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DTSTART;TZID=America/New_York:20240123T180000
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DTSTAMP:20240123T213744Z
CREATED:20231223T163512Z
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SUMMARY:New York | Kick off the New Year Party
DESCRIPTION:Join ArtTable Members and their guests for a start of year celebration with wine and light bites. The event will be hosted at the Peter Freeman Gallery with Elisabetta Benassi: The Drowned World on view for guests to enjoy.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to the Peter Freeman Gallery and Courtney Burbela for organizing this program. \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPeter Freeman Gallery \n\n\n\nPeter Freeman\, Inc.\, founded in 1990\, represents leading international artists and the estates of several generations\, spanning the 19th\, 20th\, and 21st centuries\, and specializes in important historical works with particular emphasis on early Pop\, Minimal\, and Conceptual Art.  \n\n\n\nThe gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our time. Solo exhibitions highlight the rich way in which artists respond to the materials\, forces\, and questions of the day. Focused group exhibitions explore significant movements\, themes\, and ideas that continue to influence and define our culture. The historic works handled by the gallery over the past thirty years are broad-ranging and can often be defined by their rarity and significance.  \n\n\n\nIn 2006\, Peter Freeman partnered with Galerie Nelson to establish what would eventually become Peter Freeman\, Inc.\, Paris in 2013. The gallery\, both in New York and in Paris\, has always presented historically significant works in conversation with newer work by living artists. For this reason\, much of our business has been with museums. \n\n\n\nPeter Freeman also publishes scholarly books\, including a catalogue raisonné Robert Mangold: Early Works\, with text by Robert Storr; the first US catalogue on the works of Charlotte Posenenske; several catalogues on Medardo Rosso; James Ensor: Paintings\, with text by Xavier Tricot; the first monograph of Catherine Murphy\, with text by John Yau and Svetlana Alpers; a facsimile edition of Mangelos’s Pythagoras with an essay by Branka Stipančić; and the artist book Tide\, a collaboration with Silvia Bächli and the writer Jamaica Kincaid. 
URL:https://www.arttable.org/event/new-york-kick-off-the-new-year-party/
LOCATION:Peter Freeman Gallery\, 140 Grand Street\, New York\, New York\, 10013\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20240117T180000
DTEND;TZID=America/New_York:20240117T190000
DTSTAMP:20231212T145733Z
CREATED:20231208T184405Z
LAST-MODIFIED:20231212T145733Z
UID:14335-1705514400-1705518000@www.arttable.org
SUMMARY:Curator-Led Tour of Marta Minujín: Arte! Arte! Arte!
DESCRIPTION:Marta Minujín in her studio on rue Delambre in Paris\, with her first multicolored mattresses\,1963. Marta Minujín Archive. © Marta Minujín\, courtesy of Henrique Faria\, New York andHerlitzka & Co.\, Buenos Aires\n\n\n\nJoin ArtTable for an intimiate look at the first survey exhibition in the United States of Marta Minujín\, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect\, irreverent humor\, and performative presence. Hosted by The Jewish Museum\, this tour will be led by Associate Curator\, Rebecca Shaykin. \n\n\n\nThis extensive exhibition includes nearly 100 works organized to reflect Minujín’s bold experimentation over six decades. The exhibition charts Minujín’s influential career in Buenos Aires as well as time spent in Paris\, New York\, and Washington\, DC\, through a range of pioneering\, mattress-based soft sculptures; fluorescent large-scale paintings; psychedelic drawings and performances; and vintage film footage. The artist’s ephemeral works – happenings\, participatory installations\, and monumental public art – are presented through rarely-seen photographs\, video\, and other documentation. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Dr. Julia P. Herzberg for organizing this program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRebecca Shaykin is an Associate Curator at the Jewish Museum\, where she has worked since 2010. She is co-curator of Marta Minujín: Arte! Arte! Arte! (2023\, with Darsie Alexander). In 2019\, she organized the critically-acclaimed Edith Halpert and the Rise of American Art; the accompanying catalogue was a New York Times Critic’s Pick and winner of the 2019 National Jewish Book Award (Visual Arts). Additional projects include: Roberto Burle Marx: Brazilian Modernist (2016\, with Jens Hoffmann and Claudia J. Nahson)\, Helena Rubinstein: Beauty Is Power (2014\, with Mason Klein); and The Radical Camera: New York’s Photo League\, 1936-1951 (2011\, with Mason Klein and Catherine Evans). Shaykin has played a vital role in the museum’s acquisitions program\, bringing works by Candice Breitz\, Elinor Carucci\, Trenton Doyle Hancock\, Deborah Kass\, Kali Spitzer\, and Carrie Mae Weems into the collection. Previously\, Shaykin worked at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum\, where she assisted on Seductive Subversion: Women Pop Artists\, 1958–1968 (2010) and Kiki Smith: Sojourn (2010). She received her BA in Art History from Oberlin College and MA from the Williams College Graduate Program in the History of Art.
URL:https://www.arttable.org/event/curator-led-tour-of-marta-minujin-arte-arte-arte/
LOCATION:The Jewish Museum\, 1109 5th Ave & E 92nd St\, New York\, New York\, 10128
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240106T133000
DTEND;TZID=America/New_York:20240106T160000
DTSTAMP:20231223T170712Z
CREATED:20231223T165433Z
LAST-MODIFIED:20231223T170712Z
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SUMMARY:Curator-Led Tour of Kindred Worlds at the Hudson River Museum
DESCRIPTION:Join Alyssa Alexander\, Independent Curator and Arts Administrator\, and Karintha Lowe\, Mellon Fellow in the Public Humanities\, for a tour of Kindred Worlds: The Priscila & Alvin Hudgins Collection. Get an insider’s look into the Hudgins family and their vital legacy of Black American collectorship\, and learn how themes of myth\, memory\, and leisure flow through this formally stunning and historically significant artworks. \n\n\n\nFollowing the tour\, attendees will be hosted by Jessica L. Porter\, Lila Harnett Executive Director of ArtTable\, and Masha Turchinsky\, ArtTable Board Member and the Director of the Hudson River Museum\, at her historic Glenview home for a light reception.  \n\n\n\nAlyssa Alexander is a curator\, exhibitions manager\, and arts administrator based in Brooklyn. With a background in journalism and critical writing\, she is currently building a curatorial practice and pursuing more in-depth cultural and art-historical research that centers artists of African descent\, with a special focus on woman-identifying artists of the Caribbean. She is dedicated to working with emerging artists and institutions to cultivate a more accessible and equitable creative economy. \n\n\n\nKarintha Lowe\, PhD\, American Studies program at Harvard University\, is the Mellon Public Humanities Fellow at the Hudson River Museum and Sarah Lawrence College. She researches and writes about Asian American women’s experimental artmaking practices. An interdisciplinary scholar and curator\, Lowe has also worked at the New York Historical Society and the Museum of Chinese in America\, where she developed public programming and exhibitions on twentieth-century American art. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Masha Turchinsky for organizing this program.
URL:https://www.arttable.org/event/curator-led-tour-of-kindred-worlds-at-the-hudson-river-museum/
LOCATION:Hudson River Museum\, 511 Warburton Ave\, Yonkers\, New York\, 10701
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20231128T180000
DTEND;TZID=America/New_York:20231128T200000
DTSTAMP:20231103T185335Z
CREATED:20231103T184533Z
LAST-MODIFIED:20231103T185335Z
UID:14109-1701194400-1701201600@www.arttable.org
SUMMARY:Curator-Led tour of "Making Their Mark" with Cecilia Alemani
DESCRIPTION:Making Their Mark is a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades. Curated by Cecilia Alemani\, Donald R. Mullen\, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale\, the exhibition marks the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg. \n\n\n\nMaking Their Mark includes historic and contemporary artworks by Jennifer Bartlett\, Lynda Benglis\, Firelei Báez\, Cecily Brown\, Judy Chicago\, Sonia Gomes\, Sheila Hicks\, Jacqueline Humphries\, Mary Heilmann\, Charline von Heyl\, Joan Mitchell\, Julie Mehretu\, Elizabeth Murray\, Howardena Pindell\, Jaune Quick-to-See Smith\, Joan Semmel\, Joan Snyder\, Amy Sillman\, Mary Weatherford\, and Anicka Yi\, among many others.  \n\n\n\nMaking Their Mark introduces a broader audience to the mission of the Shah Garg Foundation\, located in the historic former home of DIA Chelsea at 548 West 22nd Street. The Foundation is committed to championing the work of women artists\, from the modern era through the present day\, with Making Their Mark introducing its curatorial vision to the public for the first time.The evening will begin with an informal reception at 6 PM and progress to the exhibit tour at 7 PM. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\nThank you to Cara Blumstein for her assistance with this event! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  Install Views – Credit Tom Powel Imaging\, Courtesy Shah Garg Foundation.Cecilia Alemani\, Courtesy of the High Line. Photo Liz Ligon. \n\n\n\n\n\n\nAbout the Curator\n\n\n\nCecilia Alemani is an Italian curator based in New York. Since 2011\, she has been the Donald R. Mullen\, Jr Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2022\, she curated The Milk of Dreams\, the 59th International Art Exhibition at La Biennale di Venezia. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. Cecilia’s full bio is available here.
URL:https://www.arttable.org/event/curator-led-tour-of-making-their-mark-with-cecilia-alemani/
LOCATION:Shah Garg Foundation\, 548 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/11/FIS_MakingMark_103123_1091.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231115T170000
DTEND;TZID=America/New_York:20231115T183000
DTSTAMP:20231011T182319Z
CREATED:20231011T182317Z
LAST-MODIFIED:20231011T182319Z
UID:13913-1700067600-1700073000@www.arttable.org
SUMMARY:Curator-Led Tour of "El Dorado: Myths of Gold" at the Americas Society
DESCRIPTION:Join ArtTable for a curator-led tour of Pt I: El Dorado: Myths of Gold\, exploring the legend of El Dorado as a foundational myth of the Americas. Artists in the show include Olga de Amaral\, Denilson Baniwa\, Bruno Baptistelli\, Andrés Bedoya\, Wendy Cabrera Rubio\, Leda Catunda\, Chiriquí artist\, Coclé artists\, william cordova\, Juan Covelli\, Covens & Mortier\, Harmonia Rosales\, Tiago Sant’Ana\, Julia Santos Solomon\,  Moara Tupinambá\, Laura Vinci\, and Alberta Whittle. \n\n\n\nDuring the colonization of the Americas\, colonial fantasies of an Indigenous kingdom replete with gold and precious stones quickly permeated the European imagination\, galvanizing the invasion of the continent and serving as a justification for genocide as well as the destruction of ancestral territories and the environment. As we come to terms with the long-term sociopolitical and environmental effects of this dynamic\, there is a pressing need to reevaluate its influence on our identification as human beings and members of a globalized society. By placing historical and contemporary artworks together\, the exhibition facilitates dialogues between past and present to investigate how the myth has shaped the value of gold\, as well as that of territories\, peoples\, religious beliefs\, and nature.  \n\n\n\nThank you to Julia P Herzberg\, PhD for coordinating this program.Please see AS/COA website for exhibition funding acknowledgments. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Alberta Whittle\, Jamestown Mythology: Amonute\, 2023. Laser-engraved woodblock print on Somerset Satin 300 gsm paper with saliva embossed in gold\, 23 5⁄8 × 26 5⁄8 inches (60 × 67.5 cm). Courtesy of the artist and The Modern Institute/Toby Webster Ltd.\, Glasgow.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires\, she has lived in New York since 2011. Her Ph.D. in art history from Rutgers University\, titled “This Must Be the Place: Latin American Artists in New York 1965–1975\,” became a show at Americas Society in 2021. She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. Her writing has been presented at conferences internationally and published by prestigious museums and academic journals\, including the New Museum\, the Museum of Modern Art\, and the Guggenheim Museum. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación Proa in Buenos Aires. \n\n\n\n\n\n\n\n\n\nTie Jojima is an associate curator at Americas Society in New York and a PhD candidate in art history at the Graduate Center\, CUNY\, specializing in modern and contemporary Latin American art\, with a focus on Brazilian art. Her larger research interests encompass performance and media art in the 1970s and 1980s\, as well as contemporary Asian diasporic art practices in Latin America.
URL:https://www.arttable.org/event/curator-led-tour-of-el-dorado-myths-of-gold-at-the-americas-society/
LOCATION:Americas Society\, 680 Park Avenue\, New York\, 10065
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231109T093000
DTEND;TZID=America/New_York:20231109T103000
DTSTAMP:20231025T171912Z
CREATED:20231010T200009Z
LAST-MODIFIED:20231025T171912Z
UID:13935-1699522200-1699525800@www.arttable.org
SUMMARY:Artist-Led tour of Sheila Pepe's "My Neighbor's Garden" at Madison Square Park
DESCRIPTION:Join us for a tour of “My Neighbor’s Garden” with artist Sheila Pepe on November 9 at Madison Square Park. Brooke Kamin Rapaport\, Artistic Director and Martin Friedman Chief Curator\, will introduce the artist and her first outdoor exhibition. “My Neighbor’s Garden\,” places colorful and optimistic canopies of crocheted material\, as well as unexpected materials including paracord\, shoelaces\, outsize rubber bands\, and climbing vines\, and extends from the park’s extant physical structures such as light poles. In the months preceding the exhibition\, Pepe gathered novice and expert crocheters at her Brooklyn studio for crochet sessions towards the fabrication of the project. Pepe will speak about the project\, offer insights into the collaborative process\, as well as situating the exhibition within the context of her career as a whole. The event will wrap up with a Q&A.Press coverage of the exhibition: \n\n\n\n\nThe New York Times\n\n\n\nNY1 News\n\n\n\nWNYC\n\n\n\nThe Brooklyn Rail \n\n\n\nWFUV and the What’s What Podcast\n\n\n\n\nSpecial thanks to Truth Murray-Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Sheila Pepe\, Crane\, Madison Square Park.Sheila Pepe\, photo by Rachel Stern. \n\n\n\n\n\n\nAbout the Artist\n\n\n\nSheila Pepe was born in Morristown\, New Jersey in 1959. She lives and works in Brooklyn. Pepe received a BA from Albertus Magnus College in New Haven; a BFA in ceramics from Massachusetts College of Art and Design\, Boston\, and an MFA from the School of the Museum of Fine Arts\, Boston. The artist’s mother taught her to crochet in the 1960s. Pepe discovered women artists who were a generation or two older and associated with the feminist art movement–Lynda Benglis\, Eva Hesse\, and Nancy Spero–as a crucible to launch her sculptural investigations. www.sheilapepe.com \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/artist-led-tour-of-sheila-pepes-my-neighbors-garden-at-madison-square-park/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/MSP-Crane_8-21-23_selects-19.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T110000
DTEND;TZID=America/New_York:20231014T120000
DTSTAMP:20231011T183349Z
CREATED:20230829T140450Z
LAST-MODIFIED:20231011T183349Z
UID:13419-1697281200-1697284800@www.arttable.org
SUMMARY:Tour of Candice Lin's "Lithium Sex Demons In The Factory" with Summer Guthery
DESCRIPTION:Canal Projects introduces “Lithium Sex Demons in the Factory\,” the inaugural New York solo show for Los Angeles artist Candice Lin. Our tour will be hosted by Artistic Director Summer Guthery. This project\, a collaborative effort between Canal Projects and the 14th Gwangju Biennale\, involves the recreation of a lithium battery factory as a site-specific installation. This endeavor seamlessly extends the artist’s persistent exploration of themes of globalization\, intricate trade networks\, the nature of materials\, and the dynamics of labor.Canal Projects is a nonprofit\, women-led contemporary art institution dedicated to supporting forward-thinking international artists at pivotal moments in their careers. Through production\, exhibition\, research and interpretation of this work they foster artistic practices that challenge and reflect the current moment. \n\n\n\nCandice Lin has gained recognition for her innovative use of diverse materials: from tea and cactus tinctures to fungi and deceased bats—accentuating their unique characteristics\, such as scents and flavors. Lin repurposes presentation techniques commonly linked with anthropology and natural history\, investigating their colonial narratives. Her work has been exhibited at Portikus\, Frankfurt (2018); Moderna Museet\, Stockholm (2017); Bétonsalon—Center for Art and Research\, Paris (2017); Human Resources\, Los Angeles (2017); New Museum\, New York (2017); SculptureCenter\, Long Island City\, New York (2017); Los Angeles Contemporary Exhibitions (2016); and Vincent Price Art Museum\, Los Angeles (2013)\, among others. She is the recipient of several residencies\, grants\, and fellowships\, including a California Community Foundation Award (2014)\, Fine Arts Work Center Residency (2012)\, Frankfurter Kunstverein Deutsche Börse Residency (2010)\, and Smithsonian Artist Research Fellowship (2009). \n\n\n\nThank you to ArtTable NY Chapter Member Diana McClure for initiating this program. \n\n\n\nPlease visit Canal Project’s website for visitor accessibility\, health\, and safety information. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Candice Lin\, Lithium Sex Demons in the Factory\, 2023. Installation view\, 14th Gwangju Biennale (Apr 7 – Jul 9\, 2023). Commissioned by the 14th Gwangju Biennale and Canal Projects. Image courtesy the artist\, François Ghebaly Gallery and the Gwangju Biennale Foundation. Photo: glimworkers. \n\n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nSummer Guthery is the Artistic Director of Canal Projects\, a new non-profit organization in New York City’s Soho neighborhood. Prior to this she was the Director of JOAN\, a not-for-profit exhibition space focusing on emerging and underrepresented artists and the Curator of Performance and Public Programming at LAXART in Los Angeles. In 2013 & 2011 she was the Assistant Curator of Performa Biennial 2013 & 2011. Her writing can be seen in Frieze\, Artforum\, ArtReview\, and Art in America. Guthery received an M.A. from the Center for Curatorial Studies at Bard College.
URL:https://www.arttable.org/event/new-york-tour-of-candice-lins-lithium-sex-demons-in-the-factory-with-summer-guthery/
LOCATION:Canal Projects\, 351 Canal St New York\, NY 10013
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/08/CandiceLin.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T163000
DTEND;TZID=America/New_York:20231013T173000
DTSTAMP:20231011T183410Z
CREATED:20230921T180510Z
LAST-MODIFIED:20231011T183410Z
UID:13621-1697214600-1697218200@www.arttable.org
SUMMARY:*WAITING LIST* | Guided Tour of "Judy Chicago: Herstory" at the New Museum
DESCRIPTION:Judy Chicago is scheduled to make a cameo appearance for ArtTable members at an exclusive tour of “Judy Chicago: Herstory”! This comprehensive exhibition celebrates Judy Chicago’s iconic six-decade career. It showcases the diversity of her artistic contributions\, spanning a wide range of media including painting\, sculpture\, installation\, drawing\, textiles\, photography\, stained glass\, needlework\, and printmaking. This multi-faceted approach reflects Chicago’s versatility as an artist and her commitment to pushing the boundaries of traditional artistic practices. \n\n\n\nThe “City of Ladies” exhibition-within-the-exhibition is a unique concept that brings together artworks and archival materials from more than eighty artists\, writers\, and thinkers. This juxtaposition allows visitors to explore the connections and dialogues between Chicago’s work and the creative contributions of other women throughout history.“Judy Chicago: Herstory” is curated by Massimiliano Gioni\, Edlis Neeson Artistic Director\, Gary Carrion-Murayari\, Kraus Family Senior Curator\, Margot Norton\, Chief Curator\, Berkeley Art Museum and Pacific Film Archive (former Allen and Lola Goldring Senior Curator at the New Museum)\, and Madeline Weisburg\, Assistant Curator. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $35\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPLEASE NOTE THAT WE ARE WAIT-LISTED FOR THIS EVENT! CLICK “REGISTER HERE” BELOW TO JOIN THE WAITING LIST. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFeatured Image: Judy Chicago\, Through the Flower 2\, 1973. Sprayed acrylic on canvas\, 60 x 60 in (152.4 x 152.4 cm). Collection Diane Gelon. © Judy Chicago/Artists Rights Society (ARS)\, New York. Photo: Donald Woodman/Artists Rights Society (ARS)\, New York.Artist photo (below): Judy Chicago 2023 by Donald Woodman. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n\nJudy Chicago‘s contributions to feminist art and her exploration of women’s history and culture have left a lasting legacy in the art world\, inspiring generations of artists and pushing the boundaries of traditional artistic practices for over sixty years. \n\n\n\nChicago’s work has been exhibited in the United States\, Canada\, Europe\, Asia\, Australia\, and New Zealand. Throughout her career\, Chicago has remained steadfast in her commitment to the power of art as a vehicle for intellectual transformation and social change and to women’s right to engage in the highest level of art production. She has become a symbol for people everywhere\, known and respected as an artist\, writer\, teacher\, feminist and humanist whose work and life are models for an enlarged definition of art\, an expanded role for the artist\, and women’s right to freedom of expression. In 2018 Chicago was named both one of Time Magazine’s “100 Most Influential People” and a 2018 “Most Influential Artist” by Artsy Magazine. In 2019\, she received the Visionary Woman award from the Museum of Contemporary Art in Chicago. \n\n\n\nHer work is in the collections of the British Museum\, Moderna Museet (Stockholm)\, Metropolitan Museum of Art (New York)\, National Gallery (Washington DC)\, Los Angeles County Museum of Art\, Museum of Contemporary Art Los Angeles\, Hammer Museum\, Getty Trust and Getty Research Institute\, San Francisco Museum of Modern Art\, Tate Modern\, Crystal Bridges Museum of American Art\, Art Institute of Chicago\, The Nevada Museum of Art\, The M. H. de Young Memorial Museum and over twenty-five university art museums such as Brandeis\, Cornell\, Harvard\, Illinois\, Michigan\, UCLA\, Canterbury (New Zealand) and Cambridge (UK). judychicago.com
URL:https://www.arttable.org/event/national-guided-tour-of-judy-chicago-herstory-at-the-new-museum/
LOCATION:The New Museum\, 235 Bowery\, New York\, New York\, 10002\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Chicago-3-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T160000
DTEND;TZID=America/New_York:20230922T173000
DTSTAMP:20230921T233219Z
CREATED:20230824T143635Z
LAST-MODIFIED:20230921T233219Z
UID:13366-1695398400-1695403800@www.arttable.org
SUMMARY:New York | Tour of Ebony G. Patterson's "...things come to thrive..." at New York Botanical Garden
DESCRIPTION:Join Vice President for Exhibitions and Programming at New York Botanical Garden\, Joanna L. Groarke\, to usher in the first day of fall at one of New York City’s gems! Experience the beauty of gardens through the eyes of celebrated contemporary artist Ebony G. Patterson. Known for her lavishly-detailed mixed media installations\, Patterson brings her signature style to the Enid A. Haupt Conservatory and New York Botanical Garden landscape and galleries in a major site-specific exhibition featuring provocative displays of art and nature. Patterson’s work explores entanglements of race\, gender and colonialism while inviting visitors to contemplate their own relationships with gardens and the natural world. ArtTable members and guests will enjoy a bespoke\, guided tour of the work\, rain or shine\, as much of it is viewable from indoors. Please note we have limited spots available. Book yours today!SUBWAY DIRECTIONS \n\n\n\nB\, D\, or 4 trains to Bedford Park Blvd. Station. Take the Bx26 bus east to the Garden’s Mosholu Entrance OR walk eight blocks down the hill on Bedford Park Blvd (20 min). Turn left onto Southern Blvd. and walk one block to Mosholu Entrance.\n\n\n2 train to Allerton Ave. station. Walk three blocks west on Allerton Ave. Turn left on Bronx Park East and walk two blocks to Waring Ave. At the park entrance\, walk up the small hill leading directly to the Garden’s East Gate.\n\n\n\nVisit the NYBG website for directions by car\, accessibility information\, and visitor policies. \n\n\n\n\n\n\n\nAdmission \n\n\n\n\nArtTable Members – $50\n\n\n\nGuests – $60\n\n\n\nPublic -$65\n\n\n\n\nNot a member? Join today! \n\n\n\n\nREGISTER HERE\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImages: Detail of Ebony G. Patterson things come to thrive…in the shedding…in the molting (2023) in the Palms of the World Gallery of the Enid A. Haupt Conservatory (NYBG Photo). \n\n\n\n\n\n\n\n\n\n\nEbony G. Patterson received her BFA in painting from Edna Manley College of Visual and Performing Arts in Kingston\, Jamaica in 2004. She received an MFA degree in 2006 in printmaking and drawing from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. \n\n\n\nPatterson has taught at the University of Virginia; Edna Manley College School of Visual and Performing Arts; has served as Associate Professor in Painting and Mixed Media at the University of Kentucky; and was the Bill and Stephanie Sick Distinguished Visiting Professor at the School of the Art Institute of Chicago. She has been featured in biennials worldwide including Liverpool (2021)\, Athens (2021)\, São Paulo (2016)\, and Havana (2015). Her work is in the collections of institutions including 21c Museum and Foundation\, Louisville\, Kentucky; Art Gallery of Ontario\, Toronto; Los Angeles County Museum of Art\, Los Angeles\, CA; Museum of Art and Design\, New York; Nasher Museum\, Duke University\, Durham\, NC; the National Gallery of Jamaica\, Kingston; the Pérez Art Museum Miami; San Francisco Museum of Modern Art; Speed Art Museum\, Louisville\, Kentucky; Studio Museum in Harlem; the Virginia Museum of Fine Art; and the Whitney Museum of American Art. Patterson is Co-Artistic Director\, along with curator Miranda Lash\, of Prospect.6 New Orleans\, slated to open in Fall 2024. \n\n\n\n\n\n\n\n\n\nJoanna L. Groarke is the Vice President for Exhibitions and Programming at New York Botanical Garden where she has led a team that develops exhibitions\, interpretive materials and publications\, and public programming integrating NYBG’s multidisciplinary mission areas of science\, education\, and horticulture. Her service to NYBG extends over 10 years\, having previously worked as Director of Public Engagement & Library Exhibitions Curator\, Curator of Interpretive Content for Public Engagement\, and Interpretive Specialist. She has more than 15 years of experience creating exhibitions\, events\, and audience development programs for institutions including the Irish Arts Center and Tufts University Art Gallery. She will bring to her new role extensive experience in innovative\, visitor-centered exhibition and program development\, purposeful strategy and business planning\, and building talented\, motivated teams. \n\n\n\nHer strength in program planning and implementation is complemented by her involvement with the American Alliance of Museums as a Board Member & Program Co-Chair for the National Association for Museum Exhibition. In 2018\, she was awarded the Gold Davey Award for Best User Experience for the Georgia O’Keeffe Interactive Guide. Groarke holds a bachelor of arts in sociology from The College of William and Mary and a master of arts in Art History from Tufts University.
URL:https://www.arttable.org/event/new-york-tour-of-ebony-g-pattersons-things-come-to-thrive-at-new-york-botanical-gardens/
LOCATION:New York Botanical Gardens\, 2900 Southern Blvd\, Bronx\, New York\, 10458
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/08/Screen-Shot-2023-08-22-at-5.56.54-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230913T180000
DTEND;TZID=America/New_York:20230913T200000
DTSTAMP:20230829T145157Z
CREATED:20230729T181514Z
LAST-MODIFIED:20230829T145157Z
UID:13004-1694628000-1694635200@www.arttable.org
SUMMARY:National | "The Private Eye in Public Art" with Joyce Pomeroy Schwartz & Lowery Stokes Sims
DESCRIPTION:Beyond a traditional book launch\, spend an evening with two leading lights of the art world\, Joyce Pomeroy Schwartz and Lowery Stokes Sims. Their foundational contributions to ArtTable and the art community cannot be overstated; you won’t want to miss this chance to dive into their professional expertise\, stories\, and unique perspectives as they discuss Pomeroy Schwartz’s 2023 book The Private Eye in Public Art. Joyce will honor ArtTable’s founder\, Lila Harnett\, (in absentia) and foundational members Carole Morgan and Randy Rosen.  \n\n\n\nOur zoom guests will be with us for the interview; our in-person guests are welcome to network from 6-6:30 and enjoy wine and light bites—with gratitude to Joyce for hosting! (If you’re in the Washington\, DC area\, you can join your DC Chapter for a watch party—see below.)The Private Eye in Public Art\, “is an indispensable guide to the perils\, pains\, and pleasures of making art for architecture\, how people respond to that art\, and how and why that reception may change over time. This book is for all who are involved in the creation\, exhibition\, and preservation of contemporary public art: artists\, selection committees\, scholars\, students\, art professionals\, and the wider public.”“I have known Joyce for a long time―since 1972\, when there was a glass ceiling for working women―but not for Joyce. She joined the Pace Gallery as Director of Commissions\, helping artists realize their works of public art―and cracked her way through that ceiling. When I founded ArtTable\, the leadership organization for professional women in the visual arts\, Joyce came aboard\, and to this day she is a member of that team.” ―Lila Harnett\, Founder\, ArtTable \n\n\n\n\n\n\n\n\nFor our in-person guests: this event is Bring-Your-Own-Book! Joyce would be delighted to sign your copy of The Private Eye in Public Art if you would be so kind as to bring it with you. You can purchase it on Amazon (faster delivery) or from the publisher\, Oro Editions. \n\n\n\n\nIn-Person in NYC \n\n\n\n*We now have a waiting list! Please click “register here” to add your name\, and we will notify you if there are cancellations. You can also register for the zoom program below.* \n\n\n\n\nArtTable Members – $25\n\n\n\nGuests – $35\n\n\n\nPublic $40\n\n\n\n\nNot a member? Join today! \n\n\n\n\nREGISTER HERE: IN-PERSON NYC\n\n\n\n\n\n\n\n\nJoin us Virtually on Zoom\n\n\n\nThe interview starts at 6:30 pm Eastern\, 5:30 pm Central\, 4:30 pm Mountain\, 3:30 pm Pacific \n\n\n\n\nArtTable Members\, Guests\, and Public—optional donation appreciated!\n\n\n\n\n\nREGISTER HERE: ZOOM\n\n\n\n\n\n\n\n\nJoin the Washington\, DC Chapter’s Watch Party!\n\n\n\nJoin Washington\, DC ArtTable Chapter members to socialize\, connect\, and watch the livestream of Joyce & Lowery’s interview together! \n\n\n\n•  ArtTable Members and Guests—optional donation appreciated! \n\n\n\n\nREGISTER HERE: DC WATCH PARTY\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImages: Main: THE PRIVATE EYE IN PUBLIC ART. ORO Editions.Joyce Pomeroy Schwartz photo below: Costas Picadas.Lowery Stokes Simms photo below: Grace Roselli\, Pandora’s BoxX Project. \n\n\n\n\n\n\n\n\n\n\nJoyce Pomeroy Schwartz is a curator\, lecturer and public art consultant with a unique concentration in public art policy\, modern and contemporary art for architecture and the landscape in the broader context of cultural\, urban and environmental revitalization. In 1968-1971 she founded “The Photographer’s Gallery\,” the first gallery in New York City exhibiting photography as fine art. She was Director of Commissions at Pace Gallery in New York from 1972-1982\, implementing public sculpture projects with Pace artists. In 1982 Joyce founded “Works of Art for Public Spaces\, Ltd.”\, dedicated to working with American and International artists creating major works of Art for Architecture. She recently established the Harold and Joyce Pomeroy Schwartz “Archives of Public Art” at the Fales Special Collections/NYU Bobst Library\, of artists’ monographs\, photographs and papers available for public art historical research. It now includes the archives of the Public Art fund and Creative Time. She is also one of the founding board members of ARTTABLE. joycepomeroyschwartz.com \n\n\n\n\n\n\n\n\n\nLowery Stokes Sims served on the education and curatorial staff of The Metropolitan Museum of Art (1972-99)\, as executive director and president The Studio Museum in Harlem (2000-2007) and retired as Curator Emerita from the Museum of Art and Design (2007-2015). She has been an independent curator and consultant for the Caribbean Cultural Center\, the Contemporary Arts Center\, Cincinnati\, Craft Contemporary\, Grounds for Sculpture\, the Baltimore Museum of Art and the Center for Art\, Design & Visual Culture\, University of Maryland\,Baltimore County. She was Visiting Professor at the Institute of Fine Arts\, New York University (2018-2020) and the 2021-22 Kress-Beinecke Professor at the Center for Advanced Study in the Visual Arts at the National Gallery of Art\, Washington\, D.C. She is also one of the founding board members of ARTTABLE. Met Stories | Curator and Art Historian | Lowery Stokes Sims.
URL:https://www.arttable.org/event/national-the-private-eye-in-public-art-with-joyce-pomeroy-schwartz-lowery-stokes-sims/
LOCATION:West 54th St. or Zoom\, New York
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/07/PrivateEyePublicArt_Cover.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230912T183000
DTEND;TZID=America/New_York:20230912T193000
DTSTAMP:20231017T142754Z
CREATED:20230823T162047Z
LAST-MODIFIED:20231017T142754Z
UID:13383-1694543400-1694547000@www.arttable.org
SUMMARY:National  | Artist-Led tour of "Flower Atlas" with Miya Ando
DESCRIPTION:You won’t to miss the opportunity for an artist-guided tour of a botanical wonderland with Miya Ando! Imagine a world where time is not measured in months\, days\, and hours\, but in flowers. Flower Atlas envisions this unique concept. In this artistic creation\, the year 2023 is represented by 365 signature flowers\, each blooming on a different day somewhere on Earth. Curated by Kendal Henry at Brookfield Place.  \n\n\n\nSpecial thanks to Brookfield Place for welcoming the ArtTable Community!Venue Sponsor: Brookfield PropertiesCommissioning Entity: Arts Brookfield  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.ArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\nImage: Miya Ando Flower Atlas. Image by Fadi-Kheir. Courtesy of Brookfield Place \n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\n \n\n\n\n\nMiya Ando is a Japanese/American artist based in New York. Her art is rooted in the dialectic coexistence of Eastern and Western cultures through the lens of natural phenomena. Her work is part of many public collections such as: Los Angeles County Museum of Art\, Los Angeles\, CA; Nassau County Museum of Art\, Roslyn Harbor\, NY; Corning Museum of Glass\, Corning\, NY; Detroit Institute of Arts\, Detroit\, MI; Luftmuseum\, Amberg\, Germany; Scottsdale Museum of Contemporary Art\, Scottsdale\, AZ; Santa Barbara Museum of Art\, Santa Barbara\, CA; The Museum of Art and History\, Lancaster\, CA\, as well as in numerous private collections. Solo exhibitions of her work have been presented at the Bolinas Museum\, Bolinas\, CA; the Asia Society Museum\, Houston\, TX; the Noguchi Museum\, New York\, NY; Savannah College Of Art and Design Museum\, Savannah\, GA; the Nassau County Museum\, Roslyn Harbor\, NY; and The American University Museum\, Washington DC. Her work has been included in recent group exhibitions at Crystal Bridges Museum of American Art\, Bentonville\, AR; Los Angeles County Museum of Art\, Los Angeles\, LA; Haus Der Kunst\, Munich\, Germany; Bronx Museum\, Bronx\, NY; and Queens Museum of Art\, Queens\, NY. Ando has been the recipient of several grants and awards including the Pollock-Krasner Foundation Grant Award\, and has produced several public commissions\, most notably a thirty-foot-tall sculpture built from World Trade Center steel for Olympic Park in London to mark the ten-year anniversary of 9/11\, for which she was nominated for a DARC Award in Best Light Art Installation. Ando was also commissioned to create artwork for the historic Philip Johnson Glass House\, New Canaan\, CT. Most recently\, Ando received the 2023 Brookfield Place New York Annual Arts Commission. The site-specific commission Flower Atlas Calendar will premier at the Winter Garden in Brookfield Place\, New York\, NY in July 2023.The artist holds a bachelor’s degree in East Asian Studies from the University of California\, Berkeley\, studied East Asian Studies at Yale University and apprenticed with a Master Metalsmith in Japan. www.miyaando.com
URL:https://www.arttable.org/event/national-artist-led-tour-of-flower-atlas-with-miya-ando/
LOCATION:Brookfield Place\, 230 Vesey St\, New York\, New York\, 10281
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/08/Berkeley-CA-Reading-at-the-ArtTable-The-Surreal-Life-of-Leonora-Carrington-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230909T110000
DTEND;TZID=America/New_York:20230909T123000
DTSTAMP:20230925T181056Z
CREATED:20230707T230814Z
LAST-MODIFIED:20230925T181056Z
UID:12833-1694257200-1694262600@www.arttable.org
SUMMARY:National | ArtTable Annual Brunch Reception at The Armory Show 2023
DESCRIPTION:Please join us for ArtTable’s Annual Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, taking place annually in September at the Javits Center in New York City. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and refreshments. \n\n\n\nArtTable members won’t want to miss this year’s show\, featuring an all-women lineup of fair curators! Eva Respini chief curator at the Institute of Contemporary Art\, Boston\, curates the Platform section\, which features large-scale and site-specific works. Chief curator of Forge Project in Taghkanic\, New York\, Candice Hopkins\, curates the Focus section\, which covers solo and dual artist presentations. Adrienne Edwards\, director of curatorial affairs at the Whitney Museum of American Art in New York\, will chair the event’s sixth annual Curatorial Leadership Summit. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nMember Guests – $65\n\n\n\nNon-Members – $75\n\n\n\nCombo Ticket – $65 for Members / $100 for Non-Members – Save when registering for this event and ArtTable’s Annual Leadership Series on Tuesday\, September 5.\n\n\n\n\nNot a member? Join today! \n\n\n\n\nPLEASE NOTE THAT WE ARE WAITLISTED FOR THIS EVENT! THIS PAGE WILL UPDATE IF MORE TICKETS BECOME AVAILABLE!\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThanks to The Armory Show\, for welcoming the ArtTable community with partner and VIP passes. \n\n\n\n\n\nThanks to our friends at Photofairs\, who have shared VIP passes. \n\n\n\n\n\nArtTable members have enjoyed access to Art on Paper: thank you! \n\n\n\n\n\nGratitude to Superfine Art Fair for welcoming ArtTable members. \n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\nImage: Vincent Tullo\, courtesy of The Armory Show 2022.
URL:https://www.arttable.org/event/national-arttable-annual-brunch-reception-at-the-armory-show-2023/
LOCATION:Armory Show at the Javits Center\, 429 11th Av\, New York\, New York\, 10001
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/07/tullo_armoryshow2022.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230905T183000
DTEND;TZID=America/New_York:20230905T203000
DTSTAMP:20230830T182525Z
CREATED:20230729T185232Z
LAST-MODIFIED:20230830T182525Z
UID:12718-1693938600-1693945800@www.arttable.org
SUMMARY:New York | Annual Leadership Series: The Future of Gender-Based Organizations
DESCRIPTION:Welcome to ArtTable’s 2023 Annual Leadership Series panel discussion on Tuesday\, September 5 in New York City! “The Future of Gender Based Organizations” engages the arts and business communities in a critical examination of how organizations dedicated to addressing existing gender-based disparities in wages and opportunities can continue to research\, advocate\, network\, and address inequities—particularly as the culture moves forward into a more evolved understanding of gender identity. In the panel discussion\, we will consider the value and meaning of gender-based organizations\, their changing roles\, purposes\, and goals\, and the context and consequences of leading such organizations in a changing political and cultural moment. The program will continue to establish ArtTable as an advocate for equality within and beyond the art community. Our panel features: Alyssa Nitchun\, Executive Director of the Leslie-Lohman Museum of Art; Subha V. Barry\, President of Seramount; Alicin Williamson\, Chief Diversity and Culture Officer\, Yahoo!; and Jessica L. Porter\, Lila Harnett Executive Director of ArtTable. Sociologist Dr. Gillian Gualtieri will moderate this important discussion. We’ll open with time to network and socialize over refreshments and light bites.This signature ArtTable program was initially launched in 2016\, and since its inception\, the series has been featured during Armory Show week\, fostering engaging conversations among prominent women-identifying and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries. We are proud to partner with the Women’s Forum of New York\, a leading organization that is similarly committed to equity\, advocacy\, and community engagement. Women’s Forum Members can register here. \n\n\n\n\n\n\n\nThe program will be moderated by Dr. Gillian Gualtieri\, Visiting Assistant Professor in the Department of Sociology at Barnard College\, with panelists: \n\n\n\n\nSubha V. Barry | President of Seramount\n\n\n\nAlyssa Nitchun | Executive Director of the Leslie-Lohman Museum of Art\n\n\n\nAlicin Williamson | Chief Diversity and Culture Officer of Yahoo!\n\n\n\nJessica L. Porter | Lila Harnett Executive Director of ArtTable\n\n\n\n\nAdmission: \n\n\n\n\nArtTable & Women’s Forum Members – $35\n\n\n\nNon-members/Guests – $45\n\n\n\n\nNot an ArtTable member? Join today! \n\n\n\n\nREGISTER HERE\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\n\n\n\nSubha V. Barry is a C-suite leader and an Advisor who brings a unique perspective on the alignment of corporate culture to talent strategy and business results. As a transformational change agent\, she has a proven record of identifying and accelerating new business creation\, driving sales\, and increasing profitability. She is president of Seramount\, now part of EAB. Seramount is a strategic professional services firm dedicated to advancing diversity\, equity and inclusion in the workplace. Here\, she drives the firm’s vision\, strategy\, and business development. \n\n\n\n\nPrior to Seramount\, Subha was SVP and Chief Diversity Officer at Freddie Mac\, where she served on the firm’s management committee and led their Foundation. During her 20+ years at Merrill Lynch\, Subha was a Managing Director and the company’s first Global Head of Diversity and Inclusion\, driving strategy\, infrastructure and execution with a lens on both global and local community.  \n\n\n\nShe has taught Gender Policy at Columbia University and speaks passionately about the ability to drive innovation by embracing diversity and creating a culture of inclusion. She serves on a number of boards aligned with her passions—education\, cancer research\, and women’s advancement. \n\n\n\nA native of India\, Subha holds a BA from Bombay University and an MBA and MS in Accounting from Rice University. She enjoys golfing\, reading poetry and rallying for social change. She has two grown children and lives in Naples\, Florida and New Hope\, PA with her husband.  \n\n\n\n\n\n\n\n\nAlyssa Nitchun is Executive Director of The Leslie-Lohman Museum of Art (LLMA)\, where she oversees the Museum’s many initiatives and long-term growth. Alyssa was the first queer woman to be selected by the Board to lead LLMA and in her two years as Director\, she is already ushering the Museum into the future\, building a queer\, revelatory\, radically affirming art Museum\, that centers people and collective meaning making. Prior to her appointment at LLMA\, Alyssa had a career in cultural consulting and nonprofits\, spending time advising artists and cultural institutions on realizing thought-provoking projects in the Middle East and Europe. \n\n\n\n\nAlyssa also served as Acting Executive Director at the public art organization Creative Time\, where she spent nearly seven years working in development\, communications\, and team management. She previously oversaw Institutional Giving for the public media organization\, StoryCorps and was the Director of Development for the CUNY Graduate Center’s Center for Lesbian and Gay Studies. Alyssa has held multiple creative positions in the worlds of art\, fashion\, and music\, and received an MA in Gender Politics with a focus in Queer theory from New York University. In her current role at The Leslie-Lohman Museum of Art\, Alyssa is expanding the Museum’s purpose beyond its position as an art museum\, into a hub for community and creative expression\, actively shaping a better future for LGBTQIA+ people with artists leading the way. \n\n\n\n\n\n\n\n\nAlicin Reidy Williamson is a global diversity and strategy executive. Her experience includes being a Managing Principal at strategic policy firm\, The Raben Group\, SVP of Public Affairs and Corporate Responsibility for MTV Networks and Viacom\, Chief Inclusion Officer at Endeavor and she now serves as Chief Diversity and Culture Officer at Yahoo!. In her current role\, Alicin leads global diversity and inclusion\, employee engagement and culture for the company. In her partnerships\, she’s developing the external relationships that will increase Yahoo’s diversity footprint as a thought leader in this space. Alicin currently sits as a board member of The Dalton School\, She Should Run\, March on Washington Film Festival and is an advisor for the Council on Juvenile and Family Court Judges and chairs a joint collaboration of veteran service organizations\, Hire Heroes and Operation Homefront. \n\n\n\n\n\n\n\n\n\nJessica L. Porter is ArtTable’s Lila Harnett Executive Director. She joined ArtTable as the executive director in 2018\, after 4 years on the Board of Directors and 8 years of membership. Porter is responsible for developing the long-range strategy of ArtTable\, providing leadership and oversight in fundraising to meet financial goals\, and directing communications and brand management. In 2020\, she was the first to assume the name of ArtTable’s founder as the Lila Harnett Executive Director.  \n\n\n\n\nPrior to this role\, she was the Executive Director of the New York Artists Equity Association\, Inc (NYAEA)—a 501(c)(3) nonprofit organization founded in 1947. In 2001\, Porter launched Porter Advisory\, working as an independent curator\, creating exhibitions and advising artists on career advancement. From 2006 to 2017\, Porter founded and directed Porter Contemporary\, a Chelsea art gallery\, where she was responsible for strategy\, business development and market growth\, marketing\, communications\, and talent acquisition. Porter has spoken on CNBC about art collecting and investment in emerging artists\, to the Harvard Business Women’s Association about starting an art collection\, and has participated in panel discussions on topics including art and music\, women in the art industry\, art and social justice\, contemporary visions of Picasso and art collecting. Porter has served as part of the Leadership Advisory Board for the Girl Scouts of Greater New York’s annual Women of Distinction Fundraiser. She also enjoys coaching little league softball and supporting girls in sports. Porter has a Bachelor’s in Art History and French Language and Literature from the University of Delaware and a Juris Doctor from the University of Maryland. \n\n\n\n\n\n\n\n\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College\, where she teaches classes in the sociology of art\, race and ethnicity\, gender\, organizations\, and culture. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her Ph.D. in Sociology at the University of California\, Berkeley.  Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, inequality in the art world (Poetics; SNAAP Report)\, and racial and gender inequality in fine dining (Social Problems; Poetics). Gualtieri is the lead researcher on ArtTable’s 2023 Survey on Working in the Arts. Gilliangualtieri.com
URL:https://www.arttable.org/event/new-york-annual-leadership-series-the-future-of-gender-based-organizations/
LOCATION:22 Vanderbilt\, 335 Madison Ave\, New York\, New York\, 10017
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230818T170000
DTEND;TZID=America/New_York:20230818T190000
DTSTAMP:20230815T191616Z
CREATED:20230712T202933Z
LAST-MODIFIED:20230815T191616Z
UID:12924-1692378000-1692385200@www.arttable.org
SUMMARY:New York | "Women Choose Women" at Frampton Co\, Bridgehampton
DESCRIPTION:There’s still plenty of time to enjoy The Hamptons this summer! Join ArtTable at Exhibition The Barn—Frampton Co’s Fine Art space in Bridgehampton\, New York. “Women Choose Women” spans the 1950s to today\, including work by Lynne Drexler\, Elaine de Kooning\, Grace Hartigan\, Nanette Carter\, Elizabeth Osborne\, and Susan Vecsey. This exhibition is curated by Christine Berry and Martha Campbell\, co-founders of Berry Campbell\, and Elena Frampton\, principal of Frampton Co. Berry Campbell is known for bringing to light artists who were overlooked due to age\, race\, gender or geography\, particularly women of Abstract Expressionism. Frampton Co focuses on contemporary art and design with emphasis on promoting emerging and undiscovered mid-career artists. We’ll enjoy a tour of the exhibition with Christine Berry & Elena Frampton\, and then relax and network with a glass of Prosecco or seltzer\, courtesy of the gallery.The exhibition “Women Choose Women” derives its name and curatorial focus from a significant event  at the New York Cultural Center in 1973. Curated by Lucy Lippard and a committee of female artists\, this groundbreaking exhibition marked the first major display of women artists in New York. It left a profound impact not only within the art community but also in society at large. The 2023 exhibition\, bearing the same name\, follows in the footsteps of its predecessor\, embodying a collaborative and effective approach. It firmly believes that advocating for women in the arts remains just as vital today as it was half a century ago.Thank you to Courtney Burbela for her work on this event.Transportation to Bridgehampton is self-serve:Visit the Long Island Railroad (LIRR) website or Hampton Jitney website to book train or bus travel to Bridgehampton. (The train is approximately 2.5 hours from downtown Manhattan; bus and car vary according to traffic conditions. Please note that Friday evening commuter traffic can be heavy in the area.)The gallery is a 5-minute walk from the train and Jitney stops.Link to Google Maps \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Ethel Schwabacher “Wild Honey” 1961. Oil on linen 84″ x 70″ (c) Estate of Ethel Schwabacher\, courtesy of Berry Campbell. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\n\n\n\n(c) Blaine Davis Portrait. Martha Campbell\, Christine Berry\, Elena Frampton \n\n\n\nElena Frampton founded Frampton Co on Cinco de Mayo 2015\, following nearly two decades at the helm of a successful bi-coastal design practice and honing her craft at some of New York’s most prestigious interior design firms. Through a wholly-integrated approach\, Elena makes sense of every space and brings out its spirit. Her knack for clever solutions that strike a balance between pragmatism and personality draws even the most cautious of clients into her process.With an infectious enthusiasm for art and a rigorous understanding of design theory\, she is an expert in creating consistently one-of-a-kind environments that transcend boundaries. Elena’s innate ability to shape space goes back to a childhood of balancing two worlds\, between her maternal Mexican family in Los Angeles and the Midwestern farm on her father’s side. Her experience of navigating the desert landscapes of Arizona at college\, with its bounty of interventions\, inspires the construction of the layers and ‘reveals’ that characterize her design and curatorial practice. This\, combined with her keen eye for detail\, is key to the surprising combinations and unexpected applications that make her stand out as an unparalleled talent uniquely positioned in both the art and design worlds. Her curious nature and strong desire to forge connections fuels a constant search for new forms of creative expression. The vision culminates with Exhibition The Barn; the Bridgehampton gallery where she curates an ever-changing display of notable and under-the-radar works and her own original furnishings\,F Collection. \n\n\n\n\n\n\n\nChristine Berry and Martha Campbell opened Berry Campbell in the heart of Chelsea in 2013. The gallery has a fine-tuned program representing artists of post-war American painting that have been overlooked or neglected\, particularly women of Abstract Expressionism. Since its inception\, the gallery has developed a strong emphasis in research to bring to light artists overlooked due to age\, race\, gender\, or geography. This unique perspective has been increasingly recognized by curators\, collectors\, and the press. Berry Campbell has been included and reviewed in publications such as Art in America\, Artforum\, Artnet News\, Artnews\, The Brooklyn Rail\, Huffington Post\, the New York Times\, and Wall Street Journal.
URL:https://www.arttable.org/event/new-york-women-chose-women-at-frampton-co-bridgehampton/
LOCATION:Frampton Co\, Exhibition The Barn | 141 Maple Lane\, Bridgehampton\, 11932
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230722T110000
DTEND;TZID=America/New_York:20230722T160000
DTSTAMP:20230720T191623Z
CREATED:20230707T161222Z
LAST-MODIFIED:20230720T191623Z
UID:12841-1690023600-1690041600@www.arttable.org
SUMMARY:New York | A Day Upstate: Rita McBride at Dia Beacon | Mother Gallery\, Garage Gallery\, Analog Diary
DESCRIPTION:Join ArtTable members and guests for a day of art\, walking\, and networking during Upstate Art Weekend this July! It’s a perfect time to take a break from the city and connect with colleagues. Please note that this is a walking tour. \n\n\n\nWe’ll start the day at Dia Beacon\, where Curator Alexis Lowry will guide us on a tour of “Rita McBride: Momentum.” McBride\, renowned for her extensive body of work encompassing architecture\, design\, and public space\, operates at the confluence of these disciplines. Her work predominantly revolves around creating expansive installations and large-scale works\, and includes elements of performance\, textual compositions\, and smaller sculptural pieces. You’ll have a little time to explore other exhibits at Dia before joining the group on a shuttle to downtown Beacon.We’ll enjoy a delicious (Dutch treat) lunch at a Main Street restaurant. Just a few minutes away on foot\, we’ll tour “Reclaimed\,” at Garage Gallery with Co-Founder Susan Keiser. The exhibit features work by Laura Petrovich-Cheney\, Jaynie Crimmins\, and Rinat Goren. “‘Women’s work’ is such a loaded term—loaded with seemingly impossible to dislodge assumptions about who does what in this world and what it’s worth. Said dismissively\, these two short words have the power to devalue the lives and work of half the population. Still. But said authoritatively\, joyfully\, hopefully\, it can refer to the unheralded artists who have long woven and embroidered seemingly worthless scraps of everyday life into entirely new vocabularies of expression.” \n\n\n\nOur next stop will be “Chromazones” at Analog Diary with Founding Partner Katharine Overgaard. “This show celebrates the myriad compositional\, technical\, and narrative possibilities achieved through color—painted\, drawn\, poured\, and sculpted—and draws unexpected and generative through-lines between otherwise disparate artists and their works. Chromazones is fecund\, life-affirming\, and curious.” Featuring artists Latifa Alajlan\, Polly Apfelbaum\, Michael Berryhill\, Eugene von Bruenchenhein\, Julia Chiang\, Martha Clippinger\, Holly Coulis\, Pam Glick\, Tamara Gonzales\, Clare Grill\, Alteronce Gumby\, Marcia Hafif\, EJ Hauser\, Andrew Masullo\, John McAllister\, Dan Miller\, Ron Nagle\, Ken Price\, Julia Rommel\, Sylvia Snowden\, Emma Soucek\, Tracy Thomason\, Yukine Yanagi\, and Kennedy Yanko.To finish the day\, we’ll join Founder Paola Oxoa at MOTHER Gallery for “I AM THE PASSENGER Pt II” featuring artists Lisa Beck\, Trudy Benson\, Seth Cameron\, Mariah Dekkenga\, Stacy Fisher\, Rico Gatson\, Russell Tyler\, and Susan Weil. I AM THE PASSENGER is an intergenerational group exhibition of non-objective painting\, in two parts—acting as a looking glass for perceiving our current moment in time and place within the lineage of non-objective painting. We relate to non-objective painting in both corporeal and immaterial ways. Non-objective painting wants to stir something. Non-objective painting connects with our bodies. Severe yet playful\, non-objective painting is evidence of the artist operating within a greater movement of creation. We bear witness to the journey of artist as passenger when we stand in view of non-objective painting. Non-objective painting is about feeling and perceiving in the body\, it’s personal\, it’s universal. Organized by Trudy Benson\, Paola Oxoa\, and Russell Tyler.  Stay and socialize at the Upstate Art Weekend reception at MOTHER\, explore on your own in downtown Beacon\, or wrap up the day!  \n\n\n\nIf you plan to make a night (or weekend) of it\, Upstate Art Weekend has so much to offer. The fourth edition of UPSTATE ART WEEKEND\, July 21-24\, 2023\, includes 130+ participants located in Columbia\, Delaware\, Dutchess\, Greene\, Orange\, Putnam\, Rockland\, Sullivan\, Ulster and Westchester counties. Visit upstateartweekend.org for details. \n\n\n\nThanks to Margaret Graham for spearheading this event\, and to Courtney Maier Burbela and Racine Berkow for their assistance! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $25\n\n\n\nArtTable Member Guests – $35\n\n\n\nPublic – $40\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\nDetailed Itinerary:\n\n\n\nMeet us at Dia Beacon at 11:00 amDia Beacon is located adjacent to the Beacon train station\, which is served by Metro-North Railroad trains from Grand Central Terminal and Poughkeepsie. Trains run hourly in either direction during museum operating hours. For train information\, visit www.mta.info. New York residents dial 511\, all others dial toll-free 877 690 5114. For detailed train\, driving\, and parking instructions\, see the Dia Beacon website. Dia Beacon is an 8-10 minute walk (1/2 mile) from the Metro-North Beacon Station. \n\n\n\n11:15 am-12:00 pm Dia Beacon guided tour of “Rita McBride: Momentum” with Alexis Lowry12:00 pm-12:30 pm self-guided wander through Dia Beacon12:30 pm board the Beacon Free Loop Shuttle to Main Street (6 min)12:45-1:45 pm Dutch Treat/No Host lunch at a Main Street restaurant2:00-2:30 pm tour of “Reclaimed” at Garage Gallery with Susan Keiser2:45-3:15 pm tour of “Chromazones” at Analog Diary with Katharine Overgaard3:30-4:00 pm tour of “I Am the Passenger Pt II” at Mother Gallery with Paola Oxoa4:00 pm stay for Upstate Art Weekend Reception at Mother GalleryEnjoy more Upstate Art Weekend activities\, or head home via the Beacon Shuttle to the train or the Dia Beacon parking lot. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: RITA MCBRIDE. Photo by Don Stahl. Courtesy of Dia Beacon 2023. \n\n\n\n\n\n\n\n\n\n\nAlexis Lowry is curator at Dia Art Foundation\, New York\, where she is responsible for exhibitions\, commissions\, and public programs across Dia’s sites and locations. Lowry also oversees acquisitions and the permanent collection. At Dia Chelsea\, she has curated new projects by Lucy Raven\, Rita McBride\, and Kishio Suga. At Dia Beacon\, she organized the first North American retrospective of Charlotte Posenenske’s work\, as well as installations by Mel Bochner\, Mary Corse\, Charles Gaines\, Barry Le Va\, Lee Ufan\, Robert Morris\, Michelle Stuart\, and Anne Truitt.  \n\n\n\n\nPrior to joining Dia\, she was curator of the David Winton Bell Gallery at Brown University\, Providence\, and a freelance project manager for Creative Time\, New York. She has recently contributed to publications for Art Monthly\, the Cornell Fine Arts Museum at Rollins College\, Orlando\, The Drawing Center\, New York\, and the Whitney Museum of American Art\, New York\, in addition to books produced by Dia. In 2021\, Lowry was the first invited curator-in-residence at the Bauhaus Foundation in Dessau\, Germany. She is on the board of directors for the Triple Aught Foundation and serves on the advisory council of The Great Northern\, Minneapolis. She received her PhD from New York University’s Institute of Fine Arts in 2019. \n\n\n\n\n\n\n\n\nPaola Oxoa (b. 1979 Medellin\, Colombia) is a multidisciplinary artist living and working in New York\, NY & Beacon\, NY. Oxoa earned a BFA in experimental animation from Rocky Mountain College of Art and Design (Lakewood\, CO). Working across media—themes of interconnectedness and transcendence permeate her work. Solo exhibitions include What the Thunder Said at Matteawan Gallery (Beacon\, NY)\, Round Tripper at Stay Gallery (Denver\, CO)\, The Mirror of Reason (2005) and TRUE LOVE (2004) at the Museum of Contemporary Art Denver\, where she was awarded a residency and named the #1 NEW PICK (2004-5). Her work has been featured in Two Coats of Paint\, NYLON\, Art in America\, Artillery Magazine\, Rocky Mountain News\, and The Denver Post\, among other publications. Oxoa’s work is in the permanent collection of The Bass Museum of Contemporary Art (Miami\, FL) and in prominent private collections.  \n\n\n\n\nOxoa founded Mother\, an artist-centered gallery\, in the spring of 2018 in Beacon\, NY. Oxoa has curated upwards of 25 solo\, two-person\, and group exhibitions at both gallery locations\, off-site\, and at significant art fairs including The Armory Show. Mother’s exhibitions have been featured or reviewed in publications including The New York Times\, Hyperallergic\, The Art Newspaper\, Two Coats of Paint\, Artnet\, The Brooklyn Rail\, and Whitewall. Oxoa was named one of six woman gallerists and curators defining the Hudson Valley art scene in 2019 by Chronogram Magazine. Oxoa serves on the board of the Children’s Museum of Arts in NYC. \n\n\n\n\n\n\n\n\nSusan Keiser is a fine-art photographer and the cofounder of Garage Gallery\, a contemporary fine arts gallery in Beacon\, NY\, exhibiting significant bodies of work by emerging and mid-career artists in a wide range of media. “Art needs space in the real world—a home in the heart of the community that’s larger than a studio but less rarified than a global gallery showroom. Artists need a place where they can find their audience without economic pressure—a point of entry between a phone app and a collector’s wall. Collectors need an environment that is welcoming and invites discovery\, where they can always find a treasure to take home with them.” \n\n\n\n\nKeiser’s photographic and curatorial work reflects her long experience in publishing\, the arts\, and horticulture. As Senior Editor at Oxford University Press she was responsible for establishing their academic and scholarly journals program in the United States\, acquiring titles in fields ranging from cultural studies to financial economics and fine art to neuroscience.Deeply involved in gardening and the natural world\, she was Manager of the Rock and Native Plant Gardens at The New York Botanical Garden\, Bronx\, NY; Associate Director of the Garden Conservancy\, Garrison\, NY; and founder and principal of Greystone Gardens\, Inc.\, a design-build firm working with private and corporate clients. Her gardens have been featured in the New York Times and Garden Design magazine\, as well as in Japanese and German publications. \n\n\n\nAs an artist she has always been concerned with building large structures out of small units\, entire worlds out of miniature elements. The recipient of an NEA grant she created site-specific installations commissioned by public and private institutions\, including the Milwaukee Art Museum\, Milwaukee\, WI; Walker Art Center\, Minneapolis\, MN; Rockefeller Center\, New York\, NY; and the International Design Conference in Aspen\, CO. Keiser attended Pomona College and holds a BFA in painting from The Cooper Union and a diploma from The New York Botanical Garden School of Professional Horticulture. \n\n\n\n\n\n\n\n\n\nKatharine Overgaard is a Founding Partner at Analog Diary (Beacon)\, and Director at Franklin Parrasch Gallery (New York). Her expertise lies in art writing and research\, gallery and artist strategy\, and collector and institutional relations. In spring 2022\, she co-founded Analog Diary with fellow veteran art dealers Derek Eller\, Abby Messitte\, and Franklin Parrasch. \n\n\n\n\n\nAnalog Diary organizes exhibitions which reimagine what a gallery can show by collapsing boundaries and arbitrarily assigned categories. Analog Diary is a space where thinking about art without the mind clutter of an Instagrammable frame of reference is possible. Analog Diary is a Member of the New Art Dealers Alliance. \n\n\n\nOvergaard has been an ArtTable member since 2022\, was born and raised in Western Massachusetts’ Pioneer Valley. She earned a dual major B.A. in Studio Art and Art History from Drew University (Madison\, NJ) and lives in Upper Manhattan. 
URL:https://www.arttable.org/event/new-york-ny-a-day-upstate-rita-mcbride-at-dia-beacon-mother-gallery-garage-gallery/
LOCATION:DIA Beacon\, 3 Beekman Street\, Beacon\, NY\, 12508
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/07/Don_Stahl_RITA-MCBRIDE-007-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230629T160000
DTEND;TZID=America/New_York:20230629T173000
DTSTAMP:20230629T140426Z
CREATED:20230525T153159Z
LAST-MODIFIED:20230629T140426Z
UID:12528-1688054400-1688059800@www.arttable.org
SUMMARY:* Waiting List * New York\, NY | Behind the Scenes: The Whitney Conservation Studio & Works of Art on Paper Study Center
DESCRIPTION:Don’t miss this unique opportunity to get a behind-the-scenes look at the inner workings of the Whitney’s Conservation Department with Executive Coordinator Heather Cox\, and Curatorial Fellow and Supervisor of the Works on Paper Study Center\, Scout Hutchinson. We will walk through the studios\, see artwork in the process of being treated\, discuss the role of conservation at the Whitney\, and end with a tour of the Works of Art on Paper Study Center. Afterwards\, you are welcome to visit the exhibition floors. \n\n\n\nFounded in 2001\, the Whitney’s conservation department engages in the preservation and long-term care of works of art in the Museum’s collection. Designed with a multi-faceted approach to conservation\, the department embraces innovative approaches to the treatment and technical study of works of contemporary and modern art—including historical and scientific research\, technical examination\, and artist interviews. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n* Please note that this event is waitlisted! Click “Register Here” to join the list. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-behind-the-scenes-the-whitney-conservation-studio-works-of-art-on-paper-study-center/
LOCATION:The Whitney Museum of American Art\, (Note: we are not meeting at the main entrance; see your confirmation email for details)\, New York\, New York\, 10014
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/WhitneyConservationDept.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230628T170000
DTEND;TZID=America/New_York:20230628T183000
DTSTAMP:20230525T010416Z
CREATED:20230524T194144Z
LAST-MODIFIED:20230525T010416Z
UID:12513-1687971600-1687977000@www.arttable.org
SUMMARY:New York\, NY | "Gego: Lines in Space" at LGDR
DESCRIPTION:LGDR is pleased to welcome ArtTable to Gego: Lines in Space. The exhibition is the first to present Gego’s work at the gallery’s new flagship on 19 East 64th St. A leading figure of Venezuelan abstraction in the 1960s and ’70s\, Gego (1912–1994) created multidimensional works that radically engage the properties of line and space. The tour will be led by LGDR Senior Partner\, Emilio Steinberger. Presented in collaboration with Fundación Gego\, Lines in Space will offer a concentrated survey of the artist’s works across media\, including the constellated wire structure Chorro (1979/86)\, the six-part steel-and-bronze sculpture Cornisa I (1967)\, and her luminous watercolors\, collages\, and drawings. \n\n\n\nThis presentation follows those organized by Lévy Gorvy in New York (2015) and London (2016)\, continuing a long-standing relationship with the artist’s estate. Lines in Space coincides with a major retrospective of the artist’s work on view at the Solomon R. Guggenheim Museum\, New York (March–September 2023)\, which traveled from Museo Jumex in Mexico City (October 2022–February 2023)\, and the Museu de Arte de Sao Paulo (2019–20)\, and will continue on to the Guggenheim Bilbao (October 2023–February 2024). Thank you to Julia P Herzberg\, PhD for coordinating this program. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Gego Chorro. Bronze and stainless steel wire and acrylic base. 193 x 48 x 57 cm 76 x 18 7/8 x 22 7/16 inches. © Fundación Gego. Courtesy Lévy Gorvy.
URL:https://www.arttable.org/event/new-york-ny-gego-lines-in-space-at-lgdr/
LOCATION:LGDR East 64th Street\, 19 East 64th Street\, New York\, 10065
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/Chorro-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230615T180000
DTEND;TZID=America/New_York:20230615T190000
DTSTAMP:20230614T215005Z
CREATED:20230512T155349Z
LAST-MODIFIED:20230614T215005Z
UID:12213-1686852000-1686855600@www.arttable.org
SUMMARY:*Waiting List* New York\, NY | National Arts Club Exhibition with Artist JoAnne McFarland
DESCRIPTION:Join ArtTable at the historic National Arts Club on Gramercy Park to see the exhibit of their artist Fellows and meet artist JoAnne McFarland. The NAC Artist Fellowship program continues the Club’s over 120-year history of supporting the arts and artists.  \n\n\n\nJoAnne McFarland is a painter\, sculptor\, poet\, and the Artistic Director of the Artpoetica Project Space in Gowanus\, Brooklyn which exhibits works that focus on the intersection of language and visual representation. McFarland has artwork in the collections of The Library of Congress\, The Columbus Museum of Art\, The Department of State\, General Electric\, Ikon Corporation\, and AT&T Corporation among others. Recent shows include: “Best & Brightest” and “The Indivisible Spectrum\,” both at The Painting Center in New York City. She has also exhibited at June Kelly and A.I.R. Gallery\, among other venues. A graduate of Princeton University\, McFarland’s poetry collections include: Acid Rain\, 13 Ways of Looking at a Black Girl\, and Identifying the Body. Her latest multimedia collection\, Pullman\, will be published by Grid Books in 2023. McFarland has had fellowships at The BARD Graduate Center Library\, and KALA Art Institute. McFarland’s traveling project SALLY\, a collaboration with artist Sasha Chavchavadze\, explores the histories of women whose lives have been marginalized\, or forgotten. The National Arts Club (NAC) was founded in 1898\, admitting women on a full and equal basis from its inception. Renowned for its expansive American art collection\, the Club owns works by Edward Potthast\, Francis Mora\, Ella Lamb\, Charles Curran\, Henry Watrous\, Oscar Fehrer\, Helen Turner and Will Barnet among many others. The National Arts Club is proud of its early recognition of innovative art media such as photography\, film and digital media. NAC’s home since 1906 is the historic Samuel Tilden Mansion.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nArtTable Member Guests – $10\n\n\n\nPublic – $20\n\n\n\nNAC Members – add your coupon code at checkout for a complimentary ticket\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease note that this event is *WAITLISTED.* Click the “register here” button to join the waiting list. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: JoAnne McFarland by Rachel Eliza Griffiths.
URL:https://www.arttable.org/event/new-york-ny-national-arts-club-exhibition-with-artist-joanne-mcfarland/
LOCATION:National Arts Club\, 15 Gramercy Park South\, New York\, New York\, 10003
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/JoAnne-McFarland-by-Rachel-Eliza-Griffiths-1-835x1080-1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230613T170000
DTEND;TZID=America/New_York:20230613T180000
DTSTAMP:20230522T155855Z
CREATED:20230522T135231Z
LAST-MODIFIED:20230522T155855Z
UID:12313-1686675600-1686679200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays | Ruby Rumié "Us\, 172 Years Later”
DESCRIPTION:Join ArtTable and Nohra Haime for a tour of “Us\, 172 Years Later” by Ruby Rumié at the Nohra Haime Gallery. The project is based on the 19th Century Chorographic Commission in Colombia that includes the inhabitants of the Caribbean coast which were missing in the original scientific study. Rumié puts together one hundred people from the Caribbean region whose unique characteristics share the passion and commitment for their trade\, and express in a special way their taste and the value they place on the food from this region\, as food is one of the most relevant cultural elements. Rumié inserts the women as a type who were not included in the original Commission due to gender and race. \n\n\n\nBorn in Cartagena de Indias\, Rumié studied painting\, drawing and sculpture at the Cartagena School of Fine Arts (1980-1982). From 1989 to 1996 she worked on hyperrealist painting. She then broke away from academia and pursued her work with a clear focus on social issues\, both territorial and on patrimony\, questioning her commitment as an artist to society. She has held important exhibitions in Colombia\, Chile\, the United States and France. She exhibited Hálito Divino (Divine Breath) and Tejiendo calles (Weaving Streets) at the Nohra Haime Gallery in New York and at NH Galería in Cartagena\, Colombia. She participated in Art Paris and in the first Biennial of Contemporary Art of Cartagena de Indias with her work Lugar común (Common Place). She was awarded the Rockefeller Foundation Bellagio Center fellowship and Women Together from the United Nations (UN) for her anthropological\, social and artistic works. Special thanks to Julia P. Herzberg\, PhD. \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nImage: RUBY RUMIÉ. Us\, 172 Years Later\, 2022. Images of works. \n\n\n\n\n\n\n\n\n\n\nNohra Haime founded the Nohra Haime Gallery in 1979 a variety of modern and contemporary American and international artists that she has placed in important private and public collections. In 2011 she opened NH Galería in Cartagena\, Colombia where she cofounded in 2014 the First International Contemporary Art Biennial. Nohra has curated many exhibitions and has written and published books.  \n\n\n\n\nHaime started writing for the art section of the Spanish Edition of Harper’s Bazaar in the 1980s\, and later through her own publications on the diverse artists she has represented and worked with. She has equally juried several exhibitions and has been invited to lecture\, give talks and participate in panels. In 2011\, Nohra was awarded the Key to the City of Cartagena\, Colombia. In 2013 she received the Jessica Cosgrave award from Finch College Alumnae Association in New York and was nominated in 2014 as one of the 100 Colombians by the 100 Colombians Foundation.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-ruby-rumie-us-172-years-later/
LOCATION:Nohra Haime Gallery\, 500A West 21st Street\, New York\, 10011
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Rumie-Us-172-Years-Later-lr.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230607T100000
DTEND;TZID=America/New_York:20230607T113000
DTSTAMP:20230525T162619Z
CREATED:20230516T133016Z
LAST-MODIFIED:20230525T162619Z
UID:12262-1686132000-1686137400@www.arttable.org
SUMMARY:* WAITING LIST * New York\, NY | Curator-Led Tour of Cecily Brown "Death and the Maid" at the Met
DESCRIPTION:Join ArtTable for an exclusive curator-led tour of “Death and the Maid” at The Metropolitan Museum of Art; we’ll have access when the museum is closed to the public! For more than twenty-five years\, Cecily Brown (b. 1969) has transfixed viewers with sumptuous color\, bravura brushwork\, and complex narratives that relate to some of Western art history’s grandest and oldest themes. After moving to New York from London in the 1990s\, she revived painting for a new generation alongside a handful of other artists—many of them also women—at the very moment critics were questioning its import and relevance. The first full-fledged museum survey of Brown’s work in New York since she made the city her home\, “Cecily Brown: Death and the Maid” assembles a select group of some fifty paintings\, drawings\, sketchbooks\, and monotypes from across her career to explore the intertwined themes of still life\, memento mori\, mirroring\, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. The tour will be led by by the Aaron I. Fleischman Curator\, Modern and Contemporary Art\, Ian Alteveer. \n\n\n\nBrown has work in public collections including The MoMA\, The Whitney Museum of American Art\, and the Solomon R. Guggenheim Museum\, New York\, NY; Hirshhorn Museum and Sculpture Garden\, Smithsonian Institution\, Washington\, D.C.; The Broad\, Los Angeles; Museum für Moderne Kunst\, Frankfurt\, Germany; The Tate\, London\, UK; and Louisiana Museum of Modern Art\, Humlebæk\, Denmark. \n\n\n\nPlease see The Met website for full exhibition acknowledgments.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n* WE HAVE A WAITING LIST TO JOIN THIS EVENT: YOU CAN ADD YOUR NAME BY CLICKING “REGISTER HERE” Thank you! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Cecily Brown. Maid in a Landscape\, 2021. Oil on linen. Private collection. Courtesy of the artist. Photo by Genevieve Hanson.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-cecily-brown-death-and-the-maid-at-the-met/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue\, New York\, New York\, 10028
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Cecily-Brown_Maid-in-a-Landscape-2021_Oil-on-linen_-Private-collection.-Courtesy-the-artist_-photo-by-Genevieve-Hanson-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230606T173000
DTEND;TZID=America/New_York:20230606T190000
DTSTAMP:20230525T011241Z
CREATED:20230519T150321Z
LAST-MODIFIED:20230525T011241Z
UID:12287-1686072600-1686078000@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays | Tour of "Robin Coste Lewis: Intimacy"
DESCRIPTION:Join ArtTable at the Marian Goodman Gallery for a bespoke viewing of Intimacy\, a moving-image and sound film by Robin Coste Lewis. We’ll meet Marian Goodman Gallery Managing Partner Emily-Jane Kirwan at 5:30 pm for a talk—and enjoy a glass of wine\, courtesy of the gallery—and start the film at 6 pm.  \n\n\n\nA single-channel video projection with sound\, the installation features projected images from a selection of 66 photographs representing a modern 20th-Century photographic archive depicting the Lewis family and their friends. The trove of portraits\, discovered by Lewis approximately 25 years ago in the home of her maternal grandmother\, Dorothy Mary Coste Thomas Brooks\, are sepia\, tintypes\, color and black-and-white pictures that recount the history of the Lewis family and circle. \n\n\n\nThe Lewis family\, along with millions of other Americans\, fled the Southern States of America in the 20th Century as part of the Great Migration west\, in search of a place devoid of racism\, injustice\, and white terrorism.  With the upheaval of forced migration\, and concomitant scattering of a family unit and dispersal of possessions\, the existence of this deep collection of photographic images represents a distinctive vernacular collection\, especially notable for its volume\, rarity and joyful\, private sentiment.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Still from Robin Coste Lewis: Intimacy. \n\n\n\n\n\n\n\n\n\nRobin Coste Lewis (b. 1964\, Compton\, California) is the former poet laureate for the city of Los Angeles\, where she now lives and works. In 2015\, her first book of poems\, Voyage of the Sable Venus\, which examined the fraught history of art\, gender\, and race\, won The National Book Award in poetry\, marking the first time a debut by an African American had ever won the prize in the Foundation’s history\, and the first time a debut collection of poetry had won the award since 1974. The images in Intimacy also appear in her new book of poetry\, To the Realization of Perfect Helplessness (2022)\, published by Knopf\, which recently won an NAACP Award in Poetry and PEN Award in poetry.Lewis received her Bachelor of Art from Hampshire College in creative writing and comparative literature; a Master of Theological Studies degree in Sanskrit and comparative religious literature from the Divinity School at Harvard University; a Master of Fine Art in poetry at New York University; and a PhD from the University of Southern Creative Writing and Literature Program. Lewis\, who has taught at Hampshire College\, Hunter College\, Wheaton College\, and the NYU MFA in Paris\, is writer-in-residence at the University of Southern California. In 2021\, she was the Joseph Brodsky Rome Prize Fellow at the American Academy in Rome\, and is currently a Ford Foundation Scholar-in-Residence at the Museum of Modern Art.
URL:https://www.arttable.org/event/new-york-ny-tour-of-robin-coste-lewis-intimacy/
LOCATION:Marion Goodman Gallery\, 24 W 57th St\, New York\, NY\, 10019
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/RobinCosteLewis_Intimacy_1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230601T180000
DTEND;TZID=America/New_York:20230601T193000
DTSTAMP:20230531T163222Z
CREATED:20230517T144322Z
LAST-MODIFIED:20230531T163222Z
UID:12276-1685642400-1685647800@www.arttable.org
SUMMARY:New York\, NY | Tour of Martine Gutierrez "ANTI-ICON: APOKALYPSIS" at Ryan Lee Gallery
DESCRIPTION:Join ArtTable to ring in pride month as we visit Ryan Lee Gallery for a guided tour of ANTI-ICON: APOKALYPSIS\, a daring new body of work by artist Martine Gutierrez. Our tour guide will be Partner and gallery Co-Founder Mary Lee. \n\n\n\nThe series continues Guiterrez’s exploration of identity across the cultural landscapes of gender\, race and celebrity. In 17 new works\, Gutierrez has transformed herself into a multitude of idols. Costumed by the barest of essentials\, Gutierrez’s figure is the catalyst\, reflecting dystopian futurism upon the symbols of our past. Through each metamorphosis\, Gutierrez re-envisions a diverse canon of radical heroines who have achieved legendary cultural influence over thousands of years in both art history and pop culture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Martine Gutierrez. Cleopatra from ANTI-ICON: APOKALYPSIS\, 2021. \n\n\n\n\n\n\n\n\n\nFounded in 2013 by Mary Ryan and Jeffrey Lee\, RYAN LEE gallery has established itself as a welcoming place of discovery and dialogue for art ranging from post-war art to the contemporary. Celebrating emerging and established artists and estates\, the gallery takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. The gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n\n\n\n\n\n\n\nMartine Gutierrez (b. 1989 Berkeley\, CA) is a transdisciplinary artist\, performing\, writing\, composing and directing narrative scenes to subvert pop-culture identity tropes—both personally and collectively intersectional to the discriminations of race\, gender\, class and nationality. Guiterrez examines advertising in order to hybridize the industry’s objectification of sex with the individual’s pursuit of self\, satirically undermining the aesthetics of what we know. It is Gutierrez herself who executes every role—simultaneously acting as subject\, artist\, and muse. These complicated intersections are innate to Gutierrez’s own multicultural upbringing as a first generation artist of indigenous descent and as an LGBTQ ally. Her malleable\, ever-evolving self-image catalogs the confluence of seemingly disparate modes\, conveying limitless potential for reinvention and reinterpretation.
URL:https://www.arttable.org/event/new-york-ny-tour-of-martine-gutierrez-anti-icon-apokalypsis-at-ryan-lee-gallery/
LOCATION:Ryan Lee Gallery\, 515 W 26th St floor 3\, New York\, New York\, 10001\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Cleopatra_ANTI-ICON-framed-1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230530T173000
DTEND;TZID=America/New_York:20230530T190000
DTSTAMP:20230523T182905Z
CREATED:20230523T182900Z
LAST-MODIFIED:20230523T182905Z
UID:12228-1685467800-1685473200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesday | Marilyn Minter at LGDR with Jeanne Greenberg Rohatyn
DESCRIPTION:Join us for a tour of Marilyn Minter’s newest exhibition led by curator and LGDR Gallery partner Jeanne Greenberg Rohatyn. Spanning three floors and six gallery spaces\, this ambitious show is Minter’s first solo exhibition in New York since her celebrated retrospective Pretty/Dirty at the Brooklyn Museum in 2016–17. \n\n\n\nIt introduces several new bodies of work\, including portraiture\, and highlights Minter’s daring fifty-year exploration of beauty\, representation\, autonomy\, and desire through a feminist\, sex-positive perspective. A jaw-dropping display of jewel-toned paintings comingle with sculpture\, video\, photographs\, and prints. \n\n\n\nMinter approaches some of her now familiar themes with a critical\, fresh eye and fearlessly tackles the art-historical canon by reinterpreting traditional genres such as bathers\, odalisques\, and portraiture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Jeanne Greenberg Rohatyn\nJeanne Greenberg Rohatyn has helped shape the art world both directly as curator of three art galleries and indirectly as the host of salons where artists of all stripes have met and begun surprising collaborations. Greenberg Rohatyn studied art at Vassar and NYU before becoming a private curator and advisor\, making connections between prospective patrons\, including hip-hop legend and filmmaker Jay-Z\, and up-and-coming artists. She continued to forge such connections through her salons\, and nurture and advise artists whose potential she recognizes. Her gallery\, Salon 94\, has three locations and is known for showcasing artists of wildly different styles and backgrounds; Greenberg Rohatyn is known for seeking out artists for the variety and range of their work. She chairs the board of Performa\, a performance art biennial\, and is part of the selection committee for the Frieze New York Art Fair. In 2014\, Artfair named her one of the 25 most important women in the art world. \n\n\n\n\n\n\nImage: Marilyn Minter. About Damn Time\, 2023.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesday-marilyn-minter-at-lgdr-with-jeanne-greenberg-rohatyn/
LOCATION:LGDR Gallery\, 3 East 89th Street\, New York\, New York\, 10128
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/AboutDamnTime_2023_MarilynMinter.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230520T103000
DTEND;TZID=America/New_York:20230520T120000
DTSTAMP:20230417T200228Z
CREATED:20230417T185608Z
LAST-MODIFIED:20230417T200228Z
UID:11980-1684578600-1684584000@www.arttable.org
SUMMARY:National | ArtTable Reception & Tour at VOLTA New York
DESCRIPTION:Please join us for a brunch reception and tour with Cristina Salmastrelli at VOLTA New York!  \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members. \n\n\n\nVOLTA New York’s “A Female Focus” spotlight highlights artist Natalie Collette Wood\, represented by Vellum Projects; Asako Tabata\, represented by SEIZAN Gallery; Dana Sherwood\, represented by Galerie Heike Strelow; and Chellis Baird\, represented by FORMAH. Be sure to keep your eye out for them! \n\n\n\nYour ticket covers general access to the fair\, access to the brunch reception\, tour\, and refreshments. \n\n\n\n*Please note that your reply/confirmation email will contain an EventBrite link to book your complimentary fair passes before the brunch! Please be sure to do that in advance.* \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nArtTable Member +1 Guest – $120\n\n\n\nAdditional Guest -$50_________________________\n\n\n\nNon-Members – $75\n\n\n\nNon-Member’s Guest – $50\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nVOLTA debuted in New York in 2008 to support ambitious international galleries to participate in the art markets’ major cities. Now\, VOLTA returns to present over 50 international galleries at our 2023 edition May 17 – 21 at the Metropolitan Pavilion.  \n\n\n\n“Beginning as an art fair collaboration between dealers and their friends in Basel\, VOLTA has built up a reputation as a gallery favorite. Purposefully planned during Frieze New York\, it’s ideal to hit both. “ VOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector.  \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA
URL:https://www.arttable.org/event/national-arttable-reception-tour-at-volta-new-york/
LOCATION:Volta New York 2023\, 125 West 18th Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/Volta2218.6150dpi-42.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230516T190000
DTEND;TZID=America/New_York:20230516T200000
DTSTAMP:20230513T141554Z
CREATED:20230506T203056Z
LAST-MODIFIED:20230513T141554Z
UID:12148-1684263600-1684267200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays at Salon Zürcher "11 Women of Spirit"
DESCRIPTION:Join ArtTable for the 28th Edition of SALON ZÜRCHER\, hosted by Zürcher Gallery founder Gwenolee Zurcher. A distinguished group of 11 women artists show their work in the space on Bleecker Street in Manhattan. Femmes d’esprit was an 18th-century French term that referred to independently-minded female painters\, writers\, and intellectuals\, routinely under-recognized by their male contemporaries and publics.  \n\n\n\nBetween their two locations\, Zürcher New York / Paris has hosted 27 fairs. The May 2022 edition of 11 Women of Spirit (Part 5) was featured in Hyperallergic with a special review by Ela Bittenncourt and was mentioned as a must-see satellite fair in the New York Times and Timeout. Zürcher Gallery is located in the East Village\, within walking distance of the New Museum\, the Lower East Side\, and TriBeCa gallery districts. \n\n\n\nIn keeping with the spirit of artistic salons\, 11 Women of Spirit involves the presence of the following 11 participating artists: \n\n\n\nBettina BlohmPetey BrownSue CollierFukuko HarrisNancy ManterVictoria PalermoSacha Floch PoliakoffJo Ann RothschildSonita SingwiJenny TangoApril Vollmer \n\n\n\n\n\n\n\n\nArtTable Members & Guests – complimentary\n\n\n\nPublic Admission – complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Bettina Blohm | Spanish Moon\, 2021 oil on linen 65 x 50 in / 165\,1 cm x 127 cm \n\n\n\n\n\n\n\n\n\n\nGwenolee Zürcher Encouraged by Joan Mitchell\, Gwenolee Zürcher cofounded Zürcher Gallery in New York and Paris in 2003. Read more on Hyperallergic.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-at-salon-zurcher-11-women-of-spirit/
LOCATION:ZÜRCHER GALLERY\, 33 Bleecker Street\, New York\, New York\, 10012
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/BETTINA-BLOHM-Spanish-Moon-2021-oil-on-linen-65-x-50-in-1651-cm-x-127-cm.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230515T153000
DTEND;TZID=America/New_York:20230515T153000
DTSTAMP:20230506T144905Z
CREATED:20230417T194323Z
LAST-MODIFIED:20230506T144905Z
UID:12005-1684164600-1684164600@www.arttable.org
SUMMARY:* WAITING LIST * New York\, NY | Guided Tour of The European Fine Art Foundation (TEFAF) Fair
DESCRIPTION:Please join us for a guided tour of TEFAF. Established in 1988\, The European Fine Art Foundation (TEFAF) is widely regarded as the world’s preeminent organization for fine art\, antiques\, and design. This year\, TEFAF celebrates its eighth year in NYC\, hosting 91 galleries from 14 countries with blue-chip offerings of modern European and contemporary art and design. Our guide will focus on women-owned galleries and female artists on display at the historic Park Avenue Armory. Following the tour\, we invite members and their guests to join us at the oyster and champagne bar on the upper level for pay your own way drinks. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nNon-Members -$40\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n* PLEASE NOTE THAT WE HAVE A WAITING LIST FOR THIS EVENT * \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-the-european-fine-art-foundation-tefaf-fair/
LOCATION:TEFAF New York at the Park Avenue Armory\, 643 Park Avenue\, New York\, New York\, 10065\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/TFAF.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T133000
DTEND;TZID=America/New_York:20230513T143000
DTSTAMP:20230511T132400Z
CREATED:20230412T221952Z
LAST-MODIFIED:20230511T132400Z
UID:11929-1683984600-1683988200@www.arttable.org
SUMMARY:New York\, NY | Guided Tour of “Wangechi Mutu: Intertwined” at the New Museum
DESCRIPTION:Join ArtTable at The New Museum for a tour of a major solo exhibition of the work of Wangechi Mutu (b. 1972\, Nairobi)\, bringing together over one-hundred works from across her twenty-five-year career. The tour will be led by New Museum teaching artist\, Yasmeen Abdalla.ArtTable had the chance to interview Mutu in 2014 in partnership with artnet. This tour brings us full circle to see the significant development and accomplishment in her career since that time.Representing the full breadth of Mutu’s practice\, the presentation will encompass painting\, collage\, drawing\, sculpture\, film\, and performance. Mutu first gained acclaim for her collage-based practice exploring camouflage\, transformation\, and mutation. She extends these strategies to her work across various media\, developing hybrid\, fantastical forms that fuse mythical and folkloric narratives with layered sociohistorical references. “Wangechi Mutu: Intertwined” will trace connections between recent developments in the artist’s sculptural practice and her decades-long exploration of the legacies of colonialism\, globalization\, and African and diasporic cultural traditions. At once culturally specific and transnational in scope\, Mutu’s work grapples with contemporary realities\, while proffering new models for a radically changed future informed by feminism\, Afrofuturism\, and interspecies symbiosis.This exhibition is curated by Margot Norton\, Allen and Lola Goldring Senior Curator\, and Vivian Crockett\, Curator\, with Ian Wallace\, Curatorial Assistant. \n\n\n\nSee the New Museum website for full funding acknowledgements for the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wangechi Mutu\, “In Two Canoe” (2022). “Wangechi Mutu: Intertwined\,” 2023. Exhibition view: New Museum\, New York. Courtesy New Museum. Photo: Dario Lasagni \n\n\n\n\n\n\n\n\n\nAbout the Teaching Artist: \n\n\n\n\nYasmeen Abdallah is an interdisciplinary artist and educator\, incorporating civic engagement through creative reuse as a central point in her practice. She is interested in ephemera; aftermaths; and the stories told\, and secrets kept by imprints and objects that speak to our contemporary culture. She holds an MFA in Fine Arts with distinction from Pratt Institute\, and Bachelor’s degrees from University of Massachusetts\, Boston in Studio Art with honors\, and in Anthropology (emphasis in Historical & Collaborative Archaeology\, including field schools with Hassanamesit Woods and the Eastern Pequot Tribal Nation); with a Minor in Women’s\, Gender & Sexuality Studies. \n\n\n\n\nShe has been a visiting artist and speaker at institutions including Columbia University Teaching College; El Barrio Art Space\, Fairleigh Dickinson University; Parsons School for Design; Pratt Institute; Sarah Lawrence College; and University of Massachusetts. Her work has been exhibited at venues including Art in Odd Places; the Boiler; Bronx Art Space; Bullet Space; Chashama; Cornell University; Ed Varie; Elizabeth Foundation; La Bodega; Open Source; Museum of Reclaimed Urban Space; Nars Foundation; PS122 Gallery; and Spring Break Art Show.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-wangechi-mutu-intertwined-at-the-new-museum/
LOCATION:The New Museum\, 235 Bowery\, New York\, New York\, 10002\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230503T160000
DTEND;TZID=America/New_York:20230503T180000
DTSTAMP:20230426T131237Z
CREATED:20230401T200233Z
LAST-MODIFIED:20230426T131237Z
UID:11846-1683129600-1683136800@www.arttable.org
SUMMARY:National | Jaune Quick-to-See-Smith: "Memory Map" at the Whitney Museum of American Art
DESCRIPTION:See below to register for either the 4:00 PM or the 5:00 PM tour group. \n\n\n\n\n\nJoin Laura Phipps\, Assistant Curator at the Whitney Museum of American Art\, with Caitlin Chaisson\, Curatorial Project Assistant\, for a tour of the first New York retrospective of groundbreaking artist\, Jaune Quick-to-See Smith (b. 1940\, citizen of the Confederated Salish and Kootenai Nation). Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings\, prints\, paintings\, and sculptures in the largest and most comprehensive showing of her career to date. \n\n\n\nSmith’s work engages with contemporary modes of making\, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice\, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor\, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition\, historical privilege\, and value.  Across decades and mediums\, Smith has deployed and reappropriated ideas of mapping\, history\, and environmentalism while incorporating personal and collective memories. The retrospective will offer new frameworks in which to consider contemporary Native American art and show how Smith has led and initiated some of the most pressing dialogues around land\, racism\, and cultural preservation—issues at the forefront of contemporary life and art today. \n\n\n\nSee the Whitney’s website for full exhibition support acknowledgments. \n\n\n\nThis program is open to ArtTable members and guests. \n\n\n\nNot a member? Join today! \n\n\n\nAdmission$25 ArtTable Members$35 ArtTable Member Guests*Please note that we have waiting lists for BOTH tours: click on the register buttons to add your name!* \n\n\n\n\nREGISTER HERE FOR THE 4:00 PM TOUR\n\n\n\n\n\n\n\n\n\nREGISTER HERE FOR THE 5:00 PM TOUR\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nLaura Phipps is an assistant curator at the Whitney Museum of American Art. She has been at the Whitney since the summer of 2009\, and her recent projects include Virginia Overton: Sculpture Gardens\, Open Plan: Andrea Fraser and a group show of emerging artists Flatlands. She has also co-curated a project with Michele Abeles and the permanent collection exhibition Test Pattern. Laura has assisted with numerous museum exhibitions including 2010\, the Whitney Biennial\, Legacy: The Emily Fisher Landau Collection\, Glenn Ligon: AMERICA\, Singular Visions\, Wade Guyton OS\, Sinister Pop\, and Jeff Koons: A Retrospective. \n\n\n\n\nShe has served on the grant selection committee of the Rema Hort Mann Foundation\, as a visiting critic for the Lower Manhattan Cultural Council Workspace and Smackmellon Studio Program\, and as a guest curator at the Kentler Drawing Center\, Brooklyn. Prior to the Whitney\, Phipps worked in the curatorial department and director’s office of the Modern Art Museum\, Fort Worth. She received her MA\, Art History at Hunter College\, CUNY and BFA\, Studio Art and BS\, Psychology from Texas Christian University in Fort Worth\, Texas. \n\n\n\n\n\n\n\nCaitlin Chaisson is curator and critic based in New York\, and holds an MA in Curatorial Studies from Bard College. She currently works at the Whitney Museum of American Art. \n\n\n\nFrom 2016–2019\, she served as the Director and Curator of Far Afield\, an initiative that supports regionally-connected artistic and curatorial practices. She has also held positions and contracts at The Drawing Center (New York City)\, e-flux (New York City)\, Emily Carr University of Art and Design (Vancouver)\, AKA Artist-Run Centre (Saskatoon)\, and the Anvil Centre (New Westminster). Her writing has appeared in Canadian Art\, C Magazine\, and Frieze\, among others. \n\n\n\n\n\n\n\nImage: Jaune Quick-to-See Smith\, The Vanishing American\, 1994. Acrylic\, newspaper\, paper\, cotton\, printing ink\, chalk\, and graphite pencil on canvas\, 60 1/8 × 50 1/8 in. (152.7 × 127.3 cm). Whitney Museum of American Art\, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. © Jaune Quick-to-See Smith
URL:https://www.arttable.org/event/national-jaune-quick-to-see-smith-memory-map-at-the-whitney-museum-of-american-art/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230502T170000
DTEND;TZID=America/New_York:20230502T183000
DTSTAMP:20230502T193358Z
CREATED:20230422T135424Z
LAST-MODIFIED:20230502T193358Z
UID:12076-1683046800-1683052200@www.arttable.org
SUMMARY:New York\, NY | Tour of Wendy Red Star's "Our Side" at Sargent's Daughters
DESCRIPTION:Please join us at Sargent’s Daughters gallery for a tour of Our Side—the third solo exhibition of Wendy Red Star (Apsáalooke (Crow)\, b.1981\, Billings\, MT) at the gallery. This exhibition is presented in conjunction with the Spring 2023 release of Red Star’s monograph Bíilukaa\, published by Radius Books and featuring interviews with the artist\, members of her extended family\, and scholars. The book’s title\, Bíilukaa\, is in reference to what the Apsáalooke (Crow) call themselves: Our Side. \n\n\n\nOur Side builds upon Red Star’s research into historical photographs of Apsáalooke individuals and objects\, with the artist drawing on both her personal collection and works held in museums and archives across the country. Red Star notes: “Since the time I left the Crow reservation I have encountered my tribe’s material culture in every city I have exhibited or occupied. It is incredible that so much of my community’s history and material culture is kept in the vaults of these institutions hundreds of miles away from their source.”  \n\n\n\nThe exhibition includes two distinct bodies of work; the first are photographic prints originally produced for Bíilukaa\, reimagined as a dynamic installation in the gallery. The second consists of large-scale unique collages\, which layer photographs on top of fabrics typical of Apsáalooke regalia. \n\n\n\n\n\n\n\nWendy Red Star (b.1981\, Billings\, MT) lives in Portland\, OR. Red Star has exhibited at venues including the Metropolitan Museum of Art (New York\, NY)\, Brooklyn Museum (Brooklyn\, NY)\, both of which have her works in their permanent collections; Fondation Cartier pour l’Art Contemporain (Paris\, France)\, Domaine de Kerguéhennec (Bignan\, France)\, Portland Art Museum (Portland\, OR)\, Hood Art Museum (Hanover\, NH)\, St. Louis Art Museum (St. Louis\, MO)\, Minneapolis Institute of Art (Minneapolis\, MN)\, and the Frost Art Museum (Miami\, FL). \n\n\n\nHer work is in public collections including the Museum of Modern Art (New York\, NY)\, the Metropolitan Museum of Art (New York\, NY)\, the Whitney Museum of American Art (New York\, NY)\, the Guggenheim Museum (New York\, NY)\, the Amon Carter Museum of American Art (Fort Worth\, TX)\, the Denver Art Museum (Denver\, CO)\, the Ruth and Elmer Wellin Museum of Art at Hamilton College (Clinton\, NY)\, the Baltimore Museum of Art (Baltimore\, MD)\, the Fralin Museum of Art at the University of Virginia (Charlottesville\, VA)\, the Nasher Museum of Art at Duke University (Durham\, NC)\, the Birmingham Museum of Art (Birmingham\, AL)\, the Williams College Museum of Art (Williamstown\, MA)\, the Memorial Art Gallery of the University of Rochester (Rochester\, NY)\, San Antonio Museum of Art (San Antonio\, TX)\, The Seattle Art Museum (Seattle\, WA)\, and the British Museum (London\, UK). \n\n\n\nShe served as visiting lecturer at Yale University (New Haven\, CT)\, the Figge Art Museum (Davenport\, IA)\, the Banff Centre (Banff\, Canada)\, National Gallery of Victoria in Melbourne (Melbourne\, Australia)\, Dartmouth College (Hanover\, NH)\, CalArts (Valencia\, CA)\, Flagler College (St. Augustine\, FL)\, and I.D.E.A. Space in Colorado Springs (Colorado Springs\, CO). In 2017\, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition “Wendy Red Star: A Scratch on the Earth” was at the Newark Museum in New Jersey through May 2019\, concurrently with her first New York solo gallery exhibition at Sargent’s Daughters. In the fall of 2022\, Red Star had a solo project with the Public Art Fund titled Travels Pretty\, on JCDeaux bus shelters across Boston\, MA; Chicago\, IL; and New York\, NY. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022\, which was named one of Vanity Fair’s best art books of 2022 as well as Time Magazine’s best photography books of 2022. \n\n\n\nRed Star is currently exhibiting at the Seattle Art Museum (Seattle\, WA)\, the Denver Art Museum (Denver\, CO)\, the Utah Museum of Fine Art (Salt Lake City\, UT)\, Sharjah Art Foundation (Sharjah\, UAE). \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wendy Red Star | Strawberry Chief (ishkóoshiite)\, 2023. Fabric and archival pigment prints mounted on gatorboard\, 44 x 44″ \n\n\n\n\n\nAbout the Tour LeaderChristine Nyce is a curator and writer originally from Milwaukee\, Wisconsin.  She is based in New York\, where she is a Gallery Associate and Curator with Sargent’s Daughters gallery.  She holds a BA in Art History from Williams College and a MA in Curatorial Studies from the Center for Curatorial Studies\, Bard College.About the GallerySargent’s Daughters was founded in 2014 on the Lower East Side by Allegra LaViola. The gallery takes its name from the painter John Singer Sargent\, who was an innovator working in a traditional medium. Accordingly\, the gallery interest is in artists whose work combines the same qualities of tradition and cutting edge. In addition to exhibitions by represented gallery artists\, Sargent’s Daughters creates collaborations as a platform for exploring new conversations within a wider context and presents a strong program of primarily women artist\, often highlighting overlooked artists working outside the established gallery world. The gallery has a history of granting young artists their first exhibition opportunities\, placing works in major museums\, and producing catalogues to further the dialogue of the artists’ work. Gallery exhibitions have been featured in The New York Times\, ARTFORUM and Art in America\, among other national and international publications.
URL:https://www.arttable.org/event/new-york-ny-tour-of-wendy-red-stars-our-side-with-allegra-laviola/
LOCATION:Sargent’s Daughters\, 179 East Broadway\, New York\, New York\, 10002
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230501T170000
DTEND;TZID=America/New_York:20230501T180000
DTSTAMP:20231009T182051Z
CREATED:20231009T182050Z
LAST-MODIFIED:20231009T182051Z
UID:13906-1682960400-1682964000@www.arttable.org
SUMMARY:New York\, NY  | Madison Square Park Tour of Shahzia Sikander's "...havah\, to-breathe\, air\, life"
DESCRIPTION:Join us on Monday\, May 1 at 5 pm for an artist-guided tour of Havah . . . to breathe\, air\, life\, on view simultaneously in Madison Square Park and on the rooftop of the Appellate Division Courthouse through June 4. The tour will be led by artist Shahzia Sikander and Brooke Kamin Rapaport—Deputy Director and Martin Friedman Chief Curator. \n\n\n\nSpecial thanks to Truth Murray Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Shazia Sikander. Photo by Yasunori Matsui \n\n\n\n\n\n\nAbout the Artist\n\n\n\nBorn in Lahore\, Pakistan\, in 1969\, Shahzia Sikander took up the traditional practice of miniature painting during Muhammad Zia-ul-Haq’s military regime\, at a time when the medium was deeply unpopular among young artists. Sikander earned a B.F.A. in 1991 from the National College of Arts (NCA) in Lahore\, where she received rigorous training from master miniaturist Bashir Ahmad. She became the first woman to teach in the Miniature Painting Department at NCA\, alongside Ahmad\, and was the first artist from the department to challenge the medium’s technical and aesthetic framework. Sikander’s breakthrough work\, The Scroll\, 1989–90\, received national critical acclaim in Pakistan\, winning the prestigious Shakir Ali Award\, the NCA’s highest merit award\, and the Haji Sharif award for excellence in miniature painting\, subsequently launching the medium into the forefront of NCA’s program\, which brought international recognition to this medium within contemporary art practices. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the CORE Program of the Glassell School of Art at The Museum of Fine Arts\, Houston. \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/new-york-ny-madison-square-park-tour-of-shahzia-sikander-havah-to-breathe-air-life/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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