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DTSTART;TZID=America/Los_Angeles:20211007T083000
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DTSTAMP:20260407T075320
CREATED:20210914T150210Z
LAST-MODIFIED:20210915T135042Z
UID:6770-1633595400-1633602600@www.arttable.org
SUMMARY:NoCal | First Thursday Coffee Break on Location - Sightglass Coffee
DESCRIPTION:8:30am PST\nAll ArtTable members are welcome to join the Northern California Chapter in the early morning of Thursday\, October 7th\, to share a cup of coffee before your workday gets started. Get your coffee\, tea\, and/or pastry at this local Mission coffee shop and catch up with other members during this in-person outdoor coffee break together. Accessible seating is available. \nThis program is open to ArtTable members only. Members may bring one additional guest. First Thursdays Coffee Break is a recurring event and is donation based. \nNot an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.\n\n\nA list of attendees will be shared with all registrants for reference in advance of the program. \nPlease email programs@arttable.org if you would like additional accessibility information for this program. \nThank you to ArtTable’s Northern California Chapter Leaders for planning and hosting this program. \n \nImage courtesy of Sightglass Coffee\, Mission.
URL:https://www.arttable.org/event/nocal-first-thursday-coffee-break-on-location-sightglass-coffee/
LOCATION:Sightglass Mission\, 3014 20th St\, San Francisco\, 94110
CATEGORIES:Northern California
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DTSTART;TZID=America/Los_Angeles:20211014T110000
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DTSTAMP:20260407T075320
CREATED:20211005T150242Z
LAST-MODIFIED:20211006T141533Z
UID:6964-1634209200-1634209200@www.arttable.org
SUMMARY:NoCal | Curator Guided Tour of 'Judy Chicago: A Retrospective' at the de Young Museum
DESCRIPTION:Join Claudia Schmuckli\, Curator-in-Charge of Contemporary Art and Programming at the Fine Arts Museums of San Francisco\, for a guided tour of the Judy Chicago: A Retrospective exhibition at the de Young Museum. Meet up with your fellow NoCal members at the entrance to the exhibition on October 14th at 11am. Following the tour\, enjoy a no-host lunch with Schmuckli at the de Young Café. \nThis program is $5 and open to ArtTable members only. Members may bring a guest for an additional $10. Please note that museum admission and lunch are not included. \nNot an ArtTable member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \nIn accordance with an order from the San Francisco Department of Public Health\, all individuals regardless of vaccination status must wear a mask while inside the de Young museum. Proof of vaccination is not required for regular museum visits to the de Young.\, but is a requirement to attend some onsite events. \nThe museum continues to have safety measures in place to ensure a safe and healthy environment for visitors and staff. The measures include frequent cleaning of high-touch areas\, sanitizing stations\, and Plexiglass shields at the Tickets and Membership Desks. \n*The museums reserve the right to deny entry\, refuse service to\, or revoke the admission of any visitor who does not comply with safety guidelines. \nIf you are showing COVID-19 symptoms\, please stay home. This is critical to the health and safety of museum staff and communities. \nAccessibility: \nThe Fine Arts Museums of San Francisco are committed to offering services that make its collections\, exhibitions\, and programs accessible to all visitors. Programs and visiting options for individuals with disabilities as well as other underserved populations in the community are crucial for creating equity in access to the arts. Please click here to read more about accessibility options at the de Young Museum\, and email programs@arttable.org if you need assistance in setting up accommodations for this program. \nGetting There: \nJohn F. Kennedy Drive is currently closed to vehicular traffic from Kezar Drive to Transverse Drive. Paid parking is available in the Music Concourse garage; access from the Fulton Street and 10th Avenue entrance. A limited number of accessible parking spots are available in the garage. For information on public transportation\, please visit the SFMTA website. Cars have the ability to drop off visitors in front of the de Young using Hagiwara Tea Garden Dr. This is accessible via the intersection of MLK and Music Concourse drive. \n  \n \n  \n\nAbout Claudia Schmuckli\nClaudia Schmuckli is the inaugural Curator-in-Charge of Contemporary Art and Programming at the Fine Arts Museums of San Francisco. Since joining in the fall of 2016\, she has developed a dynamic program of exhibitions\, commissions\, and acquisitions that dialogue with the institution’s sites\, buildings\, and collections in view of a self-critical reassessment of the Museums’ histories and identities. \nCurrently on view at the Fine Arts Museums are her most recent exhibitions Wangechi Mutu: I am Speaking\, Are You Listening? at the Legion of Honor and Judy Chicago: A Retrospective\, at the de Young. Prior to these presentations\, Schmuckli curated Uncanny Valley: Being Human in the Age of AI\, the first major museum exhibition in the United States to reflect on the political and philosophical stakes of artificial intelligence and Specters of Disruption\, an exhibition drawn from the Museums’ Collections\, which connected the geological and colonial underpinnings of the de Young Museum to the current conditions in Northern California. Other projects include interventions at the Legion of Honor by Alexandre Singh\, Lynn Hershman Leeson\, Sarah Lucas\, and Urs Fischer\, as well as projects by Lisa Reihana\, Leonardo Drew\, Ranu Mukherjee\, Matt Mullican\, and DIS at the de Young. \nPreviously\, Schmuckli was the director and chief curator of the Blaffer Art Museum at the University of Houston\, where she organized over thirty exhibitions including solo shows dedicated to The Propeller Group\, Matthew Ronay\, Analia Saban\, Slavs and Tatars\, Candice Breitz\, Tony Feher\, Johan Grimonprez\, Gabriel Kuri\, Chantal Akerman\, and Amy Sillman\, among many others. Schmuckli began her career in New York as a curatorial assistant at the Solomon R. Guggenheim Museum and an assistant curator at the Museum of Modern Art. She is a Swiss citizen and holds an MA degree in art history from the Ludwigs-Maximilians-Universität in Munich\, Germany. \nAbout the exhibition\nPioneering feminist artist Judy Chicago’s retrospective spans her early engagement with the Californian Light and Space Movement in the 1960s to her current body of work\, a searing investigation of mortality and environmental devastation\, begun in 2015. The exhibition includes approximately 130 paintings\, prints\, drawings\, and ceramic sculptures\, in addition to ephemera\, several films\, and a documentary. Together\, these works of art chart the boundary-pushing path of the artist named Cohen by birth and Gerowitz by marriage\, who\, after trying to fit into the patriarchal structure of the Los Angeles art world\, decided to change her name and the course of history. \nOrganized on the heels of the 40th anniversary of Chicago’s landmark installation\, The Dinner Party\, in San Francisco and opening in conjunction with the 100th anniversary of women’s right to vote across the United States\, Judy Chicago: A Retrospective pays homage to an artist whose lifelong fight against the suppression and erasure of women’s creativity has finally come full circle. \n  \nThank you to Dorothy Dávila\, ArtTable Board Member\, for organizing this program\, and to Claudia Schmuckli for her time and expertise. \n\nImages: \n\nThe de Young Museum\, courtesy of hisour.com.
URL:https://www.arttable.org/event/nocal-curator-guided-tour-of-judy-chicago-de-young-museum/
LOCATION:de Young Museum\, Golden Gate Park \ 50 Hagiwara Tea Garden Drive\, San Francisco\, California\, 94118\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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DTSTART;TZID=America/Los_Angeles:20211027T120000
DTEND;TZID=America/Los_Angeles:20211027T130000
DTSTAMP:20260407T075320
CREATED:20210924T170154Z
LAST-MODIFIED:20211005T194338Z
UID:6882-1635336000-1635339600@www.arttable.org
SUMMARY:Virtual | Marcela Guerrero & Daisy Nam on Donna Huanca's exhibition at Ballroom Marfa
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nPlease join Marcela Guerrero\, Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, and Daisy Nam\, Curator at Ballroom Marfa\, for a discussion on Donna Huanca’s exhibition ESPEJO QUEMADA\, on view at Ballroom Marfa through January 22\, 2022. The two will also discuss Guerrero’s work on influential recent exhibitions of contemporary art from Latin America\, including the exhibitions Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art at the Whitney Museum of American Art and Radical Women: Latin American Art\, 1960-1985 at the Hammer Museum. \nDonna Huanca presents a series of new works commissioned by Ballroom Marfa in her exhibition ESPEJO QUEMADA. Huanca creates experiential installations that incorporate paintings\, sculptures\, video\, scent and sound. The profound experiences and memories of Huanca’s first visit to Marfa in 2005 inspired the work in the exhibition. The artworks draw on visual\, cultural\, and mythological cues informed by feminism\, decolonialism and the artist’s personal and familial histories\, while simultaneously engaging with the biodiversity\, geology\, and dark skies of Far West Texas. The sky was particularly striking for Huanca–animated with cosmic and extraterrestrial forces while also revealing the natural rhythms of the sun and moon. \nESPEJO QUEMADA\, Huanca’s first exhibition since the pandemic\, uses mirrors as formal and metaphorical devices to respond to changing conditions. The title\, which translates to “burnt mirror” in English and is purposefully feminized in Spanish\, alludes to Huanca’s feminist praxis. “Espejo Quemada” suggests reflections of the current moment\, portals to the past and future\, and catalysts for combustion and change. Click here to read more about the exhibition! \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for an additional $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: Please note that live closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations.  \n\nAbout the Speakers\nMarcela Guerrero is the Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, New York. Recently\, she was part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art\, 1925-1945. In summer 2018\, Guerrero curated the exhibition Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art. From 2014 to 2017 she worked as Curatorial Fellow at the Hammer Museum in Los Angeles\, where she was involved in the much-lauded exhibition Radical Women: Latin American Art\, 1960-1985\, organized as part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative and guest-curated by Cecilia Fajardo-Hill and Andrea Giunta. Prior to her position at the Hammer\, she worked in the Latin American and Latino Art Curatorial department at the Museum of Fine Arts\, Houston (MFAH) where she served as Research Coordinator for the International Center for the Arts of the Americas (ICAA). Guerrero’s writing has appeared in a variety of publications and has contributed articles to numerous exhibition catalogues. Born and raised in Puerto Rico\, Guerrero received her BA from the University of Puerto Rico\, Rio Piedras Campus\, and holds a Ph.D. in Art History from the University of Wisconsin-Madison. \nDaisy Nam is the curator at Ballroom Marfa\, a contemporary art space located at the borderlands of Far West Texas. She recently co-edited a publication\, Best! Letters from Asian Americans in the arts with Paper Monument. Previously from 2015–19\, she was the assistant director at the Carpenter Center for the Visual Arts\, Harvard University where she organized exhibitions\, publications\, and public programs working closely with artists to engage with the campus community and public at large. Prior\, she curated and produced seven seasons of talks\, screenings\, performances\, and workshops from 2008–2015 as the assistant director of public programs at the School of the Arts\, Columbia University. Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum\, New York (2020); Bellas Artes\, Bataan\, Philippines (2020); Surf Point in York\, Maine (2019); Gwangju Biennale Foundation\, Korea (2018). She holds a master’s degree in Curatorial and Critical Studies from Columbia University and a bachelor’s degree in Art History and Cinema Studies from New York University. She has taught at RISD\, and lectured at Lesley University\, Northeastern\, SMFA/Tufts\, SVA as a visiting critic. \n  \nAbout Ballroom Marfa\nBallroom Marfa is an internationally recognized non-collecting contemporary art museum located in Marfa\, a rural town of less than 2\,000 people in Far West Texas. Established in 2003 by Virginia Lebermann and Fairfax Dorn\, the contemporary art and performance space is housed in a 1920s-era ballroom and is free and open to the public. With generous support from individuals and foundations\, Ballroom commissions new site-specific and site-inspired projects and gives artists and musicians the opportunity to engage with the magnificent landscape of the Big Bend. Read more about Ballroom Marfa here. \nThis program is presented in collaboration with Ballroom Marfa.\nPublic programs for ESPEJO QUEMADA are generously supported by Humanities Texas. \n                \n\nImages: \n\nInstallation view\, SCRYING CON DIOS(A)\, 2021\, in Donna Huanca: Espejo Quemada\, June 26\, 2021–January 2\, 2022\, Ballroom Marfa. Courtesy the artist and Ballroom Marfa. Photograph by Makenzie Goodman.\nMarcela Guerrero\, Photo by Javier Romero\nDaisy Nam
URL:https://www.arttable.org/event/virtual-conversation-daisy-nam-marcela-guerrero-donna-huanca-espejo-quemada/
LOCATION:Zoom
CATEGORIES:National,Northern California
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/Los_Angeles:20211028T163000
DTEND;TZID=America/Los_Angeles:20211028T163000
DTSTAMP:20260407T075320
CREATED:20211012T213836Z
LAST-MODIFIED:20211015T134859Z
UID:7010-1635438600-1635438600@www.arttable.org
SUMMARY:NoCal | Curator Tour of 'New Time: Art and Feminisms in the 21st Century'\, at BAMPFA
DESCRIPTION:Join Claire Frost\, Curatorial Assistant at BAMPFA\, for a guided tour of New Time: Art and Feminisms in the 21st Century at the Berkeley Art Museum and Pacific Film Archive. Afterwards\, join Claire and your fellow ArtTable members at a nearby outdoor patio for no-host drinks and a discussion under guidance of local writer/curator and ArtTable member\, Marcia Tanner. \nThis program is $5 and open to ArtTable members only. Members may bring a guest for an additional $10. This includes entry to the museum but not post-tour drinks. \nNot an ArtTable member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \nIn accordance with an order from the San Francisco Department of Public Health\, all individuals regardless of vaccination status must wear a mask while inside the museum. All staff and visitors are required to wear face coverings. BAMPFA has increased sanitizing high-touch areas using products approved for use against COVID-19. Hand sanitizer stations are available throughout the building. \nIf you are showing COVID-19 symptoms\, please stay home. This is critical to the health and safety of museum staff and communities. Please click here for additional health and safety guidelines at BAMPFA. \nAccessibility: \nThe UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) is wheelchair accessible. A wheelchair is available at the admissions desk for visitor use. Assisted listening devices are available at the admissions desk for all film programs. Please click here for additional accessibility information at BAMPFA. \nGetting There: \nBAMPFA is located at 2155 Center Street\, between Oxford Street and Shattuck Avenue\, in downtown Berkeley. BAMPFA is Bartable and parking is available. Please click here for more information. \n  \n \n  \n\nAbout the speakers\n \nClaire Frost is Curatorial Assistant at the Berkeley Art Museum and Pacific Film Archive. In addition to BAMPFA\, she has held positions at the Contemporary Jewish Museum\, ArtSpan\, San Francisco Museum of Modern Art\, and Intersection for the Arts. A Bay Area resident since 2011\, she took a two year hiatus to attend grad school in Chicago\, where she received her MA in Modern and Contemporary Art History\, Theory\, and Criticism at the School of the Art Institute of Chicago in 2017. Her graduate studies focused on the intersection of identity and historiography and the way in which artists’ communities are documented\, particularly in relation to second wave feminism and conceptual art. She is the founder and curator of the apartment galleries COLLABO in Chicago\, and Claire Frost in San Francisco. \nFormer PR Director at SFMOMA and Executive Director of the San Jose ICA\, art writer and independent curator Marcia Tanner has organized three exhibitions of contemporary feminist art: Bad Girls West\, 1994\, the Wight Art Gallery\, UCLA; Brides of Frankenstein\, 2005\, San Jose Museum of Art; and We Interrupt Your Program\, 2008\, Mills College Art Museum. She has been an ArtTable Member since 1987.] Her Berkeleyside review of New Time can be found here.\nAbout the exhibition\nNew Time: Art and Feminisms in the 21st Century is a major survey exploring recent feminist practices in contemporary art. In 1980 Lucy Lippard argued that feminist art is “neither a style nor a movement” but rather “a value system\, a revolutionary strategy\, a way of life.” Taking Lippard’s statement as a point of departure\, the exhibition examines the values\, strategies\, and ways of life reflected in current feminist art. In keeping with Griselda Pollock’s observation that “feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women’s struggles\,” New Time aims to demonstrate that feminism in the twenty-first century is multifaceted\, encompassing many complex issues and perspectives\, and therefore cannot be reduced to a single subject\, style\, or agenda. Although artworks made since 2000 are the primary focus\, the objects and installations on view span several generations\, mediums\, geographies\, and political sensibilities. In this way the project seeks to convey the heterogeneous\, intergenerational\, and gender-fluid nature of feminist practices today. Click here to read more about the exhibition. \nThank you to Kitty Teerling\, Artigo Tours\, for organizing this program. \n\nImages: \n\nLinda Stark: Stigmata\, 2011; oil on canvas over panel; 36 x 36 in.; BAMPFA\, purchase made possible through a gift of the Paul L. Wattis Foundation.\nClaire Frost
URL:https://www.arttable.org/event/nocal-curator-guided-tour-of-new-time-art-and-feminisms-at-bampfa-with-claire-frost/
LOCATION:BAMPFA\, 2155 Center St\, Berkeley\, CA\, 94720\, United States
CATEGORIES:Northern California
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