BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ArtTable - ECPv6.15.18//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:ArtTable X-ORIGINAL-URL:https://www.arttable.org X-WR-CALDESC:Events for ArtTable REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20200308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20201101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20200308T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20201101T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20210314T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20211107T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20220313T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20221106T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20230312T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20231105T070000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20210409T083000 DTEND;TZID=America/New_York:20210409T093000 DTSTAMP:20260403T221539 CREATED:20210316T145940Z LAST-MODIFIED:20210318T141406Z UID:5070-1617957000-1617960600@www.arttable.org SUMMARY:Virtual | DC BreakfastTable with Alison McNeil DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Alison McNeil\, Founder and Chief Creative Officer of McNeil Creative Enterprises. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5. \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Alison McNeil\nAlison T. McNeil is a nationally recognized award-winning strategic thinker and creative entrepreneur with over 20 years of experience in performing arts and education. She leads with the intention of creating resources\, removing roadblocks and designing roadmaps to make arts and culture accessible to all. Alison’s work has addressed the blind spots that perpetuate the disparities in funding\, hiring\, and operational practices with and for Black\, Indigenous and people of color (BIPOC) arts administrators. Alison’s work is rooted in arts advocacy and is at the intersection between philanthropy\, strategy and justice. She has led multi-million-dollar change efforts\, therefore directly informing policy\, grant-making\, and strategic partnerships. \nHer efforts have fortified leadership and secured grants\, and as a result expanded equity and access for women\, emerging leaders and communities of color. Every effort she’s contributed to is in service to the communities noted above including launching McNeil Creative Enterprises and co-founding Third Eye Cultural Collaborative\, Women of Color in the Arts (WOCA)\, and the Maynor Biggers Artist Fund. \nAlison’s talent has resulted in accolades both inside and outside of the arts and culture sector. She has served as a thought leader on numerous grant panels\, boards\, conference panels\, and advisory committees including the National Endowment for the Arts\, Americans for the Arts\, Mid Atlantic Arts Foundation\, as well as the Heinz Endowments\, Association of Performing Arts Professionals\, Step Afrika!\, FRESHH Inc. Theatre Company\, DC Commission on the Arts and Humanities\, Arts Council of Fairfax County\, Alexandria Commission for the Arts and Emerging Practitioners in Philanthropy. If you really want to get Alison to smile\, ask her about her nephew or her favorite Stevie Wonder song. \nAbout McNeil Creative Enterprises\nMcNeil Creative Enterprises (MCE) is an organizational development firm committed to improving company culture\, reinvigorating program operations\, igniting growth and facilitating change in the arts and culture sector. MCE provides tactical solutions that help their clients strategically position themselves to achieve their goals. MCE removes the roadblocks and creates roadmaps. This contributes to healthy work environments\, increased access to funding and opportunity\, and holistic programming. \nThank you to Alissa Maru\, ArtTable Washington\, D.C. Chapter\, for organizing this program. \n\nImage: Alison McNeil URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-alison-mcneil/ LOCATION:Zoom CATEGORIES:National,Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/Alison-McNeil-Headshot-Ashley-Templeton-e1615906831843.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210506T083000 DTEND;TZID=America/New_York:20210506T083000 DTSTAMP:20260403T221539 CREATED:20210427T160006Z LAST-MODIFIED:20210428T153146Z UID:5495-1620289800-1620289800@www.arttable.org SUMMARY:Virtual | DC BreakfastTable with Nancy Miyahira & Deirdre MacWilliams DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for May’s Breakfast Table with Nancy Miyahira\, Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, and Deirdre Ehlen MacWilliams\, public art manager and curator of Georgetown GLOW. Now in its 7th edition\, GLOW is an outdoor public light-based art experience featuring local\, national\, and international artists. Nancy and Deirdre will give presentations and talk about the history and vision of GLOW. They will also tell us about current GLOW artworks and artists. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5. \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Nancy Miyahira\n\nNancy Miyahira is the Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, where she has overseen the creation and growth of new experiences to attract visitors to one of D.C.’s most historic districts since 2009. In 2014\, she and the BID team began to delve into public art as a placemaking initiative for the commercial district. They launched D.C.’s first free\, curated\, outdoor Light Art exhibition\, Georgetown GLOW. GLOW started as a three-night experience with five art installations. It has since grown over six years to a month-long exhibition with 11 installations in 2019. \nAfter a pause in 2020 due to the pandemic\, GLOW is back in spring and summer 2021 as a two-part\, six-month exhibition with eight installations featuring many local artists. In addition to working on public art initiatives\, Nancy and her team oversee marketing strategy\, events and communications to promote Georgetown as a destination to local\, national and international visitors. Nancy believes in the accessibility and power of public art\, and hopes that BID can be a catalyst for increasing opportunities for all. One of her most memorable public art experiences is Desert X 2019 in the Coachella Valley. One of her favorite museums is the Honolulu Museum of Art. \nNancy has over 20 years of experience in marketing – primarily in the retail and real estate industries. Prior to joining the BID\, she served in marketing leadership roles for Nordstrom’s East Coast region. There she worked to launch Nordstrom stores in over 20 new markets; The Mills Corporation (national retail REIT acquired by Simon Property Group) – leading the branding for the regional mall portfolio; and Duke Realty Corporation (national office REIT) – overseeing marketing of office and industrial properties in four East Coast markets. Nancy has an MBA in Marketing from the George Washington University\, and currently serves on the Board of STABLE Arts in Eckington\, D.C. Originally from Honolulu\, Hawaii\, Nancy lives in Woodley Park\, D.C. with her husband and two silly beagles. \n  \nAbout Deirdre MacWilliams\n \nDeirdre MacWilliams brings passion\, effective oversight and management skills to large- and small-scale public art projects. Since 2005\, Deirdre has collaborated with design professionals\, community members\, government colleagues and artists to develop public art for Washington\, D.C. and Arlington\, Virginia. \nDeirdre serves as public art project manager for Arlington’s nationally renowned Public Art program. She develops and manages County-initiated projects and advises on various public art and design enhancement requests. Prior to joining Arlington\, Deirdre worked as the public art coordinator for the DC Commission on the Arts and Humanities (DCCAH) and for Weitzman Studios.  \nDeirdre also works independently on creative projects and initiatives.  She has been the curator of Georgetown GLOW since 2014. She was the co-curator for What’s Going on Voices of Shaw in 2016 and in 2015 she was a project manager for Finding a Line\, working with local artist and skateboarder Ben Ashworth and the Kennedy Center. In 2014\, Deirdre was the curator for the Foggy Bottom Sculpture Biennial and in 2014 and 2012 was the producer for DCCAH’s temporary public art program 5×5.   \nDeirdre received her BA in Art History from The George Washington University and an MA from the Fashion Institute of Technology in Art Market Studies\, and currently serves on the board of Washington Project for the Arts. Originally from Cold Spring Harbor\, N.Y.\, she lives on Capitol Hill\, D.C. with her husband\, four-year-old son and super sweet Pitbull mix. \nAbout The Georgetown Business Improvement District (BID)\nThe Georgetown BID is a city chartered private non-profit organization who focuses on managing the commercial district of the historic neighborhood of Georgetown. It is one of eleven BIDs in Washington\, D.C.\, and the fourth largest\, with an annual budget of $4.5 million and 850+ business members. Membership consists of local\, national and international retailers\, restaurateurs\, real estate developers and corporations. The BID’s property owners and merchants established\, funded and founded the BID in 1999. They work to protect and enhance the accessibility\, attractiveness and overall appeal of Georgetown. The BID is governed by a 24-member Board of Directors and works with city agencies of the District of Columbia on issues of concern to the business district. Major program areas for the BID are: Streetscape\, Street Services\, Public Safety\, Transportation\, Economic Development\, Placemaking and Marketing. \nThank you to Concetta Duncan\, Head of Communications at the Smithsonian’s National Portrait Gallery\, for organizing this program. \n\nImages: \n\nSnapshot from Georgetown GLOW\, 2019\nNancy Miyahira\, courtesy of the speaker\nDeirdre MacWilliams\, courtesy of the speaker URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-nancy-miyahira/ LOCATION:Zoom CATEGORIES:National,Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Copy-of-Thank-you-gif.png ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210525T190000 DTEND;TZID=America/New_York:20210525T190000 DTSTAMP:20260403T221539 CREATED:20210419T153251Z LAST-MODIFIED:20210427T153016Z UID:5343-1621969200-1621969200@www.arttable.org SUMMARY:Virtual | DC Around the Table Book Group - Infinity Net: The Autobiography of Yayoi Kusama DESCRIPTION:7pm ET | 6pm CT | 4pm PT\nJoin ArtTable’s Washington\, D.C. Chapter for an Around the Table Book Group. This program is open to all ArtTable members and meets four times a year; participants can join for one book or for all! \nNot an ArtTable member? Join today! \nClick here to see who is already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nFor the second DC Around the Table Book Group of 2021\, we will discuss “Infinity Net: The Autobiography of Yayoi Kusama.” \n\nIn 1957\, encouraged by Georgia O’Keeffe\, artist Yayoi Kusama left Japan for New York City to become a star. By the time she returned to her home country in 1973\, she had established herself as a leader of New York’s avant-garde movement\, known for creating happenings and public orgies to protest the Vietnam War and for the polka dots that had become a trademark of her work. Her sculptures\, videos\, paintings\, and installations are to this day included in major international exhibitions. \n\nThank you to Ruth Abrahams\, ArtTable DC Committee Member at Large and ArtTable VP of Chapter Leadership for organizing this program. \n\nImage: Infinity Net: The Autobiography of Yayoi Kusama URL:https://www.arttable.org/event/virtual-dc-around-the-table-book-group-infinity-net/ LOCATION:Zoom CATEGORIES:National,Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/04/EJNTEPkPmE.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210609T180000 DTEND;TZID=America/New_York:20210609T191500 DTSTAMP:20260403T221539 CREATED:20210513T202824Z LAST-MODIFIED:20210527T131916Z UID:5694-1623261600-1623266100@www.arttable.org SUMMARY:DC | MeetAT at Tudor Place DESCRIPTION:Enjoy a glass of wine and the company of old and new friends at the DC chapter’s first in-person program in over a year! Learn about Tudor Place’s history with a brief welcome from their Executive Director Mark Hudson\, a private tour of their gardens\, and meet our Faith Flanagan Fellows 2021 Cohort! \nDue to social distancing requirements\, registration for this program is limited to 30 attendees. Waitlisted registrants will be notified if space becomes available. \nThis program is free and open to ArtTable members only. \nNot a member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer mandated by the CDC for fully vaccinated individuals\, Tudor Place continues to enforce Health and Safety Guidelines that require all visitors aged 3 and over to wear a mask at all times. Masks will not be provided. Anyone without a mask will not be admitted to the program. There will be no exceptions.  \n\n  \nThank you to Caitlin Berry\, Co-chair of ArtTable’s DC Chapter\, as well as Janet Wall\, Director of Development & Communications at Tudor Place\, for organizing this program. \n\nImage: Tudor Place Historic House & Garden URL:https://www.arttable.org/event/dc-meetat-at-tudor-place/ LOCATION:Tudor Place\, 1644 31st St NW\, Washington\, DC\, DC\, 20001 CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/qJyiQWRLWq-scaled.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210610T090000 DTEND;TZID=America/New_York:20210610T090000 DTSTAMP:20260403T221539 CREATED:20210525T194632Z LAST-MODIFIED:20210526T184128Z UID:5904-1623315600-1623315600@www.arttable.org SUMMARY:DC | BreakfastTable with Allison Nance & Teddy Rodger DESCRIPTION:9am ET\nJoin ArtTable’s DC Chapter for June’s BreakfastTable featuring Allison Nance and Teddy Rodger\, co-founders and curators of Plain Sight\, an independent exhibition space born out of the many art space closures during the Covid-19 pandemic. Guests will gather in front of Plain Sight and learn more about Allison and Teddy’s partnership and concept behind Plain Sight\, and about their current exhibition by Lee Nowell-Wilson. After\, we will walk one block to Doubles Cafe for a Dutch Treat-style breakfast and conversation outdoors on their large covered patio. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5. \nNot a member? Join today! \n \n  \n\nAbout Allison Nance\nAllison Nance has over 15 years of leadership experience in arts non-profit management for the visual arts. She is deeply dedicated to supporting and empowering artists as leaders\, and elevating cultural exchange opportunities both abroad and locally. In addition to co-founding and curating Plain Sight\, Allison is the Managing Director of The Nicholson Project\, an Artist Residency Program and exhibition space in Washington\, DC. She is also the curator of exhibitions at Culture House DC. \nPreviously\, Allison was the Director of Hillyer Art Space (IA&A at Hillyer) from 2013-2020 where she facilitated a robust schedule of artist selection and mentorship\, organizing and curating over 30 exhibitions and 85+ public programs annually. She fostered initiatives and key partnerships throughout DC and the surrounding region and broadened artist-focused projects between Washington\, DC\, and international counterparts. Allison currently serves on the Alexandria Commission for the Arts and the Washington Sculptors Group Advisory Board. She is the Programs Chair for ArtTable’s DC Chapter Executive Committee. \nAbout Teddy Rodger\nTeddy Rodger specializes in program development within the cultural sector. She delivers high-quality and thoughtful initiatives and events that connect communities around the world through the arts. She is well-versed in launching large-scale and internationally-focused arts events\, fellowships\, and collaborative projects that elevate organizational mission and presence on a global scale. In addition to co-founding and curating Plain Sight\, Teddy is a Program Manager for the Goethe Institute. There she manages Shaping the Past\, a partnership between the Goethe-Institut\, Monument Lab\, and the German Federal Agency for Civic Education. The partnership connects memory workers in North America and Germany to deliver public programs and a multi-city\, international exhibition. \nShe was the Public Engagement and Events Manager at IA&A at Hillyer before its pandemic related closure in May 2020. Before that\, Teddy worked as the Programs Manager at Georgetown’s The Lab for Global Performance and Politics\, as well as the Producer of their international Cross-Currents festival. Amongst others\, previous experience includes Assistant to Playwrights Charles L. Mee and Michi Barall\, and Associate Director of Audience Development and Promotions at the hakespeare Theatre Company. \n  \nThank you to Allison Nance\, DC Chapter\, for organizing this program. \n\nImages: \n\nTeddy Rodgers headshot courtesy of District Fray Magazine\, photo by Rick Kessler Photography. URL:https://www.arttable.org/event/dc-breakfasttable-with-allison-nance-and-teddy-rodger/ LOCATION:Plain Sight\, 3218 Georgia Avenue NW\, Washington\, DC\, DC\, 20010\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/dxZWHmiSgX.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210615T180000 DTEND;TZID=America/New_York:20210615T180000 DTSTAMP:20260403T221539 CREATED:20210525T134150Z LAST-MODIFIED:20210526T215300Z UID:5900-1623780000-1623780000@www.arttable.org SUMMARY:Virtual | Speed Networking - DC Chapter Faith Flanagan Fellows DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nJoin ArtTable DC for an opportunity to meet and support the 2021 Faith Flanagan Fellows in a fun round of Speed Networking! Like Speed Dating\, Speed Networking is an opportunity for brief face-to-face\, virtual interactions designed to help the Fellows perfect their “30-second elevator pitch.” ArtTable members will provide feedback on their pitches and advance the next generation of arts leaders. \nThis program is Free for all ArtTable members. Not a member? Join today! \nCLICK HERE TO REGISTER.\n(You will receive an email confirmation containing the Zoom link.) \nCan’t join us for this event? Don’t worry\, there will be plenty more opportunities to connect with members in the future! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives! \nThank you to Jaynelle C. Hazard and Lily Siegel\, ArtTable DC Faith Flanagan Fellowship Co-Chairs for organizing this program. \n\nImage: ArtTable DC members and friends gathered online to honor Kim Sajet with the annual Chapter Leadership Award. URL:https://www.arttable.org/event/virtual-speed-networking-dc-chapter-faith-flanagan-fellows/ LOCATION:Zoom CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/05/Screen-Shot-2021-05-25-at-9.43.13-AM.png ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210702T083000 DTEND;TZID=America/New_York:20210702T093000 DTSTAMP:20260403T221539 CREATED:20210528T152846Z LAST-MODIFIED:20210630T132355Z UID:5931-1625214600-1625218200@www.arttable.org SUMMARY:Virtual | DC BreakfastTable Special: Faith Flanagan Fellows DESCRIPTION:8:30am ET\nJoin ArtTable’s DC Chapter for a presentation by the 2021 Faith Flanagan Fellows. For this special BreakfastTable\, the Fellows will present their engagement projects undertaken over their course of the fellowship. \nLearn more about Mehveş Lelic’s Choose-Your-Own-Adventure story titled\, How to Curate an Exhibition. Sourced from anecdotes submitted anonymously by womxn working in the visual arts\, the story leads the reader through a number of plot twists that either culminate in a successful or an unsuccessful exhibition. View the story here. \nJohanna Obenda’s audio story profiles a handful of DC-area cultural practitioners who are working to reimagine cultural institutions and how we engage with visual arts in a variety of ways. Obenda engages healing artist Geo Edwards\, Kristi Maiselman\, Executive Director of Cultural DC\, and Loretta Thompson\, a visual artist and arts administrator for Sitar Arts Center who have each disrupted traditional approaches to arts engagement. Listen to the audio story here. \nSusannah Stern hosts a conversation with Lena Galperina\, Visitor Experience Director at ARTECHOUSE\, Don Allen Stevenson III\, Artist and XR Content Creator\, and Charlotte Ickes\, Curator of Time-Based Media and Special Projects\, about their unique perspectives on immersive\, technology-based art\, opening the door to an honest look at the trend toward art as experience. Listen to the conversation here. \nSpecial thanks to this year’s mentors: Nora Halpern\, Victoria Reis\, and Vesela Stretenovic. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5. \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThank you to Jaynelle C. Hazard and Lily Siegel\, ArtTable DC Faith Flanagan Fellowship Co-Chairs\, for organizing this program. \n\nImages: \n\nTop: Johanna Obenda; Bottom Left: Mehveş Lelic; Bottom Right: Susannah Stern URL:https://www.arttable.org/event/dc-breakfasttable-special-faith-flanagan-fellows/ LOCATION:Zoom CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/05/gnTqKUOyEE-e1622561996897.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210910T080000 DTEND;TZID=America/New_York:20210910T090000 DTSTAMP:20260403T221539 CREATED:20210813T151925Z LAST-MODIFIED:20210823T160557Z UID:6522-1631260800-1631264400@www.arttable.org SUMMARY:DC | BreakfastTable with Nicole Dowd DESCRIPTION:Join ArtTable’s DC Chapter for September’s “Dutch Treat” BreakfastTable with Nicole Dowd\, Apple’s Head of Programming\, Washington DC. She will be discussing her work supporting local artists\, arts programming during a pandemic\, and how globally-expansive work can evolve into hyperlocal initiatives. We will be holding this BreakfastTable program “en plein air” following local healthy and safety standards. This program is free and open to ArtTable members only.\nNot a member? Join today!\n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\n\nAccessibility: \n\nThe location for this program is wheelchair accessible.\n\nGetting There: \n\nThis program will take place at SakuSaku Flakerie by Al Volo (3417 Connecticut Ave NW) in the Cleveland Park neighborhood.\n\n\n  \n\nAbout Nicole Dowd\nNicole Dowd moved to Washington\, DC in 2005 and has spent the last decade falling in love with everything arts and culture in the District. This past February\, she joined Apple as Head of Programming and is working on locally-impactful cultural programs and initiatives based out of Carnegie Library. \nPreviously Nicole was the Director of Arts Programs at Halcyon\, an incubator for socially-conscious and civic-minded artists and social entrepreneurs. In 2017 she helped to launch Halcyon’s Arts Lab Fellowship program\, which supports emerging artists and creators seeking to hone their artistic and entrepreneurial practices. Prior to her work at Halcyon\, Nicole managed the Hamiltonian Artists Fellowship program. Her work focused on professional development and exhibition opportunities for DC-based emerging artists. \nShe received a master’s degree in exhibition design from the Corcoran College of Art and Design and studied fine art\, art history\, and journalism at The George Washington University. \n  \nThank you to Ashley Templeton\, ArtTable Washington DC Chapter Programs Committee Member\, for organizing this program. \n\nImages: \n\nNicole Dowd\, courtesy of the speaker URL:https://www.arttable.org/event/dc-breakfasttable-with-nicole-dowd/ LOCATION:Washington\, DC\, Washington\, DC\, 20008 CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/08/zvtUyRBfwk-e1629734512308.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210911T110000 DTEND;TZID=America/New_York:20210911T123000 DTSTAMP:20260403T221540 CREATED:20210726T150140Z LAST-MODIFIED:20210823T170036Z UID:6416-1631358000-1631363400@www.arttable.org SUMMARY:National | ArtTable at The Armory Show DESCRIPTION:Please join us for the annual ArtTable Brunch at The Armory Show! This is a great time for members and friends from across the country to come together and network at New York’s premiere art fair\, now to take place annually in September at the Javits Center. We will be joined by The Armory Show’s Executive Director\, Nicole Berry. Your ticket covers access to the fair\, early private access to the VIP Lounge\, and a light breakfast. \n  \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. \nPlease note that The Armory Show requires that all individuals wear a mask indoors\, regardless of vaccination status. This will be strictly enforced.\nIn addition to masks\, The Armory Show also requires that each attendee provide the following before entry to the fair:\n(1) PROOF OF FULL VACCINATION STATUS IN PAPER FORM\, DIGITAL APPLICATION\, OR THE NEW YORK STATE EXCELSIOR PASS.\nOR\n(2) PROOF OF A NEGATIVE COVID-19 TEST RESULT (I.E.\, PCR/NAAT) TAKEN WITHIN 72 HOURS OF ENTERING THE JAVITS CENTER.\nPlease review The Armory Show’s full  Health and Safety Plan before registering.\n\nAccessibility: \n\nThe Javits Center has sidewalk ramps\, automatic doors at all street levels\, restrooms and elevators accessible for persons with mobility impairments. For more information regarding accessibility\, please visit the Javits Center website.\n\nGetting There: \n\nThe Armory Show is easily accessible by car\, taxi\, and public transportation. For detailed directions visit the Javits Center website.\n\n\n\nAbout The Armory Show\nIn 1994\, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years\, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape. \nNow in September at the Javits Center\, The Armory Show will kick-off New York’s fall arts season. We have always been a gateway to New York’s art scene\, hosting the world’s best galleries and linking collectors and galleries with museums and institutions across the city. And our updated timing coupled with the proximity to Chelsea and the High Line will create increased access to the city’s vibrant culture. \nAt our core\, The Armory Show is dedicated to ensuring galleries and New York’s art community continue to thrive. We pave the way for its success and strive to be a platform in which it is easier to buy\, sell and discover art. \nClick here to read more about the fair. URL:https://www.arttable.org/event/arttable-at-the-armory-show/ LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001 CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/07/TAS.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20210930T170000 DTEND;TZID=America/New_York:20210930T193000 DTSTAMP:20260403T221540 CREATED:20210907T224547Z LAST-MODIFIED:20210909T173250Z UID:6685-1633021200-1633030200@www.arttable.org SUMMARY:DC | MeetAT at St. Vincent Wine DESCRIPTION:Join us for our next “dutch treat” MeetAT program as a kick off to our fall programming! Current and interested members are welcome. This event will take place outdoors at St. Vincent Wine in the Petworth neighborhood. \nDue to social distancing requirements\, registration for this program is limited to 30 attendees. Waitlisted registrants will be notified if space becomes available. \nThis program is free and open to all current and prospective ArtTable members. Not a member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While masks are no longer mandated by the CDC for fully vaccinated individuals\, we encourage all attendees to wear a mask or face covering when in close proximity to people who are not in their immediate household.  \n  \n\n  \nThank you to Ashley Templeton of the DC Chapter Programs Committee for organizing this program. URL:https://www.arttable.org/event/dc-meetat-at-st-vincent-wine/ LOCATION:St. Vincent Wine\, 3212 Georgia Ave NW\, Washington\, 20010\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/09/uocttCbFuF.png ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211008T080000 DTEND;TZID=America/New_York:20211008T090000 DTSTAMP:20260403T221540 CREATED:20210923T185241Z LAST-MODIFIED:20211004T143000Z UID:6866-1633680000-1633683600@www.arttable.org SUMMARY:DC | BreakfastTable with Karyn Miller + Tour of "Social Spaces" Public Art Project DESCRIPTION:Join ArtTable’s DC Chapter for October’s BreakfastTable with Karyn Miller\, Director of Planning\, Art\, and Activation at Golden Triangle Business Improvement District. We will meet at Compass Coffee (849 18th St NW) where you can purchase coffee/breakfast\, and then at 8:15 am we will walk one block for a tour of Social Spaces\, three outdoor public art activations featuring “Meridian” by artist Cheryl Wing-Zi Wong\, and “Common Ground” by artist Risa Puno\, and “Circula” by design team Studio Rygalik. \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nMasks are optional at Compass Coffee for fully vaccinated individuals. It is strongly encouraged that all attendees wear a mask regardless of vaccination status when in close proximity to others who are not in your immediate household.\n\nAccessibility: \n\nPlease email programs@arttable.org if you require accessibility information for this program.\n\nGetting There: \n\nThe nearest public transportation is Farragut West Metro Station. Street parking and parking lots are available.\n\n\n  \n\nAbout Karyn Miller\nKaryn Miller serves as the Golden Triangle Business Improvement District’s (BID) Director of Planning\, Art\, and Activation. She leads the BID’s urban planning\, creative place-keeping\, public art\, and design projects in DC’s central business district. Karyn previously served as Arlington Art Center’s Curator and Director of Exhibitions\, conceiving of and delivering a year-round exhibition schedule and public art program. Prior to that\, Karyn spent more than a decade building relationships with the region’s artists and arts community at CulturalDC and at ConnerSmith Gallery. Karyn graduated from The Catholic University of America with a BA in Art History. She later received a MA in Art and Museum Studies from Georgetown University. She has served as a lecturer at The Catholic University of America and as an adjunct professor at George Mason University. \nAbout Social Spaces\nSocial Spaces is a community-focused initiative to bring people together in a safe and distanced manner along Pennsylvania Avenue west of the White House. These temporary public space activations transform the vast\, sprawling avenue by creating more intimate\, human-scaled places in the form of three public art installations. Social Spaces creates dialogue and celebrates cultures through intentionally designed gathering spaces. Learn more here! \n  \nThank you to Alison Nance\, Co-Chair of ArtTable’s Washington DC Chapter\, for organizing this program. \n\nImage: \n\nKaryn Miller\, courtesy of the speaker URL:https://www.arttable.org/event/dc-breakfasttable-with-karyn-miller-plus-tour/ LOCATION:Washington\, DC\, Washington\, DC\, 20008 CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/HppWWkkJiI-e1632491907560.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211104T080000 DTEND;TZID=America/New_York:20211104T090000 DTSTAMP:20260403T221540 CREATED:20211012T205046Z LAST-MODIFIED:20211018T212313Z UID:7003-1636012800-1636016400@www.arttable.org SUMMARY:DC | BreakfastTable with Christine Neptune DESCRIPTION:Join ArtTable’s DC Chapter for November’s BreakfastTable with Christine Neptune\, founder of Neptune Fine Art and Principal of gallery neptune & brown. We will meet at Bluestone Lane (1367 R St NW) where you can purchase coffee/breakfast\, and then at 8:15 am we will walk two blocks to gallery neptune & brown (1530 14th St NW) and hear from Christine about her extensive career and experience in a wide range of curatorial and consulting services in the fine arts market. Guests will also have a chance to view the gallery’s current photography exhibition\, Frank Stewart: Diary of a Globetrotter. \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\nCovid-19 Guidelines: \nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Masks are optional though strongly encouraged. Drinks are allowed in the gallery for vaccinated individuals. \nAccessibility: \nPlease email programs@arttable.org if you require accessibility information for this program. \nGetting There: \nThe nearest public transportation is the U Street Metro Station. Street parking is available. \n  \n\n  \n\nAbout Christine Neptune\nChristine Neptune founded Neptune Fine Art in 2001 after nearly twenty years of professional experience working in auction houses\, museums\, and fine art galleries in Manhattan. Her first tiny gallery in NYC was located on East 72nd Street\, exhibiting Modern and Contemporary art. After working with increasingly large pieces and publishing editions\, she moved to a space on 25th Street in Chelsea. \nIn 2011 she made the personal and professional move to Washington\, DC to share an exhibition space with her husband\, gallery owner Robert Brown. \nNeptune Fine Art has collaborated with established artists including Jennifer Bartlett\, Vija Celmins\, Wolf Kahn\, James Siena\, Adam Pendleton\, Mickalene Thomas\, and Jenny Holzer as well as many artists in the District of Columbia/Maryland\, Virginia region. Neptune Fine Art has placed editions in The National Gallery of Art\, Washington\, DC; The Smithsonian’s National Portrait Gallery\, The Museum of Fine Arts\, Boston; The Baltimore Museum of Art; The Philadelphia Museum of Art; Cincinnati Art Museum; Los Angeles County Museum of Art; and more. \nChristine also works with private collectors to handle discreet and confidential acquisitions and sales for clients worldwide. She regularly meets with clients in her gallery in Washington\, D.C. and by appointment in New York City. She has been an ArtTable member since 2000! \nAbout the exhibition\n\ngallery neptune and brown is delighted to present its second exhibition with Frank Stewart. During the past two years\, when it wasn’t possible to travel and take photographs\, Stewart combed through his archives. The resulting exhibition is a varied collection of photographs spanning the last thirty years. Many of the photos have never before been on view. Stewart’s work centers around communities in Africa and its diaspora in the United States and in Cuba\, starting in the 1970s. In the same period\, he began photographing jazz clubs and their musicians. For more about the exhibition\, visit gallery neptune and brown’s website. \n \n  \n  \n  \n  \n  \n  \n  \n  \nThank you to Shelley Langdale\, Programs Co-Chair of ArtTable’s Washington DC Chapter\, for organizing this program. \n\nImages: \n\nChristine Neptune\nThree Young Camels\, Timbuktu\, Mali\, 2006\nOnly God to Watch My Back\, NY\, 1988 URL:https://www.arttable.org/event/dc-breakfasttable-with-christine-neptune/ LOCATION:Bluestone Lane\, 1367 R St NW\, Washington\, DC\, 20009\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/iMGFYRuKmq-scaled-e1634570189140.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211112T140000 DTEND;TZID=America/New_York:20211112T153000 DTSTAMP:20260403T221540 CREATED:20211022T161835Z LAST-MODIFIED:20211022T205658Z UID:7077-1636725600-1636731000@www.arttable.org SUMMARY:DC | 'Alma W. Thomas: Everything is Beautiful' Tour & Discussion at the Phillips Collection DESCRIPTION:Join ArtTable’s DC chapter for a special guided tour of Alma W. Thomas: Everything is Beautiful at The Phillips Collection with Renee Maurer\, coordinating curator for the exhibition\, and Gwendolyn Everett\, Howard University Professor of Art History. In addition to an overview of the exhibition\, among the topics to be discussed during the tour will be new insights gained after spending time with the works assembled for the exhibition\, now that the show has reached its second venue; current politics of exhibition organization\, challenges and opportunities for representing multiple voices/perspectives\, and enriching visitors’ understanding of Alma Thomas\, her work\, and her impact on the art world in DC and beyond. Jonathan Walz\, Director of Curatorial Affairs & Curator of American Art\, Columbus Museum of Art\, Georgia\, and one of the co-curators of the exhibition will join in the conversation. \n\nThis program is $5 to attend and is open to ArtTable members only.\nNot a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. The Phillips Collection requires that museum visitors 12 years of age and over show proof of vaccination or a same-day negative COVID-19 test upon entry\, along with a government-issued photo ID. Proof of a negative same-day COVID-19 test must come from a health care provider. Results from a self-administered COVID-19 test will not be accepted. All safety COVID-19 protocols including mask-wearing and physical distancing will be followed. All visitors over the age of two are required to wear face masks\, regardless of vaccination status\, unless an individual is unable to wear a face covering due to a medical condition. Masks must cover both your mouth and nose\, without gaps between your mask and face. Patrons who do not or cannot comply with the policy will not be allowed into the museum. For those who are unable to visit us in person\, or who prefer to enjoy the Phillips from home\, we continue to offer numerous online options. Following DC government\, DC Health\, and the Centers for Disease Control and Prevention (CDC) guidelines\, The Phillips Collection has developed new cleaning\, safety\, and operational protocols. Please stay at home if you are feeling sick. Please do not visit the Museum if you have a fever or any covid-19 symptoms\, have tested positive for covid-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having covid-19. Please click here to read more about health & safety protocols at The Phillips Collection. Accessibility The Phillips Collection is committed to ensuring that the museum’s facilities\, services\, exhibitions\, and programs comply with the Americans with Disabilities Act (ADA) of 1990. Reasonable accommodations are in place to ensure that people with disabilities have equal physical and communications access\, as defined by federal law. If you have specific questions or concerns\, please call 202.287.2151 or email reservations@phillipscollection.org in advance of your visit. All galleries and public facilities of the museum are wheelchair accessible. A limited number of wheelchairs is available at the coat check. Elevators are available throughout the museum; a wheelchair lift is also available between Goh Annex Floor 3 and the bridge walkway to House Floor 2U. Please see a museum assistant for access to the lift. The Center for Art and Knowledge also has an elevator available for its public programs. Service animals are welcome. American Sign Language and a limited number of assistive listening devices for programs and tours are offered by request. Please click here to read more about accessibility at The Phillips Collection. Getting There The Phillips Collection is located at 1600 21st Street\, NW\, Washington\, DC\, near the corner of 21st and Q Streets\, NW. The museum is committed to promoting the use of sustainable transportation as a way to reduce local traffic congestion and air pollution. While we do provide driving directions\, please consider other transportation options. Please click here for more detailed information on getting to the Museum via Metro\, DC Circulator\, Bike\, or Car\, as well as parking options. \n  \n\n  \n\nAbout the Speakers\nGwendolyn H. Everett\, art historian\, museum educator\, curator\, and children’s book author\, and ArtTable member is an Associate Professor in Art History in the Department of Art at Howard University\, Washington\, D.C. She formerly served as Associate Dean for the Division of Fine Arts\, Director of the Howard University Gallery of Art\, and Chairperson of the Department of Art. Everett received her Ph.D. from George Mason University\, Fairfax\, Virginia\, MA in Art History from Howard\, and a BA from Spelman College\, where she majored in Studio Art. She is currently co-organizing a symposium\, “Alma W. Thomas and David Driskell: Journeys in Art\,” with the Howard University Department of Art and the Phillips Collection to coincide with Alma Thomas and David Driskell exhibitions on view at the Phillips\, November 13\, 2021. \nArtTable member Renee Maurer is Associate Curator\, The Phillips Collection\, and coordinating curator for the Phillips’s presentation of the Alma W. Thomas: Everything is Beautiful exhibition. Other exhibitions she has coordinated include Riffs and Relations: African American Artists and the European Modernist Tradition\, guest curated by Adrienne Childs in 2020; A Modern Vision: European Paintings from The Phillips Collection and its tour (2017–2020); Toulouse-Lautrec Illustrates the Belle Époque (2017); Gauguin to Picasso: Masterworks from Switzerland (2016); American Moments: Photographs from The Phillips Collection (2015); Georges Braque and the Cubist Still Life: 1928–1945 (2013); and Jasper Johns: Variations on a Theme (2012). Prior to working at the Phillips\, she was a research assistant at the National Gallery of Art. She received her BA from Dickinson College and her MA from George Washington University. \nAbout the exhibition\nAlma W. Thomas: Everything Is Beautiful provides a fresh perspective on the artist’s dynamic long life (1891-1978) and multifaceted career that was defined by constant creativity. This major retrospective traces her journey from semi-rural Georgia to Washington\, DC\, to become the first Black woman given a solo show at the Whitney Museum of American Art at age 80. Through artworks and archival materials\, this exhibition demonstrates how Thomas’s wide-reaching artistic practices extended far beyond her studio. It helped shape every facet of her life—from community service to teaching to gardening. \nEverything Is Beautiful contextualizes Thomas’s art and life within her creative community\, delving into her association with Howard University\, American University\, and the Barnett Aden Gallery\, which she helped co-found. Some of her works are placed alongside examples by her friends and contemporaries\, such as Loïs Mailou Jones and Morris Louis\, who also helped shape the DC art scene. The exhibition offers an intimate look at this inspiring cultural icon who used her imagination and ingenuity to lead a rich and beautiful life. \nClick here to read more about the exhibition. \n  \nThank you to Renee Maurer\, Associate Curator\, and Erica Harper\, Educator\, The Phillips Collection.\n \n\nImages: \n\nAlma Thomas\, Pansies for Washington\, 1969\, acrylic on canvas\, National Gallery of Art\, Corcoran Collection (Gift of Vincent Melzac)\nDr. Gwendolyn Everett\nRenee Maurer\nIda Jervis\, Alma Thomas at Home\, 1968\, gelatin silver print. Alma Thomas Papers\, c. 1894–2001\, Of Alma Thomas\,1950s–60s\, box 5\, folder 36. Archives of American Art\, Smithsonian Institution URL:https://www.arttable.org/event/dc-tour-and-discussion-of-alma-w-thomas-everything-is-beautiful-at-the-phillips-collection/ LOCATION:The Phillips Collection\, 1600 21st St NW\, Washington\, DC\, 20009 CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/Alma-Thomas_Pansies-in-Washington_1969-e1634919879403.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211202T113000 DTEND;TZID=America/New_York:20211202T123000 DTSTAMP:20260403T221540 CREATED:20211108T200215Z LAST-MODIFIED:20211123T150149Z UID:7194-1638444600-1638448200@www.arttable.org SUMMARY:REGISTRATION NOW OPEN - Miami Art Week | ArtTable Brunch at Design Miami/ DESCRIPTION:Please join us for our annual ArtTable Brunch during Miami Art Week\, this year at Design Miami/! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \nYour ticket includes a light breakfast at the fair\, VIP Preview Access for you and one guest\, as well as return admission for duration of the fair. \nAdmission: \n\nArtTable Members – $50\nMember Guest – $65\nNon-member – $75\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face Masks Required: Face masks are required once inside the Design Miami/ tent and must not be removed. Staff will be required to wear a face mask at all times.Social Distancing Recommended: Social distancing of six feet or more is encouraged and adjustments to the exhibition floorplan have been made to allow for wider aisles and increased ventilation.Click here to read the full list of health & safety protocols during the fair. Accessibility Please email programs@arttable.org if you require accessibility information for this program. Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here. \n  \n \n  \nDon’t miss these other opportunities and events during Miami Art Week!\nVIP Fair Pass Packages\nNADA Miami Director’s Tour\n\nImage: Design Miami/’s flagship fair pictured in 2019. Courtesy Design Miami/ URL:https://www.arttable.org/event/national-arttable-at-designmiami/ LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle,Metro Atlanta ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/DesignMiami.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20211203T080000 DTEND;TZID=America/New_York:20211203T090000 DTSTAMP:20260403T221540 CREATED:20211112T210957Z LAST-MODIFIED:20211115T212530Z UID:7282-1638518400-1638522000@www.arttable.org SUMMARY:Virtual | DC BreakfastTable with Charlotte Ickes DESCRIPTION:7am CT / 8am ET\nJoin ArtTable’s DC Chapter for December’s BreakfastTable with Charlotte Ickes\, curator of time-based media and special projects at the National Portrait Gallery in Washington\, D.C. She will be discussing her background as an art historian and highlighting her current work at NPG. Currently\, Ickes is co-curating a yearlong virtual screening and conversation series supported by the Smithsonian American Women’s History Initiative called Viewfinder: Women’s Film and Video from the Smithsonian. \nThis program is free and open to ArtTable members only. Not a member? Join today! \n  \n \n  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Charlotte Ickes\nPreviously the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago\, Charlotte has held fellowship appointments at the Whitney Independent Study Program\, the Philadelphia Museum of Art\, and the Institute of Contemporary Art (Philadelphia). \nIckes has curated and co-curated exhibitions and public programs at multiple institutions and cultural spaces. This includes the Institute of Contemporary Art (Philadelphia)\, Slought\, the Studio Museum in Harlem\, the Philadelphia Museum of Art\, Anthology Film Archives\, and the Museum of Contemporary Art Chicago. In addition to her BA from Yale University\, Ickes received her PhD from the University of Pennsylvania. \nHer writing has appeared in American Art\, Women & Performance: A Journal of Feminist Theory\, and several exhibition catalogues\, including Descent (2016)\, Ginny Casey & Jessi Reaves (2017)\, and Anna Kunz: Color Cast (forthcoming). \n  \nThank you to Ruth Abrahams\, Graphic designer\, Ruth Abrahams Design and former DC Chapter Co-Chair for organizing this program.\n \n\nImages: \n\nCharlotte Ickes. Photo by Nathan Keay. URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-charlotte-ickes/ LOCATION:Zoom CATEGORIES:National,Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/Charlotte-Ickes-Ashley-Templeton.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20211208T180000 DTEND;TZID=America/Chicago:20211208T180000 DTSTAMP:20260403T221540 CREATED:20211115T191105Z LAST-MODIFIED:20211117T194743Z UID:7298-1638986400-1638986400@www.arttable.org SUMMARY:DC | An Evening with Italian Duo Goldschmied & Chiari DESCRIPTION:6pm ET\nJoin ArtTable’s DC Chapter for a special evening featuring Italian duo\, Goldschmied & Chiari\, who are visiting the United States for the closing of their exhibition Magnifica on view at Marymount University’s Cody Gallery. Sara Goldschmied and Eleonora Chiari will give a short talk about their exhibition\, along with curator Allison Nance and Cody Gallery director\, Caitlin Berry. Complimentary wine and hors d’oeuvres will be served. \nThis program is open to ArtTable members and guests only.\n \nAdmission \n\nArtTable Members – $20\nMembers may bring a guest for an additional $15\n\nNot a member? Join today! \n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. In compliance with University and state guidelines\, masks are optional for vaccinated guests and recommended for unvaccinated guests. Accessibility Please email programs@arttable.org if you require accessibility information for this program. Getting There Cody Gallery of Marymount University is located inside Ballston Center at 1000 North Glebe Road\, 2nd Floor. Street parking and Capital Bikeshare are available. The gallery is located near the Metroline Orange: Ballston-MU. \n  \n\n  \n\nAbout the Artists\nMilan-based artists Sara Goldschmied (b.1975\, Arzignano) and Eleonora Chiari (b.1971\, Rome) have been working together as the artist-duo Goldschmied & Chiari since 2001. Sara and Eleonora met in the late 1990s through a shared interest in photography and feminism activism. Their shared interests soon led to joint art projects and a remarkable two-decade-long partnership. They have earned widespread respect and recognition\, both in Italy and internationally\, through their innovative use of photography\, video\, performance\, and installations. Much of their work draws conceptually from philosophy\, social studies\, and their historical Italian background. Their dynamic of working as a duo fundamentally impacts their approach to every project. They state that their most essential tool “…is our relationship as an artist duo because it feeds our art practice\, for example\, so that we see multiple sides of one issue.” Magnifica was organized by International Arts & Artists in partnership with the Embassy of Italy and the Italian Cultural Institute in Washington\, DC\, in collaboration with Marymount University. This project is supported by the Directorate-General for Contemporary Creativity by the Italian Ministry for Cultural Heritage and Activities and Tourism under the 2019 Italian Council Program. \nAbout the Exhibition\nThis exhibition is a collaboration by many ArtTable Members of the DC chapter\, all of whom will be in attendance. They are Allison Nance\, Curator; Caitlin Berry\, Cody Gallery Director; Maria Sancho-Arroyo\, Catalog Essayist; Ruth Abrahams\, Catalog Designer. Funds raised from this program will support the DC chapter locally\, including our intern\, who receives a stipend for her work coordinating chapter activities and communications. Your contribution makes a real impact on the growth and mentorship opportunities in our chapter\, thank you! \nIn Magnifica\, Goldschmied & Chiari bring together new work from their iconic Untitled Views series\, stylized with billowing pink and purple shades of smoke reminiscent of abstract blooms\, deconstructing the very notion of portraying an idea\, a face\, a sensation\, an architectural space. Three vase sculptures in pink blown Murano glass debut in this exhibition; the anthropomorphic shapes of these Magnifica vases are sensual and dangerous\, drawing inspiration from carnivorous pitcher plants in deep reds and purples\, and from lipstick kisses in bold pinks. The artists worked with craftsmen from the Italian island of Murano to create these vases\, a process which involved breathing and blowing\, thus\, a human mouth has created a mouth-like vase\, which conceptually blows the colored smoke integral to their Untitled Views. \n  \nThank you to Allison Nance and Caitlin Berry from ArtTable’s DC Chapter for organizing this program. \n\nImage: Left: Eleonora Chiari and Sara Goldschmied. Photo by Federca Belli; Right: Goldschmied & Chiari\, “Magnifica”\, 2020\, Murano blown glass\, Image courtesy of the artists\, Photo by Roberto Marossi\, © Goldschmied & Chiari URL:https://www.arttable.org/event/dc-an-evening-with-italian-duo-goldschmied-and-chiari/ LOCATION:Cody Gallery of Marymount University\, 1000 N. Glebe Road\, 2nd Floor\, Arlington\, VA\, 22201\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/11/Goldschmied-Chiari-Magnifica-AT-Promo-Image-Allison-Nance-scaled.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220201T120000 DTEND;TZID=America/New_York:20220201T120000 DTSTAMP:20260403T221540 CREATED:20220110T162649Z LAST-MODIFIED:20220111T215311Z UID:7581-1643716800-1643716800@www.arttable.org SUMMARY:Virtual | Tour of 'Emma Amos: Color Odyssey' with Shawnya Harris DESCRIPTION:9am PT/10am MT/11am CT/12pm ET\nPlease join us for a virtual tour of Emma Amos: Color Odyssey with exhibition curator\, Shawnya Harris\, curator of African American and African Diasporic Art at the Georgia Art Museum. \nAt the end of the tour\, Harris will be joined by Laurel Garber\, Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art\, who oversaw the museum’s installation of the show and contributed to the catalogue\, as well as Curator of Contemporary Art at the Pennsylvania Academy of the Fine Arts Jodi Throckmorton\, who curated the exhibition Joan Semmel: Skin in the Game*. They will discuss the coincidence of major retrospectives by two extraordinary\, under-appreciated artists of the same generation\, working at the same time in the same city\, and connections between the two artists’ work. Shelley Langdale\, Curator and Head of Modern Prints and Drawings\, National Gallery of Art\, will moderate. \n*Stay tuned for an in-person tour of ‘Joan Semmel: Skin in the Game’ with Jodi Throckmorton as part of the rescheduled ‘A Day in Philadelphia’ program\, coming this Spring. \nAdmission: \n\n\n\nArtTable Circle Members – Free\nAll Other ArtTable Members – $10\nMember Guests – $15\nNon-Members – $20\n\nNot a member? Join today! \n\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout the speakers\nLaurel Garber is Park Family Assistant Curator of Prints and Drawings at the Philadelphia Museum of Art. She is the PMA’s curator of Emma Amos: Color Odyssey\, organized by the Georgia Museum of Art. Laurel is also a PhD candidate at Northwestern University\, where she is completing a dissertation on the social position of the printer in nineteenth-century France. Laurel has held positions and fellowships at the Art Institute of Chicago\, Getty Museum\, Clark Art Institute\, and Courtauld Gallery. She received an MA at the Courtauld as well as a BA from Cornell University. \nShawnya L. Harris\, Ph.D. is the organizing curator for Emma Amos: Color Odyssey\, centering on the work of the late feminist artist Emma Amos (1937-2020). Harris is the Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at the Georgia Museum of Art\, University of Georgia. Recently\, Harris has been a fellow at the Center for Curatorial Leadership. She earned her doctorate in art history from the University of North Carolina at Chapel Hill. She is also an alumna of Yale University. \nJodi Throckmorton is the curator of contemporary art at the Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia. Before joining PAFA in fall 2014\, she was curator of modern and contemporary art at the Ulrich Museum of Art at Wichita State University in Kansas. Prior to that\, she was associate curator at the San Jose Museum of Art in California. She organized the exhibition and publications for Rina Banerjee: Make Me a Summary of the World (2018) with Lauren Dickens and Postdate: Photography and Inherited History in India (2015). Her other recent projects include Nick Cave: Rescue (2018)\, Paul Chan: Pillowsophia (2017)\,  Melt/Carve/Forge: Embodied Sculptures by Cassils (2016)\, Alyson Shotz: Plane Weave (2016)\, Bruce Conner: Somebody Else’s Prints (2014)\, Questions from the Sky: New Work by Hung Liu (2013)\, Dive Deep: Eric Fischl and the Process of Painting (2013)\, Ranu Mukherjee: Telling Fortunes (2012)\, and This Kind of Bird Flies Backward: Paintings by Joan Brown (2011). The major retrospective\, Joan Semmel: Skin in the Game is Throckmorton’s most recent exhibition and publication project. \nAbout the exhibition\nEmma Amos: A Color Odyssey | Across her prolific career as a pioneering artist\, educator\, and activist\, Emma Amos (American\, 1937–2020) created boldly colorful and innovative works that explore the intersections of race and gender in American life. This exhibition surveys her body of work from the 1950s to the 2010s for the first time\, spotlighting her inventive approach to printmaking\, painting\, and weaving as well as her signature practice of combining distinctive materials and artistic techniques. Amos’ works investigate identity and privilege while unsettling the lines between figuration and abstraction\, craft and fine art\, beauty and power. \n\nImage: Emma Amos (1937-2020)\, Pool Lady\, 1980; etching\, aquatint and stencil; Gift of the Collectors Committee; courtesy the National Gallery of Art // Emma Amos (1937-2020)\, Never (for Vivian Browne)\, 1993\, Acrylic on canvas with African fabric borders\, 45 × 34 inches; Amos Family\, courtesy RYAN LEE Gallery \nThank you to Shelley Langdale\, ArtTable DC Chapter Programs Co-chair\, for organizing this program. URL:https://www.arttable.org/event/virtual-emma-amos-color-odyssey-with-shawnya-harris/ LOCATION:Zoom CATEGORIES:Philadelphia,Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/amos-e1641836621990.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220203T080000 DTEND;TZID=America/New_York:20220203T090000 DTSTAMP:20260403T221540 CREATED:20220107T225004Z LAST-MODIFIED:20220110T155120Z UID:7568-1643875200-1643878800@www.arttable.org SUMMARY:DC | BreakfastTable with Kate Haw DESCRIPTION:Join ArtTable’s DC Chapter for February’s BreakfastTable with Kate Haw\, Collections\, Exhibitions\, and Programs Officer at the National Gallery of Art. Kate will discuss her position overseeing the departments of exhibitions and installation design; the office of the registrar; the education and public programs department; and the research library. She works in collaboration with the National Gallery’s team of executive officers to establish and execute the overall strategic vision of the museum and realize dynamic programming in the galleries\, online\, and in the National Gallery’s education spaces. \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors will be required to show proof of vaccination before entering the restaurant. Accessibility 1310 Kitchen and Bar is wheelchair accessible. Please email programs@arttable.org if you require additional accessibility information for this program. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Kate Haw\nFrom 2013-2019\, Kate Haw was Director of the Archives of American Art at the Smithsonian Institution.Leading the world’s largest resource for the study of American art\, she set the direction for collecting\, preservation\, and dissemination of a growing collection of more than 30 million documents and nearly 2\,500 oral histories\, providing leadership in the field on emerging research trends and adoption of digital tools in the study of art history. Under her leadership\, the Archives significantly expanded its holdings on first-wave feminist\, African American\, Latinx\, and LGBTQ artists and built an endowment to ensure worldwide digital access to these materials. \nPrior to joining the Smithsonian\, Kate held curatorial roles at the National Gallery of Art and the American Federation of Arts\, where she helped to organize exhibitions including Johannes Vermeer; Georges de La Tour and His World\, Gerard Ter Borch; Degas and the Dance; American Impressionists Abroad and at Home; and The Sensuous and the Sacred: Chola Bronzes from South India. In 2004 she transitioned to fundraising and institutional leadership\, serving as Director of External Affairs at the American Federation of Arts from 2004-2006 before becoming Co-Director of the renowned Skowhegan School of Painting & Sculpture in New York and Maine from 2006-2011. Among her achievements at Skowhegan was the establishment of a comprehensive archive and the school’s oral-history program. \nKate received a bachelor’s degree in art history and religion from Sweet Briar College in Virginia as well as a master’s degree in art history from the University of North Carolina at Chapel Hill. \n\nImage: Kate Haw\, courtesy of the speaker. \nThank you to Ruth Abrahams\, Graphic designer\, Ruth Abrahams Design and former ArtTable DC Chapter Co-Chair for organizing this program. URL:https://www.arttable.org/event/dc-breakfasttable-with-kate-haw/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/01/Kate-Haw-Ashley-Templeton-e1641595836108.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220303T080000 DTEND;TZID=America/New_York:20220303T090000 DTSTAMP:20260403T221540 CREATED:20220207T210006Z LAST-MODIFIED:20220223T154947Z UID:7838-1646294400-1646298000@www.arttable.org SUMMARY:DC | BreakfastTable with Chela Mitchell DESCRIPTION:Join ArtTable’s DC Chapter for March’s BreakfastTable with Chela Mitchell of Chela Mitchell Art. \nChela Mitchell is an art advisor committed to helping collectors build diverse art collections. She has worked with institutions\, corporations\, and art collectors\, informing their acquisitions in the emerging\, mid-career\, and established markets. Mitchell is a voice for change in the art world\, often speaking on panels and actively fighting for the equity of artists and art professionals. \nBefore devoting herself full-time to the art world\, Chela worked as a fashion stylist at Net-a-Porter\, Barney’s\, Intermix\, and Vogue Japan. She has worked closely with artists like Solange\, Iman Omari\, and Young Paris\, and has been featured in Forbes\, The Los Angeles Times\, ArtNews\, Artnet News\, NR Magazine\, W Magazine\, Matrons and Mistresses\, and 10 Magazine. She is a proud graduate of Rutgers University and lives in D.C. with her husband\, daughter\, and French mastiff\, Harlem. \n  \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All visitors will be required to show proof of vaccination before entering the restaurant. Accessibility 1310 Kitchen and Bar is wheelchair accessible. Please email programs@arttable.org if you require additional accessibility information for this program. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImage: Chela Mitchell\, courtesy of the speaker. \nThank you to Tiffany Williams\, Communications Chair of ArtTable’s Washington\, DC Chapter for organizing this program. URL:https://www.arttable.org/event/dc-breakfasttable-with-chela-mitchell/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/02/chela-mitchell-Ashley-Templeton-e1644342746103.jpeg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20220310T173000 DTEND;TZID=America/Chicago:20220310T173000 DTSTAMP:20260403T221540 CREATED:20220114T164822Z LAST-MODIFIED:20220223T154859Z UID:7627-1646933400-1646933400@www.arttable.org SUMMARY:DC | Curator-led Tour of 'Hung Liu: Portraits of Promised Lands\,' with Dorothy Moss DESCRIPTION:5:30pm ET\nNational Portrait Gallery curator Dorothy Moss will lead an in-person tour of her major exhibition on the poignant work of the artist Hung Liu\, who sadly passed away from cancer just a few weeks before the show opened. Dr. Moss will provide an overview of the exhibition currently on view at the National Portrait Gallery\, and share additional insights into her close working relationship with the artist. \nPlease note that this program will pivot to a virtual event if Covid restrictions prevent an in-person tour. Registrants will be notified of any change in advance. \nThis program is open to ArtTable members and their guests only. Not a member? Join today!\n \nAdmission \n\nArtTable Members – $10\nMembers may bring a guest for an additional $15\n\n\nPlease review before registering:\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Visitors ages two and older are required to wear a face covering during their visit. Face coverings may be removed while eating or drinking in designated spaces.   Face coverings should fit properly\, covering the nose\, mouth and chin with no large gaps on the outside of the face\, and they should have a minimum of two layers. Face shields are not permitted as a substitute for a face covering but may be worn over a face covering or mask. Bandanas\, single-ply gaiters and face coverings or masks with an exhalation valve are not permitted. Accessibility The National Portrait Gallery offers a variety of free programs and services to make the museum accessible to all. Service dogs are welcome. The SI follows the U.S. Department of Justice’s ADA requirements for service dogs. The dog must be trained to assist a person with a disability. Visitors are not allowed to bring emotional support animals into Smithsonian museums.Wheelchairs/Mobility Devices:​​Arriving and ParkingAll visitors will be directed to enter and exit through the entrance at 8th and G Streets NW. Getting Around in the Museum Elevators serve all areas of the building. All restrooms and water fountains are wheelchair accessible. Family/companion care restrooms are located on the first and second floors near the F Street elevators. Wheelchairs are available for your comfort. To borrow one\, ask the security officer stationed at the G Street entrance. Limited metered parking is available on the streets around the museum. Red Top meters are reserved for drivers with disabled parking placards. For more information about the Red Top Meter Program\, check the District Department of Transportation website. ADA parking spaces are available\, for a charge\, at nearby parking garages. View the map of their locations. Visitors using the MetroAccess paratransit service should tell the driver to go to 800 G Street\, or to G and 8th Street.Visitors Who are Blind or have Low Vision:Navigate the National Portrait Gallery and the Smithsonian American Art Museum with Aira - a free app that connects you with sighted agents who provide verbal descriptions on demand. This subscription service is free when visiting the museums and connected to our Wi-Fi. To learn more\, download the Aira app.Audio Portrait Descriptions The Portrait Gallery has developed audio descriptions of select portraits from our permanent collection. Designed for people who are blind or have low vision\, these descriptions use precise\, evocative language to convey the visual appearance of art\, and are equally valuable for sighted visitors seeking closer observation. The descriptions can be accessed on the Audio Portrait Descriptions page or on the SmARTify app. To get the app: Download the app from the Apple or Android storeOpen the app and tap on the “Explore” iconFind the National Portrait Gallery and scroll to “Trending Tours”Select “Visual Description tour of select portraits in America’s Presidents”Visitors with Developmental and Sensory Disabilities: The Portrait Gallery is\, on average\, a relatively quiet museum.  Nevertheless\, it can get busy at certain times. If you or your family member are sensitive to noise\, consider bringing noise cancelling headphones. There are usually quiet areas throughout building to take a break. The following resources will help you plan for an enjoyable visit:Visiting the National Portrait Gallery – A Social Story [PDF]Things to Remember – A Social Story [PDF]If you have any further questions after reading this page\, please contact Visitor Services at 202-633-8300 or email: NPGAccess@si.edu Getting There The National Portrait Gallery is located at 8th and G Streets\, Washington\, DC 20001.\n  \n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nAbout Dorothy Moss\nDorothy Moss\, PhD is a curator of painting and sculpture at the Smithsonian Institution’s National Portrait Gallery (NPG). Her recent projects include the exhibition and book Hung Liu: Portraits of Promised Lands (Yale University Press\, 2021) and The Obama Portraits (Princeton University Press\, 2020). In 2015\, Moss initiated IDENTIFY\, the NPG’s first performance art series featuring internally recognized artists\, including Maria Magdalena Campos-Pons\, James Luna\, and Jeffrey Gibson. Her upcoming exhibitions are One Life: Maya Lin (September 2022) and Kinship\, with curators Leslie Ureña\, Robyn Asleson\, and Taína Caragol (October 2022). \nAbout the exhibition\nHung Liu (1948–2021) was a contemporary Chinese-born American artist\, whose multilayered paintings established new frameworks for understanding portraiture in relation to time\, memory\, and history. Often sourcing her subjects from photographs\, Liu elevated overlooked individuals by amplifying the stories of those who have historically been invisible or unheard. Having lived through war\, political revolution\, exile\, and displacement\, she offered a complex picture of an Asian Pacific American experience. Her portraits speak powerfully to those seeking a better life\, in the United States and elsewhere. Hung Liu: Portraits of Promised Lands will be the first major exhibition of the artist’s work on the East Coast. This is also the first time that a museum will focus on Liu’s portraiture. \n\nImage: Hung Liu (American\, born China 1948\, died California\, 2021)\, Resident Alien\, 1988\, Oil on canvas; Collection of the San Jose Museum of Art; gift of the Lipman Family Foundation; Dorothy Moss and Hung Liu \nThank you to Shelley Langdale\, Curator and Head of Modern Prints and Drawings\, National Gallery of Art (and ArtTable DC Chapter programs co-chair) and Concetta Duncan\, Head of Communications\, National Portrait Gallery for organizing this program. URL:https://www.arttable.org/event/dc-curator-led-tour-hung-liu-portraits-of-promised-lands-dorothy-moss/ LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/01/Hung-Liu_image002.png ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220408T120000 DTEND;TZID=America/New_York:20220408T120000 DTSTAMP:20260403T221540 CREATED:20210726T211951Z LAST-MODIFIED:20220406T133145Z UID:6446-1649419200-1649419200@www.arttable.org SUMMARY:ArtTable's 2022 Annual Benefit & Award Ceremony DESCRIPTION:Honoring\n\n\n\n\n\nCarol Cole LevinOrganizer\, Curator\, and Artist \n\n\n\n\n\n\n\nDistinguished Service to the Visual Arts Award\n\n\n\n\n\nDr. Nicole R. FleetwoodAcademic\, Curator\, and Author \n\n\n\n\n\n\n\nNew Leadership Award\n\n\n\n\n\nWith Special Remarks by\n\n\n\n\n\n\n\n\n\nLegacy RussellExecutive Director & Chief Curator\, The Kitchen \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBenefit Co-Chairs\n\n\n\n\n\nJK Brown and Eric Diefenbach \n\n\n\n\n\nDenise Murrell \n\n\n\n \n\n\n\n\n\nRuby Lerner \n\n\n\n\n\n\n\n\n\nJoin ArtTable for our Annual Benefit & Award Ceremony on Friday\, April 8\, 2022 at Capitale in New York City!\n\n\n\nBenefit Week Program\n\n\n\n\n\n\n\n\n\nThursday\, April 7\n\n\n\n7:00 PM\n\n\n\nBenefit Week VIP Reception\n\n\n\nHosted by Nohra Haime \n\n\n\nThis event is by invitation only for ArtTable’s Board of Directors\, ArtTable Circle Members\, and members of the Benefit Host Committee. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org. To become a member of the Host Committee\, click here. \n\n\n\n Friday\, April 8\n\n\n\n11:00 AM\n\n\n\nBoard & Chapter Leadership Reception(by invitation only) \n\n\n\n12:00 PM\n\n\n\nCheck-in & Networking \n\n\n\n12:30-1:45 PM\n\n\n\nAnnual Benefit & Award Ceremony \n\n\n\nFeaturing remarks by Distinguished Service to the Visual Arts Awardee Carol Cole Levin\, New Leadership Awardee Dr. Nicole R. Fleetwood\, and Special Remarks by Legacy Russell \n\n\n\n1:45-3:00 PM\n\n\n\nNetworking Reception \n\n\n\n4:00 PM\n\n\n\nPrivate Members-Only Tour of Faith Ringgold: American People at the New MuseumClick here to register. \n\n\n\nSaturday\, April 9\n\n\n\n1:30 PM & 3:00 PM\n\n\n\nPrivate Tours of The Whitney Biennial at the Whitney Museum of American Art (more details to come) \n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Host Committee Tables $25\,000 - Fellowship Program Supporter (Diamond) Named support of one ArtTable FellowshipPremier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Acknowledgement in Fellowship press release and listing on Impact webpagePremier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Benefit ticket for a past or current ArtTable Fellow$20\,000 - Mentorship Supporter (Ruby) Premier table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listings and spoken recognition at BenefitOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$15\,000 - New Leadership Supporter (Platinum) Prime table for 10 at the Benefit on April 8; 10 tickets to the VIP reception on April 7 (details TBD)Premier recognition on Benefit listingsOpportunity to send dedicated e-blast to ArtTable membershipProvides one Mentorship ticket for an emerging professional in the field$10\,000 - Gold Supporter Preferred table for 10 at the Benefit on April 8; 5 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listingsProvides one Mentorship ticket for an emerging professional in the field$7\,500 - Silver Supporter Priority table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit listings$5\,000 - Bronze Supporter Table for 10 at the Benefit on April 8; 2 tickets to the VIP reception on April 7 (details TBD)Recognition on Benefit webpage Host Committee Tickets $3\,000 - Leadership Ticket Two tickets to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$1\,000 - Executive Ticket One ticket to the Benefit on April 8Two tickets to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage$550 - Friend Ticket One ticket to the Benefit on April 8One ticket to the VIP Reception on April 7 (details TBD)Recognition on Benefit webpage Standard Tickets $375 - Member Ticket One ticket to the Benefit on April 8$485 - Non-Member Ticket One ticket to the Benefit on April 8$295 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professionals (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad at the benefit and networking eventInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad at the benefitInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatPlease email all ad files to programs@arttable.org no later than March 30\, 2022. \n\n\n\n\n\n\n\nPlease review before registering:\n\n\n Health & Safety Guidelines Per current New York State guidelines for indoor dining\, all Annual Benefit attendees and staff must provide proof of vaccination in advance of the event in order to attend. As of January 19\, 2022\, the CDC defines “fully vaccinated” as follows: – Two weeks have passed since the person’s second dose in a two-dose series\, such as the Pfizer or Moderna vaccines\, OR– Two weeks have passed since the person received a single-dose vaccine\, such as Johnson & Johnson’s Janssen vaccine. Please note that these guidelines are subject to change given the nature of the pandemic. All attendees will be notified in advance if there are any changes to the current guidelines. Venue Accessibility ArtTable strives to host inclusive and accessible events that enable all individuals\, including individuals with disabilities\, to engage fully. To request an accommodation or for inquiries about accessibility\, service animals\, or other questions\, please contact us at benefit@arttable.org. Visitors Who Use Wheelchairs or Other Mobility Devices There is a small staircase at the front entrance to Capitale. Railings are in place and a ramp will also be installed so that the entrance is wheelchair accessible.Once indoors\, Capitale is fully wheelchair accessible. The restrooms\, check-in area\, main ballroom space\, and the foyer are all on the ground floor.Portions of the program may take place on the 2nd level of the venue\, and there is an elevator if needed.Lactation Accommodations Dedicated space will be provided as a lactation room. Please email us at benefit@arttable.org in advance if you anticipate needing this space. Travel DIRECTIONS TO CAPITALE 130 Bowery\, New York\, NY 10013Tel: (212) 334-5500 Directions from New Jersey –Take the Holland Tunnel ** Take the Canal St. Exit ** Make left on Centre St. ** Turn right on Kenmare St. ** Turn right on Bowery St. ** Capitale -130 Bowery Directions from Long Island NY –I-495 West ** To the Queens Midtown Tunnel ** Tunnel exit towards Downtown ** Bear left on Tunnel Exit St ** Continue in Queens Midtown Tunnel Exit/Tunnel Exit St. ** Turn left on 34th St. ** Turn right on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery St. ** Capitale -130 Bowery Directions from West Chester NY –Take the Bruckner Expwy/I -278 ramp towards Triboro Bridge ** Merge on I- 278 West ** Take I- 278 West exit ** To the FDR drive/Grand Central Parkway exit towards Triboro Bridge exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. Ramp ** Merge onto highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Directions from Connecticut –Take I-95 ** Continue on I 278 West towards Bruckner Exp/Triboro Br. Exit 6B ** Take the I-278 West exit ** Merge on I-278 West ** Take the I 278 West/FDR Drive/ Grand Central PKWY exit towards Triboro Br. ** Exit #47 ** Merge on I-278 West ** Take the Downing Stadium exit towards Manhattan ** Continue on Triborough Bridge ** Take the FDR Dr. ramp ** Merge onto the highway ** Take E 53rd St. exit ** Turn left on 2nd Ave. ** Continue on 2nd Ave. ** Turn right on E. Houston St. ** Turn Left on Bowery ** Capitale -130 Bowery Subway –B\, D to Grand StreetN\, R\, W\, Q\, 1\, 9 to Canal Street6 to Spring Street NEARBY GARAGES: Park-In Auto (212-966-1186) \n\n\n\n\n\n\n\nRegistration for the Annual Benefit has now closed.\n\n\n\nIf you would like to make a fully tax-deductible contribution\, you may do so here. Please call the ArtTable Office at 212-343-1735 with any questions.\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the below button to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 5th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. URL:https://www.arttable.org/event/arttable-2022-annual-benefit-and-award-ceremony/ LOCATION:Capitale\, 130 Bowery\, New York\, NY\, 10013\, United States CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,Metro Atlanta ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/07/FY22-Benfit_STD_FINAL-e1644336622216.png ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220426T100000 DTEND;TZID=America/New_York:20220426T100000 DTSTAMP:20260403T221540 CREATED:20220412T151144Z LAST-MODIFIED:20220414T183747Z UID:8460-1650967200-1650967200@www.arttable.org SUMMARY:DC | Exhibition Tour - 'Afro-Atlantic Histories' at the National Gallery of Art\, with curators Kanitra Fletcher and Molly Donovan DESCRIPTION:Please join us for a tour of Afro-Atlantic Histories at the National Gallery of Art\, led by curators Kanitra Fletcher and Molly Donovan. \n\n\n\nFor centuries\, artists have told and retold the complex histories of the African Diaspora. The exhibition Afro-Atlantic Histories explores this enduring legacy through a wide range of works of art inspired by the historical experiences and cultural formations of Black and African people since the 17th century. More than 130 powerful works\, including paintings\, sculpture\, photographs\, and time-based media by artists from Africa\, Europe\, the Americas\, and the Caribbean\, bring these narratives to life. This exhibition was initially presented as Histórias Afro-Atlânticas in 2018 by the Museu de Arte de São Paulo in Brazil. \n\n\n\nFor additional information about the exhibition and related programming\, visit the National Gallery of Art website. \n\n\n\nThis program is free for ArtTable members and non-members. \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Covid-19 Guidelines Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face Masks Beginning March 11\, face masks are optional at the National Gallery but are encouraged. Vaccination At this time\, no proof of vaccination is required for entry or dining. Health Self-Check Please help protect other museum visitors and staff by conducting on the day of the scheduled visit\, prior to entry\, a self-check of your health and the health of anyone planning to visit the National Gallery with you. If you or anyone in your group answers “yes” to any of the questions below\, you must reschedule your visit for another day. Have you tested positive for COVID-19 in the last 14 days?Do you live with someone who has tested positive for COVID-19 in the last 14 days?Have you had close contact with someone who has tested positive for COVID-19 in the last 14 days? Note: Close contact is defined as being within 6 feet of an infected person for a cumulative total of 15 minutes or more over a 24-hour period and/or having direct contact with mucus or saliva.In the last 48 hours\, have you had any of the following symptoms?Fever (100.3˚F or higher) or chills; cough; shortness of breath or difficulty breathing; fatigue; muscle or body aches; headache; new loss of taste or smell; sore throat; congestion or runny nose; nausea or vomiting; diarrhea.An inherent risk of exposure to COVID-19 exists in any public place. Visitors to the National Gallery voluntarily assume all risks related to COVID-19 exposure. Accessibility Everyone is welcome at the National Gallery of Art. The museum is committed to making the collection\, buildings\, and programs accessible to all audiences. Arriving & Parking The 6th Street entrance to the West Building and the 4th Street entrance to the East Building have ramps to accommodate wheelchairs and strollers\, and elevators at these entrances provide access to galleries and public areas. To provide an address for MetroAccess Paratransit\, please use 201 6th Street NW for the West Building or 150 4th Street NW for the East Building. Limited parking is set aside for vehicles bearing appropriate tags or placards for visitors with disabilities on the 4th Street Plaza outside of the East Building. While the East Building is temporarily closed through June 2022\, the museum encourages anyone who plans to use these parking spots to first drop off visitors with limited mobility at the 6th Street entrance to the West Building prior to parking. See more info about getting there. Wheelchair Access Visitors may borrow wheelchairs at all entrances on a first-come\, first-served basis for use within the East and West Buildings. The two buildings are connected by an underground moving walkway. All public spaces and facilities are accessible by elevator. If you require assistance\, please ask a security officer. Visitors who need assistance standing for long periods are asked to bring a wheelchair or use one of the limited number of wheelchairs the National Gallery has made available. Please note: for elevator access throughout the East Building\, there are two available elevators outside of Tower 1 and Tower 2. For elevator access from the East Building Ground\, Mezzanine\, Upper Levels\, or Towers to the Concourse Level or West Building\, please use the elevator outside of Tower 2. A larger elevator\, located in Tower 1\, is also available and provides access to all levels of the East Building Service Dogs Service dogs are permitted in the East and West Buildings as well as in the Sculpture Garden. Assistive Listening Devices East Building auditoriums and the West Building Lecture Hall are equipped with listening enhancement systems. The receivers and neck loops necessary to use these systems can be borrowed from Information Desks in the East Building (near the entrance) or West Building (6th Street and Constitution Avenue entrance). Please email programs@arttable.org if you require additional accessibility information for this program. Getting There & Parking The National Gallery of Art campus is located between 3rd and 9th Streets along Constitution Avenue NW\, Washington\, DC 20565.Metrobus and MetrorailThe museum is located near several Metrorail stops\, the closest at Archives–Navy Memorial–Penn Quarter on the Green and Yellow lines. Metrobuses stop along 7th Street and Pennsylvania Avenue NW.Circulator BusThe Washington D.C. Circulator Bus runs between the city's main attractions and some of the more popular neighborhoods for visitors. Circulator Bus fare is $1 per person. The museum is located on the National Mall route.Capital BikeshareA Capital Bikeshare station is located near the East Building at 4th Street and Madison Drive\, NW.ParkingWe encourage you to take advantage of public transportation. There is no public parking facility at the National Gallery\, though limited parking is set aside for visitors with disabilities whose vehicles have the appropriate tags or placards. Parking is available on surrounding streets and in commercial garages.\n\n\n\n \n\n\n\n\n\n\n\nThank you to the Shelley Langdale\, ArtTable DC Member\, for organizing this program. \n\n\n\nImage: Zanele Muholi\, Ntozahke II\, (Parktown)\, 2016\, photographic wall mural from digital files\, sheet: 355.6 x 254 cm (140 x 100 in.)\, National Gallery of Art\, Washington\, Alfred H. Moses and Fern M. Schad Fund\, 2021.88.1\, © Zanele Muholi. Courtesy of the artist\, Yancey Richardson\, New York\, and Stevenson Cape Town/Johannesburg \n\n\n\n\n\n\nAbout the Curators\nKanitra Fletcher is the Associate Curator of African American and Afro-Diasporic Art\, Department of Modern and Contemporary Art\, National Gallery of Art. Fletcher is responsible for guiding the museum’s collection of African American art. Prior to joining the National Gallery\, Fletcher worked at the Museum of Fine Arts\, Houston\, where she oversaw the presentation of such major traveling exhibitions as Soul of a Nation: Art in the Age of Black Power and Odyssey: Jack Whitten Sculpture\, and began the co-organization of the U.S. iteration of Afro-Atlantic Histories\, an exhibition that was first conceived and presented by the Museum de Arte São Paulo in Brazil. The exhibition was displayed at the MFA\, Houston in fall 2021/winter 2022 and is now open at the National Gallery. Fletcher has published essays in books and journals and presented research at international conferences on Afro-diasporic art as it relates to politics of the body\, gender\, and labor as well as aesthetics and the avant-garde. Institutions where she previously worked include the Bronx Museum of the Arts\, The Museum of Modern Art\, and the New Museum of Contemporary Art. Since 2013\, she has curated an ongoing video art series for Landmarks public art program at the University of Texas at Austin. Fletcher received a B.A. in English Literature from Rutgers University-New Brunswick\, an M.A. in Latin American Studies with concentrations in Art History and Brazilian Studies from University of Texas at Austin\, and a PhD in History of Art from Cornell University. \n \nMolly Donovan is curator of contemporary art at the National Gallery of Art\, where she has worked since 1993. Together with NGA colleagues Kanitra Fletcher and Steven Nelson\, Molly has co-curated Afro-Atlantic Histories which opened on April 10\, 2022\, at the National Gallery following its debut at the Museum of Fine Arts\, Houston\, and an earlier iteration in São Paulo\, Brazil. Donovan’s notable recent projects include the monographic exhibition of work by Lynda Benglis\, drawn from the National Gallery’s collections which just closed in January\, and the major show featuring British sculptor Rachel Whiteread\, on which she collaborated with Tate Britain\, where it opened in London in 2017 before traveling to Vienna\, Austria\, Washington\, DC\, and ultimately to the Saint Louis Art Museum in 2019. Additional exhibitions that Donovan organized include In the Tower: Barbara Kruger (2016 – 2017); Warhol: Headlines\, which opened in Washington in 2011 before it travelled to Frankfurt\, Rome\, and Pittsburgh; and Christo and Jeanne Claude’s in the Vogel Collection in Washington and La Jolla in 2002. In 2016\, Donovan inaugurated thematic installations for the contemporary collection of the National Gallery\, including “Bodies of Work\,” “Flow\,” and “Markers and Signs.”  Her acquisitions for the National Gallery of Art have reshaped its collection to include more works by living artists\, particularly women and people of color. Molly has written and lectured on numerous artists (in addition to the aforementioned)—including Janine Antoni\, Byron Kim\, Kimsooja\, Glenn Ligon\, Richard Tuttle\, and Ursula von Rydingsvard—and on the subject of art in public space. She holds a Master of Arts degree with a concentration in 20th century art from the Graduate Program in the History of Art at Williams College\, and a BA in English from Georgetown University. URL:https://www.arttable.org/event/dc-exhibition-tour-afro-atlantic-histories-national-gallery-of-art/ LOCATION:National Gallery of Art\, West Building\, 6th St and Constitution Ave NW\, Washington\, DC\, District of Columbia\, 20565\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/04/zanele-muholi-ntozahke-ii.jpg ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220521T113000 DTEND;TZID=America/New_York:20220521T113000 DTSTAMP:20260403T221540 CREATED:20220421T143244Z LAST-MODIFIED:20220422T140530Z UID:8700-1653132600-1653132600@www.arttable.org SUMMARY:DC | Alexandria Art Tour - Artist Talk with Blu Murphy & Public Art Viewing DESCRIPTION:Join us for an art tour in Alexandria\, VA led by Torpedo Factory Art Center’s Curator of Exhibitions Leslie Mounaime. \n\n\n\nWe will meet at Old Town Alexandria Waterfront Park to view and learn more about the “I Love You” public art installation by Roberto Behar and Rosario Marquardt of R&R STUDIO. From there we will make our way into the Torpedo Factory to see Target Gallery’s solo exhibition “LE DRIP: The Uncontainable Sauce of Black Essence” by artist Blu Murphy. Attendees will enjoy a private talk with the artist to learn more about the exhibition and her process. We will then have the option to continue on a walkthrough of studios and galleries in the Torpedo Factory Art Center with Leslie. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety Face masks are recommended to wear inside the Torpedo Factory Art Center and some studios require it\, so guests should come prepared (though extras will be available in the gallery should that be necessary). This is subject to change but at this time masks are recommended while inside. Accessibility There are handicapped parking spots directly in front of Waterfront Park\, as well as the Torpedo Factory\, which may be accessed by turning left from Prince St. We will be walking a short 2 minute walk from the park to the Torpedo Factory (about 400 ft) and then the TFAC itself has accessible entrances from the waterfront\, which we will use. Accessible bathrooms are available at the TFAC\, as well as a freight elevator if needed. We recommend people bring mobility aids as necessary. A wheelchair is available and must be requested in advance so the venue can prepare. You may find more accessibility information on the Torpedo Factory website here. Getting There Driving / Ride-share - There is garage and street parking available\, as well as free 2 hour street parking further down Union St by Founders Park (other side of the TFAC). Metro - You may travel via the blue or yellow line metro and get off at the King St Metro station. There is a free trolley that will come pick people up and drop them off at City Hall which is about 2/3 blocks away from the TFAC. It’s about a 20 minute walk on foot from King St Station. Water Taxi - The water taxi will drop you off at the harbor directly behind the Torpedo Factory\, simply exit to the left and walk toward Waterfront Park with the large “I Love You” installation (about 400-500 ft). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\nLeslie Mounaime (she/her) is an art historian and curator with a master’s in art history with a focus in contemporary art and post-colonialist theory from George Mason University. As a curator she is interested in themes of identity and our relationships with ourselves\, other people\, and the world around us. Leslie has been the Curator of Exhibitions at the Torpedo Factory Art Center since 2016\, where she focuses on supporting emerging and mid-career artists with professional exhibition opportunities. In addition to this\, she manages the Post-Graduate Residency artist program\, an artist residency that supports recently graduated BFA or MFA students with studio space and networking opportunities. Prior to that\, she worked in contemporary art venues such as Artisphere and Art Whino. She also earned a bachelor’s in art history from Virginia Commonwealth University. She has been a member of ArtTable DC since 2018. \nBrandy “Blu” Murphy (she/her) is a Washington\, D. C. based artist is known for capturing the strength of her subjects through photography and utilizing graffiti\, texture\, and color to tell the story of disenfranchised African-Americans who are often unheard and unseen and showcasing them as works of art. \n \n \n\n\n\n\n\n\nAbout the art\n\n\n\nI Love YouOn view March – November\, 2022The City of Alexandria presents its newest public art installation\, I Love You\, in Alexandria’s Waterfront Park (1 Prince St.). This new temporary installation by Roberto Behar and Rosario Marquardt of R&R STUDIOS is the fourth in the Site See: New Views in Old Town annual public art series. \n\n\n\nLE DRIP: The Uncontainable Sauce of Black EssenceExhibition Dates: April 23 – July 17\, 2022LE DRIP: The Uncontainable Sauce of Black Essence is a solo exhibition by Washington\, DC based artist Blu Murphy\, Target Gallery’s 2022 solo exhibition recipient. The LE DRIP series is a group of mixed media portraits created as a tribute to the black community and celebrates the essence\, beauty\, and magic of this resilient and often undervalued group of people. The subject matters included in this series are elementary and middle school students who attend a title one school in southeast D. C.\, where the artist also teaches arts education. \n\n\n\n\n\n\n\nSpecial thanks to ArtTable member Leslie Mounaime for helping to organize this program. \n\n\n\nImage: I Love You installation by Roberto Behar and Rosario Marquardt of R&R Studios; artwork by Blu Murphy URL:https://www.arttable.org/event/dc-alexandria-art-tour-blu-murphy-torpedo-factory/ LOCATION:Old Town Alexandria Waterfront\, 1 Prince Street\, Alexandria\, Virginia\, 22314\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/04/Copy-of-Business-Card.png ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220610T080000 DTEND;TZID=America/New_York:20220610T080000 DTSTAMP:20260403T221540 CREATED:20220517T160650Z LAST-MODIFIED:20220531T142924Z UID:9002-1654848000-1654848000@www.arttable.org SUMMARY:DC | BreakfastTable with Tomora Wright DESCRIPTION:Join ArtTable’s DC Chapter for June’s BreakfastTable with Tomora Wright\, Hamiltonian Artists’ Fellowship Director. \n\n\n\nTomora Wright is a dedicated curator and arts manager committed to advancing the contemporary art field by prioritizing intersectional voices and diversifying program and engagement strategies within art institutions. Wright is Hamiltonian Artists’ first Fellowship Director\, where she cultivates new opportunities and support to help build a dynamic community of innovative artists and effective visual art leaders in DMV’s thriving creative ecosystem. \n\n\n\nBefore joining Hamiltonian\, Wright worked as the Marketing Manager at Prince George’s African American Museum and Cultural Center. Most recently she served as Glen Echo Park’s Visual Arts Exhibition Manager\, also in Maryland. Wright has curated exhibitions in the DC region at Prince George’s African American Museum and Cultural Center (2018)\, College Park\, Maryland’s MilkBoy ArtHouse (2018)\, Banneker–Douglass Museum (2020)\, Higgins Gallery (2020)\, Glen Echo Park (2019–2021)\, Hamiltonian Artists (2021)\, and BlackRock Center for the Arts (2022). She holds a master’s degree in Art Management from American University and a BA in Communications from Howard University. \n\n\n\nThis program is free and open to ArtTable members only. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Hamiltonian\n\n\n\nHamiltonian Artists is a dynamic catalyst for DC’s creative economy and a vibrant center for contemporary art in Washington\, DC. Through its unique investment into the next generation of cutting-edge artists\, Hamiltonian helps artists to develop important business skills\, professional experiences and visibility to support and sustain their art career. Through artist talks\, public events and its membership program\, the organization contributes to the vitality of DC’s burgeoning arts scene by deepening the appreciation for contemporary art and culture throughout Washington\, DC and beyond. \n\n\n\n\n\n\n\nImage: Tomora Wright\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program. URL:https://www.arttable.org/event/dc-breakfasttable-tomora-wright/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/sbijmrDRyY.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220616T173000 DTEND;TZID=America/New_York:20220616T173000 DTSTAMP:20260403T221540 CREATED:20220531T154726Z LAST-MODIFIED:20220601T181104Z UID:9216-1655400600-1655400600@www.arttable.org SUMMARY:DC | MeetAT at 1310 Kitchen & Bar DESCRIPTION:All current and interested ArtTable members are invited to join us for a cocktail hour to kickoff the summer season! We encourage members to bring friends and colleagues to engage over refreshments and conversation and to learn more about ArtTable and our lively and active chapter in the Washington\, DC region. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. URL:https://www.arttable.org/event/dc-meetat-at-1310-kitchen-bar/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-20-at-11.15.50-AM.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220909T080000 DTEND;TZID=America/New_York:20220909T090000 DTSTAMP:20260403T221540 CREATED:20220817T180924Z LAST-MODIFIED:20220822T160139Z UID:9960-1662710400-1662714000@www.arttable.org SUMMARY:DC | BreakfastTable with Adah Rose Bitterbaum DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Adah Rose Bitterbaum\, owner and Director of the Adah Rose Gallery in Kensington\, Maryland. She will discuss her professional career path and experience with commercial galleries and contemporary artists. \n\n\n\nAdah Rose Gallery was founded in September of 2011 as a place to exhibit contemporary art in a variety of mediums with a specialty in text based work. The gallery is a dynamic place and hosts artists talks\, panels on issues in the art world\, maintains an active intern program and shows art in a variety of spaces including law firms\, pop ups and a number of Art Fairs each year including PULSE New York\, PULSE Miami\, Context\, Art Miami New York\, Silicon Valley Art Fair and the Dallas Art Fair. The gallery also works with emerging artists and showcases the work of recent MFA graduates in a number of shows each year. The gallery is “user friendly.” We embrace technology\, books\, zines\, fonts\, logos\, music\, film\, aesthetics\, signage\, drawing\,painting\, screen printing\, sculpture\, computers and photography. The gallery hopes to create a shared culture and a broad one and values the ideas\, comments and critiques of visitors. \n\n\n\nPrior to founding the gallery\, Adah Rose worked as the Director of Studio Gallery in Dupont Circle for almost four years. Adah Rose has worked as an independent curator for the past 8 years. Adah Rose began her career as a lawyer and also worked in Public Health\, Education and College Counseling. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Adah Rose Bitterbaum\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Tiffany Williams for organizing this program. URL:https://www.arttable.org/event/dc-breakfasttable-with-adah-rose-bitterbaum/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/08/KqiXtQzlmG.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220929T173000 DTEND;TZID=America/New_York:20220929T173000 DTSTAMP:20260403T221540 CREATED:20220912T160601Z LAST-MODIFIED:20220912T181448Z UID:10103-1664472600-1664472600@www.arttable.org SUMMARY:Arlington\, VA | MeetAT - Arlington Gallery Hop DESCRIPTION:Kick off the fall arts season with ArtTable! Organized by ArtTable members in Washington\, DC\, come meet current members and introduce prospective ones at this special MeetAT gallery hop event. We will visit three galleries in Arlington\, VA – Mason Exhibitions Arlington\, a contemporary art gallery of George Mason University\, Fred Schnider Gallery of Art\, and WHINO\, a mural-filled gallery and restaurant. At WHINO\, ArtTable members and guests will have an opportunity to network and grab refreshments. These galleries are just a few blocks from each other\, so please wear comfortable footwear. \n\n\n\nThis program is free for all who would like to attend\, though registration is required below. Current and prospective members are welcome and encouraged to bring a friend! \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at all of the galleries that we will visit. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility All galleries are fully wheelchair accessible. Please note that we will be walking from Mason Exhibitions to Fred Schnider Gallery of Art (approximately 7 minutes)\, and from there to WHINO (approximately 6 minutes). Please prepare accordingly. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at Mason Exhibitions Arlington\, located at 3601 Fairfax Drive in Arlington\, VA. Click here to get directions from any location. We will walk from Mason Exhibitions to Fred Schnider Gallery of Art (approximately 7 minutes)\, and from there to WHINO (approximately 6 minutes). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Murals at WHINO URL:https://www.arttable.org/event/dc-meetat-arlington-gallery-hop/ LOCATION:Mason Exhibitions Arlington\, 3601 Fairfax Drive\, Arlington\, Virginia\, 22201\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/09/WHINO.png ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221003T140000 DTEND;TZID=America/New_York:20221003T140000 DTSTAMP:20260403T221540 CREATED:20220908T195129Z LAST-MODIFIED:20220919T212803Z UID:10092-1664805600-1664805600@www.arttable.org SUMMARY:Washington\, DC | Qatar America Institute for Culture & Middle East Institute Tours\, with Curator Laila Abdul-Hadi Jadallah DESCRIPTION:Join ArtTable in Washington\, DC for tours at the Qatar America Institute for Culture and the Middle East Institute with curator Laila Abdul-Hadi Jadallah. We will learn about the QAIC’s new arts initiatives and Perfumery Museum\, and tour the exhibition More Than Your Eyes Can See at the MEI. We’ll also have time to chat directly with Jadallah and learn more about her work as a female curator who focuses on narratives of MENA/SWANA (Midde Eastern North African / Southwest Asian and North African) people\, who are underrepresented in the arts. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests/Non-Members – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Qatar Americas Institute for Culture: Face masks are optional. Middle East Institute: Face masks are optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility Both institutions are wheelchair accessible. Please note that we will be standing and walking some short distances (QAIC and MEI are about a block away from each other)\, and will be standing in the gallery during the tour\, but seating can be accommodated if requested. Please email programs@arttable.org in advance if you'd like to request seating. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at the Qatar America Institute for Culture (QAIC)\, located at 1319 18th Street NW\, Washington\, DC\, 20036 (directly southeast of Dupont Circle). QAIC is a short walk away from the Dupont Circle Metro Station (Red Line) and the N6\, L2 and 42 bus lines. There is also garage and 2 hour street parking available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Laila Abdul-Hadi Jadallah\nLaila Abdul-Hadi Jadallah is a seasoned arts administrator\, writer and exhibition producer\, and curator with more than 15 years of experience. She is the Director of Programs at the Qatar America Institute for Culture (QAIC)\, where she oversees the overall strategic and executive direction of QAIC programs and exhibitions. Prior to joining QAIC\, she was the inaugural Managing Director of Washington Studio School and has previously held senior-level positions at the Fabric Workshop and Museum\, Art Fraud Insights\, and International Arts and Artists\, where she worked with numerous arts and cultural partners to lead communications\, program development and manage more than 20 major exhibitions. As an independent art consultant and arts writer\, she has worked with numerous organizations\, partners\, and artists to produce or curate exhibitions and programs. \n\n\n\n\n\n\nImages: Inside the QAIC Perfumery Museum\, courtesy of the QAIC URL:https://www.arttable.org/event/dc-qatar-america-institute-for-culture-middle-east-institute-tours-with-curator-laila-abdul-hadi-jadallah/ LOCATION:Qatar America Institute for Culture\, 1319 18th St NW\, Washington\, DC\, District of Columbia\, 20036\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/09/20220205-DSC01484.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221007T080000 DTEND;TZID=America/New_York:20221007T090000 DTSTAMP:20260403T221540 CREATED:20220915T164811Z LAST-MODIFIED:20220919T182119Z UID:10130-1665129600-1665133200@www.arttable.org SUMMARY:Washington\, DC | BreakfastTable with Jess Randolph DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Jess Randolph\, Associate Creative Director of The Anacostia Arts Center. She will be discussing her professional experience in creative and cultural consulting and the mission of the Anacostia Arts Center to create a sustainable economic and cultural community in Historic Anacostia. \n\n\n\nJess Randolph is a creative\, entrepreneur\, daughter\, and friend. Her professional experience is wide — centering her love of the arts\, culture\, and community. She’s served as a creative and cultural consultant for major advertising firms. She’s also worked as scriptwriter/producer for filmmakers in the political space. Her creative side comes from her mother and her dedication to the DC Jazz scene. It is through those experiences that she sees her biggest undertaking yet — The Anacostia Arts Center. Jess proudly serves as the Associate Creative Director of the Anacostia Arts Center. Her role encompasses creative partnership development\, art curation\, and dreaming up opportunities for cultural celebration. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest for $10. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Jess Randolph\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Tiffany Williams for organizing this program. URL:https://www.arttable.org/event/dc-breakfasttable-with-jess-randolph/ LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/09/NluaXnAXaq.jpeg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221107T090000 DTEND;TZID=America/New_York:20221107T090000 DTSTAMP:20260403T221540 CREATED:20221020T151845Z LAST-MODIFIED:20221025T141251Z UID:10410-1667811600-1667811600@www.arttable.org SUMMARY:WAITLIST ONLY - Washington\, DC | Tour of the Rubell Museum DC with Director Caitlin Berry DESCRIPTION:Housed in the historic former Cardozo Elementary and then Randall Junior High School\, the Rubell Museum DC is an exciting addition to the contemporary art scene in the District. Please join us for a private tour with inaugural Director Caitlin Berry just one week after the museum opens to the public. Attendees are welcome to stick around after the tour for a no-host coffee. \n\n\n\nThis program is currently on a waitlist and open to Members only for $10. Click “Register Here” below to add your name to the list. You will not be charged unless space becomes available. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional inside the museum. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The museum is fully ADA accessible. There is a ramp in front of the building and elevators that move between all floors. There are benches scattered throughout the museum. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org. Getting There The Rubell Museum DC is located at 65 I St SW\, Washington\, DC 20024. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Caitlin Berry\nAs inaugural Director of the Rubell Museum DC\, Caitlin Berry works closely with the Rubells and Director of the Rubell Museum in Miami\, Juan Valadez\, to realize the Rubells’ vision of sharing their extensive collection of contemporary art with the people who live\, work in\, and visit the nation’s capital. Berry is responsible for engaging the greater DC community\, developing public programming\, managing the operations and staff of the Museum\, and collaborating with the Rubells and Valadez to oversee the Museum’s installations and exhibitions. Prior to joining the Museum\, Berry served as Director of the Cody Gallery at Marymount University in Arlington\, VA\, where she curated exhibitions such as Nekisha Durrett: Magnolia\, Dave Eassa: People and Places You Don’t Know How to Know and co-curated Jennie Lea Knight: Women of Jefferson Place\, alongside John Anderson and Meaghan Kent. Independently\, she curated Eric Uhlir: Before\, After and In Between\, and Joseph Shetler: Pursuit of Nothing at Culture House DC. Berry’s areas of focus include the Washington Color School\, Mid-Century African American\, and contemporary art. A champion of local artists\, she curated the 2019 and co-curated the 2020 editions of Art Night\, an annual exhibition and fundraiser to support the Washington Project for the Arts (WPA). \nBerry has served as an independent contemporary art advisor to various private and public collections. She also held the role of Director at Hemphill Fine Arts\, one of DC’s leading art galleries with an emphasis on local emerging\, mid-career\, and established artists. Berry is a member of ArtTable. She received a Post Baccalaureate in Gallery Management and a B.A. in Communication and Art History from Wake Forest University in Winston-Salem\, North Carolina. \n\n\n\n\n\n\nImage: Digital rendering of the Rubell Museum DC URL:https://www.arttable.org/event/washington-dc-tour-of-the-rubell-museum-dc-with-inaugural-director-caitlin-berry/ LOCATION:Rubell Museum DC\, 65 I St SW\, Washington\, District of Columbia\, 20024\, United States CATEGORIES:Washington, D.C. ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/10/EPWIUzHeIW.jpg ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org END:VEVENT END:VCALENDAR