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DTSTART;TZID=America/New_York:20220201T120000
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UID:7581-1643716800-1643716800@www.arttable.org
SUMMARY:Virtual | Tour of 'Emma Amos: Color Odyssey' with Shawnya Harris
DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\nPlease join us for a virtual tour of Emma Amos: Color Odyssey with exhibition curator\, Shawnya Harris\, curator of African American and African Diasporic Art at the Georgia Art Museum. \nAt the end of the tour\, Harris will be joined by Laurel Garber\, Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art\, who oversaw the museum’s installation of the show and contributed to the catalogue\, as well as Curator of Contemporary Art at the Pennsylvania Academy of the Fine Arts Jodi Throckmorton\, who curated the exhibition Joan Semmel: Skin in the Game*. They will discuss the coincidence of major retrospectives by two extraordinary\, under-appreciated artists of the same generation\, working at the same time in the same city\, and connections between the two artists’ work. Shelley Langdale\, Curator and Head of Modern Prints and Drawings\, National Gallery of Art\, will moderate. \n*Stay tuned for an in-person tour of ‘Joan Semmel: Skin in the Game’ with Jodi Throckmorton as part of the rescheduled ‘A Day in Philadelphia’ program\, coming this Spring. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nMember Guests – $15\nNon-Members – $20\n\nNot a member? Join today! \n\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nLaurel Garber is Park Family Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art. She is the PMA’s curator of Emma Amos: Color Odyssey\, organized by the Georgia Museum of Art. Laurel is also a PhD candidate at Northwestern University\, where she is completing a dissertation on the social position of the printer in nineteenth-century France. Laurel has held positions and fellowships at the Art Institute of Chicago\, Getty Museum\, Clark Art Institute\, and Courtauld Gallery. She received an MA at the Courtauld as well as a BA from Cornell University. \nShawnya L. Harris\, Ph.D. is the organizing curator for Emma Amos: Color Odyssey\, centering on the work of the late feminist artist Emma Amos (1937-2020). Harris is the Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at the Georgia Museum of Art\, University of Georgia. Recently\, Harris has been a fellow at the Center for Curatorial Leadership. She earned her doctorate in art history from the University of North Carolina at Chapel Hill. She is also an alumna of Yale University. \nJodi Throckmorton is the curator of contemporary art at the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia. Before joining PAFA in fall 2014\, she was curator of modern and contemporary art at the Ulrich Museum of Art at Wichita State University in Kansas. Prior to that\, she was associate curator at the San Jose Museum of Art in California. She organized the exhibition and publications for Rina Banerjee: Make Me a Summary of the World (2018) with Lauren Dickens and Postdate: Photography and Inherited History in India (2015). Her other recent projects include Nick Cave: Rescue (2018)\, Paul Chan: Pillowsophia (2017)\,  Melt/Carve/Forge: Embodied Sculptures by Cassils (2016)\, Alyson Shotz: Plane Weave (2016)\, Bruce Conner: Somebody Else’s Prints (2014)\, Questions from the Sky: New Work by Hung Liu (2013)\, Dive Deep: Eric Fischl and the Process of Painting (2013)\, Ranu Mukherjee: Telling Fortunes (2012)\, and This Kind of Bird Flies Backward: Paintings by Joan Brown (2011). The major retrospective\, Joan Semmel: Skin in the Game is Throckmorton’s most recent exhibition and publication project. \nAbout the exhibition\nEmma Amos: A Color Odyssey | Across her prolific career as a pioneering artist\, educator\, and activist\, Emma Amos (American\, 1937–2020) created boldly colorful and innovative works that explore the intersections of race and gender in American life. This exhibition surveys her body of work from the 1950s to the 2010s for the first time\, spotlighting her inventive approach to printmaking\, painting\, and weaving as well as her signature practice of combining distinctive materials and artistic techniques. Amos’ works investigate identity and privilege while unsettling the lines between figuration and abstraction\, craft and fine art\, beauty and power. \n\nImage: Emma Amos (1937-2020)\, Pool Lady\, 1980; etching\, aquatint and stencil; Gift of the Collectors Committee; courtesy the National Gallery of Art // Emma Amos (1937-2020)\, Never (for Vivian Browne)\, 1993\, Acrylic on canvas with African fabric borders\, 45 × 34 inches; Amos Family\, courtesy RYAN LEE Gallery \nThank you to Shelley Langdale\, ArtTable DC Chapter Programs Co-chair\, for organizing this program.
URL:https://www.arttable.org/event/virtual-emma-amos-color-odyssey-with-shawnya-harris/
LOCATION:Zoom
CATEGORIES:Philadelphia,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/amos-e1641836621990.png
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DTSTART;TZID=America/New_York:20220203T080000
DTEND;TZID=America/New_York:20220203T090000
DTSTAMP:20260409T000345
CREATED:20220107T225004Z
LAST-MODIFIED:20220110T155120Z
UID:7568-1643875200-1643878800@www.arttable.org
SUMMARY:DC | BreakfastTable with Kate Haw
DESCRIPTION:Join ArtTable’s DC Chapter for February’s BreakfastTable with Kate Haw\, Collections\, Exhibitions\, and Programs Officer at the National Gallery of Art. Kate will discuss her position overseeing the departments of exhibitions and installation design; the office of the registrar; the education and public programs department; and the research library. She works in collaboration with the National Gallery’s team of executive officers to establish and execute the overall strategic vision of the museum and realize dynamic programming in the galleries\, online\, and in the National Gallery’s education spaces. \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors will be required to show proof of vaccination before entering the restaurant.  Accessibility 1310 Kitchen and Bar is wheelchair accessible. Please email programs@arttable.org if you require additional accessibility information for this program.  Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Kate Haw\nFrom 2013-2019\, Kate Haw was Director of the Archives of American Art at the Smithsonian Institution.Leading the world’s largest resource for the study of American art\, she set the direction for collecting\, preservation\, and dissemination of a growing collection of more than 30 million documents and nearly 2\,500 oral histories\, providing leadership in the field on emerging research trends and adoption of digital tools in the study of art history. Under her leadership\, the Archives significantly expanded its holdings on first-wave feminist\, African American\, Latinx\, and LGBTQ artists and built an endowment to ensure worldwide digital access to these materials. \nPrior to joining the Smithsonian\, Kate held curatorial roles at the National Gallery of Art and the American Federation of Arts\, where she helped to organize exhibitions including Johannes Vermeer; Georges de La Tour and His World\, Gerard Ter Borch; Degas and the Dance; American Impressionists Abroad and at Home; and The Sensuous and the Sacred: Chola Bronzes from South India. In 2004 she transitioned to fundraising and institutional leadership\, serving as Director of External Affairs at the American Federation of Arts from 2004-2006 before becoming Co-Director of the renowned Skowhegan School of Painting & Sculpture in New York and Maine from 2006-2011. Among her achievements at Skowhegan was the establishment of a comprehensive archive and the school’s oral-history program. \nKate received a bachelor’s degree in art history and religion from Sweet Briar College in Virginia as well as a master’s degree in art history from the University of North Carolina at Chapel Hill. \n\nImage: Kate Haw\, courtesy of the speaker. \nThank you to Ruth Abrahams\, Graphic designer\, Ruth Abrahams Design and former ArtTable DC Chapter Co-Chair for organizing this program.
URL:https://www.arttable.org/event/dc-breakfasttable-with-kate-haw/
LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/01/Kate-Haw-Ashley-Templeton-e1641595836108.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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