BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ArtTable - ECPv6.17.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ArtTable X-ORIGINAL-URL:https://www.arttable.org X-WR-CALDESC:Events for ArtTable REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20200308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20201101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20210314T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20211107T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20220313T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20221106T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20230312T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20231105T070000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20220621T180000 DTEND;TZID=America/New_York:20220621T180000 DTSTAMP:20220531T141309Z CREATED:20220520T180859Z LAST-MODIFIED:20220531T141309Z UID:9078-1655834400-1655834400@www.arttable.org SUMMARY:New York | Cristina Iglesias' 'Landscape and Memory' Tour & Reception at Madison Square Park DESCRIPTION:Please join us for an in-person tour of Cristina Iglesias’ Landscape and Memory\, on view at Madison Square Park in New York City. The tour will be led by ArtTable Member Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator at Madison Square Park Conservancy. Drinks will also be served. \n\n\n\nSpanish artist Cristina Iglesias invites the public to consider the forgotten terrains and geographic history of New York City in a new public art installation opening this June\, her first major temporary public art project in the United States. Landscape and Memory places five bronze sculptural pools\, flowing with water\, into Madison Square Park’s Oval Lawn\, harkening back to when the Cedar Creek coursed across the land where the park stands today. Building on Iglesias’ practice of unearthing the forgotten and excavating natural history\, Landscape and Memory resurfaces in the imaginations of contemporary viewers the now-invisible force of this ancient waterway. More information about the exhibition can be found below. \n\n\n\nLandscape and Memory is organized by Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator; Tom Reidy\, Deputy Director of Finance and Special Projects; and Truth Murray-Cole\, Curatorial Manager. Keats Myer is the Conservancy’s Executive Director. \n\n\n\nThis program is open to ArtTable Members only for $15. Capacity is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face masks are not required in outdoor settings but are encouraged when in large groups. Fully vaccinated individuals do not need to wear masks or be socially distanced\, however\, unvaccinated children and adults should wear a face cover and practice social distancing while in the park. Accessibility Madison Square Park\, as a public\, open green space\, is free and fully accessible to patrons of all abilities; including by not limited to individuals with physical\, visual\, and auditory disabilities\, owners of special care animals\, and wheelchair users. There are no steps or stairs within Madison Square Park\, or between the sidewalk and the park. Ramp access for wheelchairs and strollers as well as access for individuals with impaired mobility is available for all the park’s pathways and lawns\, in compliance with ADA regulations. Please note that there are no public restrooms inside the park\, but you can find a DOT-owned restroom on Madison Avenue between 23rd Street and 24th Street. For more information or to request accommodations\, please call 212.520.7600. Getting There Madison Square Park is located at Fifth Avenue & Madison Avenue and 23rd & 26th Streets. The nearest subway stations are at 23rd Street (R\, W station and 6 station). There are 2 CitiBike drop-off points at 26th & Madison and Broadway & 25th. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Brooke Kamin Rapaport\n\n\n \nSince joining the Conservancy in 2013\, Brooke Kamin Rapaport has curated and overseen its program of commissioned public-sculpture exhibitions\, which has included such artists as Diana Al-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Josiah McElheny\, Ivan Navarro\, Giuseppe Penone\, Martin Puryear\, and Arlene Shechet. Through the Conservancy\, she established Public Art Consortium\, a national initiative of museum\, public-art-program\, and sculpture park colleagues. In 2019\, she served as Commissioner and Curator of the United States Pavilion at the 58th International Art Exhibition\, La Biennale di Venezia\, with a representation of artist Martin Puryear. \n\n\nRapaport has worked as a museum curator\, independent curator\, and art writer. During her 13-year tenure at the Brooklyn Museum\, she organized numerous exhibitions and wrote corresponding catalogues in her roles as assistant and then associate curator of contemporary art. As part of the Brooklyn Museum’s Grand Lobby series of installations\, she worked with contemporary artists to realize their projects. As guest curator at The Jewish Museum\, New York\, she organized Houdini: Art and Magic (2010)\, an interdisciplinary exhibition on the life and enduring significance to contemporary artists of the magician and escape artist Harry Houdini\, and the retrospective exhibition Louise Nevelson: Constructing a Legend (2007). Rapaport has also held positions at the Whitney Museum of American Art\, New York\, and the Jamaica Arts Center in Queens\, New York. She is a contributing editor and frequent writer for Sculpture magazine and a regular lecturer\, moderator\, panelist\, and catalogue essayist on contemporary art and public art. \n\n\n\nRapaport received her B.A. cum laude in art history from Amherst College and completed her M.A. in art history from Rutgers University. She is also the recipient of a Helena Rubinstein Fellowship in Museum Studies from the Whitney Museum’s Independent Study Program. She sits on the Board of Directors of Socrates Sculpture Park in Long Island City\, Al Held Foundation\, von Rydingsvard and Greengard Foundation and is Vice President of the Adolph and Esther Gottlieb Foundation in New York. She currently serves on the board of the Mead Art Museum at Amherst College. \n\n\n\nAbout the Artist\n\n\n\nCristina Iglesias shapes large-scale\, site-specific sculpture and installations that probe the tension between past and present\, ancient and contemporary. Resisting the asceticism of the Minimalist movement\, Iglesias initially created grid-like structures in natural materials that were suspended to assemble pavilions and architectural spaces. Beginning in the 2000s\, Iglesias began to incorporate water into her permanent outdoor projects and sculptures. \n\n\n\nIglesias’s work has been the subject of solo presentations at museums internationally\, including Centro Botín\, Santander\, Spain (2018); Museo Reina Sofía\, Madrid (2013); Ludwig Museum\, Cologne (2006); Whitechapel Art Gallery\, London (2003); and Solomon R. Guggenheim Museum\, New York (1997). She additionally has been commissioned to create major projects and installations at Bloomberg headquarters\, London (2017); Fondaciòn Botin\, Santander (2017); Tres Aguas at Toledo\, Spain (2014); Mexican Foundation of Environmental Education\, Baja\, California (2010); Museo del Prado\, Madrid (2007); and Royal Museum of Fine Art\, Antwerp (2006). The Museum of Fine Arts Houston opened Iglesias’ major permanent outdoor commission\, Inner Landscape (the lithosphere\, the roots\, the water) (2020) in front of the new Kinder Building. Last summer she realized Hondalea (2021)\, transforming a lighthouse into a sculpture on Santa Clara Island in the Bay of Donostia\, San Sebastián\, Spain. \n\n\n\nIglesias represented Spain at the Venice Biennale (1986\, 1993) and at the Biennale of Sydney (1990\, 2012); at the Carnegie International\, Carnegie Museum of Art\, Pittsburgh (1995); the Taipei Biennial (2003); at the SITE Santa Fe Biennial (2006); and at the Folkstone Triennal (2011). \n\n\n\nIglesias was born in San Sebastián\, Northern Spain in November 1956. She studied Chemical Sciences in the University of the Basque Country (1976 – 1978)\, and ceramics and sculpture at the Chelsea College of Art in London (1980 – 1982). She was granted a Fulbright scholarship to study at Pratt Institute (1988) and was appointed Professor of Sculpture at the Akademie der Bildenden Künste\, Munich (1995). \n\n\n\nHer studio is in Madrid\, Spain. \n\n\n\nAbout the Exhibition (Continued)\n\n\n\nFor Landscape and Memory\, Iglesias digs deep into the park’s lawns to install five subterranean bronze sculptures carved with intricately patterned bas-reliefs. A subtle stream of water continuously trails across the sculptures’ hollowed surfaces. This evokes the constancy of water slowly eroding rocky surfaces across millennia. The installation conjures the existence of unseen ancient streams that continue to run beneath modern cities\, connecting the urban present with its primordial past. It connects us to abstract ideas of what lies beneath. \n\n\n\nNodding to historian Simon Schama’s major 1995 volume of the same name\, which surveyed the history of landscape across time and terrain\, Landscape and Memory is informed by Iglesias’ research into the history of the site. For the project\, Iglesias located and studied historic maps that document the water flow through Madison Square Park\, where the Cedar Creek once coursed. With nineteenth-century industrialization\, streams like the Cedar were buried underground to create additional land for building sites\, underground drains\, or sewers. Through Landscape and Memory\, Iglesias renders this history visible again\, inviting viewers to contemplate centuries of transformation of urban sites that were once natural. \n\n\n\nAbout Madison Square Park Conservancy\n\n\n\nMadison Square Park Conservancy cultivates and enlivens Madison Square Park\, a dynamic seven-acre public park in New York City’s Flatiron District and one of the city’s most treasured green spaces. Through its public art commissions\, horticultural stewardship\, and engaging programming\, the nonprofit creates an urban oasis that welcomes a diverse community of over 60\,000 visitors each day. Keats Myer is the Conservancy’s Executive Director. \n\n\n\nSince 2004\, the Conservancy has become a leader in commissioning new works of public art\, curating and presenting over 40 major site-specific installations and solo exhibitions through its art programming. Led by Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator\, the program invites leading artists to push the boundaries of their practice and create risk-taking new works that experiment with materiality\, scale\, and theme in response to the park’s unique environment. The ambition of the commissioning program expands each year alongside the diverse range of innovative artists including Diana Al-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Maya Lin\, Iván Navarro\, Martin Puryear\, Arlene Shechet\, Ursula von Rydingsvard\, and Krzysztof Wodiczko. \n\n\n\nIn 2019\, the Conservancy served as the commissioning institution for the U.S. Pavilion at the Venice Biennale\, marking the first time that an organization whose visual art program focuses exclusively on public art has received this honor. With Rapaport serving as Commissioner\, the Conservancy presented new work by Martin Puryear. \n\n\n\n\n\n\n\nImage: Cristina Iglesias overseeing the installation of Landscape and Memory\, courtesy of Madison Square Park Conservancy URL:https://www.arttable.org/event/new-york-cristina-iglesias-landscape-and-memory-tour-reception-madison-square-park-conservancy/ LOCATION:Madison Square Park (Exact meeting spot TBA)\, Madison Square Park\, New York\, NY\, 10010\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-23-at-12.08.40-PM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220607T130000 DTEND;TZID=America/New_York:20220607T130000 DTSTAMP:20220517T204748Z CREATED:20220512T151459Z LAST-MODIFIED:20220517T204748Z UID:8955-1654606800-1654606800@www.arttable.org SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink. URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/ CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-12-at-11.10.08-AM.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220519T110000 DTEND;TZID=America/New_York:20220519T123000 DTSTAMP:20220421T132400Z CREATED:20220420T211238Z LAST-MODIFIED:20220421T132400Z UID:8663-1652958000-1652963400@www.arttable.org SUMMARY:New York | ArtTable Reception and Tour at VOLTA New York DESCRIPTION:Please join us for a private brunch reception and tour at VOLTA New York! \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members\, followed by a highlights tour focused on women artists and gallerists exhibiting at the fair. \n\n\n\nThis program is currently open to ArtTable members and guests only. Your ticket covers general access to the fair\, early private access to the reception\, and refreshments. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $55Member Guests – $65\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety In accordance with The New York Health Department guidance\, in order to access the fair: All visitors aged 12 and over must provide proof of full course COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 5-11 must provide proof of at least one course of COVID-19 vaccination completed at least 14 days ahead of their visitAll visitors aged 18 and over must also provide appropriate photo identification matching the name on the vaccination proofIn addition\, all visitors aged 2 and over shall wear a face maskAll WHO vaccines will be recognised if the full course has been completed more than 14 days before visiting the fair: Moderna\, Pfizer\, Astra Zeneca\, J&J. We strongly recommend that visitors who are eligible for their booster vaccine ensure they receive it before attending the fair.Please note\, since national guidance can change\, VOLTA reserves the right to modify the required documents and protocols at any time. Please check back ahead of your visit. Accessibility The venue is wheelchair accessible and an elevator is available. 548 West spreads over three floors. Please email Haley at programs@arttable.org if you have any questions about accessibility or require specific accommodations.  Getting There VOLTA New York 2022 will take place at 548 West 22nd Street\, New York\, NY 10011\, an approximately 10 minute walk from The Shed\, where Frieze New York will be taking place concurrently. The nearest subway station is 23rd Street (A\, C\, E)\, an approximately 17 minute walk to the fair. The venue is also easily accessible by car\, though parking may be limited. \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nOperating as a beacon for creative discovery\, VOLTA New York is the American incarnation of the original Basel fair since debuting in New York in 2008. VOLTA will return to New York from May 18 – 22\, 2022 at 548 West 22nd Street\, the former Dia Building and Hauser & Wirth gallery space. The fair welcomes a vibrant cohort of over 50 national and international galleries\, both new and returning to the New York edition. \n\n\n\nVOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector. \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA URL:https://www.arttable.org/event/new-york-arttable-reception-and-tour-at-volta-new-york/ LOCATION:VOLTA New York\, 548 West 22nd Street\, New York\, New York\, 10011\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/VOLTA_NYC_2022_04_BrooklynMag_900x600px_v1.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220516T173000 DTEND;TZID=America/New_York:20220516T173000 DTSTAMP:20220429T221921Z CREATED:20220429T221106Z LAST-MODIFIED:20220429T221921Z UID:8840-1652722200-1652722200@www.arttable.org SUMMARY:New York | MeetAT at LatchKey Gallery DESCRIPTION:Please join us for the next MeetAT Networking event at LatchKey Gallery! \n\n\n\nOpen to current and prospective ArtTable members\, bring a friend and join us in the Lower East Side to connect with friends old and new and learn more about ArtTable! An exhibition of work by Josie Love Roebuck will be on view\, and gallery owner Amanda Uribe will be present to answer questions. \n\n\n\nThis program is free and open to all current and prospective ArtTable members. Not a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety Face masks are optional inside the gallery. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility LatchKey Gallery is not wheelchair accessible at this time. If you would like more information about accessibility or need accommodations for this program\, please email Haley at programs@arttable.org. Getting There LatchKey Gallery is located at 173 Henry Street in New York's Lower East Side. The East Broadway subway stop (F line) is about a 3 minute walk from the gallery. The Grand Street (B\, D lines) and Delancy/Essex Street (C\, F\, M\, J\, Z lines) are also within walking distance\, about 11 minutes and 8 minutes\, respectively. \n\n\n\n \n\n\n\n\n\n\n\n\n\nThank you to the ArtTable New York Chapter Membership Committee for organizing this program. \n\n\n\nImage: Artwork by Josie Love Roebuck\, courtesy of artist and LatchKey Gallery URL:https://www.arttable.org/event/new-york-meetat-at-latchkey-gallery/ LOCATION:LatchKey Gallery\, 173 Henry Street\, New York\, New York\, 10002\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/HFpBHPUylz.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220507T153000 DTEND;TZID=America/New_York:20220507T153000 DTSTAMP:20220414T154905Z CREATED:20220414T153911Z LAST-MODIFIED:20220414T154905Z UID:8521-1651937400-1651937400@www.arttable.org SUMMARY:New York | Private Tour of TEFAF New York DESCRIPTION:Please join us for a private behind-the-scenes tour of TEFAF New York Spring\, taking place this year from May 6-10. \n\n\n\nAs the world’s most prestigious and vibrant art market\, New York City provides the ideal setting for a TEFAF fair outside of Maastricht. The fair is proud to present the eighth edition of TEFAF New York at the Park Avenue Armory\, May 6–10\, 2022. The historic Park Avenue Armory is a prime Manhattan location and setting for the world’s leading art dealers to showcase their work. \n\n\n\nClick here to view more information about the fair and this year’s exhibitors. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $30Member Guests – $45\n\n\n\nYour ticket includes one-day access to the fair and the private group tour (a value of over $100). \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. To provide the safest and the best experience possible for exhibitors\, visitors and staff\, TEFAF organisers are doing everything they can to follow the current COVID-19 capacity rules and guidelines from the State\, the City of New York\, CDC and the Park Avenue Armory. All ticket holders above the age of 5 years old must be fully vaccinated. “Fully vaccinated” means that you received your final dose of an FDA or WHO-approved vaccine at least 14 days before your entrance date. At check-in\, ticket-holders will be required to show proof of full vaccination (the NEW YORK STATE EXCELSIOR PASS or a hard copy or photo of your vaccination card) and a government-issued photo ID (for ticket holders 18 years of age or older). In addition\, all guests under the age of 12 must be accompanied by a fully-vaccinated adult. Please do not come to the Armory if you have symptoms of COVID-19\, have been diagnosed with COVID-19 within the past 10 days\, or have been in close contact with someone infected with or experiencing symptoms of COVID-19 within the past 10 days. In addition to the precautions taken above\, all patrons and staff are required to wear masks while inside the Armory (N95\, KN95 or KF94 masks are recommended). To provide outside ventilation and air filtration\, the Wade Thompson Drill Hall is equipped with large air handlers with MERV 8 and MERV 14 filters that exceeding the government standards for filtration. Nonetheless\, an inherent risk of exposure to COVID-19 exists in any public space where people are present. Those attending events at the Armory do so at their own risk. For more information on health & safety regulations\, as well as general conditions for visiting the fair\, please visit the TEFAF website. Accessibility The Park Avenue Armory is accessible for visitors with wheelchairs and other mobility assisting devices. For individuals requiring assisted access\, a sidewalk-level entrance is available at 103 East 66th Street\, located just east of Park Avenue. Patrons can ring the service bell when they arrive or can arrange prior to arrival by calling the main security desk at (212) 616-3950\, Ext. 1. Assisted Living Devices may be available upon request. Please call the Box Office for information on accessible seating for performances at (212) 933-5812. Please email us at programs@arttable.org or call 917-409-7793 if you need assistance. Getting There & Parking The Park Avenue Armory is located at 643 Park Avenue and is easily accessible by car and public transportation. Click here for directions from your location.The nearest subway stop is 68 St - Hunter College (6). The PAA is approximately a 3 minute walk away.ParkingColony Parking Garage30 East 65th Street+1 (212) 879-8798Imperial House Garage155 East 68th Street+1 (212) 439-1770 Quik Park 3rd Avenue166 East 67th Street+1 (212) 628-4512 \n\n\n\n \n\n\n\n\n\n\n\nImage: TEFAF New York entryway\, courtesy of TEFAF URL:https://www.arttable.org/event/new-york-private-tour-of-tefaf-new-york/ LOCATION:TEFAF New York at the Park Avenue Armory\, 643 Park Avenue\, New York\, New York\, 10065\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/ENTRANCE_TEFAFNYC19_MN_00149.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220421T173000 DTEND;TZID=America/New_York:20220421T173000 DTSTAMP:20220328T180741Z CREATED:20220307T180253Z LAST-MODIFIED:20220328T180741Z UID:8093-1650562200-1650562200@www.arttable.org SUMMARY:New York | MeetAT at Anna Zorina Gallery DESCRIPTION:Please join us for the next MeetAT Networking event at Anna Zorina Gallery! \n\n\n\nOpen to current and prospective ArtTable members\, bring a friend and join us at Anna Zorina Gallery in Chelsea to connect with friends old and new and learn more about ArtTable! An exhibition of work by Leah Yerpe will be on view. \n\n\n\nThis program is free and open to all current and prospective ArtTable members. Not a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility Anna Zorina Gallery is located on the ground floor; no stairs are required. If you are taking the subway\, please note that the nearest stop is about a 9 minute walk away from the gallery. Please email programs@arttable.org if you require additional accessibility information for this program. Getting There & Parking Anna Zorina Gallery is located in Chelsea at 532 W 24th St\, New York\, NY 10011. The nearest subway stops are 23rd Street (A\, C\, E - 9 minute walk to the gallery) and 28th Street (1\, 2 - 16 minute walk to the gallery). \n\n\n\n \n\n\n\n\n\n\n\nThank you to the ArtTable New York Chapter Membership Committee for organizing this program. \n\n\n\nImage: Artwork by Leah Yerpe URL:https://www.arttable.org/event/new-york-meetat-at-anna-zorina-gallery/ LOCATION:Anna Zorina Gallery\, 532 W 24th St\, New York\, New York\, 10011\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/AZ1925-LY.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220408T120000 DTEND;TZID=America/New_York:20220408T120000 DTSTAMP:20220406T133145Z CREATED:20210726T211951Z LAST-MODIFIED:20220406T133145Z UID:6446-1649419200-1649419200@www.arttable.org SUMMARY:ArtTable's 2022 Annual Benefit & Award Ceremony DESCRIPTION:Honoring\n\n\n\n\n\nCarol Cole LevinOrganizer\, Curator\, and Artist \n\n\n\n\n\n\n\nDistinguished Service to the Visual Arts Award\n\n\n\n\n\nDr. Nicole R. FleetwoodAcademic\, Curator\, and Author \n\n\n\n\n\n\n\nNew Leadership Award\n\n\n\n\n\nWith Special Remarks by\n\n\n\n\n\n\n\n\n\nLegacy RussellExecutive Director & Chief Curator\, The Kitchen \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBenefit Co-Chairs\n\n\n\n\n\nJK Brown and Eric Diefenbach \n\n\n\n\n\nDenise Murrell \n\n\n\n \n\n\n\n\n\nRuby Lerner \n\n\n\n\n\n\n\n\n\nJoin ArtTable for our Annual Benefit & Award Ceremony on Friday\, April 8\, 2022 at Capitale in New York City!\n\n\n\nBenefit Week Program\n\n\n\n\n\n\n\n\n\nThursday\, April 7\n\n\n\n7:00 PM\n\n\n\nBenefit Week VIP Reception\n\n\n\nHosted by Nohra Haime \n\n\n\nThis event is by invitation only for ArtTable’s Board of Directors\, ArtTable Circle Members\, and members of the Benefit Host Committee. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\n Friday\, April 8\n\n\n\n11:00 AM\n\n\n\nBoard & Chapter Leadership Reception(by invitation only) \n\n\n\n12:00 PM\n\n\n\nCheck-in & Networking \n\n\n\n12:30-1:45 PM\n\n\n\nAnnual Benefit & Award Ceremony \n\n\n\nFeaturing remarks by Distinguished Service to the Visual Arts Awardee Carol Cole Levin\, New Leadership Awardee Dr. Nicole R. Fleetwood\, and Special Remarks by Legacy Russell \n\n\n\n1:45-3:00 PM\n\n\n\nNetworking Reception \n\n\n\n4:00 PM\n\n\n\nPrivate Members-Only Tour of Faith Ringgold: American People at the New MuseumClick here to register. \n\n\n\nSaturday\, April 9\n\n\n\n1:30 PM & 3:00 PM\n\n\n\nPrivate Tours of The Whitney Biennial at the Whitney Museum of American Art (more details to come) \n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Host Committee Tables $25\,000 - Fellowship Program Supporter (Diamond) Named support of one ArtTable FellowshipPremier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Acknowledgement in Fellowship press release and listing on Impact webpagePremier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Benefit ticket for a past or current ArtTable Fellow$20\,000 - Mentorship Supporter (Ruby) Premier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$15\,000 - New Leadership Supporter (Platinum) Prime table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listingsOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$10\,000 - Gold Supporter Preferred table for 10 at the Benefit on April 8; 5 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listingsProvides one Mentorship ticket for an emerging professional in the field$7\,500 - Silver Supporter Priority table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listings$5\,000 - Bronze Supporter Table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit webpage Host Committee Tickets $3\,000 - Leadership Ticket Two tickets to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$1\,000 - Executive Ticket One ticket to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$550 - Friend Ticket One ticket to the Benefit on April 8One ticket to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage Standard Tickets $375 - Member Ticket One ticket to the Benefit on April 8$485 - Non-Member Ticket One ticket to the Benefit on April 8$295 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professionals (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad at the benefitInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatPlease email all ad files to programs@arttable.org no later than March 30\, 2022. \n\n\n\n\n\n\n\nPlease review before registering:\n\n\n Health & Safety Guidelines Per current New York State guidelines for indoor dining\, all Annual Benefit attendees and staff must provide proof of vaccination in advance of the event in order to attend. As of January 19\, 2022\, the CDC defines “fully vaccinated” as follows: – Two weeks have passed since the person’s second dose in a two-dose series\, such as the Pfizer or Moderna vaccines\, OR– Two weeks have passed since the person received a single-dose vaccine\, such as Johnson & Johnson’s Janssen vaccine. Please note that these guidelines are subject to change given the nature of the pandemic. All attendees will be notified in advance if there are any changes to the current guidelines. Venue Accessibility ArtTable strives to host inclusive and accessible events that enable all individuals\, including individuals with disabilities\, to engage fully. To request an accommodation or for inquiries about accessibility\, service animals\, or other questions\, please contact us at benefit@arttable.org. Visitors Who Use Wheelchairs or Other Mobility Devices There is a small staircase at the front entrance to Capitale. Railings are in place and a ramp will also be installed so that the entrance is wheelchair accessible.Once indoors\, Capitale is fully wheelchair accessible. The restrooms\, check-in area\, main ballroom space\, and the foyer are all on the ground floor.Portions of the program may take place on the 2nd level of the venue\, and there is an elevator if needed.Lactation Accommodations Dedicated space will be provided as a lactation room. Please email us at benefit@arttable.org in advance if you anticipate needing this space. Travel DIRECTIONS TO CAPITALE 130 Bowery\, New York\, NY 10013Tel: (212) 334-5500 Directions from New Jersey –Take the Holland Tunnel ** Take the Canal St. Exit ** Make left on Centre St. ** Turn right on Kenmare St. ** Turn right on Bowery St. ** Capitale -130 Bowery Directions from Long Island NY –I-495 West ** To the Queens Midtown Tunnel ** Tunnel exit towards Downtown ** Bear left on Tunnel Exit St ** Continue in Queens Midtown Tunnel Exit/Tunnel Exit St. ** Turn left on 34th St. ** Turn right on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery St. ** Capitale -130 Bowery Directions from West Chester NY –Take the Bruckner Expwy/I -278 ramp towards Triboro Bridge ** Merge on I- 278 West ** Take I- 278 West exit ** To the FDR drive/Grand Central Parkway exit towards Triboro Bridge exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. Ramp ** Merge onto highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Directions from Connecticut –Take I-95 ** Continue on I 278 West towards Bruckner Exp/Triboro Br. Exit 6B ** Take the I-278 West exit ** Merge on I-278 West ** Take the I 278 West/FDR Drive/ Grand Central PKWY exit towards Triboro Br. ** Exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. ramp ** Merge onto the highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Subway –B\, D to Grand StreetN\, R\, W\, Q\, 1\, 9 to Canal Street6 to Spring Street NEARBY GARAGES: Park-In Auto (212-966-1186) \n\n\n\n\n\n\n\nRegistration for the Annual Benefit has now closed.\n\n\n\nIf you would like to make a fully tax-deductible contribution\, you may do so here. Please call the ArtTable Office at 212-343-1735 with any questions.\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the below button to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 5th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. URL:https://www.arttable.org/event/arttable-2022-annual-benefit-and-award-ceremony/ LOCATION:Capitale\, 130 Bowery\, New York\, NY\, 10013\, United States CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,Metro Atlanta ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/FY22-Benfit_STD_FINAL-e1644336622216.png ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220322T173000 DTEND;TZID=America/New_York:20220322T173000 DTSTAMP:20220303T162636Z CREATED:20220302T200747Z LAST-MODIFIED:20220303T162636Z UID:8019-1647970200-1647970200@www.arttable.org SUMMARY:New York | MeetAT at Peter Blum Gallery DESCRIPTION:We are happy to announce the relaunch of our monthly in-person MeetAT networking events! \n\n\n\nOpen to current and prospective ArtTable members\, bring a friend and join us at the new Peter Blum Gallery space in the Lower East Side to connect with friends old and new and learn more about ArtTable! An exhibition of work by Rebecca Ward\, infinate plane\, will be on view\, and as a special treat\, the artist will join us to speak about her work and the exhibition. \n\n\n\nThis program is free and open to all current and prospective ArtTable members. Not a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility Please email programs@arttable.org if you require accessibility information for this program. Getting There & Parking Peter Blum Gallery is located in the Lower East Side at 176 Grand Street\, New York\, NY and is easily accessible by multiple subway routes: N\, Q\, R\, W to Canal Street; 6 to Spring Street or Canal Street; J\, Z to Canal Street or Bowery; B\, D to Grand Street. Click here for direction from your location. \n\n\n\n \n\n\n\n\n\n\n\nThank you to the ArtTable New York Chapter Membership Committee for organizing this program. \n\n\n\nImage: Installation view of Rebecca Ward at The FLAG Art Foundation\, New York\, NY\, 2017 URL:https://www.arttable.org/event/new-york-meetat-at-peter-blum-gallery/ LOCATION:Peter Blum Gallery\, 176 Grand Street\, 2nd Floor\, New York\, New York\, 10013\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/03/ward.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20220316T173000 DTEND;TZID=America/Chicago:20220316T173000 DTSTAMP:20220223T154834Z CREATED:20220214T194134Z LAST-MODIFIED:20220223T154834Z UID:7882-1647451800-1647451800@www.arttable.org SUMMARY:New York | 'This Must Be the Place: Latin American Artists in New York\, 1965-1975\, Part II' DESCRIPTION:5:30pm ET\nPlease join us for an in-person tour of Part II of This Must Be the Place: Latin American Artists in New York\, 1965–1975\, with Aimé Iglesias Lukin\, Director and Chief curator of the Americas Society. \nThis Must Be the Place: Latin American Artists in New York\, 1965–1975 is a two-part group exhibition exploring the work of a generation of migrants who created and exhibited in New York City between 1965 and 1975. Featuring installation\, photography\, video art\, painting\, and archival material\, the exhibition brings together a generation that actively participated in experimental artistic movements while pushing forward their own visual languages and ideas\, with works exploring topics of migration\, identity\, politics\, exile\, and nostalgia. Additionally\, the exhibition highlights the important contributions and solidarity initiatives of groups and collectives\, testimony of these artists’ effort to create community and to forge a space for themselves. \nPart II of the exhibition will continue the themes explored in Part I with new artworks on display\, by artists including Hélio Oiticica\, Sylvia Palacios Whitman\, Anna Maria Maiolino\, Antonio Dias\, Enrique Castro-Cid\, Beba Damianovich\, Zilia Sánchez and many more. Part II is on view through May 2022. \nAdmission \n\nArtTable Members – $10\nNon-members – $20\n\nNot a member? Join today! \n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face masks are required for the duration of your visit to the Americas Society. Proof of vaccination is also required. Accessibility The Americas Society art gallery is located on the first floor\, with no stairs. Getting There The Americas Society is located at 680 Park Avenue\, New York\, NY 10065. The nearest subway stop is the 4/5/6 train - 68th Street-Hunter College. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Aimé Iglesias Lukin\nAimé Iglesias Lukin is an art historian and curator. Born in Buenos Aires\, she received her PhD in art history from Rutgers University with a dissertation titled “This Must Be the Place: Latin American Artists in New York 1965–1975.” She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Smithsonian American Art Museum\, the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación PROA in Buenos Aires. \n\nImages: Leandro Katz\, Laura Marquez\, Bebe Daminovich\, friends\, Amaro (Oiticica’s model)\, Hélio Oiticica\, Jon Tob Azulay\, Susana Perea\, and Ted Castle. Inwood Hill Park. Event for the installation of Katz’s piece Columa I-Angualasto\, New York\, 1971. (Image courtesy Leandro Katz); Aime Iglesias Lukin\, courtesy of the Americas Society\n \nThank you to Julia P. Herzberg\, PhD for organizing this program. URL:https://www.arttable.org/event/new-york-this-must-be-the-place/ LOCATION:America’s Society\, 680 Park Ave\, New York\, NY\, 10065\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/02/ThisMustBethePlace.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20220210T170000 DTEND;TZID=America/Chicago:20220210T170000 DTSTAMP:20220111T224746Z CREATED:20220111T222922Z LAST-MODIFIED:20220111T224746Z UID:7607-1644512400-1644512400@www.arttable.org SUMMARY:New York | Curator-led tour of 'Greater New York' at MoMA PS1 DESCRIPTION:5pm ET\nPlease join us for a tour of Greater New York at MoMA PS1\,  led by curator Ruba Katrib and assistant curator Jody Graf. This signature survey of artists living and working in the New York City area returns for its fifth edition\, after a one year delay due to the COVID-19 pandemic. This year’s iteration offers an intimate portrayal of New York City\, forging connections between often under-examined histories of art-making in the city. \nThis program is open to ArtTable members and their guests only. Not a member? Join today!\n \nAdmission \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20\n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors (ages 5+) to The Museum of Modern Art and its Stores must show proof of COVID-19 vaccination authorized by the United States Food and Drug Administration or by the World Health Organization. Visit the Key to NYC for dosage requirements and timeline details. We continue to require masks for visitors (ages 2+) and staff in all indoor areas of the Museum; complimentary face masks are available. To enter the Museum\, you may show any of these accepted forms of proof of COVID-19 vaccination (together with a valid photo ID for ages 18+): NYC COVID Safe AppCLEAR Health PassNew York State Excelsior App or Excelsior Plus AppA photo or hard copy of an official immunization record of a vaccine administered from within or outside the U.S.For visitors who received an immunization within the U.S.\, a photo or hard copy of their CDC vaccination card or other official immunization record showing proof of the following vaccines is acceptable: Pfizer-BioNTech\, Moderna\, Johnson & Johnson\, or an active (not placebo) COVID-19 vaccine candidate that is part of a U.S.-based clinical trialFor visitors who received an immunization outside of the U.S.\, in addition to those listed above\, proof of the following vaccines is acceptable: AstraZeneca/SK Bioscience\, Serum Institute of India/COVISHIELD and Vaxzevria\, Sinopharm-BBIBP\, or Sinovac.Learn more about Key to NYC requirementsWe are working to keep you safe and healthy\, but we cannot guarantee you won’t be exposed to COVID-19. By entering MoMA or MoMA PS1 you assume the risk of such exposure. If you feel sick or have a cough\, sore throat\, shortness of breath or trouble breathing\, fever\, chills\, loss of smell\, or muscle pain\, or if you have been exposed to COVID-19\, contact your health care provider and please do not visit MoMA or MoMA PS1. We may share your name and email address with a governmental health authority should that information be requested for COVID-19 contact tracing purposes. If you do not want your name or email address used for these purposes\, please email donotshare@moma.org. Admire artwork from a distance\, at least an arm’s length. And no touching art\, platforms\, or cases (unless a sign or label says it’s okay). MoMA PS1’s checkroom is currently closed. Visitors will not be admitted with bags larger than 11 × 17 × 5” (28 × 43 × 13 cm). Still photography is permitted for personal\, noncommercial use only unless otherwise noted. Video is not permitted. Flash\, tripods\, and camera extension poles are not allowed. Accessibility MoMA PS1 offers a variety of free programs and services to make the museum accessible to all. MoMA PS1’s public entrance on Jackson Avenue\, including the entrance to the main building\, is accessible by ramp. Wheelchairs are available free of charge at the admissions desk\, lobby\, and coat check on a first-come\, first-served basis. The three main floors of the museum\, including the bookstore\, café\, and basement level\, are accessible by elevator. For elevator access to the basement\, please ask for assistance at the greeter podium in the lobby of the main museum building. Wheelchair-accessible bathrooms are located on floors one and three. For more information\, or to request accommodations\, please call the front desk during regular public hours\, Thursday to Monday\, 12:00–6:00 p.m.\, at (718) 784-2086. Visit MoMA's website for more information. Getting There Enter the museum at 46-01 21st Street\, Long Island City\, NY 11101. We will meet in the 1st Floor Lobby.MoMA PS1 is accessible by car and public transportation via the G\, 7\, E\, & M trains. Click here to access directions from your location. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the curators\nJody Graf is a curator and writer based in New York. She is an Assistant Curator at MoMA PS1\, where she has worked on exhibitions including Greater New York 2021; Niki de Saint Phalle: Structures for Life (2021); Marking Time: Art in the Age of Mass Incarceration (2020); Theater of Operations: The Gulf Wars 1991-2011 (2019); Simone Fattal: Works and Days (2019); and Sue Coe: Graphic Resistance (2018)\, among others. She curated the 2021 Parsons MFA Thesis show\, and has worked as an independent curator on numerous projects. Her writing has been featured in publications including Texte Zur Kunst\, Frieze\, Mousse\, CURA\, and The Exhibitionist. She received her BA from the Gallatin School of Individualized Study at NYU\, and her MA from the Center for Curatorial Studies\, Bard College. \nRuba Katrib is Curator at MoMA PS1. At MoMA PS1 she has curated exhibitions such as Niki de Saint Phalle: Structures for Life (2021)\, Theater of Operations: The Gulf Wars 1991 – 2011 (2019) (co-curated with Peter Eleey)\, the retrospective of Simone Fattal in 2019\, and the solo shows of Edgar Heap of Birds (2019)\, Karrabing Collective (2019)\, Fernando Palma Rodríguez\, and Julia Phillips (2018). From 2012 – 2018 she was Curator at SculptureCenter in New York where she curated over twenty solo and group exhibitions\, including solo shows of the work of Carissa Rodriguez (2018)\, Kelly Akashi\, Sam Anderson\, Teresa Burga\, Nicola L.\, Charlotte Prodger (all 2017)\, Rochelle Goldberg\, Aki Sasamoto\, Cosima von Bonin (all 2016)\, Anthea Hamilton\, Araya Rasdjarmrearnsook\, Magali Reus\, Gabriel Sierra\, Michael E. Smith\, Erika Verzutti (all 2015)\, David Douard\, and Jumana Manna (both 2014). Previously\, Katrib was the Associate Curator at the Museum of Contemporary Art North Miami from 2007 – 2012. Katrib was also co-founder of the residency and exhibition space Threewalls in Chicago\, and has also held positions at the Renaissance Society and the Center for Curatorial Studies at Bard College\, where she currently serves on the Graduate Committee. She was a research advisor for the 2018 Carnegie International and a member of the Advisory Board for Recess\, a non-profit artist residency and exhibition space in New York. Katrib co-curated SITE Santa Fe’s 2018 biennial\, Casa Tomada\, along with José Luis Blondet and Candice Hopkins. \nAbout the exhibition\nFeaturing the work of 47 artists and collectives\, Greater New York opens up geographic and historical boundaries by expanding familiar narratives around artists and art movements in New York. Bridging strategies of the documentary and the archive on the one hand\, and surrealism and fabulation on the other\, the exhibition considers the ways that artists record experiences of belonging and estrangement. Drawing connections across the interdisciplinary practices of international and intergenerational artists\, Greater New York examines the many ways that affinities form in relation to place and through time. \nThe exhibition foregrounds the resilience of artists and artist communities in the city\, while marking ways these artists have both profoundly shaped New York\, and borne witness to its many transformations. As New York emerges from the COVID-19 pandemic\, the exhibition offers an opportunity to mourn\, celebrate\, and reconnect with artist communities. This iteration of Greater New York honors not only the persistence of artists\, many of whom have worked unrecognized over decades\, but their ability to help us make sense of the many ruptures—social\, political\, and ecological—that have shaped New York City in this critical and transformative moment. \n\nImage: Installation view of Shanzhai Lyric\, Incomplete Poem (2015-ongoing). Greater New York 2021 on view at MoMA PS1 from October 7\, 2021 to April 18\, 2022. Image courtesy MoMA PS1. Photo: Noel Woodford; headshots courtesy of the speakers URL:https://www.arttable.org/event/new-york-curator-led-tour-of-greater-new-york-at-moma-ps1/ LOCATION:MoMA PS1\, 22–25 Jackson Avenue\, Queens\, NY\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/01/Greater-New-York_Noel-Woodford_2-2000x1333-1-e1641939876187.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220207T120000 DTEND;TZID=America/New_York:20220207T120000 DTSTAMP:20220121T230656Z CREATED:20220121T172613Z LAST-MODIFIED:20220121T230656Z UID:7684-1644235200-1644235200@www.arttable.org SUMMARY:Virtual | Global Perspectives - Adenrele Sonariwo on Contemporary African Art DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\nPlease join us for a presentation from Adenrele Sonariwo\, founder of Rele Gallery. With two locations in Lagos\, Nigeria and Los Angeles\, California\, the gallery was founded to act as a critical interface between the African and international art worlds\, situating contemporary art and artists from Africa in broader\, international contexts. \nSonariwo will speak about the contemporary art scene in Nigeria\, being a woman in this business\, and her gallery’s emphasis on emerging women artists. \nAdenrele Sonariwo is an award-winning gallerist\, curator\, and founder of Rele Gallery and Rele Art Foundation. She has curated and overseen high-profile art exhibitions in Lagos\, Los Angeles\, New York\, and Venice\, challenging the boundaries of art and engaging in provocative subjects and techniques. Sonariwo curated the first ever Nigerian Pavilion at the 2017 Venice Biennale. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nNon-Members – $20\n\nNot a member? Join today! \n  \n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImages: Artworks by Rele Gallery Artists\, Marcellina Akpojotor and Tonia Nneji \nThank you to Michelle Perr of the New York Chapter Programs Committee for organizing this program. URL:https://www.arttable.org/event/virtual-global-perspectives-contemporary-african-art-with-adenrele-sonariwo-rele-gallery-lagos/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Untitled-design.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220127T180000 DTEND;TZID=America/New_York:20220127T190000 DTSTAMP:20241022T185241Z CREATED:20220110T154054Z LAST-MODIFIED:20241022T185241Z UID:7576-1643306400-1643310000@www.arttable.org SUMMARY:Virtual | New York Holiday Party! DESCRIPTION:Please join ArtTable’s New York Chapter for our annual holiday party! Although we’ll be celebrating virtually this year\, we have a fantastic party planned with art games and festive cocktails. We will also honor this year’s New York Chapter Leadership Award recipient\, Randy R. Rosen!\n\nArtTable Executive Director Jessica Porter will join us for a look back at 2021 and a look ahead to the coming year with ArtTable\, nationally and within our NY chapter. We hope you’ll join us to celebrate the new year and toast to ArtTable and our wonderful NY members!\n\nThis event is for ArtTable members only. Not a member? Join us today!\n\n \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.\n\nIf you can’t attend but would still like to support ArtTable\, please consider making a donation here!\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org.\n\n\n\nAbout Randy Rosen\nAn independent curator\, adviser\, author\, and an adjunct professor at New York University’s School of Professional Studies for over a decade\, Randy joined ArtTable shortly after the organization’s founding. Since then\, she’s actively contributed to its history and growth\, organizing innovative programs and spearheading innumerable initiatives that have helped raise ArtTable’s voice and visibility in the art world.\n\nWorking with ArtTable founder Lila Harnett and founding member Carol Morgan\, Randy helped launch and edit ArtWire\, the organization’s first newsletter\, and a “first” in connecting professional women leaders across the country to readily share art projects\, explore job opportunities and raise awareness for critical developments in their fields. As an officer of the Board and a member of the Board’s Executive Committee\, Randy advocated for strategic program planning and partnerships that would establish ArtTable as a “change-maker” organization elevating the status of professional women in the visual arts\, but also as an outward-looking platform engaging with thought-leaders and ground-breaking artists bringing new ideas and issues to the art world discourse.\n\nTwice Co-chair of the New York Chapter Communications Committee\, Randy was tasked to become editor\, teaming up with managing editor\, Barbra Cavaliere\, and designer\, Renee Skuba\, to produce Changing the Equation: Women’s Leadership in the Visual Arts\, 1980-2005\, for ArtTable’s 25th anniversary\, a book that documented the organization’s pivotal role in advancing opportunities for professional women in the visual arts. Randy also served as Chair of the New York Chapter Programs Committee\, and later as a long-time committee member\, she continued to organize thought-provoking programs\, among them ArtTable’s very first year-long series: The Digitization of The Art World\, a series of panels\, talks\, seminars\, and workshops partnering with The New Museum\, Sony Wonder Lab\, MoMA\, Artsy\, and The School of Visual Arts in examining the transformative impact of digitization and new media on the art world.\n\nThat penchant for innovative and intellectually stimulating programming became a hallmark of Randy Rosen Arts Associates (RRAA)\, the business she opened in the 1980s. In her more than 30 years as a specialist in developing art programming\, corporate art collections\, traveling museum exhibitions\, and their associated educational agendas\, she’s built a reputation for eschewing formulaic\, boilerplate formats for approaches that extend the impact of the visual arts in the workplace and increase the representation of women and artists of color and diverse backgrounds.\n\nHer experience includes working with large and smaller companies\, among them Bristol Myers\, Verizon\, Sony\, Telemundo\, Maidenform\, Rudin Management\, Lakeview Capital\, and for over 15 years as curator of the AlixPartners Global Art Program. She served as a member of Polaroid’s Cultural Advisory Task Force and as founding curator and manager of “On The Leading Edge: Cross-Currents in Contemporary Art\,” the General Electric company’s original Art Program. With associate curator\, Catherine Brawer\, Randy curated\, and RRAA organized\, the landmark traveling museum exhibition\, Making Their Mark: Women Artists Move into the Mainstream\, 1970-1985. The show’s catalog included the first comprehensive\, inter-generational research on institutional and art world barriers to the visibility and advancement of women artists.\n\nRandy has collaborated on projects with institutions such as the Metropolitan Museum of Art\, The Whitney Museum\, The Philadelphia Academy of Fine Art\, The Denver Art Museum\, Houston’s Blaffer Gallery\, The McNay Institute\, San Antonio\, and Boston’s Museum of The National Center of Afro-American Artists\, and others. An author of several books on art\, including Prints\, a history of printmaking\, and numerous articles\, her forthcoming book\, The Selective Eye: Seeing Beyond Beauty\, will be released this spring. She’s currently working on a new exhibition and catalogue\, In Process: Contemporary Photographers Rethinking Their Medium\, opening in March\, 2022.\n\n\n\nThank you to ArtTable New York Programs Committee Co-Chairs\, Sarah McNaughton and Regan Lynn Larroque\, and Membership Committee Co-Chair Edie Meyer for organizing this event. URL:https://www.arttable.org/event/virtual-new-york-holiday-party-2/ LOCATION:Zoom CATEGORIES:New York ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/HAPPY-HOLIDAYS-e1641829243191.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220119T130000 DTEND;TZID=America/New_York:20220119T130000 DTSTAMP:20211228T162715Z CREATED:20211103T193311Z LAST-MODIFIED:20211228T162715Z UID:7173-1642597200-1642597200@www.arttable.org SUMMARY:Virtual | 'The Empress and I\,' with Donna Stein and Dorothy Goldeen DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\nPlease join us for a conversation between author Donna Stein Korn and art advisor Dorothy Goldeen about Donna’s newest book\, The Empress and I: How an Ancient Empire Collected\, Rejected and Rediscovered Modern Art. The book was written to reflect Donna’s work to assemble a collection of contemporary art for a new Museum of Contemporary Art in Tehran\, Iran under the auspices of the Imperial Empress Pahlavi\, wife of the Shah of Iran. She writes about how she worked curatorial miracles through her connections with colleagues especially in the USA and with encouragement from the Shabanou and some obstacles from other government members. \nClick here to read a feature article on the book in Architectural Digest. \nAdmission \n\nArtTable Circle Members – Free\nAll other ArtTable Members – $5\nNon-Members – $10\n\nNot a member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nDonna Stein worked for six years at the Museum of Modern Art in New York\, NY after completing her BA at University of California\, Los Angeles. She continued her studies at The Institute of Fine Arts at NYU\, NYC. Stein has written extensively in articles and books on many art subjects including Cubism\, Modern Illustrated Books\, and Photography. She is the first American scholar to study 19th century photography in Iran. Stein has also received awards for her meticulous scholarship. She recently retired as Deputy Director at the Wende Museum of the Cold War in Los Angeles. \nDorothy Goldeen is an art advisor and former gallery owner. Between 2014-2020\, Dorothy was honored to serve as the President of Stone Art LLC and Allan Stone Projects in New York\, the exclusive representative of the Allan Stone Collection\, one of the largest private art collections ever amassed by an individual. Dorothy presided over the sale of an unprecedented number of artworks\, through exhibitions at Allan Stone Projects\, to private collectors\, institutions\, and at auction. In 2021\, Dorothy relaunched Dorothy Goldeen Art Advisory\, which she had initiated in Los Angeles in 1996. Prior to that\, she owned and operated Dorothy Goldeen Gallery in Santa Monica. The gallery represented artists such as Nam June Paik and Magdalena Abakanowicz\, gave early shows to international and trailblazing artists\, such as Beatriz Milhazes\, Diana Thater\, Charles Gaines\, and David Wojnarowicz. Dorothy currently lives and works in New York. She has served on ArtTable’s Board of Directors and was the founding Chair of the Chapter Leadership Forum\, as well as serving twice as the Chair of the Southern California Chapter in Los Angeles. She was honored with New York’s Chapter Leadership Award in 2019. \n  \nThank you to Susan Halper\, ArtTable member\, for organizing this program. \n\nImages: Book cover\, The Empress and I: How an Ancient Empire Collected\, Rejected and Rediscovered Modern Art URL:https://www.arttable.org/event/virtual-the-empress-and-i-donna-stein-dorothy-goldeen/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/empress-e1635968035431.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220113T120000 DTEND;TZID=America/New_York:20220113T130000 DTSTAMP:20220107T225849Z CREATED:20211027T194401Z LAST-MODIFIED:20220107T225849Z UID:7126-1642075200-1642078800@www.arttable.org SUMMARY:Virtual | 'Making a Great Exhibition' - A New Children’s Book by Doro Globus\, with Genevieve Martin DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nPlease join Doro Globus\, Managing Director of David Zwirner Books\, and Genevieve Martin\, Director of External Affairs and Advancement at the Children’s Museum of the Arts\, for a discussion on the motivation behind Globus’ newly published children’s book\, Making a Great Exhibition. Globus will also talk about the publishing program at David Zwirner. We will hear more about how the program works and why it is a crucial part of the gallery’s offerings. \nIn Making a Great Exhibition\, Globus identified a need to demystify the museum space and offer insight into how it works. Thinking beyond the finished product–the exhibition or the artwork–Globus steps back to show how many people and skills are involved along the way. She features curators\, art handlers\, educators\, photographers\, shippers\, museum visitors\, and more as she describes the process. Both author and illustrator\, Rose Blake\, were raised in the art world\, spending their time in studios\, doing homework in museum offices\, and going to special openings. They have teamed up to share their experiences and love for this world of creative people. \nParents are encouraged to bring their children to this program! All registrants will receive a link to a downloadable activity kit for kids. \nAdmission \n\nArtTable Circle Members – Free\nAll other ArtTable Members – $5\nNon-Members – $15\n\nNot a member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nDoro Globus lives in London and is the Managing Director of David Zwirner Books. She has worked in arts publishing for fifteen years. Formerly the Publisher of Ridinghouse\, an independent arts publisher owned by Karsten Schubert\, she has edited a wide variety of books\, from Michael Bracewell: The Space Between (2012) to About Bridget Riley: Selected Writings 1999–2016 (2017). She has also written on Dawn Ades\, Fred Wilson\, and others. \n \n  \n  \n  \n  \n  \n  \n  \nGenevieve Martin is a born-and-bred New Yorker\, visual artist\, and experienced arts administrator. She joined Children’s Museum of the Arts in Spring 2021 where she oversees strategic partnerships in her role as Director of External Affairs and Advancement. \nPreviously\, Genevieve served as the Interim Managing Director of The Center for Italian Modern Art and as the Director of External Affairs at The Art Students League of New York. She has supported projects at The Morgan Library & Museum\, Christie’s\, The Moving Museum\, and The Metropolitan Museum of Art. Genevieve has a proven track record in strategic planning\, PR\, fundraising\, and creative partnerships within an arts education framework. Her focus is on small to mid-sized art nonprofits\, which she believes are responsible for engaging in the most experimental work and serve as social facilitators for larger institutions. She attended The Horace Mann School\, The Cooper Union\, and did her MA work in Arts Administration at Baruch College. Genevieve is presently a Diversity in the Arts Leadership Mentor and has previously served as an ArtTable Fellowship mentor. \nAbout David Zwirner Books\nDavid Zwirner Books publishes the highest quality art publications. Their offerings include monographs\, historical surveys\, to artist books\, collected writings and interviews\, and more. Taking the gallery’s world-renowned artists\, estates\, and exhibition program as the starting point\, the imprint focuses on projects that are artist-led or inspired. David Zwirner Books was founded in 2014 as the stand-alone publishing house of David Zwirner. It publishes over 25 titles a year that are available worldwide in museum stores\, independent bookstores\, online\, and in all gallery locations. \nThank you to Regan Lynn Larroque\, New York Chapter Programs Committee Co-Chair\, for organizing this program. \n\nImages: Book cover photographed by Kyle Knodell; Doro Globus; Genevieve Martin URL:https://www.arttable.org/event/virtual-making-a-great-exhibition-a-new-childrens-book-by-doro-globus-with-genevieve-martin/ LOCATION:Zoom CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/2021-Making-a-Great-Exhibition_0005-e1635517439335.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211202T113000 DTEND;TZID=America/New_York:20211202T123000 DTSTAMP:20211123T150149Z CREATED:20211108T200215Z LAST-MODIFIED:20211123T150149Z UID:7194-1638444600-1638448200@www.arttable.org SUMMARY:REGISTRATION NOW OPEN - Miami Art Week | ArtTable Brunch at Design Miami/ DESCRIPTION:Please join us for our annual ArtTable Brunch during Miami Art Week\, this year at Design Miami/! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \nYour ticket includes a light breakfast at the fair\, VIP Preview Access for you and one guest\, as well as return admission for duration of the fair. \nAdmission: \n\nArtTable Members – $50\nMember Guest – $65\nNon-member – $75\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face Masks Required: Face masks are required once inside the Design Miami/ tent and must not be removed. Staff will be required to wear a face mask at all times.Social Distancing Recommended: Social distancing of six feet or more is encouraged and adjustments to the exhibition floorplan have been made to allow for wider aisles and increased ventilation.Click here to read the full list of health & safety protocols during the fair. Accessibility Please email programs@arttable.org if you require accessibility information for this program. Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here. \n  \n \n  \nDon’t miss these other opportunities and events during Miami Art Week!\nVIP Fair Pass Packages\nNADA Miami Director’s Tour\n\nImage: Design Miami/’s flagship fair pictured in 2019. Courtesy Design Miami/ URL:https://www.arttable.org/event/national-arttable-at-designmiami/ LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle,Metro Atlanta ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/DesignMiami.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211111T120000 DTEND;TZID=America/New_York:20211111T130000 DTSTAMP:20211029T145955Z CREATED:20211029T143702Z LAST-MODIFIED:20211029T145955Z UID:7139-1636632000-1636635600@www.arttable.org SUMMARY:New York | 'Triennial: Soft Water Hard Stone' at the New Museum DESCRIPTION:Please join us for a curatorial welcome and self lead walkthrough of Soft Water Hard Stone\, the fifth New Museum Triennial which brings together works across mediums by forty artists and collectives from around the world. The title of the exhibition is taken from a Brazilian proverb\, versions of which are found across cultures: Água mole em pedra dura\, tanto bate até que fura (Soft water on hard stone hits until it bores a hole). \nThe title speaks to ideas of resilience and perseverance\, and the impact that an insistent yet discrete gesture can have in time. It also provides a metaphor for resistance\, as water—a constantly flowing and transient material—is capable of eventually dissolving stone—a substance associated with permanence\, but also composed of tiny particles that can collapse under pressure. \nIn this moment of profound change\, where structures that were once thought to be stable are disintegrating or on the edge of collapse\, the 2021 Triennial recognizes artists re-envisioning traditional models\, materials\, and techniques beyond established paradigms. Their works exalt states of transformation\, calling attention to the malleability of structures\, porous and unstable surfaces\, and the fluid and adaptable potential of both technological and organic mediums. \nSoft Water Hard Stone is curated by Margot Norton\, Allen and Lola Goldring Curator at the New Museum\, and Jamillah James\, Senior Curator\, The Institute of Contemporary Art\, Los Angeles (ICA LA)\, with Jeanette Bisschops\, Curatorial Fellow\, and Bernardo Mosqueira\, ISLAA Curatorial Fellow. \n  \n\nThis program is $10 for ArtTable members. Capacity is limited. Not a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Proof of vaccination is required for museum entry. In compliance with the Mayor's Emergency Executive Order 225 issued on August 16\, 2021\, the New Museum requires visitors 12 years of age and older to be vaccinated against COVID-19 to enter the Museum. Visitors 18 years of age and older must also show an ID bearing the same identifying information as proof of vaccination. Vaccinated visitors ages 12–17 without an ID must be accompanied by a vaccinated adult with an ID. All visitors ages 4 and up are still required to wear a mask\, regardless of vaccination status. Accessibility HEARINGAssistive listening devices\, headsets\, and neck loops are available for most programs at the New Museum. Headsets and neck loops are available for Audio Tours. WHEELCHAIRSThe New Museum and its programs are accessible to people using wheelchairs. All galleries and facilities are wheelchair accessible. Two wheelchairs are available in the Coat Check free of charge. Please call in advance to reserve one if you need a wheelchair during your visit. Please click here to read more about accessibility at the New Museum. Getting There The New Museum is located at at 235 Bowery\, New York\, NY 10002. Please click here for driving directions and here for nearby parking. The New Museum is accessible via the N\, R\, J\, Z\, 6\, B\, D\, F\, and M subways. \n  \n\n  \n\nAbout the speaker\nJeanette Bisschops is a curator and writer from Amsterdam based in New York. She is currently a Curatorial Fellow at the New Museum\, New York. Between 2016 and 2019\, Bisschops served as Curatorial Assistant for Time-Based Media at the Stedelijk Museum Amsterdam and has curated multiple exhibitions as an independent curator. She holds a Master’s in Psychology from Maastricht University and a Master’s in Art History from the University of Amsterdam. \n  \nThank you to Regan Lynn Larroque\, New York Chapter Programs Committee Co-Chair\, for organizing this program.\n \n\nImages: \n\nSoft Water Hard Stone URL:https://www.arttable.org/event/new-york-triennial-soft-water-hard-stone-at-the-new-museum/ LOCATION:New Museum\, 235 Bowery\, New York\, 10002 CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/SOFT-WATER-HARD-STONE_SOCIAL-MEDIA-1-scaled-e1635518100142.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211109T153000 DTEND;TZID=America/New_York:20211109T170000 DTSTAMP:20211029T153036Z CREATED:20211027T172654Z LAST-MODIFIED:20211029T153036Z UID:7117-1636471800-1636477200@www.arttable.org SUMMARY:New York | 'Ruth Orkin: Expressions of Life' Tour at Fotografiska DESCRIPTION:Please join ArtTable’s New York Chapter and Mary Engel\, director of the Ruth Orkin Photo Archive\, for a special in-person tour of Expressions of Life at Fotografiska. \nExpressions of Life is an emotional\, inspiring\, and romantic chronicle of the pioneering photographer and filmmaker Ruth Orkin. Featuring landmark photographs from her work across Hollywood\, New York City\, Israel and Italy\, the exhibition celebrates the Orkin’s centennial\, and showcases her as a master of intimacy\, warmth\, and boldness behind the camera. \nFrom photographs of her monumental cross country bicycle trip at age 17 and behind-the-scenes of MGM Studios as the first “messenger girl” in 1941\, to European adventures and spontaneous\, cinematic New York City moments – Expressions of Life spotlights some of her most renowned photographs: American Girl in Italy (1951)\, Bernstein in Green Room\, Carnegie Hall\, NYC\, (1950)\, and Einstein at Princeton luncheon\, NJ (1953)\, among others. \n\nThis program is $5 for ArtTable members and $10 for non-members.\nPlease note that entry to the exhibition is paid separately\, which must be done on-site. Pricing is $13 for general admission and $8 for seniors. The ArtTable program fee goes to support this in-person walk-through.\n\nNot a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Fotografiska New York is open to the public and to members with guidelines in place for the safety and well-being of our guests and staff. Proof of vaccination is required in order to enter Fotografiska. Please have this documentation with you when you join the program and ready to present at the museum. Accessibility Fotografiska is fully wheelchair accessible. Please email programs@arttable.org if you require more information. Getting There Fotografiska is located at at 281 Park Ave South\, New York\, NY 10010. If you prefer to drive\, there are several public parking lots close by: Champion Parking36 E 21st St\, New York\, NY(212) 473-9365 Icon Parking41-47 E 21st St\, New York\, NY(212) 674-9528 Manhattan Parking Gramercy Corp.32 Gramercy Park S # 1\, New York\, NY(212) 533-0863 PUBLIC TRANSITPublic transportation is a great way to get to Fotografiska. The closest subway stations are the 23rd Street Station on the 6 and the R/W lines. Several city buses stop nearby\, including the M1\, M2 and M3. Citibike is available at the northeast corner at Park Ave S\, & 20th Street. \n  \n\n  \n\nAbout Mary Engel\nMary Engel is the founder and president of the American Photography Archives Group\, APAG\, an award winning filmmaker and the director of the Orkin/Engel Film and Photo Archive. Engel has been the director of the Ruth Orkin Photo Archive since its inception in 1985. She is responsible for all aspects of managing the archive including sales\, licensing\, marketing\, legal issues\, preservation and social media. Engel works with photography galleries\, museums and auction houses in the United States and abroad. She has published four catalogs of photography. \nEngel’s first film “Ruth Orkin: Frames of Life” premiered at the Sundance Film Festival in 1996. It went on to screen at many other festivals. The film was selected by the Academy of Motion Picture Arts and Sciences as one of the “Outstanding Documentaries of 1996.” Her film “Morris Engel: The Independent” premiered on Turner Classic Movies\, TCM in 2009. Engel is also a contributing producer of “Ordinary Miracles: The Photo League’s New York” released in 2011. \nEngel has recently participated on panels at POWarts and Photoville\, and has lectured at Harvard University\, New York University\, Brooklyn Historical Society\, St. Louis Art Museum\, Central Park Conservancy\, and has appeared at the Avon Theater\, (Stamford\, CT)\, Loews Jersey (Jersey City\, NJ) Film Forum (New York\, NY) and the Egyptian Theater (Park City\, Utah). She has been published in The New York Times\, the American Society of Media Photographers magazine\, Photo District News and Film Comment. \nEngel is the 2017 recipient of the Griffin Museum of Photography – Focus Spotlight Award. She also completed the 2017 Seminar on Strategy for Artist-Endowed Foundation Leaders\, presented by the Aspen Institute Artist-Endowed Foundations Initiative (AEFI). \n  \nThank you to ArtTable member Susan Halper and Sarah McNaughton\, New York Chapter Programs Committee Co-Chair\, for organizing this program.\n \n\nImages: \n\nAmerican Girl in Italy 1951© Ruth Orkin Photo Archive\nMary Engel URL:https://www.arttable.org/event/new-york-ruth-orkin-expressions-of-life-tour-at-fotografiska/ LOCATION:Fotografiska\, 281 Park Avenue South\, New York\, NY\, 10010\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/XJKZjGSRdl.jpg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211104T180000 DTEND;TZID=America/New_York:20211104T180000 DTSTAMP:20211013T184054Z CREATED:20211004T152852Z LAST-MODIFIED:20211013T184054Z UID:6957-1636048800-1636048800@www.arttable.org SUMMARY:Virtual | Reimagining Memorials and Memory\, with Judy Baca DESCRIPTION:3pm PT/ 4pm MT / 5pm CT / 6pm ET\nJoin our conversation with Judy Baca\, Los Angeles-based artist\, educator\, scholar/activist\, community arts pioneer\, UCLA professor emeritus\, and founder of the Social and Public Art Resource Center (SPARCinLA). Judy has produced numerous murals in Los Angeles and elsewhere since the early 1970’s\, and is particularly renown for The Great Wall of Los Angeles (also known as The History of California). \n“I want to produce artwork that is beautiful and inspirational\, and beyond decorative.  I excavate public spaces to hear public voice\, and to create public consciousness about the presence of people who are often the majority of the population but are not represented in a visual way. By telling their stories I hope to give voice to those least heard and to visualize a more whole American story. I call this creating sites of public memory.” – Judy Baca \nThis program will highlight Baca’s artistic practice as a tool for both people and place. She will present several of her murals which dramatically document both told and untold American stories of the disenfranchised. Baca will also share her wisdom\, personal perspective\, and vast experience on how to effectively reimagine memorials and memory. Cathie Behrend\, ArtTable New York member who co-organized this series\, will introduce the program and speaker. There will be ample time for questions so come prepared with your inquiry about Memorials and Memory. \n  \n           \n \n  \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Judy Baca\nOne of America’s leading visual artists\, Dr. Judith F. Baca\, grew up in Los Angeles and has been creating public art for more than four decades. In 1974\, Baca founded the City of Los Angeles’ first mural program which produced over 400 murals and employed thousands of local participants\, evolving into an arts organization known as the Social and Public Art Resource Center (SPARC). \nDr. Baca\, now Professor Emeritus\, was a University of California senior professor of Studio Art  (1980-96)\, founded UC’s Cesar Chavez Center for Interdisciplinary Studies in 1993\, and has long been a professor in UC’s Chicano/a Studies and World Cultures Department in UCLA’s School of Art and Architecture.  She continues to serve as SPARC’s artistic director\, and within the UCLA@SPARC Digital/Mural Lab\, now uses digital technology as she co-creates murals promoting social justice and participatory public art projects. Her honors include a 2003 Guggenheim Fellowship\, a 2015  Rockefeller Fellowship and over 50 awards from various community groups. Judy Baca’s artwork is included in the collections of The Smithsonian American Art Museum\, Hartford’s Wadsworth Atheneum\, New York’s Museum of Modern Art\, among others. The Lucas Museum of Narrative Art in L.A. has recently acquired The History of California archive; and currently\, the Museum of Latin American Art in Long Beach\, CA presents a major retrospective of Judy Baca’s practice. \nHer most well-known work\, ‘The Great Wall of Los Angeles\,’ created between 1976-1983\, runs for one-half mile in the Tujunga Wash\, a flood control channel of the Los Angeles River\, featuring images of California’s pre-history into the 1950’s. In 2017 it was named to the National Register of Historic Places. In 2021\, Baca and SPARC received a $5 million Andrew Mellon Foundation grant to extend The Great Wall’s imagery for another half mile to include narratives up to the present and develop further interpretive material. \n  \nThank you to Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, ArtTable member (New York Chapter)\, for organizing this program series. \n\nImages: \n\nPortrait of Judy Baca at the 2004 partial restoration of the Great Wall of Los Angeles. Background mural detail from the 1950’s section “Forebearers of Civil Rights.”\n3 mural images: Judith F. Baca(c)1976\, Great Wall of Los Angeles\, detail from the 1950’s section “Division of the Barrios and Chavez Ravine\,”; detail from the 1950’s section “Asians Gain Citizenship and Property\,”;detail from the 1950’s section “Olympic Champions 1948-1964 Breaking Barriers.”\nJudy Baca at the Social and Public Art Resource Center (SPARC).\n\nAll images courtesy of the SPARC Archives. URL:https://www.arttable.org/event/virtual-a-conversation-with-judy-baca-reimagining-memorials-and-memory/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/GWLA_JB2005-1.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211028T120000 DTEND;TZID=America/New_York:20211028T120000 DTSTAMP:20211014T210711Z CREATED:20211013T182851Z LAST-MODIFIED:20211014T210711Z UID:7015-1635422400-1635422400@www.arttable.org SUMMARY:Virtual | A Brief History of Digital Art\, Before and Beyond NFTs\, with Dr. Tina Rivers Ryan DESCRIPTION:9am PT/ 10am MT / 11am CT / 12pm ET\nIf you’re curious to know more about the history of digital art before and beyond NFTs\, join Dr. Tina Rivers Ryan as she offers a brief survey of digital art since the 1960s. Her talk will emphasize digital art’s major artists\, practices\, and themes\, as well as the evolution of its relation to traditional arts institutions\, such as galleries and museums. \nNFTs have brought digital art into the spotlight\, but they also have cast a long shadow over the decades-long history of digital art that preceded them. Even the artistic projects that were made with and about blockchain technologies just five years ago seem to have been erased in the rush to hail this “revolutionary” development in contemporary art. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $5\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Dr. Tina Rivers Ryan\nTina Rivers Ryan is an Assistant Curator of modern and contemporary art at the Albright-Knox Art Gallery in Buffalo\, New York. Most recently\, she co-curated the exhibition Difference Machines: Technology and Identity in Contemporary Art\, which opened October 16th and runs through January 16th\, 2022. An art historian by training\, Ryan is a specialist in the history of art and technology since the 1960s and has written extensively on topics ranging from kinetic light environments to virtual reality. Over the past decade\, her work has appeared in publications from museums such as The Met\, the Walker Art Center\, and Pirelli HangarBicocca. She also is an active critic for Artforum; her essay on NFTs\, “Token Gesture\,” appeared in its May 2020 issue. Ryan holds five degrees in art history\, including a BA from Harvard and PhD from Columbia. \n\nThank you to Regan Lynn Larroque\, Programs Committee Co-Chair for ArtTable’s New York Chapter\, for organizing this program. \n\nImages: \n\nFrame from Chris Torres’s Nyan Cat\, 2011\, GIF.\nTina Rivers Ryan URL:https://www.arttable.org/event/virtual-a-brief-history-of-digital-art-with-tina-rivers-ryan/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/10/rbEBvrwhZw.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211026T110000 DTEND;TZID=America/New_York:20211026T120000 DTSTAMP:20211004T143047Z CREATED:20210930T204304Z LAST-MODIFIED:20211004T143047Z UID:6931-1635246000-1635249600@www.arttable.org SUMMARY:Virtual | An Insider's Tour of the Tel Aviv Museum of Art\, with Mira Lapidot DESCRIPTION:8am PT/ 9am MT / 10am CT / 11am ET\nPlease join us for a virtual tour and discussion with Mira Lapidot\, Chief Curator at the Tel Aviv Museum of Art. Mira will be joining us from Israel to talk about the museum’s history and architecture while giving us an insider’s look at its current collection and collecting practices. The discussion will be followed by a Q & A session. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speaker\nMira Lapidot (born 1971) is the Chief Curator of the Tel Aviv Museum of Art as of March 2021. She is the artistic director of the TAMA’s exhibition program\, working within the matrix of Israeli and international\, Modern-Contemporay art\, overseeing all aspects of exhibition-making and publications\, directing the acquisitions agenda\, and fostering relationships with artists. She arrived at the Tel Aviv Museum of Art after 22 years at the Israel Museum\, Jerusalem\, where she served as Chief Curator of the Arts\, from 2012 to 2020. During her tenure\, Lapidot directed eleven curatorial departments of the Fine Arts Wing\, also leading the Wing’s exhibition and acquisitions program; she oversaw close to a hundred exhibitions and special exhibits\, as well as dozens of Museum publications\, and managed thirty curatorial staff members. Under her guardianship\, the museum vastly expanded and enriched its collections. She has cultivated relationships with donors in Israel and around the world\, led art-acquisition groups\, managed the museum’s award process\, and promoted collaborations with cultural institutions\, universities\, and international museums. As the acting curator of the Department of Contemporary Art (2016 to 2020)\, she has curated exhibitions by leading artists\, notable among them Ai Weiwei: Maybe\, Maybe Not (2017)\, which was attended by more than 400\,000 visitors; Christian Boltanski: Lifetime (2018); and most recently\, Julian Rosefeldt’s tour-de-force film installation Manifesto (2019). Lapidot holds a master’s degree in Art History and a bachelo’s degree in Natural Sciences and Art History from the Hebrew University of Jerusalem. \nThank you to Michelle Perr\, member of the ArtTable New York Chapter Program Committee for organizing this program. \n\nImages: \n\nFacade of the Tel Aviv Museum of Art URL:https://www.arttable.org/event/virtual-insiders-tour-tel-aviv-museum-with-mira-lapidot/ LOCATION:Zoom CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/Tel-Aviv-Museum-of-Art-Main-Building-e1633034575920.jpg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211009T113000 DTEND;TZID=America/New_York:20211009T130000 DTSTAMP:20210924T155442Z CREATED:20210920T154304Z LAST-MODIFIED:20210924T155442Z UID:6837-1633779000-1633784400@www.arttable.org SUMMARY:New York | Curator Guided Tour of Amant DESCRIPTION:Join Ruth Estévez\, Amant’s Artistic Director for a private tour of The Amant Foundation’s 21\,000 square foot multi-building SO-IL designed “art campus” in East Williamsburg. Opened in June 2021\, the complex serves as Amant’s new headquarters\, as well as the home for its exhibitions\, public events\, archival projects\, performances\, and residency program. Conceived as a research and process-oriented platform\, Amant provides a public forum that presents and supports the practices of both established and under-recognized artists working across diverse creative fields. \n \nWe will also tour the inaugural exhibition\, “Grada Kilomba: Heroines\, Birds and Monsters” the first solo exhibition of the artist in the United States. Working with theory\, performance\, film\, and literature\, Kilomba reveals the narratives of the colonial past\, giving space to the silenced voices whose traumas are ever present. In her own words: “What if history has not been told properly? What if our history is haunted by cyclical violence precisely because it has not been buried properly?” \nThe tour will culminate with light snacks in the bookstore. Registrants will also receive a list of nearby restaurants where we can continue the conversation after the tour. \n  \nThis program is free and open to ArtTable members only. Not an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \nTo ensure a positive and safe experience\, and in keeping with the ‘Key to NYC’ requirements outlined by the New York City Mayor’s Office\, as well as CDC recommendations\, Amant adheres to the following protocols: \nFrom September 2nd\, Amant will require all visitors (12+) to show proof they have received at least one dose of a COVID-19 vaccine authorized for emergency use by the FDA or WHO. For more information regarding this requirement\, visit Key to NYC. \nAmant recommends that all visitors (age 2+) wear face coverings while inside of Amant and maintain the 6-ft social distancing rule when interacting with any staff and other visitors. Additional masks are available at the reception desk. \nAccessibility: \nAmant is committed to making its space as welcoming as possible for all visitors. Entry at 315 Maujer St. is step-free and suitable for wheelchair users. The galleries\, the bookstore\, and the restroom facilities are also wheelchair accessible. All the on-site visitor and exhibition related materials are available in English and Spanish. Printed and digital copies can be found at the reception desk. Amant offers descriptive audio guides\, as well as large print materials\, for all the exhibitions. ASL interpretation for events at Amant is available on request. Amant requires two weeks’ notice to confirm an interpreter. \n  \n\n  \nThank you to Randy Rosen\, Judith Richards\, and Regan Lynn Larroque of the New York Chapter Programs Committee for organizing this program. \n\nAbout the Speaker\nRuth Estévez is a curator and stage designer. Her research work focuses on artistic practices that explore how the spoken and written language operates within the visual arts\, contemporary culture and politics. \nShe is the co-curator of the 34th São Paulo Biennial\, which opens in September 2021. From 2018 to 2020 she was senior curator-at-large at the Rose Art Museum in Waltham\, and curator of Idiorhythmias\, the performance program at MACBA in Barcelona. She was Redcat Gallery Director in Los Angeles and Chief Curator at the Carrillo Gil Museum in Mexico City\, where she also founded LIGA\, Space for architecture\, a non for profit platform focused on spatial practices. \n\nImages: \n\nAmant facade – Photographed by Rafael Gamo\nArtwork image courtesy of Grada Kilomba and Goodman Gallery\nRuth Estévez URL:https://www.arttable.org/event/new-york-special-access-amant-foundation/ LOCATION:Amant Foundation\, 315 Maujer Street\, Brooklyn\, NY\, 11206 CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/Amant-1.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210929T180000 DTEND;TZID=America/New_York:20210929T193000 DTSTAMP:20210805T144914Z CREATED:20210617T210428Z LAST-MODIFIED:20210805T144914Z UID:6090-1632938400-1632943800@www.arttable.org SUMMARY:New York | ArtTable Circle Private Collection Visit with Lillian Heidenberg DESCRIPTION:Join fellow ArtTable Circle members for a special Collection Visit to the home of Brooklyn-based art dealer Lillian Heidenberg. \nPriority registration is available to ArtTable Circle members until August 24\, 2021. Registration will open to Executive level members on August 25\, 2021\, and to all other members on September 14\, 2021. Space is limited. Light refreshments will be served. \nTo learn more about the ArtTable Circle membership level\, please visit the Membership page on our website or email membership@arttable.org. \n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nProof of Covid-19 vaccination is required in order to attend this program. You will be asked to submit this information safely and securely after you register. If proof of vaccination is not submitted at least 2 weeks in advance of the program\, you will not be permitted to attend.\n\nAccessibility: \n\nPlease note that the residence is not wheelchair accessible\, as there are some stairs leading up to the main entrance. There is an elevator inside to travel between the different floors.\n\nGetting There: \n\nThis program will take place in the neighborhood of Park Slope in Brooklyn\, New York. The closest subway stops are Grand Army Plaza along the 2\, 3\, or 4 lines and 7th Avenue along the B or Q lines. The actual address will be shared with registrants in advance of the event.\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Lillian Heidenberg\nLillian Heidenberg is both a collector and an internationally renown art dealer. She has been specializing in modern and contemporary masters for many years. Today she also includes several contemporary cutting edge artists in her collection including Ebony Patterson and Summer Wheat. She also has a special interest in British sculpture and has represented the works of Henry Moore and Lynn Chadwick and is an expert on their art. Her collection includes Louise Bourgeois\, Fernando Botero\, John Wesley\, Helen Frankenthaler\, Alex Katz among many others. Lillian also has a strong interest in Chinese contemporary art. \nNow located in a historic brownstone in Park Slope\, Brooklyn her collection includes both new and more historic elements. \nLillian has advised many important private collectors\, museums\, and institutions around the world. As a member of the prestigious Art Dealers Association of America\, she has exhibited at art fairs internationally. She has also donated works to many museums. \nEducation: Barnard College\, cum laude Bachelors of Art; New York University Institute of Fine Arts\, Masters Degree in Fine Art; Attended Ecole du Louvre\, speaks French fluently \nBoard Affliations: Tel Aiv Museum of Art\, Israel (also co-chaired several galas for American friends of Tel Aviv Museum); Museum of Contemporary Art\, Montreal\, Canada \nSelect Charitable Organizations and Art Donations: Jewish Federation of North America; Lions of Judah member; Lions of Judah Endowment; Montreal Museum of Fine Arts\, Montreal\, Canada; Yale University Center for British Art; Brandeis University of Art Museum; Boca Raton Museum of Art\, Florida; Norton Museum of Art\, Florida; Perez Art Museum Miami\, Florida; Meijer Garden and Museum of Art\, Grand Rapids Michigan; New Museum\, New York; Boston Museum of Fine Arts\, Massachusetts; American Friends of the Uffizi; Israel Museum; and others. \n\nImages: \n\nA peek at Lillian Heidenberg’s collection: Flanking the fireplace are Jim Dine’s Glow of July\, 1992\, oil\, enamel and charcoal on canvas\, and Eric Fischl’s Woman in Water\, 1980\, oil on canvas. A Tang Dynasty (618-907 CE) clay horse sits on the 1940s art deco dining table and three ceramic pieces by Pablo Picasso (1881-1973) are on the mantle. On the Aldo Tura circa 1940s sideboard are\, from left\, Mao Culture collars\, 20th century\, and 19th-century Chinese ceremonial necklaces. URL:https://www.arttable.org/event/arttable-circle-lillian-heidenberg-collection-visit/ LOCATION:Park Slope\, Brooklyn\, Park Slope\, Brooklyn\, NY\, 11215\, United States CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/lh3.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210918T100000 DTEND;TZID=America/New_York:20210918T113000 DTSTAMP:20210805T145810Z CREATED:20210804T151047Z LAST-MODIFIED:20210805T145810Z UID:6488-1631959200-1631964600@www.arttable.org SUMMARY:New York | A Tour of Harlem's Monuments DESCRIPTION:Please join us for an in-person tour of monuments and memorials throughout Harlem. Attendees will enjoy a leisurely walk through the most Northern and less traveled parts of Central Park around the Harlem Meer\, along the way viewing three monumental memorials to Duke Ellington\, Frederick Douglas\, and Harriet Tubman. The tour will be guided by ArtTable member Cathie Behrend. \nThis program is open to ArtTable members for $10 and non-members for $15. Space is limited and waitlisted registrants will be notified if space becomes available. There will be a fair amount of walking involved so please prepare accordingly! The rain date for this program is Sunday\, September 19 at the same time. \nNot a member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks or face coverings are no longer required for outdoor gatherings\, we encourage all attendees to wear one when in close proximity to others who are not in their immediate household.\n\nAccessibility: \n\nPlease note that this program will cover a distance of approximately 1.5 miles from 110th Street to 121st Street via St. Nicholas Avenue. Sidewalks and benches are available for the whole distance and are wheelchair accessible.\n\nGetting There: \n\nThis program will take place in the neighborhood of Harlem\, New York. The closest subway stops are Central Park North (110 Street) along the 2 or 3 lines and 110 Street along the 4 or 6 lines. The specific meeting address will be shared with registrants in advance of the event.\n\n\n  \n\nAbout the speaker\nCatherine Hannah Behrend (Cathie) is the Founder of VenturesinVision\, providing customized public art tours in the boroughs for the 92Y\, the patrons of WNET/PBS\, other not- for-profit organizations and private clients. Cathie has just completed working for 14 years as an Adjunct Instructor at the Fashion Institute of Technology’s Graduate Program in the Art Market and NYU’s Center for Applied Liberal Arts. Cathie has Master Degrees in Art and Business Administration from NYU. She also studied international business at INSEAD. She wrote her M.A. Thesis on Christo and her M.B.A Thesis on Decentralizing City Park Operations. Cathie is a longstanding Board member of the 92nd Street YMCA \, the Financial Women’s Association of New York and the Simmons College Leadership Council\, amongst others. Cathie also completed a three year term as Co-Chairperson of Programming for ArtTable. She founded the still on-going Simmons College New York City Art Administration Summer Institute in 2002. Cathie served under six NYC Mayoral administrations prior to her transition to teaching and tours with positions ranging from managing street and park festivals\, to leading the economic development efforts to keep and attract Fortune 500 and global financial companies to NYC. She was appointed to the Mayor’s Council on New Media established to foster synergy between arts organizations and Internet companies and managed the annual Mayor’s Awards for Excellence in Science and Technology. She also represented Cultural Affairs on the Mayor’s Committee on Graffiti. Her last city government position was Deputy Director of the Percent for Art Program in the New York City Department of Cultural Affairs from 1995-2007. Percent for Art mandates that one percent of the construction budget of city-eligible capital projects must be spent on the integration of art into architecture. During her tenure\, 125 projects were initiated or completed – many with world renown artists. Her biggest inspiration was working in the Education Dept at the Philadelphia Museum of Art as an intern. \nThank you to Cathie Behrend\, ArtTable New York Chapter Program Committee member\, for organizing this program. \n\nImage: Harriet Tubman memorial in Harlem\, by Alison Saar. URL:https://www.arttable.org/event/new-york-a-tour-of-harlems-monuments/ CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/harriet-tubman-statue-harlem-1024x769-1.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210911T110000 DTEND;TZID=America/New_York:20210911T123000 DTSTAMP:20210823T170036Z CREATED:20210726T150140Z LAST-MODIFIED:20210823T170036Z UID:6416-1631358000-1631363400@www.arttable.org SUMMARY:National | ArtTable at The Armory Show DESCRIPTION:Please join us for the annual ArtTable Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, now to take place annually in September at the Javits Center. We will be joined by The Armory Show’s Executive Director\, Nicole Berry. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and a light breakfast. \n  \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. \nPlease note that The Armory Show requires that all individuals wear a mask indoors\, regardless of vaccination status. This will be strictly enforced.\nIn addition to masks\, The Armory Show also requires that each attendee provide the following before entry to the fair:\n(1) PROOF OF FULL VACCINATION STATUS IN PAPER FORM\, DIGITAL APPLICATION\, OR THE NEW YORK STATE EXCELSIOR PASS.\nOR\n(2) PROOF OF A NEGATIVE COVID-19 TEST RESULT (I.E.\, PCR/NAAT) TAKEN WITHIN 72 HOURS OF ENTERING THE JAVITS CENTER.\nPlease review The Armory Show’s full  Health and Safety Plan before registering.\n\nAccessibility: \n\nThe Javits Center has sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. For more information regarding accessibility\, please visit the Javits Center website.\n\nGetting There: \n\nThe Armory Show is easily accessible by car\, taxi\, and public transportation. For detailed directions visit the Javits Center website.\n\n\n\nAbout The Armory Show\nIn 1994\, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years\, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape. \nNow in September at the Javits Center\, The Armory Show will kick-off New York’s fall arts season. We have always been a gateway to New York’s art scene\, hosting the world’s best galleries and linking collectors and galleries with museums and institutions across the city. And our updated timing coupled with the proximity to Chelsea and the High Line will create increased access to the city’s vibrant culture. \nAt our core\, The Armory Show is dedicated to ensuring galleries and New York’s art community continue to thrive. We pave the way for its success and strive to be a platform in which it is easier to buy\, sell and discover art. \nClick here to read more about the fair. URL:https://www.arttable.org/event/arttable-at-the-armory-show/ LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001 CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/07/TAS.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210715T173000 DTEND;TZID=America/New_York:20210715T190000 DTSTAMP:20210617T131846Z CREATED:20210608T223212Z LAST-MODIFIED:20210617T131846Z UID:6028-1626370200-1626375600@www.arttable.org SUMMARY:New York | Guided Tour of 'Kusama: Cosmic Nature'\, at The New York Botanical Garden DESCRIPTION:Join us for a guided tour of artworks by Yayoi Kusama on the grounds\, the Haupt Conservatory\, and the Art Gallery of the New York Botanical Garden. The tour will be led by Joanna Groarke\, Director of Public Engagement at the New York Botanical Garden\, who will guide us through monumental floral sculptures\, spectacular installations\, and the full breadth of Kusama’s fascination with the natural world. \nThe tour will begin at 5:30pm and end at approximately 7pm. Then\, attendees will be free to explore the garden independently until closing time at 9pm. This program will take place rain or shine. \nClick here to read more about the exhibition! \nThis program is open to ArtTable members only. Admission is $50 for ArtTable Circle members and $60 for all other ArtTable members.  \nNot an ArtTable member? Join today! \n  \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nAt the New York Botanical Garden\, visitors are required to wear face coverings\, regardless of vaccination status\, indoors and in high density areas where it may be difficult to maintain six feet of distance. Please review the full list of guidelines here. We will alert attendees if there are updates to these guidelines between now and July 15.\n\n\nAccessibility: All NYBG buildings\, seasonal exhibitions\, and tour vehicles are accessible for wheelchairs\, walkers\, and personal 3- and 4-wheeled electric scooters. However\, due to the Garden’s naturally varied topography\, portions of the historic landscape may be inaccessible. An Accessibility Guide with recommended wheelchair routes is available at the Garden or can be downloaded here. Learn more about accessibility and read our Service Animal Policy here. \nGetting There: NYBG is easily accessible via Metro-North Railroad and by subway (B\, D\, and 4 trains to Bedford Park Blvd. Station and 2 train to Allerton Ave. Station). NYBG is only 20 minutes from Grand Central Terminal to Botanical Garden Station on Metro-North’s Harlem local line. We recommend using public transportation\, taxi\, or other rideshare services to avoid parking delays. Drop-off and pickup location for these services is 2900 Southern Blvd.\, Bronx\, NY 10458. Detailed directions can be found here. \n\nAbout Yayoi Kusama\nClick here to read about Yayoi Kusama and her lifelong artistic practice. \nAbout Joanna Groarke\nJoanna L. Groarke is Director of Public Engagement and Library Exhibitions Curator at The New York Botanical Garden\, where she is part of the team that develops Garden-wide exhibitions and interpretive materials. She has developed exhibitions and programs for more than fifteen years for institutions including The New York Botanical Garden; the Irish Arts Center\, New York; and Tufts University Art Gallery\, Somerville\, Massachusetts. \n  \nAbout the New York Botanical Garden\nThe New York Botanical Garden is an advocate for the plant world. The Garden pursues its mission through its role as a museum of living plant collections arranged in gardens and landscapes across its National Historic Landmark site; through its comprehensive education programs in horticulture and plant science; and through the wide-ranging research programs of the International Plant Science Center.Established in 1891\, The New York Botanical Garden (NYBG) is distinguished by the beauty of its landscape\, collections\, and gardens\, and the scope and excellence of its programs in horticulture\, education\, and science. Click here to read more. \n  \nThank you to Lori Shepard from the ArtTable NY Chapter Program Committee member for organizing this program. \n\nImages: \n\nDancing Pumpkin\, 2020. Courtesy of the New York Botanical Garden. Photo by Robert Benson Photography.\nJoanna Groarke\, courtesy of the speaker\nNew York Botanical Garden\, courtesy of NYC The Official Guide URL:https://www.arttable.org/event/new-york-kusama-cosmic-nature-at-the-new-york-botanical-garden/ LOCATION:New York Botanical Garden\, 2900 Southern Blvd\, Bronx\, 10458 CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/SYqlASBBcX.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210707T120000 DTEND;TZID=America/New_York:20210707T120000 DTSTAMP:20210624T163111Z CREATED:20210601T160326Z LAST-MODIFIED:20210624T163111Z UID:5940-1625659200-1625659200@www.arttable.org SUMMARY:Virtual | Asian American Perspectives at the Whitney Museum\, with Xin Wang DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us and Xin Wang\, art historian and John Tisch Teaching Fellow at the Whitney Museum of American Art\, for a presentation on Asian American Perspectives\, drawing on contemporary artists works from the Whitney Museum’s collection. \nAdmission \n\nArtTable Circle Members – Free\nAll other membership levels – $12\nNon-members – $15\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Xin Wang\nXin Wang is the John Tisch Teaching Fellow at the Whitney Museum of American Art in New York City. She is an art historian and curator whose past curatorial projects include Ink Art: Past and Present in Contemporary China\, Metropolitan Museum of Art (2013); Field Meeting of Asian Contemporary Art Week (2014\, New York)\, Lu Yang’s solo debut in New York THE BANK SHOW: Vive le Capital and THE BANK SHOW: Hito Steyerl (2015)\, Art in China since the 1990s (2018\, Ulm\, Germany)\, to highlight a few projects. Her writing has appeared in E-flux journal\, Artforum\, Kaleidoscope\, Hyperallergic and Leap. \nXin is currently pursuing her PhD in modern and contemporary art at the Institute of Fine Arts\, New York University\, and holds an MA in Art History from Columbia University and a BA in Art History\, Mathematics\, and Psychology from Hamilton College. She is currently planning an exhibition that explores Asian Futurisms for The Museum of Chinese in America in New York City and manages the discursive archive on Asian Futurisms at afuturism.tumblr.com. \n\n\nImages: \n\nSarah Sze\, (not yet titled)\, 2000\, Chromogenic print mounted on aluminum; courtesy of the Whitney Museum of American Art\, New York; gift of Arthur and Susan Fleischer\, © Sarah Sze URL:https://www.arttable.org/event/virtual-asian-american-perspectives-at-the-whitney-museum-with-xin-wang/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/06/Screen-Shot-2021-06-07-at-7.07.48-PM.png ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210628T140000 DTEND;TZID=America/New_York:20210628T140000 DTSTAMP:20210514T220200Z CREATED:20210514T191833Z LAST-MODIFIED:20210514T220200Z UID:5746-1624888800-1624888800@www.arttable.org SUMMARY:Virtual | Fierce Poise: Helen Frankenthaler and 1950s New York DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Alexander Nemerov\, author of Fierce Poise: Helen Frankenthaler and 1950s New York\, and Sarah Kirk Hanley\, an independent prints and editions expert and critic based in the New York area\, who is currently writing an essay for the Dulwich Picture Gallery for their Fall exhibition of woodcuts by Helen Frankenthaler. \nDr. Nemerov’s biography of Frankenthaler encompasses her life and work beginning with her college years at Bennington\, where Nemerov’s father was her English teacher\, and Clement Greenberg\, her first significant romantic partner\, gave seminars in Art history and organized exhibitions. Nemerov concentrates his text on Frankenthaler of the 1950s which\, Karen Wilkin’s review of the book writes\,” she was notably strong and inventive\, almost from the start at a time when artists were expected to spend years maturing before their work was considered to be worthy of attention.” Nemerov acknowledges her importance as an Ab-ex painter and also writes about Freudian sources of her lifetime romantic relationships. There is a great deal to unpack about this major abstract woman artist of the twentieth century. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Alexander Nemerov\nAlexander Nemerov is The Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities\, as well as Chair of the Department of Art and Art History at Stanford University. He formerly taught Yale University where he was the Vincent J. Scully Professor of the History of Art. He has a Masters and Doctor of Philosophy in History of Art from Yale University and has published several books before the Frankenthaler. A scholar of American art\, Nemerov writes about the presence of art\, the recollection of the past and the importance of humanities in our lives today. \n\nAbout Sarah Kirk Hanley\nSarah Kirk Hanley is an independent prints and editions expert and critic based in the New York area. Her critical writing focuses on prints by women artists\, artists of color\, as well as work grounded in socio-political themes. Her past experiences include Consultant for Auctionata and 1st Dibs (2009-19); Assistant Vice President \, Christie’s Print Department (2006-2009); Associate Curator of Prints\, Drawings and Photographs\, Milwaukee Art Museum (2000-2005). She writes extensively for Art 21 Magazine and Art in Print. \n\nThank you to Susan L Halper\, President \, Susan L Halper Fine Art\, Inc. for organizing this program.\n \n\nImages: \n\nFierce Poise: Helen Frankenthaler and 1950s New York\, courtesy of Penguin Random House\nAlexander Nemerov\, courtesy of Penguin Random House\nSarah Kirk Hanley\, courtesy of the speaker URL:https://www.arttable.org/event/virtual-fierce-poise-helen-frankenthaler-and-1950s-new-york/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Fierce.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210625T093000 DTEND;TZID=America/New_York:20210625T110000 DTSTAMP:20210603T160346Z CREATED:20210603T151038Z LAST-MODIFIED:20210603T160346Z UID:5998-1624613400-1624618800@www.arttable.org SUMMARY:New York | Dutch Treat Breakfast at Madison Square Park DESCRIPTION:Join us for an informal Dutch Treat Breakfast at Madison Square Park! An ongoing\, informal\, occasional get together for current and prospective members\, Dutch Treat programs are a great way to meet\, mingle\, and network in a casual setting. Grab a coffee and breakfast from some of the nearby cafes (Starbucks\, Caffe Lavazza at Eataly\, and Flatiron Green Cafe are all great\, nearby options!) and meet us at the fountain on the south side of the park. We’ll hang out\, chat\, and enjoy Maya Lin’s installation\, “Ghost Forest.” \nThis program is free and open to all\, current and prospective members. The rain date is tentatively set for Friday\, July 9. \nNot an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.\nPlease review the guidelines at Madison Square Park before registering.\n\n\nAccessibility: Madison Square Park\, as a public\, open green space\, is free and fully accessible to patrons of all abilities; including by not limited to individuals with physical\, visual\, and auditory disabilities\, owners of special care animals\, and wheelchair users. There are no steps or stairs within Madison Square Park\, or between the sidewalk and the park. Ramp access for wheelchairs and strollers as well as access for individuals with impaired mobility is available for all the park’s pathways and lawns\, in compliance with ADA regulations. For more information or to request accommodations\, please call 212.520.7600. \nGetting There: Take the R or W train to 23rd Street \n\nAbout Madison Square Park\nMadison Square Park is a seven-acre green space at the heart of New York City that has been public land since 1686. Over the centuries\, it has played a part in the city’s rich history\, providing space for everything from the invention of baseball to fundraising efforts for the Statue of Liberty. \nJust like New York City\, Madison Square Park is a place where many different people and things come together. Surrounded by landmark architecture and vibrant businesses\, it is home to some of the world’s best art and horticulture exhibitions. It is a public garden\, a playground\, an open-air museum\, a dog park\, a performance venue\, an eatery\, an arboretum\, a gathering place\, and a sanctuary. It is a space that belongs to everyone\, and that each of us can make our own. \nThe park is managed by Madison Square Park Conservancy\, a non-profit that is fully funded by the community. \nClick here to read more. \nThank you to Ingrid Dinter\, Principal Dinter Fine Art\, and ArtTable NY Chapter Program Committee member for organizing this program. \n\nImages: \n\nMaya Lin\, “Ghost Forest”; courtesy of Maya Lin Studio URL:https://www.arttable.org/event/new-york-dutch-treat-breakfast-at-madison-square-park/ LOCATION:Madison Square Park (Exact meeting spot TBA)\, Madison Square Park\, New York\, NY\, 10010\, United States CATEGORIES:New York ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/ML-Maya-Lin-Studio.jpeg ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210622T120000 DTEND;TZID=America/New_York:20210622T120000 DTSTAMP:20210528T163008Z CREATED:20210503T160658Z LAST-MODIFIED:20210528T163008Z UID:5541-1624363200-1624363200@www.arttable.org SUMMARY:Virtual | Artist Talk with Shahzia Sikander DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Shahzia Sikander. \nShahzia will talk about individual works she created from 1988 to 2003\, elaborating on the evolution of her unique visual lexicon as she negotiated a language between the pictorial traditions of Central and South Asia and contemporary practices\, through the lens of her experience from Pakistan to the US as an immigrant pre and post 9/11 and how that period’s shifting socio-political culture shaped her broader practice. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Shahzia Sikander\nPioneering Pakistani-American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting pre-modern and classical Central and South-Asian miniature painting traditions and launching the form known today as neo-miniature. By bringing traditional and historical practice into dialogue with contemporary international art practices\, Sikander’s multivalent and investigative work examines colonial archives to readdress orientalist narratives in western art history. Interrogating ideas of language\, trade\, empire\, and migration through imperial and feminist perspectives Sikander’s paintings\, video animations\, mosaics and sculpture explore gender roles and sexuality\, cultural identity\, racial narratives\, and colonial and postcolonial histories. \nSikander earned a B.F.A. in 1991 from the National College of Arts in Lahore\, Pakistan. Her seminal thesis work\, The Scroll (1989–1990) which initiated the start of the neo-miniature movement\, garnered awards\, exhibitions and press\, as well as led to increased enrollment in the NCA’s miniature painting department. Subsequently\, Sikander was appointed as a lecturer in miniature painting at the school. The artist then moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts\, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012)\, Sikander’s innovative work has been exhibited and collected internationally. \nShahzia Sikander will be the subject of a traveling exhibition titled Shahzia Sikander: Extraordinary Realities. The exhibition will open at The Morgan Library in New York in June 2021\, followed by the RISD Museum in Providence\, Rhode Island in November 2021\, and then the MFA Houston in Texas in Spring 2022. On the occasion of these exhibitions\, there will be a major new monograph printed. Extraordinary Realities is an exhaustive examination of Sikander’s work from 1987 to 2003\, charting her early development as an artist in Lahore and the United States\, and foregrounding her critical role in bringing miniature painting into dialogue with contemporary art. Edited by Jan Howard and Sadia Abbas\, with contributions by Gayatri Gopinath\, Faisal Devji\, Kishwar Rizvi\, Sadia Abbas\, Jan Howard\, Vasif Kortun\, Dennis Congdon\, Bashir Ahmed\, Rick Lowe\, and Julie Mehretu. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Julia P. Herzberg\, Ph.D.\, member of ArtTable’s New York Chapter Programming Committee\, for organizing this program.\n \n\nImages: \n\n“Cholee Kay Peechay Kiya? Chunree Kay Neechay Kiya? (What Is under the Blouse? What Is under the Dress?)”\, 1997; Vegetable Color\, dry pigment\, watercolor and tea on wasli paper; Marieluise Hessel Collection\, Hessel Museum of Art\, Center for Curatorial Studies\, Bard College\, Annandale-on-Hudson\, New York\n“Hood’s Red Rider No. 2”\, 1997; Vegetable Color\, dry pigment\, watercolor\, gold and tea on wasli paper; Collection of Susan and Lew Manilow URL:https://www.arttable.org/event/virtual-artist-talk-with-shahzia-sikander/ LOCATION:Zoom CATEGORIES:New York,National ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/Two-Images-for-Programs-e1620057992499.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210611T160000 DTEND;TZID=America/New_York:20210611T170000 DTSTAMP:20210520T133854Z CREATED:20210517T143606Z LAST-MODIFIED:20210520T133854Z UID:5767-1623427200-1623430800@www.arttable.org SUMMARY:New York | Tour of 'RE:GROWTH\, A Celebration of Art\, Riverside Park\, & the New York Spirit' DESCRIPTION:Please join us for an in-person tour of ‘RE:GROWTH\, A Celebration of Art\, Riverside Park\, and the New York Spirit‘ on view at Riverside Park in New York City. The tour will be led by Independent Curator Karin Bravin. We will also be joined by artists Blanka Amezkua\, Dahlia Elsayed\, and Jean Shin\, who will speak about the pieces they have on view in the show. \nThis program is open to ArtTable members only. The program fee is $15. The exact meeting spot will be circulated prior to the program. During the tour we will walk for approximately 10-12 blocks\, so please prepare accordingly! \nAll attendees are invited to stick around after this program to meet the New York-based 2021 ArtTable Fellows! More details on this to come. \nNot a member? Join today! \nRegistration for this program is limited to 20 attendees. Waitlisted registrants will be notified if space becomes available.  \n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.  \n\n  \n\nAbout Karin Bravin\n \nKarin Bravin is a curator with a strong focus on site-specific\, public and installation art projects. In 2006 she curated and produced Studio in The Park\, a three month exhibition of eleven art installations in Riverside Park. The projects were sited in unexpected places: under tunnels\, on baseball backstops\, in the Hudson River\, and along the meandering paths. In 2009 she became consultant for the Downtown Alliance\, where she selected and oversaw several art projects on construction barriers in lower Manhattan. Among some of her other projects\, she curated 19 site -specific works at Lehman College and several installations for a gallery during Bushwick Open Studios. She is the curator and consultant for The Public Arts Commission of Lewes\, Delaware and on the arts advisory committee for The Stirner Arts Trail in Easton Pennsylvania. \nSince 1991\, Karin Bravin and her husband\, John Post Lee\, have owned and operated BravinLee programs\, a contemporary art gallery in New York. They focus their attention on their exhibition program\, artist rug program\, site-specific/public art program and an artist book program. They curate outside of the gallery\, lecture\, teach\, participate in art fairs\, and foster an active art advisory. Bravin received her BA in art history from Dartmouth College. \nAbout Blanka Amezkua\nBlanka Amezkua is formally trained as a painter; she attended the Accademia di belle Arti in Florence\, Italy and received her B.A. from California State University Fresno. Her work and projects have been shown in the United States\, Mexico\, Belgium and Greece. In cultural establishments such as: MoMA-P.S.1\, Exit Art\, The Bronx Museum of the Arts\, El Museo del Barrio\, Queens Museum of Art\, Towson University\, Dorsky Gallery\, The Taller Boricua\, The Block Gallery among others. You can read more about Blanka’s work and projects on her website. \nMentions of Blanka’s work and projects are included in ARTnews\, the New York Times\, TimeOut\, Daily News\, Art21:blog\, athinorama\, Athens News\, Queens Chronicle\, International Museum of Women\, WNYC\, as well as other publications. \nAbout Dahlia Elsayed\nDahlia Elsayed is an artist and writer who makes text and image based work that synthesizes an internal and external experience of place\, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings\, print and installation. Her work has been exhibited at galleries and institutions throughout the United States and internationally\, including the 12th Cairo Biennale\, Robert Miller Gallery\, BravinLee Programs\, The New Jersey State Museum and Aljira Center for Contemporary Art. Her work is in the public collections of the Newark Museum\, the Zimmerli Museum\, Johnson & Johnson Corporation\, the US Department of State\, amongst others. Dahlia has received awards from the Joan Mitchell Foundation\, the Edward Albee Foundation\, Visual Studies Workshop\, the MacDowell Colony\, Women’s Studio Workshop\, Headlands Center for the Arts\, and the NJ State Council on the Arts. She received her MFA from Columbia University\, and lives and works in New Jersey. Ms. Elsayed is Professor of Humanities at CUNY LaGuardia Community College in Long Island City\, NY. You can view more of her work on her website. \nAbout Jean Shin\nBorn in Seoul\, South Korea\, and raised in the United States\, is nationally recognized for her monumental installations that transform everyday objects into elegant expressions of identity and community engagement. For each project\, she amasses vast collections of a particular object—prescription pill bottles\, sports trophies\, sweaters—which are often sourced through donations from individuals in a participating community. These intimate objects then become the materials for her conceptually rich sculptures\, videos\, and site-specific installations. Distinguished by her meticulous\, labor-intensive process\, and her engagement of community\, Shin’s arresting installations reflect individuals’ personal lives as well as collective issues that we face as a society. \nShin attended the Skowhegan School of Painting and Sculpture in 1999 and received a BFA and MS from Pratt Institute in Brooklyn. She is a tenured Adjunct Professor of Fine Art at Pratt Institute and a recipient of Pratt’s 2017 Alumni Achievement Award. She lives and works in Brooklyn and Hurley\, NY. You can view her full bio and see more of her work on her website. \n\nImages: \n\nDigital rendering of Letha Wilson\, ‘Double Arc Leaves and Lava (Hawaii California)\,’ courtesy of Karin Bravin.\nKarin Bravin\, courtesy of the speaker.\nBlanka Amezkua\, courtesy of Greece-Is. Photo by Nikos Kokkas\nDahlia Elsayed\, courtesy of the artist.\nJean Shin\, courtesy of the artist. URL:https://www.arttable.org/event/new-york-tour-of-regrowth-a-celebration-of-art-riverside-park-the-new-york-spirit-at-riverside-park/ LOCATION:Riverside Park\, Riverside Blvd\, New York\, 10069 CATEGORIES:New York,National ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/site-mockup1-e1621262921280.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT END:VCALENDAR