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UID:5495-1620289800-1620289800@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Nancy Miyahira & Deirdre MacWilliams
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for May’s Breakfast Table with Nancy Miyahira\, Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, and Deirdre Ehlen MacWilliams\, public art manager and curator of Georgetown GLOW. Now in its 7th edition\, GLOW is an outdoor public light-based art experience featuring local\, national\, and international artists. Nancy and Deirdre will give presentations and talk about the history and vision of GLOW. They will also tell us about current GLOW artworks and artists. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5.  \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Nancy Miyahira\n\nNancy Miyahira is the Vice President & Marketing Director for the Georgetown Business Improvement District (BID)\, where she has overseen the creation and growth of new experiences to attract visitors to one of D.C.’s most historic districts since 2009. In 2014\, she and the BID team began to delve into public art as a placemaking initiative for the commercial district. They launched D.C.’s first free\, curated\, outdoor Light Art exhibition\, Georgetown GLOW. GLOW started as a three-night experience with five art installations. It has since grown over six years to a month-long exhibition with 11 installations in 2019. \nAfter a pause in 2020 due to the pandemic\, GLOW is back in spring and summer 2021 as a two-part\, six-month exhibition with eight installations featuring many local artists. In addition to working on public art initiatives\, Nancy and her team oversee marketing strategy\, events and communications to promote Georgetown as a destination to local\, national and international visitors. Nancy believes in the accessibility and power of public art\, and hopes that BID can be a catalyst for increasing opportunities for all. One of her most memorable public art experiences is Desert X 2019 in the Coachella Valley. One of her favorite museums is the Honolulu Museum of Art. \nNancy has over 20 years of experience in marketing – primarily in the retail and real estate industries. Prior to joining the BID\, she served in marketing leadership roles for Nordstrom’s East Coast region. There she worked to launch Nordstrom stores in over 20 new markets; The Mills Corporation (national retail REIT acquired by Simon Property Group) – leading the branding for the regional mall portfolio; and Duke Realty Corporation (national office REIT) – overseeing marketing of office and industrial properties in four East Coast markets. Nancy has an MBA in Marketing from the George Washington University\, and currently serves on the Board of STABLE Arts in Eckington\, D.C. Originally from Honolulu\, Hawaii\, Nancy lives in Woodley Park\, D.C. with her husband and two silly beagles. \n  \nAbout Deirdre MacWilliams\n \nDeirdre MacWilliams brings passion\, effective oversight and management skills to large- and small-scale public art projects. Since 2005\, Deirdre has collaborated with design professionals\, community members\, government colleagues and artists to develop public art for Washington\, D.C. and Arlington\, Virginia. \nDeirdre serves as public art project manager for Arlington’s nationally renowned Public Art program. She develops and manages County-initiated projects and advises on various public art and design enhancement requests. Prior to joining Arlington\, Deirdre worked as the public art coordinator for the DC Commission on the Arts and Humanities (DCCAH) and for Weitzman Studios.  \nDeirdre also works independently on creative projects and initiatives.  She has been the curator of Georgetown GLOW since 2014. She was the co-curator for What’s Going on Voices of Shaw in 2016 and in 2015 she was a project manager for Finding a Line\, working with local artist and skateboarder Ben Ashworth and the Kennedy Center. In 2014\, Deirdre was the curator for the Foggy Bottom Sculpture Biennial and in 2014 and 2012 was the producer for DCCAH’s temporary public art program 5×5.   \nDeirdre received her BA in Art History from The George Washington University and an MA from the Fashion Institute of Technology in Art Market Studies\, and currently serves on the board of Washington Project for the Arts. Originally from Cold Spring Harbor\, N.Y.\, she lives on Capitol Hill\, D.C. with her husband\, four-year-old son and super sweet Pitbull mix.  \nAbout The Georgetown Business Improvement District (BID)\nThe Georgetown BID is a city chartered private non-profit organization who focuses on managing the commercial district of the historic neighborhood of Georgetown. It is one of eleven BIDs in Washington\, D.C.\, and the fourth largest\, with an annual budget of $4.5 million and 850+ business members. Membership consists of local\, national and international retailers\, restaurateurs\, real estate developers and corporations. The BID’s property owners and merchants established\, funded and founded the BID in 1999. They work to protect and enhance the accessibility\, attractiveness and overall appeal of Georgetown. The BID is governed by a 24-member Board of Directors and works with city agencies of the District of Columbia on issues of concern to the business district. Major program areas for the BID are: Streetscape\, Street Services\, Public Safety\, Transportation\, Economic Development\, Placemaking and Marketing. \nThank you to Concetta Duncan\, Head of Communications at the Smithsonian’s National Portrait Gallery\, for organizing this program. \n\nImages: \n\nSnapshot from Georgetown GLOW\, 2019\nNancy Miyahira\, courtesy of the speaker\nDeirdre MacWilliams\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-nancy-miyahira/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
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ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210505T180000
DTEND;TZID=America/New_York:20210505T180000
DTSTAMP:20260403T105009
CREATED:20210420T160917Z
LAST-MODIFIED:20210427T172335Z
UID:5365-1620237600-1620237600@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Plural Possibilities & the Female Body' at the Henry Art Gallery
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Join Curator Nina Bozicnik and Associate Curator of Collections Dr. Ann Poulson to discuss Plural Possibilities & the Female Body\, currently on display at the Henry Art Gallery\, University of Washington\, Seattle. Shamim M. Momin\, Director of Curatorial Affairs at the Henry and ArtTable’s 2010 New Leadership Awardee\, will introduce the discussion. Across painting\, photography\, and sculpture and a range of artistic strategies from abstraction to documentary\, the exhibition explores the gendered construction and deconstruction of the female body and its representation\, and creates a counterpoint to persistent myths and reductive ideas about femininity and gender norms. Artists include: Hannah Wilke\, Kiki Smith\, Chakaia Booker\, Patty Chang\, Zanele Muholi\, Wangechi Mutu\, Toyin Ojih Odutola\, Catherine Opie\, Mickalene Thomas\, Lisa Yuskavage\, and more. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nNina Bozicnik is Curator at the Henry Art Gallery\, where she has organized exhibitions including most recently Bambitchell: Bugs & Beasts Before the Law (2021)\, Carrie Yamaoka: recto/verso (2019)\, & Between Bodies (2018-19). She has also organized presentations & projects for the museum with artists including Demian DinéYazhi´ (2018)\, Chris E. Vargas & the Museum of Transgender Hirstory and Art (2016-17)\, & Michelle Handelman (2015)\, among others. Prior to the Henry\, Bozicnik held curatorial positions at the Currier Museum of Art\, Manchester\, New Hampshire; deCordova Sculpture Park & Museum\, Lincoln\, Massachusetts; and the Tufts University Art Gallery\, Medford\, Massachusetts. \nDr. Ann Poulson is the Associate Curator of Collections at the Henry Art Gallery. Before joining the Henry\, she worked with international organizations in the arts\, heritage\, and design\, including the National Portrait Gallery\, London; the Cooper-Hewitt National Design Museum; and Sotheby’s. She received her PhD in Modern British History from King’s College London; has an MA in the same from the University of Durham\, UK; an MA in Fashion History and Museum Practice from the Fashion Institute of Technology\, NY; and a BA in Art History from Brigham Young University\, UT. \nThank you to Lori Shepard\, ArtTable New York Programming Committee member\, for organizing this program. \n\nImages: \n\nInstallation view of Plural Possibilities & the Female Body\, 2021\, the Henry Art Gallery\, University of Washington\, Seattle; Photo: Jueqian Fang\nNina Bozicnik\, Photo: Jonathan Vanderweit.\nDr. Ann Poulson\, courtesy of the Henry Art Gallery
URL:https://www.arttable.org/event/virtual-plural-possibilities-and-the-female-body-henry-art-gallery/
LOCATION:Zoom
CATEGORIES:New York,National,Northwest
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210427T130000
DTEND;TZID=America/New_York:20210427T130000
DTSTAMP:20260403T105009
CREATED:20210331T223817Z
LAST-MODIFIED:20210427T161432Z
UID:5236-1619528400-1619528400@www.arttable.org
SUMMARY:Virtual | Deaccessioning: Competing Needs\, Contested Terrain\, & the Future of the American Museum
DESCRIPTION:1pm ET | 11pm CT | 10am PT\nhttps://www.arttable.org/wp-content/uploads/2021/03/ABCDFEGHIJKLMNOPQRSTUVWXYZ.mp4\n  \nAmerican art museums are at a critical crossroads. The economic fallout from COVID-19 coupled with the urgent need to address systemic racism and social injustice are converging to create a looming state of emergency. These intertwined crises have given rise to debates about who and what museums are for\, and what role permanent collection objects play in fulfillment of their missions. At the forefront of these discussions is the controversial practice of collection deaccessioning. A succession of headlines announcing the consignment of valuable art from high-profile institutions to auction houses throws into relief just how important it is\, at a time when art collections are increasingly seen to be in tension with addressing equity needs. This clash of priorities exists in the face of eroding resources\, and raises existential questions about the nature of museums and the public they serve\, as well as considerations of ethical guardrails and legislative oversight. \nWe invite you to join ArtTable and our expert panel on April 27 from 1-2 PM (EST) for a lively conversation about this pressing issue. We will hear from Dr. Jill Deupi\, Beaux Arts Director & Chief Curator of the Lowe Art Museum (University of Miami); Katie Wilson-Milne\, Partner at Schindler\, Cohen & Hochman LLP; and Sara Raza\, former Guggenheim UBS MAP Curator for the Middle East & North Africa; moderated by Hope Davis\, fine art appraiser\, Hudson River Museum trustee\, and member of the ArtTable New York Programs Committee. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nDr. Jill Deupi is the Beaux Arts Director and Chief Curator of the Lowe Art Museum (University of Miami). Prior to assuming this position\, Deupi was Director and Chief Curator of University Museums at Fairfield University\, where she was also an Assistant Professor of Art History. Deupi is a Trustee of the Association of Art Museum Directors (AAMD)\, co-chairs the Task Force for the Protection of University Collections (AAMG)\, and chairs the City of Coral Gables Arts Advisory Panel. She is also a Fellow of the American Academy in Rome\, the Leading Change Institute\, and the Getty Leadership Institute. \nKatie Wilson-Milne is a Partner at Schindler\, Cohen & Hochman LLP. Katie advises clients in the art\, cultural and creative communities\, including art galleries\, other art businesses\, collectors\, artists\, and not-for-profit organizations on matters related to the purchase\, sale\, lending and financing of art\, as well as gallery\, auction house\, and museum relationships and corporate governance. She also represents clients in the art world in disputes involving representation\, collaborations\, contracts\, copyright\, authenticity\, title\, provenance and appraisals. Katie also teaches and speaks regularly on art law topics. She is the former Secretary of the Art Law Committee of the New York City Bar Association and co-hosts the Art Law Podcast with Steven Schindler. \nSara Raza is the former Guggenheim UBS MAP Curator for the Middle East and North Africa. She has curated exhibitions of visual art art and culture for over a decade (2004-2018) internationally\, in both an independent and institutional capacity\, for museums\, festivals and biennials\, focusing on global art practices from Asia and the Middle East. She has also curated a number of public programs of artist talks and symposia to accompany her projects. \nHope Davis (moderator) is a fine art appraiser and a trustee of the Hudson River Museum in Westchester\, NY. Beginning at Sotheby’s\, her professional experience brought her to M. Knoedler & Co.\, where as Director of American Art\, she organized major exhibitions on James McNeill Whistler (Margaret MacDonald\, Curator)\, and Winslow Homer (Lloyd Goodrich\, Curator). She established Hope Davis Fine Art in the late 1980s\, specializing in late 19th-20th century American art. Now living in the Berkshires\, she also curates exhibitions and promotes contemporary regional artists through Davis Gregory Art. \n  \nThank you to Hope Davis\, ArtTable’s New York Chapter Programming Committee\, for organizing this program. \n\nImages:  \n\nArt Storage. Image via kasten-storage.com\, via Widewalls\nGIF Headlines courtesy of the New York Times\, Hyperallergic\, The Art Newspaper\, and Artnet News
URL:https://www.arttable.org/event/virtual-museum-deaccessioning/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210422T120000
DTEND;TZID=America/New_York:20210422T120000
DTSTAMP:20260403T105009
CREATED:20210331T195918Z
LAST-MODIFIED:20210402T142029Z
UID:5228-1619092800-1619092800@www.arttable.org
SUMMARY:Virtual | Discovering Digital - In Beeple's Wake: The Next 5000 Days of NFTs & the Art Market
DESCRIPTION:12pm ET | 11am CT | 9am PT\nDiscovering Digital is a new programming series developed by ArtTable’s New York Chapter Programs Committee that will explore different aspects of new media initiatives in the art world. These virtual conversations will be led by experts in the field and appeal to all who are interested in digital media. \nJoin Meghan Doyle\, cataloguer at Christie’s New York\, as she takes you through a behind the scenes look at the now historic March 2021 sale at Christie’s – Beeple’s EVERYDAYS: The First 5000 Days. Minted exclusively for Christie’s\, this purely-digital artwork was presented as an NFT (non-fungible token)\, effectively a guarantee of its authenticity. Bidding started at $100\, an approachable entry price that paralleled the accessible nature of the work’s medium and content\, and within an hour drew over 180 bids from across the globe\, pushing the price over $1 million in the first eight minutes alone. The work eventually realized $69\,356\,250 with 88% of active bidders entirely new to Christie’s\, thus ushering in a new art market era – one that transcends the boundaries of established collecting and traditional media. Marrying art and technology\, Beeple’s EVERYDAYS opened up the art market to a new world of possibilities. There will be plenty of time for questions and lively discussion. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\nMembers may bring an additional guest for $5\n\nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Meghan Doyle\nMeghan Doyle is a Cataloguer at Christie’s New York. She joined the Post-War and Contemporary Art Department in August 2018. She has been directly involved in a diverse range of specialized auctions of Post-War and Contemporary Art including a pivotal role in the sourcing\, marketing and sale of Beeple’s EVERYDAYS: The First 5000 Days\, the first digital-only artwork to be offered at a major auction house\, which achieved $69\,346\,250 in March 2021\, and continues to support the development of and education around the burgeoning NFT art market. \nMs. Doyle holds BAs in Art History and Italian\, with a minor in Nonprofit Management\, from Pepperdine University\, where she graduated as valedictorian and was named the Art History student of the year in 2018. Prior to her work at Christie’s Ms. Doyle has served in positions at a variety of museums\, including The British Museum\, Tel Aviv Museum of Art and the Frederick R. Weisman Museum of Art. \nThank you to Regan Lynne Larroque\, ArtTable’s New York Chapter Programming Committee Member\, for organizing this program. \n\nImages:  \n\nChristie’s Inc. with copyright Beeple 2021\nMeghan Doyle\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-discovering-digital-in-beeples-wake-the-next-5000-days-of-nfts/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210416T120000
DTEND;TZID=America/New_York:20210416T120000
DTSTAMP:20260403T105009
CREATED:20210127T185408Z
LAST-MODIFIED:20210416T150255Z
UID:4498-1618574400-1618574400@www.arttable.org
SUMMARY:Virtual | ArtTable's 2021 Annual Benefit & Award Ceremony
DESCRIPTION:Registration for this event is now closed. Please email benefit@arttable.org with any questions.\nSee below for more information on ticket levels and limited editions: \n  \n Benefit Host Committee Ticket Levels $25\,000.00 - Fellowship Program Supporter Supports one ArtTable Fellowship Acknowledgement in Fellowship press release and listing on Impact webpageProminent recognition on 40th Anniversary webpage\, acknowledgement in event emails\, and spoken recognition during the virtual benefitPremier Video Ad (see details below)Opportunity to send dedicated e-blast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 10 guestsProvides one Mentor Ticket for a past or current Fellow$20\,000.00 - 40th Anniversary Supporter Prominent recognition on 40th Anniversary webpage\, acknowledgment in event emails\, and spoken recognition during virtual benefit Premier Video Ad (see details below)Opportunity to send dedicated e-blast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 10 guestsProvides one Mentor Ticket for an emerging professional$15\,000.00 - New Leadership Supporter Recognition on 40th Anniversary webpage\, acknowledgment in event emails\, and spoken recognition during virtual benefitPremier Video Ad (see details below)Opportunity to send dedicated eblast to ArtTable membershipAccess to virtual benefit\, VIP event\, and virtual networking event for 5 guestsProvides one Mentor Ticket for an emerging professional$10\,000.00 - Gold Supporter Recognition on 40th Anniversary webpage and in event emailsPriority Screen Ad (see details below)Access to virtual benefit\, VIP event\, and virtual networking event for 5 guestsProvides one Mentor Ticket for an emerging professional$7\,500.00 - Silver Supporter Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Limited-Edition Jewelry piece by Joan Hornig and Anonymous was a Woman Limited-Edition Scarf by Alice RiotAccess to virtual benefit\, VIP event\, and virtual networking event for 5 guests$5\,000.00 - Bronze Supporter Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Limited-Edition Jewelry piece by Joan HornigAccess to virtual benefit and virtual networking event for 5 guests$3\,000.00 - Leadership Ticket Recognition on 40th Anniversary webpage and in event emailsClassic Screen Ad (see details below)Anonymous was a Woman Limited-Edition Scarf by Alice RiotAccess to virtual benefit and virtual networking event for 2 guests$1\,000.00 - Executive Ticket Recognition on 40th Anniversary webpage and event emailsTwo Limited-Edition Prints by Sara SosnowyAccess to virtual benefit and virtual networking event for 2 guests$550.00 - Friend Ticket Recognition on 40th Anniversary webpage and event emailsOne Limited-Edition Print by Sara SosnowyAccess to virtual benefit and virtual networking event for 1 guest Standard Benefit Ticket Levels $150.00 - Member Ticket $200.00 - Non-Member Ticket $150.00 - Mentorship Ticket *Please note this ticket will be donated to an individual by ArtTable.  Help ArtTable provide tickets for fellowship recipients and other early career women professionals to join in our celebration! (Mentorship tickets purchased will be distributed through the national office).   Exclusive Limited Editions Click on the image to view a larger version in a new tab.  $500 - Limited Edition Necklace for ArtTable from Philanthropy Is Beautiful® by Joan Hornig        $350 - Limited Edition Scarf celebrating 25 year of Anonymous Was a Woman\, produced by Alice Riot Main Material - 100% Silk HabotaiDimensions - 36” x 36” (91cm x 91cm)Square silk scarf w/ hand-rolled\, hand-stitched hemMade in USA with silk printed in Italy $250 - Limited Edition Print by Sara Sosnowy: Untitled I\, edition of 350\, 22" x 22"\, unframed       $250 - Limited Edition Print by Sara Sosnowy: Untitled II\, edition of 350\, 22" x 22"\, unframed        Advertising Opportunities The deadline to purchase advertisements for the 2021 Annual Benefit has passed. Please email benefit@arttable.org for more information. Premier Video Ad ($2\,000 for members; $2\,200 for non-members) Full-screen\, five-second video ad to be played at virtual benefit and virtual networking eventInclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio1920 x 1080 resolution.mp4 formatPriority Screen Ad ($700 for members\, $800 for non-members) Full-screen\, three-second ad at virtual benefit and virtual networking eventInclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio (horizontal format)1920 x 1080 resolution.jpg or .pdf formatClassic Screen Ad ($400 for members\, $500 for non-members) Full-screen\, three-second ad at virtual benefit Inclusion in dedicated e-blast to ArtTable membership16:9 aspect ratio (horizontal format)1920 x 1080 resolution.jpg or .pdf format
URL:https://www.arttable.org/event/2021benefit/
LOCATION:Florida
CATEGORIES:National
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210414T120000
DTEND;TZID=America/New_York:20210414T120000
DTSTAMP:20260403T105009
CREATED:20210407T003746Z
LAST-MODIFIED:20210407T133032Z
UID:5285-1618401600-1618401600@www.arttable.org
SUMMARY:Virtual | Benefit Week VIP Program - A Conversation with Michele Oka Doner & Marieluise Hessel
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable Circle and Annual Benefit Host Committee Members are invited to join us for a virtual VIP program during Benefit Week – a conversation with renowned artist Michele Oka Doner and art collector and philanthropist Marieluise Hessel. \nThis program is open to ArtTable Circle and Annual Benefit Host Committee Members only. To confirm your attendance\, please email programs@arttable.org. You will receive the Zoom link after your registration is confirmed.\nTo purchase a Host Committee ticket for the 2021 Annual Benefit\, click here. \nTo join ArtTable at the Circle level\, click here.  \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Michele Oka Doner\nMichele Oka Doner is an internationally renowned artist and author whose work spans five decades. Her artwork is fueled by a lifelong study and appreciation of the natural world\, from which she derives her formal vocabulary. Her artistic production encompasses sculpture\, public art\, prints\, drawings\, functional objects\, artist books\, costume and set design\, video and other media. She is well known for creating over 40 public and private permanent art installations\, including “A Walk On The Beach.” The mile and a quarter long bronze and terrazzo concourse at Miami International Airport is seen by 40\,000\,000 travelers a year. She has authored or been the subject of eight books. Oka Doner has received grants from the John S. and James L. Knight Foundation\, the New York State Council of the Arts\, the Samuel H. Kress Foundation and others. She has also received many awards\, including those given by the United Nations Society of Writers and Artists\, Pratt Institute “Legends” and an Honorary Doctor of Fine Arts degree from the University of Michigan\, where she received her undergraduate and MFA degrees. \nOka Doner’s work can be found in the Metropolitan Museum of Art\, Whitney Museum of American Art\, Chicago Art Institute\, Cooper Hewitt National Design Museum (Smithsonian)\, the Louvre – Paris\, Victoria & Albert Museum\, London\, as well as in museum collections at the University of Michigan\, Harvard\, Princeton\, Yale\, and Oxford\, among numerous others nationally and internationally. She maintains a studio in New York City. \nAbout Marieluise Hessel\nMarieluise Hessel is an art collector and philanthropist. She established the Marieluise Hessel Foundation and founded the Hessel Museum of Art. She is also a co-founder of the Center for Curatorial Studies at Bard College. \nFounded 30 years ago\, CCS-Bard was the first graduate curatorial program in the United States. CCS Bard is now an international research center with a library and archives\, and is dedicated to the study of late 20th and 21st century art\, curatorial practice\, and art in contemporary culture. It offers a master’s degree in curatorial practice\, the study of museum activities\, exhibitions\, art criticism\, and the interpretation of art. CCS-Bard’s graduate students come from all over the world. Its alumni work in museums\, art institutions and non-profits all over the world. \nMarieluise has been a collector of contemporary art since the late 1960’s\, and her still growing collection of over 2\,000 works is on permanent loan to CCS-Bard & the Hessel Museum. \nThe Library was established with a 7\,000-volume collection donated by Marieluise from her personal library. It now holds over 37\,000 volumes\, including international exhibition catalogs\, artists’ monographs\, international art periodicals\, and special collections. The Archives now house over 2\,500 linear feet of physical collection holdings. They document the institutional history of CCS Bard as well as serving as the repository for the archives of select galleries\, art spaces\, and initiatives\, and the personal papers of important contemporary art curators. \nShe is married to Edwin L. Artzt\, Retired Chairman and CEO of Procter & Gamble. \n\nImages:  \n\nMichele Oka Doner\, Glyphs\, PAMM exhibition\, 2015\nMichele Oka Doner\, courtesy of the Wall Street Journal\, 2015\nMarieluise Hessel\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-benefit-week-vip-program-a-conversation-with-michele-oka-doner-marieluise-hessel/
LOCATION:Zoom
CATEGORIES:National,ArtTable Circle
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/04/Screen-Shot-2021-04-06-at-8.19.42-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210409T083000
DTEND;TZID=America/New_York:20210409T093000
DTSTAMP:20260403T105009
CREATED:20210316T145940Z
LAST-MODIFIED:20210318T141406Z
UID:5070-1617957000-1617960600@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Alison McNeil
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Alison McNeil\, Founder and Chief Creative Officer of McNeil Creative Enterprises. \nThis program is free for all ArtTable members. Members may bring 1 additional guest for $5.  \nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Alison McNeil\nAlison T. McNeil is a nationally recognized award-winning strategic thinker and creative entrepreneur with over 20 years of experience in performing arts and education. She leads with the intention of creating resources\, removing roadblocks and designing roadmaps to make arts and culture accessible to all. Alison’s work has addressed the blind spots that perpetuate the disparities in funding\, hiring\, and operational practices with and for Black\, Indigenous and people of color (BIPOC) arts administrators. Alison’s work is rooted in arts advocacy and is at the intersection between philanthropy\, strategy and justice. She has led multi-million-dollar change efforts\, therefore directly informing policy\, grant-making\, and strategic partnerships. \nHer efforts have fortified leadership and secured grants\, and as a result expanded equity and access for women\, emerging leaders and communities of color. Every effort she’s contributed to is in service to the communities noted above including launching McNeil Creative Enterprises and co-founding Third Eye Cultural Collaborative\, Women of Color in the Arts (WOCA)\, and the Maynor Biggers Artist Fund. \nAlison’s talent has resulted in accolades both inside and outside of the arts and culture sector. She has served as a thought leader on numerous grant panels\, boards\, conference panels\, and advisory committees including the National Endowment for the Arts\, Americans for the Arts\, Mid Atlantic Arts Foundation\, as well as the Heinz Endowments\, Association of Performing Arts Professionals\, Step Afrika!\, FRESHH Inc. Theatre Company\, DC Commission on the Arts and Humanities\, Arts Council of Fairfax County\, Alexandria Commission for the Arts and Emerging Practitioners in Philanthropy. If you really want to get Alison to smile\, ask her about her nephew or her favorite Stevie Wonder song. \nAbout McNeil Creative Enterprises\nMcNeil Creative Enterprises (MCE) is an organizational development firm committed to improving company culture\, reinvigorating program operations\, igniting growth and facilitating change in the arts and culture sector. MCE provides tactical solutions that help their clients strategically position themselves to achieve their goals. MCE removes the roadblocks and creates roadmaps. This contributes to healthy work environments\, increased access to funding and opportunity\, and holistic programming. \nThank you to Alissa Maru\, ArtTable Washington\, D.C. Chapter\, for organizing this program. \n\nImage: Alison McNeil
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-alison-mcneil/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/Alison-McNeil-Headshot-Ashley-Templeton-e1615906831843.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210401T123000
DTEND;TZID=America/Los_Angeles:20210401T123000
DTSTAMP:20260403T105009
CREATED:20210309T222555Z
LAST-MODIFIED:20210309T222555Z
UID:5048-1617280200-1617280200@www.arttable.org
SUMMARY:Virtual | AT Local - NoCal First Thursday Coffee Break
DESCRIPTION:12:30pm PT\nAT Local virtual programs present opportunities to connect as a local chapter online. This NoCal First Thursday Coffee Break event is for members of ArtTable’s Northern California chapter. Stay tuned for AT Local events near you! \nNot a member? Join us today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \n\nAll members of ArtTable’s Northern California Chapter are encouraged to join us again on April 1st at 12:30pm for our monthly Virtual First Thursday Coffee Break. It has been too long since we’ve all seen each other in person and there is so much to talk about! The first 3 coffee breaks were a success. We shared with each other how we have been holding up during this turbulent year\, art we’ve seen\, virtual programming that we enjoyed\, and what else is new within our community. Even though we can’t meet in person quite yet\, we look forward to seeing everyone again for this fourth edition of our coffee breaks together. \nThis is a Northern California members only event. Virtual First Thursdays Coffee Break is a reoccurring event and is donation based. \nThank you to ArtTable’s Northern California Chapter Executive Committee for planning and hosting this program.
URL:https://www.arttable.org/event/virtual-at-local-nocal-first-thursday-coffee-break-4/
LOCATION:Zoom
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/CoffeePic2-scaled-e1608583983904.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210325T120000
DTEND;TZID=America/New_York:20210325T120000
DTSTAMP:20260403T105009
CREATED:20210211T155527Z
LAST-MODIFIED:20210219T161101Z
UID:4730-1616673600-1616673600@www.arttable.org
SUMMARY:Virtual | Exhibition Tour of 'Stayin' Alive' with Estrellita Brodsky
DESCRIPTION:12pm ET | 11am CT | 9am PT\nPlease join us for a virtual exhibition tour of the exhibition Stayin’ Alive at ANOTHER SPACE with art historian\, collector\, and philanthropist\, Estrellita B. Brodsky.  Taking its title from the Bee Gees disco hit\, Stayin’ Alive explores artists’ responses to social and environmental crises\, as well as the threat to the natural and indigenous environments. \nArtTable Registration Fee* \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\n*All proceeds benefit ArtTable and support our mission of advancing the leadership of womxn in the visual arts. ANOTHER SPACE is not associated with the above fees. \nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nEstrellita B. Brodsky\, PhD\, is a New York-based art historian\, collector and philanthropist\, as well as an advocate for art from Latin America. A founding member of The Metropolitan Museum of Art’s Latin American Art Initiative\, the Latin American Acquisitions Committee at Tate\, and founder of the Pompidou Foundation’s Latin American Acquisitions Committee\, she has endowed curatorial positions in Latin American art at Metropolitan Museum of Art\, Tate\, and MoMA. Additionally\, in 2015 she founded ANOTHER SPACE\, a program and not-for-profit exhibition gallery established by the Daniel and Estrellita B. Brodsky Foundation to broaden international awareness and appreciation of art from Latin America. \nBrodsky holds a doctorate in art history from the Institute of Fine Arts\, New York University as well as a Master’s Degree from Hunter College. She curated the first U.S. museum survey of Julio Le Parc at the Pérez Art Museum Miami (PAMM): Julio Le Parc: Form into Action\, (2016-2017)\, which she subsequently organized in Sao Paulo\, Brazil and Buenos Aires\, Argentina; the first U.S. retrospective of the Venezuelan kinetic artist Carlos Cruz-Diez at the Americas Society in 2008; and Jesus Soto: Paris and Beyond\, 1950-1970 at Grey Art Gallery\, New York University\, in 2012. \nThank you to Julia P. Herzberg\, Ph.D. for organizing this program. \n\nImages:  \n\nInstallation view of Stayin’ Alive\nEstrellita Brodsky\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-exhibition-tour-of-stayin-alive-with-estrellita-brodsky/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/FullSizeRender-preview-scaled-e1613064797590.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210323T180000
DTEND;TZID=America/New_York:20210323T180000
DTSTAMP:20260403T105009
CREATED:20210308T163702Z
LAST-MODIFIED:20210312T212624Z
UID:5001-1616522400-1616522400@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Lorraine O’Grady: Both/And' at the Brooklyn Museum
DESCRIPTION:6pm ET | 5pm CT | 3pm PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Catherine Morris\, Sackler Senior Curator at the Elizabeth A. Sackler Center for Feminist Art\, and writer and co-curator of the exhibiton\, Aruna D’Souza\, for a discussion of the Lorraine O’Grady retrospective currently on view at the Brooklyn Museum. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Exhibition \nLorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance\, conceptual\, and feminist art. Lorraine O’Grady replaces either/or ways of thinking with the endless loop of “both/and\,” challenging the fixed positions of self and other\, here and there\, now and then\, all while reflecting on the poignancy of lives lived within dualistic frameworks. The artist addresses her own experience as a person marked by racial hybridity―her family histories connect the Caribbean\, Africa\, Europe\, and the United States―who is nonetheless definitively a Black woman. Through her exploration of legacies of cultural interconnection and reciprocal influences\, O’Grady sheds light on the ways Blackness has always existed at the heart of Western modernism. \nThe exhibition features twelve of the major projects O’Grady has produced over her four-decade career and also debuts a much-anticipated new installation. In addition to works presented in the Elizabeth A. Sackler Center for Feminist Art\, five of O’Grady’s projects are installed in collection galleries throughout the Museum\, highlighting the artist’s long engagement with art historical omissions and institutional failings related to the creative agency of those excluded from the canon. O’Grady’s radical revisionism of the 1980s and 1990s anticipated themes that have been embraced by a younger generation of artists and thinkers\, inspiring them to resist and reshape a world structured by difference and inequity. \nAbout the Speakers \nCatherine Morris is the Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Since 2009\, Catherine has curated a number of exhibitions for the Sackler Center including the award-winning Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art (co-curated with Vincent Bonin); Twice Militant: Lorraine Hansberry’s Letters to “The Ladder”; Between the Door and the Street: A performance initiated by Suzanne Lacy; “Workt by Hand”: Hidden Labor and Historical Quilts; Kathë Kollwitz: Prints from the “War” and “Death” Portfolios; Rachel Kneebone: Regarding Rodin; Newspaper Fiction: The New York Journalism of Djuna Barnes\, 1913–1919; Matthew Buckingham: “The Spirit and the Letter”; Lorna Simpson: Gathered; Sam Taylor-Wood: “Ghosts”; Kiki Smith: Sojourn; and Healing the Wounds of War: The Brooklyn Sanitary Fair of 1864. She was also the in-house curator of Eva Hesse Spectres 1960 and Seductive Subversion: Women Pop Artists\, 1958–1968. \nBefore joining the Brooklyn Museum\, Catherine was an independent curator. Among some of the projects she organized are Decoys\, Complexes\, and Triggers: Women and Land Art in the 1970s at SculptureCenter\, Long Island City; 9 Evenings Reconsidered: Art\, Theatre\, and Engineering in 1966 for the M.I.T. List Visual Arts Center; and Gloria: Another Look at Feminist Art of the 1970s at White Columns\, New York. From 2004 until 2009\, she was Adjunct Curator of Contemporary Art for the Philbrook Museum of Art in Tulsa\, Oklahoma\, where she curated shows of Josiah McElheny\, Lucy Gunning\, and Cameron Martin. In 2004\, she received a Penny McCall Foundation Award for Independent Curating and Writing. \nAruna D’Souza writes about modern and contemporary art\, intersectional feminisms and other forms of politics\, and how museums shape our views of each other and the world. Her most recent book\, Whitewalling: Art\, Race\, and Protest in 3 Acts (Badlands Unlimited)\, was named one of the best art books of 2018 by the New York Times. Aruna’s work appears regularly in 4Columns.org\, where she is a member of the editorial advisory board. Her work has also been published in The Wall Street Journal\, CNN.com\, ArtNews\, Garage\, Bookforum\, Momus\, Art in America\, and Art Practical\, among other places. She is currently editing two forthcoming volumes\, Making It Modern: A Linda Nochlin Reader\, and Lorraine O’Grady’s Writing in Space 1973-2018\, and is co-curator of the upcoming retrospective of O’Grady’s work\, Both/And\, which will open in March 2021 at the Brooklyn Museum. \n  \nThank you to Ingrid Dinter\, Principal Dinter Fine Art and Program Committee Member of ArtTable’s NY Chapter for organizing this program. \n\nImages:  \n\nLorraine O’Grady (American\, born 1934). Rivers\, First Draft: The Woman in White eats coconut and looks away from the action\, 1982/2015. Digital chromogenic print from Kodachrome 35mm slides in 48 parts\, 16 × 20 in. (40.64 × 50.8 cm). Edition of 8\, plus 2 AP. Courtesy Alexander Gray Associates\, New York. © Lorraine O’Grady / Artists Rights Society (ARS)\, New York\nCatherine Morris\, courtesy of the Brooklyn Musuem\nAruna D’Souza\, photo credit Dana Hoey
URL:https://www.arttable.org/event/virtual-curatorial-perspective-lorraine-ogrady-both-and-at-the-brooklyn-musuem/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/03/lorraine.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210318T080000
DTEND;TZID=America/Los_Angeles:20210318T080000
DTSTAMP:20260403T105009
CREATED:20210217T175953Z
LAST-MODIFIED:20210217T204256Z
UID:4825-1616054400-1616054400@www.arttable.org
SUMMARY:Virtual | AT Local - Chicago Coffee Break
DESCRIPTION:8am CT\nAT Local virtual programs present opportunities to connect as a local chapter online. This Chicago Coffee Break event is for members of ArtTable’s Chicago chapter. Stay tuned for AT Local events near you! \nNot a member? Join us today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \n\nJoin members of ArtTable’s Chicago Chapter for an informal virtual coffee break! Pour yourself a warm beverage and meetup with members online. We look forward to hearing your recent news\, celebrating collective wins and learning more about how we can support one another in these rather unusual times. \nThank you to ArtTable’s Chicago Chapter Executive Committee for planning and hosting this program.
URL:https://www.arttable.org/event/virtual-at-local-chicago-coffee-break/
LOCATION:Zoom
CATEGORIES:Chicago
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/02/Chicago-Coffee-Break-e1613588107303.png
ORGANIZER;CN="ArtTable Chicago":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210317T120000
DTEND;TZID=America/New_York:20210317T120000
DTSTAMP:20260403T105009
CREATED:20210223T163713Z
LAST-MODIFIED:20210312T162239Z
UID:4884-1615982400-1615982400@www.arttable.org
SUMMARY:Virtual | Where Are We Now? Revisiting the State of Fine Art Shipping in a Post-Pandemic World
DESCRIPTION:12pm ET | 11am CT | 9am PT\nSince the start of the pandemic\, fine art shippers\, registrars\, and collections managers have had to find inventive solutions to moving artwork during a global lockdown. Back in July 2020\, when the art world was still adapting to new pandemic-related regulations\, ArtTable hosted a virtual conversation on this topic\, where we discussed evolving logistical measures and responsibilities taken on by arts institutions and spaces within and outside of the US. As we approach the one year mark of the pandemic in the US\, we revisit this conversation with new insights and discuss other factors that continue to affect the shipping sector of the art market\, like new regulations between the US and the UK\, continued gallery closures and staff reductions\, and shifting exhibition and fair schedules. \nWhat have shipping agents and registrars learned in the past year about adapting their tried and tested methods? How are museums\, art galleries\, or private collections faring amid ever-changing regulations? And what can we expect in the coming months? Join us for what is sure to be a fascinating discussion with Jacqueline Cabrera (Cabrera + Art + Management)\, Tina Sullivan (Masterpiece International)\, and Anna Marris (Constantine International). \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nJacqueline Cabrera is currently Principal at Cabrera + Art + Management\, Host of the Registrar Hour and past President and founding board member of the Association of Registrars and Collection Specialists. From 1996 – 2016 she worked at the J. Paul Getty Museum as a registrar at both the Getty Villa and Getty Center museums. Jacqueline has also served as Chair of the Registrar’s Committee Western Region and as a board member for the Western Museum Association. Prior to joining the Getty in 1996 she was the Registrar at the Long Beach Museum of Art and previously a Painting Department Assistant at Sotheby’s. \nTina Sullivan is the Vice President of Fine Arts at Masterpiece International. She has worked in the fine art logistics industry for the past 23 years.  She started at Masterpiece International in 1997 as their in-house licensed Customhouse Broker\, and now\nserves as the Vice President of Fine Arts\, overseeing all fine art operations on the West Coast. Tina is a licensed Customhouse broker and has a strong understanding of U.S. Customs and U.S. Fish and Wildlife regulations. \n  \n \nAnna Marris started her career in the fine arts logistics world at Wingate & Johnston (London) in 1984. She then went on to work for MOMART for 25 years where in 1996 she became the first female Director in the Art transport Industry. In 2015 she rejoined the Constantine (parent company of W&J) as Associate Director\, again the first female Director for the company. \n  \n  \n  \n  \nThank you to Jacqueline Cabrera from ArtTable’s SoCal Chapter for organizing this program. \n\nImages:  \n\nCourtesy of The ARTA blog\nJacqueline Cabrera\, courtesy of the speaker\nTina Sullivan\, courtesy of the speaker\nAnna Marris\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-where-are-we-now/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/arta-e1614358033685.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210316T200000
DTEND;TZID=America/New_York:20210316T200000
DTSTAMP:20260403T105009
CREATED:20210209T161902Z
LAST-MODIFIED:20210217T232853Z
UID:4636-1615924800-1615924800@www.arttable.org
SUMMARY:Virtual | AT Local - SoCal Show & Tell
DESCRIPTION:8pm ET/ 7pm CT/ 5pm PT\nFor this informal Show & Tell event\, members of ArtTable’s SoCal Chapter are invited to come together via Zoom to share current projects and activities with one another! This will be an opportunity to connect with old and new members\, and learn more about each other’s professional and creative practices. All are welcome to speak but are not required to! You can join and just listen to what your fellow members share. \nThis Show & Tell program is for members of ArtTable’s SoCal Chapter only.  \nNot a member? Join today! \nClick here to Register for this program.\nClick here to see who is already registered! \nYou will receive an email confirmation containing the Zoom link. Before the event\, please download the Zoom desktop app from the Download Center and select the “Zoom Client for Meetings” option. If you do not have the Zoom desktop app already\, Zoom will prompt you to download and install it when you click to join the meeting. For further instruction on how to use Zoom\, see here. \nThank you to ArtTable’s SoCal Chapter Co-Chairs\, Shana Nys Dambrot\, Jacqueline Cabrera\, & Ceci Moss!\n \n\nImage: Salvation Mountain by Leonard Knight\, Calipatria\, CA; photo by Jamie Elvidge
URL:https://www.arttable.org/event/virtual-at-local-socal-show-tell/
LOCATION:Zoom
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/mountain-e1612887387628.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210314T140000
DTEND;TZID=America/New_York:20210314T140000
DTSTAMP:20260403T105009
CREATED:20210208T152518Z
LAST-MODIFIED:20210209T224500Z
UID:4623-1615730400-1615730400@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'Just Us: An American Conversation\,' by Claudia Rankine
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nJoin the Northern California Chapter’s Reading at the (Art)Table book group for a discussion of our latest book selection\, “Just Us: An American Conversation\,” by Claudia Rankine. With essays\, poems\, and images\, Just Us is an invitation to discover what it takes to stay in the room together\, even and especially in breaching the silence\, guilt\, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces – the airport\, the theater\, the dinner party\, the voting booth – where neutrality and politeness live on the surface of differing commitments\, beliefs\, and prejudices as our public and private lives intersect. \nThis program is for ArtTable members only. Not a member? Join today! \nClick here to see who’s already registered! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-just-us-an-american-conversation-by-claudia-rankine/
LOCATION:Florida
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/just-us-1596461108-e1612797973188.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210312T120000
DTEND;TZID=America/New_York:20210312T120000
DTSTAMP:20260403T105009
CREATED:20210114T210236Z
LAST-MODIFIED:20210223T203651Z
UID:4419-1615550400-1615550400@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Never Done: 100 Years of Women in Politics and Beyond'
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with Rachel Seligman\, Malloy Curator at the Tang Museum\, and Minita Sanghvi\, Assistant Professor in the Department of Management and Business at Skidmore College\, about the exhibition Never Done: 100 Years of Women in Politics and Beyond. \nThe exhibition includes artwork a multitude of notable female artists\, including Gina Adams\, Jordan Casteel\, Guerrilla Girls\, Martine Gutierrez\, Julie Mehretu\, Joan Mitchell\, Catherine Opie\, Howardena Pindell\, Wendy Red Star\, Faith Ringgold\, Deborah Roberts\, Tschabalala Self\, Cindy Sherman\, Lorna Simpson\, Jaune Quick-To-See Smith\, Shinique Smith\, Mickalene Thomas\, Marie Watt\, Carrie Mae Weems\, among many others! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers \nRachel Seligman is the Assistant Director for Curatorial Affairs and Malloy Curator at the Tang Teaching Museum and Art Gallery at Skidmore College (Saratoga Springs\, NY). Her curatorial practice includes many interdisciplinary collaborative projects on subjects including Solomon Northup\, democracy and citizenship\, social class\, activism and civil rights\, pattern in art and science\, and sugar\, among others. Seligman is the co-author of Solomon Northup: The Complete Story of the Author of Twelve Years a Slave (Praeger\, 2013)\, as well as numerous exhibition catalogues including Classless Society (Tang\, 2014)\, Machine Project (DelMonico-Prestel\, 2016)\, and Sixfold Symmetry (Tang\, 2018). She has a BA from Skidmore College and an MA in Art History from George Washington University. She has chaired the Visual Arts Panel of the New York State Council on the Arts. Seligman has also served on numerous panels and committees for regional and national arts organizations. \nDr. Minita Sanghvi is an assistant professor in the management and business department at Skidmore College where she teaches business\, marketing\, as well as a first year seminar on gender and politics in the United States. Her research centers around gender and intersectionality in marketing and consumption. Palgrave MacMillan published her book Gender and Political Marketing in the United States and the 2016 Presidential Election: An Analysis of Why She Lost in 2019. In addition\, she has published articles in Journal of Marketing Management and Journal of Business Research. Dr. Sanghvi was elected to the Saratoga Springs Public Library Board in 2019 for a 5-year term. She is the co-curator of the exhibition titled Never Done: 100 Years of Women in Politics and Beyond along with Rachel Seligman at the Frances Young Tang Teaching Museum at Skidmore College. \n  \n\nImages:  \n\nInstallation view of Never Done: 100 Years of Women in Politics and Beyond\nRachel Seligman\, courtesy of the speaker\nMinita Sanghvi\, courtesy of the speaker
URL:https://www.arttable.org/event/virtual-curatorial-perspective-never-done-100-years-of-women-in-politics-and-beyond/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/01/NeverDone_Sept2_Install_01-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210305T083000
DTEND;TZID=America/New_York:20210305T093000
DTSTAMP:20260403T105009
CREATED:20210209T223436Z
LAST-MODIFIED:20210212T181037Z
UID:4651-1614933000-1614936600@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Rayna Andrews
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a BreakfastTable presentation and conversation with archivist Rayna Andrews. \nThis program is free for ArtTable members and $5 for non-members. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a Zoom link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Rayna Andrews\nRayna Andrews is the Archivist for the Henry Luce Foundation African American Collecting Initiative at the Archives of American Art\, Smithsonian Institution\, where she primarily processes collections related to African American art and artists. \nAndrews has a background in inclusion\, intersectionality\, and accessibility relative to archival collections\, as well as to archival institutions and the field. Additionally\, she currently serves on MARAC’s Diversity and Inclusion Committee and on the Steering Committee of the Women Archivists Section of the Society of American Archivists. \nThank you to Lily Siegel\, ArtTable Washington\, D.C. Chapter\, for organizing this program. \n\nImage: Rayna Andrews
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-rayna-andrews/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/Rayna-Andrews-ArtTable-DC-e1612909964928.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210304T123000
DTEND;TZID=America/Los_Angeles:20210304T123000
DTSTAMP:20260403T105009
CREATED:20210219T231014Z
LAST-MODIFIED:20210219T231545Z
UID:4845-1614861000-1614861000@www.arttable.org
SUMMARY:Virtual | AT Local - NoCal First Thursday Coffee Break
DESCRIPTION:12:30pm PT\nAT Local virtual programs present opportunities to connect as a local chapter online. This NoCal First Thursday Coffee Break event is for members of ArtTable’s Northern California chapter. Stay tuned for AT Local events near you! \nNot a member? Join us today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \n\nAll members of ArtTable’s Northern California Chapter are encouraged to join us again on March 4th at 12:30pm for our monthly Virtual First Thursday Coffee Break. It has been too long since we’ve all seen each other in person and there is so much to talk about! The first two coffee breaks were a success. We shared with each other how we have been holding up during this turbulent year\, art we’ve seen\, virtual programming that we enjoyed\, and what else is new within our community. Even though we can’t meet in person quite yet\, we look forward to seeing everyone again for this third edition of our coffee breaks together. \nThis is a Northern California members only event. Virtual First Thursdays Coffee Break is a reoccurring event and is donation based. \nThank you to ArtTable’s Northern California Chapter Executive Committee for planning and hosting this program.
URL:https://www.arttable.org/event/virtual-at-local-nocal-first-thursday-coffee-break-3/
LOCATION:Zoom
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/CoffeePic2-scaled-e1608583983904.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210303T120000
DTEND;TZID=America/New_York:20210303T120000
DTSTAMP:20260403T105009
CREATED:20210201T230701Z
LAST-MODIFIED:20210209T225112Z
UID:4562-1614772800-1614772800@www.arttable.org
SUMMARY:Virtual | Artist Talk with Angela Fraleigh
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s Artist Talk series is made possible by the Pollock Krasner Foundation. Originally formatted as in-person Artist Breakfasts\, ArtTable has moved all programming into the virtual realm during the pandemic. Please join us for a virtual Artist Talk with Angela Fraleigh. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Angela Fraleigh \nAngela Fraleigh (b. 1976) earned her MFA from Yale University School of Art and her BFA from Boston University. Her solo exhibitions include Hirschl & Adler Modern\, New York\, NY; Inman Gallery in Houston\, TX; PPOW Gallery in New York\, NY; Peters Projects in Santa Fe\, NM; and James Harris Gallery in Seattle\, WA. She has exhibited at the Museum of Fine Arts Houston\, TX and the Kemper Museum of Contemporary Art\, Kansas City\, MO\, and has been the recipient of several awards and residencies including the Yale University Alice Kimball English grant; The Sharpe-Walentas Program Brooklyn\, NY; and the Bemis Center for Contemporary Arts in Omaha\, NE. Fraleigh has created site-specific solo projects for the Edward Hopper House Museum and Study Center (Shadows Searching for Light\, 2018) and the Vanderbilt Mansion National Historic Site (Lost in the Light\, 2015)\, the Everson Museum of Art (Between Tongue and Teeth\, 2016) and the Delaware Art Museum (Sound the Deep Waters\, 2019). \nShe currently lives and works in Allentown\, PA\, where she is a Full Professor and Department Chair at Moravian College. Fraleigh’s debut solo exhibition with Hirschl & Adler Modern\, Fluttering still\, is on view now through March 12\, 2021. \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \nThank you to Hirschl & Adler Modern for helping to make this program possible. \n\nImage Credits \n\nWe tell beginnings\, 2021; Oil and watercolor on canvas over panel\, 56 x 48 in.; Courtesy of the artist and Hirschl & Adler Modern\, New York; Photo © Ken Ek\nAngela Fraleigh\, courtesy of the artist
URL:https://www.arttable.org/event/virtual-artist-talk-with-angela-fraleigh/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/Fraleigh_WeTellBeginnings--e1612220698499.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210225T203000
DTEND;TZID=America/New_York:20210225T203000
DTSTAMP:20260403T105009
CREATED:20210128T181921Z
LAST-MODIFIED:20210222T163647Z
UID:4485-1614285000-1614285000@www.arttable.org
SUMMARY:RESCHEDULED | MFA Artists Talk: Recent Cadogan Scholarship Awardees
DESCRIPTION:8:30pm ET | 7:30pm CT | 5:30pm PT\nThis program has been rescheduled to a later date. Stay tuned for updates.\nIn support of Bay Area MFA candidates\, the Northern California Chapter invites you to join us on Thursday\, February 25 (8:30pm ET/ 7:30pm CT/ 5:30pm PT) for a visit with recent Cadogan Scholarship Awardees Dominique Birdsong\, Amy Elkins\, and Claudia Huenchuleo Paquien. \nThe distinction is part of The Jack K. and Gertrude Murphy Award and the Edwin Anthony and Adalaine Boudreaux Cadogan Scholarships (aka The Murphy Cadogan Contemporary Art Awards). These awards help fuel the forward-thinking visual arts movement that makes the Bay Area unique. Established in 1986\, the awards were designed to further the development of the region’s MFA students and to foster exploration of their artistic potential. \nThe winners receive financial awards and have their work displayed in an exhibition at SOMArts Cultural Center. As universities and students have been impacted by COVID-19 this past year\, the 2020 exhibition\, curated by artist\, curator\, and educator Kevin B. Chen\, made the pivot online so awardees can celebrate safely from their homes. We are pleased to present this Artists Talk by three of the year’s talented awardees. \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\n\nNot a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Artists \nDominique Birdsong is a San Francisco-based artist working in a variety of media\, from acrylic paint to concrete\, plaster\, and resin cloth. Her work explores the relationship between death and identity. Reflecting on a personal experience of loss\, she states\, “The impact that it has on me is extreme\, prompting me to question my identity: who I am now and who I was before I lost them.” Birdsong completed her BFA from Humboldt State University. She is currently an MFA candidate at the San Francisco Art Institute. \nAmy Elkins works primarily in photography and with a series-based approach that oscillates between formal\, conceptual and documentary. She has spent the past fifteen years researching\, creating and exhibiting work that explores the multifaceted nature of masculine identity as well as the psychological and sociological impacts of incarceration. Elkins received her BFA in Photography from the School of Visual Arts in New York. She is currently an MFA candidate in the Art Practice program at Stanford University. She has exhibited and published both nationally and internationally. \nClaudia Huenchuleo Paquien is a multimedia artist based in San Francisco. An urban Mapuche descendant\, born and raised in Chile\, her work reflects on feelings of sadness\, nostalgia\, and dislocation as collective constructions in attunement to places and territories. Through collage\, photography\, and installation\, her work interrogates the way in which memory\, culture\, and race function in relation to Indigenous contemporary identities and new systems of knowledge. Huenchuleo Paquien graduated from University of Concepción\, Chile\, with a degree in psychology. She completed a Post Baccalaureate in Visual Arts at UC Berkeley Extension. She is currently a third year MFA candidate at San Francisco State University. \nThank you to Northern California Chapter Executive Committee members Donna Napper\, Co-Chair and Maren Jones\, Finance Chair for organizing this program. \n\nImages clockwise from top left: Dominique Birdsong\, A Conversation\, 2019\, clay\, concrete\, red LED light and wood base; Amy Elkins\, Holding Pattern\, 2020\, pigment print on adhesive fabric\, stop motion animation on two 13” Clear Tech Televisions\, print on cotton\, used prison uniforms\, stainless steel hangers\, industrial steel pipes and fittings. Claudia Huenchuleo Paquien\, Kallfü Füdo\, 2020\, photograph. Images courtesy of the artists.
URL:https://www.arttable.org/event/virtual-mfa-artists-talk-recent-cadogan-scholarship-awardees/
LOCATION:Zoom
CATEGORIES:National,Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210225T120000
DTEND;TZID=America/New_York:20210225T120000
DTSTAMP:20260403T105009
CREATED:20210201T182327Z
LAST-MODIFIED:20210219T154230Z
UID:4549-1614254400-1614254400@www.arttable.org
SUMMARY:Virtual | Equity & Representation in Contemporary Art - A Panel Discussion for Black History Month
DESCRIPTION:12pm ET | 11am CT | 9am PT\nOver the course of time in America\, large swaths of art history have been omitted\, erased\, or ignored. This absence has created a significant void in the narrative around how people of African descent and people of color have contributed to the artistic canon. \nThe impact presents significant disadvantages for artists of color. From artists that have difficulty gaining representation\, to art historians overlooking Black and Brown artists’ contributions\, to collectors that do not have access to works they would like to acquire\, the playing field has never been level. Bias shows up in art schools\, in institutions\, in hiring practices\, in the primary and secondary art market\, and in the critical voices that influence all of the above. \nRecent news of high-profile curatorial appointments are a move in the right direction. However\, there is significant work that remains to be done. What kind of new and inclusive art world can we as art professionals help to create ? \nJoin us for this interactive session on a very timely and important topic. The discussion will address questions surrounding this subject including: \n\nWhat are the barriers to equity and representation and how can we\, as leaders\, make a difference toward that goal?\nWhat does it feel like to be an “outsider” in the art world?\nWhy does diversity and representation matter?\nHow can institutions and art spaces be more accessible to all?\nBlack art is “hot” right now. Why?\nHow does diversity in art help us to understand each other in a complex multicultural society?\n\nPanel Participants: \n\nJune Edmonds\, Award-Winning Artist\, Los Angeles\, CA\nChela Mitchell\, Art Advisor and Founder of Komuna House Global Arts Club\, New York\, NY\nDr. Kimberli Gant\, McKinnon Curator of Modern & Contemporary Art at the Chrysler Museum of Art\, Norfolk\, VA\nModerated by Lynne Toye\, Founder of Art Unpacked\, New York\, NY\n\nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $15\nArtTable Members – $10\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers \nJune Edmonds was born in Los Angeles\, where she lives and works. Edmonds received her MFA from Tyler School of Art\, Philadelphia\, and a bachelor’s degree from San Diego State University. She also attended Skowhegan School of Painting and Sculpture and is the recipient of the inaugural prestigious 2020 AWARE Prize\, which recognizes an outstanding solo presentation of work by a female artist at the Armory Show. Edmonds is also the 2020 Harpo Foundation Grant recipient and a recipient of the 2018 City of Los Angeles Individual Artist Grant (COLA). She attended the Paducah A.I.R. residency in Kentucky in 2017 and is slated to go to Vermont Studio Center Residency in 2021 or 2022. Edmonds uses abstract painting to explore how color\, pattern\, repetition\, movement and balance can serve as conduits to spiritual contemplation and interpersonal connection. She has exhibited nationally and has completed several works of public art with the city of Los Angeles and the Department of Cultural Affairs\, including an installation at the MTA Pacific Station in Long Beach\, CA. Her paintings are held in collections throughout the United States including the California African American Museum\, Los Angeles and the Mead Art Museum\, Amherst College\, Amherst\, MA. \nKimberli Gant\, PhD is the McKinnon Curator of Modern & Contemporary Art at the Chrysler Museum. She has held curatorial positions at the Newark Museum\, The Contemporary Austin\, and the Museum of Contemporary African Diasporan\nArt. She has curated numerous exhibitions including Brendan Fernandes: Bodily Forms\, Multiple Modernisms\, Wondrous Worlds: Art & Islam through Time & Place\, and De-Luxe. Kimberli holds Art History degrees from the University of Texas Austin\, Columbia University\, and Pitzer College. \n  \n \nChela Mitchell is an art advisor at CMA\, a firm committed to helping collectors build diverse art collections. Chela has worked with some influential institutions\, corporations and art collectors\, informing their acquisitions in the emerging\, mid-career and established markets. Chela has become a voice for change in the art world\, actively fighting for equity of artists and art professionals. This work inspired the creation of Komuna\, a global arts club with a special focus on artists and people of color. \nBefore devoting herself fulltime to the art world\, Chela worked as a fashion stylist at Net-a-Porter\, Barney’s\, Intermix and Vogue Japan. She has worked closely with artists like Solange\, Iman Omari and Young Paris. \nChela has been featured in Forbes\, The Los Angeles Times\, ArtNews\, Artnet News\, NR Magazine and 10 Magazine. She is a proud graduate of Rutgers University and lives in Manhattan with her husband\, daughter and French mastiff\, Harlem. \n \nLynne Toye is a curator\, change agent\, and artist advocate building a community of support for artists of color. She is focused on educating and cultivating new collectors and forming strategic alliances with stakeholders in the art market. She founded Art Unpacked in 2020 to provide access to the art market through curated events\, lectures\, studio visits and salons. She is on the African American Culture Committee of the Montclair Art Museum and also currently serves as the Chief Administrative Officer at Harlem School of the Arts. Lynne holds degrees from the University of Virginia and the Wharton School of Business at the University of Pennsylvania. \nThank you to Lynne Toye for organizing this program exclusively for ArtTable. \n\nImages:  \n\nJune Edmonds\nDr. Kimberli Gant\nChela Mitchell\nLynne Toye
URL:https://www.arttable.org/event/virtual-equity-representation-in-contemporary-art/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/02/photo-credit-3-chris-wormald-1-e1612203835932.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210222T190000
DTEND;TZID=America/New_York:20210222T190000
DTSTAMP:20260403T105009
CREATED:20210107T192742Z
LAST-MODIFIED:20210216T160733Z
UID:4370-1614020400-1614020400@www.arttable.org
SUMMARY:Virtual | DC Around the Table Book Group with Carolyn Kinder Carr
DESCRIPTION:7pm ET | 6pm CT | 4pm PT\nJoin ArtTable’s Washington\, D.C. Chapter for an Around the Table Book Group. This program is open to all ArtTable members and meets four times a year; participants can join for one book or for all! \nNot an ArtTable member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nFor the first Around the Table Book Group of 2021\, we will discuss “Sara Tyson Hallowell: Pioneer Curator and Art Agent in the Gilded Age” by ArtTable DC member Carolyn Kinder Carr. Carr will be joining us to present her book and take part in engaging conversation. \nSara Tyson Hallowell: Pioneer Curator and Art Agent in the Gilded Age\n\nThis biography tells the story of Philadelphia-born Sara Tyson Hallowell (1846-1924). Hallowell made her reputation in Chicago in the 1880’s organizing exhibitions for that city’s Inter-state Industrial Expositions. Impressed with her knowledge of art and the art market\, Bertha and Potter Palmer sought her advice. Hallowell’s enthusiasm for the work of Monet\, Renoir\, Sisley\, and Pissarro led them to form one of the earliest collections of French Impressionism in America\, notable examples of which are today at the Art Institute of Chicago. \nDisappointed that her gender prevented her from becoming director of art at the 1893 World’s Columbian Exhibition\, Hallowell nevertheless created a critically successful exhibition for this mammoth fair. Following its close\, Hallowell went to live in France. From 1894 to 1914\, she selected paintings of American artists living abroad for annual exhibitions at the Art Institute of Chicago. Mary Cassatt and Auguste Rodin were among her many Parisian friends. \nHallowell’s pioneering work as a curator and art advisor provided a model for women seeking to enter these professions previously the prerogative of men.\n\nCarolyn Kinder Carr is the Deputy Director of the National Portrait Gallery and the author of “Gaston Lachaise: Portrait Sculpture” (Smithsonian Institution Press\, 1985). \nThank you to Ruth Abrahams\, ArtTable DC Committee Member at Large for organizing this program. \n\nImage: “Sara Tyson Hallowell: Pioneer Curator and Art Agent in the Gilded Age” by Carolyn Kinder Carr
URL:https://www.arttable.org/event/virtual-dc-around-the-table-book-group-sara-tyson-hallowell/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210218T203000
DTEND;TZID=America/New_York:20210218T203000
DTSTAMP:20260403T105009
CREATED:20210125T160447Z
LAST-MODIFIED:20210209T225221Z
UID:4209-1613680200-1613680200@www.arttable.org
SUMMARY:Virtual | AT Local: NoCal Film Night -  Art21's Art in the Twenty-First Century: Borderlands
DESCRIPTION:8:30pm ET | 7:30pm CT | 5:30pm PT\nJoin ArtTable’s Northern California Chapter for a virtual film night to watch and discuss Art21’s Borderlands\, an episode in the 10th season of their Art in the Twenty-First Century series. Following the film\, we’ll be joined by Lolita Fierro\, Associate Director\, Major Gifts & Special Events at Art21 to discuss the episode. \nThe film screening will take place from 5:30 – 6:30 PT (7:30-8:30pm CT\, 8:30-9:30pm ET)\, and the discussion from 6:30 – 7:15 PT (8:30-9:15 CT\, 9:30-10:15pm ET). Members are welcome to join for just the discussion if they would prefer to view the film on their own time. \nThis program is free for ArtTable Members only. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who’s already registered! \n\nAbout the Episode\nA vast geography encompassing open deserts and densely populated metropolises\, the borderland between the United States and Mexico has long been a site of political conflict\, social struggle\, and intense creative ferment. Taking a new curatorial and filmmaking approach\, Art21 connects and juxtaposes a group of acclaimed artists as they work along the U.S.-Mexico border\, interweaving their stories to chronicle the creative responses to one of the most divisive moments in the history of this area. From an epic interactive searchlight installation along the El Paso–Juárez divide to a deeply personal performance at the Tijuana border wall\, these artists consider the border as an open wound\, a theatrical stage\, a political podium\, a studio\, and a contradictory landscape that features both ugliness and beauty. \nThis episode explores how contemporary art can reveal the new and unexpected. It asks viewers to question their preconceived notions of a place seemingly made familiar by mass media. Ultimately\, the artists featured in this hour challenge themselves and audiences to embrace a more empathetic view of one of the most contested areas in North America. \nThis event is presented in collaboration with Art21\, a nonprofit global leader in art education. Art21 produces preeminent films about today’s leading visual artists and education programs that inspire creativity worldwide. \nThank you to Lucy Lydon\, Director of Luce Productions and member of ArtTable NoCal’s Executive Committee for making this program possible.  \n\nImage: Tanya Aguiñiga at her Los Angeles studio. Production still from the Art21 television series “Art in the Twenty-First Century\,” Season 10\, 2020. © Art21\, Inc. 2020
URL:https://www.arttable.org/event/virtual-nocal-film-night/
LOCATION:Zoom
CATEGORIES:National,Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210218T140000
DTEND;TZID=America/New_York:20210218T140000
DTSTAMP:20260403T105009
CREATED:20210205T233534Z
LAST-MODIFIED:20210211T152621Z
UID:4607-1613656800-1613656800@www.arttable.org
SUMMARY:Virtual | Artist Residencies: Evolving Amid the Pandemic
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nPlease join Ruth Adams (Art Omi – Ghent\, NY)\, Toccarra Thomas (Joan Mitchell Center – New Orleans\, LA)\, and Helen Toomer (Stoneleaf Retreat – Kingston\, NY) for a panel to explore how artist residencies are evolving their services to artists during the pandemic through “virtual” residencies and other strategies. The panelists will share their experiences with adapting their programming and pivoting their usual approach amid Covid\, as well as insights into ways the field may change long-term coming out of the pandemic. \nAdmission \n\nNon-Members – $15\nArtTable Members – $10 ($5/additional guest)\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speakers\nRuth Adams is Executive Director of Art Omi in Ghent\, NY\, where she provides leadership for the multi-faceted contemporary arts center’s 120-acre Sculpture and Architecture Park and Gallery\, international artist residencies\, public arts events\, & education programming. Together with a Board of Trustees and Program Advisory Boards\, Adams is dedicated to Art Omi’s vitality and sustainability\, with a current focus on destination creation\, exemplary visitor services\, internationalism\, equity\, inclusivity\, and programming excellence. \n  \n \nToccarra A. H. Thomas is the Director of the Joan Mitchell Center in New Orleans. Thomas has previously served as the inaugural general manager of Pioneer Works in Brooklyn\, NY\, as well as inaugural managing director of SPACE\, a contemporary multidisciplinary art organization in Portland\, ME. In her role at the Joan Mitchell Center\, she directs the expansive artist residency program\, develops public programming and special projects to support community engagement with the Center’s artist residents\, and manages the day-to-day operations. Additionally\, Thomas works closely with leadership at the Joan Mitchell Foundation in New York to develop artist-centered resources and programming. \n  \n \nHelen Toomer is Co-Founder of STONELEAF RETREAT\, an artists’ residency and connective space in the Catskill Mountains of New York. The residency is focused on supporting women artists and families. She is the Founder of UPSTATE ART WEEKEND and the Co-Founder of Art Mamas Alliance. Formerly\, Toomer was Executive Director of Artists in Residence in Everglades (AIRIE) and Director of the IFPDA Fine Art Print Fair\, Collective Design Fair and PULSE Contemporary Art Fairs. She lectures on art fairs and professional development at universities and arts organizations in the US and the UK. She was also an adjunct professor at Sotheby’s Institute of Art and the Fashion Institute of Technology. Toomer co-founded and managed a contemporary art gallery\, toomer labzda in New York and graduated with Bachelors in Fine Arts from the Arts Institute of Bournemouth\, England. She serves on the Board of AIRIE and Advisory Committees for ProjectArt\, Foundwork and the Baxter St Camera Club of New York. \nThank you to Sarah McNaughton\, NY Chapter Programs Committee Co-Chair\, for organizing this program. \n\nImages: \n\nUta Bekaia (USA / Georgia) performance\, courtesy of Art Omi\nRuth Adams\nToccarra Thomas\nHelen Toomer
URL:https://www.arttable.org/event/virtual-artist-residencies-evolving-amid-the-pandemic/
LOCATION:Zoom
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2021/02/Screen-Shot-2021-02-05-at-6.42.56-PM-e1612570273835.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210211T170000
DTEND;TZID=America/New_York:20210211T170000
DTSTAMP:20260403T105009
CREATED:20210128T195257Z
LAST-MODIFIED:20210217T232903Z
UID:4522-1613062800-1613062800@www.arttable.org
SUMMARY:Virtual | AT Local - Philadelphia Chapter Happy Hour
DESCRIPTION:We welcome all members of ArtTable’s Philadelphia Chapter to join us for a virtual happy hour! Let’s catch up and chat about 2021. We hope to see you there! \nThis happy hour program is for members of ArtTable’s Philadelphia Chapter only.  \nNot a member? Join today! \nClick here to Register for this program.\nYou will receive an email confirmation containing the Zoom link. Before the event\, please download the Zoom desktop app from the Download Center and select the “Zoom Client for Meetings” option. If you do not have the Zoom desktop app already\, you will be prompted to download and install it when you click to join the meeting. For further instruction on how to use Zoom\, see here. \nClick here to see who is already registered! \nThank you to Rachel Zimmerman and Laurie McGahey\, ArtTable Philadelphia Chapter Co-Chairs\, for organizing this program. \n\nImage: The Clay Studio\, Philadelphia (Photo: Shelley R. Langdale)
URL:https://www.arttable.org/event/virtual-at-local-philadelphia-chapter-happy-hour/
LOCATION:Zoom
CATEGORIES:Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/01/ArtTable-Philadlephia_Clay-Studio-Visit-e1611863563172.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210210T120000
DTEND;TZID=America/New_York:20210210T120000
DTSTAMP:20260403T105009
CREATED:20201201T220927Z
LAST-MODIFIED:20210209T225250Z
UID:4190-1612958400-1612958400@www.arttable.org
SUMMARY:Virtual | AT Connect with Marine Tanguy
DESCRIPTION:12pm ET | 11am CT | 9am PT\nArtTable’s AT Connect program series allows and encourages members to network\, connect\, and ask questions outside of their regular areas of expertise. In this session we will hear from Marine Tanguy\, founder of MTArt Agency\, the first talent agency for visual artists worldwide. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $10\nArtTable Members – $5\nArtTable Circle Members – Free\n\nNot a member? Join today!  \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Marine \nAn advocate for artists since a young age\, Marine Tanguy managed her first gallery at age 21 and opened her first art gallery in Los Angeles at age 23. After seeing the restrictiveness of the traditional gallery model\, Marine launched MTArt Agency in 2015. \nMTArt is the first talent agency for visual artists worldwide. Clients love to work with the agency to identify the next rising star in the art world. They trust its rigorous selection and the expertise of the team to integrate their art in the most extraordinary contexts. MTArt Agency was behind the largest public art painting in the world: the project of Saype in Paris supported by 30 companies including the Eiffel Tower and the Guardian Media Group. Its artists enhance your homes\, cities\, screens\, and advertising spaces with their art. They broadcast their inspiring messages and visuals for you to lead a more visually inspiring life. \nMarine was awarded Forbes 2018 30 under 30 Europe: Art & Culture and UK entrepreneur of the year for the 2019 NatWest Everywoman Awards. She is a writer and keynote speaker on contemporary art and art investment. Her talks include two TEDx Talks on how to transform cities with art and how social media visuals affect our minds. \n\nImages: \nMarine Tanguy\, courtesy of the speaker; Marine Tanguy giving a TED talk. Photo courtesy of TEDx. \nAre you interested in participating in an AT Connect program? Email programs@arttable.org for more information!
URL:https://www.arttable.org/event/virtual-at-connect-with-marine-tanguy/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/IMG_1587-scaled.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210205T140000
DTEND;TZID=America/New_York:20210205T140000
DTSTAMP:20260403T105009
CREATED:20210112T222956Z
LAST-MODIFIED:20210210T155033Z
UID:4385-1612533600-1612533600@www.arttable.org
SUMMARY:Virtual | Conversation: Howardena Pindell and Adeze Wilford\, 'Rope/Fire/Water' at The Shed
DESCRIPTION:2pm ET | 1pm CT | 11am PT\nArtTable’s Curatorial Perspective program series invites curators to present and discuss timely exhibitions and initiatives. Please join us for a discussion with artist Howardena Pindell and Adeze Wilford\, Assistant Curator at The Shed and organizer of the exhibition\, Howardena Pindell: Rope/Fire/Water\, currently on view at The Shed in New York. \nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms! In pre-pandemic times\, ArtTable programs were a time for members and non-members to connect with old friends and meet new people\, and we aim to simulate that in the virtual realm! \nAdmission \n\nNon-Members – $20\nArtTable Members – $15\nArtTable Circle Members – Free \n\nNot a member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \nHow to take part: \n\nClick here to Register for this program.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout the Speakers \nBorn in Philadelphia in 1943\, Howardena Pindell studied painting at Boston University and Yale University. After graduating\, she accepted a job at the Museum of Modern Art\, where she worked for 12 years (1967–1979). Her first role was an Exhibition Assistant\, then Assistant Curator in the Department of National and International Traveling Exhibitions\, and finally Associate Curator and Acting Director in the Department of Prints and Illustrated Books. In 1979\, she began teaching at the State University of New York\, Stony Brook where she is now a full-time professor. Throughout her career\, Pindell has exhibited extensively. Notable solo-exhibitions include: Spelman College (1971\, Atlanta)\, Just Above Midtown (1977\, New York)\, Lerner-Heller Gallery (1980\, 1981\, New York)\, The Studio Museum in Harlem (1986\, New York)\, the Wadsworth Atheneum (1989\, Hartford)\, G.R. N’Namdi Gallery (1992\, 1995\, 1996\, 2000\, 2002\, 2006\, Chicago\, Detroit\, and New York)\, Garth Greenan Gallery\, New York (2014\, 2017)\, Spelman College Museum of Fine Art\, Atlanta (2015) and the Museum of Contemporary Art\, Chicago (2018). \nPindell often employs lengthy\, metaphorical processes of destruction/reconstruction. She cuts canvases in strips and sews them back together\, building up surfaces in elaborate stages. She paints or draws on sheets of paper\, punches out dots from the paper using a hole punch\, drops the dots onto her canvas\, and squeegees paint through the “stencil” left in the paper from which she had punched the dots. Almost invariably\, her paintings are installed unstretched\, held to the wall merely by the strength of a few finishing nails. The artist’s fascination with gridded\, serialized imagery\, along with surface texture appears throughout her oeuvre. Even in her later\, more politically charged work\, Pindell reverts to these thematic focuses in order to address social issues of homelessness\, AIDs\, war\, genocide\, sexism\, xenophobia\, and apartheid. \nMost recently\, Pindell’s work appeared in: Black in the Abstract: Part I\, Epistrophy (2013\, Contemporary Arts Museum\, Houston)\, and Painting 2.0: Expression in the Information Age\, (2015–2016\, Museum Brandhorst; 2016\, Museum Moderner Kunst) and We Wanted a Revolution: Black Radical Women\, 1965–1985 (2017\, the Brooklyn Museum\, New York). Howardena Pindell was the subject of the 2018 retrospective at the Museum of Contemporary Art\, Chicago titled ‘Howardena Pindell: What Remains to Be Seen.’ The exhibition later traveled to the Virginia Museum of Fine Arts (2018) and the Rose Art Museum (2019). \nView the artist’s full biography here. \n \nAdeze Wilford is an Assistant Curator at The Shed. She was an inaugural joint curatorial fellow at The Studio Museum in Harlem and the Museum of Modern Art. She organized Vernacular Interior at Hales Gallery in 2019\, as well as Excerpt (2017) at the Studio Museum and Black Intimacy (2017)\, a film series at MoMA. Other curatorial projects include Harlem Postcards F/W 2016/2017 and Color in Shadows the 2016 Expanding The Walls exhibition at Studio Museum. Prior to this Adeze was the Public Programs and Community Engagement assistant at the Studio Museum. She has contributed scholarship to various catalogues and magazines including Young\,Gifted and Black and Black Refractions. She graduated from Northwestern University with a BA in Art History and African-American Studies.\n \nThis program is generously supported by the Pollock-Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. Please visit www.pkf.org for more information. \n\nImages: Installation view of ‘Howardena Pindell: Rope/Fire/Water’ at The Shed; Howardena Pindell; Adeze Wilford\, © 2015 Scott Rudd
URL:https://www.arttable.org/event/virtual-conversation-howardena-pindell-and-adeze-wilford/
LOCATION:Zoom
CATEGORIES:National
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210205T083000
DTEND;TZID=America/New_York:20210205T093000
DTSTAMP:20260403T105009
CREATED:20210119T221909Z
LAST-MODIFIED:20210216T162118Z
UID:4449-1612513800-1612517400@www.arttable.org
SUMMARY:Virtual | DC BreakfastTable with Jaynelle Hazard
DESCRIPTION:8:30am ET| 7:30am CT\nJoin ArtTable’s DC Chapter for a presentation and conversation with Jaynelle Hazard\, Executive Director & Curator of the newly rebranded Tephra Institute of Contemporary Art. Jaynelle will discuss how the Greater Reston Arts Center repositioned and transformed into Tephra ICA as the institution’s programs\, audience\, and impact had drastically evolved over the past several years. \nThis program is free for ArtTable members only. Members may bring one guest for an additional $5. Not a member? Join today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Jaynelle Hazard\nPrior to joining Greater Reston Arts Center\, Jaynelle Hazard was the Director of Exhibitions at Workhouse Art Center. There she developed\, implemented\, and oversaw contemporary art programming initiatives. In previous roles\, she supported various art programs and worked with some of the most celebrated artworks by supporting the corporate contemporary art collection at UBS\, the Union Bank of Switzerland\, and via her work at Blank Projects\, a contemporary art gallery in Cape Town\, South Africa. Significant milestones throughout Hazard’s career include producing more than 75 exhibitions in turn providing opportunities to more than 200 artists\, introducing the first outdoor mural project and festival in the Northern Virginia region\, and partnering with the Smithsonian American Art Museum in leading the conference\, State of Art 5/DC. \nJaynelle Hazard relocated to Washington\, DC from New York in 2017 where she earned a Master of Arts degree at Sotheby’s Institute of Art. She currently serves as the Co-Chair for the Washington\, DC Chapter of Sotheby’s Institute of Art Alumni and Chair of the Faith Flanagan Fellowship for ArtTable’s DC Chapter. \nAs the Executive Director and Curator of Tephra ICA\, Jaynelle builds a critically engaged practice by introducing methods to advance scholarship; extending reach in interdisciplinary experimentation of contemporary art and ideas; as well as engaging audiences of all backgrounds and identities. With a curatorial foundation and leadership style rooted in care\, Hazard is a catalyst and serves as a bridge between the public and the most innovative art of our time. \nAbout Tephra ICA\nTephra ICA is a non-profit\, non-collecting institution committed to promoting innovative contemporary art and thinking. Leading with curiosity and care\, the organization is a catalyst\, generator\, and advocate for visual arts. The institution is devoted to celebrating artists. It values the power of art to broaden and shift perspectives\, start difficult conversations\, and consider alternative ideas. \nThank you to ArtTable’s Washington\, D.C. Chapter for organizing this program. \n\nImage: Jaynelle C. Hazard
URL:https://www.arttable.org/event/virtual-dc-breakfasttable-with-jaynelle-hazard/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210204T123000
DTEND;TZID=America/Los_Angeles:20210204T123000
DTSTAMP:20260403T105009
CREATED:20210119T223549Z
LAST-MODIFIED:20210217T232913Z
UID:4454-1612441800-1612441800@www.arttable.org
SUMMARY:Virtual | AT Local - NoCal First Thursday Coffee Break
DESCRIPTION:12:30pm PT\nAT Local virtual programs present opportunities to connect as a local chapter online. This NoCal First Thursday Coffee Break event is for members of ArtTable’s Northern California chapter. Stay tuned for AT Local events near you! \nNot a member? Join us today! \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nClick here to see who is already registered! \n\nAll members of ArtTable’s Northern California Chapter are encouraged to join us on February 4th at 12:30pm for our regular Virtual NoCal First Thursday Coffee Break! It has been too long since we’ve all seen each other and there is so much to talk about. Let’s get together to share how we have been holding up during this turbulent moment\, art we’ve seen\, virtual programming that we enjoyed\, what we’re looking forward to\, and whatever else is new! Even though we can’t meet in person quite yet\, we look forward to seeing everyone for this second edition of our coffee breaks together. \nThis is a Northern California members only event. Virtual First Thursdays Coffee Break will be a reoccurring event and is donation based. \nThank you to ArtTable’s Northern California Chapter Executive Committee for planning and hosting this program.
URL:https://www.arttable.org/event/virtual-at-local-nocal-first-thursday-coffee-break/
LOCATION:Zoom
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/12/CoffeePic2-scaled-e1608583983904.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210203T170000
DTEND;TZID=America/New_York:20210203T180000
DTSTAMP:20260403T105009
CREATED:20210113T214938Z
LAST-MODIFIED:20210216T163125Z
UID:4395-1612371600-1612375200@www.arttable.org
SUMMARY:Virtual | DC Chapter Leadership Award Ceremony Honoring Kim Sajet
DESCRIPTION:In recognition of her significant achievements as the first woman director of the Smithsonian’s National Portrait Gallery\, ArtTable DC honors Kim Sajet with the 2020 Chapter Leadership Award. Please join us in celebrating this occasion virtually. Dr. Johnetta Cole\, our 2018 recipient\, will present the award to Ms. Sajet. \nThis event was postponed from March 2020 due to the Covid-19 pandemic. Please email dc@arttable.org to confirm whether you would like to use your original registration for the new event or if you would prefer to credit your ArtTable account for future programming (credit can only be used through March 31\, 2021). \nThis event is for ArtTable members only. Click here to see who’s already registered! Not an ArtTable member? Join today! \nTicket Information:  \n\n$40 – General Admission\n\nPlease note\, your ticket purchase directly supports the DC chapter’s Faith Flanagan Fellowship Program. This annual program provides mentorship\, resources\, and a stipend to three DC-area women working in the visual arts. The Fellowship Program focuses on the empowerment and growth of the next generation of arts leaders by building relationships and offering progressive programming. Your support of this event enables the DC Chapter to continue offering this incredible Fellowship Program. THANK YOU. \nHow to take part: \n\nClick here to Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAs the first woman to serve as director of the Smithsonian’s National Portrait Gallery\, Kim Sajet (pronounced Say-et) has been exploring new ways to place personal experience and creativity at the center of learning and civic awareness. Not just a place to see famous Americans\, the museum explores identity as a social construct that has been shaped in equal measure by opportunity and ability\, prejudice and fear. By taking a cross-disciplinary approach that merges the traditional forms of painting\, sculpture\, drawing and printmaking with poetry\, installation art\, video and performance\, Sajet aims to bring history alive. \nBefore her current appointment\, Sajet was the president and CEO of the Historical Society of Pennsylvania\, the vice president and deputy director of the Pennsylvania Academy of the Fine Arts\, and the director of corporate relations at the Philadelphia Museum of Art. Before arriving in the United States with her family in 1997\, she served first as curator and then director of two Australian art museums from 1989 – 1995. \nBorn in Nigeria\, raised in Australia\, and a citizen of the Netherlands\, Sajet brings a global perspective to the position. She earned a master’s degree in art history from Bryn Mawr College\, a master’s degree in business administration from Melbourne University Business School in Australia\, a bachelor’s degree in art history from Melbourne University\, and a graduate diploma in Museum studies from Deakin University in Australia. She has completed arts leadership training at the Harvard Business School\, the Getty Institute and National Arts Strategies. \nIn addition to 20 years of arts management experience\, Sajet has written a number of scholarly publications\, curated exhibitions and spoken at academic symposia around the world. Her current interests include the June 2019 study of identity politics\, role-playing in online virtual worlds and the significance of celebrity in American history. She is also the host of the Portrait Gallery’s new podcast series\, “Portraits\,” exploring themes of art\, history and biography. \nThank you to Ruth Abrahams\, Caitlin Berry\, Alexa Kaye and Maria Sancho-Arroyo for organizing this program. \nHosted By: \n\nAlexa Kaye\nAlice Dow Walker\nAnne M. Lampe\nBeverly Carol With\nBrandon B. Fortune\nBrigitte Reyes\nCarolyn K Carr\nCharlotte Ickes\nConcetta M Duncan\nDorothy Kosinski\nGay P Hanna\nLa’Tasha Nicole Banks\nLaura Roulet\nLauren Jensen\nMaria Sancho-Arroyo\nMarlene Rothacker Harrison\nMary Early\nRenee Y Sandell\nRuth Abrahams\nSarah Courtney\nSarah Tanguy\nShelley R. Langdale\nTerry Dudnick Taffer\nVictoria L. Reis\n\nImage: Grace Roselli\, Pandora’s BoxX Project
URL:https://www.arttable.org/event/virtual-dc-chapter-leadership-award-ceremony-honoring-kim-sajet/
LOCATION:Zoom
CATEGORIES:National,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/newkimSajet-e1581536172280.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210203T120000
DTEND;TZID=America/New_York:20210203T120000
DTSTAMP:20260403T105009
CREATED:20210119T212806Z
LAST-MODIFIED:20210217T232937Z
UID:4444-1612353600-1612353600@www.arttable.org
SUMMARY:Virtual | Collection Visit with Ellen Cantrowitz
DESCRIPTION:12pm ET | 11am CT | 9am PT\nThis virtual collection visit program is free for ArtTable Circle Members and $10 for all other members. Click here to learn more about ArtTable’s membership levels. \nHow it works: \nYou will receive access to a recorded collection visit in advance of the live program on February 3. The collector creates this recording exclusively for ArtTable members\, so please do not share or rerecord this video. Members are then invited to attend a live virtual discussion with the collector led by ArtTable’s Executive Director\, Jessica Porter\, to learn more and ask questions. \nHow to take part: \n\nAre you an ArtTable member? Click here login and Register for this event.\nFollowing registration you will receive call-in information in the form of a ZOOM link.\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nEllen Cantrowitz has been collecting art since graduating from college. She collects paintings\, sculpture\, and drawings from the second half of the 20th century and the 21st century. She is also a private art dealer of international art\, for the past three decades. She was a member of the Bronx Museum’s Acquisitions Committee\, and Education Committee until 2017. Ellen is also a member of the Acquisitions Committee at the Parrish Art Museum in Watermill\, NY\, and a supporter of various exhibitions and rehangings at that museum. She is a devoted ArtTable member for the past 16 years. Ellen is also a member of the Cultivist art group. \n\nImage: Artwork by Otto Piene & Jay De Feo
URL:https://www.arttable.org/event/virtual-collection-visit-with-ellen-cantrowitz/
LOCATION:Zoom
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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