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SUMMARY:Virtual | Asian American Perspectives at the Whitney Museum\, with Xin Wang
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us and Xin Wang\, art historian and John Tisch Teaching Fellow at the Whitney Museum of American Art\, for a presentation on Asian American Perspectives\, drawing on contemporary artists works from the Whitney Museum’s collection. \nAdmission \n\nArtTable Circle Members – Free\nAll other membership levels – $12\nNon-members – $15\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Xin Wang\nXin Wang is the John Tisch Teaching Fellow at the Whitney Museum of American Art in New York City. She is an art historian and curator whose past curatorial projects include Ink Art: Past and Present in Contemporary China\, Metropolitan Museum of Art (2013); Field Meeting of Asian Contemporary Art Week (2014\, New York)\, Lu Yang’s solo debut in New York THE BANK SHOW: Vive le Capital and THE BANK SHOW: Hito Steyerl (2015)\, Art in China since the 1990s (2018\, Ulm\, Germany)\, to highlight a few projects. Her writing has appeared in E-flux journal\, Artforum\, Kaleidoscope\, Hyperallergic and Leap. \nXin is currently pursuing her PhD in modern and contemporary art at the Institute of Fine Arts\, New York University\, and holds an MA in Art History from Columbia University and a BA in Art History\, Mathematics\, and Psychology from Hamilton College. She is currently planning an exhibition that explores Asian Futurisms for The Museum of Chinese in America in New York City and manages the discursive archive on Asian Futurisms at afuturism.tumblr.com. \n\n\nImages: \n\nSarah Sze\, (not yet titled)\, 2000\, Chromogenic print mounted on aluminum; courtesy of the Whitney Museum of American Art\, New York; gift of Arthur and Susan Fleischer\, © Sarah Sze
URL:https://www.arttable.org/event/virtual-asian-american-perspectives-at-the-whitney-museum-with-xin-wang/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20210628T140000
DTEND;TZID=America/New_York:20210628T140000
DTSTAMP:20210514T220200Z
CREATED:20210514T191833Z
LAST-MODIFIED:20210514T220200Z
UID:5746-1624888800-1624888800@www.arttable.org
SUMMARY:Virtual | Fierce Poise: Helen Frankenthaler and 1950s New York
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Alexander Nemerov\, author of Fierce Poise: Helen Frankenthaler and 1950s New York\, and Sarah Kirk Hanley\, an independent prints and editions expert and critic based in the New York area\, who is currently writing an essay for the Dulwich Picture Gallery for their Fall exhibition of woodcuts by Helen Frankenthaler. \nDr. Nemerov’s biography of Frankenthaler encompasses her life and work beginning with her college years at Bennington\, where Nemerov’s father was her English teacher\, and Clement Greenberg\, her first significant romantic partner\, gave seminars in Art history and organized exhibitions. Nemerov concentrates his text on Frankenthaler of the 1950s which\, Karen Wilkin’s review of the book writes\,” she was notably strong and inventive\, almost from the start at a time when artists were expected to spend years maturing before their work was considered to be worthy of attention.” Nemerov acknowledges her importance as an Ab-ex painter and also writes about Freudian sources of her lifetime romantic relationships. There is a great deal to unpack about this major abstract woman artist of the twentieth century. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Alexander Nemerov\nAlexander Nemerov is The Carl and Marilyn Thoma Provostial Professor in the Arts and Humanities\, as well as Chair of the Department of Art and Art History at Stanford University. He formerly taught Yale University where he was the Vincent J. Scully Professor of the History of Art. He has a Masters and Doctor of Philosophy in History of Art from Yale University and has published several books before the Frankenthaler. A scholar of American art\, Nemerov writes about the presence of art\, the recollection of the past and the importance of humanities in our lives today. \n\nAbout Sarah Kirk Hanley\nSarah Kirk Hanley is an independent prints and editions expert and critic based in the New York area. Her critical writing focuses on prints by women artists\, artists of color\, as well as work grounded in socio-political themes. Her past experiences include Consultant for Auctionata and 1st Dibs (2009-19); Assistant Vice President \, Christie’s Print Department (2006-2009); Associate Curator of Prints\, Drawings and Photographs\, Milwaukee Art Museum (2000-2005). She writes extensively for Art 21 Magazine and Art in Print. \n\nThank you to Susan L Halper\, President \, Susan L Halper Fine Art\, Inc. for organizing this program.\n \n\nImages: \n\nFierce Poise: Helen Frankenthaler and 1950s New York\, courtesy of Penguin Random House\nAlexander Nemerov\, courtesy of Penguin Random House\nSarah Kirk Hanley\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-fierce-poise-helen-frankenthaler-and-1950s-new-york/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210625T093000
DTEND;TZID=America/New_York:20210625T110000
DTSTAMP:20210603T160346Z
CREATED:20210603T151038Z
LAST-MODIFIED:20210603T160346Z
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SUMMARY:New York | Dutch Treat Breakfast at Madison Square Park
DESCRIPTION:Join us for an informal Dutch Treat Breakfast at Madison Square Park! An ongoing\, informal\, occasional get together for current and prospective members\, Dutch Treat programs are a great way to meet\, mingle\, and network in a casual setting. Grab a coffee and breakfast from some of the nearby cafes (Starbucks\, Caffe Lavazza at Eataly\, and Flatiron Green Cafe are all great\, nearby options!) and meet us at the fountain on the south side of the park. We’ll hang out\, chat\, and enjoy Maya Lin’s installation\, “Ghost Forest.” \nThis program is free and open to all\, current and prospective members. The rain date is tentatively set for Friday\, July 9. \nNot an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.\nPlease review the guidelines at Madison Square Park before registering.\n\n\nAccessibility: Madison Square Park\, as a public\, open green space\, is free and fully accessible to patrons of all abilities; including by not limited to individuals with physical\, visual\, and auditory disabilities\, owners of special care animals\, and wheelchair users. There are no steps or stairs within Madison Square Park\, or between the sidewalk and the park. Ramp access for wheelchairs and strollers as well as access for individuals with impaired mobility is available for all the park’s pathways and lawns\, in compliance with ADA regulations. For more information or to request accommodations\, please call 212.520.7600. \nGetting There: Take the R or W train to 23rd Street \n\nAbout Madison Square Park\nMadison Square Park is a seven-acre green space at the heart of New York City that has been public land since 1686. Over the centuries\, it has played a part in the city’s rich history\, providing space for everything from the invention of baseball to fundraising efforts for the Statue of Liberty. \nJust like New York City\, Madison Square Park is a place where many different people and things come together. Surrounded by landmark architecture and vibrant businesses\, it is home to some of the world’s best art and horticulture exhibitions. It is a public garden\, a playground\, an open-air museum\, a dog park\, a performance venue\, an eatery\, an arboretum\, a gathering place\, and a sanctuary. It is a space that belongs to everyone\, and that each of us can make our own. \nThe park is managed by Madison Square Park Conservancy\, a non-profit that is fully funded by the community. \nClick here to read more. \nThank you to Ingrid Dinter\, Principal Dinter Fine Art\, and ArtTable NY Chapter Program Committee member for organizing this program. \n\nImages: \n\nMaya Lin\, “Ghost Forest”; courtesy of Maya Lin Studio
URL:https://www.arttable.org/event/new-york-dutch-treat-breakfast-at-madison-square-park/
LOCATION:Madison Square Park (Exact meeting spot TBA)\, Madison Square Park\, New York\, NY\, 10010\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210622T120000
DTEND;TZID=America/New_York:20210622T120000
DTSTAMP:20210528T163008Z
CREATED:20210503T160658Z
LAST-MODIFIED:20210528T163008Z
UID:5541-1624363200-1624363200@www.arttable.org
SUMMARY:Virtual | Artist Talk with Shahzia Sikander
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Shahzia Sikander. \nShahzia will talk about individual works she created from 1988 to 2003\, elaborating on the evolution of her unique visual lexicon as she negotiated a language between the pictorial traditions of Central and South Asia and contemporary practices\, through the lens of her experience from Pakistan to the US as an immigrant pre and post 9/11 and how that period’s shifting socio-political culture shaped her broader practice. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Shahzia Sikander\nPioneering Pakistani-American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting pre-modern and classical Central and South-Asian miniature painting traditions and launching the form known today as neo-miniature. By bringing traditional and historical practice into dialogue with contemporary international art practices\, Sikander’s multivalent and investigative work examines colonial archives to readdress orientalist narratives in western art history. Interrogating ideas of language\, trade\, empire\, and migration through imperial and feminist perspectives Sikander’s paintings\, video animations\, mosaics and sculpture explore gender roles and sexuality\, cultural identity\, racial narratives\, and colonial and postcolonial histories. \nSikander earned a B.F.A. in 1991 from the National College of Arts in Lahore\, Pakistan. Her seminal thesis work\, The Scroll (1989–1990) which initiated the start of the neo-miniature movement\, garnered awards\, exhibitions and press\, as well as led to increased enrollment in the NCA’s miniature painting department. Subsequently\, Sikander was appointed as a lecturer in miniature painting at the school. The artist then moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts\, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012)\, Sikander’s innovative work has been exhibited and collected internationally. \nShahzia Sikander will be the subject of a traveling exhibition titled Shahzia Sikander: Extraordinary Realities. The exhibition will open at The Morgan Library in New York in June 2021\, followed by the RISD Museum in Providence\, Rhode Island in November 2021\, and then the MFA Houston in Texas in Spring 2022. On the occasion of these exhibitions\, there will be a major new monograph printed. Extraordinary Realities is an exhaustive examination of Sikander’s work from 1987 to 2003\, charting her early development as an artist in Lahore and the United States\, and foregrounding her critical role in bringing miniature painting into dialogue with contemporary art. Edited by Jan Howard and Sadia Abbas\, with contributions by Gayatri Gopinath\, Faisal Devji\, Kishwar Rizvi\, Sadia Abbas\, Jan Howard\, Vasif Kortun\, Dennis Congdon\, Bashir Ahmed\, Rick Lowe\, and Julie Mehretu. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Julia P. Herzberg\, Ph.D.\, member of ArtTable’s New York Chapter Programming Committee\, for organizing this program.\n \n\nImages: \n\n“Cholee Kay Peechay Kiya? Chunree Kay Neechay Kiya? (What Is under the Blouse? What Is under the Dress?)”\, 1997; Vegetable Color\, dry pigment\, watercolor and tea on wasli paper; Marieluise Hessel Collection\, Hessel Museum of Art\, Center for Curatorial Studies\, Bard College\, Annandale-on-Hudson\, New York\n“Hood’s Red Rider No. 2”\, 1997; Vegetable Color\, dry pigment\, watercolor\, gold and tea on wasli paper; Collection of Susan and Lew Manilow
URL:https://www.arttable.org/event/virtual-artist-talk-with-shahzia-sikander/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T160000
DTEND;TZID=America/New_York:20210611T170000
DTSTAMP:20210520T133854Z
CREATED:20210517T143606Z
LAST-MODIFIED:20210520T133854Z
UID:5767-1623427200-1623430800@www.arttable.org
SUMMARY:New York | Tour of 'RE:GROWTH\, A Celebration of Art\, Riverside Park\, & the New York Spirit'
DESCRIPTION:Please join us for an in-person tour of ‘RE:GROWTH\, A Celebration of Art\, Riverside Park\, and the New York Spirit‘ on view at Riverside Park in New York City. The tour will be led by Independent Curator Karin Bravin. We will also be joined by artists Blanka Amezkua\, Dahlia Elsayed\, and Jean Shin\, who will speak about the pieces they have on view in the show. \nThis program is open to ArtTable members only. The program fee is $15. The exact meeting spot will be circulated prior to the program. During the tour we will walk for approximately 10-12 blocks\, so please prepare accordingly! \nAll attendees are invited to stick around after this program to meet the New York-based 2021 ArtTable Fellows! More details on this to come. \nNot a member? Join today! \nRegistration for this program is limited to 20 attendees. Waitlisted registrants will be notified if space becomes available.  \n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.  \n\n  \n\nAbout Karin Bravin\n \nKarin Bravin is a curator with a strong focus on site-specific\, public and installation art projects. In 2006 she curated and produced Studio in The Park\, a three month exhibition of eleven art installations in Riverside Park. The projects were sited in unexpected places: under tunnels\, on baseball backstops\, in the Hudson River\, and along the meandering paths. In 2009 she became consultant for the Downtown Alliance\, where she selected and oversaw several art projects on construction barriers in lower Manhattan. Among some of her other projects\, she curated 19 site -specific works at Lehman College and several installations for a gallery during Bushwick Open Studios. She is the curator and consultant for The Public Arts Commission of Lewes\, Delaware and on the arts advisory committee for The Stirner Arts Trail in Easton Pennsylvania. \nSince 1991\, Karin Bravin and her husband\, John Post Lee\, have owned and operated BravinLee programs\, a contemporary art gallery in New York. They focus their attention on their exhibition program\, artist rug program\, site-specific/public art program and an artist book program. They curate outside of the gallery\, lecture\, teach\, participate in art fairs\, and foster an active art advisory. Bravin received her BA in art history from Dartmouth College. \nAbout Blanka Amezkua\nBlanka Amezkua is formally trained as a painter; she attended the Accademia di belle Arti in Florence\, Italy and received her B.A. from California State University Fresno. Her work and projects have been shown in the United States\, Mexico\, Belgium and Greece. In cultural establishments such as: MoMA-P.S.1\, Exit Art\, The Bronx Museum of the Arts\, El Museo del Barrio\, Queens Museum of Art\, Towson University\, Dorsky Gallery\, The Taller Boricua\, The Block Gallery among others. You can read more about Blanka’s work and projects on her website. \nMentions of Blanka’s work and projects are included in ARTnews\, the New York Times\, TimeOut\, Daily News\, Art21:blog\, athinorama\, Athens News\, Queens Chronicle\, International Museum of Women\, WNYC\, as well as other publications. \nAbout Dahlia Elsayed\nDahlia Elsayed is an artist and writer who makes text and image based work that synthesizes an internal and external experience of place\, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings\, print and installation. Her work has been exhibited at galleries and institutions throughout the United States and internationally\, including the 12th Cairo Biennale\, Robert Miller Gallery\, BravinLee Programs\, The New Jersey State Museum and Aljira Center for Contemporary Art. Her work is in the public collections of the Newark Museum\, the Zimmerli Museum\, Johnson & Johnson Corporation\, the US Department of State\, amongst others. Dahlia has received awards from the Joan Mitchell Foundation\, the Edward Albee Foundation\, Visual Studies Workshop\, the MacDowell Colony\, Women’s Studio Workshop\, Headlands Center for the Arts\, and the NJ State Council on the Arts. She received her MFA from Columbia University\, and lives and works in New Jersey. Ms. Elsayed is Professor of Humanities at CUNY LaGuardia Community College in Long Island City\, NY. You can view more of her work on her website. \nAbout Jean Shin\nBorn in Seoul\, South Korea\, and raised in the United States\, is nationally recognized for her monumental installations that transform everyday objects into elegant expressions of identity and community engagement. For each project\, she amasses vast collections of a particular object—prescription pill bottles\, sports trophies\, sweaters—which are often sourced through donations from individuals in a participating community. These intimate objects then become the materials for her conceptually rich sculptures\, videos\, and site-specific installations. Distinguished by her meticulous\, labor-intensive process\, and her engagement of community\, Shin’s arresting installations reflect individuals’ personal lives as well as collective issues that we face as a society. \nShin attended the Skowhegan School of Painting and Sculpture in 1999 and received a BFA and MS from Pratt Institute in Brooklyn. She is a tenured Adjunct Professor of Fine Art at Pratt Institute and a recipient of Pratt’s 2017 Alumni Achievement Award. She lives and works in Brooklyn and Hurley\, NY. You can view her full bio and see more of her work on her website. \n\nImages: \n\nDigital rendering of Letha Wilson\, ‘Double Arc Leaves and Lava (Hawaii California)\,’ courtesy of Karin Bravin.\nKarin Bravin\, courtesy of the speaker.\nBlanka Amezkua\, courtesy of Greece-Is. Photo by Nikos Kokkas\nDahlia Elsayed\, courtesy of the artist.\nJean Shin\, courtesy of the artist.
URL:https://www.arttable.org/event/new-york-tour-of-regrowth-a-celebration-of-art-riverside-park-the-new-york-spirit-at-riverside-park/
LOCATION:Riverside Park\, Riverside Blvd\, New York\, 10069
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210610T140000
DTEND;TZID=America/New_York:20210610T140000
DTSTAMP:20210520T140636Z
CREATED:20210506T185047Z
LAST-MODIFIED:20210520T140636Z
UID:5629-1623333600-1623333600@www.arttable.org
SUMMARY:Virtual | Global Perspectives - Art & Culture in Mali with Massira Toure
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin us for a discussion with Massira Toure\, the founder and director of a digital art gallery\, Agansi.com\, which combines art and technology to enhance visibility for visual artists from Africa and allow them to sell their work worldwide. Through this platform\, Massira organizes virtual exhibitions\, sales\, and rentals of works of art. An artist herself\, Massira also organizes in-person exhibitions in Mali. She will speak with ArtTable member Janet Goldner about her gallery\, her art\, and the Malian cultural scene. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Massira Toure\nMassira has a masters from the Conservatoire des Arts et Métiers de Bamako. Her painting practice centers around traditional Malian cloth. She has exhibited her works in group and individual exhibitions in Mali\, Tunisia\, Benin\, the USA and France. She is also a committed educator\, teaching drawing and painting at the Conservatoire. \nAbout Janet Goldner\nJanet is an independent researcher\, scholar\, consultant and artist. She has a lifelong relationship with Africa. She received a Fulbright Senior Research Fellowship to Mali in 1995. Since then\, she has spent several months every year in Mali engaged cultural research and projects concerning cultural preservation\, contemporary art\, and artists in Mali. Her research takes the form of immersive fieldwork\, and she often collaborates with Malian artists. She has received three Fulbright Specialist grants and grants from the Ford Foundation and the UN Special Committee Against Apartheid. She has lectured widely. Published articles include a chapter in Contemporary African Fashion\, Indiana University Press\, an essay in Poetics of Cloth\, Grey Art Gallery\, NYU. \n  \nThank you to Janet Goldner from ArtTable’s New York Chapter Programming Committee for organizing this program.\n \n\nImages: \n\nMassira Toure\, courtesy of the speaker\nJanet Goldner\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-global-perspectives-art-and-culture-in-mali-with-massira-toure/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/Massira-e1620944566363.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210602T180000
DTEND;TZID=America/New_York:20210602T180000
DTSTAMP:20210515T132349Z
CREATED:20210514T010501Z
LAST-MODIFIED:20210515T132349Z
UID:5724-1622656800-1622656800@www.arttable.org
SUMMARY:Virtual | Reimagining Public Monuments: Old Stories & New Narratives
DESCRIPTION:6pm ET | 5pm CT | 4pm PT\nWe are delighted to present Monuments & Memorials: Then & Now\, a three part series about the history\, context and creation of public monuments and memorials. \nThis first panel will introduce milestones and controversies of past memorials and monuments. We will hear from Professor Harriet F. Senie\, Professor of Art History at C.U.N.Y. and its Graduate Center\, who will offer her perspective on The Evolution of Monuments: Paradigms and Underlying Issues based on her 30 years of experience teaching\, writing and participating on national selection commissions in the field of public art. She is joined by artist Alison Saar\, who will reflect on her much admired permanent 2007 Harriet Tubman Monument in Harlem\, a case study\, in New York City where there are few monuments to women or non-white males. We will also hear from artist Marisa Williamson\, who is known for reimagining under-represented historical subjects by bringing these figures to life through performance art and augmented reality (AR). She will speak about her practice using new narratives and new media for contemporary audiences. Cathie Behrend\, ArtTable New York member who co-organized this series\, will introduce the program and panelists. \nThe second panel in this series will be announced in the coming weeks and will focus on Reimagining Public Monuments & Memorials: Through Other Lenses. What have we seen? Whose stories will we now tell? Who will decide? Who will provide funding? What visions do artists now imagine for the future? A third panel in September will wrap up the series with a focus on the Preservation of Public Monuments & Sacred Spaces at Home & Abroad. We hope you will join us for all three! \nWe also look forward to sharing more information on an upcoming walking tour of Harlem with Cathie Behrend that will highlight monuments and memorials in the neighborhood\, including Alison Saar’s “Swing Low: Harriet Tubman Memorial” and the Frederick Douglass Sculpture and Water Wall. Stay tuned for more details! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Professor Harriet F. Senie\nHarriet F. Senie is professor of art history at City College and the CUNY Graduate Center. She is the author of Memorials to Shattered Myths: Vietnam to 9/11; The “Tilted Arc” Controversy: Dangerous Precedent?; and Contemporary Public Sculpture: Tradition\, Transformation\, and Controversy.  She is co-editor and contributor to Teachable Monuments: Using Public Art to Spark Dialogue and Confront Controversy; Museums and Public Art?; A Companion to Public Art; and Critical Issues in Public Art. In 2008\, she cofounded Public Art Dialogue\, an international organization and College Art Association affiliate\, and coedited its peer review journal Public Art Dialogue from 2011-17. She has served on the New York City Mayoral Advisory Commission on City Art\, Monuments\, and Markers; the She Built New York advisory committee\, and selection committees for the Women’s Rights Pioneers Monument in Central Park; the Mexico City 1968 Memorial; and the Flight 587 Memorial. Her current book project is Monumental Controversies: Mount Rushmore\, Four Presidents\, and the Quest for National Identity. \nAbout Alison Saar\nAlison Saar was born in Los Angeles\, California. She has been commissioned to create a number of Public Monuments including Swing Low a monument to Harriet Tubman\, Terra Incognita a memorial to York of the Lewis and Clark expedition and Embodied a monument to Justice. She received the United States Artist Fellowship in 2012 and has also been awarded the John Simon Guggenheim Memorial Foundation Fellowship and two National Endowment Fellowships. Alison has exhibited at many galleries and museums\, including the Hirshhorn Museum and Sculpture Garden and the Whitney Museum of American Art. Her art is represented in the collections of the Whitney Museum of American Art\, the Baltimore Art Museum\, the Modern Museum of Art and the Metropolitan Museum of Art. \nAbout Marisa Williamson\nMarisa Williamson is a project-based artist who has produced site-specific works at Monticello\, & by commission from Storm King Art Center\, the Metropolitan Museum of Art\, Monument Lab\, & the National Park Service. She has had solo exhibitions at the University of Virginia\, the University of Washington\, & SPACES in Cleveland. Her work has been exhibited nationally & internationally. Williamson has received grants from the Rema Hort Mann Foundation\, the Schlesinger Library on the History of Women in America\, & the Graham Foundation. Williamson holds a BA from Harvard & an MFA from CalArts. She lives & works in New Jersey & Connecticut\, serving as an assistant professor of media arts at the University of Hartford. \n  \nThank you to Cathie Behrend\, former Deputy Director of New York’s Percent for Art Program and founder of VenturesinVision\, and Lori Shepard\, member of ArtTable’s New York Chapter Programs Committee\, for organizing this program series. \n\nImages: \n\nMarisa Williamson\, Ruffin Hall: University of Virginia – Seeing that nothing is purely black or white\, the Ghost of Thomas Jefferson wanders in this grey area. Charlottesville\, VA. From Postcard Book: The Ghost of Thomas Jefferson\, 2018. Edition of 150. Photo by Gabby Fuller. Courtesy of the Artist. | Swing Low: A Harriet Tubman memorial by Alison Saar (Photo: Devin A. Hill for TravelMag)\nHarriet F. Senie\, courtesy of the speaker\nAlison Saar Self Portrait\, courtesy of the artist\nMarisa Williamson\, courtesy of the artist
URL:https://www.arttable.org/event/virtual-reimagining-public-monuments-old-stories-and-new-narratives/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/05/Mons.gif
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210526T120000
DTEND;TZID=America/New_York:20210526T120000
DTSTAMP:20210427T161546Z
CREATED:20210331T174756Z
LAST-MODIFIED:20210427T161546Z
UID:5216-1622030400-1622030400@www.arttable.org
SUMMARY:Virtual | Professional Empowerment: Taxation Insights on Art Transactions\, with Galina Portnoy
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Professional Empowerment program series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Please join us and Galina Portnoy\, CPA\, Director at Marks Paneth Accountants & Advisors for a discussion on issues of taxation in the art world. We will touch upon how similar art transactions are treated differently by the IRS depending on who is conducting the transaction (artist vs. dealer vs. investor vs. collector)\, art inclusion in estate planning\, art transactions and crypto currency\, among other essential topics! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Galina Portnoy\nGalina Portnoy\, CPA\, is a Director in the Private Client Services Group at Marks Paneth LLP. For more than 20 years\, Ms. Portnoy has provided tax\, accounting and consulting services to high-net-worth individuals\, family partnerships and their related entities. She has advised on a broad range of complex issues\, including strategic income tax planning and execution\, gifts and estates\, philanthropy\, matrimonial accounting\, business management and planning\, real estate and other transactions\, multi-state taxation and financial planning. \nMs. Portnoy has extensive experience advising artists\, art dealers and art investors\, as well as educators and researchers. In addition\, her clients include hedge fund managers\, investment advisors\, real estate investors and providers of legal\, financial and real estate-related services. She also oversees engagements that provide concierge services to high-net-worth individuals and their related entities. \nMs. Portnoy has represented clients before the Internal Revenue Service\, as well as the State and City of New York\, including on income tax\, residency and UBT issues. \nBefore joining Marks Paneth LLP in 2016\, Ms. Portnoy was a CPA at another accounting firm and\, prior to that\, worked in a variety of private and publicly traded organizations in a tax and accounting capacity. She is based in the firm’s New York City headquarters. \nThank you to ArtTable’s New York Chapter Programming Committee for organizing this program. \n\nImages:  \n\nHeader image courtesy of Kyle E. Krull\nGalina Portnoy\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-professional-empowerment-taxation-insights-on-art-transactions-with-galina-portnoy/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/gal-e1617212859973.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210518T180000
DTEND;TZID=America/New_York:20210518T180000
DTSTAMP:20210501T014541Z
CREATED:20210501T013034Z
LAST-MODIFIED:20210501T014541Z
UID:5525-1621360800-1621360800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - Immersive Technology & Art with Laura Hertzfeld & Nancy Baker Cahill
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee. Each discussion will explore different aspects of new media initiatives in the art world. These virtual conversations are led by experts in the field and appeal to all who are interested in digital media. \nAs COVID-19 has created a higher demand for art that can be experienced in the public space\, immersive technologies like augmented reality and virtual reality have become synonymous with what’s marketable and accessible in our current pandemic world. Artist Nancy Baker Cahill and journalist/producer Laura Hertzfeld will discuss immersive art\, the creative process\, and the possibilities and perils of the brave new world of NFTs – as well as provide insight on how to get started in the digital art world. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Nancy Baker Cahill\n \nNancy Baker Cahill is a new media artist who examines power\, selfhood\, and embodied consciousness through drawing and shared immersive space. She is the Founder and Artistic Director of 4th Wall\, a free Augmented Reality (AR) art platform exploring resistance and inclusive creative expression. Her recent AR public art project\, Liberty Bell\, commissioned by Art Production Fund\, earned features in the New York Times\, frieze Magazine\, Artnet\, Smithsonian Magazine and the Washington Post\, among many other publications. The project\, on view through 2021\, spans six historic and culturally significant sites along the Eastern Seaboard of the U.S. and appeared in Artnews’ list\, The Defining Public Artworks of 2020. Baker Cahill was also included in ARTnews’ list of 2021 Deciders. \nHer 2018 TED talk\, Augmented Reality (AR) as an Artist’s Tool for Equity and Access\, launched her international public speaking practice. She has since delivered keynotes at the 2019 Games For Change\, 2020 A.W.E. (Augmented World Expo) and has spoken at the Hirshhorn Museum and numerous academic institutions and conferences. Baker Cahill is an artist scholar in the Berggruen Institute’s inaugural Transformations of the Human Fellowship\, and will begin a residency focused on AR monuments at Oxy Arts this summer. She is the Art and Creative Technologies Advisor for the XRSI Safety Initiative\, and is a member of the Guild of Future Architects. In May 2021\, she will receive the Williams College Bicentennial Medal of Honor. \nAbout Laura Hertzfeld\nLaura Hertzfeld is an Emmy-winning producer\, writer\, and editor with over a decade of experience helping news organizations develop online content\, engagement and distribution strategies. She leads the XR Partner Program at Yahoo Ryot Labs\, building AR and VR projects for Verizon Media’s news partners. Laura was a 2018-2019 John S. Knight Journalism Fellow at Stanford University where she researched the intersection of art\, immersive storytelling\, and journalism. She previously led Journalism 360\, an immersive storytelling initiative from Google News Lab\, Knight Foundation\, and ONA. She has held leadership roles at Entertainment Weekly\, Ora TV\, and PBS.org and was an editor on the original Yahoo News team. \n  \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Co-Chair\, for organizing this program. \n\nImages:  \n\nHollow Point 101\, LUMINEX: Dialogues of Light\, Courtesy of Nancy Baker Cahill\nNancy Baker Cahill\, courtesy of the speaker\nLaura Hertzfeld\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-immersive-technology-and-art/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/Nancy-Cahill-ArtTable-program-scaled-e1619833074158.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210514T100000
DTEND;TZID=America/New_York:20210514T100000
DTSTAMP:20210427T171327Z
CREATED:20210422T200201Z
LAST-MODIFIED:20210427T171327Z
UID:5423-1620986400-1620986400@www.arttable.org
SUMMARY:New York | Tour of 'Maya Lin: Ghost Forest' at Madison Square Park
DESCRIPTION:Please join us for an in-person tour of ‘Maya Lin: Ghost Forest’ on view at Madison Square Park in New York City. The tour will be led by Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator at Madison Square Park Conservancy and ArtTable member. \nThis program is open to ArtTable members only. The program fee is $15. Light refreshments will be provided\, and the meeting spot will be circulated prior to the program. \nNot a member? Join today! \nDue to social distancing requirements\, registration for this program is limited to 20 attendees. Waitlisted registrants will be notified if space becomes available.  \n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. We recommend reading the Madison Square Park Conservancy’s policy regarding Health and Safety regulations at the park before registering. \nFor the health and safety of our hosts\, staff\, and attendees\, we require that you wear a mask or face covering for the duration of the program and maintain social distance between each person not from the same household. Masks will not be provided. Anyone without a mask will not be admitted to the program. There will be no exceptions.  \n  \n\n  \n\nAbout the exhibition\nMaya Lin’s Ghost Forest\, a towering stand of fifty haunting Atlantic white cedar trees\, is a newly-commissioned public art work. Lin brings her vision as an artist and her agency as an environmental activist to this project\, a memory of germination\, vegetation\, and abundance and a harsh symbol of the devastation of climate change. The height of each tree\, around forty feet\, overwhelms human scale and stands as a metaphor of the outsized impact of a looming environmental calamity. Click here to read more. \n\nAbout Brooke Kamin Rapaport\n \nBrooke Kamin Rapaport is Deputy Director and Martin Friedman Chief Curator at Madison Square Park Conservancy in New York. She was the Commissioner and Curator of the U.S. Pavilion at the 2019 Venice Biennale with the exhibition Martin Puryear: Liberty / Libertà. \n  \n  \n  \n  \nThank you to Ingrid Dinter\, Principal at Dinter Fine Art and ArtTable New York Chapter Program Committee member\, for organizing this program. \n\nImage: Installation view of ‘Ghost Forest’\, courtesy of Maya Lin Studio and Madison Square Park Conservancy; Brooke Kamin Rapaport courtesy of MSPC
URL:https://www.arttable.org/event/new-york-tour-of-maya-lin-ghost-forest-at-madison-square-park/
LOCATION:Madison Square Park (Exact meeting spot TBA)\, Madison Square Park\, New York\, NY\, 10010\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/6_credit-Maya-Lin-Studio-1600x1200-1-e1619121227135.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210513T120000
DTEND;TZID=America/New_York:20210513T120000
DTSTAMP:20210427T171707Z
CREATED:20210323T235246Z
LAST-MODIFIED:20210427T171707Z
UID:5128-1620907200-1620907200@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Estamos Bien - La Trienal 20/21' at El Museo
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Curator Susanna V. Temkin and Guest Curator Elia Alba about El Museo del Barrio’s first national large-scale survey of Latinx contemporary art\, featuring more than 40 artists from across the United States and Puerto Rico: ESTAMOS BIEN – LA TRIENAL 20/21. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\n \nSusanna Temkin (middle) is a Curator at El Museo del Barrio\, where she most recently organized the museum’s fiftieth anniversary exhibition\, Culture and the People: El Museo del Barrio\, 1969-2019\, drawing from objects from the Permanent Collection. Prior to this\, she served as Assistant Curator at Americas Society in New York\, as well as the research and archive specialist at the Cecilia de Torres\, Ltd.\, where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin earned her master’s and PhD degrees from the Institute of Fine Arts\, New York University\, where her research concentrated on modern art in the Americas\, with a focus on Cuba. She has published essays and reviews in the Rutgers Art Review\, Burlington Magazine\, and Hemispheres\, and authored the chronology of Concrete Cuba: Cuba Geometric Abstraction from the 1950s\, produced by David Zwirner Books. \nElia Alba (right) is a multidisciplinary artist\, who works in sculpture\, photography and video. She has exhibited at El Museo del Barrio\, New York; Stedelijk Museum\, Amsterdam; Smithsonian Museum of Art\, Washington D.C.; Perez Art Museum Miami; National Museum of Art\, Reina Sofía\, Madrid; as well as at the 10th Havana Biennial. Alba has received the Studio Museum in Harlem Artist-in Residence Program; the Joan Mitchell Foundation Grant and most recently the Anonymous Was A Woman award. Elia is also a published author. Her recent book\, The Supper Club\, (Hirmer\, June 2019)\, was critically acclaimed by The New York Times and produced by the Shelley and Donald Rubin Foundation. Elia brought together artists\, scholars and performers of diasporic cultures to examine race and culture in the United States through photography\, food and dialogue. \nThank you to Julia P. Herzberg\, PhD\, Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nEstamos Bien Banner Logo\, courtesy of the museum\nChief Curator Rodrigo Moura\, Curator Susanna V. Temkin\, and New York-based artist and Guest Curator Elia Alb
URL:https://www.arttable.org/event/virtual-curatorial-perspective-estamos-bien-la-trienal-20-21-at-el-museo/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/03/Untitled-design.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210505T180000
DTEND;TZID=America/New_York:20210505T180000
DTSTAMP:20210427T172335Z
CREATED:20210420T160917Z
LAST-MODIFIED:20210427T172335Z
UID:5365-1620237600-1620237600@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Plural Possibilities & the Female Body' at the Henry Art Gallery
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Join Curator Nina Bozicnik and Associate Curator of Collections Dr. Ann Poulson to discuss Plural Possibilities & the Female Body\, currently on display at the Henry Art Gallery\, University of Washington\, Seattle. Shamim M. Momin\, Director of Curatorial Affairs at the Henry and ArtTable’s 2010 New Leadership Awardee\, will introduce the discussion. Across painting\, photography\, and sculpture and a range of artistic strategies from abstraction to documentary\, the exhibition explores the gendered construction and deconstruction of the female body and its representation\, and creates a counterpoint to persistent myths and reductive ideas about femininity and gender norms. Artists include: Hannah Wilke\, Kiki Smith\, Chakaia Booker\, Patty Chang\, Zanele Muholi\, Wangechi Mutu\, Toyin Ojih Odutola\, Catherine Opie\, Mickalene Thomas\, Lisa Yuskavage\, and more. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nNina Bozicnik is Curator at the Henry Art Gallery\, where she has organized exhibitions including most recently Bambitchell: Bugs & Beasts Before the Law (2021)\, Carrie Yamaoka: recto/verso (2019)\, & Between Bodies (2018-19). She has also organized presentations & projects for the museum with artists including Demian DinéYazhi´ (2018)\, Chris E. Vargas & the Museum of Transgender Hirstory and Art (2016-17)\, & Michelle Handelman (2015)\, among others. Prior to the Henry\, Bozicnik held curatorial positions at the Currier Museum of Art\, Manchester\, New Hampshire; deCordova Sculpture Park & Museum\, Lincoln\, Massachusetts; and the Tufts University Art Gallery\, Medford\, Massachusetts. \nDr. Ann Poulson is the Associate Curator of Collections at the Henry Art Gallery. Before joining the Henry\, she worked with international organizations in the arts\, heritage\, and design\, including the National Portrait Gallery\, London; the Cooper-Hewitt National Design Museum; and Sotheby’s. She received her PhD in Modern British History from King’s College London; has an MA in the same from the University of Durham\, UK; an MA in Fashion History and Museum Practice from the Fashion Institute of Technology\, NY; and a BA in Art History from Brigham Young University\, UT. \nThank you to Lori Shepard\, ArtTable New York Programming Committee member\, for organizing this program. \n\nImages: \n\nInstallation view of Plural Possibilities & the Female Body\, 2021\, the Henry Art Gallery\, University of Washington\, Seattle; Photo: Jueqian Fang\nNina Bozicnik\, Photo: Jonathan Vanderweit.\nDr. Ann Poulson\, courtesy of the Henry Art Gallery
URL:https://www.arttable.org/event/virtual-plural-possibilities-and-the-female-body-henry-art-gallery/
LOCATION:Zoom
CATEGORIES:New York,National,Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Screen-Shot-2021-04-20-at-12.10.29-PM-1-e1619005370207.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210427T130000
DTEND;TZID=America/New_York:20210427T130000
DTSTAMP:20210427T161432Z
CREATED:20210331T223817Z
LAST-MODIFIED:20210427T161432Z
UID:5236-1619528400-1619528400@www.arttable.org
SUMMARY:Virtual | Deaccessioning: Competing Needs\, Contested Terrain\, & the Future of the American Museum
DESCRIPTION:1pm ET | 11pm CT | 10am PT\nhttps://www.arttable.org/wp-content/uploads/2021/03/ABCDFEGHIJKLMNOPQRSTUVWXYZ.mp4\n  \nAmerican art museums are at a critical crossroads. The economic fallout from COVID-19 coupled with the urgent need to address systemic racism and social injustice are converging to create a looming state of emergency. These intertwined crises have given rise to debates about who and what museums are for\, and what role permanent collection objects play in fulfillment of their missions. At the forefront of these discussions is the controversial practice of collection deaccessioning. A succession of headlines announcing the consignment of valuable art from high-profile institutions to auction houses throws into relief just how important it is\, at a time when art collections are increasingly seen to be in tension with addressing equity needs. This clash of priorities exists in the face of eroding resources\, and raises existential questions about the nature of museums and the public they serve\, as well as considerations of ethical guardrails and legislative oversight. \nWe invite you to join ArtTable and our expert panel on April 27 from 1-2 PM (EST) for a lively conversation about this pressing issue. We will hear from Dr. Jill Deupi\, Beaux Arts Director & Chief Curator of the Lowe Art Museum (University of Miami); Katie Wilson-Milne\, Partner at Schindler\, Cohen & Hochman LLP; and Sara Raza\, former Guggenheim UBS MAP Curator for the Middle East & North Africa; moderated by Hope Davis\, fine art appraiser\, Hudson River Museum trustee\, and member of the ArtTable New York Programs Committee. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nDr. Jill Deupi is the Beaux Arts Director and Chief Curator of the Lowe Art Museum (University of Miami). Prior to assuming this position\, Deupi was Director and Chief Curator of University Museums at Fairfield University\, where she was also an Assistant Professor of Art History. Deupi is a Trustee of the Association of Art Museum Directors (AAMD)\, co-chairs the Task Force for the Protection of University Collections (AAMG)\, and chairs the City of Coral Gables Arts Advisory Panel. She is also a Fellow of the American Academy in Rome\, the Leading Change Institute\, and the Getty Leadership Institute. \nKatie Wilson-Milne is a Partner at Schindler\, Cohen & Hochman LLP. Katie advises clients in the art\, cultural and creative communities\, including art galleries\, other art businesses\, collectors\, artists\, and not-for-profit organizations on matters related to the purchase\, sale\, lending and financing of art\, as well as gallery\, auction house\, and museum relationships and corporate governance. She also represents clients in the art world in disputes involving representation\, collaborations\, contracts\, copyright\, authenticity\, title\, provenance and appraisals. Katie also teaches and speaks regularly on art law topics. She is the former Secretary of the Art Law Committee of the New York City Bar Association and co-hosts the Art Law Podcast with Steven Schindler. \nSara Raza is the former Guggenheim UBS MAP Curator for the Middle East and North Africa. She has curated exhibitions of visual art art and culture for over a decade (2004-2018) internationally\, in both an independent and institutional capacity\, for museums\, festivals and biennials\, focusing on global art practices from Asia and the Middle East. She has also curated a number of public programs of artist talks and symposia to accompany her projects. \nHope Davis (moderator) is a fine art appraiser and a trustee of the Hudson River Museum in Westchester\, NY. Beginning at Sotheby’s\, her professional experience brought her to M. Knoedler & Co.\, where as Director of American Art\, she organized major exhibitions on James McNeill Whistler (Margaret MacDonald\, Curator)\, and Winslow Homer (Lloyd Goodrich\, Curator). She established Hope Davis Fine Art in the late 1980s\, specializing in late 19th-20th century American art. Now living in the Berkshires\, she also curates exhibitions and promotes contemporary regional artists through Davis Gregory Art. \n  \nThank you to Hope Davis\, ArtTable’s New York Chapter Programming Committee\, for organizing this program. \n\nImages:  \n\nArt Storage. Image via kasten-storage.com\, via Widewalls\nGIF Headlines courtesy of the New York Times\, Hyperallergic\, The Art Newspaper\, and Artnet News
URL:https://www.arttable.org/event/virtual-museum-deaccessioning/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/whitewall-e1617230200340.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210422T120000
DTEND;TZID=America/New_York:20210422T120000
DTSTAMP:20210402T142029Z
CREATED:20210331T195918Z
LAST-MODIFIED:20210402T142029Z
UID:5228-1619092800-1619092800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - In Beeple's Wake: The Next 5000 Days of NFTs & the Art Market
DESCRIPTION:12pm ET | 11am CT | 9am PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee that will explore different aspects of new media initiatives in the art world. These virtual conversations will be led by experts in the field and appeal to all who are interested in digital media. \nJoin Meghan Doyle\, cataloguer at Christie’s New York\, as she takes you through a behind the scenes look at the now historic March 2021 sale at Christie’s – Beeple’s EVERYDAYS: The First 5000 Days. Minted exclusively for Christie’s\, this purely-digital artwork was presented as an NFT (non-fungible token)\, effectively a guarantee of its authenticity. Bidding started at $100\, an approachable entry price that paralleled the accessible nature of the work’s medium and content\, and within an hour drew over 180 bids from across the globe\, pushing the price over $1 million in the first eight minutes alone. The work eventually realized $69\,356\,250 with 88% of active bidders entirely new to Christie’s\, thus ushering in a new art market era – one that transcends the boundaries of established collecting and traditional media. Marrying art and technology\, Beeple’s EVERYDAYS opened up the art market to a new world of possibilities. There will be plenty of time for questions and lively discussion. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Meghan Doyle\nMeghan Doyle is a Cataloguer at Christie’s New York. She joined the Post-War and Contemporary Art Department in August 2018. She has been directly involved in a diverse range of specialized auctions of Post-War and Contemporary Art including a pivotal role in the sourcing\, marketing and sale of Beeple’s EVERYDAYS: The First 5000 Days\, the first digital-only artwork to be offered at a major auction house\, which achieved $69\,346\,250 in March 2021\, and continues to support the development of and education around the burgeoning NFT art market. \nMs. Doyle holds BAs in Art History and Italian\, with a minor in Nonprofit Management\, from Pepperdine University\, where she graduated as valedictorian and was named the Art History student of the year in 2018. Prior to her work at Christie’s Ms. Doyle has served in positions at a variety of museums\, including The British Museum\, Tel Aviv Museum of Art and the Frederick R. Weisman Museum of Art. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Member\, for organizing this program. \n\nImages:  \n\nChristie’s Inc. with copyright Beeple 2021\nMeghan Doyle\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-in-beeples-wake-the-next-5000-days-of-nfts/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/BEEPLE-EVERYDAYS_THE_FIRST_5000_DAYS_smaller-2-scaled-e1617220415667.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210325T120000
DTEND;TZID=America/New_York:20210325T120000
DTSTAMP:20210219T161101Z
CREATED:20210211T155527Z
LAST-MODIFIED:20210219T161101Z
UID:4730-1616673600-1616673600@www.arttable.org
SUMMARY:Virtual | Exhibition Tour of 'Stayin' Alive' with Estrellita Brodsky
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a virtual exhibition tour of the exhibition Stayin’ Alive at ANOTHER SPACE with art historian\, collector\, and philanthropist\, Estrellita B. Brodsky.  Taking its title from the Bee Gees disco hit\, Stayin’ Alive explores artists’ responses to social and environmental crises\, as well as the threat to the natural and indigenous environments. \nArtTable Registration Fee* \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\n*All proceeds benefit ArtTable and support our mission of advancing the leadership of womxn in the visual arts. ANOTHER SPACE is not associated with the above fees. \nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nEstrellita B. Brodsky\, PhD\, is a New York-based art historian\, collector and philanthropist\, as well as an advocate for art from Latin America. A founding member of The Metropolitan Museum of Art’s Latin American Art Initiative\, the Latin American Acquisitions Committee at Tate\, and founder of the Pompidou Foundation’s Latin American Acquisitions Committee\, she has endowed curatorial positions in Latin American art at Metropolitan Museum of Art\, Tate\, and MoMA. Additionally\, in 2015 she founded ANOTHER SPACE\, a program and not-for-profit exhibition gallery established by the Daniel and Estrellita B. Brodsky Foundation to broaden international awareness and appreciation of art from Latin America. \nBrodsky holds a doctorate in art history from the Institute of Fine Arts\, New York University as well as a Master’s Degree from Hunter College. She curated the first U.S. museum survey of Julio Le Parc at the Pérez Art Museum Miami (PAMM): Julio Le Parc: Form into Action\, (2016-2017)\, which she subsequently organized in Sao Paulo\, Brazil and Buenos Aires\, Argentina; the first U.S. retrospective of the Venezuelan kinetic artist Carlos Cruz-Diez at the Americas Society in 2008; and Jesus Soto: Paris and Beyond\, 1950-1970 at Grey Art Gallery\, New York University\, in 2012. \nThank you to Julia P. Herzberg\, Ph.D. for organizing this program. \n\nImages:  \n\nInstallation view of Stayin’ Alive\nEstrellita Brodsky\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-stayin-alive-with-estrellita-brodsky/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FullSizeRender-preview-scaled-e1613064797590.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210323T180000
DTEND;TZID=America/New_York:20210323T180000
DTSTAMP:20210312T212624Z
CREATED:20210308T163702Z
LAST-MODIFIED:20210312T212624Z
UID:5001-1616522400-1616522400@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Lorraine O’Grady: Both/And' at the Brooklyn Museum
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Catherine Morris\, Sackler Senior Curator at the Elizabeth A. Sackler Center for Feminist Art\, and writer and co-curator of the exhibiton\, Aruna D’Souza\, for a discussion of the Lorraine O’Grady retrospective currently on view at the Brooklyn Museum. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Exhibition \nLorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance\, conceptual\, and feminist art. Lorraine O’Grady replaces either/or ways of thinking with the endless loop of “both/and\,” challenging the fixed positions of self and other\, here and there\, now and then\, all while reflecting on the poignancy of lives lived within dualistic frameworks. The artist addresses her own experience as a person marked by racial hybridity―her family histories connect the Caribbean\, Africa\, Europe\, and the United States―who is nonetheless definitively a Black woman. Through her exploration of legacies of cultural interconnection and reciprocal influences\, O’Grady sheds light on the ways Blackness has always existed at the heart of Western modernism. \nThe exhibition features twelve of the major projects O’Grady has produced over her four-decade career and also debuts a much-anticipated new installation. In addition to works presented in the Elizabeth A. Sackler Center for Feminist Art\, five of O’Grady’s projects are installed in collection galleries throughout the Museum\, highlighting the artist’s long engagement with art historical omissions and institutional failings related to the creative agency of those excluded from the canon. O’Grady’s radical revisionism of the 1980s and 1990s anticipated themes that have been embraced by a younger generation of artists and thinkers\, inspiring them to resist and reshape a world structured by difference and inequity. \nAbout the Speakers \nCatherine Morris is the Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Since 2009\, Catherine has curated a number of exhibitions for the Sackler Center including the award-winning Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art (co-curated with Vincent Bonin); Twice Militant: Lorraine Hansberry’s Letters to “The Ladder”; Between the Door and the Street: A performance initiated by Suzanne Lacy; “Workt by Hand”: Hidden Labor and Historical Quilts; Kathë Kollwitz: Prints from the “War” and “Death” Portfolios; Rachel Kneebone: Regarding Rodin; Newspaper Fiction: The New York Journalism of Djuna Barnes\, 1913–1919; Matthew Buckingham: “The Spirit and the Letter”; Lorna Simpson: Gathered; Sam Taylor-Wood: “Ghosts”; Kiki Smith: Sojourn; and Healing the Wounds of War: The Brooklyn Sanitary Fair of 1864. She was also the in-house curator of Eva Hesse Spectres 1960 and Seductive Subversion: Women Pop Artists\, 1958–1968. \nBefore joining the Brooklyn Museum\, Catherine was an independent curator. Among some of the projects she organized are Decoys\, Complexes\, and Triggers: Women and Land Art in the 1970s at SculptureCenter\, Long Island City; 9 Evenings Reconsidered: Art\, Theatre\, and Engineering in 1966 for the M.I.T. List Visual Arts Center; and Gloria: Another Look at Feminist Art of the 1970s at White Columns\, New York. From 2004 until 2009\, she was Adjunct Curator of Contemporary Art for the Philbrook Museum of Art in Tulsa\, Oklahoma\, where she curated shows of Josiah McElheny\, Lucy Gunning\, and Cameron Martin. In 2004\, she received a Penny McCall Foundation Award for Independent Curating and Writing. \nAruna D’Souza writes about modern and contemporary art\, intersectional feminisms and other forms of politics\, and how museums shape our views of each other and the world. Her most recent book\, Whitewalling: Art\, Race\, and Protest in 3 Acts (Badlands Unlimited)\, was named one of the best art books of 2018 by the New York Times. Aruna’s work appears regularly in 4Columns.org\, where she is a member of the editorial advisory board. Her work has also been published in The Wall Street Journal\, CNN.com\, ArtNews\, Garage\, Bookforum\, Momus\, Art in America\, and Art Practical\, among other places. She is currently editing two forthcoming volumes\, Making It Modern: A Linda Nochlin Reader\, and Lorraine O’Grady’s Writing in Space 1973-2018\, and is co-curator of the upcoming retrospective of O’Grady’s work\, Both/And\, which will open in March 2021 at the Brooklyn Museum. \n  \nThank you to Ingrid Dinter\, Principal Dinter Fine Art and Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nLorraine O’Grady (American\, born 1934). Rivers\, First Draft: The Woman in White eats coconut and looks away from the action\, 1982/2015. Digital chromogenic print from Kodachrome 35mm slides in 48 parts\, 16 × 20 in. (40.64 × 50.8 cm). Edition of 8\, plus 2 AP. Courtesy Alexander Gray Associates\, New York. © Lorraine O’Grady / Artists Rights Society (ARS)\, New York\nCatherine Morris\, courtesy of the Brooklyn Musuem\nAruna D’Souza\, photo credit Dana Hoey
URL:https://www.arttable.org/event/virtual-curatorial-perspective-lorraine-ogrady-both-and-at-the-brooklyn-musuem/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/lorraine.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210218T140000
DTEND;TZID=America/New_York:20210218T140000
DTSTAMP:20210211T152621Z
CREATED:20210205T233534Z
LAST-MODIFIED:20210211T152621Z
UID:4607-1613656800-1613656800@www.arttable.org
SUMMARY:Virtual | Artist Residencies: Evolving Amid the Pandemic
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nPlease join Ruth Adams (Art Omi – Ghent\, NY)\, Toccarra Thomas (Joan Mitchell Center – New Orleans\, LA)\, and Helen Toomer (Stoneleaf Retreat – Kingston\, NY) for a panel to explore how artist residencies are evolving their services to artists during the pandemic through “virtual” residencies and other strategies. The panelists will share their experiences with adapting their programming and pivoting their usual approach amid Covid\, as well as insights into ways the field may change long-term coming out of the pandemic. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10 ($5/additional guest)\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nRuth Adams is Executive Director of Art Omi in Ghent\, NY\, where she provides leadership for the multi-faceted contemporary arts center’s 120-acre Sculpture and Architecture Park and Gallery\, international artist residencies\, public arts events\, & education programming. Together with a Board of Trustees and Program Advisory Boards\, Adams is dedicated to Art Omi’s vitality and sustainability\, with a current focus on destination creation\, exemplary visitor services\, internationalism\, equity\, inclusivity\, and programming excellence. \n  \n \nToccarra A. H. Thomas is the Director of the Joan Mitchell Center in New Orleans. Thomas has previously served as the inaugural general manager of Pioneer Works in Brooklyn\, NY\, as well as inaugural managing director of SPACE\, a contemporary multidisciplinary art organization in Portland\, ME. In her role at the Joan Mitchell Center\, she directs the expansive artist residency program\, develops public programming and special projects to support community engagement with the Center’s artist residents\, and manages the day-to-day operations. Additionally\, Thomas works closely with leadership at the Joan Mitchell Foundation in New York to develop artist-centered resources and programming. \n  \n \nHelen Toomer is Co-Founder of STONELEAF RETREAT\, an artists’ residency and connective space in the Catskill Mountains of New York. The residency is focused on supporting women artists and families. She is the Founder of UPSTATE ART WEEKEND and the Co-Founder of Art Mamas Alliance. Formerly\, Toomer was Executive Director of Artists in Residence in Everglades (AIRIE) and Director of the IFPDA Fine Art Print Fair\, Collective Design Fair and PULSE Contemporary Art Fairs. She lectures on art fairs and professional development at universities and arts organizations in the US and the UK. She was also an adjunct professor at Sotheby’s Institute of Art and the Fashion Institute of Technology. Toomer co-founded and managed a contemporary art gallery\, toomer labzda in New York and graduated with Bachelors in Fine Arts from the Arts Institute of Bournemouth\, England. She serves on the Board of AIRIE and Advisory Committees for ProjectArt\, Foundwork and the Baxter St Camera Club of New York. \nThank you to Sarah McNaughton\, NY Chapter Programs Committee Co-Chair\, for organizing this program. \n\nImages: \n\nUta Bekaia (USA / Georgia) performance\, courtesy of Art Omi\nRuth Adams\nToccarra Thomas\nHelen Toomer
URL:https://www.arttable.org/event/virtual-artist-residencies-evolving-amid-the-pandemic/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/02/Screen-Shot-2021-02-05-at-6.42.56-PM-e1612570273835.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210205T083000
DTEND;TZID=America/New_York:20210205T093000
DTSTAMP:20210216T162118Z
CREATED:20210119T221909Z
LAST-MODIFIED:20210216T162118Z
UID:4449-1612513800-1612517400@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Jaynelle Hazard
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Jaynelle Hazard\, Executive Director & Curator of the newly rebranded Tephra Institute of Contemporary Art. Jaynelle will discuss how the Greater Reston Arts Center repositioned and transformed into Tephra ICA as the institution’s programs\, audience\, and impact had drastically evolved over the past several years. \nThis program is free for ArtTable members only. Members may bring one guest for an additional $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Jaynelle Hazard\nPrior to joining Greater Reston Arts Center\, Jaynelle Hazard was the Director of Exhibitions at Workhouse Art Center. There she developed\, implemented\, and oversaw contemporary art programming initiatives. In previous roles\, she supported various art programs and worked with some of the most celebrated artworks by supporting the corporate contemporary art collection at UBS\, the Union Bank of Switzerland\, and via her work at Blank Projects\, a contemporary art gallery in Cape Town\, South Africa. Significant milestones throughout Hazard’s career include producing more than 75 exhibitions in turn providing opportunities to more than 200 artists\, introducing the first outdoor mural project and festival in the Northern Virginia region\, and partnering with the Smithsonian American Art Museum in leading the conference\, State of Art 5/DC. \nJaynelle Hazard relocated to Washington\, DC from New York in 2017 where she earned a Master of Arts degree at Sotheby’s Institute of Art. She currently serves as the Co-Chair for the Washington\, DC Chapter of Sotheby’s Institute of Art Alumni and Chair of the Faith Flanagan Fellowship for ArtTable’s DC Chapter. \nAs the Executive Director and Curator of Tephra ICA\, Jaynelle builds a critically engaged practice by introducing methods to advance scholarship; extending reach in interdisciplinary experimentation of contemporary art and ideas; as well as engaging audiences of all backgrounds and identities. With a curatorial foundation and leadership style rooted in care\, Hazard is a catalyst and serves as a bridge between the public and the most innovative art of our time. \nAbout Tephra ICA\nTephra ICA is a non-profit\, non-collecting institution committed to promoting innovative contemporary art and thinking. Leading with curiosity and care\, the organization is a catalyst\, generator\, and advocate for visual arts. The institution is devoted to celebrating artists. It values the power of art to broaden and shift perspectives\, start difficult conversations\, and consider alternative ideas. \nThank you to ArtTable’s Washington\, D.C. Chapter for organizing this program. \n\nImage: Jaynelle C. Hazard
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-jaynelle-hazard/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210203T120000
DTEND;TZID=America/New_York:20210203T120000
DTSTAMP:20210217T232937Z
CREATED:20210119T212806Z
LAST-MODIFIED:20210217T232937Z
UID:4444-1612353600-1612353600@www.arttable.org
SUMMARY:Virtual | Collection Visit with Ellen Cantrowitz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nThis virtual collection visit program is free for ArtTable Circle Members and $10 for all other members. Click here to learn more about ArtTable’s membership levels. \nHow it works: \nYou will receive access to a recorded collection visit in advance of the live program on February 3. The collector creates this recording exclusively for ArtTable members\, so please do not share or rerecord this video. Members are then invited to attend a live virtual discussion with the collector led by ArtTable’s Executive Director\, Jessica Porter\, to learn more and ask questions. \nHow to take part: \n\nAre you an ArtTable member? Click here login and Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nEllen Cantrowitz has been collecting art since graduating from college. She collects paintings\, sculpture\, and drawings from the second half of the 20th century and the 21st century. She is also a private art dealer of international art\, for the past three decades. She was a member of the Bronx Museum’s Acquisitions Committee\, and Education Committee until 2017. Ellen is also a member of the Acquisitions Committee at the Parrish Art Museum in Watermill\, NY\, and a supporter of various exhibitions and rehangings at that museum. She is a devoted ArtTable member for the past 16 years. Ellen is also a member of the Cultivist art group. \n\nImage: Artwork by Otto Piene & Jay De Feo
URL:https://www.arttable.org/event/virtual-collection-visit-with-ellen-cantrowitz/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210129T120000
DTEND;TZID=America/New_York:20210129T120000
DTSTAMP:20210216T163956Z
CREATED:20201221T184157Z
LAST-MODIFIED:20210216T163956Z
UID:4270-1611921600-1611921600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Hiba Schahbaz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Hiba Schahbaz. \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Hiba Schahbaz \nBorn in Karachi\, Pakistan\, Hiba Schahbaz is a Brooklyn-based figurative painter who works primarily with paper\, black-tea\, and water based pigments. Her subjects\, largely drawn from her lifelong practice of self portraiture\, inhabit a dreamlike\, all-female world. Schahbaz initially trained in Indo-Persian miniature painting at Lahore’s National College of Arts\, and later earned a Master’s in Painting from Pratt Institute in New York. Her work addresses issues of personal freedom\, destruction\, sexuality and censorship by unveiling the beauty\, fragility and strength of the female form. \nHer solo shows include Dreaming (De Buck Gallery 2020)\, In Solitude (De Buck Gallery\, 2020)\, The Garden (Spring/Break Art Show\, 2018)\, Hiba Schahbaz: Self-Portraits (Project for Empty Space\, 2017)\, Hanged With Roses (Thierry Goldberg Gallery\, 2015)\, and In Memory (Noire Gallery\, 2012). Schahbaz has participated in numerous group exhibitions\, including a recent show curated by Jasmine Wahi in Tokyo\, “all the women. in me. are tired.”\, at THE CLUB\, as well as exhibitions at NiU Museum of Art\, The Untitled Space\, and Center for Book Arts; and has shown at art fairs such as Pulse Art Fair\, Untitled Art Fair\, Art Fair Cologne\, and Vienna Fair. \nPublications like Vice\, Hyperallergic\, The Huffington Post\, Coveteur\, Vogue\, NY Magazine\, Art Critical\, ArtForum\, Bomb Mag\, Paper\, and others have written about Hiba’s work. Schahbaz has curated painting exhibitions in Pakistan and India\, and she was an artist-in-residence at Mass MoCA\, The Wassaic Project\, Vermont Studio Center\, and the Alfred Z. Solomon Residency at the Tang Museum. She teaches miniature painting at the Art Students League in New York\, and her work is held in private collections around the world. \n(Bio adapted from De Buck Gallery press release\, 2020) \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImage Credits \n\nHiba Schahbaz in her studio in Brooklyn\, NY.\nInside Hiba’s studio; photo by Meiying Thai
URL:https://www.arttable.org/event/virtual-artist-talk-with-hiba-schahbaz/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210128T090000
DTEND;TZID=America/New_York:20210128T090000
DTSTAMP:20210217T233015Z
CREATED:20201215T201913Z
LAST-MODIFIED:20210217T233015Z
UID:4252-1611824400-1611824400@www.arttable.org
SUMMARY:Virtual | AT Local: NY Coffee Break
DESCRIPTION:AT Local virtual programs present opportunities to connect as a local chapter online. This Coffee Break event is for members of ArtTable’s New York chapter. Stay tuned for AT Local events near you! \nNot a member? Join us today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nWith so many now working from home\, separated from colleagues and usual networks of friends\, many of us are missing the stimulating conversations and debates that filled the working week. This has led us to organize the AT Local Coffee Break\, a casual conversation over a hot drink\, providing a virtual space for members of the New York chapter to come together to network and discuss newsworthy topics in our community. \nJoin the New York programs committee co-chairs Jacqueline Towers-Perkins and Sarah McNaughton for the third installment of this interactive and informal discussion-based event. We will address the most pressing art world topics of the week and ask you to share your thoughts on the industry developments hitting the headlines. We will circulate an informal agenda of topics prior to the event. Please come prepared to speak up and to be called on for your opinion – we want to hear your thoughts! \nPlease Note: numbers for this program are limited so should you no longer be able to attend the session\, please let us know as soon as possible so that another member can take your place. \nClick here to see who’s registered! \nThank you to Jacqueline Towers-Perkins and Sarah McNaughton\, NY Programs Committee Co-chairs. 
URL:https://www.arttable.org/event/virtual-at-local-ny-coffee-break/
LOCATION:Zoom
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/12/NY-Coffee-Break-2-e1608064643196.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210127T120000
DTEND;TZID=America/New_York:20210127T120000
DTSTAMP:20210216T164220Z
CREATED:20201207T163304Z
LAST-MODIFIED:20210216T164220Z
UID:4216-1611748800-1611748800@www.arttable.org
SUMMARY:Virtual | AT Connect with Aubrey Catrone
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s AT Connect program series encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from Aubrey Catrone\, an international art historian\, appraiser\, and provenance researcher. Aubrey is also a member of ArtTable’s New York Chapter. \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Aubrey \nAubrey Catrone is an international art historian\, appraiser\, and provenance researcher. Aubrey earned an MA in History of Art from University College London\, specializing in the documented histories of art objects and is a member of the Appraisers Association of America. With an art gallery and academic research background\, Catrone founded Proper Provenance\, LLC to provide her clients with the tools\, not only to historically contextualize art\, but also to shed light on attribution and legal title within the international art market. \nCatrone has researched artworks\, paintings\, artefacts\, works on paper\, prints\, and sculptures spanning the fourth century B.C. to the twenty-first century A.D. She continues to volunteer with the Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Jeu de Paume Database. \n\nImages: \nAubrey Catrone\, courtesy of the speaker \nAre you interested in participating in an AT Connect program? Email programs@arttable.org for more information!
URL:https://www.arttable.org/event/virtual-at-connect-with-aubrey-catrone/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/Catrone.Headshot-2-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210126T100000
DTEND;TZID=America/New_York:20210126T100000
DTSTAMP:20210217T233043Z
CREATED:20201202T225330Z
LAST-MODIFIED:20210217T233043Z
UID:4095-1611655200-1611655200@www.arttable.org
SUMMARY:Virtual | The Contemporary Art Landscape in Israel\, with curator Rotem Ruff
DESCRIPTION:10am ET | 9am CT | 7am PT\nJoin us for a live discussion with Tel-Aviv-based Rotem Ruff\, Associate Director of Artis\, who will present an overview of the contemporary art landscape in Israel\, with an emphasis on major museums\, mid-size art institutions\, alternative spaces\, and residencies. \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n  \n\nAbout Rotem Ruff \nRotem Ruff is the Associate Director of Artis\, Tel Aviv and is Heading the Office of International Academic Affairs at Bezalel Academy of Art and Design\, where she is also a lecturer. During her decade-long stay in New York\, she earned her B.A. and M.A. in Art History at Hunter College and held positions in various institutions such as the Museum of Modern Art (MoMA). In Israel\, she worked as a curator at the Haifa Museum of Art and has organized public programs and curated numerous exhibitions in leading museums and various cultural venues. \nRotem is the co-founder and co-director of REACTIK\, an International Erasmus+ Jean-Monnet Network\, researching EU Cultural Diplomacy and Policy. Rotem served on the International Council of the renowned television series Art21\, the Israeli Lottery Committee for the Arts\, the International Exposure dance festival\, and DocAviv film festival. \nAbout Artis \nArtis is an independent nonprofit organization that supports contemporary artists from Israel whose work addresses aesthetic\, social and political questions to inspire reflection and debate. Artis was founded in 2004 by philanthropist Rivka Saker with the goal of amplifying international recognition of artists from Israel. Starting off as a series of public events timed with New York’s Armory Show\, the organization’s scope expanded to include programs that invest in artists and cultural exchange. We raise our annual budget without governmental funds through the generosity of individuals and foundations that share our values. Artis is based in New York and Tel Aviv. \nThank you to Michelle Perr from ArtTable’s New York Chapter\, Hillit Zwick\, Executive Director of Artis\, and Rotem Ruff for organizing and participating in this program. \n\nImage: Rotem Ruff
URL:https://www.arttable.org/event/virtual-the-contemporary-art-landscape-in-israel-with-rotem-ruff/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/12/rotem-233x310-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210122T120000
DTEND;TZID=America/New_York:20210122T120000
DTSTAMP:20210217T233052Z
CREATED:20201202T154252Z
LAST-MODIFIED:20210217T233052Z
UID:4196-1611316800-1611316800@www.arttable.org
SUMMARY:Virtual | Collection Visit with Laura Blanco
DESCRIPTION:12pm ET | 11am CT | 9am PT\nThis virtual collection visit program is free for ArtTable Circle Members and $10 for all other members. Click here to learn more about ArtTable’s membership levels. \nHow it works: \nYou will receive access to a recorded collection visit in advance of the live program on January 22. The collector creates this recording exclusively for ArtTable members\, so please do not share or rerecord this video. Members are then invited to attend a live virtual discussion with the collector led by ArtTable’s Executive Director\, Jessica Porter\, to learn more and ask questions. \nHow to take part: \n\nAre you an ArtTable member? Click here login and Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nLaura Blanco is a pro-bono advisor to museums and institutions on matters of governance\, ethics and development. She was a producer in the entertainment industry for over twenty years. \nMs. Blanco has served on numerous boards and committees within the areas of architecture\, music\, theater and fine arts. She and her husband have been collecting art by Cuban American artists for over 25 years and are the founders of the In Art We Trust Foundation and Museum. \nMs. Blanco is currently the founding board chair serving the Arts Museum of the Americas\, in Washington\, DC. The museum is the first institution in the United States to hold a collection of modern and contemporary Latin American art. \n\nImage: At home with Laura Blanco; artwork is by Demi (Camagüey\, Cuba\, 1955)\, The Execution (1994-2014). Oil on canvas\, 60” x 82”.
URL:https://www.arttable.org/event/virtual-at-circle-collection-visit-with-laura-blanco/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/IMG_1181-scaled-e1606925601314.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210119T180000
DTEND;TZID=America/New_York:20210119T190000
DTSTAMP:20241022T185310Z
CREATED:20201217T210929Z
LAST-MODIFIED:20241022T185310Z
UID:4261-1611079200-1611082800@www.arttable.org
SUMMARY:Virtual | New York Holiday Party
DESCRIPTION:Please join the NY Chapter for our annual holiday party! Although we’ll be celebrating virtually this year\, we have a fantastic party planned with art games\, festive cocktails and singalongs\, as well as a chance to honor this year’s NY Chapter Leadership Award recipient\, Jane Borthwick\, and show your support of ArtTable!\n\nArtTable Executive Director Jessica Porter will join us for a look back at 2020 and a look ahead to the coming year with ArtTable\, nationally and within our NY chapter. Come celebrate with us in front of your favorite and merriest Zoom backdrop as we toast to ArtTable and our wonderful NY members!\n\nHow to take part:\n\n 	Click here to Register for this event.\n 	Following registration you will receive call-in information in the form of a ZOOM link\n 	Before joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\n 	For further instruction on how to use Zoom\, see here.\n\nIf you can’t attend but would still like to support ArtTable\, please consider making a donation here!\n\nThis event is for members of ArtTable’s New York chapter only. Not a member? Join us today!\n\nClick here to see who’s already registered!\n\nThank you to NY Programs Committee Co-Chairs\, Sarah McNaughton and Jacqueline Towers-Perkins\, and NY Membership Committee Co-Chairs\, Ana-Alicia Siqueiros and Edie Meyer.
URL:https://www.arttable.org/event/virtual-new-york-holiday-party/
LOCATION:Zoom
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/12/HAPPY-HOLIDAYS-e1608240163719.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210115T120000
DTEND;TZID=America/New_York:20210115T120000
DTSTAMP:20210216T165058Z
CREATED:20201221T215738Z
LAST-MODIFIED:20210216T165058Z
UID:4297-1610712000-1610712000@www.arttable.org
SUMMARY:Virtual | Curating Under Covid\, with Adrienne L. Childs\, Laura Roulet\, & Sarah Tanguy
DESCRIPTION:12pm ET | 11am CT | 9am PT\nSince the outbreak of the Covid-19 pandemic\, curators have struggled to continue their work with artists and arts organizations and to find new ways to bring exhibitions to the public. Washington\, D.C.-based independent curators Adrienne L. Childs\, Laura Roulet\, and Sarah Tanguy have each opened exhibits amid the crisis. Despite the shutdown\, they have been able to organize exhibitions at The Phillips Collection\, Brentwood Arts Exchange\, and the Kreeger Museum. Childs\, Roulet\, and Tanguy will share their experiences in maintaining and evolving their practices during these trying times. \nTickets are $5 for ArtTable members. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers \nAdrienne L. Childs\, Ph.D.\, is an independent scholar\, art historian\, and curator. She is an associate of the W.E.B. Du Bois Research Institute at the Hutchins Center at Harvard University. She was recently a guest curator of The Phillips Collection exhibit\, “Riffs and Relations: African American Artists and the European Modernist Tradition.” The exhibit presents the works of 20th to 21st century African American artists alongside the examples of 20th-century art that inspired those American artists. Childs was also a curator at the David C. Driskell Center at the University of Maryland. \nLaura Roulet is an independent curator and writer in the DC metropolitan area and specializes in contemporary and Latin American art. She has organized exhibitions in Mexico\, Puerto Rico and the U.S. including at the OAS Art Museum of the Americas\, the American University Museum\, the Mexican Cultural Institute\, Hillyer Art Space\, WPA\, Arlington Arts Center\, and the DC Art Center. Roulet is a frequent contributor to Sculpture magazine. Her other publications include many catalog essays\, encyclopedia entries\, articles in American Art\, Art Journal and Art Nexus. In the fall of 2020\, Brentwood Arts Exchange exhibited her most recent exhibition\, “Mothering in a World Turned Upside Down.” The exhibit focused on visual embodiments of motherhood during a time of social\, physical\, and economic uncertainty. \nSarah Tanguy is a Washington\, DC-based independent curator and arts writer. From 2004-2019\, Tanguy was also a curator for Art in Embassies\, U.S. Department of State\, where she curated over 100 exhibitions and 12 permanent collections for U.S. diplomatic facilities overseas. She has also worked at the Hirshhorn Museum and Sculpture Garden\, the National Gallery\, The Tremaine Collection\, the Smithsonian Institution Traveling Exhibition Service\, and The Hechinger Collection. Her exhibit “TRACES” is currently on display at the Kreeger Museum and each artwork featured in the exhibition explores the many meanings of the word “trace.” \nImage: Roxana Alger Geffen\, Complicated Presence (Covid Coat)\, 2020
URL:https://www.arttable.org/event/virtual-curating-under-covid/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210114T120000
DTEND;TZID=America/New_York:20210114T120000
DTSTAMP:20210216T165147Z
CREATED:20201028T180347Z
LAST-MODIFIED:20210216T165147Z
UID:4004-1610625600-1610625600@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Betye Saar: Call and Response'
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Carol S. Eliel\, Senior Curator of Modern Art at the Los Angeles County Museum of Art\, and Rachel Federman\, Associate Curator of Modern and Contemporary Drawings at The Morgan Library & Museum\, about the exhibition\, Betye Saar: Call and Response\, currently on view at The Morgan Library & Museum in New York. \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Speakers \nRachel Federman is Associate Curator of Modern and Contemporary Drawings at The Morgan Library & Museum. Before joining The Morgan in 2016\, she was Assistant Curator of Painting and Sculpture at SFMOMA\, where she helped organize the retrospective Bruce Conner: It’s All True. She also curated the museum’s inaugural galleries of California art. Since arriving at The Morgan\, she has curated By Any Means: Contemporary Drawings from The Morgan (2019) and Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet (2019). She has published essays on Bruce Conner\, Richard Diebenkorn\, Paul McCarthy\, Allen Ruppersberg\, and Andy Warhol\, among others. Rachel holds a PhD in Art History from the Institute of Fine Arts\, New York University. \n \nAs Senior Curator of Modern Art at the Los Angeles County Museum of Art\, Carol S. Eliel is involved with exhibitions and acquisitions of historical and living artists. Current and upcoming projects include Betye Saar: Call and Response (at LACMA earlier this year\, on view now at The Morgan and traveling through 2021)\, which looks at the arc of Saar’s career through the lens of her sketchbooks; and Light\, Space\, Surface: Southern California Art from LACMA’s Collection (2021-22\, traveling)\, both with publications. The Saar catalogue received the 2020 Publication Award for Excellence by the Association of Art Museum Curators (AAMC). She previously co-organized Moholy-Nagy: Future Present (2016-17) with the Guggenheim and the Art Institute of Chicago. Carol has recently spearheaded acquisitions by Betye Saar\, Fred Eversley\, Maren Hassinger\, Mildred Howard\, Lari Pittman\, Alison Saar\, and others. She conceived and produced the core twenty of LACMA’s Artists on Art series of short\, web-based videos featuring artists speaking about a specific work in LACMA’s encyclopedic collections. She started at LACMA as a curatorial assistant\, having received her BA from Yale and her MA and PhD from the Institute of Fine Arts\, NYU. In 1999 Carol was named a Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by the French government. She served as President of the AAMC from 2011-2013 and was a Center for Curatorial Leadership Fellow in 2015. \nThank you to Annette Blaugrund\, ArtTable Board President\, for helping to make this program possible. \n\nImage: Installation photograph\, Betye Saar: Call and Response\, at the Los Angeles County Museum of Art\, September 22\, 2019 – March 14\, 2020\, © Betye Saar\, photo © Museum Associates/LACMA
URL:https://www.arttable.org/event/virtual-curatorial-perspective-betye-saar-call-and-response/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/10/Betye-Saar-2-scaled-e1605633921923.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210113T120000
DTEND;TZID=America/New_York:20210113T130000
DTSTAMP:20210216T165208Z
CREATED:20201117T155032Z
LAST-MODIFIED:20210216T165208Z
UID:4101-1610539200-1610542800@www.arttable.org
SUMMARY:Virtual | AT Connect with Marika Kuźmicz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s AT Connect program series allows and encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from art historian\, curator\, researcher\, and publicist\, Marika Kuźmicz\, who is currently working on an online database highlighting the lives and work of overlooked female artists. You can read more about the database here.\n \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Marika \nDr. Marika Kuźmicz is an art historian\, curator\, researcher\, and publicist. She is the dean of students and lecturer at the Academy of Fine Arts (Department of Visual Culture and the Artistic Research) in Warsaw and Warsaw University. She is also a lecturer at Collegium Civitas in Warsaw. For many years she conducted research on Polish art of the 1970s\, particularly advocating performance and video art. In 2010 she established the non-profit organization Arton Foundation. Its main activity is the elaboration of private archives of artists. Kuźmicz is the author and editor of many books\, such as “The Workshop of The Film Form” (2016\, co-edited with Łukasz Ronduda\, published by Sternberg Press) and “History of Performance in Poland” and many monographs of Polish artists (like Zdzisław Jurkiewicz\, Ludmiła Popiel and many others) based on her research in private archives. She has curated many exhibitions in Poland and abroad\, most recently: “Her Own Way – Female Artists and the Moving Image in Art in Poland”\, Tokyo Photographic Art Museum and the monographic exhibition of Barbara Kozłowska “You Can See It All Anywhere” (2020\, Muzeum of Contemporary Art\, Wrocław). She is also the curator of the film festival “Arton Review”\, devoted to the forgotten forerunners of Polish avant-garde film and video. The 2017 edition took place in Whitechapel Gallery in London and in 2020\, the film festival was part of the Oberhausen Shortfilm Festival. Kuźmicz was the coordinator of an international art project “Forgotten Heritage – European Avant-Garde Art Online” dedicated to the re-discovering marginalized avant-garde artists from Poland\, Croatia\, Belgium and Estonia. In 2017 she also established Edward Hartwig Foundation\, the organization devoted to the developing and dissemination of legacy and art on Edward Hartwig\, the key Polish photographer. Currently she is the main coordinator and the curator of the project “Not Yet Written Stories: Women Artists Archives On-line”\, supported by Creative Europe\, in collaboration with the Latvian Centre for Contemporary Arts in Riga and the Centre for Contemporary Arts in Ljubljana. \n\nImage: Marika Kuźmicz \nAre you interested in participating in an AT Connect program? Email programs@arttable.org for more information!
URL:https://www.arttable.org/event/virtual-at-connect-with-marika-kuzmicz-2/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/11/screen2.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210110T140000
DTEND;TZID=America/New_York:20210110T140000
DTSTAMP:20210216T165259Z
CREATED:20201210T163353Z
LAST-MODIFIED:20210216T165259Z
UID:4237-1610287200-1610287200@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nReading at the (Art)Table is ArtTable’s Northern California chapter book club that has gone virtual to stay connected during the pandemic. We engage in conversations about art\, culture\, criticism\, and contemporary challenges. For this session\, will be reading and discussing “Video Art — The First Fifty Years” by pioneering video art curator\, Barbara London. Tracing the history of the medium and the broader field of media art\, we look forward to a lively discussion of development and transformation. \nThis program is for ArtTable members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-5/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/1013051.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210108T083000
DTEND;TZID=America/New_York:20210108T093000
DTSTAMP:20210216T165351Z
CREATED:20201202T193618Z
LAST-MODIFIED:20210216T165351Z
UID:4206-1610094600-1610098200@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Molly Warnock
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with art critic and art historian Molly Warnock. \nTickets are $5. Members attend for free. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Molly Warnock \nBaltimore-based Molly Warnock is the author of “Simon Hantaï and the Reserves of Painting” (Pennsylvania State University Press\, 2020). She has published writings in journals such as Artforum\, Art in America\, Les Cahiers du Musée National d’Art Moderne\, Tate Papers\, Journal of Contemporary Painting\, and on nonsite.org. Her work has also been featured in numerous U.S. and European exhibition catalogues. \nCurrently\, Warnock is a 2020-21 Ailsa Mellon Bruce Visiting Senior Fellow at the Center for Advanced Study in the Visual Arts at the National Gallery of Art. \nThank you to Lily Siegel\, ArtTable DC Faith Flanagan Fellowship Co-Chair\, for organizing this program. \n\nImage: Molly Warnock
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-molly-warnock/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/Portrait_Warnock-e1606937807313.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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