well as collaborative projects with leading artists\, collections\, and institutions. The Foundation was founded by J. Tomilson and Janine Hill\, collectors and philanthropists based in New York. The Foundation offers year-round educational programming for New York City high school students through three unique programs: Teen Curators\, HAF Educators\, and Teen Summer Fellows. \n\n\n\nAstrid Hill is the President and Founder of Monticule Art Advisory\, a full-service art advisory based in New York\, which focuses on placing works by living artists with collectors with whom she has established long-standing relationships. She also serves as Vice President and Curator of Emerging Artists at the Hill Art Foundation. She works closely with artists\, collectors\, and the gallerists who represent these artists. She is Chair Emeritus of the Metropolitan Museum of Art’s Apollo Circle group\, a member of the International Director’s Council (IDC) and Education Committee at the Guggenheim Museum\, Independent Curators International (ICI) and the Foundation for Contemporary Arts (FCA). Astrid received a BA from Brown University and received her Master of Arts from Christie’s Education in the History of Art and the Art Market: Modern and Contemporary. \n\n\n\nSarah Needham has been the Executive Director of the Hill Art Foundation since 2018. Previously she was a Program Officer at the Stavros Niarchos Foundation where she oversaw the arts and education portfolio. From 2008-2012\, Needham worked at Lincoln Center for the Performing Arts\, where she held a variety of roles in public relations and development and helped to organize the campus’ first-ever public art initiative. Needham holds a B.A. in Art History from Williams College and an M.B.A. from New York University’s Stern School of Business. She serves on the Board of Directors for Danspace Project and is a member of the Education Committee at the Guggenheim Museum.
URL:https://www.arttable.org/event/new-york-ny-walkthrough-of-mika-tajima-super-natural-at-the-hill-art-foundation/
LOCATION:New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/HAF_Mika-Tajima-26.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240530T150000
DTEND;TZID=America/New_York:20240530T160000
DTSTAMP:20240523T164108Z
CREATED:20240517T180354Z
LAST-MODIFIED:20240523T164108Z
UID:18488-1717081200-1717084800@www.arttable.org
SUMMARY:New York\, NY | Joan Jonas: Animal\, Vegetable\, Mineral | A Conversation with the Artist and Laura Hoptman of The Drawing Center
DESCRIPTION:Joan Jonas\, Untitled\, 2015. Ink\, 22.4 x 30 in (57 x 76.2 cm). Courtesy of the artist and Gladstone Gallery. Photo Credit: Pierre Le Hors\n\n\n\nArtTable is honored to present a conversation between Joan Jonas and Laura Hoptman\, Executive Director of The Drawing Center\, exploring the artist’s exhibition Joan Jonas: Animal\, Vegetable\, Mineral. Curated by Hoptman\, The Drawing Center’s exhibition is the first major retrospective to focus on Jonas’ substantial body of works on paper. Jonas and Hoptman will discuss the centrality of drawing to the artist’s practice\, documenting her process and tying together her work in sculpture\, performance\, and recorded media. The works on view in Animal\, Vegetable\, Mineral focus on the natural world\, a lifelong source of inspiration for Jonas. This is a rare opportunity to witness a legendary figure in postwar and contemporary art interpret the evolution of her practice through over 300 of her drawings. \n\n\n\n \n\n\n\nFollowing this 40-minute conversation\, attendees will be able to explore the exhibition on their own. The Drawing Center will remain open until 6:00 PM. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Member – $25\n\n\n\nFriend of Member – $30\n\n\n\nNon-Member – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\nThis Artist Talk is generously supported by the Pollock-Krasner Foundation. Special thanks to Courtney Maier Burbela and Paula Longendyke of Joan Jonas Studio for coordinating this program.
URL:https://www.arttable.org/event/new-york-ny-joan-jonas-animal-vegetable-mineral-a-conversation-with-the-artist-and-laura-hoptman-of-the-drawing-center/
LOCATION:The Drawing Center\, 35 Wooster St\, New York\, New York\, 10013
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/JJ043.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240430T083000
DTEND;TZID=America/New_York:20240430T103000
DTSTAMP:20240927T215943Z
CREATED:20240411T225509Z
LAST-MODIFIED:20240927T215943Z
UID:17956-1714465800-1714473000@www.arttable.org
SUMMARY:New York | Responsible Transacting in the Art Market with Patterson Belknap Webb & Tyler LLP
DESCRIPTION:This was the first program in our three-part Art Law Series sponsored by Patterson Belknap. Join us in Miami Beach for the next installment in December 2024\, followed by a Los Angeles event in early 2025! \n\n\n\n\n\n\n\nThe art market has undergone exponential growth across the last 10 years\, both in terms of volume and value. The old ways of purchasing and selling art via handshakes are now becoming increasingly rare as a wave of new players enter the art market and the value of works skyrockets. Art transactions have consequently become more complex\, introducing a range of legal risks and issues which require each party to become equipped with a more thoughtful and better-informed approach to a transaction. \n\n\n\nThis panel will provide an overview of the channels for purchasing art—at auction\, from a gallery\, or through a dealer or advisor—and how each comes with its own unique considerations and potential challenges. We will cover the basics of building relationships within the marketplace\, understanding how transactions are structured\, and issues that may arise on each side of the transaction. Our discussion will also include best practices for conducting due diligence not only for the works themselves but also on the parties engaged in the transaction. This panel will be geared towards private individual collectors\, art dealers\, and independent advisors in addition to arts professionals working in galleries and museums. \n\n\n\nThis event will begin with a networking reception including a light breakfast\, with Kosher for Passover menu options. We will reserve time at the end for audience questions. \n\n\n\nPanelists: \n\n\n\n\nAnne-Laure Allehaut\, Counsel\, Patterson Belknap\n\n\n\nAlana Ricca\, Managing Director\, Schoelkopf Gallery\n\n\n\nAubrey Catrone\, Owner & Consultant\, Proper Provenance\, LLC\n\n\n\nModerated by Andrea Zorrilla\, Founder\, AMZ Art Advisory + Appraisals LLC\n\n\n\n\n \n\n\n\nEvent Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Samantha Anderson of the Art Law Group at Patterson Belknap Webb & Tyler LLP and Andrea Zorrilla of AMZ Art Advisory + Appraisals LLC for coordinating this event. \n\n\n\n\n\n\n\n\n\nAnne-Laure Alléhaut is Counsel in Patterson Belknap’s Art and Museum Law practice. Anne-Laure started her career at Skadden Arps in M&A before serving as a Senior Vice President of Sotheby’s legal transactional team\, negotiating many of the auction house’s most complex and high value transactions while also overseeing Sotheby’s advisory\, appraisal and valuation departments.  \n\n\n\nAnne-Laure brings 18 years of law firm and in-house experience to the art industry and draws on her broad and deep experience to advise her clients with speed and efficiency. Her client base includes private collectors\, galleries\, estates\, start-ups\, art dealers\, museums\, advisors and financial institutions. Anne-Laure is a graduate of Université Paris X\, Nanterre and Université Paris II\, Panthéon-Assas. She received her J.D. and LL.M. from Cornell University. \n\n\n\n\n\nAlana Ricca is Managing Drector at Schoelkopf Gallery in Tribeca\, a leader in the field of American art from 1875 to the present day. She oversees day-to-day management of the gallery with a focus on sales\, business development\, and client relationships\, and plays a crucial role in the strategic planning and project management of art fairs\, exhibitions\, and programming. An expert in 20th-century American Art\, she holds specific knowledge in works of art created in the late 20th century and has catalogued\, researched\, and written extensively on post-war art. \n\n\n\nAlana holds a B.A. in Russian and Eurasian Studies from Colgate University. She is Uniform Standards of Professional Appraisal Practice-compliant and completes USPAP-compliant appraisals. Alana is a member of ArtTable and speaks Russian\, Spanish\, and Italian. \n\n\n\n\n\n\n\n\n\nAubrey Catrone is an international art historian\, appraiser\, and provenance researcher. Aubrey earned an MA in History of Art from University College London\, specializing in the documented histories of art objects. With an art gallery and academic research background\, Catrone founded Proper Provenance\, LLC to provide her clients with the tools\, not only to historically contextualize art but also to shed light on attribution and legal title within the international art market. \n\n\n\nCatrone has researched artworks paintings\, artefacts\, works on paper\, prints\, and sculptures spanning the fourth century B.C.E. to the twenty-first century C.E. She has been cited as a guest expert in ARTnews and on the History Channel. Catrone has also published her scholarship in a variety of publications including RICS Journals and the Journal of Art Crime. \n\n\n\n\n\n\n\n\n\nAndrea M. Zorrilla\, AAA is the founder of AMZ Art Advisory & Appraisals\, a Miami-based appraisal and advisory service dedicated to Modern & Contemporary Latin American fine art in addition to the Latinx and Caribbean diasporas. She is a Certified Member of the Appraisers Association of America\, and is distinguished with being one of four Certified Members of AAA specialized in the field of Latin American art in U.S. \n\n\n\nPrior to establishing AMZ Art Advisory & Appraisals LLC in 2022\, Andrea held the role of VP\, Specialist of Latin American Art at Sotheby’s New York. Andrea currently serves on the National Programming Committee of ArtTable. She is also a member of the Young Collectors Board of the Institute of Contemporary Art (ICA)\, Miami. She is a graduate of Villanova University with a BA in Economics and Spanish Language & Literature and received her Master of Arts with Distinction in Art Business from Sotheby’s Institute of Art\, New York / University of Manchester\, England.
URL:https://www.arttable.org/event/new-york-responsible-transacting-in-the-art-market-with-patterson-belknap-webb-tyler-llp/
LOCATION:Patterson Belknap\, 1133 6th Avenue (24th Floor)\, New York\, New York\, 10036\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/04/pbwt-header-draft-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240417T113000
DTEND;TZID=America/New_York:20240417T133000
DTSTAMP:20240415T164925Z
CREATED:20240328T040224Z
LAST-MODIFIED:20240415T164925Z
UID:17738-1713353400-1713360600@www.arttable.org
SUMMARY:New York | Guided Tours of the Whitney Biennial
DESCRIPTION:Maja Ruznic\, The Past Awaiting the Future/Arrival of Drummers\, 2023. Oil on linen\, 99 1/2 × 151 1/2 × 2 1/2 in. (252.7 × 384.8 × 6.4 cm). Collection of the artist. © Maja Ruznic. Courtesy Karma. Photograph by Brad Trone. \n\n\n\nArtTable is thrilled to invite you on a guided tour of the 2024 Whitney Biennial: Even Better Than the Real Thing. Now in its 81st edition\, the Biennial—the longest ongoing survey of contemporary American art—shifts the culture and shapes art history with each presentation. Curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes\, the exhibition features 71 artists; the performance program is organized with Taja Cheek and the film program is organized with Korakrit Arunanondchai\, asinnajaq\, Greg de Cuir Jr\, and Zackary Drucker. \n\n\n\nSelect 11:30 AM or 12:30 PM at the registration link below to sign up for your 60-minute tour with one of the Whitney’s Teaching Fellows. Please Note: 12:30 tickets are now SOLD OUT. \n\n\n\n \n\n\n\nTour Rates\, including Museum Admission: \n\n\n\n\nArtTable Members – $45\n\n\n\nMember Guests – $50\n\n\n\nNon-Members  – $55\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-guided-tours-of-the-whitney-biennial/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/03/large_RS79135_Copy-of-MR-23-0082.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240405T180000
DTEND;TZID=America/New_York:20240405T191500
DTSTAMP:20240327T234901Z
CREATED:20240327T153215Z
LAST-MODIFIED:20240327T234901Z
UID:17688-1712340000-1712344500@www.arttable.org
SUMMARY:New York | Studio Visit with Heide Fasnacht
DESCRIPTION:Heide Fasnacht\, “Lake Gloriette” (blue)\, 2023. Mixed media on wood panel\, 48” x 60″. Courtesy of the artist. \n\n\n\nJoin ArtTable for a Friday evening tour of Heide Fasnacht‘s Tribeca studio\, hosted by the artist. Since starting her career in the late 1970s\, Fasnacht has focused her output on a variety of media over the years\, focusing on sculpture\, photography-based work\, and drawing as distinct fields of inquiry and as complementary modes of expressing common themes. Over the past six years\, she has returned to her first medium of painting\, incorporating photography and collage into mixed-media works that pay special attention to the relationship between the environment and the human body and psyche.  \n\n\n\nWhile Fasnacht’s work has long been compared to that of Vija Celmins\, Gerhard Richter\, and Sigmar Polke\, it is distinguished by its translation of two-dimensional sources into sculpture and openness to abstraction in form as well as in meaning. Represented in the collections of the Brooklyn Museum\, Detroit Institute of Arts\, the High Museum of Art\, MFA Boston\, and many other institutions\, Fasnacht’s next New York exhibition is Anywhere But Here\, a four-person exhibition opening May 8 at Project: ARTspace. \n\n\n\nThis talk is made possible by the Pollock-Krasner Foundation\, with special thanks to Kelly Cahn for coordinating. \n\n\n\n \n\n\n\nPlease note\, the studio building does not have elevator access. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-studio-visit-with-heide-fasnacht/
LOCATION:4 White Street\, 4 White Street #4A\, New York\, New York\, 10013
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/03/unnamed.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240401T181500
DTEND;TZID=America/New_York:20240401T193000
DTSTAMP:20240329T193505Z
CREATED:20240202T222853Z
LAST-MODIFIED:20240329T193505Z
UID:16438-1711995300-1711999800@www.arttable.org
SUMMARY:MeetAT Networking Event at FORMah Gallery
DESCRIPTION:Rescheduled from February 13\, 2024 \n\n\n\n \n\n\n\nYou’re invited to our upcoming MeetAT networking event on Monday\, April 1\, taking place at FORMah Gallery on the Lower East Side. Gallerist Maryana Kaliner will introduce guests to the current exhibition\, Connected to All There Is: Rachel Rubinstein. Enjoy light refreshments while catching up with fellow ArtTable members and making new connections. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*each member is allowed to bring a single guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/meetat-networking-event-formah-gallery-arttable-members-and-friends-meet-and-chat/
LOCATION:FORMah gallery\, 42 Allen St\, New York\, New York\, 10002\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2024/02/Screen-Shot-2024-02-02-at-5.26.28-PM.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T110000
DTEND;TZID=America/New_York:20240315T123000
DTSTAMP:20240226T154024Z
CREATED:20240223T023616Z
LAST-MODIFIED:20240226T154024Z
UID:16958-1710500400-1710505800@www.arttable.org
SUMMARY:Los Angeles | Private Tour of The Getty Center with Ellen Greenberg
DESCRIPTION:Vincent van Gogh\, Irises\, 1889; Oil on canvas; The J. Paul Getty Museum\, Los Angeles\, 90.PA.20.\n\n\n\n\nDemystify Art at The Getty Center \n\n\n\nEnjoy walking through time from the Middle Ages to the early 20th century and “peek behind and beyond the canvas” as Ellen Greenberg\, art historian\, guides you through the spectacular collection at The Getty Center in Brentwood. You’ll see the highlights of the museum and be wowed and amazed with the stories she’ll tell you about how artists have impacted history and yet still relate to our current\, everyday lives. Be titillated by Titian. Baffled by Bernini. Rembrandt revealed. Monet mastered. Van Gogh verified. These are among the groundbreaking artists that will be featured on the tour. In this 90-minute tour\, find out why there are so many nudes in Renaissance Art— and so many dead bugs\, wilted flowers and skulls in Dutch paintings! And why is the Virgin Mary always depicted wearing red and blue during the Renaissance and Baroque periods? What were the inspirations for Impressionism? You’ll never look at art the same way again! \n\n\n\nYour guide will be Ellen Greenberg. Ellen’s interests and expertise have been inspired by interior design\, fashion design and production and costume design in her early years to museum touring and unique travel journeys as owner of Quick Culture. Ellen has been an instructor at the Fashion Institute of Design & Merchandising and has guest lectured at UCLA. She holds Docent Program certificates at both The Getty Center and LACMA—and is the author of Inside Chocolate\, a pictorial art book published by Abrams Books (formerly Harry N. Abrams) New York. Notables Ellen has toured range from Merrick Garland\, United States Attorney General\, to Max Getty\, J. Paul Getty’s great-grandson. Her studies continue at The Getty Research Institute. \n\n\n\nThis tour will depart from the Museum Atrium Entrance. \n\n\n\nPlease Note: The fee to park at The Getty Center is $25.  \n\n\n\n  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Jane Glassman for coordinating on behalf of ArtTable.
URL:https://www.arttable.org/event/los-angeles-private-tour-of-the-getty-center-with-ellen-greenberg/
LOCATION:The Getty Center\, 1200 Getty Center Dr.\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/02/e5d29650-11f8-4897-9540-54a9dd65b04f_3000-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240308T154500
DTEND;TZID=America/New_York:20240308T170000
DTSTAMP:20240222T215648Z
CREATED:20240218T011020Z
LAST-MODIFIED:20240222T215648Z
UID:16755-1709912700-1709917200@www.arttable.org
SUMMARY:Philadelphia | Tour of (Re)FOCUS: Then and Now at Moore College of Art & Design
DESCRIPTION:Installation view of (Re)Focus: Then and Now\, with art by Miriam Schapiro\, Mary Beth Edelson\, Joan Snyder and Alice Neel. Photo: Jack Stawowczyk.\n\n\n\nCelebrate International Women’s Day with a very special curator-led tour of (Re)FOCUS: Then and Now at Moore College of Art & Design in downtown Philadelphia. With Judith K. Brodsky\, Judith E. Stein\, and Diane Burko\, three of the original Focus team\, we will explore this two-part installation.:  \n\n\n\n(Re)FOCUS: Then commemorates the fiftieth anniversary of Philadelphia Focuses on Women in the Visual Arts: FOCUS\, a citywide festival highlighting women in the arts which took place across multiple Philadelphia venues in 1974. Curated by Brodsky and Burko\, who brought the original FOCUS to life in 1974\, (Re)FOCUS: Then reunites works by the 81 artists represented in the original exhibition\, including Louise Bourgeois\, Lee Krasner\, Howardena Pindell\, Faith Ringgold\, Alma Thomas\, and Moore College graduate Alice Neel. \n\n\n\n(Re)FOCUS: Now—curated by Gabrielle Lavin Suzenski\, Director of the Galleries at Moore; Denise M. Brown\, Executive Director of the Leeway Foundation; and Isa Isioma Matisse of The Future is Us Collective—explores themes of social justice\, gender identity\, equity\, and power present in the recent work of Philadelphia-based artists\, several of whom are Moore graduates. Over fifteen multidisciplinary visual artists\, educators\, and performers are represented\, including Wit López\, Atisha Fordyce\, and Moore faculty member Li Sumpter.  \n\n\n\nLearn more about the exhibition in recent coverage from WHYY News and The Philadelphia Inquirer. \n\n\n\n \n\n\n\nLike the original FOCUS\, (Re)FOCUS: Then and Now at Moore College of Art & Design is part of a citywide arts festival: Re(FOCUS) 2024\, happening through May 31 at over 30 venues across the Philadelphia area. The Colored Girls Museum\, the Free Library of Philadelphia\, the Philadelphia Academy of the Fine Arts\, and the Philadelphia Museum of Art are just a few of the institutions hosting Re(FOCUS) 2024 exhibitions and events—we encourage ArtTable members to visit! \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Judith Stein for coordinating this tour for ArtTable.
URL:https://www.arttable.org/event/philadelphia-tour-of-refocus-then-and-now-at-moore-college-of-art-design/
LOCATION:The Galleries at Moore – Moore College of Art & Design\, 1916 Race Street\, Philadelphia\, 19103
CATEGORIES:New York,National,Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/02/Aliuce-Neel-Miriam-Schapireo-Marybeth-E-Joan-Snyder.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240306T180000
DTEND;TZID=America/New_York:20240306T193000
DTSTAMP:20240304T235557Z
CREATED:20240104T145056Z
LAST-MODIFIED:20240304T235557Z
UID:15893-1709748000-1709753400@www.arttable.org
SUMMARY:New York | After-Hours Gallery Tour of Lee Krasner Exhibition at Kasmin
DESCRIPTION:Lee Krasner\, Number 2\, 1951\, oil on canvas\, 92 1/2 x 132 inches\, 235 x 335.3 cm. Jorge M. Pérez Collection\, Miami. © 2024 Pollock-Krasner Foundation / Artists Rights Society (ARS)\, New York. Photo: Diego Flores. Courtesy of Kasmin\, New York.\n\n\n\nJoin ArtTable for an after-hours gallery tour of Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 at Kasmin\, in association with the Pollock-Krasner Foundation. Eric Gleason\, Executive Director of Kasmin\, will provide an introduction and answer questions about the works on view and their context with Krasner’s oeuvre. The conversation will be followed by refreshments generously provided by the Pollock Krasner Foundation.  \n\n\n\nThrough the Pollock-Krasner Foundation\, Kasmin has represented Lee Krasner’s work since 2016. Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 is Kasmin’s fourth solo presentation of her work. It is the first exhibition to focus on this under-examined period of the artist’s work\, which laid the groundwork for several major series of paintings Krasner completed later in her career. Drawing on formative connections with peers in the American Abstract Artists group as well as Piet Mondrian\, Krasner’s work in the late forties and early fifties attracted early critical praise. Constrasting rectilinear forms\, painted in somber tones with varying thicknesses of brushwork\, sometimes appear on repainted canvases. Highlights of this presentation of Krasner’s work include the only two extant paintings from her first solo exhibition\, reunited for the first time; Number 3 (Untitled) (1951)\, on loan from the Museum of Modern Art\, and Number 2 (1951)\, on view in New York for the first time in over 70 years. \n\n\n\n  \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic  – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEric Gleason is Head of Sales at Kasmin Gallery. Since Eric joined the gallery in 2013\, he has played a key role in its expansion\, which involved the opening of its new flagship gallery and rooftop sculpture garden in New York in 2018. Eric works closely with a number of the prominent contemporary artists at Kasmin\, including Diana Al-Hadid\, Judith Bernstein\, Lyn Liu and Jan-Ole Schiemann\, and is the primary representative for several artist estates\, notably Barry Flanagan\, Lee Krasner\, Robert Motherwell\, and George Rickey. Eric has spearheaded numerous critically recognized Kasmin exhibitions\, including Lee Krasner: The Umber Paintings 1959-1962 (2017–2018) and Lee Krasner: Collage Paintings (2021). Eric has contributed to numerous institutional exhibitions to promote the careers and legacies of the gallery’s artists. Eric represents Kasmin at art world events and participates in the gallery’s domestic and international art fair program. In 2020\, Eric joined the Council of the Visual and Performing Arts school at Syracuse University\, and in August of 2023\, Eric joined the Board of Directors at Artistic Noise\, a non-profit offering visual arts and entrepreneurship programs to young people impacted by the juvenile justice system.
URL:https://www.arttable.org/event/after-hours-gallery-tour-lee-krasner-exhibition-at-the-kasmin-gallery/
LOCATION:Kasmin Gallery\, 509 W 27th St\, Manhattan\, New York\, 10001\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240215T170000
DTEND;TZID=America/New_York:20240215T183000
DTSTAMP:20240209T171728Z
CREATED:20240203T010853Z
LAST-MODIFIED:20240209T171728Z
UID:16453-1708016400-1708021800@www.arttable.org
SUMMARY:New York\, NY | Gallery Talk with Nancy Koenigsberg
DESCRIPTION:Installation view of Nancy Koenigsberg: Line and Shadow\, Nancy Hoffman Gallery\, 2024\n\n\n\n\n \n\n\n\nJoin ArtTable for an inspiring artist talk exploring Nancy Koenigsberg: Line and Shadow at Chelsea’s Nancy Hoffman Gallery\, established in 1972 and currently supporting artists working on four continents.  \n\n\n\nThrough the works on view in Line and Shadow\, Koenigsberg will discuss the evolution of her practice. Her first exhibition with Nancy Hoffman Gallery\, it includes approximately 25 works made between 1998 and 2023\, and focuses on wire sculpture. Woven or knotted wire grids are shaped and layered; juxtapositions between shiny and dull\, fragile and industrial-strength materials challenge and engage the viewer visually and conceptually. Koenigsberg says the grids featured in much of her work reflect the city streets she knows so well as a New Yorker\, as well as the nuances and intricacies of the textile world she’s been immersed in for decades. \n\n\n\nKoenigsberg co-founded the Textile Study Group of New York in 1977\, inviting well-regarded artists from around the world to examine the historical and technical importance of textile practices\, from the ancient to the most contemporary. Koenigsberg now serves as President Emerita of the Textile Study Group and in 2022 became a Fellow of the American Craft Council. \n\n\n\n \n\n\n\nThis talk is made possible with the generous support of the Pollock-Krasner Foundation.  \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic – $20\n\n\n\n\nPlease log in to your ArtTable account to access member pricing. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Susan Talbot for coordinating this program for ArtTable. \n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nNancy Koenigsberg lives and works in New York City. She was born in Philadelphia in 1927. She has an extensive exhibition history in the United States\, Europe\, and South America\, and has completed numerous commissions. Her work is included in collections in the Cleveland Museum of Art\, Cleveland\, OH; Denver Art Museum\, Denver\, CO; Indianapolis Museum of Art\, IN; Museum of Arts & Design\, NY; Museum of Fine Arts\, Houston\, TX; North Dakota Museum of Art\, Grand Forks\, ND; Racine Art Museum\, Racine\, WI; Textile Museum\, Washington\, DC; Yale University Art Museum\, New Haven\, CT\, among others. 
URL:https://www.arttable.org/event/new-york-ny-gallery-talk-with-nancy-koenigsberg/
LOCATION:Nancy Hoffman Gallery\, 520 West 27 Street\, New York\, New York\, 10001\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/02/IMG_6929.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240212T110000
DTEND;TZID=America/New_York:20240212T120000
DTSTAMP:20240201T191243Z
CREATED:20240125T222823Z
LAST-MODIFIED:20240201T191243Z
UID:16231-1707735600-1707739200@www.arttable.org
SUMMARY:Los Angeles\, CA | Cedars-Sinai Art Collection Tour
DESCRIPTION:Marcia Simon Weisman\, a founder of the Cedars-Sinai Art Collection and the Los Angeles Museum of Contemporary Art\, sits with pop artist Andy Warhol at his 1977 book signing at Cedars-Sinai. Courtesy Cedars-Sinai Medical Center.\n\n\n\n\n \n\n\n\nJoin ArtTable for an intimate\, curator-led tour of Cedars-Sinai Medical Center’s famous Art Collection. The Collection hosts an impressive 4\,000 works of art including paintings from Roy Lichtenstein to sculptures by Claes Oldenburg and drawings by Ed Ruscha. The works are displayed throughout the corridors of the hospital with the tour highlighting a selection of works currently on view on the North Tower Plaza Level\, in the Advanced Health Sciences Pavilion\, and\, weather permitting\, in the Healing Gardens. Learn the rich history of how this collection came to be and since then\, how art has been vital to the mission statement at Cedars-Sinai. \n\n\n\nOur tour will be led by John Lange\, Curator of Cedars-Sinai’s Art Collection. \n\n\n\nPlease note\, masks are required to ensure the safety of Cedars-Sinai’s patients\, staff\, and visitors. Cedars-Sinai requires all visitors to bring an ID for check-in. Complimentary parking validation is included; instructions will be shared with all registrants. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Cedars-Sinai\, Felice Axelrod\, and Jane Glassman for organizing this program. \n\n\n\n \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nJohn T. Lange has served as Curator of the Art Collection at Cedars-Sinai Medical Center since 2003. In consultation with the Medical Center’s board\, Lange has grown the Collection to over 5\,250 works of modern and contemporary sculpture\, painting\, drawing\, and video art\, the vast majority of which is on display at any given time. His work at Cedars-Sinai has been highlighted by CBS News\, CNBC\, HuffPost\, and Los Angeles Magazine. A graduate of the Tyler School of Art at Temple University\, Lange is also a working artist and designer\, with recent work exploring the power of landscape as subject matter and as metaphor. 
URL:https://www.arttable.org/event/la-cedars-sinai-art-collection-tour/
LOCATION:Cedars-Sinai Advanced Health Sciences Pavilion\, 127 S. San Vicente Boulevard\, Los Angeles\, California\, 90048\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/01/weismann-warhol-bw.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240123T180000
DTEND;TZID=America/New_York:20240123T193000
DTSTAMP:20240123T213744Z
CREATED:20231223T163512Z
LAST-MODIFIED:20240123T213744Z
UID:15353-1706032800-1706038200@www.arttable.org
SUMMARY:New York | Kick off the New Year Party
DESCRIPTION:Join ArtTable Members and their guests for a start of year celebration with wine and light bites. The event will be hosted at the Peter Freeman Gallery with Elisabetta Benassi: The Drowned World on view for guests to enjoy.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to the Peter Freeman Gallery and Courtney Burbela for organizing this program. \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPeter Freeman Gallery \n\n\n\nPeter Freeman\, Inc.\, founded in 1990\, represents leading international artists and the estates of several generations\, spanning the 19th\, 20th\, and 21st centuries\, and specializes in important historical works with particular emphasis on early Pop\, Minimal\, and Conceptual Art.  \n\n\n\nThe gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our time. Solo exhibitions highlight the rich way in which artists respond to the materials\, forces\, and questions of the day. Focused group exhibitions explore significant movements\, themes\, and ideas that continue to influence and define our culture. The historic works handled by the gallery over the past thirty years are broad-ranging and can often be defined by their rarity and significance.  \n\n\n\nIn 2006\, Peter Freeman partnered with Galerie Nelson to establish what would eventually become Peter Freeman\, Inc.\, Paris in 2013. The gallery\, both in New York and in Paris\, has always presented historically significant works in conversation with newer work by living artists. For this reason\, much of our business has been with museums. \n\n\n\nPeter Freeman also publishes scholarly books\, including a catalogue raisonné Robert Mangold: Early Works\, with text by Robert Storr; the first US catalogue on the works of Charlotte Posenenske; several catalogues on Medardo Rosso; James Ensor: Paintings\, with text by Xavier Tricot; the first monograph of Catherine Murphy\, with text by John Yau and Svetlana Alpers; a facsimile edition of Mangelos’s Pythagoras with an essay by Branka Stipančić; and the artist book Tide\, a collaboration with Silvia Bächli and the writer Jamaica Kincaid. 
URL:https://www.arttable.org/event/new-york-kick-off-the-new-year-party/
LOCATION:Peter Freeman Gallery\, 140 Grand Street\, New York\, New York\, 10013\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/12/Holiday-Party-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240117T180000
DTEND;TZID=America/New_York:20240117T190000
DTSTAMP:20231212T145733Z
CREATED:20231208T184405Z
LAST-MODIFIED:20231212T145733Z
UID:14335-1705514400-1705518000@www.arttable.org
SUMMARY:Curator-Led Tour of Marta Minujín: Arte! Arte! Arte!
DESCRIPTION:Marta Minujín in her studio on rue Delambre in Paris\, with her first multicolored mattresses\,1963. Marta Minujín Archive. © Marta Minujín\, courtesy of Henrique Faria\, New York andHerlitzka & Co.\, Buenos Aires\n\n\n\nJoin ArtTable for an intimiate look at the first survey exhibition in the United States of Marta Minujín\, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect\, irreverent humor\, and performative presence. Hosted by The Jewish Museum\, this tour will be led by Associate Curator\, Rebecca Shaykin. \n\n\n\nThis extensive exhibition includes nearly 100 works organized to reflect Minujín’s bold experimentation over six decades. The exhibition charts Minujín’s influential career in Buenos Aires as well as time spent in Paris\, New York\, and Washington\, DC\, through a range of pioneering\, mattress-based soft sculptures; fluorescent large-scale paintings; psychedelic drawings and performances; and vintage film footage. The artist’s ephemeral works – happenings\, participatory installations\, and monumental public art – are presented through rarely-seen photographs\, video\, and other documentation. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Dr. Julia P. Herzberg for organizing this program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRebecca Shaykin is an Associate Curator at the Jewish Museum\, where she has worked since 2010. She is co-curator of Marta Minujín: Arte! Arte! Arte! (2023\, with Darsie Alexander). In 2019\, she organized the critically-acclaimed Edith Halpert and the Rise of American Art; the accompanying catalogue was a New York Times Critic’s Pick and winner of the 2019 National Jewish Book Award (Visual Arts). Additional projects include: Roberto Burle Marx: Brazilian Modernist (2016\, with Jens Hoffmann and Claudia J. Nahson)\, Helena Rubinstein: Beauty Is Power (2014\, with Mason Klein); and The Radical Camera: New York’s Photo League\, 1936-1951 (2011\, with Mason Klein and Catherine Evans). Shaykin has played a vital role in the museum’s acquisitions program\, bringing works by Candice Breitz\, Elinor Carucci\, Trenton Doyle Hancock\, Deborah Kass\, Kali Spitzer\, and Carrie Mae Weems into the collection. Previously\, Shaykin worked at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum\, where she assisted on Seductive Subversion: Women Pop Artists\, 1958–1968 (2010) and Kiki Smith: Sojourn (2010). She received her BA in Art History from Oberlin College and MA from the Williams College Graduate Program in the History of Art.
URL:https://www.arttable.org/event/curator-led-tour-of-marta-minujin-arte-arte-arte/
LOCATION:The Jewish Museum\, 1109 5th Ave & E 92nd St\, New York\, New York\, 10128
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/JM-Shaykin-Minujin-fig.-003-Minujin-in-her-studio-on-rue-Delambre-in-Paris-Press-Image-3000px-W-300dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240106T133000
DTEND;TZID=America/New_York:20240106T160000
DTSTAMP:20231223T170712Z
CREATED:20231223T165433Z
LAST-MODIFIED:20231223T170712Z
UID:15361-1704547800-1704556800@www.arttable.org
SUMMARY:Curator-Led Tour of Kindred Worlds at the Hudson River Museum
DESCRIPTION:Join Alyssa Alexander\, Independent Curator and Arts Administrator\, and Karintha Lowe\, Mellon Fellow in the Public Humanities\, for a tour of Kindred Worlds: The Priscila & Alvin Hudgins Collection. Get an insider’s look into the Hudgins family and their vital legacy of Black American collectorship\, and learn how themes of myth\, memory\, and leisure flow through this formally stunning and historically significant artworks. \n\n\n\nFollowing the tour\, attendees will be hosted by Jessica L. Porter\, Lila Harnett Executive Director of ArtTable\, and Masha Turchinsky\, ArtTable Board Member and the Director of the Hudson River Museum\, at her historic Glenview home for a light reception.  \n\n\n\nAlyssa Alexander is a curator\, exhibitions manager\, and arts administrator based in Brooklyn. With a background in journalism and critical writing\, she is currently building a curatorial practice and pursuing more in-depth cultural and art-historical research that centers artists of African descent\, with a special focus on woman-identifying artists of the Caribbean. She is dedicated to working with emerging artists and institutions to cultivate a more accessible and equitable creative economy. \n\n\n\nKarintha Lowe\, PhD\, American Studies program at Harvard University\, is the Mellon Public Humanities Fellow at the Hudson River Museum and Sarah Lawrence College. She researches and writes about Asian American women’s experimental artmaking practices. An interdisciplinary scholar and curator\, Lowe has also worked at the New York Historical Society and the Museum of Chinese in America\, where she developed public programming and exhibitions on twentieth-century American art. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Masha Turchinsky for organizing this program.
URL:https://www.arttable.org/event/curator-led-tour-of-kindred-worlds-at-the-hudson-river-museum/
LOCATION:Hudson River Museum\, 511 Warburton Ave\, Yonkers\, New York\, 10701
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/event-2024-01-06-tour-2048x1228-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231128T180000
DTEND;TZID=America/New_York:20231128T200000
DTSTAMP:20231103T185335Z
CREATED:20231103T184533Z
LAST-MODIFIED:20231103T185335Z
UID:14109-1701194400-1701201600@www.arttable.org
SUMMARY:Curator-Led tour of "Making Their Mark" with Cecilia Alemani
DESCRIPTION:Making Their Mark is a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades. Curated by Cecilia Alemani\, Donald R. Mullen\, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale\, the exhibition marks the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg. \n\n\n\nMaking Their Mark includes historic and contemporary artworks by Jennifer Bartlett\, Lynda Benglis\, Firelei Báez\, Cecily Brown\, Judy Chicago\, Sonia Gomes\, Sheila Hicks\, Jacqueline Humphries\, Mary Heilmann\, Charline von Heyl\, Joan Mitchell\, Julie Mehretu\, Elizabeth Murray\, Howardena Pindell\, Jaune Quick-to-See Smith\, Joan Semmel\, Joan Snyder\, Amy Sillman\, Mary Weatherford\, and Anicka Yi\, among many others.  \n\n\n\nMaking Their Mark introduces a broader audience to the mission of the Shah Garg Foundation\, located in the historic former home of DIA Chelsea at 548 West 22nd Street. The Foundation is committed to championing the work of women artists\, from the modern era through the present day\, with Making Their Mark introducing its curatorial vision to the public for the first time.The evening will begin with an informal reception at 6 PM and progress to the exhibit tour at 7 PM. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\nThank you to Cara Blumstein for her assistance with this event! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  Install Views – Credit Tom Powel Imaging\, Courtesy Shah Garg Foundation.Cecilia Alemani\, Courtesy of the High Line. Photo Liz Ligon. \n\n\n\n\n\n\nAbout the Curator\n\n\n\nCecilia Alemani is an Italian curator based in New York. Since 2011\, she has been the Donald R. Mullen\, Jr Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2022\, she curated The Milk of Dreams\, the 59th International Art Exhibition at La Biennale di Venezia. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. Cecilia’s full bio is available here.
URL:https://www.arttable.org/event/curator-led-tour-of-making-their-mark-with-cecilia-alemani/
LOCATION:Shah Garg Foundation\, 548 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/11/FIS_MakingMark_103123_1091.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231115T170000
DTEND;TZID=America/New_York:20231115T183000
DTSTAMP:20231011T182319Z
CREATED:20231011T182317Z
LAST-MODIFIED:20231011T182319Z
UID:13913-1700067600-1700073000@www.arttable.org
SUMMARY:Curator-Led Tour of "El Dorado: Myths of Gold" at the Americas Society
DESCRIPTION:Join ArtTable for a curator-led tour of Pt I: El Dorado: Myths of Gold\, exploring the legend of El Dorado as a foundational myth of the Americas. Artists in the show include Olga de Amaral\, Denilson Baniwa\, Bruno Baptistelli\, Andrés Bedoya\, Wendy Cabrera Rubio\, Leda Catunda\, Chiriquí artist\, Coclé artists\, william cordova\, Juan Covelli\, Covens & Mortier\, Harmonia Rosales\, Tiago Sant’Ana\, Julia Santos Solomon\,  Moara Tupinambá\, Laura Vinci\, and Alberta Whittle. \n\n\n\nDuring the colonization of the Americas\, colonial fantasies of an Indigenous kingdom replete with gold and precious stones quickly permeated the European imagination\, galvanizing the invasion of the continent and serving as a justification for genocide as well as the destruction of ancestral territories and the environment. As we come to terms with the long-term sociopolitical and environmental effects of this dynamic\, there is a pressing need to reevaluate its influence on our identification as human beings and members of a globalized society. By placing historical and contemporary artworks together\, the exhibition facilitates dialogues between past and present to investigate how the myth has shaped the value of gold\, as well as that of territories\, peoples\, religious beliefs\, and nature.  \n\n\n\nThank you to Julia P Herzberg\, PhD for coordinating this program.Please see AS/COA website for exhibition funding acknowledgments. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Alberta Whittle\, Jamestown Mythology: Amonute\, 2023. Laser-engraved woodblock print on Somerset Satin 300 gsm paper with saliva embossed in gold\, 23 5⁄8 × 26 5⁄8 inches (60 × 67.5 cm). Courtesy of the artist and The Modern Institute/Toby Webster Ltd.\, Glasgow.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires\, she has lived in New York since 2011. Her Ph.D. in art history from Rutgers University\, titled “This Must Be the Place: Latin American Artists in New York 1965–1975\,” became a show at Americas Society in 2021. She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. Her writing has been presented at conferences internationally and published by prestigious museums and academic journals\, including the New Museum\, the Museum of Modern Art\, and the Guggenheim Museum. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación Proa in Buenos Aires. \n\n\n\n\n\n\n\n\n\nTie Jojima is an associate curator at Americas Society in New York and a PhD candidate in art history at the Graduate Center\, CUNY\, specializing in modern and contemporary Latin American art\, with a focus on Brazilian art. Her larger research interests encompass performance and media art in the 1970s and 1980s\, as well as contemporary Asian diasporic art practices in Latin America.
URL:https://www.arttable.org/event/curator-led-tour-of-el-dorado-myths-of-gold-at-the-americas-society/
LOCATION:Americas Society\, 680 Park Avenue\, New York\, 10065
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/Screen-Shot-2023-10-09-at-3.17.59-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20231109T093000
DTEND;TZID=America/New_York:20231109T103000
DTSTAMP:20231025T171912Z
CREATED:20231010T200009Z
LAST-MODIFIED:20231025T171912Z
UID:13935-1699522200-1699525800@www.arttable.org
SUMMARY:Artist-Led tour of Sheila Pepe's "My Neighbor's Garden" at Madison Square Park
DESCRIPTION:Join us for a tour of “My Neighbor’s Garden” with artist Sheila Pepe on November 9 at Madison Square Park. Brooke Kamin Rapaport\, Artistic Director and Martin Friedman Chief Curator\, will introduce the artist and her first outdoor exhibition. “My Neighbor’s Garden\,” places colorful and optimistic canopies of crocheted material\, as well as unexpected materials including paracord\, shoelaces\, outsize rubber bands\, and climbing vines\, and extends from the park’s extant physical structures such as light poles. In the months preceding the exhibition\, Pepe gathered novice and expert crocheters at her Brooklyn studio for crochet sessions towards the fabrication of the project. Pepe will speak about the project\, offer insights into the collaborative process\, as well as situating the exhibition within the context of her career as a whole. The event will wrap up with a Q&A.Press coverage of the exhibition: \n\n\n\n\nThe New York Times\n\n\n\nNY1 News\n\n\n\nWNYC\n\n\n\nThe Brooklyn Rail \n\n\n\nWFUV and the What’s What Podcast\n\n\n\n\nSpecial thanks to Truth Murray-Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Sheila Pepe\, Crane\, Madison Square Park.Sheila Pepe\, photo by Rachel Stern. \n\n\n\n\n\n\nAbout the Artist\n\n\n\nSheila Pepe was born in Morristown\, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design\, Boston\, and an MFA from the School of the Museum of Fine Arts\, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement–Lynda Benglis\, Eva Hesse\, and Nancy Spero–as a crucible to launch her sculptural investigations. www.sheilapepe.com \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/artist-led-tour-of-sheila-pepes-my-neighbors-garden-at-madison-square-park/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/MSP-Crane_8-21-23_selects-19.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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