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DTSTART;TZID=America/New_York:20230403T183000
DTEND;TZID=America/New_York:20230403T200000
DTSTAMP:20260403T192218
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SUMMARY:New York\, NY | VIP Reception & Director Talk | Storage
DESCRIPTION:ArtTable’s VIP Reception & Director Talk kicks off the New York City Benefit Week! Our Board of Directors\, awardees\, benefit attendees at the $550 level and above\, corporate sponsors\, partners\, and most generous supporters are invited for an evening of refreshments and networking with friends and colleagues on the evening before the Benefit.Gallery Director Onyedika Chuke will guide guests through a private tour of the Storage group exhibition\, featuring works by artists Baxter Koziol\, Angela Dufresne\, Tauba Auerbach\, Al Loving and others.  \n\n\n\nThis event is by invitation only. The address and any additional information will be shared with attendees in advance. \n\n\n\nTo become an ArtTable Circle member\, click here or email membership@arttable.org.To become a member of the Host Committee\, click here. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/2023-annual-benefit-new-york-vip-storage/
LOCATION:New York City\, New York City\, New York\, United States
CATEGORIES:National,ArtTable Circle
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/03/NY-VIP-Reception-Mon-April-3rd-20223-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230404T183000
DTEND;TZID=America/New_York:20230404T200000
DTSTAMP:20260403T192218
CREATED:20221117T195416Z
LAST-MODIFIED:20240216T210038Z
UID:10693-1680633000-1680638400@www.arttable.org
SUMMARY:New York\, NY | ArtTable’s 2023 Annual Benefit\, Honoring Deana Haggag
DESCRIPTION:Visit this link to watch a recap of the New York\, NY | ArtTable’s 2023 Annual Benefit\, Honoring\, Deana HaggagThank you for joining us in New York for ArtTable’s 2023 Annual Benefit & Award Ceremony! \n\n\n\nOur New Leadership Award was given to arts administrator\, cultural worker\, and program officer in Arts and Culture at The Andrew W. Mellon Foundation\, Deana Haggag. The Award was presented by Pulitzer Prize-winning poet\, Natalie Diaz. featuring special remarks by Marcela Guerrero\, DeMartini Family Curator\, The Whitney Museum of American Art.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nPROGRAM\n\n\n\nApril 4 | NeueHouse6:30 – 8:00 PM \n\n\n\nCelebration\, Drinks\, and Light Bites\n\n\n\n\n\n\n\nOur host committee supporters were invited to a VIP event April 3rd. Click here for details! \n\n\n\n\n\n\n\nTicket & Advertisement Levels\n\n\n Tickets $20\,000 - Fellowship Program Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Event (details forthcoming)Premier recognition in Benefit listingsSpoken recognition at the BenefitSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldAcknowledgement in Fellowship press release and listing on Impact Initiatives webpagePremier Video Ad$15\,000 - Gold Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Event (details forthcoming)Premier recognition in Benefit listingsSpecial GiftProvides two (2) Mentorship tickets for emerging professionals in the fieldSupports five (5) Affiliate level membershipsPriority Screen Ad$10\,000 - Silver Supporter Ten (10) tickets to the BenefitTen (10) tickets to the VIP Event (details forthcoming)Premier recognition in Benefit listingsSpecial GiftProvides one (1) Mentorship ticket for an emerging professional in the fieldPriority Screen Ad$5\,000 - Bronze Supporter Ten (10) tickets to the BenefitFive (5) tickets to the VIP Event (details forthcoming)Recognition in Benefit listingsSpecial GiftClassic Screen Ad$3\,000 - Host Committee: Leadership Ticket Four (4) tickets to the BenefitFour (4) tickets to the VIP Event (details forthcoming)Recognition in Benefit listings$1\,000 - Host Committee: Executive Ticket Two (2) tickets to the BenefitTwo (2) tickets to the VIP Event (details forthcoming)Recognition in Benefit listings$550 - Host Committee: Member Friend Ticket One (1) ticket to the BenefitOne (1) ticket to the VIP Event (details forthcoming)Recognition in Benefit listings$325 - General Ticket $225 - ArtTable Member Ticket $175 - Early Bird Ticket (ArtTable Members Only\, Closes December 31) $175 - Mentorship Ticket Mentorship tickets provide access to the Benefit for a current or former ArtTable Fellow or other early career professional (Please note that mentorship tickets are distributed through the national office and may not be purchased for a specific person). Advertisement Levels Premier Video Ad$2\,000 Member / $2\,200 Non-Member Five-second video ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; mp4 formatPriority Screen Ad$700 Member / $800 Non-Member Three-second priority screen ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatClassic Screen Ad$400 Member / $500 Non-Member Three-second ad to be played on rotation at both Benefit eventsInclusion in dedicated e-blast to ArtTable members16:9 aspect ratio; .jpg or .pdf formatAdvertisements will be displayed at the Los Angeles (February 15) and New York (April 4) Benefits if submitted by February 1\, 2023. Please submit creative to programs@arttable.org with the subject line "Benefit Ad Submission." \n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister Online\n\n\n\nClick the button below to register online. \n\n\n\n\n\n\n\n\n\nRegister by Mail\n\n\n\nPrefer to register by mail? Please send your payment and filled out registration form to: \n\n\n\nArtTable1 East 53rd Street\, 8th FloorNew York\, NY 10022 \n\n\n\n\n\n\n\n\n\nAbout Deana Haggag\n\n\n\nAs former president and CEO of United States Artists\, Deana developed a wide range of programs to support artists across the country including Artist Relief\, a $25 million emergency initiative to support artists facing dire financial circumstances due to COVID-19\, and Disability Futures\, an initiative aimed at increasing the visibility of disabled creative practitioners across disciplines and geography and elevating their voices individually and collectively. Her innovative approaches to cultivating support for artists have enriched our national cultural landscape\, and her leadership has changed the lives of hundreds of artists across the country.  \n\n\n\nIn addition to her leadership roles\, Deana is a strategic advisor to cultural foundations and philanthropic initiatives including the Ruth Foundation for the Arts and Chanel Next Prize. She also lectures extensively\, consults on various art initiatives\, contributes to cultural publications\, and has taught at institutions such as Johns Hopkins University and Towson University. She is on the Boards of The Underground Museum and Pillars Fund\, Artistic Director’s Council of Prospect.5 and Advisory Council of Recess\, and Editorial Advisory of Hope & Dread: Tectonic Shifts In Power In Art\, a documentary series examining recent clashes of power in culture. \n\n\n\nShe has completed the National Arts Strategies Chief Executive Program in 2020\, Stanford Impact Program for Arts Leaders in 2018\, and was a Salzburg Global Fellow for Young Cultural Innovators in 2015. Among other honors\, she was most recently named a 2020 YBCA 100 Honoree. She has been profiled or featured in Artnet News\, CNN\, Cultured Magazine\, The Cut\, Departures\, Elle Decor\, New York Times\, The Observer\, Vogue\, Wall Street Journal\, Washington Post\, and more. She received her MFA in Curatorial Practice from the Maryland Institute College of Art and a BA from Rutgers University in Art History and Philosophy. \n\n\n\nAbout Nicole Diaz\n\n\n\nPulitzer-prize winning poet Nicole Diaz is the author of Postcolonial Love Poem. Read her bio here. \n\n\n\nAbout Marcela Guerrero\n\n\n\nGuerrero is the DeMartini Family Curator at The Whitney Museum of American Art. She has worked at the Whitney for nearly six years and was the Museum’s first curator to specialize in Latinx art. She currently serves as the Jennifer Rubio Associate Curator and has curated landmark exhibitions including no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria. That show\, on view at the Museum through April 23\, explores the impact of the devastating storm on contemporary Puerto Rican art. This powerful and renowned exhibition is the first survey of Puerto Rican art at a major U.S. art museum in fifty years. Guerrero was also part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art\, 1925–1945 at the Whitney in 2020\, and curated Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, a 2018 exhibition that featured the work of seven emerging Latinx artists. This summer\, Guerrero will co-curate an exhibition of artist Ilana Savdie’s latest work\, including paintings and drawings\, as well as new works produced for the Whitney. Guerrero is responsible for many major acquisitions of work by prominent Latinx artists to the Whitney’s collection\, including Laura Aguilar\, Patrick Martinez\, and Freddy Rodriguez. She has also been instrumental in the Museum’s digital and on-site Spanish language initiatives. \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable.
URL:https://www.arttable.org/event/new-york-ny-arttables-2023-annual-award-ceremony-honoring-deanna-haggag/
LOCATION:NeueHouse\, 110 E 25th Street\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/01/2023_Benefit_NY_1.4.23-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230407T080000
DTEND;TZID=America/New_York:20230407T090000
DTSTAMP:20260403T192218
CREATED:20230324T232000Z
LAST-MODIFIED:20230401T233416Z
UID:11784-1680854400-1680858000@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Mary Early\, HEMPHILL Artworks
DESCRIPTION:Join us for a morning conversation and gallery tour with Mary Early\, Director of HEMPHILL Artworks\, featuring the exhibition: Prints & Works on Paper.Prints and Works on Paper (March 18 – May 6\, 2023)The 19 artists presented in Prints & Works on Paper worked from the mid-1930s through 2014. While the work spans almost a century\, it was made within the shared social and political context of the Black experience in America. These artists did not perceive a line where activism ended and art began. Believing that pictures could make a difference\, they were invested in advocating for justice\, empowerment\, and community through education; the intentionality of creating editioned prints in a workshop setting reflects this dedication. Printmaking facilitated a wider distribution of their messages\, allowing artists to be deliberate about connection and reaching a larger audience. Imagery portraying a rich social life offered viewers positive self-representation\, verity\, and aspiration for the future. The private collection of 38 works passionately assembled over a 30-year period\, is honest in content and impressive in technique\, both captivating the audience and effectively conveying the artworks’ significance. By boldly broadcasting their identities while the art world was systematically prejudiced\, the artists in Prints & Works on Paper documented a difficult past and visualized a brighter future.Ron Adams\, Benny Andrews\, Romare Bearden\, John Biggers\, Elizabeth Catlett\, Robert Colescott\, Allan Rohan Crite\, Aaron Douglas\, Sam Gilliam\, Palmer Hayden\, Jacob Lawrence\, Norman Lewis\, Lois Mailou Jones\, Alison Saar\, Charles Sebree\, Renée Stout\, James Lesesne Wells\, Charles White\, Hale Woodruff \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nABOUT MARY EARLY \n\n\n\n\n\n\n\nMary Early (b. 1975) is an artist and art dealer based in Washington\, DC. She studied visual art\, film\, and video at Bennington College\, and her work has been exhibited at the United States Botanic Garden\, Washington Project for the Arts\, the Corcoran Gallery of Art\, Second Street Gallery (Charlottesville\, VA)\, Hemphill Fine Arts (Washington DC\,) the Austrian Cultural Forum (Washington DC)\, Galerie Im Ersten (Vienna\, Austria)\, Kloster Schloss Salem (Salem\, Germany)\, Kunstlerbund Tubingen (Tubingen\, Germany)\, the American University Museum (Washington DC)\, and the Sun Valley Museum of Art (Ketchum\, ID). Early’s work is included in the collections of the US Department of State/Embassy of Panama and Embassy of Jordan\, the District of Columbia Art Bank\, the American University Museum (Corcoran Collection). She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities\, Washington DC (2022\, 2020\, 2019\, 2018\, 2017\, 2016\, 2015\, 2014\, 2011\, 2009\, 2007). \n\n\n\nEarly is the director of HEMPHILL Artworks\, Washington\, DC\, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates\, including William Christenberry (Estate)\, Colby Caldwell\, Jacob Kainen (Estate)\, Hedieh Javanshir Ilchi\, Mingering Mike\, Robin Rose\, Renée Stout\, Alma Woodsey Thomas\, Julie Wolfe\, Workingman Collective. She specializes in the artists of the Washington Color School. Early works with living artists and artists’ heirs on long-range planning\, and with private and institutional collectors to build and manage significant collections. She has a particular interest in public art and community engagement\, the materials and processes of contemporary sculpture\, and professional development for emerging and under-represented artists. \n\n\n\nABOUT HEMPHILL \n\n\n\nHEMPHILL Artworks opened in Washington DC in September\, 1993. The exhibition schedule features contemporary art ranging in media from emerging to mid-career and established artists. In addition to these shows\, the gallery mounts exhibitions of historically-significant artwork and socially relevant subjects. The diversity of this schedule is designed to showcase important talent and provide artwork that appeals to a broad range of interests. \n\n\n\nFrom its beginnings\, HEMPHILL has advised corporate and private collectors. This initial client base was built upon contacts and experiences gained in academia\, with private galleries\, and with architectural and design firms. HEMPHILL’s consulting and advisory work has expanded to include companies and individuals worldwide. HEMPHILL offers collectors the chance to experience a broad range of aesthetic experiences both through the gallery exhibition program and through private viewing opportunities. It also provides an opportunity to be directly involved in the artists’ community as well as the creative process. \n\n\n\nSpecial events include the ongoing ART TALKS series\, artist book signings\, and charitable vents for area nonprofits. Begun in 1998\, the ART TALKS series includes educational lectures on topics such as collecting for beginners\, artist talks\, and panel discussions on issues in contemporary art. In 2020\, HEMPHILL inaugurated a new gallery space in Washington’s historic Mount Vernon Square neighborhood. Featuring an open gallery floor plan and glass partitions that invite guests into the office area\, the design allows for increased interaction and conversation. As we enter 2023\, the third year in this new space and the third year of a global pandemic\, we continue to welcome first-time visitors.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-mary-early-hemphill-artworks/
LOCATION:HEMPHILL Artworks\, 434 K STREET NW\, Washington\, DC\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/03/BreakfastTable_MaryEarly_WashingtonDC_April7.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230416T110000
DTEND;TZID=America/New_York:20230416T130000
DTSTAMP:20260403T192218
CREATED:20230414T202009Z
LAST-MODIFIED:20230414T202012Z
UID:11992-1681642800-1681650000@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table - "Maria Lassnig—The Biography" by Natalie Lettner
DESCRIPTION:Please join us in Berkeley\, CA for the next Reading at the (Art)Table book group\, where we will be discussing Maria Lassnig—The Biography by Natalie Lettner. This detailed account of the artist who died in 2014 at the age of 96 reveals a gritty view of life as a woman making art in the second half of the 20th century. \n\n\n\nThis program is free to attend and open to ArtTable members only. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Book cover of Maria Lassnig—The Biography by Natalie Lettner
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-maria-lassnig-the-biography-by-natalie-lettner/
LOCATION:Gillman Grill\, 1300 Fourth Street\, Berkeley\, California\, 94710
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/PHmpTsrifU.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230419T153000
DTEND;TZID=America/New_York:20230419T163000
DTSTAMP:20260403T192218
CREATED:20230401T205801Z
LAST-MODIFIED:20230411T150324Z
UID:11865-1681918200-1681921800@www.arttable.org
SUMMARY:Washington\, DC | Tour of "Philip Guston Now" at the National Gallery of Art with Nathalie Ryan
DESCRIPTION:Join us for a special private tour of Phillip Guston Now exhibit at the National Gallery of Art with Senior Educator Nathalie Ryan. The exhibition charts the 50-year career of one of America’s most influential modern artists through more than 150 paintings and drawings. Guston’s story is one of epic change—of artistic styles\, from muralism to abstract expressionism to figuration\, of degrees of political and social involvement\, and of levels of personal confession in his work. Renowned in his time and in ours\, Guston’s work continues to resonate\, attract\, and provoke\, raising crucial questions about the relationship of art to beauty and brutality\, freedom and doubt\, politics and the imagination.Nathalie A. Ryan has contributed to education programming\, publications\, and exhibitions to the National Gallery of Art since 2002. She has twenty years of demonstrated experience in conceptualizing\, implementing\, and evaluating outcome-based programming for museums and other educational institutions. Nathalie is also an Instructor at the Harvard Graduate School of Education\, coaching K-12 teachers and administrators in arts and thinking-centered learning frameworks. An artist herself\, Nathalie is the Book Arts Associate at Pyramid Atlantic Art Center in Hyattsville\, MD\, where she oversees the Bindery and teaches workshops in bookmaking\, paper engineering\, and printmaking. \n\n\n\nThe exhibition is organized by the National Gallery of Art\, Washington; the Museum of Fine Arts\, Boston; Tate Modern\, London; and the Museum of Fine Arts\, Houston. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – Complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Natalie Ryan\n \nNathalie A. Ryan has contributed to education programming\, publications\, and exhibitions to the National Gallery of Art since 2002. She has twenty years of demonstrated experience in conceptualizing\, implementing\, and evaluating outcome-based programming for museums and other educational institutions. Nathalie is also an Instructor at the Harvard Graduate School of Education\, coaching K-12 teachers and administrators in arts and thinking-centered learning frameworks. An artist herself\, Nathalie is the Book Arts Associate at Pyramid Atlantic Art Center in Hyattsville\, MD\, where she oversees the Bindery and teaches workshops in bookmaking\, paper engineering\, and printmaking. \n\n\n\n\n\n\nImage: Philip Guston\, Painting\, Smoking\, Eating\, 1973\, oil on canvas\, Collection of the Stedelijk Museum\, Amsterdam. © The Estate of Philip Guston\, courtesy Hauser & Wirth.
URL:https://www.arttable.org/event/washington-dc-tour-of-philip-guston-now-at-the-national-gallery-of-art-with-nathalie-ryan/
LOCATION:The National Gallery of Art\, East Building: 4th St and Constitution Ave NW. Enter or exit at 4th Street.\, Washington\, District of Columbia\, 20565
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/guston_painting-smoking-eating_16x9_©-Philip-Guston-via-Hauser-Wirth.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230421T100000
DTEND;TZID=America/New_York:20230421T113000
DTSTAMP:20260403T192218
CREATED:20230323T174703Z
LAST-MODIFIED:20230411T180350Z
UID:11712-1682071200-1682076600@www.arttable.org
SUMMARY:National | Annual Brunch at the Dallas Art Fair
DESCRIPTION:Join ArtTable in Dallas\, TX for the Annual Coffee Reception to experience The Dallas Art Fair (DAF) on Friday April 21\, 2023 before it opens to the public! \n\n\n\nWe’ll meet at 10 AM Central Time and enjoy some networking with coffee\, conversation\, and light bites. At 10.30 AM\, we’ll hear brief remarks from Kelly Cornell (Fair Director) and Jennifer Klos (Art Advisor and Founder\, Collector House Design\, Inc)\, with introductions by Laurie Ann Farrell and Louky Keijsers Koning\, DFW Chapter Co-Chairs. \n\n\n\nPlease note: when you register for this ArtTable Breakfast\, you will have access to a complimentary 3-day pass to the Dallas Art Fair. *Your confirmation email will have your coupon code and instructions on how to set this up.* \n\n\n\nThank you to the Dallas Art Fair (DAF)\, Kelly Cornell\, and Sarah Blagden (VIP Relations Director\, DAF) for hosting the event\, The Joule Hotel for the catering\, and Jennifer Klos for organizing the program. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $25\n\n\n\nMember Guests – $35\n\n\n\nPublic – $45\n\n\n\n\nPlease note: when you register for this ArtTable Breakfast\, you will have access to a complimentary 3-day pass to the Dallas Art Fair. Your confirmation email will have your coupon code and instructions. \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs.
URL:https://www.arttable.org/event/dallas-tx-national-annual-brunch-and-tour-at-the-dallas-art-fair/
LOCATION:Dallas Art Fair\, 1807 Ross Ave\, Dallas\, TX\, Dallas\, Texas\, 75201\, United States
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/03/Dallas-Art-Fair-1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230426T170000
DTEND;TZID=America/New_York:20230426T180000
DTSTAMP:20260403T192218
CREATED:20230323T151722Z
LAST-MODIFIED:20230511T134437Z
UID:11735-1682528400-1682532000@www.arttable.org
SUMMARY:New York\, NY | "Gego: Measuring Infinity" at The Guggenheim
DESCRIPTION:Join us at the Guggenheim as curator Andrea Zambrano walks us through a retrospective of one of the great pioneering Venezuelan artists\, Gego—or Gertrud Goldschmidt (b. 1912\, Hamburg; d. 1994\, Caracas). Gego’s two-and-three dimensional works across many media explored the relationship between line\, space\, and volume. Her practice is grounded in the intersections of geometric abstraction\, Kinetic art\, Minimalism\, and Post-Minimalism. Trained as an architect (b. 1912 Hamburg; d. 1994 Caracas)\, known for her organic forms\, linear structures\, and spatial investigations\, this exhibition will establish her legacy in the Americas. \n\n\n\nAndrea Zambrano is an emerging curator and art historian whose primary research interests are in modern and contemporary Latin American art. In 2021 she joined the Solomon R. Guggenheim Museum\, serving as the curatorial assistant on Alex Katz: Gathering (2021). Currently\, Andrea is on the curatorial team of Gego: Measuring Infinity\, working alongside exhibition curators Geaninne Gutiérrez-Guimarães and Pablo Leon de la Barra. For the 2nd group tour\, there will be a specialist in the Department of Education.Special thanks to Julia P. Herzberg\, Ph.D\, Regan Larroque\, and Leah Heister Burton for this event.COVID-19 vaccination and mask-wearing are no longer required but are strongly recommended. We encourage all visitors to wear masks that cover their nose and mouth throughout their visit. \n\n\n\nTo request accommodation due to a medical condition or disability\, please contact visitorinfo@guggenheim.org prior to your visit. The tour will be a walk through on the five floors. It will last an hour. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n*THIS EVENT IS NOW AT CAPACITY! * \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Curator\n \nAndrea Zambrano is an emerging curator and art historian whose primary research interests are in modern and contemporary Latin American art. In 2021 she joined the Solomon R. Guggenheim Museum\, serving as the curatorial assistant on Alex Katz: Gathering (2021). Currently\, Andrea is on the curatorial team of Gego: Measuring Infinity\, working alongside exhibition curators Geaninne Gutiérrez-Guimarães and Pablo Leon de la Barra. For the 2nd group tour\, there will be a specialist in the Department of Education. \n\n\n\n\n\n\nImages: Gego Installing Reticulárea\, Museo de Bellas Artes de Caraca-1969. Photo Juan Santana ©Fundación Gego. Andrea Zambrano\, Nina Godridge ©
URL:https://www.arttable.org/event/new-york-ny-gego-measuring-infinity-at-the-guggenheim/
LOCATION:The Solomon R. Guggenheim Museum\, 1071 5th Ave\, New York\, New York\, 10128
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230429T100000
DTEND;TZID=America/New_York:20230429T120000
DTSTAMP:20260403T192218
CREATED:20230325T203111Z
LAST-MODIFIED:20230721T153322Z
UID:11769-1682762400-1682769600@www.arttable.org
SUMMARY:*POSTPONED* Atlanta\, GA | Exhibition Tour | Women to Watch: Melissa Messina & Sierra King
DESCRIPTION:NOTE: this event has been postponed: watch this space and @arttable_atl for new dates and more Atlanta Events. \n\n\n\n\n\nJoin ArtTable at Atlanta Contemporary for a talk and tour of the Women to Watch series exhibition led by Melissa Messina and Sierra King! This exhibition is presented at Atlanta Contemporary in partnership with the Georgia Committee of the National Museum of Women in the Arts.For the 2023 iteration of the ongoing Women to Watch series\, the Georgia Committee of the National Museum of Women in the Arts (NMWA) invited guest curators Sierra King and Melissa Messina to select five woman-identifying Georgia-connected artists whose work responds to the question: When women artists envision a different world\, how does that look? \n\n\n\nWith over 60 artists initially considered\, and 16 studio visits conducted\, these 5 artists represent a diverse range of artistic excellence\, age\, backgrounds\, and geographic locations. Their practices push the boundaries of their chosen media and the exhibition’s thematic inquiry. \n\n\n\nMELISSA MESSINA is a nationally recognized arts professional who has developed thought-provoking exhibitions\, dynamic site-responsive projects\, and engaging educational public programming both independently and in leadership positions at museums and non-profit arts organizations. \n\n\n\nSIERRA KING is an Archivist and Curator. Her creative and arts administration work is dedicated to documenting\, preserving\, and archiving the work of Black Women Artists. \n\n\n\n\n\n\n\nThis exhibition is presented at Atlanta Contemporary in partnership with the Georgia Committee of the National Museum of Women in the Arts. \n\n\n\n\nAtlanta Contemporary believes in the power of contemporary art to change lives and that anyone—regardless of age\, race\, gender\, socio-economic status\, or any perceived limitations—should have access to innovative and engaging contemporary art and programs. Rooted in the very fabric of our founders\, Atlanta Contemporary has been artist-centered and art-driven since 1973. \n\n\n\n\n\nAs one of the first of the National Museum of Women in the Arts (NMWA) committees\, the Georgia Committee (GA NMWA) realized the importance of a museum advocating for women artists and swiftly formed as a committee in 1986. Thirty-five years later\, we are proud to support NMWA and to champion Georgia women artists. \n\n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Kenyatta Stanchez. Jan 2023. Photography by Stanchez Kenyatta. Courtesy of Atlanta Contemporary.
URL:https://www.arttable.org/event/atlanta-ga-exhibition-tour-women-to-watch-melissa-messina-sierra-king/
LOCATION:Atlanta Contemporary\, 535 Means Street NW\, Atlanta\, Georgia\, 30318
CATEGORIES:Metro Atlanta
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/03/KenyattaStanchez_Jan2023_Photography-by-Stanchez-Kenyatta-courtesy-of-Atlanta-Contemporary_web.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230501T170000
DTEND;TZID=America/New_York:20230501T180000
DTSTAMP:20260403T192218
CREATED:20231009T182050Z
LAST-MODIFIED:20231009T182051Z
UID:13906-1682960400-1682964000@www.arttable.org
SUMMARY:New York\, NY  | Madison Square Park Tour of Shahzia Sikander's "...havah\, to-breathe\, air\, life"
DESCRIPTION:Join us on Monday\, May 1 at 5 pm for an artist-guided tour of Havah . . . to breathe\, air\, life\, on view simultaneously in Madison Square Park and on the rooftop of the Appellate Division Courthouse through June 4. The tour will be led by artist Shahzia Sikander and Brooke Kamin Rapaport—Deputy Director and Martin Friedman Chief Curator. \n\n\n\nSpecial thanks to Truth Murray Cole for spearheading this event! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\nPublic – $30\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nArtTable’s Artist Talks are made possible by the Pollock Krasner Foundation. \n\n\n\n\n\n\n\n\n\n\n\nImages: Shazia Sikander. Photo by Yasunori Matsui \n\n\n\n\n\n\nAbout the Artist\n\n\n\nBorn in Lahore\, Pakistan\, in 1969\, Shahzia Sikander took up the traditional practice of miniature painting during Muhammad Zia-ul-Haq’s military regime\, at a time when the medium was deeply unpopular among young artists. Sikander earned a B.F.A. in 1991 from the National College of Arts (NCA) in Lahore\, where she received rigorous training from master miniaturist Bashir Ahmad. She became the first woman to teach in the Miniature Painting Department at NCA\, alongside Ahmad\, and was the first artist from the department to challenge the medium’s technical and aesthetic framework. Sikander’s breakthrough work\, The Scroll\, 1989–90\, received national critical acclaim in Pakistan\, winning the prestigious Shakir Ali Award\, the NCA’s highest merit award\, and the Haji Sharif award for excellence in miniature painting\, subsequently launching the medium into the forefront of NCA’s program\, which brought international recognition to this medium within contemporary art practices. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997\, she participated in the CORE Program of the Glassell School of Art at The Museum of Fine Arts\, Houston. \n\n\n\n\n\n\n\n\nAbout the Curator\n\n\n\n\nBrooke Kamin Rapaport is deputy director and Martin Friedman chief curator at New York’s Madison Square Park Conservancy\, which she joined in 2013. She was commissioner and curator of the 2019 United States Pavilion at the Venice Biennale with the exhibition Martin Puryear: Liberty/Liberta. A major catalogue published by Gregory R. Miller accompanied the Venice exhibition. At Madison Square Park Conservancy\, she is responsible for the outdoor public sculpture program of commissioned work by contemporary artists including Diana AI-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Maya Lin\, Josiah McElheny\, Martin Puryear\, Erwin Redl\, Arlene Shechet\, and Krzysztof Wodiczko. She is the founder of Public Art Consortium\, a national initiative of museum\, public art\, and sculpture park colleagues launched in 2017. Rapaport was a curator of contemporary art at the Brooklyn Museum and a guest curator at The Jewish Museum. She sits on the boards of three artist-endowed foundations and the Mead Art Museum at Amherst College.
URL:https://www.arttable.org/event/new-york-ny-madison-square-park-tour-of-shahzia-sikander-havah-to-breathe-air-life/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, New York\, 10010\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/Yasunori-Matsui_230117_MSPC_SHAHZIA_SIKANDER_DSC3528.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230502T170000
DTEND;TZID=America/New_York:20230502T183000
DTSTAMP:20260403T192218
CREATED:20230422T135424Z
LAST-MODIFIED:20230502T193358Z
UID:12076-1683046800-1683052200@www.arttable.org
SUMMARY:New York\, NY | Tour of Wendy Red Star's "Our Side" at Sargent's Daughters
DESCRIPTION:Please join us at Sargent’s Daughters gallery for a tour of Our Side—the third solo exhibition of Wendy Red Star (Apsáalooke (Crow)\, b.1981\, Billings\, MT) at the gallery. This exhibition is presented in conjunction with the Spring 2023 release of Red Star’s monograph Bíilukaa\, published by Radius Books and featuring interviews with the artist\, members of her extended family\, and scholars. The book’s title\, Bíilukaa\, is in reference to what the Apsáalooke (Crow) call themselves: Our Side. \n\n\n\nOur Side builds upon Red Star’s research into historical photographs of Apsáalooke individuals and objects\, with the artist drawing on both her personal collection and works held in museums and archives across the country. Red Star notes: “Since the time I left the Crow reservation I have encountered my tribe’s material culture in every city I have exhibited or occupied. It is incredible that so much of my community’s history and material culture is kept in the vaults of these institutions hundreds of miles away from their source.”  \n\n\n\nThe exhibition includes two distinct bodies of work; the first are photographic prints originally produced for Bíilukaa\, reimagined as a dynamic installation in the gallery. The second consists of large-scale unique collages\, which layer photographs on top of fabrics typical of Apsáalooke regalia. \n\n\n\n\n\n\n\nWendy Red Star (b.1981\, Billings\, MT) lives in Portland\, OR. Red Star has exhibited at venues including the Metropolitan Museum of Art (New York\, NY)\, Brooklyn Museum (Brooklyn\, NY)\, both of which have her works in their permanent collections; Fondation Cartier pour l’Art Contemporain (Paris\, France)\, Domaine de Kerguéhennec (Bignan\, France)\, Portland Art Museum (Portland\, OR)\, Hood Art Museum (Hanover\, NH)\, St. Louis Art Museum (St. Louis\, MO)\, Minneapolis Institute of Art (Minneapolis\, MN)\, and the Frost Art Museum (Miami\, FL). \n\n\n\nHer work is in public collections including the Museum of Modern Art (New York\, NY)\, the Metropolitan Museum of Art (New York\, NY)\, the Whitney Museum of American Art (New York\, NY)\, the Guggenheim Museum (New York\, NY)\, the Amon Carter Museum of American Art (Fort Worth\, TX)\, the Denver Art Museum (Denver\, CO)\, the Ruth and Elmer Wellin Museum of Art at Hamilton College (Clinton\, NY)\, the Baltimore Museum of Art (Baltimore\, MD)\, the Fralin Museum of Art at the University of Virginia (Charlottesville\, VA)\, the Nasher Museum of Art at Duke University (Durham\, NC)\, the Birmingham Museum of Art (Birmingham\, AL)\, the Williams College Museum of Art (Williamstown\, MA)\, the Memorial Art Gallery of the University of Rochester (Rochester\, NY)\, San Antonio Museum of Art (San Antonio\, TX)\, The Seattle Art Museum (Seattle\, WA)\, and the British Museum (London\, UK). \n\n\n\nShe served as visiting lecturer at Yale University (New Haven\, CT)\, the Figge Art Museum (Davenport\, IA)\, the Banff Centre (Banff\, Canada)\, National Gallery of Victoria in Melbourne (Melbourne\, Australia)\, Dartmouth College (Hanover\, NH)\, CalArts (Valencia\, CA)\, Flagler College (St. Augustine\, FL)\, and I.D.E.A. Space in Colorado Springs (Colorado Springs\, CO). In 2017\, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition “Wendy Red Star: A Scratch on the Earth” was at the Newark Museum in New Jersey through May 2019\, concurrently with her first New York solo gallery exhibition at Sargent’s Daughters. In the fall of 2022\, Red Star had a solo project with the Public Art Fund titled Travels Pretty\, on JCDeaux bus shelters across Boston\, MA; Chicago\, IL; and New York\, NY. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022\, which was named one of Vanity Fair’s best art books of 2022 as well as Time Magazine’s best photography books of 2022. \n\n\n\nRed Star is currently exhibiting at the Seattle Art Museum (Seattle\, WA)\, the Denver Art Museum (Denver\, CO)\, the Utah Museum of Fine Art (Salt Lake City\, UT)\, Sharjah Art Foundation (Sharjah\, UAE). \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wendy Red Star | Strawberry Chief (ishkóoshiite)\, 2023. Fabric and archival pigment prints mounted on gatorboard\, 44 x 44″ \n\n\n\n\n\nAbout the Tour LeaderChristine Nyce is a curator and writer originally from Milwaukee\, Wisconsin.  She is based in New York\, where she is a Gallery Associate and Curator with Sargent’s Daughters gallery.  She holds a BA in Art History from Williams College and a MA in Curatorial Studies from the Center for Curatorial Studies\, Bard College.About the GallerySargent’s Daughters was founded in 2014 on the Lower East Side by Allegra LaViola. The gallery takes its name from the painter John Singer Sargent\, who was an innovator working in a traditional medium. Accordingly\, the gallery interest is in artists whose work combines the same qualities of tradition and cutting edge. In addition to exhibitions by represented gallery artists\, Sargent’s Daughters creates collaborations as a platform for exploring new conversations within a wider context and presents a strong program of primarily women artist\, often highlighting overlooked artists working outside the established gallery world. The gallery has a history of granting young artists their first exhibition opportunities\, placing works in major museums\, and producing catalogues to further the dialogue of the artists’ work. Gallery exhibitions have been featured in The New York Times\, ARTFORUM and Art in America\, among other national and international publications.
URL:https://www.arttable.org/event/new-york-ny-tour-of-wendy-red-stars-our-side-with-allegra-laviola/
LOCATION:Sargent’s Daughters\, 179 East Broadway\, New York\, New York\, 10002
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/WendyRedStar-4694_Strawberry-Chief-ishkooshiite-2023.-.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230503T160000
DTEND;TZID=America/New_York:20230503T180000
DTSTAMP:20260403T192218
CREATED:20230401T200233Z
LAST-MODIFIED:20230426T131237Z
UID:11846-1683129600-1683136800@www.arttable.org
SUMMARY:National | Jaune Quick-to-See-Smith: "Memory Map" at the Whitney Museum of American Art
DESCRIPTION:See below to register for either the 4:00 PM or the 5:00 PM tour group. \n\n\n\n\n\nJoin Laura Phipps\, Assistant Curator at the Whitney Museum of American Art\, with Caitlin Chaisson\, Curatorial Project Assistant\, for a tour of the first New York retrospective of groundbreaking artist\, Jaune Quick-to-See Smith (b. 1940\, citizen of the Confederated Salish and Kootenai Nation). Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings\, prints\, paintings\, and sculptures in the largest and most comprehensive showing of her career to date. \n\n\n\nSmith’s work engages with contemporary modes of making\, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice\, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor\, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition\, historical privilege\, and value.  Across decades and mediums\, Smith has deployed and reappropriated ideas of mapping\, history\, and environmentalism while incorporating personal and collective memories. The retrospective will offer new frameworks in which to consider contemporary Native American art and show how Smith has led and initiated some of the most pressing dialogues around land\, racism\, and cultural preservation—issues at the forefront of contemporary life and art today. \n\n\n\nSee the Whitney’s website for full exhibition support acknowledgments. \n\n\n\nThis program is open to ArtTable members and guests. \n\n\n\nNot a member? Join today! \n\n\n\nAdmission$25 ArtTable Members$35 ArtTable Member Guests*Please note that we have waiting lists for BOTH tours: click on the register buttons to add your name!* \n\n\n\n\nREGISTER HERE FOR THE 4:00 PM TOUR\n\n\n\n\n\n\n\n\n\nREGISTER HERE FOR THE 5:00 PM TOUR\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\nAbout the Curators \n\n\n\n\nLaura Phipps is an assistant curator at the Whitney Museum of American Art. She has been at the Whitney since the summer of 2009\, and her recent projects include Virginia Overton: Sculpture Gardens\, Open Plan: Andrea Fraser and a group show of emerging artists Flatlands. She has also co-curated a project with Michele Abeles and the permanent collection exhibition Test Pattern. Laura has assisted with numerous museum exhibitions including 2010\, the Whitney Biennial\, Legacy: The Emily Fisher Landau Collection\, Glenn Ligon: AMERICA\, Singular Visions\, Wade Guyton OS\, Sinister Pop\, and Jeff Koons: A Retrospective. \n\n\n\n\nShe has served on the grant selection committee of the Rema Hort Mann Foundation\, as a visiting critic for the Lower Manhattan Cultural Council Workspace and Smackmellon Studio Program\, and as a guest curator at the Kentler Drawing Center\, Brooklyn. Prior to the Whitney\, Phipps worked in the curatorial department and director’s office of the Modern Art Museum\, Fort Worth. She received her MA\, Art History at Hunter College\, CUNY and BFA\, Studio Art and BS\, Psychology from Texas Christian University in Fort Worth\, Texas. \n\n\n\n\n\n\n\nCaitlin Chaisson is curator and critic based in New York\, and holds an MA in Curatorial Studies from Bard College. She currently works at the Whitney Museum of American Art. \n\n\n\nFrom 2016–2019\, she served as the Director and Curator of Far Afield\, an initiative that supports regionally-connected artistic and curatorial practices. She has also held positions and contracts at The Drawing Center (New York City)\, e-flux (New York City)\, Emily Carr University of Art and Design (Vancouver)\, AKA Artist-Run Centre (Saskatoon)\, and the Anvil Centre (New Westminster). Her writing has appeared in Canadian Art\, C Magazine\, and Frieze\, among others. \n\n\n\n\n\n\n\nImage: Jaune Quick-to-See Smith\, The Vanishing American\, 1994. Acrylic\, newspaper\, paper\, cotton\, printing ink\, chalk\, and graphite pencil on canvas\, 60 1/8 × 50 1/8 in. (152.7 × 127.3 cm). Whitney Museum of American Art\, New York; gift of Dorothee Peiper-Riegraf and Hinrich Peiper in memory of Arlene LewAllen 2007.88. © Jaune Quick-to-See Smith
URL:https://www.arttable.org/event/national-jaune-quick-to-see-smith-memory-map-at-the-whitney-museum-of-american-art/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/Jaune-Quick-to-See-Smith-The-Vanishing-American-1994..jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230504T080000
DTEND;TZID=America/New_York:20230504T090000
DTSTAMP:20260403T192218
CREATED:20230418T192226Z
LAST-MODIFIED:20230418T192229Z
UID:12022-1683187200-1683190800@www.arttable.org
SUMMARY:Washington\, DC | BreakfastTable with Deborah Dunner
DESCRIPTION:Join ArtTable’s DC Chapter in May BreakfastTable with Debrah Dunner\, founder and owner of Aesthetica Art Services and Washington\, D.C. and Regional Representative for Freeman’s Auction. Debrah will speak about her specialization in Fine Art\, Decorative Arts\, and Contemporary American Craft appraisals\, and a wide range of art related services including advising\, consulting\, investments\, sales\, consignments\, collection management\, and artist management. Also\, fun note: Debrah assisted in cataloging the personal collection of the artist Sam Gilliam\, a highlight of her career!.Prior to starting her own business\, Debrah worked as the Assistant Curator for the Smithsonian American Art Museum’s Renwick Gallery\, the Craft and Decorative Arts branch of the national museum. While employed at the Renwick\, Debrah assisted in the creation of numerous exhibitions and scholarly publications including the monumental 40th anniversary exhibition 40 Under 40: Craft Futures\, and the internationally recognized exhibition WONDER. As of January 1\, 2020\, Debrah became the Washington\, D.C. Regional Representative for Freeman’s Auction\, based in Philadelphia\, PA. Established in 1805\, Freeman’s is the oldest auction house in America\, and one of the country’s first family owned businesses. Serving the Washington\, D.C. region including all of Maryland and Northern Virginia\, Debrah represents Freeman’s by facilitating consignments and servicing customers with any art related needs. \n\n\n\n \n\n\n\nThis program is free for ArtTable members and $10 for member guests and non-members.  \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Deborah Dunner\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/washington-dc-breakfasttable-with-deborah-dunner/
LOCATION:Guarisco Gallery\, Four Seasons Hotel 2828 Pennsylvania Avenue\, NW Washington\, District of Columbia\, 20007
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/DeborahDunner.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230504T170000
DTEND;TZID=America/New_York:20230504T180000
DTSTAMP:20260403T192218
CREATED:20230412T195450Z
LAST-MODIFIED:20230721T153228Z
UID:11958-1683219600-1683223200@www.arttable.org
SUMMARY:*Postponed* National | "Face to Face" at International Center of Photography with stefa marin alarcon
DESCRIPTION:Please note the new tour date! \n\n\n\n\n\n\n\nJoin International Center of Photography (ICP)’s stefa marin alarcon for a tour of Face to Face: Portraits of Artists by Tacita Dean\, Brigitte Lacombe and Catherine Opie. Organized by renowned writer and curator Helen Molesworth\, Face to Face features more than 50 photographs by Brigitte Lacombe and Catherine Opie\, and two films by Tacita Dean\, with bracing\, intimate\, and resonant portraits of compelling cultural figures including Maya Angelou\, Richard Avedon\, Louise Bourgeois\, Joan Didion\, David Hockney\, Miranda July\, Rick Owens\, Martin Scorsese\, Patti Smith\, Mickalene Thomas\, Kara Walker\, and John Waters.After the tour\, you will be led to the Between Friends exhibit to walk through at your own pace. This exhibit includes portraits of and by well-known figures like Alfred Stieglitz\, Berenice Abbott\, and Henri Cartier-Bresson. Between Friends also calls attention to many women photographers from ICP’s collection\, including Lotte Jacobi\, Nell Dorr\, Consuelo Kanaga\, and Barbara Morgan.Optional post-tour activities:• At 6:00 PM\, Late Night ICP is hosting a free book event in the Library to celebrate the launch of ”A Humanist Vision: The Naomi Rosenblum Family Collection.” This publication honors the trailblazing legacy in photography and scholarship created by historian Naomi Rosenblum. More information. First-come\, first-served seating.• Cash bar available in the downstairs café.Please review ICP’s Health & Safety guidelines and see the ICP site for funding acknowledgements for the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n*PLEASE NOTE: THIS EVENT HAS BEEN POSTPONED*  \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Docent\n\n\n\nstefa marin alarcon (they/them) is a vocalist\, composer\, educator\, and multi-media performance artist born and raised in Queens\, NY. Through their transdisciplinary practice\, stefa builds worlds that offer a somatic decolonial respite for the misfits & displaced who are yearning for a sense of home.They have worked with NYC cultural institutions like International Center of Photography\, Museum of the Moving Image\, The Center for Fiction and Housing Works and are a 2022 Queer|Art|Prize Recent Work winner for their cinematic ritual opera\, Born With An Extra Rib. Read more about their work at www.stefalives.com \n\n\n\n\n\n\n\n\nImage: Thelma Golden\, Photo by Catherine Opie. Scott Rudd events for ICP.
URL:https://www.arttable.org/event/national-face-to-face-at-international-center-for-photography-with-stefa-marin-alarcon/
LOCATION:International Center for Photography (ICP)\, 79 Essex Street\, New York\, NY\, 10002
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/ICP-ThelmaGolden_imagebyCatherineOpie_Scott-Rudd-events-for-ICP.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230510T110000
DTEND;TZID=America/New_York:20230510T120000
DTSTAMP:20260403T192218
CREATED:20230427T160713Z
LAST-MODIFIED:20230427T164451Z
UID:12054-1683716400-1683720000@www.arttable.org
SUMMARY:Dallas\, TX | "Lives of the Gods: Divinity in Maya Art" at the Kimbell Art Museum with Jennifer Casler Price
DESCRIPTION:Join ArtTable at The Kimbell Art Museum for a guided tour of Lives of the Gods: Divinity in Maya Art led by Curator of Asian\, African\, and Ancient American Art\, Jennifer Casler Price.  \n\n\n\nAn exhibition of nearly 100 rarely seen masterpieces and recent discoveries depicts episodes in the life cycle of the gods\, from the moment of their birth to resplendent transformations as blossoming flowers or fearsome creatures of the night. Created by masters of the Classic period (A.D. 250–900) in the spectacular royal cities in the tropical forests of what is now Guatemala\, Honduras\, and Mexico\, these landmark works evoke a world in which the divine\, human\, and natural realms are interrelated and intertwined. Lenders include major museum collections in Europe\, the United States\, and Latin America\, with many works on view for the first time in the U.S.\, including new discoveries from Palenque (Mexico) and El Zotz (Guatemala). \n\n\n\n“Mind-blowing”– New York Magazine  \n\n\n\n“Totally riveting”– The New York Times  \n\n\n\n“A magnificent show”— The New Yorker \n\n\n\nFor more information on the exhibition click here. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic -$35\n\n\n\nIf you are a current Kimbell Museum member\, please email programs@arttable org to book your registration\n\n\n\n\n\n\n\n\nThank you to Heather Reichstadt for initiating this program\, and Louky Keijsers Koning for coordinating. \n\n\n\n• • •\n\n\n\nImage credit: “Whistle with the Maize God Emerging from a Flower.” Maya\, Mexico Late Classic period\, 600–900 Ceramic with pigment\, 8 1/8 x 2 in. (20.7 x 5.1 cm). The Metropolitan Museum of Art\, New York\, The Michael C. Rockefeller Memorial Collection\, Bequest of Nelson A. Rockefeller\, 1979\, 1979.206.728 \n\n\n\n\n\n\n\nAbout the Curator:\n\n\n\n\nJennifer Casler Price has held the position of curator of Asian\, African\, and Ancient American Art at the Kimbell Art Museum since 1993. She has a Master’s Degree in Chinese Art History and a Certificate in Curatorial Studies from the Institute of Fine Arts\, NYU. In her position at the Kimbell\, she is responsible for the areas of Chinese\, Japanese\, Indian\, Himalayan\, Southeast Asian\, African and the Art of the Ancient Americas – which represent half of holdings of the permanent collection. \n\n\n\n\nDuring her tenure at the Kimbell\, she has curated major exhibitions of Buddhist sculpture\, Chinese antiquities and Imperial porcelain\, Japanese ukiyo-e painting and Samurai armor\, Egyptian antiquities\, Tibetan Esoteric Buddhist painting\, Mughal painting\, African and Oceanic sculpture\, Maya and Wari art\, a retrospective on Louis Kahn\, the architect of the original Kimbell building\, and the couturier Cristobal Balenciaga. More recently\, she organized: Queen Nefertari’s Egypt; Buddha\, Shiva\, Lotus\, Dragon; and The Language of Beauty in African Art; and is currently preparing for a spring 2023 exhibition Lives of Gods: Divinity in Maya Art (co-organized with the MET). In 2012 she curated the Kimbell’s 40th Anniversary exhibition in the iconic Louis Kahn building and in 2013 she supervised the re-installation of her collections in the Renzo Piano Pavilion. She has made nearly thirty acquisitions covering the range of all the fields she curates. In addition to these duties\, Jennifer contributes to publications\, conducts docent training\, lectures frequently to share her expertise\, and has led patron tours to China\, Japan\, India\, Cambodia\, Vietnam\, Turkey\, Cuba\, Peru\, New Zealand\, Australia\, Greece\, and Croatia. Jennifer carried out a six-year term (2015 – 2020) as a Commissioner on the Fort Worth Public Art Commission\, serving as Vice-Chair and Chair of the Commission during her tenure. She has been a member of AAMC (Association of Art Museum Curators) since 2001 and has served as Membership Committee Co-Chair\, Advocacy Task Force co-Chair\, Prize Committee member\, and in 2020 participated in the Mentorship Program as a mentor to a junior curatorial colleague. She is a founding member and serves on the Steering Committee for the ACAA (American Curators of Asian Art). Jennifer lives in Fort Worth with her husband\, Steven Price\, and has a daughter Zoë\, who is a sophomore at Emory Universit
URL:https://www.arttable.org/event/dallas-tx-lives-of-the-gods-divinity-in-maya-art-at-the-kimbell-art-museum-with-jennifer-casler-price/
LOCATION:Kimbell Art Museum\, 3333 Camp Bowie Boulevard\, Fort Worth\, 76107\, United States
CATEGORIES:Dallas-Fort Worth
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/MET-1979.206.728.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T133000
DTEND;TZID=America/New_York:20230513T143000
DTSTAMP:20260403T192218
CREATED:20230412T221952Z
LAST-MODIFIED:20230511T132400Z
UID:11929-1683984600-1683988200@www.arttable.org
SUMMARY:New York\, NY | Guided Tour of “Wangechi Mutu: Intertwined” at the New Museum
DESCRIPTION:Join ArtTable at The New Museum for a tour of a major solo exhibition of the work of Wangechi Mutu (b. 1972\, Nairobi)\, bringing together over one-hundred works from across her twenty-five-year career. The tour will be led by New Museum teaching artist\, Yasmeen Abdalla.ArtTable had the chance to interview Mutu in 2014 in partnership with artnet. This tour brings us full circle to see the significant development and accomplishment in her career since that time.Representing the full breadth of Mutu’s practice\, the presentation will encompass painting\, collage\, drawing\, sculpture\, film\, and performance. Mutu first gained acclaim for her collage-based practice exploring camouflage\, transformation\, and mutation. She extends these strategies to her work across various media\, developing hybrid\, fantastical forms that fuse mythical and folkloric narratives with layered sociohistorical references. “Wangechi Mutu: Intertwined” will trace connections between recent developments in the artist’s sculptural practice and her decades-long exploration of the legacies of colonialism\, globalization\, and African and diasporic cultural traditions. At once culturally specific and transnational in scope\, Mutu’s work grapples with contemporary realities\, while proffering new models for a radically changed future informed by feminism\, Afrofuturism\, and interspecies symbiosis.This exhibition is curated by Margot Norton\, Allen and Lola Goldring Senior Curator\, and Vivian Crockett\, Curator\, with Ian Wallace\, Curatorial Assistant. \n\n\n\nSee the New Museum website for full funding acknowledgements for the exhibition. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Wangechi Mutu\, “In Two Canoe” (2022). “Wangechi Mutu: Intertwined\,” 2023. Exhibition view: New Museum\, New York. Courtesy New Museum. Photo: Dario Lasagni \n\n\n\n\n\n\n\n\n\nAbout the Teaching Artist: \n\n\n\n\nYasmeen Abdallah is an interdisciplinary artist and educator\, incorporating civic engagement through creative reuse as a central point in her practice. She is interested in ephemera; aftermaths; and the stories told\, and secrets kept by imprints and objects that speak to our contemporary culture. She holds an MFA in Fine Arts with distinction from Pratt Institute\, and Bachelor’s degrees from University of Massachusetts\, Boston in Studio Art with honors\, and in Anthropology (emphasis in Historical & Collaborative Archaeology\, including field schools with Hassanamesit Woods and the Eastern Pequot Tribal Nation); with a Minor in Women’s\, Gender & Sexuality Studies. \n\n\n\n\nShe has been a visiting artist and speaker at institutions including Columbia University Teaching College; El Barrio Art Space\, Fairleigh Dickinson University; Parsons School for Design; Pratt Institute; Sarah Lawrence College; and University of Massachusetts. Her work has been exhibited at venues including Art in Odd Places; the Boiler; Bronx Art Space; Bullet Space; Chashama; Cornell University; Ed Varie; Elizabeth Foundation; La Bodega; Open Source; Museum of Reclaimed Urban Space; Nars Foundation; PS122 Gallery; and Spring Break Art Show.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-wangechi-mutu-intertwined-at-the-new-museum/
LOCATION:The New Museum\, 235 Bowery\, New York\, New York\, 10002\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/Mutu-Install-14_web.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230515T153000
DTEND;TZID=America/New_York:20230515T153000
DTSTAMP:20260403T192218
CREATED:20230417T194323Z
LAST-MODIFIED:20230506T144905Z
UID:12005-1684164600-1684164600@www.arttable.org
SUMMARY:* WAITING LIST * New York\, NY | Guided Tour of The European Fine Art Foundation (TEFAF) Fair
DESCRIPTION:Please join us for a guided tour of TEFAF. Established in 1988\, The European Fine Art Foundation (TEFAF) is widely regarded as the world’s preeminent organization for fine art\, antiques\, and design. This year\, TEFAF celebrates its eighth year in NYC\, hosting 91 galleries from 14 countries with blue-chip offerings of modern European and contemporary art and design. Our guide will focus on women-owned galleries and female artists on display at the historic Park Avenue Armory. Following the tour\, we invite members and their guests to join us at the oyster and champagne bar on the upper level for pay your own way drinks. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nNon-Members -$40\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n* PLEASE NOTE THAT WE HAVE A WAITING LIST FOR THIS EVENT * \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-guided-tour-of-the-european-fine-art-foundation-tefaf-fair/
LOCATION:TEFAF New York at the Park Avenue Armory\, 643 Park Avenue\, New York\, New York\, 10065\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/TFAF.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230516T190000
DTEND;TZID=America/New_York:20230516T200000
DTSTAMP:20260403T192218
CREATED:20230506T203056Z
LAST-MODIFIED:20230513T141554Z
UID:12148-1684263600-1684267200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays at Salon Zürcher "11 Women of Spirit"
DESCRIPTION:Join ArtTable for the 28th Edition of SALON ZÜRCHER\, hosted by Zürcher Gallery founder Gwenolee Zurcher. A distinguished group of 11 women artists show their work in the space on Bleecker Street in Manhattan. Femmes d’esprit was an 18th-century French term that referred to independently-minded female painters\, writers\, and intellectuals\, routinely under-recognized by their male contemporaries and publics.  \n\n\n\nBetween their two locations\, Zürcher New York / Paris has hosted 27 fairs. The May 2022 edition of 11 Women of Spirit (Part 5) was featured in Hyperallergic with a special review by Ela Bittenncourt and was mentioned as a must-see satellite fair in the New York Times and Timeout. Zürcher Gallery is located in the East Village\, within walking distance of the New Museum\, the Lower East Side\, and TriBeCa gallery districts. \n\n\n\nIn keeping with the spirit of artistic salons\, 11 Women of Spirit involves the presence of the following 11 participating artists: \n\n\n\nBettina BlohmPetey BrownSue CollierFukuko HarrisNancy ManterVictoria PalermoSacha Floch PoliakoffJo Ann RothschildSonita SingwiJenny TangoApril Vollmer \n\n\n\n\n\n\n\n\nArtTable Members & Guests – complimentary\n\n\n\nPublic Admission – complimentary\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Bettina Blohm | Spanish Moon\, 2021 oil on linen 65 x 50 in / 165\,1 cm x 127 cm \n\n\n\n\n\n\n\n\n\n\nGwenolee Zürcher Encouraged by Joan Mitchell\, Gwenolee Zürcher cofounded Zürcher Gallery in New York and Paris in 2003. Read more on Hyperallergic.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-at-salon-zurcher-11-women-of-spirit/
LOCATION:ZÜRCHER GALLERY\, 33 Bleecker Street\, New York\, New York\, 10012
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/BETTINA-BLOHM-Spanish-Moon-2021-oil-on-linen-65-x-50-in-1651-cm-x-127-cm.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230518T130000
DTEND;TZID=America/New_York:20230518T140000
DTSTAMP:20260403T192218
CREATED:20230509T173428Z
LAST-MODIFIED:20230512T161726Z
UID:12165-1684414800-1684418400@www.arttable.org
SUMMARY:National | NADA Panel | Building Networks of Opportunity for Women-Identifying & Non-Binary Arts Professionals
DESCRIPTION:ArtTable is delighted to join New Art Dealers Alliance for their “NADA Presents” series. This panel will explore how the arts community can better support women-identifying and non-binary arts professionals through mentorship\, visibility\, and resource sharing. Jessica Porter (Lila Harnett Executive Director of ArtTable) will speak with HC Huỳnh (Deputy Director of The Elizabeth Foundation for the Arts)\, Carolyn Ramo (Executive Director Artadia)\, and Victoria Rogers (Founder of Black Trustee Alliance for Art Museums) about the benefits of these types of programs\, and their experiences in creating positive change through active support systems in the art world. \n\n\n\n\n\n\n\nNADA Presents takes place at 535 West 22nd Street\, 4th Floor. All programs are free and open to the public. Capacity is limited\, and guests will be seated on a first come first served basis.  \n\n\n\nNADA New York and NADA Presents are both wheelchair accessible. An ASL interpreter will be present at all NADA Presents programs\, and recordings of each NADA Presents program will be available online following the event. \n\n\n\nAdmission: \n\n\n\n\nComplimentary registration: we have 10 tickets reserved especially for ArtTable members: click below to book yours! Your email address will be shared with NADA.\n\n\n\nWhen the reserved seats are taken\, please come to the event and join the public seating.\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/national-nada-panel-building-networks-of-opportunity-for-women-identifying-non-binary-arts-professionals/
LOCATION:535 West 22nd Street\, 4th Floor\, 535 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/WomenNonBinaryPeopleNetworking.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230520T103000
DTEND;TZID=America/New_York:20230520T120000
DTSTAMP:20260403T192218
CREATED:20230417T185608Z
LAST-MODIFIED:20230417T200228Z
UID:11980-1684578600-1684584000@www.arttable.org
SUMMARY:National | ArtTable Reception & Tour at VOLTA New York
DESCRIPTION:Please join us for a brunch reception and tour with Cristina Salmastrelli at VOLTA New York!  \n\n\n\nTake advantage of this great opportunity to meet your fellow ArtTable members during Frieze Week in New York City. Enjoy a delicious array of brunch items while mingling with your fellow members. \n\n\n\nVOLTA New York’s “A Female Focus” spotlight highlights artist Natalie Collette Wood\, represented by Vellum Projects; Asako Tabata\, represented by SEIZAN Gallery; Dana Sherwood\, represented by Galerie Heike Strelow; and Chellis Baird\, represented by FORMAH. Be sure to keep your eye out for them! \n\n\n\nYour ticket covers general access to the fair\, access to the brunch reception\, tour\, and refreshments. \n\n\n\n*Please note that your reply/confirmation email will contain an EventBrite link to book your complimentary fair passes before the brunch! Please be sure to do that in advance.* \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nArtTable Member +1 Guest – $120\n\n\n\nAdditional Guest -$50_________________________\n\n\n\nNon-Members – $75\n\n\n\nNon-Member’s Guest – $50\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nAbout VOLTA\n\n\n\nVOLTA debuted in New York in 2008 to support ambitious international galleries to participate in the art markets’ major cities. Now\, VOLTA returns to present over 50 international galleries at our 2023 edition May 17 – 21 at the Metropolitan Pavilion.  \n\n\n\n“Beginning as an art fair collaboration between dealers and their friends in Basel\, VOLTA has built up a reputation as a gallery favorite. Purposefully planned during Frieze New York\, it’s ideal to hit both. “ VOLTA Art Fair fosters galleries in staging ambitious solo and group presentations\, refining the experience to its essential elements: the artists and their work. This focus on compelling visual statements by up-and-coming and established artists cultivates a vibrant and approachable environment of discovery for the engaged collector.  \n\n\n\n\n\n\n\nImage: VOLTA New York\, Courtesy of VOLTA
URL:https://www.arttable.org/event/national-arttable-reception-tour-at-volta-new-york/
LOCATION:Volta New York 2023\, 125 West 18th Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/04/Volta2218.6150dpi-42.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230523T170000
DTEND;TZID=America/New_York:20230523T193000
DTSTAMP:20260403T192218
CREATED:20230506T144108Z
LAST-MODIFIED:20230506T144241Z
UID:12141-1684861200-1684870200@www.arttable.org
SUMMARY:DC | MeetAT Doyle Bar & Lounge
DESCRIPTION:Come meet current ArtTable members and invite interested guests to join us over happy hour at the last event of the season before the summer break from programming! We’ll meet at Doyle Bar & Lounge. Designed by the renowned Martin Brudnizki Design Studio\, Doyle is a warm\, club-like bar with panoramic views of Dupont Circle. We encourage members to bring friends and colleagues to engage over refreshments and conversation and to learn more about ArtTable and our lively and active chapter in the Washington\, DC region. \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/dc-meetat-doyle-bar-lounge/
LOCATION:Doyle at The Dupont Circle Hotel\, 1500 New Hampshire Ave NW\, Washington\, District of Columbia\, 20036
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/MeetAT.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230524T120000
DTEND;TZID=America/New_York:20230524T130000
DTSTAMP:20260403T192218
CREATED:20230427T204243Z
LAST-MODIFIED:20230522T220646Z
UID:12112-1684929600-1684933200@www.arttable.org
SUMMARY:National | Virtual Lunch & Learn: Understanding the Gender Pay Gap in the Arts
DESCRIPTION:9 am PDT / 10 am MDT / 11 am CDT / 12 pm EDT\n\n\n\nWelcome to our Virtual Lunch & Learn Series! We’re looking forward to seeing you at our complimentary lunchtime professional development series on Wednesdays this spring—join us from wherever you happen to be. \n\n\n\nHow are we addressing the gender pay gap in our industry as a whole\, and in each of our organizations? Is there progress being made\, and what are the current challenges? On May 24\, please join ArtTable’s Lila Harnett Executive Director\, Jessica L. Porter\, in conversation with sociologist Dr. Gillian Gualtieri\, who specializes in the relationship between race\, gender\, organizations\, and culture\, and is the lead on ArtTable’s ArtTable Survey on Working in the Arts. \n\n\n\n\n\nDr. Gillian Gualtieri’s cross-disciplinary scholarship examines the field of cultural production in its widest sense: how art is made and valued; and how taste\, gatekeeping\, and criticism shape prestige. Gualtieri looks at who is operating in these spaces and how systems of racial\, gender\, class\, and national inequality shape the field. \n\n\n\nA widely-published scholar\, she has studied art and craft as categories—examining where ideas of creativity and function intersect in American fine dining and food writing\, and how innovation across and within artistic practices in general is starting to destabilize the traditional hierarchies between art and craft. \n\n\n\nGualtieri is most recently a co-author of “Campus Connections for Creative Careers: Social capital\, gender inequality\, and artistic work\,” in Poetics 96 (2023). This analysis of the data from the Strategic National Arts Alumni Project (SNAAP) examines how social capital in college supports more successful post-graduation job searches—but found there are disparities between men and women in their access to social capital and the impact of social capital and its ability to confer career advantages. A recommendation for focused networking and mentorship in the arts is one of the possible calls to action from the study. This is impactful research for post-secondary educators and those who are working with early-career colleagues to consider some of the deeper systemic issues at play as we work toward equity in our professions. \n\n\n\n\n\nAdmission: \n\n\n\n\nComplimentary with optional donation\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\nAfter registration\, you will receive an email containing the Zoom link.All virtual programs offer live automatic closed captioning. \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\nAbout Gillian Gualtieri\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her PhD in Sociology at the University of California\, Berkeley. Her research broadly considers the relationship between race\, gender\, organizations\, and culture. Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, the intellectual development of the theoretical concept of institutional logics (in the Oxford Research Encyclopedia of Business and Management) and the gender dynamics of the western literary canon (published in Gender Issues). gilliangualtieri.com \n  \nAbout Jessica Porter\nJessica Porter is ArtTable’s Lila Harnett Executive Director. She joined ArtTable as the ED in 2018\, after 4 years on the Board of Directors and 8 years of membership. In this role\, she is responsible for developing the long-range strategy of ArtTable\, providing leadership and oversight in fundraising to meet financial goals\, and directing communications and brand management to enhance the success of the organization. She oversees and provides leadership to the staff and the membership as a whole\, expanding and educating through research\, programs\, and communications. In 2020 she was the first to assume the name of ArtTable’s founder\, Lila Harnett\, and became the Lila Harnett Executive Director.  \nPrior to this role\, she was the Executive Director of New York Artists Equity Association\, Inc (NYAEA) a 501(c)(3) non-profit organization founded in 1947 by artists and art patrons with the mission to promote opportunities for artists. It operates Equity Gallery\, an art space located on the Lower East Side of New York City.   \nIn 2001\, Porter launched Porter Advisory\, working with galleries and other organizations as an independent curator\, creating exhibitions in alternative spaces and advising artists on unique opportunities and career advancement. From 2006 to 2017\, Porter founded and directed Porter Contemporary\, a Chelsea art gallery\, where she was responsible for the overall strategy\, business development and market growth\, marketing\, communications\, and talent acquisition.  \nShe has spoken as an expert on CNBC about art collecting and investment of emerging artists\, to the Harvard Business Women’s Association about starting an art collection\, and has participated in panel discussions on such topics as art and music\, women in the art industry\, art and social justice\, contemporary visions of Picasso and art collecting. She is also a lawyer. \nPorter’s natural networking skills\, combined with strategic event planning and social marketing\, have made her a leader in the growth of her own businesses as well as other organizations. Porter demonstrates a commitment to providing guidance and opportunities to other women as part of the Leadership Advisory Board for the Girl Scouts of Greater New York’s annual Women of Distinction Fundraiser and as a Board Member and former Vice President of Membership at ArtTable. She also enjoys coaching little league softball and serving as a supporter and role model to girls in sports. Porter has a Bachelor’s in Art History and French Language and Literature from the University of Delaware and a Juris Doctor from the University of Maryland. 
URL:https://www.arttable.org/event/national-virtual-lunch-learn-understanding-the-gender-pay-gap-in-the-arts/
LOCATION:Virtual
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/04/Jessica-Gillian.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230525T160000
DTEND;TZID=America/Los_Angeles:20230525T170000
DTSTAMP:20260403T192218
CREATED:20230509T223901Z
LAST-MODIFIED:20230511T180856Z
UID:12182-1685030400-1685034000@www.arttable.org
SUMMARY:National | Guided Tour of the Hammer Museum with Ann Philbin
DESCRIPTION:Join ArtTable for a tour of the Hammer Museum with Director Ann Philbin!The Hammer Museum’s completion of a 90-million dollar renovation this March is the most recent step in a more than 20-year transformation of this Los Angeles institution\, which Ann Philbin has overseen since becoming its director in 1999. This major capital campaign has allowed the museum to add visibility\, expand its galleries\, showcase its collection\, and build community and public spaces. The Hammer Museum is one of three public arts institutions of the School of the Arts and Architecture at UCLA\, and is one of the most influential museums in the country. \n\n\n\nArtTable Members $10\nArtTable Guests $15\nPublic $20\n\nNot an ArtTable member? Join today! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Hammer’s new entrance at Wilshire and Westwood. Photo by Eric Staudenmaier. \n\n\n\n\n\n\n\n\n\n\n\nAnn PhilbinAnn Philbin began her career in New York as an independent curator at the Ian Woodner Family Collection and then was an art dealer at the Curt Marcus Gallery. Philbin served as director of The Drawing Center in New York from 1990 through 1999\, where she curated exhibitions of works on paper. She the moved to Los Angeles\, where she has been the visionary Director of The Hammer Museum for the past 24 years. Philbin was recognized in ArtReview’s “Power 100” eight times\, and has been included on Los Angeles Business Journal’s LA500 list. She has received the rank of Officier in National des Arts et des Lettres from the French Consulate of Los Angeles\, and was recently elected to the American Academy of Arts and Sciences.
URL:https://www.arttable.org/event/national-guided-tour-of-the-hammer-museum-with-ann-philbin/
LOCATION:The Hammer Musem\, 10899 Wilshire Blvd.\, Los Angeles\, 90024
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Hammers-new-entrance-at-Wilshire-and-Westwood-Photo-by-Eric-Staudenmaier_web.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230530T173000
DTEND;TZID=America/New_York:20230530T190000
DTSTAMP:20260403T192218
CREATED:20230523T182900Z
LAST-MODIFIED:20230523T182905Z
UID:12228-1685467800-1685473200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesday | Marilyn Minter at LGDR with Jeanne Greenberg Rohatyn
DESCRIPTION:Join us for a tour of Marilyn Minter’s newest exhibition led by curator and LGDR Gallery partner Jeanne Greenberg Rohatyn. Spanning three floors and six gallery spaces\, this ambitious show is Minter’s first solo exhibition in New York since her celebrated retrospective Pretty/Dirty at the Brooklyn Museum in 2016–17. \n\n\n\nIt introduces several new bodies of work\, including portraiture\, and highlights Minter’s daring fifty-year exploration of beauty\, representation\, autonomy\, and desire through a feminist\, sex-positive perspective. A jaw-dropping display of jewel-toned paintings comingle with sculpture\, video\, photographs\, and prints. \n\n\n\nMinter approaches some of her now familiar themes with a critical\, fresh eye and fearlessly tackles the art-historical canon by reinterpreting traditional genres such as bathers\, odalisques\, and portraiture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\nAbout the Jeanne Greenberg Rohatyn\nJeanne Greenberg Rohatyn has helped shape the art world both directly as curator of three art galleries and indirectly as the host of salons where artists of all stripes have met and begun surprising collaborations. Greenberg Rohatyn studied art at Vassar and NYU before becoming a private curator and advisor\, making connections between prospective patrons\, including hip-hop legend and filmmaker Jay-Z\, and up-and-coming artists. She continued to forge such connections through her salons\, and nurture and advise artists whose potential she recognizes. Her gallery\, Salon 94\, has three locations and is known for showcasing artists of wildly different styles and backgrounds; Greenberg Rohatyn is known for seeking out artists for the variety and range of their work. She chairs the board of Performa\, a performance art biennial\, and is part of the selection committee for the Frieze New York Art Fair. In 2014\, Artfair named her one of the 25 most important women in the art world. \n\n\n\n\n\n\nImage: Marilyn Minter. About Damn Time\, 2023.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesday-marilyn-minter-at-lgdr-with-jeanne-greenberg-rohatyn/
LOCATION:LGDR Gallery\, 3 East 89th Street\, New York\, New York\, 10128
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/AboutDamnTime_2023_MarilynMinter.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230601T180000
DTEND;TZID=America/New_York:20230601T193000
DTSTAMP:20260403T192218
CREATED:20230517T144322Z
LAST-MODIFIED:20230531T163222Z
UID:12276-1685642400-1685647800@www.arttable.org
SUMMARY:New York\, NY | Tour of Martine Gutierrez "ANTI-ICON: APOKALYPSIS" at Ryan Lee Gallery
DESCRIPTION:Join ArtTable to ring in pride month as we visit Ryan Lee Gallery for a guided tour of ANTI-ICON: APOKALYPSIS\, a daring new body of work by artist Martine Gutierrez. Our tour guide will be Partner and gallery Co-Founder Mary Lee. \n\n\n\nThe series continues Guiterrez’s exploration of identity across the cultural landscapes of gender\, race and celebrity. In 17 new works\, Gutierrez has transformed herself into a multitude of idols. Costumed by the barest of essentials\, Gutierrez’s figure is the catalyst\, reflecting dystopian futurism upon the symbols of our past. Through each metamorphosis\, Gutierrez re-envisions a diverse canon of radical heroines who have achieved legendary cultural influence over thousands of years in both art history and pop culture. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Martine Gutierrez. Cleopatra from ANTI-ICON: APOKALYPSIS\, 2021. \n\n\n\n\n\n\n\n\n\nFounded in 2013 by Mary Ryan and Jeffrey Lee\, RYAN LEE gallery has established itself as a welcoming place of discovery and dialogue for art ranging from post-war art to the contemporary. Celebrating emerging and established artists and estates\, the gallery takes a multi-generational approach to its programming\, presenting innovative and scholarly exhibitions across all spectrums of art practices\, including painting\, photography\, video\, sculpture\, and performance. The gallery takes chances on a wide variety of boundary-pushing artists; their work consistently transcends political\, cultural\, material\, or technical boundaries. In addition\, RYAN LEE has\, throughout its history\, demonstrated its long-standing interest and dedication to feminist\, Black and Asian American\, as well as queer narratives in the twentieth and twenty first centuries. The gallery is led by partners of different generations and backgrounds with over six decades of combined experiences informing its unique approach. \n\n\n\n\n\n\n\nMartine Gutierrez (b. 1989 Berkeley\, CA) is a transdisciplinary artist\, performing\, writing\, composing and directing narrative scenes to subvert pop-culture identity tropes—both personally and collectively intersectional to the discriminations of race\, gender\, class and nationality. Guiterrez examines advertising in order to hybridize the industry’s objectification of sex with the individual’s pursuit of self\, satirically undermining the aesthetics of what we know. It is Gutierrez herself who executes every role—simultaneously acting as subject\, artist\, and muse. These complicated intersections are innate to Gutierrez’s own multicultural upbringing as a first generation artist of indigenous descent and as an LGBTQ ally. Her malleable\, ever-evolving self-image catalogs the confluence of seemingly disparate modes\, conveying limitless potential for reinvention and reinterpretation.
URL:https://www.arttable.org/event/new-york-ny-tour-of-martine-gutierrez-anti-icon-apokalypsis-at-ryan-lee-gallery/
LOCATION:Ryan Lee Gallery\, 515 W 26th St floor 3\, New York\, New York\, 10001\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Cleopatra_ANTI-ICON-framed-1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230604T110000
DTEND;TZID=America/New_York:20230604T130000
DTSTAMP:20260403T192218
CREATED:20230513T135959Z
LAST-MODIFIED:20230517T194854Z
UID:12238-1685876400-1685883600@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table: "Also a Poet" by Ada Calhoun
DESCRIPTION:Join Northern California Chapter members for Reading at the (Art)Table as we discuss Also a Poet by Ada Calhoun. Explore memories\, musings\, and dig into the stories of Frank O’Hara\, Peter Schjeldahl—the author’s father—and writer\, Ada Calhoun. \n\n\n\n“Brave\, blistering… Fierce\, dissonant\, yet compelling.”—Washington Post \n\n\n\nThis program is free to attend and open to ArtTable members. Registration is required below. \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Book cover of Also a Poet by Ada Calhoun.
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-also-a-poet-by-ada-calhoun/
LOCATION:Gilman Grill\, 1300 Fourth Street\, Berkeley\, California\, 94710
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/CvTDalLSsi.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230606T173000
DTEND;TZID=America/New_York:20230606T190000
DTSTAMP:20260403T192218
CREATED:20230519T150321Z
LAST-MODIFIED:20230525T011241Z
UID:12287-1686072600-1686078000@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays | Tour of "Robin Coste Lewis: Intimacy"
DESCRIPTION:Join ArtTable at the Marian Goodman Gallery for a bespoke viewing of Intimacy\, a moving-image and sound film by Robin Coste Lewis. We’ll meet Marian Goodman Gallery Managing Partner Emily-Jane Kirwan at 5:30 pm for a talk—and enjoy a glass of wine\, courtesy of the gallery—and start the film at 6 pm.  \n\n\n\nA single-channel video projection with sound\, the installation features projected images from a selection of 66 photographs representing a modern 20th-Century photographic archive depicting the Lewis family and their friends. The trove of portraits\, discovered by Lewis approximately 25 years ago in the home of her maternal grandmother\, Dorothy Mary Coste Thomas Brooks\, are sepia\, tintypes\, color and black-and-white pictures that recount the history of the Lewis family and circle. \n\n\n\nThe Lewis family\, along with millions of other Americans\, fled the Southern States of America in the 20th Century as part of the Great Migration west\, in search of a place devoid of racism\, injustice\, and white terrorism.  With the upheaval of forced migration\, and concomitant scattering of a family unit and dispersal of possessions\, the existence of this deep collection of photographic images represents a distinctive vernacular collection\, especially notable for its volume\, rarity and joyful\, private sentiment.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nImage: Still from Robin Coste Lewis: Intimacy. \n\n\n\n\n\n\n\n\n\nRobin Coste Lewis (b. 1964\, Compton\, California) is the former poet laureate for the city of Los Angeles\, where she now lives and works. In 2015\, her first book of poems\, Voyage of the Sable Venus\, which examined the fraught history of art\, gender\, and race\, won The National Book Award in poetry\, marking the first time a debut by an African American had ever won the prize in the Foundation’s history\, and the first time a debut collection of poetry had won the award since 1974. The images in Intimacy also appear in her new book of poetry\, To the Realization of Perfect Helplessness (2022)\, published by Knopf\, which recently won an NAACP Award in Poetry and PEN Award in poetry.Lewis received her Bachelor of Art from Hampshire College in creative writing and comparative literature; a Master of Theological Studies degree in Sanskrit and comparative religious literature from the Divinity School at Harvard University; a Master of Fine Art in poetry at New York University; and a PhD from the University of Southern Creative Writing and Literature Program. Lewis\, who has taught at Hampshire College\, Hunter College\, Wheaton College\, and the NYU MFA in Paris\, is writer-in-residence at the University of Southern California. In 2021\, she was the Joseph Brodsky Rome Prize Fellow at the American Academy in Rome\, and is currently a Ford Foundation Scholar-in-Residence at the Museum of Modern Art.
URL:https://www.arttable.org/event/new-york-ny-tour-of-robin-coste-lewis-intimacy/
LOCATION:Marion Goodman Gallery\, 24 W 57th St\, New York\, NY\, 10019
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/05/RobinCosteLewis_Intimacy_1.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230607T100000
DTEND;TZID=America/New_York:20230607T113000
DTSTAMP:20260403T192218
CREATED:20230516T133016Z
LAST-MODIFIED:20230525T162619Z
UID:12262-1686132000-1686137400@www.arttable.org
SUMMARY:* WAITING LIST * New York\, NY | Curator-Led Tour of Cecily Brown "Death and the Maid" at the Met
DESCRIPTION:Join ArtTable for an exclusive curator-led tour of “Death and the Maid” at The Metropolitan Museum of Art; we’ll have access when the museum is closed to the public! For more than twenty-five years\, Cecily Brown (b. 1969) has transfixed viewers with sumptuous color\, bravura brushwork\, and complex narratives that relate to some of Western art history’s grandest and oldest themes. After moving to New York from London in the 1990s\, she revived painting for a new generation alongside a handful of other artists—many of them also women—at the very moment critics were questioning its import and relevance. The first full-fledged museum survey of Brown’s work in New York since she made the city her home\, “Cecily Brown: Death and the Maid” assembles a select group of some fifty paintings\, drawings\, sketchbooks\, and monotypes from across her career to explore the intertwined themes of still life\, memento mori\, mirroring\, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. The tour will be led by by the Aaron I. Fleischman Curator\, Modern and Contemporary Art\, Ian Alteveer. \n\n\n\nBrown has work in public collections including The MoMA\, The Whitney Museum of American Art\, and the Solomon R. Guggenheim Museum\, New York\, NY; Hirshhorn Museum and Sculpture Garden\, Smithsonian Institution\, Washington\, D.C.; The Broad\, Los Angeles; Museum für Moderne Kunst\, Frankfurt\, Germany; The Tate\, London\, UK; and Louisiana Museum of Modern Art\, Humlebæk\, Denmark. \n\n\n\nPlease see The Met website for full exhibition acknowledgments.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes toward ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n* WE HAVE A WAITING LIST TO JOIN THIS EVENT: YOU CAN ADD YOUR NAME BY CLICKING “REGISTER HERE” Thank you! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Cecily Brown. Maid in a Landscape\, 2021. Oil on linen. Private collection. Courtesy of the artist. Photo by Genevieve Hanson.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-cecily-brown-death-and-the-maid-at-the-met/
LOCATION:The Metropolitan Museum of Art\, 1000 Fifth Avenue\, New York\, New York\, 10028
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Cecily-Brown_Maid-in-a-Landscape-2021_Oil-on-linen_-Private-collection.-Courtesy-the-artist_-photo-by-Genevieve-Hanson-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20230610T110000
DTEND;TZID=America/Los_Angeles:20230610T150000
DTSTAMP:20260403T192218
CREATED:20230525T191154Z
LAST-MODIFIED:20230608T210113Z
UID:12431-1686394800-1686409200@www.arttable.org
SUMMARY:Philadelphia\, PA | Old City Art Tour & "Rising Sun: Artists in an Uncertain America"
DESCRIPTION:Please join ArtTable in Philadelphia\, PA for a private tour of the exhibitions on view at Twelve Gates Arts and Pentimenti Gallery with remarks by Christine Pfister\, Director at Pentimenti Gallery\, and Aisha Zia Khan\, Executive Director & President/Founder at Twelve Gates Arts. \nMake a day of it! After the tour\, we encourage attendees to visit Rising Sun: Artists in an Uncertain America\, a collaborative exhibition by the African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts. We are pleased to be able to provide attendees with discounted general admission to the museum shows! Attendees will retrieve their tickets at Pentimenti and Twelve Gates Arts during their complimentary lunch. \n_______________________ \nITINERARY\n11:00 am – 1:00 pm Old City Art Tour\nWHAT SURVIVES IN THE ARCHIVE OF INDENTURE? | Group ExhibitionNAZRINA RODJAN – NICHOLAS DORNELLAS – SARAH ROHANI DREPAULSHARIFA KHAN – VANESSA GODDENTWELVE GATES ARTS\, 106 NORTH SECOND ST. PHILADELPHIA\, PA 19106 \nTwelve Gates Arts invited curator Suzanne Persard for a group show of women and nonbinary artists. What survives in the archive of indenture? Remnants of Another investigates the traces of memory among artists of Indo-Caribbean and indentured Indian descent from Suriname\, Trinidad\, and Guyana. Juxtaposing historical and family archives alongside photography and film\, these multidisciplinary artists rework temporalities of diaspora and self to create a new visual archive of genealogy. Remnants of Another traverses the contours of memory among indentured descendants\, refracting the violence of the colonial archive through queer and feminist re-imaginings of ancestral selves\, kinship and diaspora. \n\nREKINDLED PROMISE | Group ExhibitionCHELSEA KAIAH – MELISSA LEANDRO – CHAU NGUYENBRIAN SINGER – TANEKEYA WORDPENTIMENTI GALLERY\, 145 NORTH SECOND ST. Philadelphia\, PA 19106 \nPentimenti Gallery invited five artists\, four of them women\, who draw inspiration from the challenges we face while living in America today. The selected artworks were created through the lenses of artists of different backgrounds and different concerns\, such as climate change\, immigration\, material culture\, and America’s complex past. These cultural critiques aim to turn a mirror on what modern America is versus what it purports itself to be. \n\n \n1:00 pm – 3:00 pm “Rising Sun” \nRISING SUN: ARTISTS in an UNCERTAIN AMERICA \n20 artists respond to the critical question: Is the sun rising or setting on the experiment of American democracy? A collaborative exhibition by the African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts. Installations by 20 celebrated artists explore themes of equality\, free speech\, and other tenets of democracy. In a time when perspectives in the U.S. are radically disparate\, we invite you to explore how art inspires us to reflect on\, challenge\, and expand our own lived experiences. Artists include: Shiva Ahmadi\, John Akomfrah CBE\, La Vaughn Belle\, Tiffany Chung\, Lenka Clayton\, Petah Coyne\, Martha Jackson Jarvis\, Demetrius Oliver\, Eamon Ore-Giron\, Alison Saar\, Dread Scott\, Rose B. Simpson\, Sheida Soleimani\, Renée Stout\, Mark Thomas Gibson\, Dyani White Hawk\, Hank Willis Thomas\, Deborah Willis\, Wilmer Wilson IV\, and Saya Woolfalk. \nBe part of this transformative exhibition at two historic museums within walking distance of each other: \nAfrican American Museum in Philadelphia701 Arch Street Philadelphia\, PA 19106 \nPennsylvania Academy of the Fine Arts118-128 North Broad Street | Philadelphia\, PA 19102_______________________ \n\nArtTable members $25\nMember guests $35\nPublic $40 \nPricing includes entry to both museums\, complimentary lunch\, and both galleries. Not a member? Join today! \n  \n\n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. \n\nImage: Rekindled Promise | CHELSEA KAIAH – MELISSA LEANDRO – CHAU NGUYEN – BRIAN SINGER – TANEKEYA WORD. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAisha Zia Khan is Co-founder of Twelve Gates Arts\, where as the Executive Director since 2009 she provides a platform for artists and diasporic audiences to present and experience contemporary art projects. Aisha has dedicated her career to curating innovative programs and exhibitions that bridge cultures\, foster dialogue\, and promote artistic diversity. She brings six years of experience as a Strategic and Financial Analyst at Merrill Lynch to her work. With this expertise\, she works towards the founding vision for 12G: a space as expansive and malleable as the artists it accommodates. \n\n\n\n\nAisha’s recently concluded Curatorial Residency in Penn’s Asian American Studies Program (ASAM) in spring 2023 (as part of the ASAM’s Sachs 2022 Grant)  titled “The Third Space: Unfurling Diasporic Arts of South Asia”\, consisted of a series of programs seeking to highlight Diasporic Arts of South Asia as a distinct\, expansive\, and emergent tradition within American contemporary art. This residency was not just a critical opportunity for ASAM to premier South Asian American arts in an examination of diaspora\, ethnic identity\, and immigration history\, but also a culmination of her own work highlighting these aspects in artistic productions of diasporic artists. \n\n\n\n\n\n\n\n\nChristine Pfister was born in Switzerland. Upon moving to the United States\, she attended Christie’s Education at Christie’s New York\, NY. As an accomplished Gallerist with over 20 years of curating exhibitions featuring local\, national\, and international artists at Pentimenti Gallery\, Christine Pfister is an experienced gallerist\, advocate\, educator\, and collections advisor. She has worked with museum curators\, private collectors\, and corporate clients located in the United States\, Asia\, South America\, and Europe. She has also given many lectures and participated in panels. Lectures include the Barnes Foundation\, the University of Pennsylvania\, the University of the Arts\, the American Association of Museums\, and more.
URL:https://www.arttable.org/event/philadelphia-pa-old-city-art-tour-rising-sun-artists-in-an-uncertain-america/
CATEGORIES:Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/05/Rekindled-Promise-CMYK-postcard-final-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230611T000000
DTEND;TZID=America/New_York:20230619T235959
DTSTAMP:20260403T192218
CREATED:20230112T154934Z
LAST-MODIFIED:20230525T174026Z
UID:11230-1686441600-1687219199@www.arttable.org
SUMMARY:SOLD OUT | ArtTable Tours | France: The Magic of Paris and Provence
DESCRIPTION:There is no question that the art scene in France is alive and kicking its heels. The impact of Brexit has brought new and exciting art spaces across France that more than merit a taste of as the French would say a “soupçon” of the contemporary art scene in France. \n\n\n\nArtTable’s tour will begin in Paris and then we head south to Provence where we will visit museums\, alternative spaces\, galleries\, artists’ studios\, and private collections. France has been the inspiration to artists that have given birth to some of the most important artistic movements and their legacy has laid the foundation for artists for generations. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHighlights of The Itinerary\n\n\n\nParis \n\n\n\nWe could spend the entire time of the tour in Paris yet over the course of our 3 days in this magical city\, we plan to get into the flow filled with contemporary art set within extraordinary settings. We will talk with gallerists\, artists\, curators\, and collectors as we visit sites like La Bourse de Commerce or the Fondation Louis Vuitton or alternative art spaces like the recently formed Fiminco. Each day we will have time to enjoy the cuisine of Paris and reflect on our shared experiences.  \n\n\n\nAvignon\n\n\n\nThis wonderful walled city along the Rhone will be our first stop as we head south. While it is known for its famous Palais des Popes\, there is also a burgeoning art scene which includes the collection of noted gallerist and collector\, Yvon Lambert. We will have a tour of newly installed works from his  collection. Our day will end with an evening stay at a chateau in the countryside which will provide closer access to a truly unique visit to Anslem Kiefer’s vast studio complex La Ribaute\, a 40-hectare site with more than 70 installations by Kiefer along with the exhibition of works by guest artists.  \n\n\n\nArles\n\n\n\nArles is a magical town and is one of the most lovely examples of life in Provence spanning the footprints of centuries of cultures. The presence of artists is legendary with Vincent Van Gogh having spent three of his most productive years here. His spirit has attracted many contemporary artists and is the home to one of the significant cultural destinations outside of Paris\, LUMA. Created by the efforts of philanthropist Maja Hoffman\, LUMA was created on the site of former railyards with many service barns being transported into exhibition spaces with the site being topped by a tower designed by Frank Gehry. Our hotel in Arles will be L’Arlatan\, which was designed by the artist Jorge Pardo. Beyond Arles we will venture to Chateau La Coste roaming the hills dotted with large scale sculptures by some of the most important artists working today. \n\n\n\nSuzanne Randolph\, Tour Curator\n\n\n\nThe ArtTable tour to Paris and Provence will be curated by The ALIX Experience\, a firm that connects women through luxury tours focused on cultural experiences.  ALIX was created by Suzanne Randolph\, an ArtTable member and established fine art advisor with Suzanne Randolph Fine Arts. Suzanne created ALIX as she traveled internationally on her own  to keep abreast of the contemporary art market. As a solo woman traveler she realized that many women like herself could benefit from gathering together to share experience and lessen moments of loneliness as one travels for business and for leisure. \n\n\n\nSuzanne loves France and looks forward to meeting ArtTable’s travelers! \n\n\n\nPricing\n\n\n\nMember Total Price of Tour = $10\,824 \n\n\n\nCost of Travel ($9\,999) + Required Arttable Donation ($825) \n\n\n\nNon-member Total Price of Tour = $11\,224 \n\n\n\nCost of Travel ($9\,999) + Required ArtTable Donation ($1225) \n\n\n\nThis tour is all-inclusive and includes luxury single-room accommodations\, all meals plus wine and gratuities\, museum entrance fees and other activity costs\, local and international travel. Registration is open to ArtTable members + non-members at this time with pricing as outlined above. \n\n\n\n*PLEASE NOTE THAT WE ARE NOW SOLD OUT!*
URL:https://www.arttable.org/event/arttable-tours-france-the-magic-of-paris-and-provence/
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20230613T170000
DTEND;TZID=America/New_York:20230613T180000
DTSTAMP:20260403T192218
CREATED:20230522T135231Z
LAST-MODIFIED:20230522T155855Z
UID:12313-1686675600-1686679200@www.arttable.org
SUMMARY:New York\, NY | Gallery Tuesdays | Ruby Rumié "Us\, 172 Years Later”
DESCRIPTION:Join ArtTable and Nohra Haime for a tour of “Us\, 172 Years Later” by Ruby Rumié at the Nohra Haime Gallery. The project is based on the 19th Century Chorographic Commission in Colombia that includes the inhabitants of the Caribbean coast which were missing in the original scientific study. Rumié puts together one hundred people from the Caribbean region whose unique characteristics share the passion and commitment for their trade\, and express in a special way their taste and the value they place on the food from this region\, as food is one of the most relevant cultural elements. Rumié inserts the women as a type who were not included in the original Commission due to gender and race. \n\n\n\nBorn in Cartagena de Indias\, Rumié studied painting\, drawing and sculpture at the Cartagena School of Fine Arts (1980-1982). From 1989 to 1996 she worked on hyperrealist painting. She then broke away from academia and pursued her work with a clear focus on social issues\, both territorial and on patrimony\, questioning her commitment as an artist to society. She has held important exhibitions in Colombia\, Chile\, the United States and France. She exhibited Hálito Divino (Divine Breath) and Tejiendo calles (Weaving Streets) at the Nohra Haime Gallery in New York and at NH Galería in Cartagena\, Colombia. She participated in Art Paris and in the first Biennial of Contemporary Art of Cartagena de Indias with her work Lugar común (Common Place). She was awarded the Rockefeller Foundation Bellagio Center fellowship and Women Together from the United Nations (UN) for her anthropological\, social and artistic works. Special thanks to Julia P. Herzberg\, PhD. \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\n\n\n\n\nImage: RUBY RUMIÉ. Us\, 172 Years Later\, 2022. Images of works. \n\n\n\n\n\n\n\n\n\n\nNohra Haime founded the Nohra Haime Gallery in 1979 a variety of modern and contemporary American and international artists that she has placed in important private and public collections. In 2011 she opened NH Galería in Cartagena\, Colombia where she cofounded in 2014 the First International Contemporary Art Biennial. Nohra has curated many exhibitions and has written and published books.  \n\n\n\n\nHaime started writing for the art section of the Spanish Edition of Harper’s Bazaar in the 1980s\, and later through her own publications on the diverse artists she has represented and worked with. She has equally juried several exhibitions and has been invited to lecture\, give talks and participate in panels. In 2011\, Nohra was awarded the Key to the City of Cartagena\, Colombia. In 2013 she received the Jessica Cosgrave award from Finch College Alumnae Association in New York and was nominated in 2014 as one of the 100 Colombians by the 100 Colombians Foundation.
URL:https://www.arttable.org/event/new-york-ny-gallery-tuesdays-ruby-rumie-us-172-years-later/
LOCATION:Nohra Haime Gallery\, 500A West 21st Street\, New York\, 10011
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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