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DTSTART;TZID=America/New_York:20221019T173000
DTEND;TZID=America/New_York:20221019T173000
DTSTAMP:20260403T175302
CREATED:20220919T161858Z
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UID:10170-1666200600-1666200600@www.arttable.org
SUMMARY:New York\, NY | Exhibition Tour - Marta Minujín: A Survey\, at Henrique Faria Fine Art
DESCRIPTION:Join ArtTable in New York City for a tour of Marta Minujín: A Survey at Henrique Faria Fine Art\, led by gallery director Eugenia Sucre. \n\n\n\nThis is the artist’s third solo exhibition at the gallery and one of many held in New York City since the 1960s. This exhibition features a selection of works across various modalities—ranging from painting\, sculpture\, video\, and installation—and holds a privileged position from which to view \, or survey\, the creative and dynamic movements Minujín has made throughout her six-decade long career. These works represent important themes that Minujín has addressed and the major trends that Minujín has dipped her toes into. Most importantly\, these works reveal the personal growth of an artist who is always striving to remain open to new means of expression and experimentation\, but above all\, to remain true to herself.  \n\n\n\nClick here to read the full press release. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests/Non-Members – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at the gallery. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The gallery is on the 4th floor\, with a small elevator in the building. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Henrique Faria Fine Art is located at 35 E 67th St\, New York\, NY 10065. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Eugenia Sucre\nEugenia Sucre has been the director of Henrique Faria New York since 2013. Henrique Faria is a gallery specialized in the promotion of Latin American Art for over 20 years. The gallery specializes in modern and contemporary art\, with a strong emphasis on Geometric Abstraction and Conceptualism. \nThe Gallery maintains a rigorous exhibition program and participates continuously in international art fairs such as Frieze London and New York\, Art Basel Miami\, Paris Photo\, Zona Maco\, Mexico and ARCOmadrid\, amonst others. As the demand for Latin American art increases\, the gallery has gathered the attention of international collectors\, curators\, museums\, and institutions. Previously\, Sucre was part of the Fundraising and Event Management team at the Museu d’Art Contemporani de Barcelona (MACBA) and the Assistant Director of Faría+Fábregas Galería\, Caracas from 2007 to 2010. \nIn her spare time\, Eugenia is also an independent producer of art projects and supports non profit organizations in Venezuela\, her country or origin. Eugenia has a Master’s Degree in Museum Management from the Universitat Pompeu Fabra\, Barcelona. Instagram: @eusucre \n– \nDesde el 2013 Eugenia Sucre es la directora de Henrique Faria\, Nueva York. Henrique Faria es una galería dedicada a proyectar y promover a artistas latinoamericanos desde hace más de dos décadas. \nLa galería se especializa en arte moderno y contemporáneo con un fuerte énfasis en Abstracción Geométrica y Conceptualismo. Eugenia cuanta con más de 12 años de experiencia produciendo y gerenciando un rigoroso programa de exhibiciones y participando en ferias de arte internaciones como Frieze London y Nueva York\, Art Basel Miami Beach\, Paris Photo\, Zona MACO\, México\, y ARCO\, Madrid; entre otras. A medida que ha aumentado la demanda de arte latinoamericano\, la galería se ha posicionado como un referente a coleccionistas\, curadores\, museos e instituciones internacionales. Previamente\, formó parte del equipo de Recaudación de Fondos y de Gestión de Eventos en el Museu d’Art Contemporani de Barcelona (MACBA) y fue directora asistente de Faria+Fábregas Galería\, Caracas desde el 2007 al 2010. \nEn paralelo\, Eugenia trabaja como productora independiente. Entre sus proyectos destacan: organización de legados de artistas\, producción de exposiciones de artistas emergentes\, diseño gráfico\, consultoría de arte\, gestión de colecciones y organización de subastas de arte para apoyar a fundaciones sin fines de lucro como Aid For Aids\, La Sala Mendoza\, Healing Venezuela\, Acción Solidaria\, Autismo Dejando Huella y Acción por la Libertad. Eugenia tiene una maestría en gestión de museos de la Universitat Pompeu Fabra\, Barcelona.  Instagram: @eusucre \n\n\n\n\n\n\nImages: Installation shot of Marta Minujín: A Survey – Untitled\, ca. 1961-1962; Long-Term Freeze – Self-Portrait with Back Turned (From the Frozen Sex Series)\, 1975; Untitled\, ca.1961-1962; courtesy of Henrique Faria Fine Art
URL:https://www.arttable.org/event/new-york-ny-exhibition-tour-marta-minujin-a-survey-at-henrique-faria-fine-art/
LOCATION:Henrique Faria Fine Art\, 35 East 67th Street\, 4th Floor\, New York\, New York\, 10065\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20221027T173000
DTEND;TZID=America/New_York:20221027T173000
DTSTAMP:20260403T175302
CREATED:20221005T181808Z
LAST-MODIFIED:20230324T193617Z
UID:10295-1666891800-1666891800@www.arttable.org
SUMMARY:New York\, NY | Exhibition Tour - Miya Ando "In Autumn\, The Evening" at Sundaram Tagore Gallery
DESCRIPTION:Current and prospective members are welcome to join ArtTable in New York City for a special guided tour of “In Autumn\, The Evening” at Sundaram Tagore Gallery\, led by Gallery Director\, Susan McCaffrey. She will discuss the current exhibition\, featuring works from the female contemporary artist\, Miya Ando\, whose latest paintings will be on view. \n\n\n\nClick here to learn more about the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests/Non-Members – $20\n\n\n\nMember + Guest – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at the gallery. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Sundaram Tagore Gallery is located at 542 West 26th Street New York\, NY 10001. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.\n\n\n\n\n\n\n\nImages: Installation shot of Tasogare (Twilight) June 2 2022 8:23 PM\, 2022\, ink\, mica\, pure micronized silver\, resin and urethane on aluminum composite\, 50 x 50 inches/127 x 127 cm; courtesy of Sundaram Tagore Gallery. \n\n\n\n\n\n\n\nThank you to ArtTable’s New York Chapter Co-Chairs Angelica Semmelbauer\, Regan Lynn Larroque\, Lafforgue\, and Sarah McNaughton for organizing this program.
URL:https://www.arttable.org/event/new-york-ny-exhibition-tour-miya-ando-in-autumn-the-evening-at-sundaram-tagore-gallery/
LOCATION:Sundaram Tagore Gallery\, 542 West 26th Street\, New York\, New York\, 10001\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20221102T180000
DTEND;TZID=America/New_York:20221102T210000
DTSTAMP:20260403T175302
CREATED:20221019T163811Z
LAST-MODIFIED:20221020T210605Z
UID:10392-1667412000-1667422800@www.arttable.org
SUMMARY:Los Angeles\, CA | Wine & Conversation Networking Event\, with Sarah Russin\, Executive Director of LACE
DESCRIPTION:Please join ArtTable National at 6 PM on November 2 in Los Feliz for a special event hosted by Sarah Russin\, ArtTable member and Executive Director of LACE (Los Angeles Contemporary Exhibitions)\, a past host organization for the ArtTable Fellowship Program. Join Sarah and ArtTable Board Member and VP of Development\, Felice Axelrod\, for wine and conversation\, and be the first to hear a special announcement from ArtTable National. \n\n\n\nThis program is free and open to current ArtTable members and guests only\, though donations are appreciated. Registration is required. Members are strongly encouraged to bring a friend who is interested in learning more about ArtTable and connecting with our community! \n\n\n\nIf you would like to join this special event but are not yet an ArtTable member\, click here to learn more. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Our host requests that all guests be fully vaccinated against Covid-19 at the time of the event. Face masks are optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Please note that there are a few steps at the entrance to the home. It is not wheelchair accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There This program takes place at a private residence. The exact address will be shared with registrants in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Sarah Russin for generously hosting our group in her home\, and to Felice Axelrod for representing ArtTable National.
URL:https://www.arttable.org/event/los-angeles-ca-wine-conversation-networking-event-with-sarah-russin-executive-director-of-lace/
LOCATION:Los Angeles\, CA\, Los Angeles\, California\, 90027\, United States
CATEGORIES:National
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221105T120000
DTEND;TZID=America/New_York:20221105T120000
DTSTAMP:20260403T175302
CREATED:20221018T161333Z
LAST-MODIFIED:20221101T141924Z
UID:10368-1667649600-1667649600@www.arttable.org
SUMMARY:Miami\, FL & Virtual | Conversations on Art and Estate Law: Art Estate Management
DESCRIPTION:Please join us for the first talk in a series on art estate law\, focused on art estate management! This program brings together experts in areas such as estate planning\, business succession\, risk management\, and philanthropy to discuss relevant topics in areas that impact private and institutional art collections. \n\n\n\nThis program seeks to make relevant information available and clear for those interested in areas such as law\, taxation\, and planned giving. The speakers will share their experiences dealing with art matters and interacting with the planning of relevant topics from professional and personal perspectives. \n\n\n\nSpeakers: \n\n\n\nMarie Elena Angulo\, Attorney and CollectorMaria Pia Leon Angell\, Director of Client Advisory Services at Forbes Family TrustMelissa Passman\, Senior Associate\, Day Pitney\n\n\n\nModerated by Nuria Richards\, Founder of Richards & Co. Art Management and Planning for Art Collectors. \n\n\n\nThis program will take place both in-person in Miami and virtually via livestream.  \n\n\n\nAdmission: \n\n\n\nVirtual \n\n\n\nArtTable Circle – FreeMembers – $10Non-Members – $15\n\n\n\nIn-Person \n\n\n\nMembers – $15Member Guest – $20\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional in the gallery. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility In Person - The gallery is wheelchair accessible. Virtual - This program will offer live closed captioning. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Emerson Dorsch Gallery is located at 5900 NW 2nd Avenue\, Miami\, FL 33127. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\n\n\n\nMarie Elena Angulo is an attorney focusing on corporate finance. She has lived and worked in Buenos Aires\, London and New York. She is a patron of the Contemporary Art Society in London and founding patron of The Drawing Room. In Miami\, she supports Locust Projects\, The Bass\, PAMM\, and the Lowe Museum. Her collection focuses on works on paper and photography and includes drawings by Yoshitomo Nara\, Marcel Dzama\, Liliana Porter\, Teresa Lanceta\, and Mona Hatoum; and photographs by Gillian Wearing\, Martin Parr\, and Shirin Neshat. Since moving to Miami\, she has started collecting works by South Florida-based artists and has joined the Board of Directors of Oolite Arts\, Miami’s leading support organization for the virtual arts. \n\n\n\nAfter two decades of experience in the banking industry and living in seven different countries\, Maria Pia Leon Angell decided to leave banking to advise wealthy individuals and families more broadly on their financial and non-financial wealth management decisions\, following a holistic approach. She entered the family office realm at Greenspring Family Office\, followed by AM Global. Forbes Family Trust acquired the last one. Forbes manages US$ 30B from 250 families and has offices in the US and Europe. She considers her best strength is an appreciation of beauty which she fulfills through her love for nature and the arts. She has belonged to the acquisition committee of the Museum of Art of Lima\, Peru\, and currently serves as Chair of the Miami Music Project. This non-profit uses music education as an instrument for social change. \n\n\n\nMelissa A. Passman advises U.S. and non-U.S. taxpayers on a range of tax and estate planning matters. She assists clients with tax and trusts and estate matters\, including tax planning on corporate and partnership structures and transactions\, implementing estate planning strategies\, and planning around alternative assets. Melissa represents clients with federal and state tax matters\, including international and domestic income and transfer tax planning for entities and individuals\, as well as tax controversy. Melissa has extensive experience in art law matters and has been recognized for her counsel. She draws on her experience with a major international art gallery and other arts institutions to counsel collectors\, advisors\, galleries\, tax-exempt organizations\, and family offices. Melissa advises these clients on matters around the acquisition\, ownership\, and disposition of artwork\, including the formation of private museums and other charitable vehicles\, as well as multijurisdictional tax planning. She also works with artists on developing robust legacy planning structures. \n\n\n\nNuria Richards is an arts professional who is passionate about art collections and the way they positively impact the market and philanthropy. She attended the Fine Arts School at the National University in Mexico City and holds an Art Business Graduate degree from Sotheby’s Institute of Art – Claremont Graduate University where she extended her academic interests to management for corporate collections as well as Ph.D. classes in Economics and Cultural Studies Nuria supports young and emerging artists through the curatorial project Clandestina and is the founder of RICHARDS & Co\, an Art Management & Estate Planning Agency that evaluates and creates strategies for acquiring\, selling\, transferring\, and donating art. She works\, with families and individuals\, designing the sale and acquisition of works by artists like George Condo\, Diego Rivera\, Wifredo Lam\, Joaquín Torres-García\, Victor Vasarely\, and Leonora Carrington. Her relationship with art and involvement with museums\, galleries\, artists\, and collectors in the US and Mexico is the result of invested conversations creating cultural value around the practice of art collecting. Nuria’s goal is to create strategies for collectors to successfully fulfill their art interests\, while positively impacting the community. She has been a conduit between secondary and primary markets for a generation of artists and collectors that were caught in the middle of a rapidly changing art world. \n\n\n\n\n\n\n\nThank you to ArtTable Board Member Nuria Richards for organizing this program\, and to Emerson Dorsch Gallery for hosting us.
URL:https://www.arttable.org/event/miami-fl-virtual-conversations-on-art-and-estate-law-art-estate-management/
LOCATION:Emerson Dorsch Gallery\, 5900 NW 2nd Avenue\, Miami\, Florida\, 33127\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221107T090000
DTEND;TZID=America/New_York:20221107T090000
DTSTAMP:20260403T175303
CREATED:20221020T151845Z
LAST-MODIFIED:20221025T141251Z
UID:10410-1667811600-1667811600@www.arttable.org
SUMMARY:WAITLIST ONLY - Washington\, DC | Tour of the Rubell Museum DC with Director Caitlin Berry
DESCRIPTION:Housed in the historic former Cardozo Elementary and then Randall Junior High School\, the Rubell Museum DC is an exciting addition to the contemporary art scene in the District. Please join us for a private tour with inaugural Director Caitlin Berry just one week after the museum opens to the public. Attendees are welcome to stick around after the tour for a no-host coffee. \n\n\n\nThis program is currently on a waitlist and open to Members only for $10. Click “Register Here” below to add your name to the list. You will not be charged unless space becomes available.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional inside the museum. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The museum is fully ADA accessible. There is a ramp in front of the building and elevators that move between all floors. There are benches scattered throughout the museum. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Rubell Museum DC is located at 65 I St SW\, Washington\, DC 20024. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Caitlin Berry\nAs inaugural Director of the Rubell Museum DC\, Caitlin Berry works closely with the Rubells and Director of the Rubell Museum in Miami\, Juan Valadez\, to realize the Rubells’ vision of sharing their extensive collection of contemporary art with the people who live\, work in\, and visit the nation’s capital. Berry is responsible for engaging the greater DC community\, developing public programming\, managing the operations and staff of the Museum\, and collaborating with the Rubells and Valadez to oversee the Museum’s installations and exhibitions. Prior to joining the Museum\, Berry served as Director of the Cody Gallery at Marymount University in Arlington\, VA\, where she curated exhibitions such as Nekisha Durrett: Magnolia\, Dave Eassa: People and Places You Don’t Know How to Know and co-curated Jennie Lea Knight: Women of Jefferson Place\, alongside John Anderson and Meaghan Kent. Independently\, she curated Eric Uhlir: Before\, After and In Between\, and Joseph Shetler: Pursuit of Nothing at Culture House DC. Berry’s areas of focus include the Washington Color School\, Mid-Century African American\, and contemporary art. A champion of local artists\, she curated the 2019 and co-curated the 2020 editions of Art Night\, an annual exhibition and fundraiser to support the Washington Project for the Arts (WPA). \nBerry has served as an independent contemporary art advisor to various private and public collections. She also held the role of Director at Hemphill Fine Arts\, one of DC’s leading art galleries with an emphasis on local emerging\, mid-career\, and established artists. Berry is a member of ArtTable. She received a Post Baccalaureate in Gallery Management and a B.A. in Communication and Art History from Wake Forest University in Winston-Salem\, North Carolina. \n\n\n\n\n\n\nImage: Digital rendering of the Rubell Museum DC
URL:https://www.arttable.org/event/washington-dc-tour-of-the-rubell-museum-dc-with-inaugural-director-caitlin-berry/
LOCATION:Rubell Museum DC\, 65 I St SW\, Washington\, District of Columbia\, 20024\, United States
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T080000
DTEND;TZID=America/New_York:20221111T090000
DTSTAMP:20260403T175303
CREATED:20221020T172019Z
LAST-MODIFIED:20221020T193014Z
UID:10429-1668153600-1668157200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Haili Francis
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Haili Francis\, Major Gifts Officer + Manager of Special Projects\, Smithsonian Center for Folklife and Cultural Heritage. Please join us in conversation with Haili about her career journey and current projects. \n\n\n\nHaili Francis is an scholar\, artist\, and Harvard-trained cultural producer with specialties in African American and contemporary art. While pursuing her bachelor of fine arts at the University of Southern California\, she completed a Getty Multicultural Internship at the California African American Museum and studied abroad in a fine arts program in Italy. She also received a graduate certificate in nonprofit management from USC and served on the Museum Services Council at the Los Angeles County Museum of Art from 2009-2011. Haili has worked extensively with the Kinsey Foundation for Arts and Education and their award-winning private African American art collection\, The Kinsey African American Art and History Collection. \n\n\n\nAs a museum practitioner at the Smithsonian\, Haili has worked in fundraising\, board management\, and creative projects such as the nationally touring exhibitions\, Men of Change: Power. Triumph\, Truth.\, Robert Blackburn & Modern Printmaking\, and Negro Motorist Green Book. Her dedication to arts leadership and public service led to an appointment to the DC Commission on the Arts and Humanities Board in 2016 by Mayor Muriel Bowser of Washington\, DC\, in which Haili helped steward a $30M annual budget for arts funding in the nation’s capital. Her commitment to inclusive practices within the cultural sector led to an invitation from the American Alliance of Museums (AAM) to serve on the 2017 National Program Committee for the annual Museum Conference under the theme\, “Gateways for Understanding: Diversity\, Equity\, Accessibility\, and Inclusion.” Currently\, Haili leads the advancement department at the Smithsonian Center for Folklife and Cultural Heritage and writes about contemporary Black diasporic art\, culture and fashion in Folklife Magazine. \n\n\n\nHaili taught the inaugural African American Art History I & II courses at Trinity Washington University and is an alumna of the Getty Leadership Institute and AAM/Getty Career Management Fellowship. She has a Masters in Museum Studies from Harvard where she was awarded the Derek Bok Public Service Prize at commencement and serves on the board of the Washington\, DC chapter of the Harvard Black Alumni Society. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest for $10. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Kramers is handicap accessible. Please contact Haley at programs@arttable.org if you have specific accessibility requirements. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Kramers is located at 1517 Connecticut Avenue\, NW\, Washington\, DC 20036. Click here for directions from any location. Visit Kramers website for information on getting there by metro or car. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Haili Francis\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-haili-francis/
LOCATION:Kramers\, 1517 Connecticut Ave NW\, Washington\, District of Columbia\, 20036\, United States
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221112T120000
DTEND;TZID=America/New_York:20221112T120000
DTSTAMP:20260403T175303
CREATED:20221018T201407Z
LAST-MODIFIED:20221021T190644Z
UID:10376-1668254400-1668254400@www.arttable.org
SUMMARY:Atlanta\, GA | Tour of "House of Tau" - Studio Visit with K. Tauches
DESCRIPTION:Join ArtTable in the Cabbagetown neighborhood of Atlanta\, GA for a tour of “House of Tau”\, the studio of artist and curator K. Tauches (aka KT). All are welcome to stick around afterwards for a no-host lunch nearby! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $15Member Guests/Non-Members – $25\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional and dependent on the comfort level of the individual. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility House of Tau is on a single level. The front porch and rooms are handicap accessible. Certain spaces\, including the restroom\, are smaller spaces that may prove difficult to navigate for guests with limited mobility. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The House of Tau is located in the Cabbagetown neighborhood of Atlanta\, GA. The exact address will be shared with registrants in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout House of Tau\nHOUSE of TAU // represents the work of K.Tauches\, an artist\, designer\, writer\, and curator based out of Atlanta\, GA. Working in ceramics\, graphic design\, and photography/video\, her designs inspire conservation and respect for the Natural world. \nHOUSE of TAU is also the name of her studio in the Cabbagetown Neighborhood which she launched this year. At this location she produces functional and fine art ceramics as well as running a small community pottery program. \nThis year she is the Artist-in-Residence at the 30-acre Blue Heron Nature Preserve in the Atlanta Metro Area\, producing a solo exhibition\, a permanent artwork for the park\, and curating their annual outdoor Art exhibit. \nFor 25 years\, “K.T.” has produced small and large scale exhibitions with many local galleries and art institutions in addition to organizing avant-garde\, artist-initiated projects. She has been active in the Art community\, serving on boards and committees such as: ARTPAPERS magazine\, Burnaway.org\, Eyedrum\, MINT Leap Year Jury\, the Hudgens Prize / Hudgens Center for the Arts\, and The Blue Heron Nature Preserve. In 2010 she co-founded {Poem 88} gallery with Robin Bernat. In 2011 and 2012 she was the Gallery Director at Kiang Gallery. In 2013 she organized monthly Sunday Art Salons in her historic house in Cabbagetown with co-curator Kristin Juarez. From 2013-2021\, she served as the Creative Director at the Forward Arts Foundation Gallery/Historic Swan Coach House Gallery.  \n\n\n\n\n\n\nImage: Work from KT’s “ceramic photographs” series; headshot of the artist\, courtesy of the artist \n\n\n\nThank you to ArtTable Chapter Leaders in Metro Atlanta\, Waduda Muhammad and Lauren Jensen\, for organizing this program.
URL:https://www.arttable.org/event/atlanta-ga-tour-of-house-of-tau-studio-visit-with-karen-kt-tauches/
LOCATION:Cabbagetown\, Atlanta\, GA\, Atlanta\, Georgia\, 30312\, United States
CATEGORIES:Metro Atlanta
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-18-at-4.04.15-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221113T140000
DTEND;TZID=America/New_York:20221113T140000
DTSTAMP:20260403T175303
CREATED:20221031T152727Z
LAST-MODIFIED:20230324T192648Z
UID:10489-1668348000-1668348000@www.arttable.org
SUMMARY:New York\, NY | Tour of CADAF Digital Art Fair\, with Co-Founders Elena Zavelev and Andrea Steuer
DESCRIPTION:Please join co-founders Elena Zavelev and Andrea Steuer for an in person tour of 5th edition of Crypto And Digital Art Fair (CADAF). All-star artist and curator lineup includes works by Anne Spalter\, SoyFira\, Jen Stark\, theVERSEverse\, Arsnl’s Frank Stella: Geometries\, Nina Kuo and Lorin Roser\, curated collections by Eleonora Brizi (Breezy Art)\, Coco Dolle\, Kate Vass Galerie\, Raina Mehler (Director\, Pace Gallery)\, Lumen Prize and more.  \n\n\nElena Zavelev is the co-founder & CEO of CADAF Digital Art Month. A New York City-based entrepreneur focusing on digital art & NFTs\, Elena has been successfully building tools for artists\, curators & collectors in digital art and NFT space since 2017 with CADAF\, Digital Art Month and New Art Academy. Earlier engagements include Christie’s\, 1stDibs\, Skate’s Art Market Research and more. Elena’s writings can be found on Forbes\, Observer\, ESP Cultural Magazine and Deloitte. She holds a MA degree in contemporary art and connoisseurship from Christie’s Education. \nAndrea Steuer is the co-founder & COO of CADAF Digital Art Month. A collector and entrepreneur in the digital art and Web3 space\, Andrea focuses on innovative ways to experience and curate digital art. Andrea manages creative strategy\, product & operations for CADAF and Digital Art Month. She has curated multiple shows including: Artificial Seascapes Ars Electronica\, CADAF events\, VivaTech Paris and is on the International Selectors Committee for The Lumen Prize. Frequent speaker at international events. Previous work: Christie’s\, Collectrium & advertising. MA Christie’s Education\, Cert Columbia & BFA Pratt Institute. \n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There CADAF Art Fair will take place at Web3 NYC Gallery at 510 5th Avenue\, New York\, NY 10036. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nImage: Abhay Sehgal\, I can’t stay away from the sky but I can’t relate to the ground
URL:https://www.arttable.org/event/new-york-tour-cadaf-digital-art-fair-elena-zavelev-andrea-steuer/
LOCATION:CADAF Digital Art Fair\, Web3 NYC Gallery\, 510 5th Avenue\, New York\, New York\, 10036\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Artist-Abhay-Sehgal-Artwork-title-I-cant-stay-away-from-the-sky-but-I-cant-relate-to-the-ground.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T173000
DTEND;TZID=America/New_York:20221114T173000
DTSTAMP:20260403T175303
CREATED:20221012T211333Z
LAST-MODIFIED:20221014T162438Z
UID:10335-1668447000-1668447000@www.arttable.org
SUMMARY:New York\, NY | Private Event\, by Invitation Only
DESCRIPTION:An evening of refreshments and reconnection with friends and colleagues. \n\n\n\nThis event is by invitation only. The address and any additional information will be shared with attendees in advance. \n\n\n\nOur sincerest thanks to our host for the evening\, former ArtTable Board President Annette Blaugrund\, PhD\, for welcoming us into her home.
URL:https://www.arttable.org/event/new-york-ny-private-event-invitation-only/
LOCATION:NY
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-14-at-12.02.18-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221117T170000
DTEND;TZID=America/New_York:20221117T170000
DTSTAMP:20260403T175303
CREATED:20221021T211612Z
LAST-MODIFIED:20221023T141703Z
UID:10466-1668704400-1668704400@www.arttable.org
SUMMARY:Los Angeles\, CA | Tour of "The New Bend" at Hauser & Wirth\, with Director Sarvia Jasso
DESCRIPTION:Please join us for a tour of The New Bend with Hauser & Wirth Director\, Sarvia Jasso. \n\n\n\nCurated by Legacy Russell\, Executive Director & Chief Curator of The Kitchen\, The New Bend travels from the gallery’s New York location to Los Angeles\, bringing together 13 contemporary artists working in the raced\, classed\, and gendered traditions of quilting and textile practice – Anthony Akinbola\, Eddie R. Aparicio\, Dawn Williams Boyd\, Myrlande Constant\, Ferren Gipson\, Tomashi Jackson\, Basil Kincaid\, Eric N. Mack\, Sojourner Truth Parsons\, Tuesday Smillie\, Rachel Eulena Williams\, Qualeasha Wood\, and Zadie Xa. Their unique visual vernacular exists in tender dialogue with\, and in homage to\, the contributions of the Gee’s Bend Alabama quilters – Black American women in collective cooperation and creative economic production – and their enduring legacy as a radical meeting place\, a prompt\, and as intergenerational inspiration. This exhibition acknowledges the work of Gee’s Bend quilters such as Sarah Benning (b. 1933)\, Missouri Pettway (1902-1981)\, Lizzie Major (1922-2011)\, Sally Bennett Jones (1944-1988)\, Mary Lee Bendolph (b.1935)\, and so many more\, as central to expanded histories of abstraction and modernism. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests – $15\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility All public areas of Hauser & Wirth Los Angeles are wheelchair-accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Hauser & Wirth Los Angeles is located at 901 E 3rd St\, Los Angeles\, California 90013. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: The Right to (My) Life\, Dawn Williams Boyd\, 2017. Mixed media\, 91.4 x 121.9 cm / 36 x 48 in\, © Dawn Williams Boyd\, Courtesy of Fort Gansevoort\, New York; Photo: Ron Witherspoon
URL:https://www.arttable.org/event/los-angeles-ca-tour-the-new-bend-hauser-wirth-sarvia-jasso/
LOCATION:Hauser & Wirth\, 901 E 3rd St\, Los Angeles\, California\, 90013\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/10/lowres-jpg-72dpi-DWB030_HR.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T110000
DTEND;TZID=America/New_York:20221119T110000
DTSTAMP:20260403T175303
CREATED:20221020T160525Z
LAST-MODIFIED:20221117T180004Z
UID:10420-1668855600-1668855600@www.arttable.org
SUMMARY:Tarrytown\, NY | Private Tour of "Inspired Encounters: Women Artists and the Legacies of Modern Art" at the David Rockefeller Creative Arts Center\, with Curator Katrina London
DESCRIPTION:Please join us for a tour of Inspired Encounters: Women Artists and the Legacies of Modern Art with the exhibition’s co-curator Katrina London. This is the inaugural exhibition at the David Rockefeller Creative Arts Center at Pocantico\, and explores ideas of intergenerational influence and innovation among visual artists working in a range of practices. \n\n\n\nComprised of 43 artworks\, the exhibition pairs pieces by a dozen groundbreaking women artists of the postwar period with new commissions of contemporary art presented publicly for the first time. It draws primarily from the permanent collection of modern art at Kykuit\, the former Rockefeller family home that now operates as a historic house museum on The Pocantico Center campus. \n\n\n\nArtists Sonya Clark\, Maren Hassinger\, Elana Herzog\, Melissa Meyer\, Fanny Sanín\, Barbara Takenaga\, and Kay WalkingStick were asked to respond to the museum and grounds at Pocantico with artwork for the exhibition. The result is a series of inspired encounters that frames the modern art of the postwar period as relevant\, generative\, and open to myriad creative possibilities. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety To prevent the spread of Covid-19\, it is strongly recommended that masks are worn in all indoor spaces at The Pocantico Center. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Handicapped parking is available at Pocantico and most public areas are wheelchair accessible. Service animals trained to perform tasks for people with disabilities are welcome; please contact Pocantico staff in advance of your arrival to ensure proper arrangements. Pets and emotional support animals are not permitted at Pocantico. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Pocantico Center is located at 200 Lake Road\, Tarrytown\, NY. (Detailed directions from various origins are available here.) Detailed instructions for attendees will be relayed upon registration.  If you require accessibility accommodations or have any questions\, please email pocanticoprograms@rbf.org. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Katrina London\nKatrina London is the manager of collections and curatorial projects of The Pocantico Center of the Rockefeller Brothers Fund. She is responsible for the stewardship of the collections within the Pocantico Historic Area\, which includes supervising the conservation and care of works of art\, curatorial research\, and organizing exhibitions and educational programs. \nPrior to joining the Fund\, Ms. London was a curatorial associate at the American Federation of Arts\, where she worked on a wide range of traveling exhibitions. She holds a Master of Arts degree in decorative arts\, design history\, and material culture from the Bard Graduate Center and a Bachelor of Arts degree in art history with minors in French and studio art from the University at Albany\, SUNY. \n\n\n\n\n\n\nImage: Left: Mary Callery\, Orpheus\, 1951. Kykuit\, National Trust for Historic Preservation. / Right: Melissa Meyer\, A Nod to Grace (detail)\, 2021. Melissa Meyer Studio\, New York City. Photos by Andy Romer. Courtesy of the David Rockefeller Creative Arts Center Gallery.
URL:https://www.arttable.org/event/tarrytown-ny-private-tour-inspired-encountersdavid-rockefeller-creative-arts-center-katrina-london/
LOCATION:David Rockefeller Creative Arts Center\, 200 Lake Road\, Tarrytown\, New York\, 10591\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/10/inspired-encounters-promo-image.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221128T130000
DTEND;TZID=America/New_York:20221205T200000
DTSTAMP:20260403T175303
CREATED:20221102T160427Z
LAST-MODIFIED:20221111T211826Z
UID:10534-1669640400-1670270400@www.arttable.org
SUMMARY:Miami Art Week 2022 | VIP Fair Pass Packages
DESCRIPTION:ArtTable members enjoy special access to art fairs during Miami Art Week\, taking place this year from November 28 – December 5\, 2022! This year we are offering multiple levels of packages\, as outlined below: \n\n\n\n\n\n\n\n SOLD OUT - Diamond Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Basel Miami Beach(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, & Aqua Art(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, November 30 at 12pm) $150  SOLD OUT - Gold Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Basel Miami Beach(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, & Aqua Art(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) VIP Pass - NADA Miami(Entry for 2 throughout the fair starting on Wednesday\, November 30 at 12pm) $140  SOLD OUT - Emerald Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) Platinum First View Pass - SCOPE Contemporary Art Fair(First view for 2 throughout the fair starting on Tuesday\, November 29 at 12pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on a single day of the fair starting on Thursday\, December 1 at 11am) $135  SOLD OUT - Ruby Level VIP Pass - UNTITLED ART\, Miami Beach(Entry for 2 throughout the fair starting on Monday\, November 28 at 1pm) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on one day of the fair starting on Thursday\, December 1 at 11am) $130  Silver Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) Day Pass - Art Basel Miami Beach(Entry for 1 on one day of the fair starting on Thursday\, December 1 at 11am) $125  Bronze Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) Day Pass - Design Miami/(Entry for 1 on a single day of the fair starting on Wednesday\, November 30 at 1pm) $120  Copper Level Art Professional Pass - UNTITLED ART\, Miami Beach(Entry for 2 starting on Monday\, November 28 at 1pm and re-entry for one additional day of the fair [must be requested through UNTITLED]) VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) $110  General Access Level VIP Pass - SCOPE Contemporary Art Fair(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4pm) VIP Pass - Art Miami\, CONTEXT\, and Aqua Art Miami(Entry for 2 throughout the fair starting on Tuesday\, November 29 at 4:30pm) $100 \n\n\n\n\n\n\n\nConditions: \n\n\n\nVIP Pass Packages are available for purchase by current ArtTable members only. Members are limited to one package each. We have a limited number of packages available at each level that will be distributed on a first come first serve basis.  \n\n\n\nNot an ArtTable member? Join today! \n\n\n\nClick here to purchase your 2022 Miami Art Week VIP Pass Package!\n\n\n\n\n\n\n\nImage: Art Basel Miami Beach 2021\, Courtesy of Art Basel © Art Basel
URL:https://www.arttable.org/event/miami-art-week-2022-vip-fair-pass-packages/
LOCATION:Miami\, Miami\, FL\, United States
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/basel.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T080000
DTEND;TZID=America/New_York:20221202T080000
DTSTAMP:20260403T175303
CREATED:20221109T170451Z
LAST-MODIFIED:20221111T183001Z
UID:10611-1669968000-1669968000@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Susan Fisher Sterling
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Susan Fisher Sterling\, the Alice West Director at the National Museum of Women in the Arts. She will speak about building her career and the stature of the museum around the message of equity for women through excellence in the arts. \n\n\n\nUnusual for the museum field\, Sterling has dedicated her entire career to advancing the mission of the Women’s Museum. As associate curator\, curator of modern and contemporary art\, and then chief curator/deputy director\, she spent her first 20 years organizing exhibitions and publications of contemporary women artists. \n\n\n\nSterling assumed the directorship of the museum in 2008. During her tenure the museum has flourished\, regularly receiving the highest Charity Navigator rating of 4 stars for sound fiscal and programmatic management. Sterling also has re-energized the Museum’s programming and profile through an institutional re-brand\, which includes the popular #5womenartists social media campaign\, and the groundbreaking Women Arts and Social Change public programs initiative. She is currently involved in plans for a major renovation of the museum and a $55 million capital campaign\, to be announced in May 2021. \n\n\n\nA life-long champion of women through the arts\, Sterling has received National Orders of Merit from Brazil and Norway. She is recognized as one of the Most Powerful Women in Washington by Washingtonian Magazine\, and is a recipient of ArtTable 30th Anniversary Honors as well as the President’s Award from the Women’s Caucus for Art. \n\n\n\nThis program is free and open to ArtTable members only. Members may bring an additional guest for $10. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Kramers is handicap accessible. Please contact Haley at programs@arttable.org if you have specific accessibility requirements. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There Kramers is located at 1517 Connecticut Avenue\, NW\, Washington\, DC 20036. Click here for directions from any location. Visit Kramers website for information on getting there by metro or car. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Susan Fisher Sterling\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/new-washington-dc-breakfasttable-with-susan-fisher-sterling/
LOCATION:NY
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/rNMjbLmRyU.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T110000
DTEND;TZID=America/New_York:20221202T110000
DTSTAMP:20260403T175303
CREATED:20221017T202524Z
LAST-MODIFIED:20221128T211207Z
UID:10356-1669978800-1669978800@www.arttable.org
SUMMARY:Miami\, FL | ArtTable Brunch at Design Miami
DESCRIPTION:Please join us for ArtTable’s Annual Brunch during Miami Art Week\, set to take place this year at Design Miami/’s Collector’s Lounge\, Presented by AIG Private Client Group! This is a great time for members and friends from across the country to come together and network at the week’s only fair dedicated to collectible design artwork and objects. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nMember Guests – $65\n\n\n\nNon-Members – $75\n\n\n\n\nYour ticket includes complimentary access to the fair for the day\, the Collector’s Lounge presented by AIG Private Client Group\, and light brunch refreshments. \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety The health and safety of our guests is of the utmost importance to us. If you are currently testing positive for COVID-19 or exhibiting COVID-19 symptoms\, we encourage you to wear a mask\, stay home\, and follow the guidelines and precautions as recommended by the CDC. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility Please email programs@arttable.org if you require accessibility information for this program.  Getting There The fair is located at Convention Center Drive & 19th Street\, Miami Beach\, FL\, USA. If you are taking an Uber or Lyft to the fair\, the drop off and pick up location is on the corner of 19th Street and Meridian Ave. Nearby parking is available at the city parking garage at 1755 Meridian Ave. For more parking\, please visit the City of Miami Beach Parking by clicking here. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Courtesy of Design Miami/
URL:https://www.arttable.org/event/miami-fl-arttable-brunch-at-design-miami/
LOCATION:DesignMiami/\, Convention Center Drive & 19th Street\, Miami Beach\, FL\, 33139\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-17-at-4.22.54-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221207T170000
DTEND;TZID=America/New_York:20221207T190000
DTSTAMP:20260403T175303
CREATED:20221021T150811Z
LAST-MODIFIED:20221026T133523Z
UID:10451-1670432400-1670439600@www.arttable.org
SUMMARY:Portland\, OR | MeetAT Holiday Happy Hour
DESCRIPTION:Join ArtTable in Portland\, OR for festive holiday cheers as we gather for an informal MeetAT at the Pink Rabbit Cocktail Bar! Current members will be there with bells on to make introductions as well as share information on upcoming local events and programming. \n\n\n\nThis program is free and open to new and prospective members and is a great opportunity to connect before the holidays! Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The venue is at street level and all on one floor\, so is wheelchair accessible. If you would like additional information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Pink Rabbit is located at 232 NW 12th Avenue\, Portland\, OR 97209. Click here for directions from any location.
URL:https://www.arttable.org/event/portland-or-meetat-holiday-happy-hour/
LOCATION:The Pink Rabbit\, 232 NW 12th Avenue\, Portland\, Oregon\, 97209\, United States
CATEGORIES:Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/10/Screen-Shot-2022-10-21-at-11.06.56-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221211T110000
DTEND;TZID=America/New_York:20221211T110000
DTSTAMP:20260403T175303
CREATED:20221128T165429Z
LAST-MODIFIED:20221129T145239Z
UID:10893-1670756400-1670756400@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table - "Latinx: Artists\, Markets\, and Politics" by Arlene Dávila
DESCRIPTION:Please join us in Berkeley\, CA for the next Reading at the (Art)Table book group\, where we will be discussing Latinx Art: Artists\, Markets\, and Politics\, by Arlene Dávila. This is a lovely opportunity to discuss the vibrant community of Latinx artists and learn more about current activities and connections. \n\n\n\nThis program is free to attend and open to ArtTable members only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety We will meet outdoors for this program. In the event of inclement weather\, rapid tests will be available for those who wish to reconvene indoors.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility Please email Jan Wurm at artwurm@gmail.com if you require accommodations for this program.  Getting There Gilman Grill is located at 1300 4th Street\, Berkeley\, CA 94710. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Book cover of Latinx Art: Artists\, Markets\, and Politics\, by Arlene Dávila
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-latinx-artists-markets-and-politics-by-arlene-davila/
LOCATION:Gilman Grill in Berkeley\, 1300 4th street\, Berkeley\, California\, 94710\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/81elU-7gCL._AC_UL600_SR600600_-e1669654188470.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221214T183000
DTEND;TZID=America/New_York:20221214T183000
DTSTAMP:20260403T175303
CREATED:20221121T232024Z
LAST-MODIFIED:20230324T192943Z
UID:10779-1671042600-1671042600@www.arttable.org
SUMMARY:New York\, NY | ArtTable Circle - Collection Visit with Alice Sachs Zimet
DESCRIPTION:ArtTable Circle members are invited to join us for a very special collection visit at the home of Alice Sachs Zimet. \n\n\n\nAlice Sachs Zimet began to collect photography in early 1985 at a time when the medium was not recognized as a serious art form. The marketplace was nascent. There were few to no photo-only galleries\, photo-only art fairs\, photo-only auctions\, and it was rare to find a photography exhibition in a museum. While there was little acknowledgement\, Alice consistently defended her love of the medium even when most challenged her by saying ‘it’s not art’. \n\n\n\nToday\, fine art photography is a major global player with increased attention\, respect\, and market share. There are blockbuster museum shows\, photo-only auctions\, photo-only art fairs and photo-only galleries. And of course\, the number of photo collectors and prices have increased significantly. \n\n\n\nZimet’s lifelong passion for the arts began with her parents who were print collectors\, collecting images by Vuillard\, Bonnard\, Vlaminck\, Rouault\, and Lautrec\, among others. Her world was always steeped in the arts – professionally and academically. She holds two degrees in art history and her early professional career began at the Metropolitan Museum of Art. \n\n\n\nHowever\, her life changed when\, for the next 20 years\, Zimet worked at The Chase Manhattan Bank where she created a new sponsorship marketing department and became Director\, Worldwide Cultural Affairs. She was given a small year-end bonus\, which soon became her collecting budget — whether for one photograph or the purchase of several. But that was her acquisition budget for the year. \n\n\n\nZimet has made a conscious effort to buy from all sources — galleries\, auctions\, benefit auctions\, art fairs and even trades. With a collecting career spanning nearly 40 years\, she has developed deep personal relationships with professionals across every aspect of the field. Her collection has grown to roughly 350 museum-quality images\, where she lives surrounded by the vast majority. “I consciously do not have storage. I live with most of my images surrounding me. With storage\, I would not be able to control my collecting impulse. So\, my walls provide that boundary.” \n\n\n\nThis program is open to ArtTable Circle members for $45 each.Members may bring a guest for $55. Registration is required below. \n\n\n\nIf you would like to join this special event and are not yet an ArtTable Circle member\, you can apply for membership here or log into your Member portal to upgrade your current membership. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety All attendees must be fully vaccinated as defined by the Centers for Disease Control and Prevention: You are considered fully vaccinated: 2 weeks (14 days) after your dose of an accepted single-dose vaccine. Masks will be optional. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility There are some steps to the front entrance of the building. If you require elevator use\, please email Haley at programs@arttable.org to coordinate. A service entrance may be available if needed.  Getting There This program takes place at a private residence in the Upper West Side. The full address will be shared with all registered attendees in advance of the program. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Alice Sachs Zimet\nAlice Sachs Zimet is a collector\, advisor and educator tied to the fine art photography marketplace. Alice’s collection offers a global and intimate portrait of everyday life\, with additional emphasis on the role of the artist in the world as creator\, activist\, and observer. Images in the collection range from classics such as Berenice Abbott\, Brassai\, Lisette Model to Magnum masters such as Cartier-Bresson\, Bruce Davidson\, Susan Meiselas\, Elliott Erwitt\, Martine Franck and Steve McCurry. The collection also includes photographs by influential artists such as Nan Goldin\, Andres Serrano\, Cindy Sherman and Robert Mapplethorpe\, with more recent images by Jess T Dugan and Zanele Muholi. A respected educator and advisor in the field\, Alice is recognized for both her connoisseurship and deep knowledge of the photography market. \nAlice is Chair\, Photography Curatorial Committee\, Harvard Art Museums; board member\, Magnum Foundation; Chair\, Acquisitions Committee\, International Center of Photography (ICP); and teaches workshops at the ICP School\, Christie’s Education\, LA Center of Photography\, Maine Media Workshops + College and NYU’s Steinhardt School\, Graduate Program\, Arts Administration.  “Collector Profiles”; and other press include Private Air magazine\, Artsy\, Wall Street Journal\, Crain’s New York Business\, Forbes\, New York Magazine\, Inside Philanthropy\, The Photograph Collector\, and Art + Auction. \nAlice is President of Arts + Business Partners which she founded in 1999 to initially advise arts groups and business funders on corporate sponsorship\, after a 20-year career as Director\, Worldwide Cultural Affairs\, The Chase Manhattan Bank. She created the first corporate sponsorship program in a commercial bank\, worked across 14 countries and generated over $2 billion using the arts as a strategic marketing tool. \nAlice lives and works in New York City and continues to collect. \n\n\n\n\n\n\nImage: Interior of Alice Sachs Zimet’s home and collection; Headshot of Alice Sachs Zimet by Grace Roselli.
URL:https://www.arttable.org/event/new-york-ny-arttable-circle-collection-visit-with-alice-sachs-zimet/
LOCATION:NY
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/11/Screen-Shot-2022-11-21-at-6.04.40-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221215T160000
DTEND;TZID=America/New_York:20221215T163000
DTSTAMP:20260403T175303
CREATED:20220607T201045Z
LAST-MODIFIED:20220607T201048Z
UID:9356-1671120000-1671121800@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. Whether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-6/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2022/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221216T130000
DTEND;TZID=America/New_York:20221216T130000
DTSTAMP:20260403T175303
CREATED:20221107T181131Z
LAST-MODIFIED:20221108T160937Z
UID:10583-1671195600-1671195600@www.arttable.org
SUMMARY:Costa Mesa\, CA | Exhibition Tours - "California Biennial 2022: Pacific Gold" & "13 Women" with OCMA CEO and Director\, Heidi Zuckerman
DESCRIPTION:Please join us at the newly opened Orange County Museum of Art (OCMA) for tours of two exhibitions currently on view: California Biennial 2022: Pacific Gold and 13 Women\, with ArtTable member and OCMA CEO & Director\, Heidi Zuckerman! Stick around afterwards for a no-host lunch or snack at Outpost Kitchen at South Coast. \n\n\n\n13 Women marks the museum’s 60th anniversary\, paying homage to the thirteen women who founded the Balboa Pavilion Gallery\, the earliest iteration of OCMA\, which opened in 1962. On view in The Muzzy Family Special Exhibitions Pavilion\, 13 Women is curated by Heidi Zuckerman and presented with multiple rotations over the course of almost a full year. The exhibition presents work from the 1960s to the present by artists central to the museum’s collection. Each rotation is centered on the work of thirteen pioneering female artists\, each of whom share the visionary qualities of the museum’s founders. The thirteen women included in the first rotation\, on view October 8\, are Alice Aycock\, Joan Brown\, Lee Bul\, Lucy Bull\, Sarah Cain\, Vija Celmins\, Mary Corse\, Mary Heilmann\, Barbara Kruger\, Cady Noland\, Catherine Opie\, Hilary Pecis and Agnes Pelton. The work of these pioneering artists is complemented by selected works from OCMA’s collection\, including Charles Ray’s Ink Box (1986) and Self Portrait (1990)\, both acquired from OCMA’s presentation of Ray’s first solo museum exhibition\, alongside important works by John Altoon\, Chris Burden and Richard Diebenkorn. The exhibition is punctuated by a new site-specific painting by Sarah Cain in The Avenue of the Arts Gallery. Artists Include: John Altoon\, Alice Aycock\, John Baldessari\, Joan Brown\, Lee Bul\, Lucy Bull\, Chris Burden\, Sarah Cain\, Vija Celmins\, Mary Corse\, Richard Diebenkorn\, Mary Heilmann\, Barbara Kruger\, Glen Ligon\, Cody Noland\, Catherine Opie\, Hilary Pecis\, Agnes Pelton\, Charles Ray\, and Ed Ruscha \n\n\n\nAs part of its suite of opening exhibitions\, OCMA is reviving the California Biennial. Dating back to 1984\, the biennial defined the spirit of the institution for decades\, exemplifying the museum’s six-decade history of presenting new developments in contemporary art while identifying emerging artists on the verge of national and international acclaim. Organized by former OCMA curator Elizabeth Armstrong—who curated the California Biennial in 2002\, 2004\, and 2006—with Essence Harden\, Visual Arts Curator at the California African American Museum\, and Gilbert Vicario\, Chief Curator at the Phoenix Art Museum\, the exhibition features 19 artists from across the state. From the high desert to the oceanside of Bolinas and Monterey\, and through the dense metropolises of Los Angeles and San Francisco\, the collection of artists reflects on California and its unique place in the popular American imagination. Revisiting mythical stories and reimagining California as a changing land\, the California Biennial 2022: Pacific Gold presents a set of distinctive voices\, ones which question\, challenge\, and animate the past\, while looking to the future. Artists include: Tanya Aguiñiga\, Alex Anderson\, Sadie Barnette\, Kenturah Davis\, Sharon Ellis\, James Gobel\, Raul Guerrero\, Candice Lin\, Maria Maea\, Narsiso Martinez\, Hector Dionicio Mendoza\, Alicia McCarthy\, Simphiwe Ndzube\, Rashaad Newsome\, Alicia Piller\, Clare Rojas\, Svetlana Shigroff\, Laurie Steelink\, and Lily Stockman. \n\n\n\nAdmission: \n\n\n\nArtTable Members – $10Member Guests – $15\n\n\n\nPlease note that all proceeds from program fees go toward internal costs for organizing ArtTable programs. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety To ensure safety for visitors and staff\, OCMA has implemented the following measures: Visitors and staff are encouraged to stay home if they are feeling sick. Please do not visit the museum if you have a fever or any COVID-19 symptoms\, have tested positive for COVID-19 within the past 14 days\, or have had close contact with anyone who is confirmed or is suspected of having COVID-19.Mask use is optional throughout OCMA\, in accordance with Orange County guidelines.OCMA’s top priority is the health and well-being of our visitors and staff. An inherent risk of exposure to COVID-19 exists in any public space where people are present. We cannot guarantee that you will not be exposed to COVID-19 during your visit\, and all those entering OCMA do so at their own risk as to such exposure. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility OCMA welcomes and endeavors to provide a positive\, engaging\, and inclusive experience for all visitors. These efforts are ongoing and OCMA welcomes questions and feedback about current accommodations and ongoing initiatives at info@ocma.art If you plan to visit the museum and would like to request accessibility services\, please email info@ocma.art. You may also email Haley at ArtTable at programs@arttable.org if you need assistance. Arrival - The public entrance is equipped with power-assist doors. Drop-Offs - Visitors may be dropped off at the museum’s main entrance at 3333 Avenue of the Arts. Mobility Devices & Strollers - Museum galleries\, program spaces\, the Fueling Station\, Shop\, Café and Bar\, and the Upper Plaza are all accessible for visitors using wheelchairs\, mobility devices\, and strollers. Accessible restrooms are located on all floors. Visit the Welcome Desk in the Lobby to request a wheelchair for your visit free of charge. Note that not all interior doors are equipped with power assist. Seating - Benches are dispersed throughout the galleries. Restrooms - Public restrooms are located on all three levels of the museum and include wheelchair-accessible stalls. Current building codes require we label one restroom “women” and one restroom “men.” We acknowledge that these two categories do not reflect the gender identity or expression of all our visitors and staff. Please use the restroom that feels most comfortable for you. Animals - Animals are not permitted in the museum\, except for service animals as identified by the Americans with Disabilities Act.  Getting There The Orange County Museum of Art is located on the Segerstrom Center for the Arts campus at 3333 Avenue of the Arts\, Costa Mesa\, CA 92626. Click here for directions from any location. It is within walking distance from South Coast Plaza and is easily accessible by public transportation\, car\, and bike. Like many cultural institutions\, OCMA does not own or operate a parking garage. There are multiple paid parking options near OCMA\, and a list of nearby options is below: Area Parking All local rates and availability are subject to change without notice. Tower Plaza Parking Structure - 600 Anton BoulevardIrvine Parking - 3201 Avenue of the ArtsThe MET Parking - 535 Anton BoulevardAvenue of the ArtsPublic Transportation The closest bus stops to OCMA are below. Anton-Avenue of the Arts (463 Southbound)Anton-Park Center (57 Northbound\, 463 Northbound/Southbound)Anton-Sakioka (57 Northbound\, 463 Southbound)Sunflower-Avenue of the Arts (57 Southbound\, 86 Eastbound\, 150)Sunflower-Stevens (86 WB\, 150)\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Heidi Zuckerman\nHeidi Zuckerman is a globally recognized leader in contemporary art and the first woman to build two art museums. \nAs CEO and Director of OCMA/The Orange County Museum of Art\, she is envisioning a twenty-first-century museum. Zuckerman completed a new\, ground-up project with Pritzker Architecture Prize winner Thom Mayne on time and on budget\, raised more than $35 million in her first 20 months in the role\, and welcomed more visitors to the museum in the first week of operations than previous annual attendance. \nZuckerman is also the former fourteen-year CEO and Director of the Aspen Art Museum\, which she reimagined as a world-class institution\, raised more than $130 million\, and built a new\, highly acclaimed museum with Shigeru Ban\, the 2014 Pritzker Architecture Prize winner. From 1999–2005\, she was Chair of the Curatorial Department at Berkeley Art Museum and Pacific Film Archive. Previously\, she was a curator at the Jewish Museum in New York. Zuckerman has curated more than two hundred exhibitions during her extensive career\, including early\, important\, and often first museum shows of artists who have now come to define our time. She also hosts the podcast Conversations About Art\, which has over 100 episodes\, and is the author of numerous books\, including the Conversations with Artists book series. \nZuckerman additionally served as Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania\, an MA in Art History from Hunter College at CUNY\, and a Harvard Business School Executive Education Women on Boards Certification. \n\n\n\n\n\n\nImage: Mary Heilmann\, Surfing on Acid\, 2005. Oil on canvas. 60 x 48 inches. Museum purchase with funds provided through prior gift of Lois Outerbridge\, 2005.002. Collection of the Orange County Museum of Art.
URL:https://www.arttable.org/event/costa-mesa-ca-exhibition-tours-california-biennial-2022-pacific-gold-13-women-ocma-ceo-and-director-heidi-zuckerman/
LOCATION:Orange County Museum of Art\, 3333 Avenue of the Arts\, Costa Mesa\, California\, 92626\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/2005.002_Heilman_trans-scaled-1-1648x2048-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221217T120000
DTEND;TZID=America/New_York:20221217T120000
DTSTAMP:20260403T175303
CREATED:20221102T141353Z
LAST-MODIFIED:20230324T192237Z
UID:10524-1671278400-1671278400@www.arttable.org
SUMMARY:Brooklyn\, NY | Curator's Tour of "1-800 Happy Birthday" with Klaudia Ofwona Draber
DESCRIPTION:Please join us for a tour of 1-800 Happy Birthday with ArtTable members Klaudia Ofwona Draber\, the exhibition’s curator\, and Marcia Santoni\, executive director of WORTHLESSSTUDIOS. \n\n\n\n1-800 Happy Birthday is an exhibition honoring Black and Brown lives killed by police. Originally a voicemail project\, now transformed into a large-scale exhibition in a 10\,000 square-foot warehouse\, 1-800 Happy Birthday is created by artist Mohammad Gorjestani and Even/Odd\, curated by Klaudia Ofwona Draber\, with artistic direction by Neil Hamamoto\, and presented by arts nonprofit WORTHLESSSTUDIOS with the aim of honoring the lives of those lost too soon. The families of Dujuan Armstrong\, Sandra Bland\, Philando Castile\, Stephon Clark\, Fred Cox\, Eric Garner\, Oscar Grant\, Xzavier Hill\, Donovon Lynch\, Sean Monterrosa\, Tony Robinson\, and Mario Woods are participating in the exhibition. \n\n\n\n1-800 Happy Birthday was originally created in 2020 by Even/Odd founder\, filmmaker\, and artist Mohammad Gorjestani as an ongoing voicemail project to honor Black and Brown victims of police killings and systemic racism. The project exists online at 1800HappyBirthday.com and allows loved ones and the public to leave and listen to voicemails left on the birthdays of ‘celebrants’ – those unjustly killed. Gorjestani teamed up with WORTHLESSSTUDIOS’ Founder and Artistic Director Neil Hamamoto and Curator Klaudia Ofwona Draber\, along with family members of the twelve celebrants\, to bring the digital project into the physical realm in a community-accessible\, large-scale exhibition. The show utilizes audio and video components\, a large mural created by Art1\, and personal ephemera to tell their stories. \n\n\n\nTwelve upcycled NYC pay phones are arranged on a few patches of lawn\, a concrete wall with a dedicated area for flowers hosts a large mural and balloons\, and birthday cards are available for purchase at a newsstand. Towards the back of this city landscape is a translucent building facade with an opening that leads to an interior setting – a family living room. This room acts as a resource center: filled with photos\, ephemera from the celebrants\, and educational resources. It is also meant as a space of refuge\, to rest and recharge. The exhibition design imagines a world that is just\, where streets are safe for Black and Brown people to just be. \n\n\n\nEach repurposed phone booth\, designed in collaboration with the families of the celebrants\, is dedicated to one person and features portraits of the celebrant and their family and friends. The visuals and ephemera included in the exhibition – such as Philando Castile’s favorite book and Xzavier Hill’s graduation cap – allow visitors a glimpse into the personal milestones\, interests and personalities of those being honored. These objects\, chosen by celebrant family members\, illustrate the divide between private conversation and public space. In a large-scale mural\, each celebrant is represented by their likeness. The tableau serves as a collective memory for the many individuals killed by the police\, and is designed to receive flowers\, birthday cards\, balloons\, and any other memorial offerings. The interactive and educational nature of the exhibition seeks to connect participants to each celebrant and to expand on the pervasive impact of policing and systemic racism in America. \n\n\n\nThis program is free to attend and open to ArtTable members and guests only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional at this location. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The venue is wheelchair accessible. Seating is available if needed. If you would like information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There WORTHLESS STUDIOS is located at 7 Knickerbocker Avenue\, Brooklyn\, NY 11237. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout Klaudia Ofwona Draber\nKlaudia Ofwona Draber is the founder and president of KODA—a social practice residency for mid-career artists. She is also the curator of 1-800 Happy Birthday\, an exhibition at WORTHLESSSTUDIOS honoring lives and legacies of Black and Brown people killed by the police. Klaudia has lived and led arts\, technology and strategy projects in Europe\, Africa and the United States. She also works as Head of Public Relations at Polish Cultural Institute New York. Previously she served as a consultant to the British Council Arts\, and worked at UBS\, managing arts CSR projects. Klaudia is the 2021-2022 Helena Rubinstein Fellow at the Whitney ISP Curatorial Studies Program. She is a member of ArtTable\, mentors at New Museum’s NEW INC\, and is a member of For(bes) The Culture. Klaudia holds MA in Art Business from the Sotheby‘s Institute of Art New York. She also holds MA in Economics from the Warsaw School of Economics. \nMarcia Santoni is the Executive Director of WORTHLESSSTUDIOS where she is leading efforts to provide arts access to the Bushwick/East Williamsburg community\, build capacity\, and renovate its 10\,000 square foot warehouse into a state-of-the-art fabrication facility. Marcia came to WORTHLESSSTUDIOS after spending two years as the Executive Director of Riverdale Neighborhood House\, a historic multi-service organization in the Bronx where she launched the Riverdale Food&Farm Hub. Prior to joining RNH\, she was Managing Director and COO for Pioneer Works\, the Brooklyn-based cultural center dedicated to building community through the arts and sciences. At Pioneer Works she led expansion from $3.5mm to $7mm over three years\, helping the artist founders build systems\, structure and leadership to match mission. Marcia has a BA from Wesleyan University and an MBA from Columbia School of Business. She has been a member of ArtTable since 2017.  \n\n\n\n\n\n\nImage: Installation view of the 1-800 Happy Birthday Newsstand. Courtesy WORTHLESSSTUDIOS; Curator headshot provided by Klaudia Ofwona Draber\, photo by Hidemi Takagi
URL:https://www.arttable.org/event/brooklyn-ny-curators-tour-1-800-happy-birthday-klaudia-ofwona-draber/
LOCATION:WORTHLESS STUDIOS\, 7 KNickerbocker Avenue\, Brooklyn\, New York\, 11237\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/HBD.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230110T180000
DTEND;TZID=America/New_York:20230110T180000
DTSTAMP:20260403T175303
CREATED:20221216T204715Z
LAST-MODIFIED:20221220T182230Z
UID:11079-1673373600-1673373600@www.arttable.org
SUMMARY:Arlington\, VA | Exhibition Tours & Networking at MoCA Arlington
DESCRIPTION:Join us for an exclusive tour of Museum of Contemporary Art Arlington\, the recently rebranded Arlington Art Center\, to hear more about their new mission as a non-collecting museum and what that means for the surrounding art scene. We will hear from Executive Director Catherine Anchin\, Curator & Resident Artist/Collector Liaison Amanda Jirón-Murphy\, and Curator of Exhibitions Blair Murphy\, on what is on the horizon for them\, as well as enjoy a private tour of their inaugural biennial exhibition. ArtTable members will be invited to stick around for a networking mingle after the tour is finished as a way to start off the new year meeting new members and reconnecting! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nGuests/Public – $20\n\n\n\n\nRegistration is required below.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional but encouraged at the museum. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The Museum of Contemporary Art Arlington is fully ADA compliant and wheelchair accessible. Please use the elevator entrance on the parking lot side of the building. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Museum of Contemporary Art Arlington is located at 3550 Wilson Blvd\, Arlington\, VA 22201. Click here for directions from any location. Parking: there is a small parking lot on site and 2 hour street parking in the surrounding neighborhood Metro Accessible: Orange & Silver Lines: Virginia Square Station Bus Accessible: Metrobus Line 24P / ART Line 41 \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Speakers\nCatherine Anchin joined the museum in 2021 as Executive Director\, where she leads the direction of the museum and works closely with the Board of Directors to deliver strategic objectives. She brings extensive experience in arts fundraising and administration\, as well as a commitment to contemporary visual arts. \nHer career includes tenures at major national and regional museums\, including the Smithsonian National Museum of African Art\, Smithsonian American Art Museum\, the National Museum of Women in the Arts\, and the Museum of Contemporary Art in Cleveland\, Ohio. She also serves as arts faculty for Leadership Arlington and has served as a university guest lecturer and conference panelist on topics such as creativity\, museum fundraising\, arts social media\, and volunteering. \nShe holds a BA in Art History and an MA in Museum Studies from Syracuse University\, as well as a graduate certificate in Nonprofit Management from the Mandel Center for Nonprofit Organizations at Case Western Reserve University. \nAmanda Jirón-Murphy joined the museum in 2020\, first as a contract curator then as Curator & Resident Artist/Collector Liaison in 2022. In her role\, Amanda curates the resident artists’ exhibitions\, manages the artist residency program\, and the museum’s collectors’ program\, a public program sharing knowledge about art collecting and supporting artists careers. \nIn addition\, Amanda organized the museum’s 2021 exhibition We Can’t Predict Tomorrow\, which explored the impact of the COVID-19 pandemic on artistic practice within the regional contemporary arts sector.Amanda has served as the Gallery Director at Hamiltonian\, where she directed and curated exhibitions\, art fairs\, and projects for an international roster of over forty emerging and mid-career artists and as the Coordinator of Public Programs and Adult Interpretation at the Phillips Collection in Washington\, DC. She also interned with the Peggy Guggenheim Collection in Venice\, Italy. \nAmanda has also served as a guest speaker and panel moderator at cultural institutions and schools around the Washington\, DC area and has written for many publications including: The Rib and DIRT DMV. She holds a BA in Art History from John Cabot University in Rome\, Italy and an MA in Modern and Contemporary Art and Connoisseurship from Christie’s Education in London\, England. \nBlair Murphy joined the museum in 2018 as Curator of Exhibitions\, where she shapes the vision for the exhibitions program and curates numerous exhibitions. Previous exhibitions include: Take a Number: Artists and Bureaucracy\, Stretched\, Applied Forces\,  Transitional Objects\, Over\, Under\, Forward\, Back\, and By Proxy\, the museum’s first virtual exhibition. In addition\, she launched the museum’s biennial exhibition series\, Assembly\, in 2019 and Global Spotlight\, a new series focused on international artists\, in 2022. She also served as Acting Executive Director of the museum from October 2020 to May 2021. \nPreviously\, Blair served as the Managing Director at DC Arts Center\, Adjunct Faculty at George Mason University\, and Program Director at Washington Project for the Arts. Her previous curatorial projects include exhibitions at The Kitchen (New York\, NY)\, Washington Project for the Arts (Washington\, DC)\, Trestle Gallery (Brooklyn\, NY)\, Field Projects (New York\, NY)\, VisArts Rockville (Rockville\, MD)\, and with the DC Commission on the Arts and Humanities. \nBlair has served as a guest speaker and panel moderator at cultural institutions around the Washington\, DC area and New York\, including the Hirshhorn Museum & Sculpture Garden\, Smithsonian American Art Museum\, and the Brooklyn Museum. She has also written for many publications including: Hyperallergic\, Bmore Art\, and DCist. She was a Helena Rubinstein Curatorial Fellow of the Whitney Independent Study Program. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University. \nAbout MoCA Arlington\nThe Museum of Contemporary Art Arlington (formerly Arlington Arts Center) is an independent 501(c)(3) non-profit museum that enriches community life by connecting the public with contemporary art and artists through exhibitions\, education programs\, and an artists-in-residence program. It was founded by artists in 1974 and has been housed since 1976 in a historic school building. The facility includes nine exhibition galleries\, working studios for twelve artists\, and two classrooms. \nAbout the Exhibitions\nLaunched in 2019\, Assembly is the Museum of Contemporary Art Arlington’s biennial exhibition program\, which highlights the material and conceptual trends being explored by contemporary artists in the present moment. The artists in Assembly 2022: Time and Attention demonstrate a deep commitment to process and craft\, which is channeled through materials and into research. Through these carefully considered approaches\, they are creating work that speaks to the present moment in ways that feel both urgent and timeless. In what feels like a moment of ongoing\, even perpetual\, crisis they bring this focused approach to issues that are fundamental to contemporary American life\, including questions of identity\, history\, immigration\, place\, and belonging. \nLet Them Kids Be Kids\, a solo exhibition by MoCA Arlington resident artist Lex Mari\, uses the playground as a framework with which to examine the joys of Black childhood and the ways in which issues of race and equity are inscribed on the site. Employing images from her personal life to examine these ideas\, Lex Marie’s newest paintings and installations address the issue of adultification bias as she makes the case that all children have a right to innocence. \n\n\n\n\n\n\nImages: \n\n\n\n\nMandy Cano Villalobos\, Bluer Skies for Brazen Hips\, 2022\, Installation view from Assembly 2022: Time & Attention at MoCA Arlington. Photo by Luke Walter.\n\n\n\nHeadshots courtesy of MoCA Arlington website
URL:https://www.arttable.org/event/arlington-va-assembly-2022-time-and-attention-tour-networking-at-moca-arlington/
LOCATION:Museum of Contemporary Art Arlington\, 3550 Wilson Blvd\, Arlington\, Virginia\, 22201\, United States
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230112T080000
DTEND;TZID=America/New_York:20230112T080000
DTSTAMP:20260403T175303
CREATED:20221220T181148Z
LAST-MODIFIED:20221222T193610Z
UID:11097-1673510400-1673510400@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Fatima Al-Dosari at the Qatar America Institute for Culture
DESCRIPTION:Join ArtTable in Washington\, DC for a BreakfastTable program with Fatima Al-Dosari\, Executive Director of the Qatar America Institute for Culture. Come learn about her journey and her efforts to further strengthen cultural understanding\, dialogue\, appreciation\, and long-term partnerships between her home country\, Qatar\, and the United States. \n\n\n\nFatima also leverages her wide-ranging knowledge of Qatari culture\, Arabic fluency\, and decade experience of cultural exchange to advance QAIC’s mission. Fatima holds an executive degree in Arts & Culture Strategy from the University of Pennsylvania\, and was awarded an M.A. from Georgetown University’s Communication\, Culture and Technology (CCT) Program. She received her B.A. in International Affairs and Human Development from Qatar University. \n\n\n\nLight refreshments and breakfast will be generously provided by the QAIC. \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety The use of face masks is recommended but not required.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility QAIC is a fully accessible building with ramp access and elevator access to every floor. Please contact us if there is any way we can make your visit more accommodating. You may also email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Qatar America Institute for Culture (QAIC) is located at 1319 18th Street NW\, Washington\, DC\, 20036 (directly southeast of Dupont Circle). Click here for directions from any location. QAIC is a short walk away from the Dupont Circle Metro Station (Red Line) and the N6\, L2 and 42 bus lines. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Fatima Al-Dosari\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-fatima-al-dosari/
LOCATION:NY
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/12/Screen-Shot-2022-12-20-at-1.15.56-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230121T110000
DTEND;TZID=America/New_York:20230121T130000
DTSTAMP:20260403T175303
CREATED:20230112T185758Z
LAST-MODIFIED:20230112T195426Z
UID:11256-1674298800-1674306000@www.arttable.org
SUMMARY:Atlanta\, GA | Artist Talk & Exhibition Tour with Jessica Blinkhorn
DESCRIPTION:Please join us for a special tour and meet and greet with artist Jessica Blinkhorn. \n\n\n\nSPANKBOX is a photographic installation depicting individuals with varying disabilities from all communities in sexualized\, hypersexualized poses and situations. We at SPANKBOX ask that the “for now” non-disabled community evaluate their preconceived notions regarding disability and sexuality. How do you perceive disability and sexuality? What standard do you hold us to? Do you view us as an asexual monolith? Do you see our bodies as objects to commodify and or fetishize? Do you celebrate the disabled body and all of its beauty? \n\n\n\nThe mission at SPANKBOX is to provide a safe space where the community can self-educate by examining the disabled body and asking questions without shame. In return\, we ask that you engage in conversation with us by answering one of the many questions provided by our participants (SPANKERS). By educating the community about disability and sexuality\, we celebrate our identities as autonomous\, dimensional individuals rather than sick\, broken\, and vulnerable. When a community has been identified as weak\, that community will likely be preyed upon. \n\n\n\nIt is up to us\, society as a whole\, to engage in a conversation without pretense\, ego\, and hurt feelings. To effectively promote actual change\, we have to have uncomfortable conversations. It’s time for the disabled community to be seen for our abilities! We love\, celebrate\, work\, empathize\, motivate\, and move forward through an intrepid landscape of social barriers that should not exist in today’s time. \n\n\n\nDuring her residency at UUCA\, Jessica plans to focus on two bodies of work – REVERENCE (memory portraits) and SPANKBOX\, curating a show for the Pulgram Gallery at UUCA\, working with disabled and lgbtq+ youths and seniors by way of providing low-cost art classes\, providing an artist talk for the community and congregation\, and\, lastly\, with community support\, a prom for disabled and lgbtq+ youths. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests/General Public – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Masks are suggested and encouraged but optional.  Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The facility is ADA-compliant with wheelchair accessibility and offers auditory options for navigating the onsite exhibitions and facility. Please email programs@arttable.org if you require any specific accommodations.  Getting There The Pulgram Gallery at the Unitarian Universalist Congregation of Atlanta is located at 2650 N. Druid Hills Rd. NE Atlanta\, Georgia 30329. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\nJessica Elaine Blinkhorn is an Atlanta-based Interdisciplinary Artist. Blinkhorn’s work advocates for the LGBTQ+\, disabled\, and aging communities. Blinkhorn\, who uses a powerchair\, focuses her work on acceptance through acknowledgement of difference\, body positivity\, disability education through experience and exposure\, human sexuality\, and story-telling. \n\n\n\n\n\n\nImage: Jessica Blinkhorn\, SPANKBOX installation. All images provided by the artist.
URL:https://www.arttable.org/event/atlanta-ga-artist-talk-exhibition-tour-with-jessica-blinkhorn/
LOCATION:Unitarian Universalist Congregation of Atlanta\, Pulgram Gallery\, 2650 N. Druid Hills Rd. NE\, Atlanta\, Georgia\, 30329\, United States
CATEGORIES:Metro Atlanta
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230124T183000
DTEND;TZID=America/New_York:20230124T200000
DTSTAMP:20260403T175303
CREATED:20221221T172953Z
LAST-MODIFIED:20230109T164143Z
UID:11102-1674585000-1674590400@www.arttable.org
SUMMARY:New York\, NY | A Discussion on Pay Equity in the Visual Arts
DESCRIPTION:Data about pay and gender equity when it comes to arts professionals is woefully inaccessible and incomplete. Over the past several months\, in an effort to remedy some of these problems and contribute valuable knowledge to our community\, ArtTable has collected new data via a survey about the changing contours of the artistic labor market in order to better understand trends and advocate for arts professionals\, artists\, and arts workers of all types. Based on the feedback we have received so far\, and continue to receive\, we are pleased to present this discussion on gender\, compensation\, and inequality among arts professionals at the Ford Foundation in New York City. \n\n\n\nClick here to take the survey if you have not done so already! And read\, “Why You Should Fill Out ArtTable’s Survey on Working in the Arts” in Hyperallergic\, an op-ed by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nPanelists \n\n\n\n\nTania Aparicio\, PhD | Full-Time Lecturer\, Program in Arts Administration\, Teachers College\, Columbia University\n\n\n\nLaKeisha M.A. Caton | Partner\, Pryor Cashman\, Labor + Employment and Litigation Groups\n\n\n\nGillian Gualtieri\, PhD | Assistant Professor of Sociology\, Barnard College\, Columbia University of New York \n\n\n\n\nThe discussion will be moderated by ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter. \n\n\n\nThis program is free for all to attend. Registration is required due to capacity restrictions. Donations to support our continued efforts toward gender equality are always appreciated. People of all gender identities are allies in supporting women’s leadership in the arts and all are welcome and encouraged to join. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The use of face masks is strongly recommended but not required at the Ford Foundation. Please note that this is subject to change. Program attendees will be notified of any policy changes in advance of the program.If attendees feel unwell or are not able to comply with health and safety guidelines\, we ask that they please refrain from visiting the Ford Foundation at this time.Health screening: Event staff and attendees must be able to answer “no” to the following question:- Within the last 48 hours\, have you had any COVID-19 symptoms?Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Ford Foundation is committed to hosting fully accessible events\, and each of our event spaces meet ADA accessibility standards. If you are planning or attending an event and have questions about our accommodations and accessibility services\, please reach out to thecenter@fordfoundation.org at least two weeks prior to the event. We will make every effort to help you fully participate. Visitors are guaranteed safe access to restrooms\, regardless of their gender identity and/or expression. Event attendees are welcome to use the single-occupancy\, all-gender restrooms located on the eleventh floor and Level B. Guide dogs and service animals are permitted at the Ford Foundation Center for Social Justice. Other animals are not permitted. A room is available for nursing parents hosting or attending an event. Reservations for the space can be arranged through your Ford Foundation venue operations contact. Please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, at programs@arttable.org if you require specific accommodations for this program.  Getting There The Ford Foundation is located at 320 E 43rd Street\, New York\, NY 10017. Click here for directions from any location. The nearest subway stop is Grand Central\, which serves the 4\, 5\, 6\, and 7 lines. The M15 bus runs north on 1st Avenue and stops at 1st Avenue & 42nd Street; it runs south on 2nd Avenue and stops at 2nd Avenue & 42nd Street. \n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the city council. We also thank the Ford Foundation for hosting this discussion.\n\n\n\n\n\n\n\n\n\n\nAbout Dr. Tania Aparicio\nDr. Tania Aparicio (she/her) is a full-time lecturer in the Arts Administration Program at Teachers College-Columbia University. Using ethnographic and archival methods\, her research has focused on the study of cultural production\, cultural organizations\, and cultural workers–with particular attention to the dynamics of inequality in art worlds. In particular\, she has conducted a comparative investigation of the effects of unionization in arts organizations and how it shapes racialized and gendered relations in the workplace. Her research has been supported by the Mellon Foundation\, Fulbright Program\, Institute for Critical Social Inquiry\, and Janey Program in Latin American Studies. At The New School she completed her doctoral degree thanks to a Dean’s fellowship and a dissertation award. \nAbout LaKeisha M.A. Caton\nPartner LaKeisha M.A. Caton is a member of Pryor Cashman’s Labor + Employment and Litigation Groups\, and combines her comprehensive litigation background with a focus on employment-related matters to bring results to clients across the globe. Having represented both management and executives in discrimination and harassment cases\, LaKeisha brings her extensive knowledge of the law as well as her familiarity with the strategies often adopted by the opposition to every engagement. She leverages her comprehensive experience with federal\, state\, and local discrimination law and her background in litigation and dispute resolution to achieve favorable outcomes on behalf of her clients. \nRecent representations include: \n\nA Fortune 25 multinational bank in various litigations involving allegations of harassment and discrimination;\nA large global airline in connection with advice concerning employee classifications;\nVarious award-winning restaurants in numerous wage and hour litigations; and\nA global technology and consultancy firm in disputes involving restrictive covenants.\n\nWhile a student at Harvard Law School\, LaKeisha was on the Board of the Harvard Journal on Racial and Ethnic Justice. She also interned with multiple children’s rights organizations during which she represented individual clients as well as prepared for large class actions. \nAbout Gillian Gualtieri\, PhD\nGillian is a sociologist of inequality\, art\, and work. In 2018\, she received her PhD in Sociology from the University of California\, Berkeley\, where she wrote a dissertation focused on understanding how gender and ethno-racial inequality shape the work experiences of cultural entrepreneurs\, especially chefs\, under the direction of two of the leading scholars in feminist theory and work. Alongside her dissertation research\, Gillian worked closely with several campus offices to conduct program evaluation research related to sexual harassment and sexual violence prevention education on campus. After completing her PhD\, she was a Dean’s Fellow at NYU\, where she continued her research focused on inequality and artistic labor and completed several consulting projects for the university focused on diversity\, equity\, and inclusion recruitment and retention efforts at the university. \nAfter two years at NYU\, Gillian moved to Vanderbilt University’s Curb Center for Art\, Enterprise\, and Public Policy\, where she collaborated on projects related to the study of inequality in artistic labor markets\, developing expertise in SNAAP (Strategic National Arts Alumni Project) data and receiving a National Endowment for the Arts grant to fund her collaborative research. Also at Vanderbilt\, she wrote the curriculum and helped lead the NEA-funded Racial Equity in Arts Leadership program\, an evidence-based diversity\, equity\, and inclusion leadership program co-sponsored by the Curb Center and MetroArts Nashville. Gillian recently began a position as an assistant professor of sociology at Barnard College\, Columbia University\, where she teaches classes in race\, gender\, work\, and the sociology of art. \nAdditional speaker information is forthcoming.\n\n\n\n\n\n\nImage courtesy of Getty Images\, Mary Hall/NewsNation.
URL:https://www.arttable.org/event/new-york-ny-a-discussion-on-pay-equity-in-the-visual-arts/
LOCATION:Ford Foundation\, 320 E 43rd Street\, New York\, New York\, 10017\, United States
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230201T180000
DTEND;TZID=America/New_York:20230201T200000
DTSTAMP:20260403T175303
CREATED:20221222T205437Z
LAST-MODIFIED:20230121T183949Z
UID:11122-1675274400-1675281600@www.arttable.org
SUMMARY:New York\, NY | New York Chapter Holiday Party and Chapter Leadership Award Celebration
DESCRIPTION:Please join ArtTable at Berry Campbell Gallery in New York for our annual chapter holiday party\, back in person for the first time since 2019! Join us for light bites and networking while viewing the exhibition on view\, Mary Dill Henry: The Gardens\, plus the chance to have your tarot reading done by Joanne Yun of The Garden Journey and bid on some incredible items as part of our silent auction. We will also honor this year’s New York Chapter Leadership Award recipient\, Jacqueline Towers-Perkins! ArtTable staff will join us for a look back at 2022 and a look ahead to the coming year with ArtTable. We hope you’ll join us to celebrate the new year and toast to ArtTable and our wonderful community! \n\n\n\nDo you know someone who would love to join our ArtTable community? Bring them along! Current ArtTable members are encouraged to bring a prospective member to the event to introduce them to our network of professional women in the arts. \n\n\n\nWould you like to make a donation to the silent auction? Email programs@arttable.org with the details! Please include a description of the item/experience and its retail value.  \n\n\n\nSilent Auction Items (List in Formation) \n\n\n\n\nA gift certificate valued at $150 for a Bespoke Floral Arrangement\, provided by Florascent Design\n\n\n\nA Tarot Gift set valued at $95\, provided by The Garden Journey\n\n\n\n50 Searches on the Artnet Price Database valued at $150\, provided by Artnet\n\n\n\nA New York Botanical Garden Swag Bag valued at $100\, provided by the New York Botanical Garden\n\n\n\n3 Month Artwork Subscription valued at $2\,000\, provided by On Approval\n\n\n\nNew York by New York Coffee Table Book valued at $250\, provided by ASSOULINE\n\n\n\nSignature Madeline Earrings valued at $250\, provided by Mignonne Gavigan\n\n\n\nA Private 1-Hour Career Consulting Session valued at $150 with Suzanne Julig\n\n\n\n\nThis program is free for ArtTable Members! Members are encouraged to bring a guest for an additional $10. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety The use of face masks is recommended but not required. Our hosts ask that all attendees are fully vaccinated and abide by the honor system when registering for this program.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility There are several steps with a handrail leading to Berry Campbell's main entrance on 524 W 26th Street. A wheelchair accessible ramp is available at the loading dock if needed. If you require an accessible entrance\, please email Haley Carloni\, National Programs & Chapters Manager at ArtTable\, to coordinate in advance.  Getting There Berry Campbell Gallery is located 524 W 26th St\, New York\, NY 10001\, between 10th & 11th Avenues. Click here for directions from any location. The nearest subway stops are 23rd Street (A\, C\, E) and 28th Street (1\, 2). The M12 bus runs south down 11th Avenue and stops at 11th Ave & W 26th Street. The M11 bus runs north up 10th Avenue and stops at 10th Ave & W 27th Street. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Jacqueline Towers-Perkins\nJacqueline is a leading Auctioneer and auction house specialist\, who holds the position of Vice-President\, Specialist in the Contemporary Art Department at Sotheby’s New York . She was previously Auctioneer and Vice-President\, Director of Post-War & Contemporary Art at Bonhams Auctioneers. In her five year tenure\, Jacqueline was involved in some of the company’s most important sales and events\, including the previously unseen single-owner sale ‘Kusama: The Collection of the late Dr Teruo Hirose’; the sale of the first mural by Keith Haring to ever come to market; the department’s first curated selling exhibition\, and the exhibition of the collection of visual arts patron and hip-hop icon Q-Tip from A Tribe Called Quest. \nPrior to that she was a Contemporary Art Specialist at Artnet Auctions in New York and Paddle8 in London\, and held the position of Auctioneer and Head of the Paintings Department at a London auction house. She holds a Bachelor’s degree in the history of art and English literature from the University of Leeds\, and a Master’s from Sotheby’s Institute in London. \nA highly experienced international auctioneer\, for close to a decade Jacqueline ran an independent auctioneering and fundraising consultancy\, serving non-profit institutions and holding auctions at high profile charity galas and benefit events in the United States and Europe. She has shared the stage with leaders of finance\, entertainment\, tech and politics and notable clients include his Majesty King Charles III and Jay-Z and Beyonce. Over the years she has auctioneered to thousands of bidders and raised millions for charity. \nJacqueline has been a member of ArtTable for several years and served as Co-Chair of the Program’s Committee for two years from 2019 – 2021. She serves as a mentor to many young women in the art world and is passionate about supporting and empowering those embarking on a career in the field. \nAbout Berry Campbell Gallery\nChristine Berry and Martha Campbell opened Berry Campbell Gallery in the heart of Chelsea on the ground floor in 2013. The gallery has a fine-tuned program representing artists of post-war American painting that have been overlooked or neglected\, particularly women of Abstract Expressionism. Since its inception\, the gallery has developed a strong emphasis in research to bring to light artists overlooked due to age\, race\, gender\, or geography. This unique perspective has been increasingly recognized by curators\, collectors\, and the press. \nBerry Campbell has been included and reviewed in publications such as Architectural Digest\, Art & Antiques\, Art in America\, Artforum\, Artnet News\, Artnews\, The Brooklyn Rail\, Huffington Post\, Hyperallergic\, East Hampton Star\, The Financial Times\, Galerie Magazine\, Luxe Magazine\, The New Criterion\, the New York Times\, Vogue\, Wall Street Journal\, and Whitehot Magazine of Contemporary Art. \nIn September 2022\, Berry Campbell moved to 524 West 26th Street. The 9\,000-square-foot gallery houses 4\,500 square feet of exhibition space\, including a skylit main gallery and four smaller galleries\, as well as two private viewing areas\, a full-sized library\, executive offices and substantial on-site storage space. Gallery hours are Tuesday through Saturday\, 10 a.m. – 6 p.m or by appointment. For further information please call at 212.924.2178\, visit www.berrycampbell.com\, or email at info@berrycampbell.com. \n\n\n\n\n\n\nThank you to ArtTable Chapter Leaders in New York – Courtney Maier Burbela\, Laurence Lafforgue\, Regan Lynn Larroque\, and Angelica Semmelbauer – for organizing this program; to the New York Chapter Programs & Membership Committee members for their assistance and contributions to the silent auction; and to Christine Berry and Martha Campbell\, ArtTable members and co-owners of Berry Campbell Gallery for hosting this event.
URL:https://www.arttable.org/event/new-york-ny-new-york-chapter-holiday-party-and-chapter-leadership-award-celebration/
LOCATION:Berry Campbell Gallery\, 524 W 26th Street\, New York\, New York\, 10001\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/12/NY-Holiday-Party-e1674232658161.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T080000
DTEND;TZID=America/New_York:20230203T080000
DTSTAMP:20260403T175303
CREATED:20221207T161006Z
LAST-MODIFIED:20221208T004935Z
UID:11005-1675411200-1675411200@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Adriana Ospina at the Art Museum of the Americas
DESCRIPTION:Join ArtTable in Washington\, DC for February’s BreakfastTable program with Adriana Ospina\, Director of the Art Museum of the Americas of the Organization of American States. We will tour the museum and have coffee and a light breakfast. Adriana will discuss her work at the AMA\, including unique aspects of directing and curating at an institution focused on cultural diplomacy. \n\n\n\nAdriana Ospina is the Director of the Art Museum of the Americas of the Organization of American States\, as well as an ArtTable member. Since 2007\, she has held the position of Educational Program Manager and\, since 2014\, Curator of the Permanent Collection. She has curated numerous exhibitions; among them are Fusion: Tracing Asian Migration to the Americas; Femininity Beyond Archetypes: Photography by Natalia Arias; A Gaze through the CINTAS Fellowship Program; A Selection of Works from the CINTAS Foundation; Arts of the Americas; and No Ocean Between Us: Art of Asian Diasporas in Latin America & The Caribbean 1945-Present. She has also co-curated exhibitions including Visual Memory: Home + Place; and Dialog: Landscape and Abstraction | Freya Grand and AMA Permanent Collection. Ospina edited the book “Collection of the Art Museum of the Americas of the Organization of American States” (OAS\, 2017). She participated in the College Art Association Conference in 2013 and 2020. Ospina holds an MA in Art History from George Mason University. \n\n\nThe Art Museum of the Americas building\, completed in 1912\, was designed by Paul Cret and Albert Kelsey as the residence of the Directors General of the Pan American Union\, later the Secretaries General of the Organization of American States. In October of 1976\, the residence officially opened its doors to the public\, repurposed\, as the Museum of Modern Art of Latin America\, now the Art Museum of the Americas\, which shares the arts of OAS member states in this Spanish colonial style building\, a National Historical Landmark. \n \n \n\n\nThis program is free and open to ArtTable members only. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n Health & Safety Though neither masks nor proof of vaccination are required to visit the museum\, visitors are encouraged to wear masks and to maintain six feet of distance from other visitors. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility The museum’s first-floor galleries are wheelchair accessible. Please ask the guard to open the entrance at the rear of the museum and enter with the ramp. Restrooms are located on the second floor. There is a flight of winding stairs leading to the museum’s second floor. For more information on accessibility\, please contact 202-370-0147 or artmus@oas.org  Getting There The Art Museum of the Americas is located at 201 18th St NW\, Washington\, DC 20006. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImages: Adriana Ospina\, courtesy of the speaker; The Art Museum of the Americas loggia\, with Paul Cret and Albert Kelsey’s Spanish colonial design\, emphasized the social and diplomatic activities that would take place in the building\, incorporating an Italian patio with indigenous Aztec motifs. \n\n\n\nThank you to ArtTable member Sarah Gordon for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-adriana-ospina/
LOCATION:Art Museum of the Americas\, 201 18th St NW\, Washington\, District of Columbia\, 20006\, United States
CATEGORIES:Washington, D.C.
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230211T110000
DTEND;TZID=America/New_York:20230211T130000
DTSTAMP:20260403T175303
CREATED:20230123T224315Z
LAST-MODIFIED:20230126T155952Z
UID:11334-1676113200-1676120400@www.arttable.org
SUMMARY:Palm Springs\, CA | Tour & Reception at Intersect Palm Springs
DESCRIPTION:Please join us for a day at Intersect Palm Springs! Current and prospective members and guests are welcome to join for a special private tour of the fair with Liza Shapiro and Georgia Powell\, Co-Founders of CURA Art. Afterwards\, stick around for a meet-and-greet with ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter\, and learn more about ArtTable’s mission and how you can get more involved with the organization. \n\n\n\nIntersect Palm Springs is an art and design fair that brings together a dynamic mix of modern and contemporary galleries\, and is activated by timely and original programming. It is one of three annual cultural events produced by Intersect Art and Design\, in addition to Intersect Aspen and SOFA Chicago. Each event connect galleries with art lovers and collectors\, highlighting art and design locally\, regionally\, and globally. Overseen by Managing Director Becca Hoffman\, the Intersect team is committed to building community and connectivity in the locations of the fairs. Through cultural partners\, programming\, and curatorial vision\, Intersect offers year-round opportunities for dialogue\, engagement\, and inspiration. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests/General Public – $20\n\n\n\n\nYour ticket includes complimentary access to the fair and one complimentary drink ticket. You will receive information on accessing your VIP pass upon registration.  \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety To ensure the safety of all visitors\, participants\, and staff\, Intersect Palm Springs is closely monitoring the news\, and state and local CDC guidelines\, to inform their safety protocols. Please visit the City of Palm Springs website for the most up-to-date information\, here. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility The Palm Springs Convention Center (PSCC) provides permanent access accommodations under the guidance of the Americans with Disabilities Act (ADA). Wheelchairs are not available at the PSCC\, however\, they are able to provide you with a list of local vendors to accommodate special needs. Please email programs@arttable.org if you require any specific accommodations for this program.  Getting There The Palm Springs Convention Center is located at 277 N Avenida Caballeros\, Palm Springs CA 92262. Click here for directions from any location. For information on parking at the convention center and public transportation\, visit the fair's website. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Georgia Powell\nGeorgia studied in Italy and the UK\, earning a BA in Art History at the University of Warwick\, continuing her studies with an MA in the same subject in London. Georgia has gained experience at the Victoria and Albert Museum\, London\, and with an exhibition designer to catalogue and display prominent private collections including The Myers Collection at Eton College and the Portland Collection at Welbeck Abbey. She then managed The Redfern Gallery on London’s prestigious Cork Street. As Assistant Curator of the renowned\, private collection of decorative arts owned by The Goldsmiths’ Company in London\, Georgia was responsible for managing\, exhibiting and expanding a collection of more than 9\,000 objects. Georgia is a featured lecturer at Christie’s Education and speaks regularly on the subject of the role of the Collector today. \nAbout Liza Shapiro\nLiza’s interest for caring for works of art began while studying art restoration in Florence\, Italy. She earned a BA in Art Conservation from Camberwell College of Arts\, London\, and an MA in Museum Studies from University College London (UCL). Liza worked at several museums\, galleries and conservation studios\, including Tate Modern\, the Victoria and Albert Museum and The Redfern Gallery. At the oldest hat shop in the world\, Lock & Co. Hatters\, Liza preserved and catalogued more than 400 ledgers and historical material in order to curate a new\, permanent exhibition space. Liza returned home to California in 2015\, and has established a strong LA presence\, working with varied private collections and industry specialists. Liza is also a mentor for Upward & Associates\, a platform that offers guidance and concrete tools to help artists meet their professional goals.  \n\n\n\n\n\n\nImage: Mary Dill Henry\, Here Comes the Sun\, 1972. Acrylic on canvas\, 48 x 72 in (121.9 x 182.9 cm)\, Signed\, dated and titled on verso\, © Estate of Mary Dill Henry. Courtesy of Berry Campbell\, New York
URL:https://www.arttable.org/event/palm-springs-ca-tour-reception-at-intersect-palm-springs/
LOCATION:Intersect Palm Springs\, Palm Springs Convention Center\, 277 N Avenida Caballeros\, Palm Springs\, California\, 92262\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/01/52427668094_441490bced_o.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230211T150000
DTEND;TZID=America/New_York:20230211T170000
DTSTAMP:20260403T175303
CREATED:20230112T163907Z
LAST-MODIFIED:20230120T162450Z
UID:11245-1676127600-1676134800@www.arttable.org
SUMMARY:Yonkers\, NY | Private Tour of "Matrix: Prints by Women Artists\, 1960–1990" with Laura Vookles\, Chief Curator of Collections\, Hudson River Museum
DESCRIPTION:Please join us for private tour of Matrix: Prints by Women Artists\, 1960–1990 led by Laura Vookles\, Chief Curator of Collections at the Hudson River Museum and ArtTable member\, followed by a light reception. \n\n\n\nMatrix: Prints by Women Artists\, 1960–1990 explores a period of experimentation in printmaking among women artists\, who used the art form as a means of creative expression and also a way to enter the male-dominated art market. Artists such as Minna Citron\, Chryssa\, Helen Frankenthaler\, the Guerrilla Girls\, Louise Nevelson\, Faith Ringgold\, and Julia Santos Solomon experimented with the medium during these three decades and became a formidable matrix from which a new generation of printmakers would develop. Individually and collectively\, these artists expanded the genre through their mastery of technique and collaboration\, while defining and broadening a new\, more inclusive voice and visual language. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Mask wearing and COVID-19 vaccination are no longer required\, but are recommended for all visitors. Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility Wheelchairs are provided for visitors upon request; the Planetarium and the Amphitheater are equipped with Radio Frequency Assisted Listening Systems (ALSs); service dogs are welcome at the Museum. Please email programs@arttable.org if you require any specific accommodations.  Getting There The Hudson River Museum is located at 511 Warburton Avenue\, Yonkers\, NY 10701. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Laura Vookles\nLaura Vookles\, Chief Curator of Collections at the Hudson River Museum\, has co-curated and written essays for Museum publications\, including “The Old Croton Aqueduct: Rural Resources Meet Urban Needs”; “Next Stop Westchester! People and the Railroad”; “Westchester: The American Suburb”; “Dutch New York: the Roots of Hudson Valley Culture”; “Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth”; and “The Panoramic River: The Hudson and the Thames.” She also conceived\, curated and wrote the lead essay and catalogue for “Elihu Vedder: Journey on the Nile.” In the 28 years that she has worked at the Hudson River Museum\, she has focused much effort on Glenview\, the Museum’s 1877 Hudson River house for which she completed numerous furnishing\, conservation\, and interpretation projects. Vookles is also a member of ArtTable. \n\n\n\n\n\n\nImage: Julia Santos Solomon (American\, b. Dominican Republic\, 1956). Palma Real\, 1988. Silkscreen. Private Collection. © Julia Santos Solomon. Courtesy of the Hudson River Museum.
URL:https://www.arttable.org/event/yonkers-ny-private-tour-of-matrix-prints-by-women-artists-1960-1990-with-laura-vookles-chief-curator-of-collections-hudson-river-museum/
LOCATION:Hudson River Museum\, 511 Warburton Avenue\, Yonkers\, New York\, 10701\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230212T110000
DTEND;TZID=America/New_York:20230212T130000
DTSTAMP:20260403T175303
CREATED:20230110T230858Z
LAST-MODIFIED:20230111T214538Z
UID:11220-1676199600-1676206800@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table - "Julia Morgan: An Intimate Biography of the Trailblazing Architect" by Victoria Kastner
DESCRIPTION:Please join us in Berkeley\, CA for the next Reading at the (Art)Table book group\, where we will be discussing Julia Morgan: An Intimate Biography of the Trailblazing Architect\, by Victoria Kastner. We will come together at Julia Morgan’s Berkeley City Club and become immersed in one of the architect’s magical spaces through an informal tour. \n\n\n\nThis program is free to attend and open to ArtTable members only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety All attendees must wear face masks while in the building. Attendees should arrive on time so that they may be escorted in.Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Accessibility There is a ground level entrance which is wheelchair accessible and an elevator to the main floor. Please email programs@arttable.org if you need such accommodation and we will arrange with the staff.  Getting There The Berkeley City Club is located 2315 Durant Way\, Berkeley\, CA 94704. Click here for directions from any location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Book cover of Julia Morgan: An Intimate Biography of the Trailblazing Architect\, by Victoria Kastner
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-julia-morgan-an-intimate-biography-of-the-trailblazing-architect-by-victoria-kastner/
LOCATION:Berkeley City Club\, 2315 Durant Avenue\, Berkeley\, California\, 94704\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/01/jTTYKnxNfx.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230215T183000
DTEND;TZID=America/New_York:20230215T183000
DTSTAMP:20260403T175303
CREATED:20221117T195054Z
LAST-MODIFIED:20240216T205837Z
UID:10615-1676485800-1676485800@www.arttable.org
SUMMARY:Los Angeles\, CA | ArtTable’s 2023 Annual Benefit\, Honoring Shirley Pooler Kinsey
DESCRIPTION:Visit this link to watch a recap of the Los Angeles\, CA | ArtTable’s 2023 Annual Benefit\, Honoring Shirley Pooler KinseyThank you for joining us in Los Angeles for ArtTable’s 2023 Annual Benefit & Award Ceremony! \n\n\n\nOur Distinguished Service in the Visual Arts Award was given to philanthropist and collector Shirley Pooler Kinsey. \n\n\n\nSurrounded by The Kinsey Art Collection\, nestled in SoFi Stadium we celebrated the work of Shirley and continue ArtTable’s mission of supporting the leadership and work of women and nonbinary professionals in the visual arts. \n\n\n\n\n\n\n\n\n\n\n\nProgram\n\n\n\nVIP Reception\n\n\n\n5:30 – 6:30 PM\n\n\n\nReception and Private Tour of the Kinsey African American Art & History Collection\n\n\n\n(For ticket holders at $550 and above)\n\n\n\nMembers of the Kinsey Family will welcome and guide us through the extensive collection of art and artifacts from around the world. \n\n\n\n\n\n\n\nAnnual Benefit and Award Ceremony\n\n\n\n6:30 – 8:30 PM\n\n\n\nCelebration\, Drinks\, and Light Bites\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Tickets $20\,000 - Fellowship Program Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpoken recognition at the BenefitSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldAcknowledgement in Fellowship press release and listing on Impact Initiatives webpagePremier Video Ad$15\,000 - Gold Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldSupports five (5) Affiliate level membershipsPriority Screen Ad$10\,000 - Silver Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Reception & TourPremier recognition in Benefit listingsSpecial GiftProvides one (1) Mentorship ticket for an emerging professional in the fieldPriority Screen Ad$5\,000 - Bronze Supporter Ten (10) tickets to the BenefitFive (5) tickets to the VIP Reception & TourRecognition in Benefit listingsSpecial GiftClassic Screen Ad$3\,000 - Host Committee: Leadership Ticket Four (4) tickets to the BenefitFour (4) tickets to the VIP Reception & TourRecognition in Benefit listings$1\,000 - Host Committee: Executive Ticket Two (2) tickets to the BenefitTwo (2) tickets to the VIP Reception & TourRecognition in Benefit listings$550 - Host Committee: Member Friend Ticket One (1) ticket to the BenefitOne (1) ticket to the VIP Reception & TourRecognition in Benefit listings$325 - General Ticket $225 - ArtTable Member Ticket $175 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professional (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatAdvertisements will be displayed at the Los Angeles (February 15) and New York (April 4) Benefits if submitted by February 1\, 2023. Please submit creative to programs@arttable.org with the subject line "Benefit Ad Submission." \n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the button below to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 8th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nAbout Shirley Pooler Kinsey\n\n\n\nAlong with her husband Bernard and son Khalil\, Shirley has developed one of the largest and most comprehensive private collections of African-American history and art in the world\, which includes more than 700 pieces of art and artifacts that tell the story of African Americans’ historical struggles from 1632 to present. The Kinsey Collection has been featured in more than 30 exhibitions in over 30 states and is an unparalleled archive and celebration of the achievements and contributions of black Americans from before the formation of the United States to the present times. \n\n\n\nThe Kinseys have become known for their collection of art\, books\, artifacts\, and ephemeral objects that document the remarkable achievements and contributions of African Americans from 1595 to the present\, considered to be one of the largest of its kind. Since 2006\, The Kinsey African American Art & History Collection – Where Art and History Intersect”\, has been on national tour and seen by over 15 million visitors to date. The collection has exhibited in nearly 40 venues\, including the Smithsonian National Museum of American History\, Epcot at Walt Disney World\, Hong Kong University and now SoFi Stadium in Inglewood\, California where it debuted during Super Bowl LVI and is on view through February 2023. In 2008\, Shirley co-founded the Kinsey Foundation for the Arts and Education to promote broader awareness and understanding of African American history and culture. The foundation has educational partnerships around the country and abroad\, assisting with the development and implementation of curriculums and public programs. The Kinseys have traveled extensively and reside in Pacific Palisades\, California. They are the proud parents of their son Khalil who is the COO and Chief Curator of the Kinsey African American Art & History Collection. \n\n\n\nClick here to view Shirley’s full bio. \n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/los-angeles-ca-arttables-2023-annual-benefit-honoring-shirley-pooler-kinsey/
LOCATION:SoFi Stadium\, 1001 Stadium Drive\, Los Angeles\, California\, 90301\, United States
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/11/2023_Benefit_LA.jpg
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