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DTSTART;TZID=America/New_York:20260923T150000
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DTSTAMP:20260731T181058Z
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SUMMARY:Brooklyn\, NY | Annual Leadership Series | Studio Visit with Jenny Holzer
DESCRIPTION:Installation for the Solomon R. Guggenheim Museum\, 1989/2024 LED with blue\, green\, and red diodes 16.375 x 1944 in. / 41.6 x 4937.8 cm Text: Truisms\, 1977-79 Installation: Jenny Holzer: Light Line\, Solomon R. Guggenheim Museum\, New York\, 2024 Jenny Holzer\, member Artists Rights Society (ARS)\, NY Photo: Filip Wolak\n\n\n\n\n\nJoin ArtTable for a studio visit with Jenny Holzer. \n\n\n\nFor more than forty-five years\, Jenny Holzer has presented her astringent ideas\, arguments\, and sorrows in public places and international exhibitions\, including Times Square\, the Venice Biennale\, the Guggenheim Museums in New York and Bilbao\, and the Louvre Abu Dhabi. Her medium\, whether a T-shirt\, plaque\, or electronic sign\, is writing\, and the public dimension is integral to her work. Starting in the 1970s with her New York City street posters and continuing through her recent light projections on landscape and architecture\, her practice has rivaled ignorance and violence with humor\, kindness\, and courage. Holzer received the Leone d’Oro at the Venice Biennale in 1990\, the World Economic Forum’s Crystal Award in 1996\, the rank of officier in France’s Ordre des Arts et des Lettres in 2016\, the US State Department’s International Medal of Arts in 2017\, and Time magazine’s Time 100 Award in 2024. She holds honorary degrees from Williams College\, the Rhode Island School of Design\, the New School\, and Smith College. She lives and works in New York. \n\n\n\nAbout the Annual Leadership Series: This signature ArtTable program was initially launched in 2016\, and since its inception\, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries. Our 2026 series of programs follow the theme of the State of American Art. \n\n\n\nPlease note\, photography is not permitted in the studio. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nThis program is open to ArtTable Circle\, Patron\, & Benefactor Members. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $40\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/brooklyn-ny-studio-visit-with-jenny-holzer/
LOCATION:Dumbo\, Full Address Provided Upon Registration\, Dumbo\, Brooklyn
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20260925T110000
DTEND;TZID=America/New_York:20260925T123000
DTSTAMP:20260618T180300Z
CREATED:20260611T142441Z
LAST-MODIFIED:20260618T180300Z
UID:171935-1790334000-1790339400@www.arttable.org
SUMMARY:New York\, NY | ArtTable Annual Brunch at The Armory Show 2026
DESCRIPTION:Reconnect with colleagues and friends at ArtTable’s Annual Brunch at The Armory Show! In addition to a delicious continental brunch\, each registration for this event—a highlight of the ArtTable calendar—includes a day pass to The Armory Show for Friday\, September 25. \n\n\n\nWe are excited to be joined by María Elena Ortiz\, curator of the Armory Show’s Focus Section and 2009 ArtTable Fellow.  \n\n\n\n\nRegistration: \n\n\n\n\nArtTable Circle\, Patron\, and Benefactor Members – $60\n\n\n\nArtTable Members – $70\n\n\n\nGuest of ArtTable Member – $75\n\n\n\nGeneral Admission – $80\n\n\n\n\n\n\n\n\nArtTable members receive special access to art fairs happening nationwide throughout the year. Not a member? Join or renew today! \n\n\n\n\n\n\n\n\n\nArtTable thanks The Armory Show and catering partner Cultivated for their generosity in welcoming us this year. \n\n\n\nAbout The Armory Show: In 1994\, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years\, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape. \n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-arttable-annual-brunch-at-the-armory-show-2026/
LOCATION:Javits Center\, 429 11th Avenue\, New York\, 10001
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20260929T123000
DTEND;TZID=America/New_York:20260929T133000
DTSTAMP:20260529T154332Z
CREATED:20260528T214040Z
LAST-MODIFIED:20260529T154332Z
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SUMMARY:New York\, NY | Private Tour of the Easton Foundation
DESCRIPTION:Join ArtTable for a private tour of the Easton Foundation.  \n\n\n\nThe Easton Foundation was established by Louise Bourgeois in the 1980s as a non-profit and charitable organization. Upon her death in 2010\, at the age of 98\, Bourgeois bequeathed her home and an adjacent townhouse to become the Foundation’s offices and donated a substantial collection of her art to its holdings. \n\n\n\nThe Easton Foundation is now dedicated to preserving Bourgeois’s legacy. Serving to promote the scholarship and awareness of Bourgeois’s life and art\, the Foundation aims to cultivate new interpretations of her work while providing a deeper understanding of her artistic process and creative milieu. As part of this mission\, the Foundation has established the Louise Bourgeois Archive\, a study center and residency for curators and scholars\, as well as a sculpture garden and a small exhibition space presenting original archival materials and works from the collection. The Foundation is also undertaking the ongoing conservation of Bourgeois’s distinctive home and studio\, in which she lived and worked for almost 50 years.  \n\n\n\nThis program is open to ArtTable Circle\, Patron\, & Benefactor Members. \n\n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/new-york-ny-private-tour-of-the-easton-foundation/
LOCATION:The Easton Foundation\, 349 West 20th Street\, New York\, New York\, 10011\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20261002T173000
DTEND;TZID=America/New_York:20261002T203000
DTSTAMP:20260729T154641Z
CREATED:20260729T154630Z
LAST-MODIFIED:20260729T154641Z
UID:178577-1790962200-1790973000@www.arttable.org
SUMMARY:Washington\, DC | An Evening with Lynda Roscoe Hartigan
DESCRIPTION:This special evening celebrates Lynda Roscoe Hartigan’s return to Washington\, DC as the incoming Margaret and Terry Stent Director of the Smithsonian American Art Museum — the very museum where her career in the arts began.For over four decades\, ArtTable has championed the women and nonbinary leaders shaping museums\, galleries\, and cultural institutions across the country. Lynda’s return to Washington is a moment worth marking together — and a celebration of the extraordinary leadership our community continues to bring to the arts. \n\n\n\nWith special thanks to our host: Carol Duke\, ArtTable Board Member \n\n\n\nPlease note\, this event is invitation only.
URL:https://www.arttable.org/event/washington-dc-an-evening-with-lynda-roscoe-hartigan/
LOCATION:Texas
CATEGORIES:Washington, D.C.
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20261007T173000
DTEND;TZID=America/New_York:20261007T190000
DTSTAMP:20260729T171700Z
CREATED:20260729T171204Z
LAST-MODIFIED:20260729T171700Z
UID:172951-1791394200-1791399600@www.arttable.org
SUMMARY:Washington\, DC | MeetAT at Morton Fine Art
DESCRIPTION:Liz Tran\, Dandelion Storm Cloud\, 2024\, mixed media on canvas\, 24″x30″\, Courtesy of the artist and Morton Fine Art\n\n\n\nYou’re invited to a MeetAT networking event on October 7\, graciously hosted by Amy Morton\, Owner & Chief Curator of Morton Fine Art. Enjoy light refreshments while catching up with fellow ArtTable members\, prospective members\, and making new connections. \n\n\n\nAbout Morton Fine ArtFounded in 2010 in Washington\, DC\, by curator Amy Morton\, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance\, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists and has an additional focus on artwork of the African and Global Diaspora.  \n\n\n\nAt Morton Fine Art: Liz TranInspired by early memories of the artist being administered Rorschach tests — a psychological evaluation of mental health and trauma through associative responses to inkblots — Tran transforms and transports the familiar monochromatic prints into a world of vibrant\, technicolor panels that explore the nature of viewer subjectivity. Varying her compositions from symmetrical renderings–like a Rorschach print–to others more liberally abstracted\, Tran’s works challenge the notion of a correct way to view art. Like the well-known psychological test\, Tran’s art performs an introspective function in which the viewer’s interpretation is self-reflexive and can facilitate self-knowledge.Liz Tran (b. 1979) explores the shapes of nature\, with the infusion of fantastical\, pulsing synthetic hues\, channeling subjects such as dream imagery\, imagined landscapes\, geodes\, outer space\, and The Big Bang. Public collections of Tran’s work include the City of Seattle’s Portable Works Collection; Capital One; Vulcan Inc.; Baer Art Center; Camac Art Centre; The El Paso Children’s Hospital; Harborview Medical Center\, Seattle; and The King County Public Art Collection. Tran has completed multiple special projects and installations\, including work for VH1 Save the Music Foundation\, The Upstream Music Fest\, The Seattle Art Museum\, The Brain Project Toronto\, Public Art at The Aqua Art Fair Miami\, and Vulcan Inc.She has been awarded multiple fellowships and grants\, including a Grant for Artist Projects (GAP) from Artist Trust\, Clowes Fellowship for residency at the Vermont Studio Center\, the Nellie Cornish Scholarship and residency at The Camac Art Centre in France\, The Baer Art Center in Iceland\, Jentel Foundation\, Millay Colony for the Arts\, and The Center for Contemporary Printmaking. She resides in Seattle\, WA. Tran has been represented by Morton Fine Art since 2020.   \n\n\n\n \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and prospective members*\n\n\n\n\n*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity. \n\n\n\n \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/washington-dc-meetat-at-morton-fine-art/
LOCATION:Morton Fine Art\, 52 O St NW\, Washington\, District of Columbia\, 20001\, United States
CATEGORIES:Washington, D.C.
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T183000
DTEND;TZID=America/New_York:20261008T203000
DTSTAMP:20260730T215559Z
CREATED:20260730T212450Z
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UID:178733-1791484200-1791491400@www.arttable.org
SUMMARY:New York\,  NY | ArtTable's Annual Leadership Series | The State of American Art
DESCRIPTION:Join ArtTable for our 2026 Annual Leadership Program The State of American Art. This year’s Keynote Speaker is Sarah Lewis\, and our panelists include moderator Eileen Kinsella\, Marcela Guerrero\, Alexis Lowry\, Victoria Rogers\, and Dare Turner. \n\n\n\nThe program will explore how “American art” is being defined\, contested\, and reimagined at a moment of profound cultural and political division. Through this lens\, the program will examine the intersections of art\, identity\, power\, and civic life—asking who shapes cultural narratives today\, whose voices are amplified\, and how institutions and the market are responding to a rapidly shifting national landscape. \n\n\n\nLearn more about our panelists below. Additional Speakers will be announced soon.  \n\n\n\nThe panel discussion will be followed by a wine reception in Hauser & Wirth’s iconic Roth Bar. \n\n\n\nAbout the Annual Leadership Series: This signature ArtTable program was initially launched in 2016\, and since its inception\, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries. \n\n\n\n\nFor questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nGeneral Admission – $55\n\n\n\nArtTable Members – $45\n\n\n\nArtTable Member Guests – $50\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSarah Lewis is the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the founder of Vision & Justice\, a leading publishing and research initiative that serves as a key organizer\, partner\, and resource for artists\, scholars\, and leaders seeking to examine the foundational role of visual culture in America’s representational democracy. Lewis is also known for her landmark work on creativity and the gift of failure for innovation. \n\n\n\nShe has authored and edited over 60 publications including the award-winning book\, The Unseen Truth: When Race Changed Sight in America (Harvard University Press\, 2024); the bestseller\, The Rise: Creativity\, the Gift of Failure\, and the Search for Mastery (Simon & Schuster\, 2014); and the award-winning volumes Carrie Mae Weems (MIT Press\, 2021) and “Vision & Justice” (Aperture\, 2016)\, taught widely in universities in the United States and abroad and made required reading for incoming first-year students at New York University Tisch School of the Arts. \n\n\n\nA frequent speaker at universities and conferences\, her mainstage TED talk\, Embrace the Near Win\, has received 3.1 million views. She has delivered keynotes\, talks and commencement addresses for many universities and organizations. As founder of Vision & Justice\, Lewis has organized landmark convenings and founded a Vision & Justice Book Series\, launched in partnership with Aperture. Her writing has been published in the New Yorker\, The New York Times\, Artforum\, and the New York Review of Books\, and her work has been the subject of profiles from Vogue to The Boston Globe to The New York Times. Sarah was ArtTable’s 2006 New Leadership Awardee. \n\n\n\n\n\n\n\n\n\n\n\n\n\nEileen Kinsella is an arts and culture journalist who has been covering the international art market for more than 25 years. She has worked at The Wall Street Journal\, ARTnews\, and Artnet News covering international auctions\, high-profile legal disputes and legal developments that impact issues of provenance\, ownership\, and authenticity. She co-created and co-hosted the podcast Art World Infamy\, and has appeared on CNBC\, Reuters\, and BBC television and was featured in art documentarites\, Driven to Abstraction and For The Money.More recently she has contributed stories to CULTURED\, Art & Object\, The Art Newspaper and Arthur Analytics. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMarcela Guerrero is the DeMartini Family Curator at the Whitney Museum of American Art\, New York. Alongside Drew Sawyer\, Guerrero is the co-curator of the eighty-second edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States. At the Whitney\, Guerrero also curated no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria and Martine Gutierrez: Supremacy in 2022-23\, among other exhibitions. From 2014 to 2017\, she was the Curatorial Fellow for Radical Women: Latin American Art\, 1960-1985 organized at the Hammer Museum in Los Angeles. Prior to joining the Hammer\, she worked in the Latin American and Latino art department at the Museum of Fine Arts\, Houston. Guerrero’s writing has appeared in several exhibition catalogues and in art journals. Born and raised in Puerto Rico\, Guerrero holds a PhD in art history from the University of Wisconsin\, Madison. Marcela was ArtTable’s 2025 New Leadership Awardee. \n\n\n\n\n\n\n\nPhoto: Gabriela Herman\n\n\n\n\n\nAlexis Lowry is Curatorial Senior Director at Hauser & Wirth\, where she develops and implements artist driven programming and collaborations across the gallery’s global network of locations. Recent projects include David Smith: No One Thing; Mary Heilmann: Daydream Nation (with Gary Simmons); Camille Henrot: A Number of Things; and Susan Rothenberg: The Weather.Prior to joining Hauser & Wirth\, Lowry was a curator at Dia Art Foundation\, where she oversaw commissions\, exhibitions\, public programs\, and the permanent collection across the institution’s sites and locations. During her tenure\, she organized more than two dozen presentations by artists including Mel Bochner\, Melvin Edwards\, Charles Gaines\, Rita McBride\, Delcy Morelos\, Charlotte Posenenske\, Lucy Raven\, and Dorothea Rockburne\, among others. A curator and scholar with particular interests in Minimalism\, Postminimalism\, and Land art\, Lowry also played a  key role in the stewardship of Dia’s site specific works and in expanding the institution’s approach to land based practices.Previously\, Lowry served as curator of the David Winton Bell Gallery at Brown University and worked as a freelance project manager for Creative Time.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nVictoria Rogers is the Director of Strategy in the Office of the COO at Autodesk. She has also worked as an Advisor at X [Google X]\, where she focused on generative AI and \, and as the Director of Arts at Kickstarter\, where she raised over $9M for over 200 cultural projects from more than 90K people. Victoria holds an MBA from Stanford University\, an MFA in Industrial and Civic Service Design from Parsons School of Design\, and a BA in Art History from Yale University. Victoria is a board member of the Brooklyn Museum\, the Studio Museum in Harlem\, the Terra Foundation\, and co-chair and co-founder of the Black Trustee Alliance for Art Museums. She serves as an Impact Fellow with BAG VC\, where she is researching and developing strategies to reduce bias in AI. \n\n\n\n\n\n\n\n\n\n\n\n\n\nDare Turner is the Curator of Indigenous Art at the Brooklyn Museum and a member of the Yurok Tribe. In 2024\, she co-organized Preoccupied: Indigenizing the Museum at the Baltimore Museum of Art\, which included nine exhibitions\, interpretative interventions across the Museum\, and a catalogue. At the Brooklyn Museum\, she curated Nico Williams: Aaniin\, I See Your Light and co-curated Towards Joy: New Frameworks for American Art\, a radical reinstallation of the American Wing guided by Indigenous ways of knowing and Black feminist theory. Her forthcoming exhibition and book\, Hopi Kachina Dolls: Blessings for a Balanced World\, will debut at the Brooklyn Museum in October 2026. \n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-arttables-annual-leadership-series-the-state-of-american-art/
LOCATION:Hauser & Wirth\, 18th Street\, 443 W 18th St\, New York\, New York\, 10011
CATEGORIES:New York,National
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T113000
DTEND;TZID=America/New_York:20261009T123000
DTSTAMP:20260608T160300Z
CREATED:20260529T184829Z
LAST-MODIFIED:20260608T160300Z
UID:170740-1791545400-1791549000@www.arttable.org
SUMMARY:New York\, NY | Curator-Led Tour of "Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art" with Emelie Gevalt\, PhD
DESCRIPTION:Sampler c.1789\, Ruthy Rogers.\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of “Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art with Emelie Gevalt\, PhD. \n\n\n\nFeaturing spectacular examples of needlework and other ornamental arts made by American girls in the eighteenth and nineteenth centuries\, Locating Girlhood: Place and Identity in Early American “Schoolgirl” Art sheds new light on a rich but understudied genre\, offering one of the most significant presentations on the subject in recent memory. This major loan exhibition brings together approximately 100 exceptional objects from over 35 museums and private collections nationwide\, uniting celebrated masterpieces with remarkable lesser-known gems rarely seen by the public. \n\n\n\nUnlike many earlier exhibitions\, Locating Girlhood explores girlhood artworks from an explicitly art historical perspective\, reframing these objects through the lens of place. Though the story of landscape art in the United States has traditionally centered on male academic painters\, American girls and young women were laboring over a variety of landscape scenes long before the Hudson River School. From the eighteenth century onwards\, representations of landscape were a common visual thread in samplers\, needlework pictures\, watercolors\, and other artworks commonly united under the umbrella term “schoolgirl art\,” extending from country scenes and cityscapes to maps and other cartographic compositions. By considering these works as deeply resonant expressions of place\, the exhibition expands the story of the American landscape and situates women at its heart. \n\n\n\nEmelie Gevalt\, PhD\, is the Deborah Davenport and Stewart Stender Deputy Director & Chief Curatorial and Program Officer. \n\n\n\nLearn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nArtTable Member Guest – $20\n\n\n\nGeneral Admission – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization. \n\n\n\n\n\n\n\n\n\n\n\nArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. \n\n\n\n\n\n\n\n\n\n\n\n\nThis program is supported\, in part\, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.arttable.org/event/new-york-ny-curator-led-tour-of-locating-girlhood-place-and-identity-in-early-american-schoolgirl-artwith-emelie-gevalt-phd/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261015T100000
DTEND;TZID=America/New_York:20261015T113000
DTSTAMP:20260729T160806Z
CREATED:20260729T143027Z
LAST-MODIFIED:20260729T160806Z
UID:178564-1792058400-1792063800@www.arttable.org
SUMMARY:Miami\, FL | Morning MeetAT at Fortress Miami
DESCRIPTION:Alejandra Aristizabal\, Consola\, 2026\, fisque fiber and copper. 35×29\n\n\n\nYou’re invited to a Miami MeetAT networking event on the morning of October 15\, graciously hosted by Fortress Miami. Join us for a morning of refreshments while previewing a curated selection for ArtTable. \n\n\n\nAbout Fortress Miami:Fortress Miami is Miami’s first fine art storage facility serving the community for over 40 years. \n\n\n\nAbout the exhibition:Astrid Burns Art Advisory\, a female-led art advisory practice in Boston & Miami\, will curate the exhibition. The exhibition will feature all female artists\, either from Miami or represented by Miami galleries. \n\n\n\nMore information will be available closer to the event. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests\n\n\n\n\n \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/miami-fl-morning-meetat-at-fortress-miami/
LOCATION:Fortress Miami\, 1629 NE 1st Avenue\, Miami\, Florida\, 33132\, United States
CATEGORIES:Florida
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T150000
DTEND;TZID=America/New_York:20261104T160000
DTSTAMP:20260716T204636Z
CREATED:20260716T204603Z
LAST-MODIFIED:20260716T204636Z
UID:176971-1793804400-1793808000@www.arttable.org
SUMMARY:Washington\, DC | Curator-Led Tour of "Esther Bubley: Photographing the Homefront" with Sarah Leavitt
DESCRIPTION:Courtesy of Library of Congress\, Prints & Photographs Division\, Office of War Information\n\n\n\n\n\n\nJoin ArtTable for a Curator-Led Tour of Esther Bubley: Photographing the Homefront with Sarah Leavitt at the Lillian and Albert Small Capital Jewish Museum. \n\n\n\nEsther Bubley (1921-1998)\, the daughter of Jewish immigrants\, was a documentary photographer who worked for the Office of War Information during WWII. While in the capital\, she photographed Wilson (now Jackson-Reed) High School students and followed uniformed soldiers throughout the city—to the Loew’s Theater\, Glen Echo amusement park\, and Dissin’s Jewish boarding house\, where her sister lived. Bubley’s evocative black-and-white photographs show us a bustling city welcoming thousands of new residents experiencing urban life. This exhibition pairs dramatic photography with artifacts from the Museum collection that help illustrate this glimpse into the capital city at a critical time in our nation’s history.Learn more about accessibility at the museum here. For questions about access or to request accommodations please contact us at programs@arttable.org. \n\n\n\n\n \n\n\n\n\nProgram Admission: \n\n\n\n\nArtTable Members – $20\n\n\n\nArtTable Member Guests – $25\n\n\n\nGeneral Admission – $30\n\n\n\n\nNot a member? Join today! \n\n\n\nAll program registration fees go toward event expenses and administrative costs for the organization.
URL:https://www.arttable.org/event/washington-dc-curator-led-tour-of-esther-bubley-photographing-the-homefront-with-sarah-leavitt/
LOCATION:Lillian and Albert Small Capital Jewish Museum\, 575 3rd Street\, NW\, Washington\, DC\, Washington\, DC\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2026/07/Hero-Image-1-low-res.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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