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DTSTART;TZID=America/New_York:20221111T080000
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DTSTAMP:20260403T190049
CREATED:20221020T172019Z
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UID:10429-1668153600-1668157200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Haili Francis
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Haili Francis\, Major Gifts Officer + Manager of Special Projects\, Smithsonian Center for Folklife and Cultural Heritage. Please join us in conversation with Haili about her career journey and current projects. \n\n\n\nHaili Francis is an scholar\, artist\, and Harvard-trained cultural producer with specialties in African American and contemporary art. While pursuing her bachelor of fine arts at the University of Southern California\, she completed a Getty Multicultural Internship at the California African American Museum and studied abroad in a fine arts program in Italy. She also received a graduate certificate in nonprofit management from USC and served on the Museum Services Council at the Los Angeles County Museum of Art from 2009-2011. Haili has worked extensively with the Kinsey Foundation for Arts and Education and their award-winning private African American art collection\, The Kinsey African American Art and History Collection. \n\n\n\nAs a museum practitioner at the Smithsonian\, Haili has worked in fundraising\, board management\, and creative projects such as the nationally touring exhibitions\, Men of Change: Power. Triumph\, Truth.\, Robert Blackburn & Modern Printmaking\, and Negro Motorist Green Book. Her dedication to arts leadership and public service led to an appointment to the DC Commission on the Arts and Humanities Board in 2016 by Mayor Muriel Bowser of Washington\, DC\, in which Haili helped steward a $30M annual budget for arts funding in the nation’s capital. Her commitment to inclusive practices within the cultural sector led to an invitation from the American Alliance of Museums (AAM) to serve on the 2017 National Program Committee for the annual Museum Conference under the theme\, “Gateways for Understanding: Diversity\, Equity\, Accessibility\, and Inclusion.” Currently\, Haili leads the advancement department at the Smithsonian Center for Folklife and Cultural Heritage and writes about contemporary Black diasporic art\, culture and fashion in Folklife Magazine. \n\n\n\nHaili taught the inaugural African American Art History I & II courses at Trinity Washington University and is an alumna of the Getty Leadership Institute and AAM/Getty Career Management Fellowship. She has a Masters in Museum Studies from Harvard where she was awarded the Derek Bok Public Service Prize at commencement and serves on the board of the Washington\, DC chapter of the Harvard Black Alumni Society. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest for $10. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Kramers is handicap accessible. Please contact Haley at programs@arttable.org if you have specific accessibility requirements. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Kramers is located at 1517 Connecticut Avenue\, NW\, Washington\, DC 20036. Click here for directions from any location. Visit Kramers website for information on getting there by metro or car. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Haili Francis\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-haili-francis/
LOCATION:Kramers\, 1517 Connecticut Ave NW\, Washington\, District of Columbia\, 20036\, United States
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T080000
DTEND;TZID=America/New_York:20221202T080000
DTSTAMP:20260403T190049
CREATED:20221109T170451Z
LAST-MODIFIED:20221111T183001Z
UID:10611-1669968000-1669968000@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Susan Fisher Sterling
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Susan Fisher Sterling\, the Alice West Director at the National Museum of Women in the Arts. She will speak about building her career and the stature of the museum around the message of equity for women through excellence in the arts. \n\n\n\nUnusual for the museum field\, Sterling has dedicated her entire career to advancing the mission of the Women’s Museum. As associate curator\, curator of modern and contemporary art\, and then chief curator/deputy director\, she spent her first 20 years organizing exhibitions and publications of contemporary women artists. \n\n\n\nSterling assumed the directorship of the museum in 2008. During her tenure the museum has flourished\, regularly receiving the highest Charity Navigator rating of 4 stars for sound fiscal and programmatic management. Sterling also has re-energized the Museum’s programming and profile through an institutional re-brand\, which includes the popular #5womenartists social media campaign\, and the groundbreaking Women Arts and Social Change public programs initiative. She is currently involved in plans for a major renovation of the museum and a $55 million capital campaign\, to be announced in May 2021. \n\n\n\nA life-long champion of women through the arts\, Sterling has received National Orders of Merit from Brazil and Norway. She is recognized as one of the Most Powerful Women in Washington by Washingtonian Magazine\, and is a recipient of ArtTable 30th Anniversary Honors as well as the President’s Award from the Women’s Caucus for Art. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest for $10. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Kramers is handicap accessible. Please contact Haley at programs@arttable.org if you have specific accessibility requirements. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Kramers is located at 1517 Connecticut Avenue\, NW\, Washington\, DC 20036. Click here for directions from any location. Visit Kramers website for information on getting there by metro or car. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Susan Fisher Sterling\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/new-washington-dc-breakfasttable-with-susan-fisher-sterling/
CATEGORIES:Washington, D.C.
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DTSTART;TZID=America/New_York:20230110T180000
DTEND;TZID=America/New_York:20230110T180000
DTSTAMP:20260403T190049
CREATED:20221216T204715Z
LAST-MODIFIED:20221220T182230Z
UID:11079-1673373600-1673373600@www.arttable.org
SUMMARY:Arlington\, VA | Exhibition Tours & Networking at MoCA Arlington
DESCRIPTION:Join us for an exclusive tour of Museum of Contemporary Art Arlington\, the recently rebranded Arlington Art Center\, to hear more about their new mission as a non-collecting museum and what that means for the surrounding art scene. We will hear from Executive Director Catherine Anchin\, Curator & Resident Artist/Collector Liaison Amanda Jirón-Murphy\, and Curator of Exhibitions Blair Murphy\, on what is on the horizon for them\, as well as enjoy a private tour of their inaugural biennial exhibition. ArtTable members will be invited to stick around for a networking mingle after the tour is finished as a way to start off the new year meeting new members and reconnecting! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGuests/Public – $20\n\n\n\n\nRegistration is required below.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional but encouraged at the museum. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The Museum of Contemporary Art Arlington is fully ADA compliant and wheelchair accessible. Please use the elevator entrance on the parking lot side of the building. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Museum of Contemporary Art Arlington is located at 3550 Wilson Blvd\, Arlington\, VA 22201. Click here for directions from any location. Parking: there is a small parking lot on site and 2 hour street parking in the surrounding neighborhood Metro Accessible: Orange & Silver Lines: Virginia Square Station Bus Accessible: Metrobus Line 24P / ART Line 41 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\nCatherine Anchin joined the museum in 2021 as Executive Director\, where she leads the direction of the museum and works closely with the Board of Directors to deliver strategic objectives. She brings extensive experience in arts fundraising and administration\, as well as a commitment to contemporary visual arts. \nHer career includes tenures at major national and regional museums\, including the Smithsonian National Museum of African Art\, Smithsonian American Art Museum\, the National Museum of Women in the Arts\, and the Museum of Contemporary Art in Cleveland\, Ohio. She also serves as arts faculty for Leadership Arlington and has served as a university guest lecturer and conference panelist on topics such as creativity\, museum fundraising\, arts social media\, and volunteering. \nShe holds a BA in Art History and an MA in Museum Studies from Syracuse University\, as well as a graduate certificate in Nonprofit Management from the Mandel Center for Nonprofit Organizations at Case Western Reserve University. \nAmanda Jirón-Murphy joined the museum in 2020\, first as a contract curator then as Curator & Resident Artist/Collector Liaison in 2022. In her role\, Amanda curates the resident artists’ exhibitions\, manages the artist residency program\, and the museum’s collectors’ program\, a public program sharing knowledge about art collecting and supporting artists careers. \nIn addition\, Amanda organized the museum’s 2021 exhibition We Can’t Predict Tomorrow\, which explored the impact of the COVID-19 pandemic on artistic practice within the regional contemporary arts sector.Amanda has served as the Gallery Director at Hamiltonian\, where she directed and curated exhibitions\, art fairs\, and projects for an international roster of over forty emerging and mid-career artists and as the Coordinator of Public Programs and Adult Interpretation at the Phillips Collection in Washington\, DC. She also interned with the Peggy Guggenheim Collection in Venice\, Italy. \nAmanda has also served as a guest speaker and panel moderator at cultural institutions and schools around the Washington\, DC area and has written for many publications including: The Rib and DIRT DMV. She holds a BA in Art History from John Cabot University in Rome\, Italy and an MA in Modern and Contemporary Art and Connoisseurship from Christie’s Education in London\, England. \nBlair Murphy joined the museum in 2018 as Curator of Exhibitions\, where she shapes the vision for the exhibitions program and curates numerous exhibitions. Previous exhibitions include: Take a Number: Artists and Bureaucracy\, Stretched\, Applied Forces\,  Transitional Objects\, Over\, Under\, Forward\, Back\, and By Proxy\, the museum’s first virtual exhibition. In addition\, she launched the museum’s biennial exhibition series\, Assembly\, in 2019 and Global Spotlight\, a new series focused on international artists\, in 2022. She also served as Acting Executive Director of the museum from October 2020 to May 2021. \nPreviously\, Blair served as the Managing Director at DC Arts Center\, Adjunct Faculty at George Mason University\, and Program Director at Washington Project for the Arts. Her previous curatorial projects include exhibitions at The Kitchen (New York\, NY)\, Washington Project for the Arts (Washington\, DC)\, Trestle Gallery (Brooklyn\, NY)\, Field Projects (New York\, NY)\, VisArts Rockville (Rockville\, MD)\, and with the DC Commission on the Arts and Humanities. \nBlair has served as a guest speaker and panel moderator at cultural institutions around the Washington\, DC area and New York\, including the Hirshhorn Museum & Sculpture Garden\, Smithsonian American Art Museum\, and the Brooklyn Museum. She has also written for many publications including: Hyperallergic\, Bmore Art\, and DCist. She was a Helena Rubinstein Curatorial Fellow of the Whitney Independent Study Program. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University. \nAbout MoCA Arlington\nThe Museum of Contemporary Art Arlington (formerly Arlington Arts Center) is an independent 501(c)(3) non-profit museum that enriches community life by connecting the public with contemporary art and artists through exhibitions\, education programs\, and an artists-in-residence program. It was founded by artists in 1974 and has been housed since 1976 in a historic school building. The facility includes nine exhibition galleries\, working studios for twelve artists\, and two classrooms. \nAbout the Exhibitions\nLaunched in 2019\, Assembly is the Museum of Contemporary Art Arlington’s biennial exhibition program\, which highlights the material and conceptual trends being explored by contemporary artists in the present moment. The artists in Assembly 2022: Time and Attention demonstrate a deep commitment to process and craft\, which is channeled through materials and into research. Through these carefully considered approaches\, they are creating work that speaks to the present moment in ways that feel both urgent and timeless. In what feels like a moment of ongoing\, even perpetual\, crisis they bring this focused approach to issues that are fundamental to contemporary American life\, including questions of identity\, history\, immigration\, place\, and belonging. \nLet Them Kids Be Kids\, a solo exhibition by MoCA Arlington resident artist Lex Mari\, uses the playground as a framework with which to examine the joys of Black childhood and the ways in which issues of race and equity are inscribed on the site. Employing images from her personal life to examine these ideas\, Lex Marie’s newest paintings and installations address the issue of adultification bias as she makes the case that all children have a right to innocence. \n\n\n\n\n\n\nImages: \n\n\n\n\nMandy Cano Villalobos\, Bluer Skies for Brazen Hips\, 2022\, Installation view from Assembly 2022: Time & Attention at MoCA Arlington. Photo by Luke Walter.\n\n\n\nHeadshots courtesy of MoCA Arlington website
URL:https://www.arttable.org/event/arlington-va-assembly-2022-time-and-attention-tour-networking-at-moca-arlington/
LOCATION:Museum of Contemporary Art Arlington\, 3550 Wilson Blvd\, Arlington\, Virginia\, 22201\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/12/P0A6110-1-small.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230112T080000
DTEND;TZID=America/New_York:20230112T080000
DTSTAMP:20260403T190049
CREATED:20221220T181148Z
LAST-MODIFIED:20221222T193610Z
UID:11097-1673510400-1673510400@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Fatima Al-Dosari at the Qatar America Institute for Culture
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Fatima Al-Dosari\, Executive Director of the Qatar America Institute for Culture. Come learn about her journey and her efforts to further strengthen cultural understanding\, dialogue\, appreciation\, and long-term partnerships between her home country\, Qatar\, and the United States. \n\n\n\nFatima also leverages her wide-ranging knowledge of Qatari culture\, Arabic fluency\, and decade experience of cultural exchange to advance QAIC’s mission. Fatima holds an executive degree in Arts & Culture Strategy from the University of Pennsylvania\, and was awarded an M.A. from Georgetown University’s Communication\, Culture and Technology (CCT) Program. She received her B.A. in International Affairs and Human Development from Qatar University. \n\n\n\nLight refreshments and breakfast will be generously provided by the QAIC. \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety The use of face masks is recommended but not required.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility QAIC is a fully accessible building with ramp access and elevator access to every floor. Please contact us if there is any way we can make your visit more accommodating. You may also email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Qatar America Institute for Culture (QAIC) is located at 1319 18th Street NW\, Washington\, DC\, 20036 (directly southeast of Dupont Circle). Click here for directions from any location. QAIC is a short walk away from the Dupont Circle Metro Station (Red Line) and the N6\, L2 and 42 bus lines. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Fatima Al-Dosari\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-fatima-al-dosari/
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/12/Screen-Shot-2022-12-20-at-1.15.56-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T080000
DTEND;TZID=America/New_York:20230203T080000
DTSTAMP:20260403T190049
CREATED:20221207T161006Z
LAST-MODIFIED:20221208T004935Z
UID:11005-1675411200-1675411200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Adriana Ospina at the Art Museum of the Americas
DESCRIPTION:Join ArtTable in Washington\, DC for February’s BreakfastTable program with Adriana Ospina\, Director of the Art Museum of the Americas of the Organization of American States. We will tour the museum and have coffee and a light breakfast. Adriana will discuss her work at the AMA\, including unique aspects of directing and curating at an institution focused on cultural diplomacy. \n\n\n\nAdriana Ospina is the Director of the Art Museum of the Americas of the Organization of American States\, as well as an ArtTable member. Since 2007\, she has held the position of Educational Program Manager and\, since 2014\, Curator of the Permanent Collection. She has curated numerous exhibitions; among them are Fusion: Tracing Asian Migration to the Americas; Femininity Beyond Archetypes: Photography by Natalia Arias; A Gaze through the CINTAS Fellowship Program; A Selection of Works from the CINTAS Foundation; Arts of the Americas; and No Ocean Between Us: Art of Asian Diasporas in Latin America & The Caribbean 1945-Present. She has also co-curated exhibitions including Visual Memory: Home + Place; and Dialog: Landscape and Abstraction | Freya Grand and AMA Permanent Collection. Ospina edited the book “Collection of the Art Museum of the Americas of the Organization of American States” (OAS\, 2017). She participated in the College Art Association Conference in 2013 and 2020. Ospina holds an MA in Art History from George Mason University. \n\n\nThe Art Museum of the Americas building\, completed in 1912\, was designed by Paul Cret and Albert Kelsey as the residence of the Directors General of the Pan American Union\, later the Secretaries General of the Organization of American States. In October of 1976\, the residence officially opened its doors to the public\, repurposed\, as the Museum of Modern Art of Latin America\, now the Art Museum of the Americas\, which shares the arts of OAS member states in this Spanish colonial style building\, a National Historical Landmark. \n \n \n\n\nThis program is free and open to ArtTable members only. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Though neither masks nor proof of vaccination are required to visit the museum\, visitors are encouraged to wear masks and to maintain six feet of distance from other visitors. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The museum’s first-floor galleries are wheelchair accessible. Please ask the guard to open the entrance at the rear of the museum and enter with the ramp. Restrooms are located on the second floor. There is a flight of winding stairs leading to the museum’s second floor. For more information on accessibility\, please contact 202-370-0147 or artmus@oas.org  Getting There The Art Museum of the Americas is located at 201 18th St NW\, Washington\, DC 20006. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImages: Adriana Ospina\, courtesy of the speaker; The Art Museum of the Americas loggia\, with Paul Cret and Albert Kelsey’s Spanish colonial design\, emphasized the social and diplomatic activities that would take place in the building\, incorporating an Italian patio with indigenous Aztec motifs. \n\n\n\nThank you to ArtTable member Sarah Gordon for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-adriana-ospina/
LOCATION:Art Museum of the Americas\, 201 18th St NW\, Washington\, District of Columbia\, 20006\, United States
CATEGORIES:Washington, D.C.
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T103000
DTEND;TZID=America/New_York:20230217T113000
DTSTAMP:20260403T190049
CREATED:20230112T193042Z
LAST-MODIFIED:20230112T215540Z
UID:11266-1676629800-1676633400@www.arttable.org
SUMMARY:Washington\, DC | Exhibition Tour - "The Outwin 2022: American Portraiture Today" with Curator Taína Caragol at the National Portrait Gallery
DESCRIPTION:Please join us for a tour of “The Outwin: American Portraiture Today” before it closes at the end of February. This one-hour tour will be led by Curator Taína Caragol. The triennial juried exhibition features 42 portraits selected through an open call\, by artists working across the United States and Puerto Rico. The pieces\, including those by prize winners Alison Elizabeth Taylor and Elsa Maria Melendez\, explore a wide range of media and convey a multitude of life experiences. \n\n\n\nThis program is open to ArtTable members only for $10 each. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Masks are not required while visiting the National Portrait Gallery or the Smithsonian American Art Museum. Visitors may choose to wear a mask during their visit and are encouraged to do so when attending public programs.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Portrait Gallery is committed to providing access to all visitors. Service dogs are welcome. The SI follows the U.S. Department of Justice’s ADA requirements for service dogs. The dog must be trained to assist a person with a disability. Visitors are not allowed to bring emotional support animals into Smithsonian museums. Elevators serve all areas of the building. All restrooms and water fountains are wheelchair accessible. Family/companion care restrooms are located on the first and second floors near the F Street elevators. Wheelchairs are available for your comfort. To borrow one\, ask the security officer stationed at the G Street entrance. Limited metered parking is available on the streets around the museum. Red Top meters are reserved for drivers with disabled parking placards. For more information about the Red Top Meter Program\, check the District Department of Transportation website. ADA parking spaces are available\, for a charge\, at nearby parking garages. View the map of their locations. Visitors using the MetroAccess paratransit service should tell the driver to go to 800 G Street\, or to G and 8tth Street. For more information on accessibility at the National Portrait Gallery\, visit their website. Please email programs@arttable.org if you require any specific accommodations.  Getting There The National Portrait Gallery is located at 8th and G Streets NW\, Washington\, DC 20001. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator\nTaína Caragol is Curator of painting\, sculpture\, and Latinx art and history at the National Portrait Gallery. Her scholarship focuses on Latinx and Latin American art and its institutional and market validation\, as well as on the recovery of histories suppressed by colonialism. Since her hiring in 2013 she has significantly increased the representation of Latinx historical figures and artists at the Portrait Gallery\, through approximately 200 acquisitions and by curating or co-curating exhibitions such as One Life: Dolores Huerta\, UnSeen: Our Past in a New Light\, Ken Gonzales-Day and Titus Kaphar\, and The Outwin 2019: American Portraiture Today. She is the director of the Portrait Gallery’s triennial Outwin Boochever Portrait Competition 2022\, and co-curator of the resulting The Outwin 2022: American Portraiture Today with Leslie Ureña. \nUpcoming exhibitions also include 1898: US Imperial Visions and Revisions\, a show co-curated with Kate Clarke Lemay\, which will offer a critical examination of the events that turned the US into a world power with overseas territories. As the curator who led the portrait commission of former President Obama by Kehinde Wiley\, she is a contributing author to the book “The Obama Portraits\,” published in 2020 by Princeton University Press. \nCaragol has a B.A. in Modern Languages from the University of Puerto Rico\, an M.A. in French Studies from Middlebury College\, and a Ph.D. in art history from the Graduate Center\, City University of New York. \n\n\n\n\n\n\nImage: Alison Elizabeth Taylor\, Anthony Cuts under the Williamsburg Bridge\, Morning\, Marquetry hybrid (wood veneers\, oil paint\, acrylic paint\, inkjet prints\, shellac\, and sawdust on wood)\, 2020. Collection of the artist. First Prize in The Outwin Boochever Portrait Competition 2022.
URL:https://www.arttable.org/event/washington-dc-exhibition-tour-the-outwin-2022-american-portraiture-today-with-curator-taina-caragol-at-the-national-portrait-gallery/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/01/01.Taylor.574-e1673551369914.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230304T140000
DTEND;TZID=America/New_York:20230304T150000
DTSTAMP:20260403T190049
CREATED:20230224T201749Z
LAST-MODIFIED:20230224T204955Z
UID:11462-1677938400-1677942000@www.arttable.org
SUMMARY:Washington\, DC | Private Tour - A SKY SHATTERED GLASS REFLECTED BY THE SHINING SUN at Culture House
DESCRIPTION:Please join us for a private tour of the exhibition\, A SKY SHATTERED GLASS REFLECTED BY THE SHINING SUN\, on view at Culture House\, with opening remarks by Cicie Sattarnilasskorn\, Culture House’s Gallery Director and a private artist-led tour of the exhibition with Stephanie Mercedes.  \n\n\n\nThe materials employed in the exhibition are both profound and striking\, ranging from melted bullets and destroyed weapons to soap\, wax\, and seeds. The exhibition features a series of installations that explore vulnerability in the context of the queer body\, however\, rather than portraying vulnerability as a weakness\, the works presented in this exhibition encourage the viewer to consider vulnerability as a powerful weapon. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – Free\n\n\n\n\nCulture House 700 Delaware Ave SW\, Washington\, DC 20024 \n\n\n\nHave you considered becoming an ArtTable Volunteer? \n\n\n\n\nArtTable relies on volunteers nationwide to act as a point of contact for programs when staff are unable to attend. The volunteer will arrive early for the program\, connect with the program host\, take attendance\, provide a brief introduction\, and answer questions as needed. The volunteer will be in contact with ArtTable’s National Programs & Chapters Manager in advance to review all tasks. Volunteers do not have to pay to attend the program.\n\n\n\nTo sign up to be a volunteer for this program\, please email us at programs@arttable.org with the subject line\, “Interest in Volunteering – A Sky Shattered Glass”\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that any income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator\n\nStephanie Mercedes has exhibited and performed at the Bronx Museum\, the Queens Museum\, the Smithsonian Institution\, the Kennedy Center\, and the National Gallery of Art. She has been funded by George Soro’s Open Society Foundation\, Light Works\, NALAC\, The Foundation for Contemporary Art\, WPA\, The DC Commission for the Arts\, the GLB Memorial Foundation\, the Warhol Foundation\, and the Clarvit Fellowship. \nShe has also been an artist in residence at VisArts\, Halcyon Art Labs\, the Bronx Museum\, Montgomery College\, Christopher Newport University\, SOMA\, Lugar a Dudas\, Largo das Artes and La Ira de Dios. Mercedes is producing an Opera with CulturalDC in 2022-23. \n\n\n\n\n\n\nImage: Stephanie Mercedes\, I Hold You Close. Image courtesy of Culture House.
URL:https://www.arttable.org/event/strongwashington-dc-private-tour-ema-sky-shattered-glass-reflected-by-the-shining-sun/
LOCATION:Culture House\, 700 Delaware Ave SW\, Washington\, District of Columbia\, 20024\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/02/CultureHouse-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230311T150000
DTEND;TZID=America/New_York:20230311T160000
DTSTAMP:20260403T190049
CREATED:20230224T204855Z
LAST-MODIFIED:20230224T204857Z
UID:11478-1678546800-1678550400@www.arttable.org
SUMMARY:Washington\, DC | INTERLUDE : A Collaboration Between the Kreeger Museum and STABLE Arts
DESCRIPTION:We are thrilled to announce a noteworthy event\, INTERLUDE – a collaboration between the Kreeger Museum and STABLE Arts\, which showcases the works of fifteen regional artists.  \n\n\n\nHelen Chason\, Director of the Kreeger Museum\, will begin by extending a warm welcome to our guests. \n\n\n\nMaleke Glee\, Director of STABLE Arts\, will provide an introduction to the exhibition. Additionally\, three artists-Gail Shaw-Clemons\, K. Lorraine Graham\, and Katherine Tzu-Lan Mann-will share their perspectives on their work. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\n\nKreeger Museum 2401 Foxhall Rd. NW\, Washington\, DC 20007 \n\n\n\nAttend for free: become an ArtTable Volunteer \n\n\n\n\nArtTable relies on volunteers nationwide to act as a point of contact for programs when staff are unable to attend. The volunteer will arrive early for the program\, connect with the program host\, take attendance\, provide a brief introduction\, and answer questions as needed. The volunteer will be in contact with ArtTable’s National Programs & Chapters Manager in advance to review all tasks. Volunteers do not have to pay to attend the program.\n\n\n\nTo sign up to be a volunteer for this program\, please email us at programs@arttable.org with the subject line\, “Interest in Volunteering – INTERLUDE”\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that any income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Participants\n\n\n\nHelen Chason was named Director of The Kreeger Museum June 1\, 2017.  Embracing the Museum’s mission to share art and music\, Chason has prioritized programming that reaches across the city and celebrates the wealth of artistic talent in our community. Under her leadership the Museum has developed Jazz at the Kreeger\, a series that spotlights area musicians\, created The Collaborative\, an exhibition program that supports visual and performing artists working in Washington DC\, and expanded innovative and inclusive family program offerings. In addition to presenting group exhibitions in 2020 and 2021\, the Museum presented two exhibitions in 2022 for legendary printmaker\, Lou Stovall\, illustrating and acknowledging Stovall’s profound and far-reaching influence on the Washington arts community and city. Chason holds an Ed.M. from Harvard University and has lived in Washington\, DC since 1980. \n  \n\n\n\nK. Lorraine Graham writes poems and texts that occasionally manifest as drawings\, games and performances. She is the author of The Rest is Censored (Bloof Books)\, Terminal Humming (Edge Books) and numerous zines\, including Semiotic Squares (Primary Writing)\, a book of drawings\, and My Little Neoliberal Pony (Insert Blanc Press). Graham earned an M.F.A. from the University of California\, San Diego is an artist at STABLE Arts in Washington\, D.C.\, where she also lives. \n \n \n \n\nGail Shaw-Clemons\, born in Washington\, DC\, received her Masters’ Degree in printmaking from the University of Maryland. She is a printmaker\, mixed media\, and art activist. She has exhibited extensively\, with many works included in public and private collections in the USA\, Brazil\, Norway\, Sweden\, China and the Republic of Ireland. Her work is also in the collection of the National Museum of Women in the Arts\, Library of Congress\, and the Banneker-Douglass Museum. Shaw-Clemons has a studio at Stable Art and prints at the Bob Blackburn Printmaking Studio in New York as well as the Pyramid Printmaking Studio in Hyattsville MD. Recently retired as an art instructor from the United Nations International School in New York\, She is currently an adjunct professor at Bowie State University in Maryland. \n  \n\n\n\nKatherine Tzu-Lan Mann creates large scale paintings and paper installations that examine mythology\, identity\, and landscape. She is the recipient of the Sustainable Arts Foundation grant\, a Fulbright grant\, the AIR Gallery and Lower East Side Printshop Keyholder Fellowships\, and the Mayor’s Award and Hamiltonian Fellowship in Washington\, DC. Some of the venues where Mann has shown her work include the Kreeger Museum\, Academy Art Museum\, Walters Art Museum\, American University Museum\, Tides Museum\, Corcoran Gallery of Art\, RawlsMuseum\, the US consulate in Dubai\, UAE\, and the US embassy in Yaounde\, Cameroon. \n\n\n\n\n\n\nImages: Left: Matthew Mann\, Moonlight Sinew\, 2022\, oil\, acrylic\, and collage on canvas\, Courtesy ofthe artist. Right: David Urban\, Band of Hope\, 1996\, oil on canvas\, Gift from the Trustees of the Corcoran Gallery of Art.\, I Hold You Close. Image courtesy of Culture House.
URL:https://www.arttable.org/event/washington-dc-interlude/
LOCATION:Kreeger Museum\, 2401 Foxhall Rd. NW\, Washington\, District of Columbia\, 20007\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/02/INTERLUDE.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230330T180000
DTEND;TZID=America/New_York:20230330T193000
DTSTAMP:20260403T190049
CREATED:20230309T194001Z
LAST-MODIFIED:20230329T150002Z
UID:11553-1680199200-1680204600@www.arttable.org
SUMMARY:*FULL* New York\, NY | Dia Chelsea Chryssa Exhibition Tour with Megan Holly Witko
DESCRIPTION:Join us for a tour of Chryssa & New York at Dia Chelsea led by exhibition curator Megan Holly Witko. Co-organized by Dia Art Foundation and the Menil Collection\, Chryssa & New York is the first comprehensive survey of works by Greek-born artist Chryssa (1933–2013) to take place in North America since 1982. A leading figure of the New York art world in the 1950s and ’60s\, Chryssa developed an innovative approach to activating sculptural surfaces through subtle manipulations of light and shadow. Pathbreaking in its use of signage\, text\, and neon\, her vastly under-recognized body of work bridges Pop\, Conceptual\, and Minimalist ideas of art making. This exhibition focuses on works from these decades through to the early 1970s\, bringing together Chryssa’s deeply formal concerns and critical interest in exploring the United States following World War II. \n\n\n\nDIA Chelsea 537 W 22nd St\, New York\, NY 10011 \n\n\n\nThis tour is open to ArtTable members and $15 for guests. Not a member? Join today! \n\n\n\n* REGISTRATION FOR THIS EVENT IS FULL WITH A WAITING LIST \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Participants\n\n\n\nMegan Holly Witko is external curator at Dia Art Foundation and currently working on an exhibition of the artist Chryssa (1933 – 2013). She recently organized presentations of works by Marian Zazeela at Dia:Beacon\, as well as Keith Sonnier and Jacqueline Humphries at the Dan Flavin Art Institute in Bridgehampton\, NY. She was assistant curator of François Morellet at Dia:Chelsea in New York (2017–18)\, as well as Robert Ryman (2015-16)\, and La Monte Young\, Marian Zazeela and Jung Hee Choi’s Dia 15 VI 13 545 West 22 Street Dream House (2015). She joined Dia Art Foundation in 2012. \n \n\n\n\n\n\n\nFeatured Image: Chryssa\, The Gates to Times Square\, 1964–66. © Εstate of Chryssa\, National Museum of Contemporary Art Athens. Image courtesy Buffalo AKG Art Museum. Photo: Bill Jacobson Studio\, New York.
URL:https://www.arttable.org/event/new-york-ny-dia-chelsea-chryssa-exhibition-tour-with-megan-holly-witko/
LOCATION:Dia Chelsea\, 537 W 22nd St\, New York\, New York\, 10011
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/03/WEB2_Chryssa_GatesToTimesSquare_1964–66_©ΕstateofChryssa_Ntnl-MuseumContemporaryArtAthens_CourtesyBuffaloAKGArtMuseum_Photo_BillJacobson-copy.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230407T080000
DTEND;TZID=America/New_York:20230407T090000
DTSTAMP:20260403T190049
CREATED:20230324T232000Z
LAST-MODIFIED:20230401T233416Z
UID:11784-1680854400-1680858000@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Mary Early\, HEMPHILL Artworks
DESCRIPTION:Join us for a morning conversation and gallery tour with Mary Early\, Director of HEMPHILL Artworks\, featuring the exhibition: Prints & Works on Paper.Prints and Works on Paper (March 18 – May 6\, 2023)The 19 artists presented in Prints & Works on Paper worked from the mid-1930s through 2014. While the work spans almost a century\, it was made within the shared social and political context of the Black experience in America. These artists did not perceive a line where activism ended and art began. Believing that pictures could make a difference\, they were invested in advocating for justice\, empowerment\, and community through education; the intentionality of creating editioned prints in a workshop setting reflects this dedication. Printmaking facilitated a wider distribution of their messages\, allowing artists to be deliberate about connection and reaching a larger audience. Imagery portraying a rich social life offered viewers positive self-representation\, verity\, and aspiration for the future. The private collection of 38 works passionately assembled over a 30-year period\, is honest in content and impressive in technique\, both captivating the audience and effectively conveying the artworks’ significance. By boldly broadcasting their identities while the art world was systematically prejudiced\, the artists in Prints & Works on Paper documented a difficult past and visualized a brighter future.Ron Adams\, Benny Andrews\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Robert Colescott\, Allan Rohan Crite\, Aaron Douglas\, Sam Gilliam\, Palmer Hayden\, Jacob Lawrence\, Norman Lewis\, Lois Mailou Jones\, Alison Saar\, Charles Sebree\, Renée Stout\, James Lesesne Wells\, Charles White\, Hale Woodruff \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nABOUT MARY EARLY \n\n\n\n\n\n\n\nMary Early (b. 1975) is an artist and art dealer based in Washington\, DC. She studied visual art\, film\, and video at Bennington College\, and her work has been exhibited at the United States Botanic Garden\, Washington Project for the Arts\, the Corcoran Gallery of Art\, Second Street Gallery (Charlottesville\, VA)\, Hemphill Fine Arts (Washington DC\,) the Austrian Cultural Forum (Washington DC)\, Galerie Im Ersten (Vienna\, Austria)\, Kloster Schloss Salem (Salem\, Germany)\, Kunstlerbund Tubingen (Tubingen\, Germany)\, the American University Museum (Washington DC)\, and the Sun Valley Museum of Art (Ketchum\, ID). Early’s work is included in the collections of the US Department of State/Embassy of Panama and Embassy of Jordan\, the District of Columbia Art Bank\, the American University Museum (Corcoran Collection). She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities\, Washington DC (2022\, 2020\, 2019\, 2018\, 2017\, 2016\, 2015\, 2014\, 2011\, 2009\, 2007). \n\n\n\nEarly is the director of HEMPHILL Artworks\, Washington\, DC\, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates\, including William Christenberry (Estate)\, Colby Caldwell\, Jacob Kainen (Estate)\, Hedieh Javanshir Ilchi\, Mingering Mike\, Robin Rose\, Renée Stout\, Alma Woodsey Thomas\, Julie Wolfe\, Workingman Collective. She specializes in the artists of the Washington Color School. Early works with living artists and artists’ heirs on long-range planning\, and with private and institutional collectors to build and manage significant collections. She has a particular interest in public art and community engagement\, the materials and processes of contemporary sculpture\, and professional development for emerging and under-represented artists. \n\n\n\nABOUT HEMPHILL \n\n\n\nHEMPHILL Artworks opened in Washington DC in September\, 1993. The exhibition schedule features contemporary art ranging in media from emerging to mid-career and established artists. In addition to these shows\, the gallery mounts exhibitions of historically-significant artwork and socially relevant subjects. The diversity of this schedule is designed to showcase important talent and provide artwork that appeals to a broad range of interests. \n\n\n\nFrom its beginnings\, HEMPHILL has advised corporate and private collectors. This initial client base was built upon contacts and experiences gained in academia\, with private galleries\, and with architectural and design firms. HEMPHILL’s consulting and advisory work has expanded to include companies and individuals worldwide. HEMPHILL offers collectors the chance to experience a broad range of aesthetic experiences both through the gallery exhibition program and through private viewing opportunities. It also provides an opportunity to be directly involved in the artists’ community as well as the creative process. \n\n\n\nSpecial events include the ongoing ART TALKS series\, artist book signings\, and charitable vents for area nonprofits. Begun in 1998\, the ART TALKS series includes educational lectures on topics such as collecting for beginners\, artist talks\, and panel discussions on issues in contemporary art. In 2020\, HEMPHILL inaugurated a new gallery space in Washington’s historic Mount Vernon Square neighborhood. Featuring an open gallery floor plan and glass partitions that invite guests into the office area\, the design allows for increased interaction and conversation. As we enter 2023\, the third year in this new space and the third year of a global pandemic\, we continue to welcome first-time visitors.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-mary-early-hemphill-artworks/
LOCATION:HEMPHILL Artworks\, 434 K STREET NW\, Washington\, DC\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/03/BreakfastTable_MaryEarly_WashingtonDC_April7.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230419T153000
DTEND;TZID=America/New_York:20230419T163000
DTSTAMP:20260403T190049
CREATED:20230401T205801Z
LAST-MODIFIED:20230411T150324Z
UID:11865-1681918200-1681921800@www.arttable.org
SUMMARY:Washington\, DC | Tour of "Philip Guston Now" at the National Gallery of Art with Nathalie Ryan
DESCRIPTION:Join us for a special private tour of Phillip Guston Now exhibit at the National Gallery of Art with Senior Educator Nathalie Ryan. The exhibition charts the 50-year career of one of America’s most influential modern artists through more than 150 paintings and drawings. Guston’s story is one of epic change—of artistic styles\, from muralism to abstract expressionism to figuration\, of degrees of political and social involvement\, and of levels of personal confession in his work. Renowned in his time and in ours\, Guston’s work continues to resonate\, attract\, and provoke\, raising crucial questions about the relationship of art to beauty and brutality\, freedom and doubt\, politics and the imagination.Nathalie A. Ryan has contributed to education programming\, publications\, and exhibitions to the National Gallery of Art since 2002. She has twenty years of demonstrated experience in conceptualizing\, implementing\, and evaluating outcome-based programming for museums and other educational institutions. Nathalie is also an Instructor at the Harvard Graduate School of Education\, coaching K-12 teachers and administrators in arts and thinking-centered learning frameworks. An artist herself\, Nathalie is the Book Arts Associate at Pyramid Atlantic Art Center in Hyattsville\, MD\, where she oversees the Bindery and teaches workshops in bookmaking\, paper engineering\, and printmaking. \n\n\n\nThe exhibition is organized by the National Gallery of Art\, Washington; the Museum of Fine Arts\, Boston; Tate Modern\, London; and the Museum of Fine Arts\, Houston. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – Complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Natalie Ryan\n \nNathalie A. Ryan has contributed to education programming\, publications\, and exhibitions to the National Gallery of Art since 2002. She has twenty years of demonstrated experience in conceptualizing\, implementing\, and evaluating outcome-based programming for museums and other educational institutions. Nathalie is also an Instructor at the Harvard Graduate School of Education\, coaching K-12 teachers and administrators in arts and thinking-centered learning frameworks. An artist herself\, Nathalie is the Book Arts Associate at Pyramid Atlantic Art Center in Hyattsville\, MD\, where she oversees the Bindery and teaches workshops in bookmaking\, paper engineering\, and printmaking. \n\n\n\n\n\n\nImage: Philip Guston\, Painting\, Smoking\, Eating\, 1973\, oil on canvas\, Collection of the Stedelijk Museum\, Amsterdam. © The Estate of Philip Guston\, courtesy Hauser & Wirth.
URL:https://www.arttable.org/event/washington-dc-tour-of-philip-guston-now-at-the-national-gallery-of-art-with-nathalie-ryan/
LOCATION:The National Gallery of Art\, East Building: 4th St and Constitution Ave NW. Enter or exit at 4th Street.\, Washington\, District of Columbia\, 20565
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/guston_painting-smoking-eating_16x9_©-Philip-Guston-via-Hauser-Wirth.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230504T080000
DTEND;TZID=America/New_York:20230504T090000
DTSTAMP:20260403T190049
CREATED:20230418T192226Z
LAST-MODIFIED:20230418T192229Z
UID:12022-1683187200-1683190800@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Deborah Dunner
DESCRIPTION:Join ArtTable’s DC Chapter in May BreakfastTable with Debrah Dunner\, founder and owner of Aesthetica Art Services and Washington\, D.C. and Regional Representative for Freeman’s Auction. Debrah will speak about her specialization in Fine Art\, Decorative Arts\, and Contemporary American Craft appraisals\, and a wide range of art related services including advising\, consulting\, investments\, sales\, consignments\, collection management\, and artist management. Also\, fun note: Debrah assisted in cataloging the personal collection of the artist Sam Gilliam\, a highlight of her career!.Prior to starting her own business\, Debrah worked as the Assistant Curator for the Smithsonian American Art Museum’s Renwick Gallery\, the Craft and Decorative Arts branch of the national museum. While employed at the Renwick\, Debrah assisted in the creation of numerous exhibitions and scholarly publications including the monumental 40th anniversary exhibition 40 Under 40: Craft Futures\, and the internationally recognized exhibition WONDER. As of January 1\, 2020\, Debrah became the Washington\, D.C. Regional Representative for Freeman’s Auction\, based in Philadelphia\, PA. Established in 1805\, Freeman’s is the oldest auction house in America\, and one of the country’s first family owned businesses. Serving the Washington\, D.C. region including all of Maryland and Northern Virginia\, Debrah represents Freeman’s by facilitating consignments and servicing customers with any art related needs. \n\n\n\n \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Deborah Dunner\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-deborah-dunner/
LOCATION:Guarisco Gallery\, Four Seasons Hotel 2828 Pennsylvania Avenue\, NW Washington\, District of Columbia\, 20007
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/DeborahDunner.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230523T170000
DTEND;TZID=America/New_York:20230523T193000
DTSTAMP:20260403T190049
CREATED:20230506T144108Z
LAST-MODIFIED:20230506T144241Z
UID:12141-1684861200-1684870200@www.arttable.org
SUMMARY:DC | MeetAT Doyle Bar & Lounge
DESCRIPTION:Come meet current ArtTable members and invite interested guests to join us over happy hour at the last event of the season before the summer break from programming! We’ll meet at Doyle Bar & Lounge. Designed by the renowned Martin Brudnizki Design Studio\, Doyle is a warm\, club-like bar with panoramic views of Dupont Circle. We encourage members to bring friends and colleagues to engage over refreshments and conversation and to learn more about ArtTable and our lively and active chapter in the Washington\, DC region. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/dc-meetat-doyle-bar-lounge/
LOCATION:Doyle at The Dupont Circle Hotel\, 1500 New Hampshire Ave NW\, Washington\, District of Columbia\, 20036
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/MeetAT.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T100000
DTEND;TZID=America/New_York:20230919T110000
DTSTAMP:20260403T190049
CREATED:20230819T153641Z
LAST-MODIFIED:20230819T153728Z
UID:13295-1695117600-1695121200@www.arttable.org
SUMMARY:Washington\, DC | Curator-led tour of "1898: U.S. Imperial Visions and Revisions" National Portrait Gallery
DESCRIPTION:Join co-curators Taína Caragol and Kate Lemay for an exclusive tour of “1898: U.S. Imperial Visions and Revisions” at the Smithsonian National Portrait Gallery! “That single year launched the United States on a path that would end with the annexation of Hawaii\, intervention in Cuba\, and the invasions of Puerto Rico\, the Philippines and Guam—profound geopolitical changes resulting from U.S. domination during the Philippine-American War (1899-1902) and the Spanish-American War (April to August 1898)\, now often referred to as the War of 1898.”—Maya Wei-Haas\, The Smithsonian Magazine. \n\n\n\nPortraiture is part of how we represent ourselves\, and how we memorialize our historic public figures from the heroic to the problematic. 125 years after this extensive series of conflicts\, the U.S. continues to grapple with its imperial legacy. The Smithsonian exhibition revisits these representations from multiple\, culturally-complex perspectives\, “and recognizes that the Smithsonian Institution’s collecting practices legitimized the imperial project.”Please see the Museum’s Visitor Page for Health\, Safety\, and Accessibility information. \n\n\n\n\nArtTable Members – suggested donation $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Queen Liliʻuokalani;. Harris & Ewing Studio (active 1905–1977). 1908 Gelatin silver print 37.4 × 28.8 cm (14 3/4 × 11 5/16 in.) National Portrait Gallery\, Smithsonian Institution; gift of Aileen Conkey. \n\n\n\nThank you to ArtTable member Laura Roulet for initiating this program. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nTaína Caragol\, Curator of Painting and Sculpture and Latino Art and History\, joined the National Portrait Gallery in 2013 as the first curator for Latino art and history and her role was expanded to curator of painting and sculpture in 2015. Caragol has led the effort to increase the representation of Latino historical figures and artists at the museum\, adding over 170 portraits to the collection and ensuring that Latino contributions to American history and art are interwoven through the museum’s exhibitions and permanent collection. \n\n\n\nIn 2014\, she was the lead curator for “Portraiture Now: Staging the Self\,” which examined the forces that shape identity–from friendships\, to gender dynamics\, and histories of migration–through the work of contemporary Latino artists. In 2015\, she curated “One Life: Dolores Huerta\,” exploring Huerta’s role as co-architect of the farm workers movement with César Chávez. She co-curated “The Face of Battle: Americans at War\, 9/11 to Now” (2017) and “UnSeen: Our Past in a New Light\, Ken Gonzales-Day and Titus Kaphar” (2018).  \n\n\n\nPreviously\, Caragol was the curator of education at Museo de Arte de Ponce\, Puerto Rico\, where she organized the museum’s symposium on Pre-Raphaelite art and led a program of talks with contemporary Puerto Rican artists. She was the Museum of Modern Art’s Latin American bibliographer from 2004-2007\, and she worked as a postdoctoral researcher for Latin American Art in the United Kingdom: History\, Historiography\, Specificity\, 1960 to the Present\, an investigation led by the University of Essex (2007–2008). \n\n\n\nCaragol earned her PhD in art history from the City University of New York. Her dissertation “Boom and Dust: The Rise of Latin American and Latino Art in New York Exhibition Venues and Auction Houses\, 1970s–1980s\,” examined the incubating role of New York City’s alternative museums and art spaces and market during the “Latin American art boom” of the late 1980s. Her essay on Kehinde Wiley’s portrait of President Barack Obama was published in The Obama Portraits in February 2020 (Princeton University Press / National Portrait Gallery). \n\n\n\n\n\n\n\n\n\nKate Clarke Lemay\, Historian\, joined the National Portrait Gallery in 2015. She is a Fulbright Scholar; a Presidential Counselor to the National WWII Museum; and the founding director of PORTAL\, the Portrait Gallery’s scholarly center. Lemay also served as the founding coordinating curator for the Smithsonian American Women’s History Initiative. In 2019\, Lemay curated “Votes for Women: A Portrait of Persistence” to usher in the centennial of the U.S. American women’s suffrage anniversary. She published its eponymous catalogue with Princeton University Press which was awarded the 2021 Smithsonian Secretary’s Prize for Excellence in Research and the 2020 Amelia Bloomer Book Award from the American Library Association. \n\n\n\nIn 2017\, Lemay’s first book Triumph of the Dead: American WWII Cemeteries\, Monuments and Diplomacy in France was awarded the Terra Foundation in American Art publication grant. In 2018\, she served as guest editor for The International Journal of Military History and Historiography. She has published essays on art and military history for the University of North Texas Press\, Oxford University Press\, The Strategy Bridge\, Zócalo Public Square\, Reviews in American History\, and the Marine Corps University Press. Lemay’s research has been supported by a Terra Foundation in American Art predoctoral fellowship at the Smithsonian American Art Museum\, a fellowship in American Modernism at the Georgia O’Keeffe Museum Research Center\, and a fellowship from the Centre National de la Recherche Scientifique at the Caen Mémorial Museum in France. Lemay served as the lead historian for the transformation of the museum’s landmark exhibition “America’s Presidents” (2017). Her other exhibitions include “Marlene Dietrich: Dressed for the Image” (2017). \n\n\n\nBefore joining the National Portrait Gallery\, Lemay was an assistant professor of art history at Auburn University Montgomery and visiting assistant professor of the history of modern and contemporary art at Brigham Young University. She earned a dual PhD in American art history and American studies from Indiana University (Bloomington).
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-1898-u-s-imperial-visions-and-revisions-national-portrait-gallery/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/08/Queen-Liliʻuokalani_Harris-Ewing-Studio-active-1905–1977-1908-Gelatin-silver-print-37.4-×-28.8-cm-14-34-×-11-516-in.-National-Portrait-Gallery-Smithsonian-Institution-gift-of-Aileen-Conkey.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T080000
DTEND;TZID=America/New_York:20231012T090000
DTSTAMP:20260403T190049
CREATED:20230927T143737Z
LAST-MODIFIED:20231011T195612Z
UID:13832-1697097600-1697101200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Caroline Mariz
DESCRIPTION:Join ArtTable’s DC Chapter in October for BreakfastTable with Caroline Mariz\, Director of the Cultural Exchange Programs at International Arts & Artists! Caroline will offer insights into her experience providing exchange opportunities and J-1 visa facilitation for students\, professionals\, artists\, and researchers from around the world participating in programs across the United States. In her role at IA&A Caroline works closely with the State Department\, American museums\, art institutions\, cultural organizations\, and design firms. Her work demonstrates a career path for women and nonbinary arts professionals; and how one can work directly with arts institutions\, art professionals\, and the State Department. Mariz will provide a different lens into what it means to create cross-cultural connections while supporting international artists in concrete ways. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to ArtTable member Nora van Trotsenburg for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-caroline-mariz/
LOCATION:IA&A at Hillyer\, 9 Hillyer Court\, NW\, Washington\, District of Columbia\, 20008
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/BreakfastTable-with-Caroline-Mariz.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231017T180000
DTEND;TZID=America/New_York:20231017T200000
DTSTAMP:20260403T190049
CREATED:20230911T172724Z
LAST-MODIFIED:20231011T183326Z
UID:13294-1697565600-1697572800@www.arttable.org
SUMMARY:Reception and Collection Visit with Juanita Hardy
DESCRIPTION:Join ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter and ArtTable members for a private collection visit and networking reception at the home of Silver Spring-based art collector\, and leading Creative Placemaking writer\, consultant\, and public speaker\, Juanita Hardy! With a collection spanning Elizabeth Catlett\, Sam Gilliam\, Al Loving\, Camille Billops\, Herb Gentry\, Jacob Lawrence\, Ed Clark\, Joe Overstreet\, Renée Stout\, and Michael Platt—and more! You won’t want to miss the opportunity to experience this remarkable collection\, hosted by an honored member of the art\, culture\, and business communities. Ms. Hardy is an esteemed friend of ArtTable: she has served on the ArtTable Board and is a longtime member of the organization. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $35\n\n\n\nArtTable Member Guests – $45\n\n\n\nPublic – $55\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Herbert Gentry. Masquerade. Silkscreen print on paper\, 22 1/2 × 25 1/4 in | 57.2 × 64.1 cm\, 1986 \n\n\n\n\n\n\n\n\n\nJuanita Hardy\n\n\n\n\n\n\n\nJuanita Hardy has a passion for fostering healthy\, thriving\, and equitable places to live\, work\, learn and play through her work with individuals and businesses. Hardy is an avid collector of fine art and\, with her husband\, has acquired many works on paper\, canvas\, sculptures\, and African art. Hardy has over 45 years of business experience\, including 31 years with IBM\, where she retired in 2005\, and over a decade in the real estate industry.  \n\n\n\nIn 2006\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management.  Hardy has been associated with Urban Land Institute\, a global non-profit committed to responsible land use\, since 2016. She has served ULI in various advisory and consulting roles\, including its Senior Visiting Fellow for Creative Placemaking.  \n\n\n\nHardy has been recognized for her work in the arts and in business\, for example\, as a 2022 honoree by The Phillips Collection\, a prominent Washington\, DC museum\, and as 2010 Minority Business Leader by the Washington Business Journal.  Hardy is an accomplished writer and public speaker.  Her recent writings include an essay\, “Development Without Displacement” in Volume 3 of The Place Economy published by Hoyne based in Australia; she is author of ULI 2022 Publication\, “Creative Placemaking: Recommendations from and Impact of Six Advisory Services Panels;” and co-author of ULI 2020 Publication “Creative Placemaking: Sparking Development with Art and Culture.” Between 2016 and 2023\, Hardy has written a sextet of articles on creative placemaking for Urban Land magazine. \n\n\n\nHardy’s non-profit board affiliations include co-founder of Millennium Arts Salon\, Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists. \n\n\n\nAfter retiring from IBM\, Hardy founded Tiger Management Consulting Group\, an executive coaching and business consulting services firm. Hardy’s client portfolio comprises for-profit and non-profit organizations\, including global human capital development firm\, Right Management. \n\n\n\nHardy’s board affilations include Mid Atlantic Arts\, Mosaic Theatre Company and serving as board chairperson for International Arts and Artists.
URL:https://www.arttable.org/event/national-reception-and-collection-visit-with-juanita-hardy/
LOCATION:Silver Spring\, Silver Spring\, MD
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/09/Screenprint-in-colors-on-paper-22-12-×-25-14-in-57.2-×-64.1-cm.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231101T180000
DTEND;TZID=America/New_York:20231101T193000
DTSTAMP:20260403T190049
CREATED:20230925T175044Z
LAST-MODIFIED:20231024T202512Z
UID:13746-1698861600-1698867000@www.arttable.org
SUMMARY:Helen Zughaib Artist Talk & Studio Visit
DESCRIPTION:Don’t miss your chance for a studio tour with celebrated artist Helen Zughaib! Zughaib is a Washington\, DC-based painter and mixed-media artist known for her vibrant and thought-provoking work. Born in Beirut\, Lebanon\, her pop-art influenced art explores themes related to issues of cultural identity\, migration\, and social justice and is characterized by its use of bold colors\, intricate patterns\, and symbolism. \n\n\n\nZughaib’s work has been gifted to international heads of state by President Barack Obama and Hilary Clinton and appears in galleries and museums around the world. She is a multi-year recipient of DC Commission on the Arts and Humanities Fellowship award. In 2023\, she was featured at the Hall of Nations at the Kennedy Center\, and was commissioned by Disney/PIXAR. Zughaib has exhibitions running concurrently at The Kay Chernush Virtual Gallery\, ArtRage\, and ArtHub609 Gallery this fall. \n\n\n\n“My work is ultimately about creating empathy. Creating a shared space for introspection anddialogue. I ask the viewer to see through someone else’s eyes\, to walk in another’s shoes. Toaccept the “other.” To reject divisiveness. To promote acceptance and understanding and toreject violence and subjugation of anyone anywhere. To give voice to the voiceless\, to heal\, andto reflect in our shared humanity.” \n\n\n\nThank you to Sarah Gordon for her assistance with this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members $10\n\n\n\nGuests $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is at capacity: please click “Register Here” to join the waitlist—we may be able to welcome a few more people!  \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Helen Zughaib | Generations Lost 1\, 2014. Gouache on board. 30” x 40” \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist \n\n\n\n\nHelen Zughaib was born in Beirut\, Lebanon\, living mostly in the Middle East and Europe before coming to the United States to study art at Syracuse University\, earning her BFA from the College of Visual and Performing Arts. Her work has been widely exhibited in galleries and museums in the United States\, Europe and Lebanon. Her paintings are included in many private and public collections\, including the White House\, World Bank\, Library of Congress\, US Consulate\, Vancouver\, Canada\, American Embassy in Baghdad\, Iraq\, the Arab American National Museum in Detroit\, the Minneapolis Institute of Art\, and the Barjeel Art Foundation Collection. Her paintings are also included in the DC Art Bank Collection and she has received the DC Commission on the Arts and Humanities Fellowship award each year since 2015. Her work has been included in Art in Embassy State Department exhibitions abroad\, including Brunei\, Nicaragua\, Mauritius\, Iraq\, Belgium\, Lebanon\, Saudi Arabia and Sweden. Helen has served as Cultural Envoy to Palestine\, Switzerland and Saudi Arabia. The John F. Kennedy Center/REACH\, in Washington\, DC\, has selected Helen for the 2021-2024 Inaugural Social Impact Practice residency. Her paintings have been gifted to heads of state by President Obama and former Secretary of State\, Hillary Clinton.
URL:https://www.arttable.org/event/national-helen-zughaib-artist-talk-studio-visit-in-washington-dc/
LOCATION:Zughaib Studio\, Foggy Bottom\, Washington\, District of Columbia
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/ZughaibH_Generations-Lost-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231109T080000
DTEND;TZID=America/New_York:20231109T090000
DTSTAMP:20260403T190049
CREATED:20231019T133755Z
LAST-MODIFIED:20231103T185619Z
UID:13995-1699516800-1699520400@www.arttable.org
SUMMARY:*Waiting List* BreakfastTable with Anne Helmreich
DESCRIPTION:Meet Anne Helmreich\, the newly appointed director of the Smithsonian’s Archives of American Art\, who leads the world’s preeminent and most widely used research center dedicated to collecting\, preserving\, and making accessible primary sources documenting the history of the visual arts in America. The Archives’ holdings\, dating from the 18th century to the present day\, encompass more than 30 million items from artists\, collectors\, art historians\, art dealers\, and critics\, as well as other voices from across the art world. The Archives stewards more than 6\,400 collections and 2\,500 oral history interviews.Registration will be finalized by the morning of Monday\, November 6!   \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today!* PLEASE NOTE THAT THIS EVENT IS FULL WITH A WAITING LIST: PLEASE CLICK “REGISTER HERE” TO ADD YOUR NAME * \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to ArtTable member Madeleine Sargent for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nAnne Helmreich\, art historian\, administrator\, and educator\, brings to the Archives of American Art experiences drawn from higher education and non-profit arts administration. Before joining the Archives\, Dr. Helmreich was associate director of grants programming at the Getty Foundation\, supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. She also represented the Getty Foundation in the LA Arts Recovery Fund\, which supports small to mid-sized arts organizations in Los Angeles. While at the Getty\, Dr. Helmreich also served as the inaugural co-chair of the Getty DEAI Council and the associate director of digital initiatives at the Getty Research Institute. Her work in higher education has included appointments as dean of the College of Fine Arts\, professor of art history at Texas Christian University\, director of the Baker-Nord Center for the Humanities\, and associate professor of art history at Case Western Reserve University.
URL:https://www.arttable.org/event/breakfasttable-with-anne-helmreich/
LOCATION:The Archives of American Art\, 750 9th Street NW\, Washington\, District of Columbia\, 20001\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/BreakfastTable-with-Caroline-Mariz-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231113T163000
DTEND;TZID=America/New_York:20231113T180000
DTSTAMP:20260403T190049
CREATED:20231024T155215Z
LAST-MODIFIED:20231102T194939Z
UID:14020-1699893000-1699898400@www.arttable.org
SUMMARY:*Waiting List* Guided Tour of the Capital One Art Collection with Anne Fletcher & Susannah Haworth Dunn
DESCRIPTION:Join ArtTable for an exclusive tour of the The Capital One Art Program! This 90-minute guided tour through the Capital One Center art collection offers a premium opportunity to see the in-house work and do a deep-dive into the building\, stewardship\, and purpose of a corporate art collection. The art displayed in the company’s offices across North America is composed of over 50 rotating exhibits a year and a permanent collection of over 8\,000 pieces. The heart of the program is the belief that when people are surrounded by thoughtful\, detailed\, innovative work\, they will create thoughtful\, detailed\, innovative work. Anne Fletcher\, the Art Administrator for Capital One\, explains that above all\, through the program\, “we want to create really innovative\, vibrant work spaces for our associates.” Capital One Center is the culmination of the company’s belief in the impact of the arts and a thriving\, mixed-use cultural and retail destination for the local community and the region. \n\n\n\nArtists in the collection include Alice Aycock\, Jacob Hashimoto\, Carter Hodgkin\, and Anne Patterson. \n\n\n\n\nPlease note health\, safety\, and procedural information:\n\n\n\n\nThe Art Tour will begin in the first-floor lobby of Center 3. Please bring a government-issued ID to gain entrance. \n\n\n\nThe building is wheelchair-accessible with elevators. Those walking for the 90-minute tour will want to wear comfortable shoes.\n\n\n\nEach attendee must sign a release form two business days before the event—they are due by Friday\, November 10 at 11:00 AM Eastern. Please watch for the release form after registration\, and then complete and return it on time to make sure you can attend!\n\n\n\nSee the Capital One Center’s Parking & Transportation page for details on parking and Silver Line Metro access. General Parking is $15.00. Parking is in the public garage adjacent to Center 2 just next door (to the right) of Center 3\, where the tour begins.\n\n\n\n\n\n \n\n\n\n\nAdmission:\n\n\n\n\nArtTable Members $25\n\n\n\nGuests $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nPlease note that this event is now waitlisted! Click “Register Here” to add your name. \n\n\n\n\n\n\n\n\n\nThank you to Susannah Haworth Dunn for spearheading this event! \n\n\n\n\n\n\n\nImage: Alice Aycock\, Hoop-La\, 2016-2018\, Capital One Art Collection.
URL:https://www.arttable.org/event/guided-tour-of-the-capital-one-art-collection-with-anne-fletcher-susannah-haworth-dunn/
LOCATION:Capital One Center\, 1675 Capital One Drive\, McLean\, Virginia\, 22102-3473\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/10/Alice-Aycock-Hoop-La-2016-2018_CapitalOneArt.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T120000
DTEND;TZID=America/New_York:20231130T130000
DTSTAMP:20260403T190049
CREATED:20231031T203840Z
LAST-MODIFIED:20231109T234849Z
UID:14098-1701345600-1701349200@www.arttable.org
SUMMARY:Tour of the National Museum of Women in the Arts with Ginny Treanor & Orin Zahra
DESCRIPTION:Come join us to tour the reopened National Museum of Women in the Arts! NMWA is the first museum in the world solely dedicated to championing women through the arts. NMWA undertook a top-to-bottom renovation from 2021 to 2023. The building’s first full renovation since 1987\, this restoration project honors the structure’s history while improving its interior spaces\, mechanical systems\, and exterior envelope. We are very fortunate to have a curator-led tour with Senior Curator Ginny Treanor\, and Associate Curator Orin Zahra! \n\n\n\nCurrent exhibitions include “The Sky’s the Limit\,” showcasing never-before-exhibited contemporary sculptures that dangle from the ceiling\, cascade down walls\, and extend far beyond their footprint on the gallery floor: recent acquisitions and never-before-exhibited works include Sonya Clark\, Beatriz Milhazes\, Cornelia Parker\, Mariah Robertson\, Shinique Smith\, and Joana Vasconcelos.  “Remix: The Collection\,” showcases familiar collection favorites as well as never-before-exhibited recent acquisitions:  Remix continues to reject outmoded and gender-based art hierarchies. \n\n\n\nRead Abigail Tracy’s recent article in Vanity Fair: “The National Museum of Women in the Arts Just Got a $68 Million Overhaul.“ \n\n\n\n \n\n\n\nPlease review NMWA visitor health\, safety\, and accessibility information before your visit! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Ashley Templeton for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nOrin Zahra is the Associate Curator at the National Museum of Women in the Arts (NMWA). Zahra earned her doctoral degree from Washington University in St. Louis in nineteenth-century French art\, with a secondary field in modern and contemporary South Asia. Recent writing credits include contributions to major survey texts Great Women Painters (2022)\, Latin American Artists (2023)\, and Vitamin Txt: Words in Contemporary Art (2024)\, published by Phaidon Press. At NMWA\, Zahra has focused on issues of gender\, race relations\, and cross-cultural exchanges in modern and contemporary art. Curated solo and group exhibitions including Hung Liu In Print (2018)\, Ambreen Butt: Mark My Words (2019)\, Live Dangerously (2019)\, Paper Routes—Women to Watch 2020 (2020)\, Hung Liu: Making History (2023)\, and the forthcoming New Worlds—Women to Watch 2024.  \n\n\n\n\n\nVirginia (Ginny) Treanor\, Ph.D. serves as Senior Curator\, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington\, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art\, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art\, among other institutions. During her time at NMWA\, Treanor has curated numerous contemporary exhibitions\, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015)\, Heavy Metal (2018)\, Paper Routes(2020)\, and New Worlds (2024).
URL:https://www.arttable.org/event/tour-of-the-national-museum-of-women-in-the-arts/
LOCATION:National Museum of Women in the Arts\, 1250 New York Ave. NW\, Washington\, 20005
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/NationalMuseumofWomeninTheArts.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231214T080000
DTEND;TZID=America/New_York:20231214T090000
DTSTAMP:20260403T190049
CREATED:20231201T173514Z
LAST-MODIFIED:20231201T173519Z
UID:14282-1702540800-1702544400@www.arttable.org
SUMMARY:BreakfastTable with Cheryl Numark
DESCRIPTION:Cheryl Numark will host this gathering at her Washington DC home and discuss what it means to be a contemporary art advisor in 2023\, as well as alternative forms of artist representation outside of the traditional gallery setting. This will be an opportunity for both artists and collectors to consider the evolving dynamics of artist representation and glean valuable insight into the multi-faceted role of an art advisor/gallerist who has worked to build meaningful collections and support artists throughout her career. \n\n\n\nFor the health and safety of all guests\, please have an up to date COVID vaccine or wear a mask. Venue address will be disclosed via email to all registered guests two days prior to the event.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to ArtTable’s DC Chapter for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nCheryl Numark’s career in art took hold during her tenure as owner and curator for Numark Gallery (1995 – 2007)\, the premier gallery in Washington DC for many years. During this period Numark represented and exhibited dozens of artists that would find great success\, including Michal Rovner\, Tony Feher\, Peter Halley\, Tara Donovan\, Sharon Louden\, Terri Friedman\, Zwelethu Mthethwa\, Dan Steinhilber and many others. Shortly after closing her gallery\, Numark launched CNAA art advisory to work more closely with her clients to help them build meaningful collections. Throughout this time\, Cheryl maintained close contact with many of the artists she had once exhibited\, facilitating exciting commissions and acquisitions (most recently a painting by Sharon Louden at the National Gallery of Art\, 2023) and hosting curated exhibitions on Artsy / within her home of work by artists Sharon Louden\, Marylyn Dintenfass and Terri Friedman (forthcoming shows include Jorge Yazpik\, October 2023 and Diana Cooper\, Spring 2024). In addition to placing and exhibiting work at both fairs and her home\, Cheryl has exhibited work by artists at Art Miami\, 2022\, and located public and private commissions for artists\, for both residential and commercial uses. \n\n\n\nCheryl currently serves on the collector’s council at the Hirshhorn Museum and is a member of The Tower Project at the National Gallery of Art. For over a decade Numark was on the Board of Directors for Cultural DC\, supporting its mission to ‘Make Space for Art’ in the DC area.
URL:https://www.arttable.org/event/breakfasttable-with-cheryl-numark/
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/Cheryl-Numark-Headshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231219T180000
DTEND;TZID=America/New_York:20231219T200000
DTSTAMP:20260403T190049
CREATED:20231201T182250Z
LAST-MODIFIED:20231207T143256Z
UID:14293-1703008800-1703016000@www.arttable.org
SUMMARY:ArtTable Holiday Party in DC
DESCRIPTION:Join ArtTable Members and their guests for an end of year celebration with wine and light bites. The event will be hosted at 52 O Street Studios\, providing a unique opportunity to visit a gallery and three studio spaces in the heart of the District. \n\n\n\nHost spaces will include:  \n\n\n\nAmy Morton Fine Arts\, now showing: “Hannalie Coetzee. In Mid-Loping Gait” \n\n\n\nKim Cooper studio \n\n\n\nCianne Fragione studio \n\n\n\nPhilip Livingston studio \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $30\n\n\n\nMember Guests – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to ArtTable’s DC Chapter for organizing this program.
URL:https://www.arttable.org/event/arttable-holiday-party-in-dc/
LOCATION:52 O Street Studios\, 52 O Street NW\, Washington\, District of Columbia\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/12/Holiday-Party.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240517T153000
DTEND;TZID=America/New_York:20240517T170000
DTSTAMP:20260403T190049
CREATED:20240413T212458Z
LAST-MODIFIED:20240512T070004Z
UID:18047-1715959800-1715965200@www.arttable.org
SUMMARY:Baltimore | Curator-Led Tour: Recent Acquisitions at The Walters Art Museum
DESCRIPTION:Local to Baltimore or in town for AAM? Reconnect with ArtTable friends between conference sessions at The Walters Art Museum\, located less than a mile from the Baltimore Convention Center. This exclusive\, 90-minute tour with Lynley Anne Herbert\, Robert and Nancy Hall Curator of Rare Books and Manuscripts\, covers two of her exhibitions: Reflect and Remix: Art Inspiring Artists and New on the Bookshelf: The Creative Power of Women. These exhibitions explore the visual and material resonances between works of art separated by time in the Walters collection\, as well as highlighting new acquisitions that celebrate the contributions of women to the book arts. \n\n\n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/baltimore-curator-led-tour-of-the-walters-art-museum/
CATEGORIES:National,Philadelphia,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/04/fall_2018_1WMVP_oculus_stairs_toturo-1-edited.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240528T160000
DTEND;TZID=America/New_York:20240528T170000
DTSTAMP:20260403T190049
CREATED:20240510T183654Z
LAST-MODIFIED:20240512T081405Z
UID:18315-1716912000-1716915600@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour: Revolutions: Art from the Hirshhorn Collection\, 1860-1960
DESCRIPTION:Installation view of Revolutions: Art from the Hirshhorn Collection\, 1860–1960\, March 22\, 2024–April 20\, 2025. Courtesy of the Hirshhorn Museum and Sculpture Garden. Photo: Rick Coulby. \n\n\n\nMeet ArtTable in DC for a curator-led tour of Revolutions: Art from the Hirshhorn Collection\, 1860-1960 with Dr. Marina Isgro\, Associate Curator of Media and Performance Art at the Hirshhorn Museum and Sculpture Garden\, Smithsonian Institution. In anticipation of the fiftieth anniversary of the Hirshhorn’s opening on October 4\, 2024\, Revolutions places the work of 19 contemporary artists in dialogue with that of 117 artists who worked between 1860 and 1960: the century that introduced Modernism and abstraction\, and led up to the Hirshhorn’s establishment by Congress in 1966. An audio guide by Katy Hessel—part of her Museums Without Men series—accompanies the exhibition\, highlighting the women represented in Revolutions\, whose work completes and complicates art historical narratives they were frequently written out of. Revolutions‘ dialogue between living artists—including Torkwase Dyson\, Loie Hollowell\, and Catherine Opie—and their 19th- and 20th-century counterparts—such as Berenice Abbott\, Mary Cassatt\, and Alma Thomas—reveals the resonance and relevance of these earlier works in our contemporary culture. \n\n\n\n\n\n\n \n\n\n\nProgram admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\n\nNot an ArtTable member? Join today! \n\n\n\nAdmission to the Hirshhorn Museum and Sculpture Garden and to all its exhibitions\, tours\, and other public educational programs is free of charge. Any charge or request for contributions is unrelated to the Hirshhorn Museum and Sculpture Garden. \n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nAbout the Curator \n\n\n\n\nMarina Isgro is Associate Curator of Media and Performance Art at the Hirshhorn and was the lead curator of Revolutions: Art from the Hirshhorn Collection\, 1860-1960. At the Museum\, she has also curated Laurie Anderson: The Weather; John Akomfrah: Purple; and OSGEMEOS: Endless Story\, forthcoming in September. Prior to joining the Hirshhorn\, Marina was Nam June Paik Fellow at the Harvard Art Museums\, where she curated Nam June Paik: Screen Play. She received her MA and PhD in art history from the University of Pennsylvania and her BA from Princeton University.
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-revolutions-art-from-the-hirshhorn-collection-1860-1960/
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/HMSG_EXH_Revolutions_2024_006-960x720-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240612T163000
DTEND;TZID=America/New_York:20240612T173000
DTSTAMP:20260403T190049
CREATED:20240510T193518Z
LAST-MODIFIED:20240512T075440Z
UID:18340-1718209800-1718213400@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour: Time-Based Media at the National Portrait Gallery
DESCRIPTION:Expand your understanding and appreciation of time-based media on this special tour for the ArtTable community\, led by Dr. Charlotte Ickes\, Curator of Time-Based Media and Special Projects at the National Portrait Gallery\, Smithsonian Institution. As the pace of technological innovation continues to accelerate\, so too will the quantity of art produced within this precisely defined\, yet expansive category: time-based media\, or art that reveals itself to the viewer or over time\, encompasses film\, audio\, computer\, and slide-based works. As the National Portrait Gallery and its peer institutions build their collections in time-based media\, they are confronted with complex questions regarding the interpretation\, installation\, and conservation of these works\, as well as the opportunity to define best practices for future generations of scholars. Dr. Ickes’ tour will cover highlights of the National Portrait Gallery’s acquisitions in time-based media\, as well as explore how her Smithsonian colleagues have been grappling with these issues. \n\n\n\n\n\n\n \n\n\n\nProgram admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\n\nNot an ArtTable member? Join today!
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-time-based-media-at-the-national-portrait-gallery/
LOCATION:National Portrait Gallery\, 8th & G Streets NW\, Washington\, DC\, 20001\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/05/npg.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250313T080000
DTEND;TZID=America/New_York:20250313T090000
DTSTAMP:20260403T190049
CREATED:20250214T175325Z
LAST-MODIFIED:20250221T192131Z
UID:40977-1741852800-1741856400@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Carol Duke
DESCRIPTION:Join ArtTable for the return of the BreakfastTable event! Launched by a group of dedicated members based in Washington\, DC\, this long-loved program welcomes female and nonbinary leaders in the arts to share their stories in a casual setting. This month\, please join us in welcoming ArtTable Board Member Carol Duke as our featured speaker. \n\n\n\nWith a passion for the arts and architecture for over 30 years\, Carol Duke helps museums and galleries plan for and design facilities that best suit the needs of their audiences\, communities\, and colleagues. She leads client development and strategy at DLR Group\, expanding the firm’s international cultural and performing arts studio. Her long-range planning and commitment to equitable community-building supports projects at a high level\, resulting in exceptional\, inspiring design solutions. Carol is a trustee of the National Building Museum in Washington\, D.C. and actively supports several arts organizations\, including the Smithsonian American Art Museum\, the Society for College & University Planning\, the American Institute of Architects\, and the International Association of Museum Facilities Administrators. She holds a BA in Art History from Randolph-Macon Woman’s College. In her spare time\, Carol loves to curate her Little Free Library\, travel with her husband and twin daughters\, attend the theater\, and visit museums. \n\n\n\nWe hope you will join us! \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $10\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\n \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the organization.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-carol-duke/
LOCATION:Mount Vernon Triangle Neighborhood\, Exact Address to be Provided\, Washington\, District of Columbia\, 20001\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/02/BreakfastTable-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250320T170000
DTEND;TZID=America/New_York:20250320T180000
DTSTAMP:20260403T190049
CREATED:20250211T171957Z
LAST-MODIFIED:20250224T160555Z
UID:40882-1742490000-1742493600@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo" at the Smithsonian American Art Museum
DESCRIPTION:Join ArtTable for a curator-led tour of Pictures of Belonging: Miki Hayakawa\, Hisako Hibi\, and Miné Okubo at the Smithsonian American Art Museum\, led by Melissa Ho\, Curator of 20th Century Art. \n\n\n\nMiki Hayakawa (1899-1953)\, Hisako Hibi (1907-1991)\, and Miné Okubo (1912-2001) were three of the most active and critically acclaimed American artists of Japanese descent in the years leading up to World War II. Their careers spanned eight decades and four US states\, yet the full extent of their contributions remain underrecognized within twentieth-century American art history. \n\n\n\nPictures of Belonging is an unprecedented examination of these three trailblazing figures. By tracing their artistic development before\, during\, and after the mass incarceration and displacement of Japanese Americans during World War II\, the exhibition offers a nuanced view of how these women continued to explore and experiment with new artistic expression throughout their lives. Created during tumultuous decades in modern US history\, their paintings\, along with their stories of resilience\, remind us of art’s power in the face of adversity and challenge. \n\n\n\nClick here to read more about the exhibition. \n\n\n\nPlease review the Smithsonian American Art Museum’s accessibility page for available accommodations.  \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. The Smithsonian American Art Museum does not charge an admission fee. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Melissa Ho \n\n\n\nMelissa Ho is the Smithsonian American Art Museum’s curator of 20th-century art; she joined the museum’s staff in September 2016. Ho is responsible for research\, acquisitions and exhibitions related to the museum’s collections focusing on art since 1945. She currently is leading an initiative to expand and enrich the representation of Asian American experiences\, perspectives and artistic accomplishment in the museum’s collection and public displays. \n\n\n\nRecent projects include “American Voices and Visions: Modern and Contemporary Art” (2023)\, the first phase of a multiyear renewal and reinstallation of the museum’s permanent collection galleries\, and “Composing Color: The Paintings of Alma Thomas” (2023)\, which will travel to several venues in the United States. Ho organized the critically acclaimed exhibition “Artists Respond: American Art and the Vietnam War\, 1965-1975” (2019) and “Artist to Artist” (2021). \n\n\n\nPreviously\, Ho worked as a curator at the Smithsonian’s Hirshhorn Museum and Sculpture Garden from 2011 to 2016\, where she organized “Barbara Kruger: Belief+Doubt” (2012)\, “Salvatore Scarpitta: Traveler” (2014) and “Shirin Neshat: Facing History” (2015) with Melissa Chiu. She also co-curated with Evelyn Hankins “At the Hub of Things” (2014)\, a re-installation of the museum’s collection. \n\n\n\nHo earned a bachelor’s degree in studio art and art history from Princeton University and a master’s degree in art history from the University of Pennsylvania. \n\n\n\n\n\n\n\nImage credits:Miki Hayakawa\, One Afternoon\, ca. 1935\, oil on canvas\, 40 x 40 in.\, New Mexico Museum of Art\, Santa Fe\, Gift of Preston McCrossen in memory of his wife\, the artist\, 1954\, 520.23P
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-pictures-of-belonging-miki-hayakawa-hisako-hibi-and-mine-okubo-at-the-smithsonian-american-art-museum/
LOCATION:Smithsonian American Art Museum\, 8th and G Streets\, NW\, Washington\, District of Columbia\, 20004\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2025/02/Screen-Shot-2025-02-11-at-12.16.08-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T150000
DTEND;TZID=America/New_York:20250408T160000
DTSTAMP:20260403T190049
CREATED:20250117T162233Z
LAST-MODIFIED:20250130T212028Z
UID:40366-1744124400-1744128000@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art
DESCRIPTION:Join ArtTable for a curator-led tour of Elizabeth Catlett: A Black Revolutionary Artist at the National Gallery of Art\, led by Dr. Lynn K. Matheny\, Deputy Head of Interpretation and Curator of Special Projects. \n\n\n\nThis retrospective exhibition showcases the enduring legacy of Elizabeth Catlett (1915–2012) as a visionary artist and an unwavering activist. As the most comprehensive presentation devoted to Catlett in the United States\, it features more than 150 works\, including well-known sculpture and prints\, rare paintings and drawings\, and important ephemera. The exhibition is co-organized by the Brooklyn Museum and the National Gallery of Art\, Washington\, and presented in collaboration with the Art Institute of Chicago. \n\n\n\nOne of the defining artists of the 20th century\, Elizabeth Catlett addressed the injustices she witnessed and experienced through her bold prints and dynamic sculptures. In striving to make art for the people—from her roots in Washington\, DC\, Chicago\, and New York to the remarkable body of work she made during some 60 years in Mexico—Catlett put social justice at the very center of her work. An avowed feminist\, lifelong activist\, and deft formalist\, Catlett passionately addressed injustices such as class inequality\, racial violence\, and U.S. expansionism through her politically engaged art\, injustices which continue to shape the world today.  \n\n\n\n\n\n“I have been\, and am currently\, and always hope to be a Black Revolutionary Artist and all that it implies.”– Elizabeth Catlett\, 1970 \n\n\n\n\n\n\n\n\n\nClick here to read more about the exhibition and this visionary artist-activist. \n\n\n\nPlease review the National Gallery of Art’s accessibility page for available accommodations. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that ArtTable registration fees go toward administrative costs for the nonprofit organization. The National Gallery of Art does not charge an admission fee. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Lynn K. Matheny \n\n\n\n\nDr. Lynn K. Matheny currently serves as Deputy Head of Interpretation and Curator of Special Projects at the National Gallery of Art. She has worked on a wide array of modern and contemporary art exhibitions\, including Philip Guston Now; Afro-Atlantic Histories; Gordon Parks: The New Tide\, Early Work 1940-1950; and Sally Mann: A Thousand Crossings\, among many others. She frequently collaborates with museums in the United States and abroad and is honored to help bring to the National Gallery Elizabeth Catlett: A Black Revolutionary Artist. \n\n\n\n\n\n\n\n\nImage credits:Elizabeth Catlett\, Gossip\, 2005color digital and photo-lithograph on wove paperimage: 37.47 x 45.72 cm (14 3/4 x 18 in.)sheet: 59.69 x 60.96 cm (23 1/2 x 24 in.)National Gallery of Art\, Washington\, Reba and Dave Williams Collection\, Gift of Reba and Dave Williams© 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS)\, NY \n\n\n\nLynn K. Matheny\, courtesy of the Corcoran School of the Arts & Design\, George Washington University.
URL:https://www.arttable.org/event/dc-elizabeth-catlett-national-gallery-of-art/
LOCATION:National Gallery of Art\, East Building\, 4th St and Constitution Ave NW\, Washington\, District of Columbia\, 20565\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/01/5758-005.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250425T093000
DTEND;TZID=America/New_York:20250425T110000
DTSTAMP:20260403T190049
CREATED:20250319T181812Z
LAST-MODIFIED:20250418T174455Z
UID:42264-1745573400-1745578800@www.arttable.org
SUMMARY:Chicago\, IL | ArtTable Brunch at EXPO Chicago
DESCRIPTION:Here at ArtTable\, we love nothing more than a pre-art fair brunch. Join us at EXPO Chicago for drinks\, bites\, and networking before exploring the 2025 edition of the fair. We are excited to be joined by Kate Sierzputowski\, Artistic Director of the fair! \n\n\n\nEXPO CHICAGO Contemporary Art Fair showcases leading contemporary and modern art galleries each April at Navy Pier’s Festival Hall\, alongside a diverse and inventive program of talks\, on-site installations\, and public art initiatives. Inaugurated in 2012\, EXPO CHICAGO draws upon the city’s robust history as a vibrant international cultural destination\, while highlighting the region’s contemporary arts community. In 2023\, EXPO CHICAGO was acquired by Frieze\, the world’s leading platform for modern and contemporary art. \n\n\n\nPlease review EXPO Chicago’s accessibility page for available accommodations. Please email us at programs@arttable.org with any accommodation requests. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $50\n\n\n\nMember Guests – $60\n\n\n\nGeneral Admission – $70\n\n\n\n\nNot a member? Join today! \n\n\n\nAll registration fees go toward administrative costs for the nonprofit organization.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage credits:The scene at the 2023 edition of Expo Chicago\, at Navy Pier.
URL:https://www.arttable.org/event/chicago-il-arttable-brunch-at-expo-chicago/
LOCATION:EXPO Chicago\, Navy Pier\, Chicago\, Illinois\, 60611\, United States
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/webp:https://www.arttable.org/wp-content/uploads/2025/03/lead.webp
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251218T173000
DTEND;TZID=America/New_York:20251218T190000
DTSTAMP:20260403T190049
CREATED:20251119T154439Z
LAST-MODIFIED:20251121T195325Z
UID:118509-1766079000-1766084400@www.arttable.org
SUMMARY:Washington\, D.C. | End-of-Year MeetAT at Irene and Richard Frary Gallery
DESCRIPTION:Photo Credit: Sloane Prince/Johns Hopkins University. \n\n\n\nYou’re invited to our upcoming End-of-Year MeetAT networking event on December 18\, graciously hosted by Caitlin Berry at the Irene and Richard Frary Gallery. Meet us at the gallery to take in their current exhibition\, and then join us at the Good Company cafe for light refreshments while catching up with fellow ArtTable members and prospective members. \n\n\n\nAbout the Irene and Richard Frary GalleryThe Irene and Richard Frary Gallery is the Hopkins Bloomberg Center’s free\, public art gallery presenting rotating exhibitions drawn from the University’s collections and special exhibitions born out of partnerships with leading museums and collections. The 1\,000-square-foot gallery designed by Rockwell Group brings new ideas and energy to Washington\, D.C.\, enriching the cultural and intellectual offerings of the Center and dynamically reinforcing its mission as a place that convenes different artistic and ideological perspectives to support discovery\, democracy\, and global dialogue.About CeremonyDrawing on artist Lindsay Adams’ background in international studies and cultural anthropology\, Ceremony explores the histories of Black movement\, migration\, and world-building. Guest curated by Claudia M. Watts\, the exhibition places Adams’ new works in conversation with never-before-seen archival objects from the Johns Hopkins Sheridan Libraries’ collection\, including rare books and personal correspondence from Billie Holiday\, Josephine Baker\, and more. \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*Each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-d-c-end-of-year-meetat-at-irene-and-richard-frary-gallery/
LOCATION:Irene and Richard Frary gallery\, 555 Pennsylvania Avenue\, NW\, Washington\, District of Columbia\, 20001\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2025/11/DSC05731-scaled.jpeg
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