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DTSTART;TZID=America/New_York:20201007T160000
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CREATED:20200916T215046Z
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SUMMARY:Annual Leadership Series: Enacting Equality\, Ending Racism with Sandra Jackson-Dumont
DESCRIPTION:Image: Marie Watt\, ‘Companion Species (Calling All My Relations)’\, 2018\, photographed by Edward Robison \n4 PM EDT/ 3 PM CDT/ 1 PM PDT \nClick here to REGISTER.\nArtTable Members\, please log in to enjoy special member pricing. \nArtTable’s Annual Leadership Series is dedicated to convening top voices in the arts to deeply explore the most pressing issues of our time. This year\, Sandra Jackson-Dumont (Director and CEO\, Lucas Museum of Narrative Art) moderates an essential conversation on race and equity in the art world with Suzy Delvalle (former Head of Creative Capital)\, Lisa Yancey (President\, Yancey Consulting\, LLC)\, and Marie Watt (artist). These inspirational visionaries will share their perspectives on systemic inequity and racism in the art world—as reflected in leadership roles\, salary structure\, fundraising priorities\, and beyond—and discuss the meaningful changes they are spearheading to move the field toward equity and inclusion.  \nArtTable’s Annual Leadership Series presents a public forum featuring a distinguished roster of artists\, change-makers\, and leaders in our field to discuss relevant and emerging issues for those working in arts and culture. In the past\, our speakers have included Thelma Golden\, Christy Maclear\, Monica O. Montgomery\, Anne Pasternak\, and many more. \nHow to take part! \n\nClick the above link to register for this program.\nFollowing registration\, you will receive a Zoom link to dial into the program.\nIf you do not already have it\, download the Zoom app for your computer or mobile device from Zoom’s Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a Join link.\nFor further instruction on how to use Zoom\, click here.\n\n\nAbout Sandra Jackson-Dumont \nSandra Jackson-Dumont joined the Lucas Museum of Narrative Art as director and CEO in January 2020. Tasked with leading the institution through its opening and beyond\, Jackson-Dumont came to the Lucas Museum from the Metropolitan Museum of Art\, where she served as the Frederick P. and Sandra P. Rose Chairman of Education from 2014 to 2019. \nAt the Lucas Museum\, Jackson-Dumont oversees wide-ranging programming and operational teams and will manage a staff of more than 230 by the time the museum opens. She leads the curatorial\, museum experience\, education\, and collections management teams in exploring the extensive collection and developing exhibitions and programs for the museum’s extensive gallery and classroom spaces. The Lucas Museum broke ground in March 2018 in Los Angeles’s Exposition Park\, and Jackson-Dumont also works with the architecture and construction teams to bring architect Ma Yansong’s vision for the 11-acre campus and 300\,000-square-foot building to life. Jackson-Dumont reports to the Lucas Museum’s board of directors. \nThroughout her career\, Jackson-Dumont has developed programming around museum collections and special exhibitions to engage a broad range of audiences\, from school-age children and their teachers to artists and scholars. At The Met\, Jackson-Dumont conceived of and managed an array of dynamic public programs\, community engagement and academic initiatives\, and live arts performances for diverse audiences. Jackson-Dumont also served for eight years as the deputy director for education and public programs and adjunct curator of modern and contemporary art at the Seattle Art Museum (SAM). There\, she oversaw educational public programs\, interpretive technology\, and community affairs across the museum’s three venues\, as well as organized significant exhibitions and collaborative projects on the work of Theaster Gates\, Titus Kaphar\, LaToya Ruby Frazier\, and Sondra Perry\, among others. Prior to that\, Jackson-Dumont held positions at the Studio Museum in Harlem and the Whitney Museum of American Art\, among other cultural organizations. \nKnown for her ability to blur the lines between academia\, popular culture\, and non-traditional art-going communities\, Jackson-Dumont is invested in curating experiences that foster dynamic exchanges between art/artists\, past/present\, public/private\, and people/places. She has organized numerous exhibitions\, lectures\, performances\, symposia\, and education initiatives and has contributed essays to a host of publications and worked with numerous artists. \n \nAbout Suzy Delvalle \nSusan (Suzy) Delvalle is a fierce advocate for art and artists. With over 20 years of leadership experience in the cultural sector\, she has committed her career to enhancing the impact of mission-based organizations and building opportunity and equity in the arts. She most recently served as President and Executive Director of Creative Capital\, an innovative arts nonprofit that adapts venture philanthropy concepts to support individual artists. Only the second Director in Creative Capital’s history\, Suzy oversaw some of the most dramatic changes in the organization’s two-decade history. Under her leadership\, Creative Capital increased its annual operating budget 20 percent by instituting a three-year fundraising cycle\, further developed the board with ten new active members while also establishing a National Advisory Council\, and expanded services to artists by instituting regular\, annual Creative Capital Awards and retreats. \nSuzy formerly served as the founding Director of the Sugar Hill Children’s Museum of Art & Storytelling\, where she oversaw all aspects of the development and opening of the museum. She previously served as Director of External Affairs and Development at El Museo Del Barrio\, where she dramatically increased the museum’s budget and attendance over her eleven-year tenure. Before joining El Museo\, she worked for American Composers Orchestra following a career in consumer banking and advertising. Suzy has served as adjunct faculty at NYU’s School of Continuing and Professional Studies and is a guest lecturer at several universities. She serves on the Board of ArtTable\, New Yorkers for Culture & Arts\, The Laundromat Project and is a member of The Metropolitan Museum’s Advisory Committee in Culture Engagement. She was born and raised in Curaçao and speaks Spanish\, Dutch\, and Papiamento. \n \nAbout Lisa Yancey \nRecently coined a strategic maverick by a long-time colleague\, Lisa Yancey is an organizational development consultant who specializes in strategic organizational planning\, business planning\, program evaluation and assessments\, executive project management\, revenue modeling\, leadership coaching\, and organizational structure assessments for nonprofit institutions. She is the President of Yancey Consulting\, LLC\, an organizational and leadership development consulting firm committed to unlocking\, provoking\, facilitating\, and collaboratively imagining equitable social impacts on the local to national level™. Lisa advises a spectrum of practitioners\, nonprofit organizations\, philanthropists\, and philanthropic institutions committed to dismantling inequities\, enriching disinvested communities\, building leadership\, and amplifying diverse perspectives. She has worked with\, facilitated\, and provided pro bono services to over 100 organizations or grantmaking institutions in the past 19 years. She works across arts and culture\, youth development\, social justice\, media justice\, economic justice\, and open internet sectors. As an entrepreneur\, Lisa also advises emerging for-profit entities that are values-aligned with her equity-based values. Getting to know organizations personally to co-develop strategies\, benchmark indicators\, and measurable objectives is a hallmark of her work. \nLisa matriculated from both Boston College Law School and Emory University\, respectively earning her Juris Doctorate and Bachelor of the Arts degrees. She used to be a professional dancer and choreographer and has been a member of the New York State Bar Association since 2000. She started her consultancy practice in 2001. Her professional ambition is to make meaningful differences that systemically elevate equity\, particularly disrupting inequities that impact historically disinvested\, underinvested or marginalized communities. \n \nAbout Marie Watt \nMarie Watt is an American artist and citizen of the Seneca Nation with German-Scot ancestry. Her interdisciplinary work draws from history\, biography\, Iroquois protofeminism\, and Indigenous teachings; in it\, she explores the intersection of history\, community\, and storytelling. Through collaborative actions she instigates multigenerational and cross-disciplinary conversations that might create a lens and conversation for understanding connectedness to place\, one another\, and the universe. \nWatt holds an MFA in painting and printmaking from Yale University; she also has degrees from Willamette University and the Institute of American Indian Arts; and in 2016 she was awarded an honorary doctorate from Willamette University. \nShe has attended residencies at the Skowhegan School of Painting and Sculpture and the Vermont Studio Center; and has received fellowships from Anonymous Was a Woman\, the Joan Mitchell Foundation\, the Harpo Foundation and the Ford Family Foundation and the Native Arts and Culture Foundation. \nMarie serves on the board for VoCA (Voices in Contemporary Art) and on the Native Advisory Committee at the Portland Art Museum and in 2020 became a member of the Board of Trustees at the Portland Art Museum. She is a fan of Crow’s Shadow\, an Indigenous founded printmaking institute located on the homelands of the Confederated Tribes of the Umatilla\, as well as\nPortland Community College. \nSelected collections include the Seattle Art Museum\, the Whitney Museum of American Art\, the Albright-Knox Art Gallery\, Yale University Art Gallery\, Crystal Bridges Museum\, the Smithsonian Institution’s National Museum of the American Indian and Renwick Gallery\, the Tacoma Art Museum\, the Denver Art Museum\, and the Portland Art Museum. She is represented by PDX\nContemporary Art in Portland\, Oregon\, Greg Kucera Gallery in Seattle\, Washington\, and Marc Straus Gallery in New York City\, New York.
URL:https://www.arttable.org/event/annual-leadership-series-2020/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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DTSTART;TZID=America/New_York:20201014T120000
DTEND;TZID=America/New_York:20201014T130000
DTSTAMP:20260403T233500
CREATED:20201001T181233Z
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SUMMARY:Virtual | AT Connect with Shelley Fischer
DESCRIPTION:Image: Shelley Fischer \n12pm ET | 11am CT | 9am PT \nArtTable’s AT CONNECT program series allows and encourages all members to network and connect with each other and ask questions outside of their regular areas of expertise. This event will take place as a live conversation. Registration is open to members only\, with a suggested donation of $15.00. We hope to see you there! \nPlease join us for a discussion with Shelley Fischer\, Director of Finance & Operations at Art Money. \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Shelley Fischer \nMaking art accessible with Art Money now and having experience in both art-secured lending and personal finance\, Shelley’s professional activities fall at the crossroads of art and money/finance. Shelley is currently the Director of Finance & Operations at Art Money\, a young international company\, whose mission is to make buying art accessible by allowing qualified buyers the ability to pay for their purchases in 10 monthly installments without paying any interest\, fees\, subscriptions or finance charges. Art Money partners with over 1200 galleries worldwide\, where art collectors shop for the art they love\, make a deposit\, and pay the rest over time. \nShe’s also a Certified Financial Planner® and works primarily with artists and art dealers/gallerists on their personal finances. Previously\, during her 19-year tenure at Sotheby’s Financial Services\, Shelley provided art collectors\, dealers\, trusts and estates with financing secured by their fine art\, jewelry\, watches\, wine & /or decorative art collections.
URL:https://www.arttable.org/event/virtual-at-connect-with-shelley-fischer/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201015T160000
DTEND;TZID=America/New_York:20201015T170000
DTSTAMP:20260403T233500
CREATED:20200929T154723Z
LAST-MODIFIED:20210216T174144Z
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SUMMARY:Virtual | Artist Talk with Elizabeth Turk
DESCRIPTION:Image: Elizabeth Turk with her work\, courtesy of the artist and Hirschl & Adler Modern \n4pm EST | 3pm CST | 1pm PST \nPlease join us for a virtual Artist Talk with Elizabeth Turk\, whose exhibition ‘Tipping Point: Echoes of Extinction’ opens at Hirschl & Adler on October 1 in New York. \nThis program is free for ArtTable members and $5 for non-members. \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Elizabeth Turk \nA native Californian\, Elizabeth Turk (b. 1961) is known for her hand-carved marble sculpture and community installations. She is a MacArthur Fellow\, an Annalee & Barnett Newman Foundation recipient and a Smithsonian Artist Fellow. Turk received her MFA from Maryland Institute College of Art\, Rinehart School of Sculpture in 1994 and her BA from Scripps College\, Claremont\, CA in 1983. In 2017\, she launched ET Studios (a CA non-profit) to develop open community experiences. Her work can be found in numerous public collections including The Jewish Museum (New York\, NY); The National Museum for Women in the Arts (Washington\, DC); Los Angeles County Museum of Art (Los Angeles\, CA); and The Mint Museum (Charlotte\, NC)\, among others. In 2014\, The Laguna Art Museum (Laguna\, CA) hosted Elizabeth Turk: Sentient Forms\, a mid-career survey of the artist’s work. Currently\, Turk splits time between a studio in Santa Ana\, CA and New York City. She has been represented by Hirschl & Adler Modern since 2000. \nAbout Hirschl & Adler Modern \nHirschl & Adler Modern\, founded in 1981\, specializes in art from 1913 to the present\, with a strong emphasis on American Modernism and the post-war period. It also represents a select group of established and mid-career contemporary artists who are featured regularly through scheduled solo and group exhibitions in its 11\,000 square-foot gallery space at the crossroads of 57th Street and Madison Avenue in New York City. Its parent company Hirschl & Adler Galleries\, founded in 1952\, has been specializing in important American and European art of all periods throughout its 69 year history. \nLed for over 50 years by President and Director\, Stuart P. Feld\, and joined in 1999 by his daughter Elizabeth Feld\, Hirschl & Adler mounts about 8 to 10 special exhibitions per year\, most accompanied by scholarly publications. Both the contemporary and historical presentations have received critical acclaim and have resulted in the placement of works into major private collections around the world\, as well as the finest American and international museums. \nThank you to Elizabeth Turk and Hirschl & Adler Modern.
URL:https://www.arttable.org/event/virtual-artist-talk-with-elizabeth-turk/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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DTSTART;TZID=America/New_York:20201017T140000
DTEND;TZID=America/New_York:20201017T150000
DTSTAMP:20260403T233500
CREATED:20200922T151916Z
LAST-MODIFIED:20210216T174113Z
UID:3657-1602943200-1602946800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: House to House: Women\, Politics\, & Place
DESCRIPTION:Image: “House to House: Women\, Politics\, and Place”; Patricia and Phillip Frost Museum at FIU\, Miami\, FL \n2pm EST | 1pm CST | 11am PST \nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nPlease join ArtTable’s Florida chapter for a Virtual tour of the exhibition “House to House: Women\, Politics\, and Place” with Amy Galpin\, PhD\, Chief Curator at the Patricia and Phillip Frost Museum at FIU in Miami\, FL. The tour is free for members and $10 for guests. \nThis fall\, U.S. citizens will go to the polls to cast their vote in the 2020 presidential election. Campaign advertisements saturate TV and radio while social media feeds explode with political declarations. As local and national elections are decided in November\, the U.S. also marks the 100-year anniversary of women gaining the right to vote. As these two events coalesce\, the Frost Art Museum presents House to House: Women\, Politics\, and Place. The multimedia works in this exhibition explore the changing roles of women\, metaphorically represented by the house as domestic space and the most public of houses\, the U.S House of Representatives\, where there are 100 women serving as Representatives. In the 20th century\, women became visible outside the home\, becoming active participants in society and demanding overdue equal representation\, social justice\, as well as empowerment. \nClick here for more information about the exhibition.  \nThank you to Amy Galpin and Rustin Levenson\, ArtTable Board Member.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-house-to-house-women-politics-place/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201021T130000
DTEND;TZID=America/New_York:20201021T140000
DTSTAMP:20260403T233500
CREATED:20201006T204306Z
LAST-MODIFIED:20210216T173922Z
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SUMMARY:Virtual | AT Connect with Danielle Glosser
DESCRIPTION:1pm ET | 12pm CT | 10am PT\nArtTable’s AT Connect program series allows and encourages all members to network and connect with each other and ask questions outside of their regular areas of expertise. In response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation and is open to members only\, with a suggested donation of $15.00. We hope to see you there!\n \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Danielle \nDanielle Glosser is the Principal of Client Raiser\, a business dedicated to helping artists to increase their client volume and the visibility of their art. Since 2014\, she has worked with artists across the country in support of their professional goals. Danielle’s expertise in strategic planning\, project management\, research\, writing\, and networking comes from years of working and building relationships in the private\, nonprofit\, and government sectors on social justice issues from inner-city schools in Oakland\, California to The White House. These professional opportunities — coupled with her personal belief that the arts are central to igniting conversation and enhancing human understanding — moved her to help artists with the business elements of their practice and to share their work with the world. Emerging and established artists alike begin with Client Raiser’s in-depth interview process\, which results in a tangible assessment of their art practices and concrete next steps for advancing their careers. \nDanielle is a 25+ year resident of Washington\, D.C. She has led workshops with arts organizations across the region\, including the Smithsonian’s Hirshhorn Museum and Sculpture Garden\, Maryland Institute College of Art\, Hamiltonian\, Transformer\, Washington Project for the Arts\, Halcyon\, Superfine! DC\, D.C. Commission on the Arts and Humanities\, Gateway Arts District\, VisArts\, Washington Sculptors Group\, Women’s Caucus for Art\, Artomatic\, District of Columbia Arts Center\, Montgomery Arts Association\, and Capitol Hill Arts League. She also is a member of ArtTable\, a leadership organization for women in the visual arts. \n\nImage: Danielle Glosser
URL:https://www.arttable.org/event/danielle-glosser/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
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DTSTART;TZID=America/New_York:20201022T160000
DTEND;TZID=America/New_York:20201022T170000
DTSTAMP:20260403T233500
CREATED:20200522T144827Z
LAST-MODIFIED:20210216T173822Z
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SUMMARY:Virtual | AT Together: Gallerists with Christine Berry & Martha Campbell
DESCRIPTION:4pm ET | 3pm CT | 1pm PT\nAT Together was developed in response to the Covid-19 pandemic as a way to reach beyond geographic barriers and network\, exchange ideas\, and share resources across professions. Each session focuses on a particular profession in the art world\, such as Curators\, Non-Profit Leaders\, or Educators. These programs are open to members and non-members\, though we ask that you sign up for the event that matches your professional role and needs. \n\nThis session is for gallery professionals and will be facilitated by Christine Berry and Martha Campbell\, Co-Founders of Berry Campbell Gallery. \nHow to take part: \n\n\n\nClick here to Register for this event. \nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Christine Berry and Martha Campbell: \nChristine Berry and Martha Campbell opened Berry Campbell Gallery in Chelsea in 2013. They share many parallels in their backgrounds and interests: both studied art history in college and began their careers in the museum world\, but most importantly\, both share a curatorial vision.  \nChristine Berry is from Geneseo\, New York\, and graduated from Baylor University in Waco\, Texas in 1992. She received a Master’s degree in art history from the University of North Texas\, along with a certification in museum studies and education. She worked at the Modern Art Museum of Fort Worth\, Texas\, as Assistant Curator before moving to New York City for a position at the Whitney Museum of American Art.  Christine moved from the non-profit sector to commercial world in 2000. She was Associate Director at Spanierman Gallery/Spanierman Modern for ten years before opening a gallery with Martha Campbell. \nMartha Campbell is from Greenville\, in the Mississippi Delta\, and attended the Groton School in Massachusetts.  She then graduated from Vanderbilt University in Nashville\, Tennessee\, in 2006. Directly from college she went to a position at the Phillips Collection in Washington\, D.C.  Deciding to explore a path in the gallery world\, Martha was hired at age 24 as an Associate Director at Spanierman Modern in New York.  \nWith a strong emphasis on research and networking with artists and scholars\, Berry and Campbell decided to join forces and open their own art gallery. Berry Campbell Gallery opened in 2013 in the heart of Chelsea’s art district\, at 530 West 24th Street on the ground floor. In 2015\, the gallery expanded\, doubling its size with an additional 2\,000 square feet of exhibition space.  \nHighlighting a selection of postwar and contemporary artists\, the gallery fulfills an important gap in the art world\, revealing a depth within American modernism that is just beginning to be understood\, encompassing the many artists who were left behind due to stylistic trends\, race\, gender\, or geography. Since its inception\, the gallery has been especially instrumental in giving women artists long overdue consideration\, an effort that museums have only just begun to take up\, such as in the 2016 traveling exhibition\, Women of Abstract Expressionism curated by University of Denver professor Gwen F. Chanzit. This show featured work by Perle Fine and Judith Godwin\, both represented by Berry Campbell. \nIn addition to Perle Fine and Judith Godwin\, artists whose work is represented by the gallery include Edward Avedisian\, Walter Darby Bannard\, Stanley Boxer\, Dan Christensen\, Eric Dever\, John Goodyear\, Ken Greenleaf\, Raymond Hendler\, Ida Kohlmeyer\, Jill Nathanson\, John Opper\, Stephen Pace\, Charlotte Park\, William Perehudoff\, Ann Purcell\, Mike Solomon\, Syd Solomon\, Albert Stadler\, Yvonne Thomas\, Susan Vecsey\, James Walsh\, Joyce Weinstein\, Frank Wimberley\, and Larry Zox.   \nBerry Campbell Gallery shows have been reviewed or featured in publications such as the New York Times\, Wall Street Journal\, Artforum\, Art & Antiques\, Huffington Post\, Hyperallergic\, Brooklyn Rail\, Artcritical\, New Criterion\, Architectural Digest\, and Veranda. \n\nImages: \n\nCourtesy of Maira Kalman\, Poster House and Times Square Art\nMartha Campbell & Christine Berry
URL:https://www.arttable.org/event/at-together-gallerists-with-christine-berry-and-martha-cambell/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/nvFDaKLg-e1587237587449.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201024T140000
DTEND;TZID=America/New_York:20201024T150000
DTSTAMP:20260403T233500
CREATED:20200929T210834Z
LAST-MODIFIED:20210216T173736Z
UID:3742-1603548000-1603551600@www.arttable.org
SUMMARY:Virtual | Pecha Kucha! with ArtTable's Northwest & Northern California Chapters
DESCRIPTION:2pm EST | 1pm CST | 11am PST\nJoin ArtTable’s Northwest and Northern California Chapters for a virtual Pecha Kucha! This format highlights members’ projects and initiatives across different visual arts professions. Creative and fast-paced\, each presentation provides an opportunity to share and learn more about what members have been working on and the evolution of projects throughout 2020. This program is open to members and non-members. Donations are not required but always appreciated! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nSharing a coast\, the Northern California and the Northwest Chapters had hoped to have an event to share their work with each other. Now\, with our lives online\, we can open a window to virtually get to know each other across the continent. We hope you will join us for a Virtual Pecha Kucha highlighting the flexible and innovative ways in which our members have met the challenges presented by the current COVID19 pandemic. In this Time of Corona\, these women have found new methods\, deep motivation\, and inspiring commitment for the pursuit of their projects and goals in their fields. \nAmong the many presenters in this faced-paced and stimulating revelation of ventures and accomplishments\, we look forward to meeting: \nIn California  \n\nJulie McCray\, Gallerist and founding member of  Commotion West Berkeley for crowd-funding exciting projects like murals\, community gardens\, parklets\, public art\, pop-up events\nTerri Cohn\, Art Historian\, curator\, writer and educator\nDorothy Davila\, Managing Director of the Headlands Center for the Arts\, who recently made an employment change and will address the adjustments in job search\, interview process and building a new team during the pandemic\nLisa Chadwick\, Gallerist who initiated online postings of pairings of poetry and art leading to a new book published to raise money for a food support non-profit\nGina Werfel\, Professor of Art at the University of California Davis will discuss the challenges in teaching studio courses online\nAnn Trinca\, former Director of the Berkeley Art Center who became an independent art consultant\, curator\, and artist management advocate.\nJoyce Ertel Hulbert\, Textile Conservation\nJeanie Craig\, Art Collection Management and Appraisals\n\nIn Washington \n\nEmily Zimmerman is a curator and writer based in Seattle\, WA. Emily is the Director of the Jacob Lawrence Gallery at the University of Washington’s School of Art + Art History + Design\, and editor for the art journal MONDAY\nPaula Stokes\,  glass artist and teacher\, project director for two of Chihuly’s most acclaimed exhibitions\, and co-founder of METHOD gallery\nKira Burge is the President of Shunpike’s Board of Directors and has 13+ years of experience developing programs\, events and exhibitions\, including 6+ years successfully producing the Seattle Art Fair. Kira previously held positions at Greg Kucera Gallery and Ramsay Fairs\, and founded Interstitial gallery and project space which was dedicated to showcasing video and new media art. \nMarge Levy\, art advocate\, ceramics artist\, Artist Trust Board of Trustees\, intrepid scuba diver\nAllison Kramer\, is a fine art professional\, most recently with Chihuly\, inc.\nDonna Davies is currently deputy director of Pilchuck glass\, and recently Group Show Director producing the Sculpture\, Objects and Functional Art (SOFA) fairs\nLauren Gallow is a writer\, editor\, and marketing consultant specializing in architecture\, design\, and art. Formerly an in-house writer for Olson Kundig\, Lauren is currently the Editorial Chair of ARCADE\, and her writing has appeared in Dwell\, Metropolis\, New American Paintings\, GRAY Magazine\, and Seattle Met\, among others.\nKathleen Warren is co-founder and art director of overall creative\, a women owned and operated creative services company based in Seattle. Founded in 2019\, overall creative focuses on public and private mural designs and installation throughout Washington and beyond. She strongly believes in advocating for artists who have not had the privilege\, freedom\, or tools to experiment in large scale works.\n\nThank you to Jan Wurm\, Northern California Chapter and Lorrie Cardoso\, Northwest Chapter for organizing this program.
URL:https://www.arttable.org/event/virtual-pecha-kucha-2/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/09/1-copy-2.png
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201026T160000
DTEND;TZID=America/New_York:20201026T170000
DTSTAMP:20260403T233500
CREATED:20201006T143437Z
LAST-MODIFIED:20210216T173620Z
UID:3777-1603728000-1603731600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Shelley Spector
DESCRIPTION:4pm EST | 3pm CST | 1pm PST\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Shelley Spector. \nThis program is free for ArtTable members and $5 for non-members. \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Shelley Spector \nShelley Spector is a multidisciplinary sculptor and project based artist who lives and works in Philadelphia. In her practice she produces distinct bodies of work that utilize the excess of our consumer-based culture. Spector responds to available materials\, mostly discarded\, in combination with a changeable work environment. She seeks to make work that takes shape as an agent of change – who begin as sculpture rooted in the art world of form and content but that physically move into the world of social issues and can directly respond to its needs. Her most current work in progress is the defining project for a long term body of work entitled\, The Nowadays\, which uses a small cabin in the mountains of Pennsylvania as a tool and conduit through which she will explore alternatives to resource economy. \nSpector’s work is part of many public and private collections including the Philadelphia Museum of Art\, which presented her solo exhibition “Keep The Home Fires Burning” in 2015\, Pennsylvania Academy of the Fine Arts\, Woodmere Art Museum\, and the West Collection in PA\, and Human Rights Campaign Headquarters in Washington\, DC. Her ongoing collaborative project\, Village\, which began at the Philadelphia Museum of Art has traveled to alternative art spaces in Brooklyn\, Costa Rica\, San Francisco. Chicago and Montréal. Her work has been reviewed in Artforum\, Art In America and featured in ARTnews.  She has received grants from the Pollock-Krasner Foundation\, Independence Foundation Fellowship in the Arts\, Pennsylvania Council on the Arts and Leeway Foundation. Her residencies include Mildred’s Lane in Beach Lake\, PA\, and RAIR (Recycled Artists In Residence) and Nextfab Studio in Philadelphia. Spector has been actively engaged in Philadelphia’s art community for years as a respected artist\, innovative gallery owner\, teacher and champion of emerging talent. Between 1999 and 2010\, she founded and directed SPECTOR Gallery/Projects\, a program to work outside the traditional gallery system. From 2006 to 2013\, she published Artjaw.com\, an online multimedia anthology of first person stories from the Philadelphia art community. Spector is faculty in the Weitzman School of Design\, University of Pennsylvania. \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Rachel Zimmerman\, ArtTable Philadelphia Chapter\, and the Pollock Krasner Foundation. \n\nImage Credits: \n\nShelley Spector\, White Rice Builds – 1\,250 Servings\, Reclaimed textiles and white rice\, 72 x 96 x 3”; Produced with the support of the Pollock – Krasner Foundation\, 2020
URL:https://www.arttable.org/event/virtual-artist-talk-with-shelley-spector/
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/10/SpectorBrokenRiceBuilds.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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