BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:ArtTable
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20210314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20211107T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20220313T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20221106T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20230312T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20231105T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20240310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20241103T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20200308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20201101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20210314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20211107T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260227T100000
DTEND;TZID=America/New_York:20260227T130000
DTSTAMP:20260515T125142
CREATED:20260211T172502Z
LAST-MODIFIED:20260211T215651Z
UID:149717-1772186400-1772197200@www.arttable.org
SUMMARY:Beverly Hills\, CA | Preview of DOYLE’s Spring Marquee Sales
DESCRIPTION:Mel Bochner\, I Don’t Get It/ I Still Don’t Get It/So What\, 2021\n\n\n\n\n\n\n\n\nJoin ArtTable and the Association of Professional Art Advisors for a preview of DOYLE’s Spring Marquee Sales\, including paintings\, prints and photographs with works by Mel Bochner\, Lynne Drexler\, Henri Matisse\, Roy Lichtenstein\, Scott Kahn\, August Herbin\, Vik Muniz\, Richard Lindner. \n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nFree
URL:https://www.arttable.org/event/los-angeles-ca-preview-of-doyles-spring-marquee-sales/
LOCATION:DOYLE Beverly Hills\, 310 North Camden Drive\, Beverly Hills\, California\, 90210
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2026/02/Screen-Shot-2026-02-11-at-11.50.31-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260220T120000
DTEND;TZID=America/New_York:20260220T140000
DTSTAMP:20260515T125142
CREATED:20251215T150354Z
LAST-MODIFIED:20260212T154202Z
UID:133500-1771588800-1771596000@www.arttable.org
SUMMARY:Los Angeles\, CA |  Private Preview and Behind the Scenes Tour with Cierra Britton
DESCRIPTION:ArtTable invites you to join Cierra Britton for a curator-led walkthrough of her exhibition\, The Dance\, at Abigail Ogilvy Gallery in the Downtown Arts District\, LA. Food and drinks will be provided. \n\n\n\nCurated by Cierra Britton (Cierra Britton Gallery)\, The Dance is a meditation on the politics and poetics of bodily movement. Rooted in the visual language of classical forms and experimental gesture\, the exhibition explores the significance of femme movement as both ritual and resistance. From ballet to voguing\, to gestural abstract painting while listening to music\, movement has long transcended the stage and dancefloor—becoming a vital tool for self-expression\, community formation\, and the preservation of bodily autonomy. \n\n\n\nFounded in 2021\, the Cierra Britton Gallery is the first NYC-based gallery dedicated to representing BIPOC womxn artists whose work contributes to the contemporary cultural dialogue across the globe. The gallery’s mission is to make space for artists who are creating exploratory work\, inclusive of all mediums such as painting\, photography\, drawing\, and performance. Starting as a nomadic and online gallery\, our programming has focused on a diverse roster of artists making work that is rooted in storytelling\, exploration\, and cultural commentary. \n\n\n\nCierra Britton Gallery is creating a safe and much-needed space for BIPOC womxn artists who have historically been marginalized from the mainstream art world. We aim to uphold artists and create community through dialogue and support for the arts. \n\n\n\nCierra Britton (b.1996\, Baltimore\, MD) is a curator and art dealer living and working in New York City. As the director of the Cierra Britton Gallery\, her mission is to make space for artists who are creating exploratory work across all mediums. \n\n\n\nLimited parking is available on site at the gallery. Additional street parking is available. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $25\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/los-angeles-ca-private-preview-and-behind-the-scenes-tour-with-cierra-britton/
LOCATION:Abigail Ogilvy Gallery\, 1923 S Santa Fe Ave #100\, Los Angeles\, California\, 90021
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/12/JOEFG-INT-19-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260219T173000
DTEND;TZID=America/New_York:20260219T190000
DTSTAMP:20260515T125142
CREATED:20251212T171210Z
LAST-MODIFIED:20260126T172656Z
UID:132135-1771522200-1771527600@www.arttable.org
SUMMARY:Boston\, MA | MeetAT at Krakow Witkin Gallery
DESCRIPTION:You’re invited to a Boston\, MA MeetAT networking event on February 19\, graciously hosted by Krakow Witkin Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nAbout Krakow Witkin Gallery:Krakow Witkin Gallery began exhibiting artists in 1959 and has been in its 10 Newbury Street Boston location since 1983. The gallery’s prior incarnations are Barbara Krakow Gallery\, Harcus Krakow Gallery\, Harcus Krakow Rosen Sonnabend\, Parker 470 and Carriage House Gallery.  \n\n\n\nKrakow Witkin Gallery has a commitment to an extensive\, yet focused group of artists known as part of the movements commonly called “Minimalism” and/or “conceptual art\,” along with younger artists who have come to renown since the 1960s with reductivist aesthetics. The gallery’s exhibition program runs three shows simultaneously with six to seven rotations over the course of the September – July season. During each cycle\, there is one larger show\, one smaller show and one show of a single work. This juxtaposition of types of exhibition gives viewers three different rigorous contexts with which to view work and consider various ideas of presentation. \n\n\n\nWe are available to assist the public in many ways – from discussing the art\, to issues of evaluation\, purchasing (the gallery has a deep inventory of art available for purchase from $1\,200 and beyond)\, framing\, shipping\, insuring\, installing\, conserving\, and even de-accessioning (selling). The gallery encourages and welcomes all viewers by demystifying contemporary art and providing an educationally-rich\, friendly\, open\, and welcoming environment in which to observe\, study\, and learn about the art and artists. \n\n\n\nFurthermore\, as long-standing members of the greater Boston community\, the gallery is devoted to participating in and supporting local communities.  We would be happy to suggest activities\, people\, and places to explore and/or connect with in the greater Boston area. \n\n\n\nOn view at Krakow Witkin Gallery: Krakow Witkin Gallery presents an exhibition of Sylvia Plimack Mangold’s works made between 1975 and 1986 that incorporate imagery of tape. From paintings of the depiction of bits of tape “adhering” imagery of paper to the surface of real paper or canvas\, to the representation of tape as a cropping and/or masking tool\, the current show gives viewers a deep look into how the artist progressed in her thinking and execution over the course of a decade. \n\n\n\nSylvia Plimack Mangold’s works from 1975 to 1986\, as exhibited in this show\, display the psychological charge of the exchange between artist and viewer\, human and nature\, image and object\, and process and result. As such\, they are deliberately open-ended\, experiential\, and self-reflective\, offering the viewer a journey of layered examination to mirror and continue the artist’s practice. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests\n\n\n\n\n \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/boston-ma-meetat-at-krakow-witkin-gallery/
LOCATION:Krakow Witkin Gallery\, 10 Newbury St 5th Floor\, Boston\, Massachusetts\, 02116\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/12/2022.More_-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251212T120000
DTEND;TZID=America/New_York:20251212T140000
DTSTAMP:20260515T125142
CREATED:20251027T154644Z
LAST-MODIFIED:20251027T154807Z
UID:109717-1765540800-1765548000@www.arttable.org
SUMMARY:Los Angeles\, CA | Studio Visits with Julia Haft-Candell & Silvi Naçi at the Feminist Center for Creative Work
DESCRIPTION:Join ArtTable for two studio visits at the Feminist Center for Creative Work! \n\n\n\nJulia Haft-Candell remixes ancient techniques to write new narratives\, which in turn change structures that seem set in stone. Each arm of her practice—her artwork\, teaching\, and writing—offers alternatives to traditional models of categorization\, communication\, language\, and education. In 2019\, Haft-Candell founded The Infinite School\, a new framework for ceramic education\, which she runs out of her studio in Los Angeles. Haft-Candell has received grants and residencies from the Louis Comfort Tiffany Foundation\, New York\, NY; Skowhegan School of Painting and Sculpture\, Skowhegan\, ME; the Yaddo Corporation\, Saratoga Springs\, NY; and the California Community Foundation\, Los Angeles\, CA\, among other national and international organizations. Her work is in the collections of the Brooklyn Museum\, the Berkeley Art Museum and Pacific Film Archive\, the Houston Museum of Fine Arts\, among other institutions. She has exhibited at the Miller Institute of Contemporary Art in Pittsburgh\, the de Saisset Museum in Santa Clara\, Inman Gallery\, Houston\, The Craft Contemporary\, Los Angeles\, and Candice Madey\, New York. Haft-Candell’s work has been written about in numerous publications\, including The New York Times\, The Los Angeles Times\, Artforum\, and Art in America. \n\n\n\nSilvi Naçi is a queer Albanian educator\, artist\, researcher\, and writer working between Albania and Tongva and Chumash territory\, colonized as Los Angeles. Their praxis engages the image and its politics across photography\, performance\, moving-image\, text\, weaving\, drawing\, and installation. Their work examines how the marginalized body is affected by an oppressive state\, the subtle and violent ways that migration results from colonialism\, and how processes of decolonization affect and reshape a people\, the body\, language\, and possibilities of gender identity.  \n\n\n\nNaçi holds a dual BFA in Fine Arts & Graphic Design from Suffolk University and an MFA in Photography & Media from California Institute of the Arts. They have exhibited works at Manifesta 14 Prishtina\, XK; National Gallery of Art\, Tirana\, AL; The National Gallery of Kosovo\, XK; Grand Hotel\, Kosovo\, XK; Other Places Art Fair\, LA; Greater LA MFA Exhibition\, LA; and is a recipient of the Tim Disney Excellence in Storytelling Prize and the Felix Gonzalez-Torres Travel Grant. Their writing on art criticism has been published in Artsy\, East of Borneo\, Contemporary Art Review LA\, X-TRA\, Big Red & Shiny\, NKA Journal for Contemporary African Art\, and Hunter Fashion Magazine. Naçi has participated in residency at MASS MoCA (North Adams\, MA); Saas-Fee Summer Institute of Art (Berlin\, Germany); Elsewhere Museum and Residency (Greensboro\, NC); Évora NAU (Évora\, Portugal); Vermont Studio Center (VT); perfocraZe International Artist Residency (Kumasi\, Ghana)\, and the Feminist Center for Creative Work residency (Los Angeles\, CA). Naçi is a doctoral student in the Global Studies department at UCI. Find more info on their work at silverprojects.co or follow them on Instagram @silvi.naci. \n\n\n\n\nThe Feminist Center for Creative Work nurtures an ever-evolving\, intersectional\, intergenerational\, and joyful collaborative feminist praxis*—modeling ways of working and living through art\, programming\, media\, publishing\, and the redistribution of resources\, from Los Angeles\, within the world. The process is the product. \n\n\n\n*Praxis: The everyday habits\, conventions\, and practice of living theoretical concepts. \n\n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $35\n\n\n\nArtTable Members – $25\n\n\n\nArtTable Guests – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation.
URL:https://www.arttable.org/event/los-angeles-ca-studio-visits-with-julia-haft-candell-silvi-naci-at-the-feminist-center-for-creative-work/
LOCATION:Feminist Center for Creative Work\, 3053 Rosslyn St\, Los Angeles\, California\, 90065
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/10/Screen-Shot-2025-10-27-at-11.41.39-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251113T130000
DTEND;TZID=America/New_York:20251113T143000
DTSTAMP:20260515T125142
CREATED:20250910T172242Z
LAST-MODIFIED:20251015T184918Z
UID:97951-1763038800-1763044200@www.arttable.org
SUMMARY:Los Angeles\, CA | MeetAT at Baert Gallery
DESCRIPTION:Cheung Tsz Hin\, homes of void\, 2025. Oil on canvas. 78 3/4 x 157 1/2 in (200 x 400 cm)Courtesy of the artist and Baert Gallery. \n\n\n\nYou’re invited to a Los Angeles\, CA MeetAT networking event on November 13\, graciously hosted by Baert Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections. \n\n\n\nAbout Baert Gallery:Baert Gallery\, founded in 2016 by Christian Baert\, maintains a distinct focus on bridging the legacies and artistic sensibilities of Europe and Los Angeles. Working with a roster of emerging artists\, the gallery aims to provide a platform for complex\, intellectually rigorous\, and formally challenging practices at its space in Downtown Los Angeles. The gallery is committed to providing studio and production support to its artists in order to foster their innovative ideas and creativity. In order to reach a wider audience\, Baert Gallery also supports artist publications and regular live performances by multidisciplinary artists in the gallery space. In 2020\, the gallery moved to its current location in the lower Arts District in Downtown Los Angeles. The 1\,500 sq-ft (140 sq-m) exhibition space\, located in a historic warehouse\, provides an ideal backdrop to present artworks across media\, including installation\, sculpture\, painting\, video\, and performance. \n\n\n\nAbout the ArtistCheung Tsz Hin’s compositions explore the mixed emotions that arise from the artist’s memories and associations with people and events throughout his lifetime. Everyday objects\, fleeting scenes\, and encounters provide spaces to observe the ever-changing landscape of the mind. Through painting\, Cheung’s emotional starting points undergo transformations\, reconstructions\, and even inversions until the layers of meaning abstract themselves both conceptually and visually. Painting becomes an act of digestion and reflection. \n\n\n\nCheung Tsz Hin (b.1987\, Hong Kong) obtained his Bachelor of Integrated BBA (minor in Fine Arts) from the Chinese University of Hong Kong in 2010\, and a Master of Fine Arts in Taiwan in 2014. Cheung has taken part in an artist in residency programme held by Listhus SES in Iceland in 2018. His works have been featured in solo and group exhibitions in Hong Kong\, Taiwan and Iceland\, including Phantasmagoria\, LBF Contemporary\, London (2024); moments in layered motion\, Contemporary by Angela Li\, Hong Kong (2024); shivering glow\, I shiver and glow\, Contemporary by Angela Li\, Hong Kong (2023); confluence of voice\, Hong Kong Visual Arts Centre (2023); spinelessly Planting\, Contemporary by Angela Li\, Hong Kong (2022); the garden I still vaguely remember\, Contemporary by Angela Li\, Hong Kong (2021); Ólafsfjörður: Phase 2\, Sansiao Gallery\, Hong Kong (2019); Stundum\, Listhus Artspace\, Ólafsfjörður\, Iceland (2018); No Neverland\, Hong Kong Visual Arts Centre\, Hong Kong (2017); Art as Social Interaction—Hong Kong/ Taiwan Exchange\, The Pier-2 Art Center\, B7 Warehouse\, Taiwan (2015). \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*Each member is allowed to bring one guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/los-angeles-ca-meetat-at-baert-gallery/
LOCATION:Baert Gallery\, 1923 S Santa Fe Ave\, Los Angeles\, California\, 90021\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/09/CTH001_2025_Homes-of-void_-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251021T120000
DTEND;TZID=America/New_York:20251021T130000
DTSTAMP:20260515T125142
CREATED:20250818T193719Z
LAST-MODIFIED:20250918T181555Z
UID:85454-1761048000-1761051600@www.arttable.org
SUMMARY:Los Angeles\, CA | Curator-Led Tour of "Made in L.A. 2025" with Essence Harden
DESCRIPTION:Gather at the Hammer Museum for a Curator-Led Tour of Made in LA 2025 with Essence Harden! \n\n\n\nMade in L.A. 2025 is the seventh iteration of the Hammer’s signature biennial exhibition that showcases artists practicing throughout the greater Los Angeles area. The 28 participants in the exhibition present work not only made in the city but also grounded in its complex and unfolding terrain. Neither myth nor monolith\, Los Angeles is many things to many people\, and its dissonance is perhaps its most distinguishing feature. The works presented in this year’s biennial include film\, painting\, theater\, choreography\, photography\, sculpture\, sound\, and video. Attitude draws them together: Each engages with this city in ways alternately literal\, formal\, material\, and metaphoric. Conceived or made in Los Angeles\, they are of this city and nowhere else. \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\nArtTable Guests – $30\n\n\n\nGeneral Admission – $35\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/los-angeles-ca-curator-led-tour-of-made-in-l-a-2025-with-essence-harden/
LOCATION:Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, California\, 90024\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/08/Screen-Shot-2025-08-18-at-3.30.17-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250305T140000
DTEND;TZID=America/New_York:20250305T150000
DTSTAMP:20260515T125142
CREATED:20250104T042135Z
LAST-MODIFIED:20250110T191633Z
UID:38213-1741183200-1741186800@www.arttable.org
SUMMARY:Los Angeles\, CA | Tour of 'Alice Coltrane\, Monument Eternal' with Erin Christovale at the Hammer Museum
DESCRIPTION:Portrait of Alice Coltrane\, 1970. Photo: Chuck Stewart. © Chuck Stewart Photography\, LLC/Fireball Entertainment Group. \n\n\n\nJoin ArtTable for an exclusive tour of Alice Coltrane\, Monument Eternal at the Hammer Museum with Curator Erin Christovale. Christovale\, who is also the co-founder of Black Radical Imagination\, was an ArtTable New Leadership Awardee in 2020 and named to Apollo‘s 40 Under 40 USA in 2023. Our tour of this inventive interdisciplinary exhibition will explore Coltrane’s creative practice as well as her deep influence on contemporary art\, evident in the work of Rashid Johnson\, Jennie C. Jones\, and Cauleen Smith\, among others. \n\n\n\n \n\n\n\n\nAbout the exhibition: The exhibition Alice Coltrane\, Monument Eternal is inspired by the life and legacy of jazz musician\, devotional leader\, and mother Alice Coltrane (b. 1937\, Detroit). The title takes its name from her book Monument Eternal (1977)\, which reflected her newfound spiritual beliefs; the loss of her husband\, the saxophonist John Coltrane; and the path to healing and self-discovery. The exhibition presents works by contemporary American artists paired with ephemera from Coltrane’s personal archive. Featuring a range of mediums including video\, installation\, performance\, and sculpture together with Coltrane’s archival handwritten sheet music\, unreleased audio recordings\, and rarely seen video footage\, Alice Coltrane\, Monument Eternal explores themes including spiritual transcendence\, sonic innovation\, and architectural intimacy to honor Coltrane’s cultural output and practice. This exhibition is part of a larger initiative called “The Year of Alice\,” and in partnership with the John & Alice Coltrane Home. \n\n\n\n \n\n\n\n\nVisitor Guidelines & Accessibility (please see the Hammer’s website for full details): \n\n\n\nConvenient self-parking is available under the museum. Parking entrances are located on the east side of Westwood Boulevard (northbound) or on the west side of Glendon Boulevard (southbound)\, between Wilshire Boulevard and Lindbrook Drive. Rates are $8 for the first three hours with museum validation\, and $3 for each additional 20 minutes\, with a $22 daily maximum. There is a $8 flat rate after 5 p.m. on weekdays\, and all day on weekends. \n\n\n\nPortable gallery stools can be borrowed from a Hammer ambassador stationed in the galleries. Two wheelchairs are available to borrow from the Welcome Desk on a first-come\, first-served basis. The Hammer asks visitors to check oversized bags and leave food and beverages outside the gallery spaces. There may be a few portions of the exhibition with capacity limits. \n\n\n\n \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nArtTable extends its sincerest thanks to Nicole Berry for assistance in coordinating this program.
URL:https://www.arttable.org/event/los-angeles-ca-tour-of-alice-coltrane-monument-eternal-with-erin-christovale-at-the-hammer-museum/
LOCATION:Hammer Museum\, 10899 Wilshire Blvd\, Los Angeles\, California\, 90024\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/01/CSP-Alice-Coltrane-Jan-1970-F-lo-res.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240202T110000
DTEND;TZID=America/New_York:20240202T120000
DTSTAMP:20260515T125142
CREATED:20240104T142037Z
LAST-MODIFIED:20240131T215753Z
UID:15884-1706871600-1706875200@www.arttable.org
SUMMARY:Glendale\, CA | Curatorial Walkthrough of If Memory Serves: Photography\, Recollections and Vision at the Brand Library & Art Center
DESCRIPTION:Join Dr. Rotem Rozental\, Executive Director and Chief Curator of the Los Angeles Center of Photography\, for a walkthrough of the exhibition If Memory Serves: Photography\, Recollections and Vision. Our hard drives may fail. Our phones might break. We may forget an image that was once cemented in our minds. Our relationships with images and devices that hold our memories define how we understand our position in the world. If Memory Serves emerges from the moments those devices fail us\, our recollections betray us and our pictures refuse to bring back the people they once captured. This exhibition emerges from the intersection of our haunting pasts\, possible futures\, and our connections to photographic images\, technologies and the systems that ask to speak for our photographs.The exhibition begins with and honors Aline Smithson\, a mentor\, photographer and educator\, whose work with artists is redefining photographic practice. If Memory Serves celebrates her immense contribution to photography and further comments upon the reach of her stewardship and pedagogy. The participating artists have all been studying with and from her. Seen together\, their works offer profound insight into our co-existence with photography\, suggesting meeting points between personal experiences and broader societal issues and conflicts – from privacy to grief\, from representation to immigration.Artists: Aurora Wilder Collective (Jennifer Pritchard in collaboration with Patrick Corrigan and DALL-E)\, Elizabeth Bailey\, Dena Elisabeth Eber\, Sarah Hadley\, Diane Hemingway\, Rohina Hoffman\, Susan Lapides\, Annette LeMay Burke\, Annie Omens\, Lori Ordover\, Safi Alia Shabaik\, Aline Smithson\, Rosalie Rosenthal \n\n\n\n\nIf Memory Serves: Photography\, Recollections and Vision | Honoring Aline Smithson\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – Free\n\n\n\nMember Guests – $5\n\n\n\nPublic  – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRotem Rozental\, Ph.D\, is the Executive Director of the Los Angeles Center of Photography. Between 2016-2022\, she served as Chief Curator at American Jewish University\, where she was also Assistant Dean of the Whizin Center for Continuing Education and Senior Director of Arts and Creative Programming. Her upcoming book\, Pre-State Photographic Archives and the Zionist Movement was published by Routledge in March 2023\, and was named recipient of the Jordan Schnitzer First Book Award by the Association for Jewish Studies.  \n\n\n\nRotem is a lecturer at USC Roski School of Art and Design Critical Studies Department. She mentors artists worldwide and contributes regularly to magazines\, journals and exhibition catalogues. Her writings about contemporary art and image-based media\, as well as Jewish and Israeli art\, were published in Artforum.com\, Photographies\, Jewish Currents\, Tablet and Forward\, among other outlets.
URL:https://www.arttable.org/event/curatorial-walkthrough-if-memory-serves-photography-recollections-and-vision-at-the-brand-library-art-center/
LOCATION:The Brand Library\, 1601 W. Mountain\, Glendale\, California\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/01/092923-488-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231130T100000
DTEND;TZID=America/Los_Angeles:20231130T110000
DTSTAMP:20260515T125142
CREATED:20230924T130747Z
LAST-MODIFIED:20231031T170820Z
UID:13653-1701338400-1701342000@www.arttable.org
SUMMARY:Guided Tour of Hollyhock House with Abbey Chamberlain Brach
DESCRIPTION:This is a bespoke tour for only ten people: don’t miss your chance for this behind-the-scenes tour with Hollyhock House Site Director & Curator Abbey Chamberlain Brach—book your ticket today! \n\n\n\n“Now\, with a radical client like Miss Barnsdall\, a site like Olive Hill\, a climate like California\, an architect head on for freedom\, something had to happen… So this Romanza of California came out on Olive Hill.” —Frank Lloyd Wright: An Autobiography\, 1943 \n\n\n\nHeiress Aline Barnsdall (1882-1946) created a revolutionary life: a feminist\, traveler\, single mother by design\, supporter of experimental Chicago theatre\, close friend of Emma Goldman\, early patron of The Hollywood Bowl\, and champion of revolutionary causes. Barnsdsall commissioned an equally iconic home from Frank Lloyd Wright\, intended to be the center of an Olive Hill arts complex. Barnsdall gifted Hollyhock House and Barnsdall Park to the City of Los Angeles in 1927\, and it was designated as a UNESCO World Heritage Site in 2019.“Hollyhock House has inspired generations of artists\, architects\, and designers. It is a harbinger of California Modernism and designed by Wright in response to the region\, capturing the drama of Hollywood and embracing building traditions of the American southwest.” —Hollyhock House Education Thank you to ArtTable Board Vice-President\, Felice Axelrod!Admission: \n\n\n\nArtTable Members $25\nMember Guests $35\n\nNot an ArtTable member? Join today! \n*THIS EVENT HAS A WAITING LIST: PLEASE CLICK “REGISTER HERE” TO ADD YOURSELF TO IT! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Stan Ecklund\, Courtesy City of Los Angeles Department of Cultural Affairs. \n\n\n\n\n\n\n\n\n\n\n\nAbbey Chamberlain Brach is Site Director & Curator at Hollyhock House\, part of the City of Los Angeles Department of Cultural Affairs. She manages interpretation\, restoration\, and preservation\, including a major restoration of the Residence A guest house begun in 2017. From 2012 to 2018\, Abbey worked at the Los Angeles County Museum of Art as part of the decorative arts and design department—contributing to exhibitions on twentieth-century design dialogues between California and Mexico\, the Arts and Crafts movement\, and Peter Zumthor’s design for LACMA.Abbey earned her master’s degree in American History at the University of Delaware\, while working in the curatorial department at Winterthur Museum. She served as the Curator & Director of Education at the Santa Barbara Maritime Museum and the Assistant Education Coordinator for the Santa Barbara Trust for Historic Preservation\, operating El Presidio de Santa Barbara State Historic Park and Casa de la Guerra.
URL:https://www.arttable.org/event/national-guided-tour-of-hollyhock-house-with-abbey-chamberlain-brach/
LOCATION:Hollyhock House\, 4800 Hollywood Blvd\, Los Angeles\, 90027
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Hollyhock-House-west-facade-photo-by-Stan-Ecklund-2020-large.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230720T160000
DTEND;TZID=America/Los_Angeles:20230720T170000
DTSTAMP:20260515T125142
CREATED:20230624T220553Z
LAST-MODIFIED:20230701T182248Z
UID:12754-1689868800-1689872400@www.arttable.org
SUMMARY:National | "for the sake of dancing in the street" at OXY ARTS Los Angeles
DESCRIPTION:Join ArtTable for a tour of “for the sake of dancing in the street”—a group exhibition celebrating the interconnectedness of feminist and queer resistance in person at OXY ARTS Los Angeles. The exhibition features works by performance collaborative LASTESIS\, Morehshin Allahyari\, and Yasmine Nasser Diaz\, in conversation with works by poet Ava Ansari and the Geochicas network\, and documentation of resistance movements compiled by Caitlin Abadir-Mullally and Raja Bella Hicks. An original print by Entangled Roots Press is featured in the gallery space and available as a takeaway. Yasmine Nasser Diaz will speak about the exhibition. Meldia Yesayan\, Director\, and Frankie Fleming\, Manager of Education and Community Engagement\, will explain the unique mission of OXY ARTS as it relates to Occidental College and to the surrounding community. OXY ARTS is situated off-campus in a store-front building in the Highland Park neighborhood of Los Angeles. \n\n\n\nThe exhibition and associated programming were conceived and organized in collaboration with OXY ARTS\, LAND (Los Angeles Nomadic Division)\, and Yasmine Nasser Diaz. \n\n\n\nOptional activities after the tour include staying for the gallery’s 6 pm screening of JOYLAND—an Urdu- and Punjabi-language film tackling gender and desire that was shortlisted in the Best International Feature Film category at the 95th Academy Awards\, and won the Jury Prize and Queer Palm Prize at the 2022 Cannes Film Festival. Attendees are also welcome to continue networking while enjoying a “no-host” meal at a nearby restaurant. \n\n\n\nPlease note there is limited street parking; details are available on the OXY ARTS website here. \n\n\n\nArtTable Members $10\nArtTable Guests $15\nPublic $20\n\nNot an ArtTable member? Join today! \n \n \n\nImage: LANDOXY-For the Sake of Dancing Installation. Creator: Gina Clyne. Photo Credit: Gina Clyne Photography Copyright (c) Gina Clyne 2021. \n\n\n\n\n\n\n\n\n\n\n\nMeldia Yesayan. Meldia is the Director of OXY ARTS\, the multidisciplinary arts programming initiative at Occidental College. She oversees all aspects of the programming and development of OXY ARTS\, including organizing all exhibitions and programs at the OXY ARTS center\, facilitating visiting artist residencies such as the Wanlass Artist-in-Residence program\, initiating cross-departmental and interdisciplinary collaborations\, creating opportunities for student-curated events\, and engaging the Occidental community in socially conscious discourse with contemporary arts practices. She is also responsible for developing meaningful and sustained relationships with the Los Angeles area arts communities\, including partnerships with local arts agencies\, artists and institutions. \n\n\n\n\n\n\n\n\nYasmine Nasser Diaz is a visual artist whose work frequently occupies the domestic sphere to explore the boundaries of cultural identity. Staging familial memories in nostalgic recreations of home\, her work nods to both tradition and technological change and is often deftly punctured by powerful feminist and social critique. Using a variety of media from collage and fiber etching to video and immersive installation\, she mines personal archives to probe the nuances of third-culture identity\, often drawing upon the frictions experienced between the individual and the collective. \n\n\n\n\nYasmine’s work was recently featured at the Getty Center and is included in the collections of LACMA\, UCLA\, and the Arab American National Museum. She is the recipient of the Harpo Visual Artists Grant\, the California Community Foundation Visual Artist Fellowship\, and the University of Michigan Efroymson Visiting Artist Residency in Ann Arbor\, MI. Yasmine lives and works in Los Angeles. \n\n\n\n\n\n\n\n\n\nFrankie Fleming oversees education and community programming at OXY ARTS. She works with students\, community partners\, and faculty on collaborations with the surrounding community\, including running the Community Studio K-12 after school art program\, organizing workshops\, field trips and community events. Before joining OXY ARTS in 2019\, Frankie was the Director of Education at Center for the Arts Eagle Rock and a Teaching Artist at Southern Exposure. She brings her experience in art education to OXY ARTS’ LAUSD after school art program and internship program\, which launched in 2021.
URL:https://www.arttable.org/event/national-for-the-sake-of-dancing-in-the-street-at-oxy-arts-los-angeles/
LOCATION:Oxy Arts\, 4757 York Boulevard\, Los Angeles\, California\, 90042
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/06/LANDOXY-FortheSakeofDancing-Installation_Creator-_Gina_Clyne_____Credit-_Gina_Clyne_Photography_Copyright-_c_Gina_Clyne_2021.jpeg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230525T160000
DTEND;TZID=America/Los_Angeles:20230525T170000
DTSTAMP:20260515T125142
CREATED:20230509T223901Z
LAST-MODIFIED:20230511T180856Z
UID:12182-1685030400-1685034000@www.arttable.org
SUMMARY:National | Guided Tour of the Hammer Museum with Ann Philbin
DESCRIPTION:Join ArtTable for a tour of the Hammer Museum with Director Ann Philbin!The Hammer Museum’s completion of a 90-million dollar renovation this March is the most recent step in a more than 20-year transformation of this Los Angeles institution\, which Ann Philbin has overseen since becoming its director in 1999. This major capital campaign has allowed the museum to add visibility\, expand its galleries\, showcase its collection\, and build community and public spaces. The Hammer Museum is one of three public arts institutions of the School of the Arts and Architecture at UCLA\, and is one of the most influential museums in the country. \n\n\n\nArtTable Members $10\nArtTable Guests $15\nPublic $20\n\nNot an ArtTable member? Join today! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Hammer’s new entrance at Wilshire and Westwood. Photo by Eric Staudenmaier. \n\n\n\n\n\n\n\n\n\n\n\nAnn PhilbinAnn Philbin began her career in New York as an independent curator at the Ian Woodner Family Collection and then was an art dealer at the Curt Marcus Gallery. Philbin served as director of The Drawing Center in New York from 1990 through 1999\, where she curated exhibitions of works on paper. She the moved to Los Angeles\, where she has been the visionary Director of The Hammer Museum for the past 24 years. Philbin was recognized in ArtReview’s “Power 100” eight times\, and has been included on Los Angeles Business Journal’s LA500 list. She has received the rank of Officier in National des Arts et des Lettres from the French Consulate of Los Angeles\, and was recently elected to the American Academy of Arts and Sciences.
URL:https://www.arttable.org/event/national-guided-tour-of-the-hammer-museum-with-ann-philbin/
LOCATION:The Hammer Musem\, 10899 Wilshire Blvd.\, Los Angeles\, 90024
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Hammers-new-entrance-at-Wilshire-and-Westwood-Photo-by-Eric-Staudenmaier_web.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230215T183000
DTEND;TZID=America/New_York:20230215T183000
DTSTAMP:20260515T125142
CREATED:20221117T195054Z
LAST-MODIFIED:20240216T205837Z
UID:10615-1676485800-1676485800@www.arttable.org
SUMMARY:Los Angeles\, CA | ArtTable’s 2023 Annual Benefit\, Honoring Shirley Pooler Kinsey
DESCRIPTION:Visit this link to watch a recap of the Los Angeles\, CA | ArtTable’s 2023 Annual Benefit\, Honoring Shirley Pooler KinseyThank you for joining us in Los Angeles for ArtTable’s 2023 Annual Benefit & Award Ceremony! \n\n\n\nOur Distinguished Service in the Visual Arts Award was given to philanthropist and collector Shirley Pooler Kinsey. \n\n\n\nSurrounded by The Kinsey Art Collection\, nestled in SoFi Stadium we celebrated the work of Shirley and continue ArtTable’s mission of supporting the leadership and work of women and nonbinary professionals in the visual arts. \n\n\n\n\n\n\n\n\n\n\n\nProgram\n\n\n\nVIP Reception\n\n\n\n5:30 – 6:30 PM\n\n\n\nReception and Private Tour of the Kinsey African American Art & History Collection\n\n\n\n(For ticket holders at $550 and above)\n\n\n\nMembers of the Kinsey Family will welcome and guide us through the extensive collection of art and artifacts from around the world. \n\n\n\n\n\n\n\nAnnual Benefit and Award Ceremony\n\n\n\n6:30 – 8:30 PM\n\n\n\nCelebration\, Drinks\, and Light Bites\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Tickets $20\,000 - Fellowship Program Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpoken recognition at the BenefitSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldAcknowledgement in Fellowship press release and listing on Impact Initiatives webpagePremier Video Ad$15\,000 - Gold Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldSupports five (5) Affiliate level membershipsPriority Screen Ad$10\,000 - Silver Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpecial GiftProvides one (1) Mentorship ticket for an emerging professional in the fieldPriority Screen Ad$5\,000 - Bronze Supporter Ten (10) tickets to the BenefitFive (5) tickets to the VIP Reception & TourRecognition in Benefit listingsSpecial GiftClassic Screen Ad$3\,000 - Host Committee: Leadership Ticket Four (4) tickets to the BenefitFour (4) tickets to the VIP Reception & TourRecognition in Benefit listings$1\,000 - Host Committee: Executive Ticket Two (2) tickets to the BenefitTwo (2) tickets to the VIP Reception & TourRecognition in Benefit listings$550 - Host Committee: Member Friend Ticket One (1) ticket to the BenefitOne (1) ticket to the VIP Reception & TourRecognition in Benefit listings$325 - General Ticket $225 - ArtTable Member Ticket $175 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professional (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatAdvertisements will be displayed at the Los Angeles (February 15) and New York (April 4) Benefits if submitted by February 1\, 2023. Please submit creative to programs@arttable.org with the subject line "Benefit Ad Submission." \n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the button below to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 8th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nAbout Shirley Pooler Kinsey\n\n\n\nAlong with her husband Bernard and son Khalil\, Shirley has developed one of the largest and most comprehensive private collections of African-American history and art in the world\, which includes more than 700 pieces of art and artifacts that tell the story of African Americans’ historical struggles from 1632 to present. The Kinsey Collection has been featured in more than 30 exhibitions in over 30 states and is an unparalleled archive and celebration of the achievements and contributions of black Americans from before the formation of the United States to the present times. \n\n\n\nThe Kinseys have become known for their collection of art\, books\, artifacts\, and ephemeral objects that document the remarkable achievements and contributions of African Americans from 1595 to the present\, considered to be one of the largest of its kind. Since 2006\, The Kinsey African American Art & History Collection – Where Art and History Intersect”\, has been on national tour and seen by over 15 million visitors to date. The collection has exhibited in nearly 40 venues\, including the Smithsonian National Museum of American History\, Epcot at Walt Disney World\, Hong Kong University and now SoFi Stadium in Inglewood\, California where it debuted during Super Bowl LVI and is on view through February 2023. In 2008\, Shirley co-founded the Kinsey Foundation for the Arts and Education to promote broader awareness and understanding of African American history and culture. The foundation has educational partnerships around the country and abroad\, assisting with the development and implementation of curriculums and public programs. The Kinseys have traveled extensively and reside in Pacific Palisades\, California. They are the proud parents of their son Khalil who is the COO and Chief Curator of the Kinsey African American Art & History Collection. \n\n\n\nClick here to view Shirley’s full bio. \n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/los-angeles-ca-arttables-2023-annual-benefit-honoring-shirley-pooler-kinsey/
LOCATION:SoFi Stadium\, 1001 Stadium Drive\, Los Angeles\, California\, 90301\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/2023_Benefit_LA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230211T110000
DTEND;TZID=America/New_York:20230211T130000
DTSTAMP:20260515T125142
CREATED:20230123T224315Z
LAST-MODIFIED:20230126T155952Z
UID:11334-1676113200-1676120400@www.arttable.org
SUMMARY:Palm Springs\, CA | Tour & Reception at Intersect Palm Springs
DESCRIPTION:Please join us for a day at Intersect Palm Springs! Current and prospective members and guests are welcome to join for a special private tour of the fair with Liza Shapiro and Georgia Powell\, Co-Founders of CURA Art. Afterwards\, stick around for a meet-and-greet with ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter\, and learn more about ArtTable’s mission and how you can get more involved with the organization. \n\n\n\nIntersect Palm Springs is an art and design fair that brings together a dynamic mix of modern and contemporary galleries\, and is activated by timely and original programming. It is one of three annual cultural events produced by Intersect Art and Design\, in addition to Intersect Aspen and SOFA Chicago. Each event connect galleries with art lovers and collectors\, highlighting art and design locally\, regionally\, and globally. Overseen by Managing Director Becca Hoffman\, the Intersect team is committed to building community and connectivity in the locations of the fairs. Through cultural partners\, programming\, and curatorial vision\, Intersect offers year-round opportunities for dialogue\, engagement\, and inspiration. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests/General Public – $20\n\n\n\n\nYour ticket includes complimentary access to the fair and one complimentary drink ticket. You will receive information on accessing your VIP pass upon registration.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety To ensure the safety of all visitors\, participants\, and staff\, Intersect Palm Springs is closely monitoring the news\, and state and local CDC guidelines\, to inform their safety protocols. Please visit the City of Palm Springs website for the most up-to-date information\, here. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Palm Springs Convention Center (PSCC) provides permanent access accommodations under the guidance of the Americans with Disabilities Act (ADA). Wheelchairs are not available at the PSCC\, however\, they are able to provide you with a list of local vendors to accommodate special needs. Please email programs@arttable.org if you require any specific accommodations for this program.  Getting There The Palm Springs Convention Center is located at 277 N Avenida Caballeros\, Palm Springs CA 92262. Click here for directions from any location. For information on parking at the convention center and public transportation\, visit the fair's website. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Georgia Powell\nGeorgia studied in Italy and the UK\, earning a BA in Art History at the University of Warwick\, continuing her studies with an MA in the same subject in London. Georgia has gained experience at the Victoria and Albert Museum\, London\, and with an exhibition designer to catalogue and display prominent private collections including The Myers Collection at Eton College and the Portland Collection at Welbeck Abbey. She then managed The Redfern Gallery on London’s prestigious Cork Street. As Assistant Curator of the renowned\, private collection of decorative arts owned by The Goldsmiths’ Company in London\, Georgia was responsible for managing\, exhibiting and expanding a collection of more than 9\,000 objects. Georgia is a featured lecturer at Christie’s Education and speaks regularly on the subject of the role of the Collector today. \nAbout Liza Shapiro\nLiza’s interest for caring for works of art began while studying art restoration in Florence\, Italy. She earned a BA in Art Conservation from Camberwell College of Arts\, London\, and an MA in Museum Studies from University College London (UCL). Liza worked at several museums\, galleries and conservation studios\, including Tate Modern\, the Victoria and Albert Museum and The Redfern Gallery. At the oldest hat shop in the world\, Lock & Co. Hatters\, Liza preserved and catalogued more than 400 ledgers and historical material in order to curate a new\, permanent exhibition space. Liza returned home to California in 2015\, and has established a strong LA presence\, working with varied private collections and industry specialists. Liza is also a mentor for Upward & Associates\, a platform that offers guidance and concrete tools to help artists meet their professional goals.  \n\n\n\n\n\n\nImage: Mary Dill Henry\, Here Comes the Sun\, 1972. Acrylic on canvas\, 48 x 72 in (121.9 x 182.9 cm)\, Signed\, dated and titled on verso\, © Estate of Mary Dill Henry. Courtesy of Berry Campbell\, New York
URL:https://www.arttable.org/event/palm-springs-ca-tour-reception-at-intersect-palm-springs/
LOCATION:Intersect Palm Springs\, Palm Springs Convention Center\, 277 N Avenida Caballeros\, Palm Springs\, California\, 92262\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/01/52427668094_441490bced_o.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221216T130000
DTEND;TZID=America/New_York:20221216T130000
DTSTAMP:20260515T125142
CREATED:20221107T181131Z
LAST-MODIFIED:20221108T160937Z
UID:10583-1671195600-1671195600@www.arttable.org
SUMMARY:Costa Mesa\, CA | Exhibition Tours - "California Biennial 2022: Pacific Gold" & "13 Women" with OCMA CEO and Director\, Heidi Zuckerman
DESCRIPTION:Please join us at the newly opened Orange County Museum of Art (OCMA) for tours of two exhibitions currently on view: California Biennial 2022: Pacific Gold and 13 Women\, with ArtTable member and OCMA CEO & Director\, Heidi Zuckerman! Stick around afterwards for a no-host lunch or snack at Outpost Kitchen at South Coast. \n\n\n\n13 Women marks the museum’s 60th anniversary\, paying homage to the thirteen women who founded the Balboa Pavilion Gallery\, the earliest iteration of OCMA\, which opened in 1962. On view in The Muzzy Family Special Exhibitions Pavilion\, 13 Women is curated by Heidi Zuckerman and presented with multiple rotations over the course of almost a full year. The exhibition presents work from the 1960s to the present by artists central to the museum’s collection. Each rotation is centered on the work of thirteen pioneering female artists\, each of whom share the visionary qualities of the museum’s founders. The thirteen women included in the first rotation\, on view October 8\, are Alice Aycock\, Joan Brown\, Lee Bul\, Lucy Bull\, Sarah Cain\, Vija Celmins\, Mary Corse\, Mary Heilmann\, Barbara Kruger\, Cady Noland\, Catherine Opie\, Hilary Pecis and Agnes Pelton. The work of these pioneering artists is complemented by selected works from OCMA’s collection\, including Charles Ray’s Ink Box (1986) and Self Portrait (1990)\, both acquired from OCMA’s presentation of Ray’s first solo museum exhibition\, alongside important works by John Altoon\, Chris Burden and Richard Diebenkorn. The exhibition is punctuated by a new site-specific painting by Sarah Cain in The Avenue of the Arts Gallery. Artists Include: John Altoon\, Alice Aycock\, John Baldessari\, Joan Brown\, Lee Bul\, Lucy Bull\, Chris Burden\, Sarah Cain\, Vija Celmins\, Mary Corse\, Richard Diebenkorn\, Mary Heilmann\, Barbara Kruger\, Glen Ligon\, Cody Noland\, Catherine Opie\, Hilary Pecis\, Agnes Pelton\, Charles Ray\, and Ed Ruscha \n\n\n\nAs part of its suite of opening exhibitions\, OCMA is reviving the California Biennial. Dating back to 1984\, the biennial defined the spirit of the institution for decades\, exemplifying the museum’s six-decade history of presenting new developments in contemporary art while identifying emerging artists on the verge of national and international acclaim. Organized by former OCMA curator Elizabeth Armstrong—who curated the California Biennial in 2002\, 2004\, and 2006—with Essence Harden\, Visual Arts Curator at the California African American Museum\, and Gilbert Vicario\, Chief Curator at the Phoenix Art Museum\, the exhibition features 19 artists from across the state. From the high desert to the oceanside of Bolinas and Monterey\, and through the dense metropolises of Los Angeles and San Francisco\, the collection of artists reflects on California and its unique place in the popular American imagination. Revisiting mythical stories and reimagining California as a changing land\, the California Biennial 2022: Pacific Gold presents a set of distinctive voices\, ones which question\, challenge\, and animate the past\, while looking to the future. Artists include: Tanya Aguiñiga\, Alex Anderson\, Sadie Barnette\, Kenturah Davis\, Sharon Ellis\, James Gobel\, Raul Guerrero\, Candice Lin\, Maria Maea\, Narsiso Martinez\, Hector Dionicio Mendoza\, Alicia McCarthy\, Simphiwe Ndzube\, Rashaad Newsome\, Alicia Piller\, Clare Rojas\, Svetlana Shigroff\, Laurie Steelink\, and Lily Stockman. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests – $15\n\n\n\nPlease note that all proceeds from program fees go toward internal costs for organizing ArtTable programs. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety To ensure safety for visitors and staff\, OCMA has implemented the following measures: Visitors and staff are encouraged to stay home if they are feeling sick. Please do not visit the museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.Mask use is optional throughout OCMA\, in accordance with Orange County guidelines.OCMA’s top priority is the health and well-being of our visitors and staff. An inherent risk of exposure to COVID-19 exists in any public space where people are present. We cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering OCMA do so at their own risk as to such exposure. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility OCMA welcomes and endeavors to provide a positive\, engaging\, and inclusive experience for all visitors. These efforts are ongoing and OCMA welcomes questions and feedback about current accommodations and ongoing initiatives at info@ocma.art If you plan to visit the museum and would like to request accessibility services\, please email info@ocma.art. You may also email Haley at ArtTable at programs@arttable.org if you need assistance. Arrival - The public entrance is equipped with power-assist doors. Drop-Offs - Visitors may be dropped off at the museum’s main entrance at 3333 Avenue of the Arts. Mobility Devices & Strollers - Museum galleries\, program spaces\, the Fueling Station\, Shop\, Café and Bar\, and the Upper Plaza are all accessible for visitors using wheelchairs\, mobility devices\, and strollers. Accessible restrooms are located on all floors. Visit the Welcome Desk in the Lobby to request a wheelchair for your visit free of charge. Note that not all interior doors are equipped with power assist. Seating - Benches are dispersed throughout the galleries. Restrooms - Public restrooms are located on all three levels of the museum and include wheelchair-accessible stalls. Current building codes require we label one restroom “women” and one restroom “men.” We acknowledge that these two categories do not reflect the gender identity or expression of all our visitors and staff. Please use the restroom that feels most comfortable for you. Animals - Animals are not permitted in the museum\, except for service animals as identified by the Americans with Disabilities Act.  Getting There The Orange County Museum of Art is located on the Segerstrom Center for the Arts campus at 3333 Avenue of the Arts\, Costa Mesa\, CA 92626. Click here for directions from any location. It is within walking distance from South Coast Plaza and is easily accessible by public transportation\, car\, and bike. Like many cultural institutions\, OCMA does not own or operate a parking garage. There are multiple paid parking options near OCMA\, and a list of nearby options is below: Area Parking All local rates and availability are subject to change without notice. Tower Plaza Parking Structure - 600 Anton BoulevardIrvine Parking - 3201 Avenue of the ArtsThe MET Parking - 535 Anton BoulevardAvenue of the ArtsPublic Transportation The closest bus stops to OCMA are below. Anton-Avenue of the Arts (463 Southbound)Anton-Park Center (57 Northbound\, 463 Northbound/Southbound)Anton-Sakioka (57 Northbound\, 463 Southbound)Sunflower-Avenue of the Arts (57 Southbound\, 86 Eastbound\, 150)Sunflower-Stevens (86 WB\, 150)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Heidi Zuckerman\nHeidi Zuckerman is a globally recognized leader in contemporary art and the first woman to build two art museums. \nAs CEO and Director of OCMA/The Orange County Museum of Art\, she is envisioning a twenty-first-century museum. Zuckerman completed a new\, ground-up project with Pritzker Architecture Prize winner Thom Mayne on time and on budget\, raised more than $35 million in her first 20 months in the role\, and welcomed more visitors to the museum in the first week of operations than previous annual attendance. \nZuckerman is also the former fourteen-year CEO and Director of the Aspen Art Museum\, which she reimagined as a world-class institution\, raised more than $130 million\, and built a new\, highly acclaimed museum with Shigeru Ban\, the 2014 Pritzker Architecture Prize winner. From 1999–2005\, she was Chair of the Curatorial Department at Berkeley Art Museum and Pacific Film Archive. Previously\, she was a curator at the Jewish Museum in New York. Zuckerman has curated more than two hundred exhibitions during her extensive career\, including early\, important\, and often first museum shows of artists who have now come to define our time. She also hosts the podcast Conversations About Art\, which has over 100 episodes\, and is the author of numerous books\, including the Conversations with Artists book series. \nZuckerman additionally served as Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania\, an MA in Art History from Hunter College at CUNY\, and a Harvard Business School Executive Education Women on Boards Certification. \n\n\n\n\n\n\nImage: Mary Heilmann\, Surfing on Acid\, 2005. Oil on canvas. 60 x 48 inches. Museum purchase with funds provided through prior gift of Lois Outerbridge\, 2005.002. Collection of the Orange County Museum of Art.
URL:https://www.arttable.org/event/costa-mesa-ca-exhibition-tours-california-biennial-2022-pacific-gold-13-women-ocma-ceo-and-director-heidi-zuckerman/
LOCATION:Orange County Museum of Art\, 3333 Avenue of the Arts\, Costa Mesa\, California\, 92626\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/2005.002_Heilman_trans-scaled-1-1648x2048-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221117T170000
DTEND;TZID=America/New_York:20221117T170000
DTSTAMP:20260515T125143
CREATED:20221021T211612Z
LAST-MODIFIED:20221023T141703Z
UID:10466-1668704400-1668704400@www.arttable.org
SUMMARY:Los Angeles\, CA | Tour of "The New Bend" at Hauser & Wirth\, with Director Sarvia Jasso
DESCRIPTION:Please join us for a tour of The New Bend with Hauser & Wirth Director\, Sarvia Jasso. \n\n\n\nCurated by Legacy Russell\, Executive Director & Chief Curator of The Kitchen\, The New Bend travels from the gallery’s New York location to Los Angeles\, bringing together 13 contemporary artists working in the raced\, classed\, and gendered traditions of quilting and textile practice – Anthony Akinbola\, Eddie R. Aparicio\, Dawn Williams Boyd\, Myrlande Constant\, Ferren Gipson\, Tomashi Jackson\, Basil Kincaid\, Eric N. Mack\, Sojourner Truth Parsons\, Tuesday Smillie\, Rachel Eulena Williams\, Qualeasha Wood\, and Zadie Xa. Their unique visual vernacular exists in tender dialogue with\, and in homage to\, the contributions of the Gee’s Bend Alabama quilters – Black American women in collective cooperation and creative economic production – and their enduring legacy as a radical meeting place\, a prompt\, and as intergenerational inspiration. This exhibition acknowledges the work of Gee’s Bend quilters such as Sarah Benning (b. 1933)\, Missouri Pettway (1902-1981)\, Lizzie Major (1922-2011)\, Sally Bennett Jones (1944-1988)\, Mary Lee Bendolph (b.1935)\, and so many more\, as central to expanded histories of abstraction and modernism. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility All public areas of Hauser & Wirth Los Angeles are wheelchair-accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Hauser & Wirth Los Angeles is located at 901 E 3rd St\, Los Angeles\, California 90013. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: The Right to (My) Life\, Dawn Williams Boyd\, 2017. Mixed media\, 91.4 x 121.9 cm / 36 x 48 in\, © Dawn Williams Boyd\, Courtesy of Fort Gansevoort\, New York; Photo: Ron Witherspoon
URL:https://www.arttable.org/event/los-angeles-ca-tour-the-new-bend-hauser-wirth-sarvia-jasso/
LOCATION:Hauser & Wirth\, 901 E 3rd St\, Los Angeles\, California\, 90013\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/10/lowres-jpg-72dpi-DWB030_HR.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220929T183000
DTEND;TZID=America/New_York:20220929T183000
DTSTAMP:20260515T125143
CREATED:20220919T150805Z
LAST-MODIFIED:20220920T154956Z
UID:10160-1664476200-1664476200@www.arttable.org
SUMMARY:Los Angeles\, CA | MeetAT at Lauren Powell Projects
DESCRIPTION:Join ArtTable in Los Angeles for a MeetAT networking event!  \n\n\n\nOpen to current and prospective ArtTable members\, bring a friend and join us at Lauren Powell Projects to connect with friends old and new and learn more about ArtTable! An exhibition of work by Cassidy Early will be on view. \n\n\n\nThis program is free and open to all current and prospective ArtTable members. Registration is required below. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The gallery has requested that all attendees confirm they are fully vaccinated in order to attend this event. Face masks are required. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Lauren Powell Projects is wheelchair accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Lauren Powell Projects is located at 5225 Hollywood Blvd\, Los Angeles\, CA. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: In the Light of Day: Cassidy Early at Lauren Powell Projects\, courtesy of Lauren Powell Projects
URL:https://www.arttable.org/event/los-angeles-ca-meetat-at-lauren-powell-projects/
LOCATION:Lauren Powell Projects\, 5225 Hollywood Blvd\, Los Angeles\, California\, 90027\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/09/IBG_0272-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220603T130000
DTEND;TZID=America/New_York:20220603T150000
DTSTAMP:20260515T125143
CREATED:20220506T153730Z
LAST-MODIFIED:20220524T134138Z
UID:8861-1654261200-1654268400@www.arttable.org
SUMMARY:SoCal | Behind-the-Scenes Tour - Benton Museum of Art at Pomona College
DESCRIPTION:Please join us for a private behind-the-scenes and gallery tour of the new Benton Museum of Art at Pomona College. The Benton Museum is a space for the region’s most compelling and innovative exhibitions. Building on a long tradition of excellence at the alma mater of such artistic pioneers such as James Turrell\, Helen Pashgian and Chris Burden\, the BMA will host the next wave of groundbreaking artists and offer a state-of-the-art site for a growing permanent collection\, ranging from Native American art to Renaissance panel paintings to works by such artists as Karl Benjamin\, Rico Lebrun and José Clemente Orozco. Senior Curator\, Rebecca McGrew will provide us with a tour of the permanent collection galleries as well as their current exhibitions. Steve Comba\, Associate Director & Registrar will provide us with a behind-the-scenes portion of the tour of the museums’ collection spaces. \n\n\n\nThis program is open to ArtTable members only for $15. Space is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All guests are required to wear a face mask and practice social distancing during your visit.  Accessibility All of the museum’s galleries\, entrances\, and courtyard are accessible to wheelchair users and other visitors who cannot use stairs. Accessible parking and drop-off can be found on College Avenue in front of our courtyard closer to Second Avenue. All restroom locations include an accessible restroom with a changing table. Trained service animals are welcome in all spaces throughout the museum. We welcome other supervised and leashed domesticated animals only in the museum’s courtyard. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Benton Museum of Art at Pomona College is located at 120 West Bonita Avenue\, Claremont\, CA 91711. Driving Directions From the 10\, exit Indian Hill Blvd\, then go north and turn right on Bonita Avenue.From the 210\, exit at Towne Avenue and go south to Foothill Blvd. Turn left on Foothill and continue east to College Avenue\, then turn right. Go about 1 mile to Bonita.By Rail The Metrolink train station in Claremont is three blocks from the museum. Take the San Bernardino line east from Union Station in Los Angeles\, or west from San Bernardino.\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable.Click here to read our full cancellation policy. \n\n\n\n\n\n\n\nAbout the Speakers\n\n\n\nRebecca McGrew is the Senior Curator at the Benton Museum of Art at Pomona College. Her current exhibitions include Alison Saar: Of Aether and Earthe (2020-21\, co-curated with Irene Tsatsos\, Armory Center for the Arts)\, Sadie Barnette: Legacy & Legend (2021\, co-curated with Ciara Ennis\, Pitzer College Art Galleries); Alia Ali: Project Series 53 (2020-21)\, and Helen Pashgian: New Work (2020-21).  \n\n\n\nMcGrew is the recipient of the Fellows of Contemporary Art’s 2020 Curator’s Award\, a Getty Curatorial Research Fellowship (2007)\, and Getty Foundation grants under the Pacific Standard Time initiatives in 2009–11 and 2014–16. McGrew has held curatorial positions at the Museum of Contemporary Art\, Los Angeles and the Center for the Study of Political Graphics. She received her B.A. from Pomona College and an M.A. in art history from the University of Colorado\, Boulder. \n\n\n\nFuture exhibitions include Each Day Begins with the Sun Rising: Four Artists from Hiroshima (2022)\, Christina Fernandez: Under the Sun (2022)\, Kameelah Janaan Rasheed: Worshipping at the Altar of Certainty (2022\, Williams College Museum of Art)\, June Harwood: A Retrospective (2023)\, and Fred Eversley (2024\, co-curated with Glenn Phillips as part of Getty Foundation’s PST).  \n\n\n\nRecent exhibitions include Todd Gray: Euclidean Gris Gris (2019-20); Marcia Hafif: A Place Apart (2018); Project Series 52: Hayv Kahraman (2018); and Prometheus 2017: Four Artists from Mexico Revisit Orozco (2017). She has organized many other exhibitions including the award-winning and critically acclaimed It Happened at Pomona: Art at the Edge of Los Angeles 1969–1973 (2011–12\, co-curated with Glenn Phillips).  \n\n\n\nSteve Comba is the Associate Director/Registrar at the Benton Museum of Art at PomonaCollege. He received his BA from the College of Creative Studies at UC Santa Barbara and hisMFA from Claremont Graduate University. In addition to being a practicing studio artist\, he hasalso worked in the museum field for the past 36 years. His experience in the field includesadministrative\, registrarial\, and curatorial projects ranging from historical to contemporary art. In2011\, he designed and opened the Native American Collection Study Center at Pomona College.In 2012 he was elected to the Board of Directors of the Western Museums Association. In 2015he was awarded the Peter W. Stanley Distinguished Staff Award from Pomona College. \n\n\n\n\n\n\n\nThank you to ArtTable Southern California Chapter Leader Jacqueline Cabrera for organizing this program. \n\n\n\nImage: The Benton Museum of Art at Pomona College\, Photo by Richard Barnes
URL:https://www.arttable.org/event/socal-behind-the-scenes-tour-benton-museum-of-art-at-pomona-college/
LOCATION:Benton Museum of Art at Pomona College\, 20 West Bonita Avenue\, Claremont\, CA\, 91711\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/05/IMG_6041.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220408T120000
DTEND;TZID=America/New_York:20220408T120000
DTSTAMP:20260515T125143
CREATED:20210726T211951Z
LAST-MODIFIED:20220406T133145Z
UID:6446-1649419200-1649419200@www.arttable.org
SUMMARY:ArtTable's 2022 Annual Benefit & Award Ceremony
DESCRIPTION:Honoring\n\n\n\n\n\nCarol Cole LevinOrganizer\, Curator\, and Artist \n\n\n\n\n\n\n\nDistinguished Service to the Visual Arts Award\n\n\n\n\n\nDr. Nicole R. FleetwoodAcademic\, Curator\, and Author \n\n\n\n\n\n\n\nNew Leadership Award\n\n\n\n\n\nWith Special Remarks by\n\n\n\n\n\n\n\n\n\nLegacy RussellExecutive Director & Chief Curator\, The Kitchen \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBenefit Co-Chairs\n\n\n\n\n\nJK Brown and Eric Diefenbach \n\n\n\n\n\nDenise Murrell \n\n\n\n \n\n\n\n\n\nRuby Lerner \n\n\n\n\n\n\n\n\n\nJoin ArtTable for our Annual Benefit & Award Ceremony on Friday\, April 8\, 2022 at Capitale in New York City!\n\n\n\nBenefit Week Program\n\n\n\n\n\n\n\n\n\nThursday\, April 7\n\n\n\n7:00 PM\n\n\n\nBenefit Week VIP Reception\n\n\n\nHosted by Nohra Haime \n\n\n\nThis event is by invitation only for ArtTable’s Board of Directors\, ArtTable Circle Members\, and members of the Benefit Host Committee. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\n Friday\, April 8\n\n\n\n11:00 AM\n\n\n\nBoard & Chapter Leadership Reception(by invitation only) \n\n\n\n12:00 PM\n\n\n\nCheck-in & Networking \n\n\n\n12:30-1:45 PM\n\n\n\nAnnual Benefit & Award Ceremony \n\n\n\nFeaturing remarks by Distinguished Service to the Visual Arts Awardee Carol Cole Levin\, New Leadership Awardee Dr. Nicole R. Fleetwood\, and Special Remarks by Legacy Russell \n\n\n\n1:45-3:00 PM\n\n\n\nNetworking Reception \n\n\n\n4:00 PM\n\n\n\nPrivate Members-Only Tour of Faith Ringgold: American People at the New MuseumClick here to register. \n\n\n\nSaturday\, April 9\n\n\n\n1:30 PM & 3:00 PM\n\n\n\nPrivate Tours of The Whitney Biennial at the Whitney Museum of American Art (more details to come) \n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Host Committee Tables $25\,000 - Fellowship Program Supporter (Diamond) Named support of one ArtTable FellowshipPremier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Acknowledgement in Fellowship press release and listing on Impact webpagePremier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Benefit ticket for a past or current ArtTable Fellow$20\,000 - Mentorship Supporter (Ruby) Premier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$15\,000 - New Leadership Supporter (Platinum) Prime table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listingsOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$10\,000 - Gold Supporter Preferred table for 10 at the Benefit on April 8; 5 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listingsProvides one Mentorship ticket for an emerging professional in the field$7\,500 - Silver Supporter Priority table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listings$5\,000 - Bronze Supporter Table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit webpage Host Committee Tickets $3\,000 - Leadership Ticket Two tickets to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$1\,000 - Executive Ticket One ticket to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$550 - Friend Ticket One ticket to the Benefit on April 8One ticket to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage Standard Tickets $375 - Member Ticket One ticket to the Benefit on April 8$485 - Non-Member Ticket One ticket to the Benefit on April 8$295 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professionals (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad at the benefitInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatPlease email all ad files to programs@arttable.org no later than March 30\, 2022. \n\n\n\n\n\n\n\nPlease review before registering:\n\n\n Health & Safety Guidelines Per current New York State guidelines for indoor dining\, all Annual Benefit attendees and staff must provide proof of vaccination in advance of the event in order to attend. As of January 19\, 2022\, the CDC defines “fully vaccinated” as follows: – Two weeks have passed since the person’s second dose in a two-dose series\, such as the Pfizer or Moderna vaccines\, OR– Two weeks have passed since the person received a single-dose vaccine\, such as Johnson & Johnson’s Janssen vaccine. Please note that these guidelines are subject to change given the nature of the pandemic. All attendees will be notified in advance if there are any changes to the current guidelines.  Venue Accessibility ArtTable strives to host inclusive and accessible events that enable all individuals\, including individuals with disabilities\, to engage fully. To request an accommodation or for inquiries about accessibility\, service animals\, or other questions\, please contact us at benefit@arttable.org. Visitors Who Use Wheelchairs or Other Mobility Devices There is a small staircase at the front entrance to Capitale. Railings are in place and a ramp will also be installed so that the entrance is wheelchair accessible.Once indoors\, Capitale is fully wheelchair accessible. The restrooms\, check-in area\, main ballroom space\, and the foyer are all on the ground floor.Portions of the program may take place on the 2nd level of the venue\, and there is an elevator if needed.Lactation Accommodations Dedicated space will be provided as a lactation room. Please email us at benefit@arttable.org in advance if you anticipate needing this space. Travel DIRECTIONS TO CAPITALE 130 Bowery\, New York\, NY 10013Tel: (212) 334-5500 Directions from New Jersey –Take the Holland Tunnel ** Take the Canal St. Exit ** Make left on Centre St. ** Turn right on Kenmare St. ** Turn right on Bowery St. ** Capitale -130 Bowery Directions from Long Island NY –I-495 West ** To the Queens Midtown Tunnel ** Tunnel exit towards Downtown ** Bear left on Tunnel Exit St ** Continue in Queens Midtown Tunnel Exit/Tunnel Exit St. ** Turn left on 34th St. ** Turn right on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery St. ** Capitale -130 Bowery Directions from West Chester NY –Take the Bruckner Expwy/I -278 ramp towards Triboro Bridge ** Merge on I- 278 West ** Take I- 278 West exit ** To the FDR drive/Grand Central Parkway exit towards Triboro Bridge exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. Ramp ** Merge onto highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Directions from Connecticut –Take I-95 ** Continue on I 278 West towards Bruckner Exp/Triboro Br. Exit 6B ** Take the I-278 West exit ** Merge on I-278 West ** Take the I 278 West/FDR Drive/ Grand Central PKWY exit towards Triboro Br. ** Exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. ramp ** Merge onto the highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Subway –B\, D to Grand StreetN\, R\, W\, Q\, 1\, 9 to Canal Street6 to Spring Street NEARBY GARAGES: Park-In Auto (212-966-1186) \n\n\n\n\n\n\n\nRegistration for the Annual Benefit has now closed.\n\n\n\nIf you would like to make a fully tax-deductible contribution\, you may do so here. Please call the ArtTable Office at 212-343-1735 with any questions.\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the below button to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 5th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/arttable-2022-annual-benefit-and-award-ceremony/
LOCATION:Capitale\, 130 Bowery\, New York\, NY\, 10013\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,Metro Atlanta
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/FY22-Benfit_STD_FINAL-e1644336622216.png
ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220313T113000
DTEND;TZID=America/Los_Angeles:20220313T113000
DTSTAMP:20260515T125143
CREATED:20220217T190413Z
LAST-MODIFIED:20220311T170926Z
UID:7924-1647171000-1647171000@www.arttable.org
SUMMARY:LAST CHANCE TO REGISTER - SoCal | Tour & Artist Talk with Nancy Buchanan & Barbara T. Smith
DESCRIPTION:11:30am PT\nPlease join us for an in-person tour of how we are in time and space: Nancy Buchanan\, Marcia Hafif\, Barbara T. Smith\, followed by a discussion with two of the exhibition artists – Nancy Buchanan and Barbara T. Smith. \nThis major group exhibition is the first to focus on the collaborations and empathic intersections between three remarkable artists in the form of drawing\, photography\, collage\, video\, performance documentation\, and architectural proposals comprising over 50 years of art making. Embracing the differences between these artists as well as their points of convergence\, the exhibition will probe various notions of being\, including the political\, scientific\, and spiritual.  \nAll three artists have deep connections to Southern California\, intersecting in the inaugural MFA program at UC-Irvine from 1969 to 1971. Buchanan\, Hafif\, and Smith all entered graduate school as mothers and were emphatically aware of the gendered expectations and hostilities toward women choosing art making as their primary pursuit\, though each presented a unique version of the struggle for liberation from the orthodoxies of gender and sexuality. The exhibition will be anchored by three time-based works demonstrating the overlaps between each artist’s practice and revealing the primary subjects of the exhibition—bodies\, communication\, and dwelling.  \nClick here to read more about the exhibition\, on view through June 12\, 2022. \nAdmission: \n\nArtTable Members – $15\nMembers may bring a guest for an additional $20.\n\nNot a member? Join today! \n\n \nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The following will ensure a safe experience for everyone: No more than 20 visitors will be permitted in the exhibition at any given time. Some rooms have additional restrictions.Regardless of vaccination status\, all visitors and staff must wear masks in the building. Upon arrival\, a member of the Armory staff will verify that you have no Covid symptoms and that you are fully vaccinated.Please bring proof of vaccination with you. Acceptable proof of vaccination documents and additional details regarding guidelines for visiting the Armory are available at armoryarts.org/visit/covid-19-protocols.Please reschedule your appointment if you have any of the following Covid-related symptoms: fever or chills; cough; shortness of breath or difficulty breathing; fatigue; muscle or body aches; headache; new loss of taste or smell; sore throat; congestion or runny nose; nausea or vomiting; diarrhea. Accessibility The Armory is wheelchair and stroller accessible. There are several ADA parking spots in the Marriott garage directly north of the Armory as well as metered street parking. All Armory galleries\, classrooms\, meeting rooms\, and restrooms are wheelchair and stroller accessible. Restrooms: A designated women's restroom as well as a lockable\, all-gender restroom can be found just past our front entrance\, to the right. Two more gender neutral restrooms can be found in the back of our studio. Each restroom has one ADA-compatible stall\, and each is equipped with an infant changing station. Animals: Certified service animals are welcome inside the Armory. Please email programs@arttable.org to request additional accommodations.  Getting There & Parking The Armory Center for the Arts is located at 145 North Raymond Avenue\, Pasadena\, CA 91103.Up to 90 minutes of free parking is available at the city parking structure just north of the Armory on Raymond Avenue. There are several ADA parking spots in the parking garage next door as well as metered spots throughout street parking.\n \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the artists\nNancy Buchanan (b. 1946\, Boston) is an artist whose work has been shown in exhibitions at the Museum of Modern Art\, the New Museum of Contemporary Art\, the Museum of Contemporary Art Los Angeles\, the Centre Pompidou\, the Getty Research Institute\, and was included in four of the Getty-sponsored Pacific Standard Time exhibitions. She was the subject of a solo screening of her videotapes at REDCAT in 2013\, and her videos have been included in group exhibitions including Agitprop at the Brooklyn Museum; RE-ACTION\, a traveling exhibition originating in Spain; and Jonny at Insitu\, Berlin. Buchanan is the recipient of four National Endowment for the Arts Individual Artist grants\, a COLA grant\, and a Rockefeller Fellowship in New Media. In 2016\, she organized It’s Your Party\, a durational performance at UC Irvine’s xMPL Theater as the second event in The Art of Performance. Beginning with her participation as a founding member of F Space Gallery in Costa Mesa\, Buchanan has been involved in numerous artists’ groups including The Los Angeles Woman’s Building and Los Angeles Contemporary Exhibitions (LACE); she has also acted as curator for several exhibitions and projects. From 1988-2012\, she taught in the Film/School at CalArts; she worked with community activist Michael Zinzun on his cable access show Message to the Grassroots for ten years and as a member of Zinzun’s LA 435 Committee; and she traveled to Namibia to produce a documentary about that country’s transition to independence from the Republic of South Africa. Buchanan lives and works in Los Angeles. \nBarbara T. Smith (b. 1931) has lived and worked in the Los Angeles area her whole life. She received a BA from Pomona College in 1953\, and MFA in 1971 from University of California\, Irvine where she was a founding member of F Space with Chris Burden and Nancy Buchanan. Smith has been represented in historic survey exhibitions including Whatever Happened to Sex in Scandinavia? at Office for Contemporary Art\, Oslo\, Norway (2009); WACK! Art and the Feminist Revolution (traveling exhibition 2008-09); Drawing in L.A.: The 1960s and 70s\, Los Angeles County Museum of Art (2016); and in several major exhibitions as part of Pacific Standard Time organized by the Getty (2011-12)\, including State of Mind: New California Art Circa 1970\, Orange County Museum of Art\, CA and Bronx Museum\, NY; and Under the Big Black Sun: California Art 1974 – 1981\, Museum of Contemporary Art\, Los Angeles. Recent notable exhibitions include The 21st Century Odyssey at The Box\, Los Angeles; Outside Chance\, Andrew Kreps Gallery\, New York; Artists and Their Books / Books and Their Artists\, the Getty Research Institute\, Los Angeles; Experiments in Electrostatics\, Whitney Museum of American Art\, New York; 56 Artillery Lane\, Raven Row\, London\, UK; Still Life with Fish: Photography from the Collection\, Hammer Museum\, Los Angeles; and Mommy\, Yale Union\, Portland\, OR. In 2005\, Smith had a retrospective The 21st Century Odyssey Part II: The Performances of Barbara T. Smith at Pomona College Museum of Art\, CA. \nAbout the venue\nArmory Center for the Arts\, in Pasadena\, California\, is one of the Los Angeles region’s leading independent institutions for contemporary art and community arts education. The Armory believes that an understanding and appreciation of the arts is essential for a well-rounded human experience and a healthy civic community. The organization’s board and staff are committed to holding deep conversations around diversity\, equity\, and inclusion; and acknowledge that these efforts are ongoing\, a process of growth\, and require intense self-reflection and collective consideration. Under Covid-19\, and in keeping with these institutional practices\, the Armory has deepened and expanded its programmatic reach to include online exhibition programs and artmaking classes\, along with hands-on art activities safely delivered in-person to those with limited digital access. For more information on the Armory Center for the Arts\, visit www.armoryarts.org. \n\nImages: Nancy Buchanan and Barbara T. Smith\, With Love from A to B\, 1977. 2022 installation photo at Armory Center for the Arts. Photo by Ian Byers-Gamber; Barbara T. Smith\, Michael Ned Holte (exhibition curator)\, and Nancy Buchanan \n \n\n\n\nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information.
URL:https://www.arttable.org/event/socal-tour-and-artist-talk-how-we-are-in-time-and-space-nancy-buchanan-barbara-t-smith/
LOCATION:Armory Center for the Arts\, 145 North Raymond Avenue\, Pasadena\, CA\, 91103\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/02/NB-2a.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220216T133000
DTEND;TZID=America/Chicago:20220216T143000
DTSTAMP:20260515T125143
CREATED:20211112T210104Z
LAST-MODIFIED:20220204T153253Z
UID:7280-1645018200-1645021800@www.arttable.org
SUMMARY:Frieze Week LA | Private Collection Visit - Frederick R. Weisman Art Collection
DESCRIPTION:1:30pm PT\nPlease join us for a special private collection visit to the prestigious Frederick R. Weisman Art Foundation & Collection\, located in the Holmby Hills neighborhood of Los Angeles. \nThis program is open to ArtTable members and guests only.\n \nAdmission \n\nArtTable Circle Members – $40\nAll Other ArtTable Members – $55\nMembers may bring a guest for an additional $60\n\nNot a member? Join today! \n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Health & Safety Guidelines as of November 2021: Please be advised that in accordance with the City of Los Angeles’ requirements for public spaces\, the Frederick R. Weisman Art Foundation will now require all visitors attending a tour to show proof of vaccination OR proof of a negative covid test within the prior 72 hours. A copy of a vaccine card is acceptable in lieu of the real card\, or a digital version (on a phone app) may also be used. As always\, wearing a mask while indoors is required.  Accessibility Please note that this is a walking/standing tour. There are many stairs inside the residence and there is no elevator. Please take this into account before registering for this program as it may be too strenuous for those with walking difficulties.  Getting There The foundation is located in the Holmby Hills neighborhood of Los Angeles. The exact address will be shared with registrants in advance of the program.  \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the Foundation\nThe Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman\, an extraordinary entrepreneur\, philanthropist\, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and creative process. \nIn 1982\, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife Billie Milam Weisman\, an art conservator and curator\, worked together to create a unique environment located within the Mediterranean-style villa. The villa was designed by Gordon B. Kaufmann in the late 1920s and exhibits the craftsmanship characteristics of that period\, including hand-painted ceilings\, stucco details\, and wood-inlaid floors. \nIn 1991\, the Weismans added a contemporary annex\, or art pavilion\, designed by Franklin D.Israel\, to accommodate larger-scale works. Today the Foundation estate\, annex\, and surrounding gardens is made accessible to the public by appointment only on guided tours. \nMore than four hundred works of art are on display at the Foundation. The collection includes works by European Modernists including Cezanne\, Picasso\, and Kandinsky and Surrealist works by Ernst\, Miro\, and Magritte. The holdings in postwar art include works by Giacometti\, Noguchi\, Calder\, Rauschenberg\, and Johns; Abstract Expressionist paintings by de Kooning\, Francis\, Still\, and Rothko; Color-Field paintings by Frankenthaler\, Louis\, and Noland; and Pop Art by Warhol\, Lichtenstein\, Oldenburg\, and Rosenquist. \nContemporary California works include those by Ruscha and Goode\, and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. \nCurrently under the direction of Billie Milam Weisman\, the Foundation continues to make the collection available through loans to museums worldwide\, docent tours at the Los Angeles estate\, exhibitions in public-art venues\, and the funding of several art museums\, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu\, the New Orleans Museum of Art\, the San Diego Museum of Art\, and the Frederick R. Weisman Art Museum at the University of Minnesota\, designed by Frank O. Gehry. \n\nImage: Courtesy of the foundation.
URL:https://www.arttable.org/event/frieze-week-la-private-collection-visit-frederick-weisman-art-foundation-and-collection/
LOCATION:Frederick R. Weisman Art Foundation\, Los Angeles\, CA\, 90077
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/11/Screen-Shot-2021-11-12-at-4.17.45-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220125T183000
DTEND;TZID=America/Los_Angeles:20220125T193000
DTSTAMP:20260515T125143
CREATED:20211129T181546Z
LAST-MODIFIED:20211213T154802Z
UID:7354-1643135400-1643139000@www.arttable.org
SUMMARY:Virtual | ArtTable Chapter Mixer - Northern & Southern California
DESCRIPTION:6:30pm PT / 7:30pm MT / 8:30pm CT / 9:30pm ET\nJoin us for a virtual mixer for both Northern California and Southern California chapter members! \nOver Zoom\, we will have a chance to mingle\, network\, and share projects throughout California by engaging in intimate break out room conversations led by fun icebreakers and thoughtful discussion prompts. The aim will be to celebrate the incredible work\, vision\, and creativity of ArtTable members statewide. \nThis program is free and open to ArtTable members only. \nNot a member? Join today! \n \n  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n  \nThank you to Northern and Southern California Chapter Leaders Lucy Lydon and Ceci Moss for organizing this program.\n \n\nImage: Ruth Thorne-Thomsen\, Paper Palms\, California\, 1981
URL:https://www.arttable.org/event/virtual-arttable-chapter-mixer-northern-and-southern-california/
LOCATION:Zoom
CATEGORIES:Northern California,Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/11/Screen-Shot-2021-11-29-at-1.14.57-PM-e1638209813969.png
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211211T130000
DTEND;TZID=America/Chicago:20211211T153000
DTSTAMP:20260515T125143
CREATED:20211130T170321Z
LAST-MODIFIED:20211202T155938Z
UID:7357-1639227600-1639236600@www.arttable.org
SUMMARY:SoCal | Grinstein Family Art Collection Visit
DESCRIPTION:1:00pm PT\nJoin us for a private tour of the Grinstein Family Art Collection. This prolific collection was a lifetime passion for Elyse and Stanley Grinstein\, who collected art for over 50 years. Elyse\, an architect\, and Stanley\, a cofounder of Gemini G.E.L.\, the landmark publisher of artist editions\, are widely beloved for their support of art and artists. \nIn addition to a tour of the grounds and the home’s first floor\, we will be speaking with members of the Grinstein family about the collection and their relationship with the many represented artists\, such as Oldenburg\, Lichtenstein\, and Rauschenberg\, just to name a few. \nIn the Press: Opening the Doors of Gemini\, a Family Home Brimming With Historic Art (2016) \nThis program is open to ArtTable members only.  \nAdmission: \n\nArtTable Circle Members – $40\nAll other ArtTable Members – $55\n\nNot a member? Join today! \n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Masks are required for all visitors for the duration of the tour\, regardless of vaccination status. Proof of vaccination will also be required and must be shown at the door.  Accessibility Please note that the residence is not wheelchair accessible. Please email programs@arttable.org if you have any questions or concerns regarding accessibility.  Getting There The residence is located in the Brentwood neighborhood of Los Angeles\, CA. The exact address and directions will be shared with all registrants.  \n  \n\n  \nThank you to Jacqueline Cabrera\, ArtTable Southern California Chapter Leader\, for organizing this program\, as well as the Grinstein Family for welcoming us into their home.\n \n\nImage: Artwork by artists Robert Rauschenberg\, Frank Stella\, and Claes Oldenburg in the Grinstein Art Collection. Photo by Jacqueline Cabrera.
URL:https://www.arttable.org/event/socal-grinstein-family-art-collection-visit/
LOCATION:Grinstein Family Art Collection\, Los Angeles\, CA
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/IMG_8123-scaled-e1638369805987.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211202T113000
DTEND;TZID=America/New_York:20211202T123000
DTSTAMP:20260515T125143
CREATED:20211108T200215Z
LAST-MODIFIED:20211123T150149Z
UID:7194-1638444600-1638448200@www.arttable.org
SUMMARY:REGISTRATION NOW OPEN - Miami Art Week | ArtTable Brunch at Design Miami/
DESCRIPTION:Please join us for our annual ArtTable Brunch during Miami Art Week\, this year at Design Miami/! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \nYour ticket includes a light breakfast at the fair\, VIP Preview Access for you and one guest\, as well as return admission for duration of the fair. \nAdmission: \n\nArtTable Members – $50\nMember Guest – $65\nNon-member – $75\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Face Masks Required: Face masks are required once inside the Design Miami/ tent and must not be removed. Staff will be required to wear a face mask at all times.Social Distancing Recommended: Social distancing of six feet or more is encouraged and adjustments to the exhibition floorplan have been made to allow for wider aisles and increased ventilation.Click here to read the full list of health & safety protocols during the fair.  Accessibility Please email programs@arttable.org if you require accessibility information for this program.  Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here.  \n  \n \n  \nDon’t miss these other opportunities and events during Miami Art Week!\nVIP Fair Pass Packages\nNADA Miami Director’s Tour\n\nImage: Design Miami/’s flagship fair pictured in 2019. Courtesy Design Miami/
URL:https://www.arttable.org/event/national-arttable-at-designmiami/
LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle,Metro Atlanta
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/DesignMiami.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210911T110000
DTEND;TZID=America/New_York:20210911T123000
DTSTAMP:20260515T125143
CREATED:20210726T150140Z
LAST-MODIFIED:20210823T170036Z
UID:6416-1631358000-1631363400@www.arttable.org
SUMMARY:National | ArtTable at The Armory Show
DESCRIPTION:Please join us for the annual ArtTable Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, now to take place annually in September at the Javits Center. We will be joined by The Armory Show’s Executive Director\, Nicole Berry. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and a light breakfast. \n  \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. \nPlease note that The Armory Show requires that all individuals wear a mask indoors\, regardless of vaccination status. This will be strictly enforced.\nIn addition to masks\, The Armory Show also requires that each attendee provide the following before entry to the fair:\n(1) PROOF OF FULL VACCINATION STATUS IN PAPER FORM\, DIGITAL APPLICATION\, OR THE NEW YORK STATE EXCELSIOR PASS.\nOR\n(2) PROOF OF A NEGATIVE COVID-19 TEST RESULT (I.E.\, PCR/NAAT) TAKEN WITHIN 72 HOURS OF ENTERING THE JAVITS CENTER.\nPlease review The Armory Show’s full  Health and Safety Plan before registering.\n\nAccessibility: \n\nThe Javits Center has sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. For more information regarding accessibility\, please visit the Javits Center website.\n\nGetting There: \n\nThe Armory Show is easily accessible by car\, taxi\, and public transportation. For detailed directions visit the Javits Center website.\n\n\n\nAbout The Armory Show\nIn 1994\, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years\, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape. \nNow in September at the Javits Center\, The Armory Show will kick-off New York’s fall arts season. We have always been a gateway to New York’s art scene\, hosting the world’s best galleries and linking collectors and galleries with museums and institutions across the city. And our updated timing coupled with the proximity to Chelsea and the High Line will create increased access to the city’s vibrant culture. \nAt our core\, The Armory Show is dedicated to ensuring galleries and New York’s art community continue to thrive. We pave the way for its success and strive to be a platform in which it is easier to buy\, sell and discover art. \nClick here to read more about the fair.
URL:https://www.arttable.org/event/arttable-at-the-armory-show/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/07/TAS.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210721T133000
DTEND;TZID=America/New_York:20210721T133000
DTSTAMP:20260515T125143
CREATED:20210713T180006Z
LAST-MODIFIED:20210720T222131Z
UID:6295-1626874200-1626874200@www.arttable.org
SUMMARY:Virtual | Art in Public Spaces with Sonia Romero\, Danielle Brazell\, Felicia Filer\, & Heidi Zeller
DESCRIPTION:10:30 am PT/12:30pm CT/ 1:30pm ET\nOn July 6\, members of ArtTable’s Southern California chapter met for a walkthrough of Sonia Romero’s unique and powerful Metro Arts mural project in the historic Mariachi Plaza’s Gold Line Station in Boyle Heights. As a result of this successful event\, we are following up with part two!  \nJoin us for a virtual discussion on the current state of public art in Los Angeles and Romero’s public art projects — especially as we emerge from the pandemic with an increased awareness of the profound value of art in activated public spaces across all the city’s diverse communities.  \nRomero unpacks the community and history-centric content of the work\, as well as offers insight as to how the project came into fruition over the course of more than five years. Additionally\, we are honored to welcome to this conversation with the perspectives of LA Metro’s head of Cultural Programming Heidi Zeller\, Director of the City of L.A.’s Public Art Division Felicia Filer\, and the Department of Cultural Affairs General Manager Danielle Brazell. \nAdmission \n\nCurrent ArtTable Members – $10\nMembers may bring a guest for an additional $5\nNon Members – $15\n\nNot an ArtTable member? Join today! \n \nAccessibility: Please email programs@arttable.org if you require accessibility information for this program. \n\nAbout the Speakers\nSonia Romero is a Los Angeles artist known for her paper-cut and printmaking aesthetics which she incorporates into both her fine art and public art commissions. Born in 1980\, she grew up in an artistic household in Echo Park before formally studying at the Rhode Island School of Design. After returning to California\, she began working as a public artist\, and was the artist in residence at Avenue 50 Studio in Northeast Los Angeles from 2007-2014. (soniaromero) \nDanielle Brazell is a visionary national arts and cultural leader\, passionate about the roles that arts\, culture\, and creativity play in advancing civic belonging\, equity\, economic prosperity\, and social connectedness. Her career spans thirty years\, first as an artist\, teaching artist\, cultural producer\, and administrator\, and now as the General Manager of the City of Los Angeles Department of Cultural Affairs (DCA). A passionate advocate\, she advances the agency’s mission to enhance the quality of life in the city. Ms. Brazell provides executive leadership to a staff of 84 full-time employees and over 200 part- time employees\, including a robust roster of teaching artists. Ms. Brazell works with the progressive agency’s Community Arts\, Grants Administration\, Public Art\, and Marketing\, Development\, Design\, and Digital Research division directors\, and the Performing Arts Program and General and Administrative Support Program directors\, to implement an annual budget of $22 million and a robust $150 million portfolio of capital projects\, facilities\, programming\, and initiatives of free and low-cost publicly accessible arts and cultural services citywide. Prior to 2014\, Ms. Brazell was the Executive Director of Arts for LA\, a highly visible arts advocacy organization serving the greater Los Angeles region. Under her stewardship\, Arts for LA became a formidable coalition advancing the arts in the largest county in the country. Ms. Brazell was previously the Artistic Director of Highways Performance Art Space and the Director of Special Projects for the Screen Actors Guild Foundation. She serves as a board member of Americans for the Arts and DataArts. \nFelicia Filer is the public art director for the City of Los Angeles Department of Cultural Affairs. She has overseen the commission and fulfillment of over 200 permanent public art projects throughout the city. In Summer 2016\, Filer co-produced the city’s inaugural Public Art Biennial\, CURRENT: LA Water. The Biennial commissioned 15 original\, temporary public art installations and 150 public programs. A native of Los Angeles\, she earned an MBA in finance and marketing from Claremont Graduate University. (linkedin) \nHeidi Zeller is LA Metro’s Senior Manager of Cultural Programming. Zeller is an arts organizer and cultural planner with a focus on the role of art in enriching public space and civic dialogue. At LA Metro\, she produces Metro Art Presents\, a series of arts and cultural events at historic Union Station. She is a proud native Angeleno. (ciclavia) \nThank you to Shana Nys Dambrot & Ceci Moss\, ArtTable SoCal Chapter Co-Chairs\, for organizing this program. \n\nImages: \n\nHeadshots of the speakers\, clockwise from top left: Sonia Romero\, Danielle Brazell\, Felicia Filer\, & Heidi Zeller
URL:https://www.arttable.org/event/virtual-socal-art-in-public-spaces-with-sonia-romero-danielle-brazell-felicia-filer-and-heidi-zeller/
LOCATION:Zoom
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/virtual-programming.png
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210706T120000
DTEND;TZID=America/Los_Angeles:20210706T130000
DTSTAMP:20260515T125143
CREATED:20210616T202109Z
LAST-MODIFIED:20210616T205453Z
UID:6075-1625572800-1625576400@www.arttable.org
SUMMARY:SoCal | Artist-Led Walking Tour of Sonia Romero's 'Hecho A Mano'
DESCRIPTION:12:00pm PST\nCurrent and prospective members are welcome to join ArtTable’s SoCal Chapter leaders for an in-person\, artist-led walking tour of Sonia Romero’s Hecho A Mano. On view at the Mariachi Plaza Metro Station in Boyle Heights\, the mural was just recently completed this past year. \nThe mural Hecho A Mano was commissioned by Metro Art\, and it highlights the historic and contemporary stories of Latinx\, Jewish\, and Japanese makers and workers from Boyle Heights\, featuring an eclectic mix of objects that intertwine the artist’s personal connection to Boyle Heights with those of individuals from the neighborhood. In reference to the work\, Romero states that\, “There is a certain homemade and handmade quality that has been created by generations of people raising families and creating livelihoods in the neighborhood. I wanted to capture and honor this quality through the metaphor of the hand\, by painting this mural by hand.” \nLater this summer\, join us for an upcoming virtual roundtable discussion focused on the public art scene in Los Angeles. More details to be announced soon! \nAdmission \n\nCurrent ArtTable Members – $10\nMembers may bring a guest for an additional $5\nProspective ArtTable Members – $15\n\nNot an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household. For any indoor portion of this program\, face masks are required per federal law.\nClick here to read more information on the LA Metro Safety Guidelines.\n\n\n  \nPlease click here for accessibility information for this program. \n\nAbout Sonia Romero\nSonia Romero is a Los Angeles-based artist known for her paper-cut and printmaking aesthetics\, which she incorporates into both her fine art and public art commissions. Born in 1980\, she grew up in an artistic household in Echo Park before formally studying at the Rhode Island School of Design. After returning to California\, she began working as a public artist. Romero was the artist in residence at Avenue 50 Studio in Northeast Los Angeles from 2007-2014. \nCalling upon her own experiences and perspectives as a multiracial person\, Romero creates work that reflects the cultural diversity found in Los Angeles communities. She explores themes relating to the universal connectedness within humanity as well as its relationship to the environment. Her signature style is a dynamic combination of printmaking\, paper-cutting\, painting\, and sculpture. Her oeuvre includes fine art pieces that have been showcased in many galleries and acquired for the collections of prominent institutions\, such as the Los Angeles County Museum of Art and the Smithsonian. Romero’s distinctive paper-cut shapes and patterns can be found in steel\, tile\, or paint in one of her many large-scale permanent installations in notable locations such as Little Tokyo\, the Mariachi Plaza and MacArthur Park Metro Stations and the Artesia County Public Library. Click here to see more of Sonia’s work on her website. \nThank you to Shana Nys Dambrot\, ArtTable SoCal Chapter Leader\, for organizing this program. \n\nImages: \n\nSonia Romero\, Hecho A Mano\, 2020\nSonia Romero\, courtesy of the artist
URL:https://www.arttable.org/event/socal-artist-led-walking-tour-of-sonia-romero-hecho-a-mano/
LOCATION:Mariachi Plaza Metro Station\, 1831 E 1st St\, Los Angeles\, CA\, 90033\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/06/guwfEYEDmT.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210316T200000
DTEND;TZID=America/New_York:20210316T200000
DTSTAMP:20260515T125143
CREATED:20210209T161902Z
LAST-MODIFIED:20210217T232853Z
UID:4636-1615924800-1615924800@www.arttable.org
SUMMARY:Virtual | AT Local - SoCal Show & Tell
DESCRIPTION:8pm ET/ 7pm CT/ 5pm PT\nFor this informal Show & Tell event\, members of ArtTable’s SoCal Chapter are invited to come together via Zoom to share current projects and activities with one another! This will be an opportunity to connect with old and new members\, and learn more about each other’s professional and creative practices. All are welcome to speak but are not required to! You can join and just listen to what your fellow members share. \nThis Show & Tell program is for members of ArtTable’s SoCal Chapter only.  \nNot a member? Join today! \nClick here to Register for this program.\nClick here to see who is already registered! \nYou will receive an email confirmation containing the Zoom link. Before the event\, please download the Zoom desktop app from the Download Center and select the “Zoom Client for Meetings” option. If you do not have the Zoom desktop app already\, Zoom will prompt you to download and install it when you click to join the meeting. For further instruction on how to use Zoom\, see here. \nThank you to ArtTable’s SoCal Chapter Co-Chairs\, Shana Nys Dambrot\, Jacqueline Cabrera\, & Ceci Moss!\n \n\nImage: Salvation Mountain by Leonard Knight\, Calipatria\, CA; photo by Jamie Elvidge
URL:https://www.arttable.org/event/virtual-at-local-socal-show-tell/
LOCATION:Zoom
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/mountain-e1612887387628.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210205T083000
DTEND;TZID=America/New_York:20210205T093000
DTSTAMP:20260515T125143
CREATED:20210119T221909Z
LAST-MODIFIED:20210216T162118Z
UID:4449-1612513800-1612517400@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Jaynelle Hazard
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Jaynelle Hazard\, Executive Director & Curator of the newly rebranded Tephra Institute of Contemporary Art. Jaynelle will discuss how the Greater Reston Arts Center repositioned and transformed into Tephra ICA as the institution’s programs\, audience\, and impact had drastically evolved over the past several years. \nThis program is free for ArtTable members only. Members may bring one guest for an additional $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Jaynelle Hazard\nPrior to joining Greater Reston Arts Center\, Jaynelle Hazard was the Director of Exhibitions at Workhouse Art Center. There she developed\, implemented\, and oversaw contemporary art programming initiatives. In previous roles\, she supported various art programs and worked with some of the most celebrated artworks by supporting the corporate contemporary art collection at UBS\, the Union Bank of Switzerland\, and via her work at Blank Projects\, a contemporary art gallery in Cape Town\, South Africa. Significant milestones throughout Hazard’s career include producing more than 75 exhibitions in turn providing opportunities to more than 200 artists\, introducing the first outdoor mural project and festival in the Northern Virginia region\, and partnering with the Smithsonian American Art Museum in leading the conference\, State of Art 5/DC. \nJaynelle Hazard relocated to Washington\, DC from New York in 2017 where she earned a Master of Arts degree at Sotheby’s Institute of Art. She currently serves as the Co-Chair for the Washington\, DC Chapter of Sotheby’s Institute of Art Alumni and Chair of the Faith Flanagan Fellowship for ArtTable’s DC Chapter. \nAs the Executive Director and Curator of Tephra ICA\, Jaynelle builds a critically engaged practice by introducing methods to advance scholarship; extending reach in interdisciplinary experimentation of contemporary art and ideas; as well as engaging audiences of all backgrounds and identities. With a curatorial foundation and leadership style rooted in care\, Hazard is a catalyst and serves as a bridge between the public and the most innovative art of our time. \nAbout Tephra ICA\nTephra ICA is a non-profit\, non-collecting institution committed to promoting innovative contemporary art and thinking. Leading with curiosity and care\, the organization is a catalyst\, generator\, and advocate for visual arts. The institution is devoted to celebrating artists. It values the power of art to broaden and shift perspectives\, start difficult conversations\, and consider alternative ideas. \nThank you to ArtTable’s Washington\, D.C. Chapter for organizing this program. \n\nImage: Jaynelle C. Hazard
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-jaynelle-hazard/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210203T120000
DTEND;TZID=America/New_York:20210203T120000
DTSTAMP:20260515T125143
CREATED:20210119T212806Z
LAST-MODIFIED:20210217T232937Z
UID:4444-1612353600-1612353600@www.arttable.org
SUMMARY:Virtual | Collection Visit with Ellen Cantrowitz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nThis virtual collection visit program is free for ArtTable Circle Members and $10 for all other members. Click here to learn more about ArtTable’s membership levels. \nHow it works: \nYou will receive access to a recorded collection visit in advance of the live program on February 3. The collector creates this recording exclusively for ArtTable members\, so please do not share or rerecord this video. Members are then invited to attend a live virtual discussion with the collector led by ArtTable’s Executive Director\, Jessica Porter\, to learn more and ask questions. \nHow to take part: \n\nAre you an ArtTable member? Click here login and Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nEllen Cantrowitz has been collecting art since graduating from college. She collects paintings\, sculpture\, and drawings from the second half of the 20th century and the 21st century. She is also a private art dealer of international art\, for the past three decades. She was a member of the Bronx Museum’s Acquisitions Committee\, and Education Committee until 2017. Ellen is also a member of the Acquisitions Committee at the Parrish Art Museum in Watermill\, NY\, and a supporter of various exhibitions and rehangings at that museum. She is a devoted ArtTable member for the past 16 years. Ellen is also a member of the Cultivist art group. \n\nImage: Artwork by Otto Piene & Jay De Feo
URL:https://www.arttable.org/event/virtual-collection-visit-with-ellen-cantrowitz/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210129T120000
DTEND;TZID=America/New_York:20210129T120000
DTSTAMP:20260515T125143
CREATED:20201221T184157Z
LAST-MODIFIED:20210216T163956Z
UID:4270-1611921600-1611921600@www.arttable.org
SUMMARY:Virtual | Artist Talk with Hiba Schahbaz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Hiba Schahbaz. \nTickets are $10. Member tickets are $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Hiba Schahbaz \nBorn in Karachi\, Pakistan\, Hiba Schahbaz is a Brooklyn-based figurative painter who works primarily with paper\, black-tea\, and water based pigments. Her subjects\, largely drawn from her lifelong practice of self portraiture\, inhabit a dreamlike\, all-female world. Schahbaz initially trained in Indo-Persian miniature painting at Lahore’s National College of Arts\, and later earned a Master’s in Painting from Pratt Institute in New York. Her work addresses issues of personal freedom\, destruction\, sexuality and censorship by unveiling the beauty\, fragility and strength of the female form. \nHer solo shows include Dreaming (De Buck Gallery 2020)\, In Solitude (De Buck Gallery\, 2020)\, The Garden (Spring/Break Art Show\, 2018)\, Hiba Schahbaz: Self-Portraits (Project for Empty Space\, 2017)\, Hanged With Roses (Thierry Goldberg Gallery\, 2015)\, and In Memory (Noire Gallery\, 2012). Schahbaz has participated in numerous group exhibitions\, including a recent show curated by Jasmine Wahi in Tokyo\, “all the women. in me. are tired.”\, at THE CLUB\, as well as exhibitions at NiU Museum of Art\, The Untitled Space\, and Center for Book Arts; and has shown at art fairs such as Pulse Art Fair\, Untitled Art Fair\, Art Fair Cologne\, and Vienna Fair. \nPublications like Vice\, Hyperallergic\, The Huffington Post\, Coveteur\, Vogue\, NY Magazine\, Art Critical\, ArtForum\, Bomb Mag\, Paper\, and others have written about Hiba’s work. Schahbaz has curated painting exhibitions in Pakistan and India\, and she was an artist-in-residence at Mass MoCA\, The Wassaic Project\, Vermont Studio Center\, and the Alfred Z. Solomon Residency at the Tang Museum. She teaches miniature painting at the Art Students League in New York\, and her work is held in private collections around the world. \n(Bio adapted from De Buck Gallery press release\, 2020) \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImage Credits \n\nHiba Schahbaz in her studio in Brooklyn\, NY.\nInside Hiba’s studio; photo by Meiying Thai
URL:https://www.arttable.org/event/virtual-artist-talk-with-hiba-schahbaz/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/hiba-1000242-copy-scaled-e1608576288370.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR