2025 Hamptons Jewelry Show | Complimentary VIP Passes
2025-07-24 17:00 - 2025-07-27 17:00 (America/New_York)
ArtTable Members are invited to claim their complimentary VIP pass for the Hamptons Jewelry Show taking place July 24-27, 2025.

The Hamptons Jewelry Show will showcase over 80 exhibitors, including world-renowned designers, top estate jewelers, contemporary watchmakers, and rising talents. Exhibitors are hand-selected by curator and 40-year jewelry veteran Hilary Joy Diaz, ensuring a thoughtfully curated offering across eras, aesthetics, and price points.

These passes are only offered to ArtTable members while supplies last.

All registrants will receive an email after registration here with how to get their ticket(s).

VIP Passes allow access to the VIP Opening on Thursday, July 24 from 5 – 9:30 PM.These passes are only offered while supplies last.

Show Hours

Thursday, July 24, 5-9:30pm (VIP Opening Preview)Benefits Longhouse Reserve

Friday, July 25, 11am-6pmSaturday, July 26, 11am-6pmSunday, July 27, 11am-5pm

Location

Southampton Fairgrounds605 County Rd 39Southampton, NY 11968

If you want to be eligible for this or other opportunities, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!

Stanford, CA | Curator-Led Tours of "Archive Room: Ruth Asawa" & "Archive Room: Ester Hernandez"
2025-08-14 09:00 - 10:30 | Cantor Arts Center, 328 Lomita Drive at Museum Way, Stanford, California, 94305
Join ArtTable at Stanford University’s Cantor Arts Center for a curator-led tour of Archive Room: Ruth Asawa with Kathryn Cua and a curator-led tour of Archive Room: Ester Hernandez with Jorge Eduardo Sibaja.

Ruth Asawa (1926–2013) was a Japanese American artist and arts advocate who worked to integrate arts education into the standard curriculum of San Francisco’s public schools. Although Asawa is best known for her looped-wire sculptures, Archive Room: Ruth Asawa explores her lifelong dedication to arts activism through selected projects from the Alvarado School Arts Workshop curriculum, an artist-in-residence program she cofounded with architect and fellow parent Sally Woodbridge at Alvarado Elementary School in 1968. The teaching materials, workshops, and collaborative projects presented in this compact, single-gallery presentation explores Asawa’s belief that art is essential to cultivating a fuller sense of self.

San Francisco Mission District-based artist Ester Hernandez (b. 1944) is a celebrated Chicana printmaker and storyteller. In iconic works such as Sun Mad, she deftly weaves urgent, incisive commentary with a bold visual language. This single-gallery presentation highlights a selection of artwork, writing, and other ephemera from the artist’s archive at Stanford Special Collections. The grouping of material reveals that Hernandez’s artwork and sociopolitical convictions have walked in lockstep since the very beginning of her career, shaped by her family’s background as farmworkers in California’s raisin belt in San Joaquin Valley, where she was born, and Hernandez’s own life experiences.

Program Admission:

ArtTable Members – $15

ArtTable Member Guest – $20

Non Members – $25

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Ruth Asawa teaching geometric patterns with milk cartons, c. 1981. Courtesy Ruth Asawa Lanier, Inc.

East Hampton, NY | ArtTable Day Trip to the Hamptons: Onna House, Collection Visit, & Guild Hall
2025-08-15 11:00 - 16:00 | East Hampton, NY, All addresses provided upon registration
Celebrate summer at ArtTable’s 2025 day trip to the Hamptons! Attendees will visit three locations in East Hampton: Onna House, long-time ArtTable member and art collector Susan Jacobson’s Home, and Mary Heilmann: Water Way at Guild Hall.

Please note that this program does not include transportation. Each attendee is responsible for their own transportation.

Housed in a Japanese modernist 1960s residence in the center of East Hampton, Onna House is a sanctuary filled with art, furniture, and objects by women artists and designers exclusively. With a dual mission to support and create visibility for these artists and provide a gallery space to display their work, founder Lisa Perry combines her passions under one roof to carefully curate the private home and studio. Onna House acts as a space for women artists to engage and collaborate and for collectors to discover new work.

Lunch will be provided at the home of long-time ArtTable member and art collector Susan Jacobson! Highlights of Susan’s collection include work by Nick Cave, Cindy Sherman, Josephine Meckseper, Solange Pessoa, Elmgreen & Dragset, Joel Perlman, Tom Sachs, Daniel Arsham, Toni Ross, and Vik Muniz.

At Guild Hall, Museum Director and Curator of Visual Arts Melanie Crader will lead attendees on a tour of Mary Heilmann: Water Way. This exhibition is the artist’s first large-scale solo presentation with an institution on the East End of Long Island, where she has been an integral part of the region’s creative community for decades. From California to New York City to Bridgehampton, Heilmann has prioritized living in close proximity to water, which has had a profound influence on her life and work. Whether as a direct image or referential title, water has long been a recurring theme throughout her practice. Guild Hall is pleased to realize an exhibition that Heilmann has had a strong desire to stage—one that brings together over 40 works of a focused area of her output. The exhibition includes works on paper, ceramics, and paintings spanning from the 1980s through the present.

ITINERARY:

Each attendee is responsible for transportation between venues. All venues are within a 10 minute drive of each other.

11am: Meet at Onna House

Address provided upon registration.

12:30 -1pm: Independent travel to Susan Jacobson’s home

Susan Jacobson’s home address will be provided upon registration.

1pm-2:30pm: Lunch and Collection Visit at Susan Jacobson’s home

2:30pm-3pm: Independent travel to Guild Hall

Guild Hall is located at 158 Main Street, East Hampton, NY

3pm-4pm: Curator-led tour of Mary Heilmann: Water Way at Guild Hall with Melanie Crader

Each attendee is responsible for transportation between venues. All venues are within a 10 minute drive of each other.

Program Admission:

ArtTable Members – $45

ArtTable Member Guests – $50

General Admission – $55

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image 1: Courtesy of Onna House

Image 2: Mary Heilmann, 𝘎𝘭𝘢𝘴𝘴𝘺 𝘞𝘢𝘭𝘭, 2020. Acrylic on wood and canvas, 9 x 18-1/4 x 1-1/8 inches (22.26 x 46.355 x 2.8575 cm). Photo by Dan Bradica. ©Mary Heilmann. Image courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth.

2025 New York Armory Week | VIP Pass Packages
2025-09-04 10:00 - 2025-09-08 18:00
ArtTable VIP Access Passes for fairs taking place during New York Armory Week are now live and available to all ArtTable members for purchase! To secure your pass, click the button below, login to the member portal and select your preferred available pass option. Participating fairs and remaining pass types indicated below; we look forward to seeing you in in New York in September!

Participating Fairs:

The Armory Show

Independent 20th Century

Art on Paper

VIP Access Pass Levels Available:

Platinum Level – $100

2 Armory Show VIP passes

2 Independent VIP passes

2 Art on Paper VIP passes

Gold Level – $70

1 Armory Show VIP pass

1 Independent VIP pass

2 Art on Paper VIP passes

Silver Level – $40

1 Armory Show VIP pass

2 Art on Paper General Admission passes

Bronze Level – $20

2 Art on Paper General Admission passes

New York, NY | ArtTable Annual Brunch at The Armory Show 2025
2025-09-05 11:00 - 12:30 | Javits Center, 429 11th Avenue, New York, 10001
Reconnect with colleagues and friends at ArtTable’s Annual Brunch at The Armory Show! In addition to a delicious continental brunch, each registration for this event—a highlight of the ArtTable calendar—includes a day pass to The Armory Show for Friday, September 5.

Registration:

ArtTable Circle, Patron, and Benefactor Members – $55

ArtTable Members – $65

Guest of ArtTable member – $70

General Admission – $75

ArtTable members receive special access to art fairs happening nationwide throughout the year. Not a member? Join or renew today!

ArtTable thanks The Armory Show and catering partner Cultivated for their generosity in welcoming us this year.

About The Armory Show: In 1994, four New York art dealers had the ambitious goal of creating a new art fair to support their artists and attract global attention. They succeeded. The result was a groundbreaking cultural moment that has become vital to the New York art market and beyond. While much has changed over the years, our ingenuity and ambition have not. The Armory Show is a galvanizing force in the art world and essential to New York’s cultural landscape.

Boston, MA | Curator-Led Tour of "Portia Zvavahera" with Ruth Erickson
2025-09-10 12:30 - 13:30 | ICA Boston, 25 Harbor Shore Drive, Boston, Massachusetts, 02210, United States
Gather at ICA Boston for a guided tour of Portia Zvavahera with Ruth Erickson, Barbara Lee Chief Curator and Director of Curatorial Affairs!

Portia Zvavahera (b. 1985 in Harare, Zimbabwe) draws from her dreams to create layered paintings that evoke moments of transition and transcendence. For the artist, the act of painting is akin to an act of worship. Across her work, Zvavahera engages deeply with the African Pentecostal and Indigenous Shona traditions in which she was raised, illuminating the centrality of dreams, ancestors, and revelation to both belief systems. The artist merges painting and printmaking techniques to conjure worlds glimpsed in her dreams, where figures commune with spirits, and protective comforts and nightmares collide in stirring unions. Culling from an array of sources ranging from the angels and demons of medieval European devotional art to the vibrant patterns of Zimbabwean textile designs, Zvavahera constructs what the art historian Tamar Garb has described as “a unique and porous pictorial world.” For the ICA, her first solo museum exhibition in the U.S., Zvavahera is presenting a selection of recent paintings centered on the theme of animals, considering how they populate her work as well as the collective imagination.

Program Admission:

ArtTable Members – $15

ArtTable Member Guests – $20

General Admission – $25

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Portia Zvavahera, Ndirikukuona (I can see you), 2021. Oil based printing ink and oil bar on linen. © Portia Zvavahera. Courtesy Stevenson and David Zwirner.

Virtual | New Member Orientation & Member Portal Walkthrough
2025-09-15 15:00 - 15:30
12 pm PT / 1 pm MT / 2 pm CT / 3 pm ET

Welcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members.

Whether you are new to our community or have been a long-time member, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about.

Not a member? Join today!

(You will receive an email confirmation containing the Zoom link.)

Accessibility: Please note that this program will offer live closed captioning. If you require additional accommodations, please email programs@arttable.org.

Can’t join us for this new member orientation? Don’t worry, we host virtual orientation sessions every 3 months! In the meantime, we hope you can join us for another upcoming program or support other ArtTable initiatives!

2025 Affordable Art Fair | Complimentary VIP Passes
2025-09-17 18:00 - 2025-09-21 17:00
ArtTable Members are invited to claim their complimentary VIP passes for the Affordable Art Fair, taking place September 17 – 21, 2025, in New York City.

When you visit the Affordable Art Fair New York Fall, you’ll find an inspiring and friendly atmosphere where you can browse thousands of original contemporary paintings, sculptures, photographs, and prints showcased by a myriad of local, national, and international exhibitors. With contemporary artwork by over 400 established artists and rising stars, and price points ranging from $100 to $12,000, there is something to suit every taste and wallet, whether you are a first-time art buyer or a seasoned collector.

With two fair editions held annually, Affordable Art Fair New York is the ideal family day out or creative evening with friends.

These passes are only offered to ArtTable members while supplies last.

All registrants will receive an email after registration with instructions on how to obtain their ticket(s).

LocationStarrett-Lehigh Building601 West 26th StreetNew York, NY 10001

Public HoursWednesday, September 17 – 6pm – 9pmThursday, September 18 – 12pm – 8pmFriday, September 19 – 12pm – 9pmSaturday, September 20 – 10am – 8pmSunday, September 21 – 10am – 5pm

If you want to be eligible for this or other opportunities, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!

Houston, TX | ArtTable Brunch at Untitled Art, Houston
2025-09-19 12:00 - 13:00 | George R. Brown Convention Center, 1001 Avenida De Las Americas, Houston, Texas, 77010, United States
Reconnect with colleagues and friends at ArtTable’s Brunch at Untitled Art, Houston! In addition to a delicious continental brunch, each registration for this event includes a day pass to Untitled Art, Houston on Friday, September 19.

Registration:

General Admission – $55

ArtTable Members – $45

Guest of ArtTable member – $50

ArtTable members receive special access to art fairs happening nationwide throughout the year. Not a member? Join or renew today!

New York, NY | Rooftop MeetAT at The Met
2025-09-19 17:00 - 19:00 | The Metropolitan Museum of Art, 1000 Fifth Avenue, New York, New York, 10028
Jennie C. Jones (born 1968, Cincinnati, Ohio), Installation view of The Roof Garden Commission: Jennie C. Jones, Ensemble, 2025. The Metropolitan Museum of Art, Photo by Hyla Skopitz

The Met Rooftop will be closing until 2030, so this is the last chance for us, as members, to gather together on the rooftop for 5 years! On Friday, September 19, from 5 – 7 PM, we will be meeting on The Met’s rooftop to connect as members and take in the last installation in this location until the reopening in 2030. We want you to join us!

Wear something with red on it so we can gather as a group easily and see the ArtTable pride!

In the event that there is rain, we have a secondary rain date scheduled for Friday, September 26, from 5 – 7 PM.

Make sure to register below, so that we know you are coming! We look forward to seeing you there!

About The Roof Garden Commission: Jennie C. Jones, EnsembleThe Metropolitan Museum of Art’s newest Roof Garden Commission is on view April 15 through October 19, 2025, and features a dynamic work by artist Jennie C. Jones (born 1968, Cincinnati, Ohio). Titled Ensemble, the site-responsive installation is composed of three large sculptural forms based on string instruments—a trapezoidal zither; a tall Aeolian harp; and a doubled, leaning one-string—corralled on two sides by a floor piece that serves as both a “conductor” of the ensemble and a boundary-marker of the stage-like surface on which it sits. Full of sonic potential, the sculptures sit quietly in place, waiting to be heard. The Roof Garden Commission: Jennie C. Jones, Ensemble is the 12th in the series of commissions for the outdoor space.

Are you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us!

Admission:

FREE to ArtTable Members and their guests

FREE to prospective members

Not a member? Join today!

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Los Angeles, CA | Artist Talk and Exhibition Walkthrough with Rebecca Morris
2025-09-20 11:00 - 12:00 | Regen Projects, 6750 Santa Monica Blvd, Los Angeles, California, 90038, United States
Rebecca Morris studio, Los Angeles, February 24, 2025. Photo: Flying Studio.

Join ArtTable at Regen Projects for an Exhibition Walkthrough with Rebecca Morris!

Regen Projects is pleased to present #34, Los Angeles-based artist Rebecca Morris’s first solo exhibition with the gallery and the thirty-fourth of her career. Over the past thirty years Morris has established a sophisticated visual lexicon to expand the limits and possibilities of non-objective abstraction in painting. As Hamza Walker has written, “Rebecca Morris’s commitment to abstraction lies somewhere between the poles of fierce and rabid, a prerequisite for coping with a pluralism arising not only from across disciplines but from within the discipline of painting itself.”

Parking is available behind the gallery as well as on the street.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation.

Photography by Flying Studio. © Rebecca Morris, Courtesy of the artist and Regen Projects.

Rebecca Morris (b.1969 Honolulu, Hawaii) lives and works in Los Angeles. The survey Rebecca Morris: 2001–2022, curated by Jamillah James, opened at the ICA Los Angeles in 2022 and traveled to the MCA Chicago in 2023, accompanied by a comprehensive monograph. Morris has been the subject of significant solo institutional exhibitions at the Blaffer Art Museum, Houston (2019); Bonnefanten Museum, The Netherlands (2014); LAXART, Los Angeles (2014); and The Renaissance Society, Chicago (2005). Her work has been included in notable group shows at the Wexner Center for the Arts, Columbus (2018); Made in L.A. at the Hammer Museum, Los Angeles (2016), and the Whitney Biennial, New York (2014). In 2015, Morris presented a special project at the artist-run 356 Mission in Los Angeles.

Morris’s work is included in numerous public and private collections, among them the Whitney Museum of American Art, New York; Art Institute of Chicago; Hirschhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; MoCA, Los Angeles; MCA Chicago; MCA San Diego; DePaul Art Museum, Chicago; Bonnefanten Museum, The Netherlands; Speed Art Museum, Kentucky; Sammlung Goetz, Munich; Hall Art Foundation, Vermont and Germany; and Berezdivin Collection, Puerto Rico. Morris has received awards and fellowships from the Joan Mitchell Foundation, John Simon Guggenheim Memorial Foundation, Louis Comfort Tiffany Foundation, California Community Foundation Fellowship for Visual Art, and Art Matters Inc., among others.

New York, NY & Virtual | ArtTable's Annual Leadership Series | Art at Risk: Censorship and the Fight for Creative Freedom
2025-09-25 18:00 - 20:00 | Full Address Provided Upon Registration, Midtown Manhattan, New York, New York, 10017, United States
In today’s increasingly polarized cultural and political landscape, arts professionals are grappling with urgent questions: How do institutions remain true to their missions while navigating the risks of presenting complex or controversial narratives? What role does censorship play in shaping the stories we tell through exhibitions, acquisitions, publications, and programming?

ArtTable’s 2025 Annual Leadership Series returns with a timely conversation on the evolving responsibilities of arts institutions in an era of heightened scrutiny and constrained freedoms. This year’s panel features acclaimed artist Marilyn Minter, cultural leader and curator Sara Reisman, and art lawyer Katherine Wilson-Milne, in conversation with moderator Elizabeth Larison, Arts and Culture Advocacy Program Director at National Coalition Against Censorship. Scroll down to learn more about our panelists!

Together, these thought leaders will explore the challenges and strategies involved in sustaining truthful, inclusive storytelling across all areas of the arts ecosystem. From debates over funding and institutional values to efforts to protect curatorial independence and artistic freedom, the discussion will offer insights for anyone invested in the future of the arts.

Whether you work in a museum, manage a gallery, support artists through legal or philanthropic means, or collect and preserve art, this event offers critical perspectives and practical strategies for navigating today’s cultural crossroads.

Join us on September 25, 2025, for this vital dialogue and an opportunity to engage with leading voices at the intersection of art and public discourse. Immediately following the panel, we invite you to stay for a 40-minute in-person networking reception with light refreshments. This reception is a rare chance to continue the conversation with our esteemed panelists, ask follow-up questions, and build meaningful connections with fellow attendees across the arts industry.

About the Annual Leadership Series: This signature ArtTable program was initially launched in 2016, and since its inception, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries.

Program Admission: This program is open to ArtTable members and member guests through September 1. If space allows, this program will open to the public on September 2.

ArtTable Members – $45

ArtTable Member Guest – $50

General Admission – $55

Virtual (ArtTable Member) – $20

Virtual (General Admission) – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Meet Our Panelists

Photo by Ryan McGinley

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011. Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter’s work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.Minter is represented by Salon 94, New York, Regen Projects, Los Angeles, Lehmann Maupin, Hong Kong/Seoul.

Sara Reisman is a curator, educator, and writer based in New York City. Her curatorial and educational engagements have focused on socially engaged art, the history of exhibition making, public art, both temporary and permanent, artist books, and the intersections between art and activism. She has held roles in curatorial, philanthropic, and educational capacities including Chief Curator at the National Academy of Design (2021-2025), Executive and Artistic Director of the Shelley & Donald Rubin Foundation (2014-2021), and Director of New York City’s Percent for Art Program (2008-2014), where she managed more than 100 permanent public art commissions across New York City’s five boroughs. Reisman has taught art history and contemporary art at the University of Pennsylvania and SUNY Purchase School of Art + Design, and since 2016, she has been on the faculty at the School of Visual Arts’ Curatorial Practice MA Program. In her most recent curatorial role at the National Academy, she organized large-scale thematic exhibitions including Past as Prologue: A Historical Acknowledgment, which examined the role of art in U.S. nation-building; Drawing as Practice; Consequences: A Parlor Game; Exercises in Imagination; and Sites of Impermanence.

Photo by Elia Alba

Katie Wilson-Milne is a partner at the boutique law firm Schindler Cohen & Hochman LLP and advises clients in the art, cultural and creative communities, including art businesses, dealers, collectors, artists, and not-for-profit corporations in the art space on transactional matters related to the creation, purchase, sale, lending and financing of art, as well as gallery, auction house, and museum relationships and intellectual property matters. She also represents art clients in a wide variety of disputes including fraud, breach of contract, copyright infringement, and artist gallery relationships.

Katie also writes, teaches and speaks publicly about a variety of art law related topics. Katie teaches art law at the Yale Law School and co-hosts of The Art Law Podcast with Steve Schindler.

Elizabeth Larison is our panel moderator for this program. Elizabeth is Director of the Arts & Culture Advocacy Program at the National Coalition Against Censorship, a member of Don’t Delete Art, and a curator. Prior to joining NCAC, Elizabeth earned a BA in Human Rights and a MA in Curatorial Studies, and worked for organizations including Flux Factory, the Park Avenue Armory, and apexart.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Virtual | ArtTable’s Professional Development Series: Art Writing for Art Professionals with Robin Cembalest
2025-09-30 14:00 - 15:00 | Virtual Via Zoom
In this empowering workshop, Robin Cembalest demystifies the distinctive and often challenging process of writing about visual art. In her presentation, she’ll share examples and templates for different types of professional art writing, from press releases to Instagram posts. As the longtime editor of ARTnews, Robin taught generations to write professionally. Gallerist or artist, educator or curator, this class will give you the tools, skills, and best practices to write clearly and accessibly, with less stress and more success.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10

General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Respected journalist, influential Instagrammer, and the former longtime editor of ARTnews, Robin Cembalest trains art professionals how to communicate effectively about themselves, their work, and their projects. She teaches writing, social media, public speaking, and other essential skills across the art industry. An early art-world adapter to social media, Robin has built a specialty in career development for the digital era, helping institutions and individuals to create and implement organic content strategies.

A mentor to generations of emerging writers, Robin now helps visual artists to express themselves in her workshops at schools, residencies, and organizations. She is a faculty member of the School of Visual Arts, an instructor in the Bronx Museum’s AIM program, and a coach at Creative Capital. Widely published in the art and mainstream press, Robin won several awards for investigative reporting, writing key stories on the culture wars, censorship, multiculturalism, and museum politics. She is best known today as @rcembalest, handle of her popular Instagram chronicling her travels in the art world.

New York, NY | Guided Tour of "Coco Fusco: Tomorrow, I Will Become an Island" with Zuna Maza
2025-10-03 12:30 - 13:30 | El Museo Del Barrio, 1230 Fifth Avenue, New York, NY, 10029, United States
Join ArtTable at El Museo del Barrio for a Curator-Led Tour of Coco Fusco: Tomorrow, I Will Become an Island with Zuna Maza!

El Museo del Barrio is proud to present the first U.S. survey of influential Cuban-American artist, writer, and activist Coco Fusco (b. 1960, lives in New York). A renowned artist, writer, and activist, Fusco has been globally lauded for her distinctly perceptive, acerbic, and piercing voice. Since the 1990s, her films, photographs, texts, installations, and performances have addressed the dynamics of politics and power in relation to issues of representation, culture, and institutional critique.

The exhibition will include more than three decades of Fusco’s artistic production, positioning her as one of the foremost artists shaping the contemporary art field. Spanning her now-canonical performance “Two Undiscovered Amerindians Discover the West” (presented with Guillermo Gomez-Peña) to her on-going investigation of post-revolutionary Cuban history and her most recent photographic explorations around U.S. politics, the show will offer an expansive view of her multidisciplinary career.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: Coco Fusco, Dolores From 10 to 10, 2001. Video Installation, 98 min. Courtesy of the artist and Mendes Wood DM, São Paolo, Brussels, Paris, New York.

ArtTable Tours | Crystal Bridges Museum of American Art
2025-10-07 00:00 - 2025-10-09 23:59
Experience historically rich Bentonville, Arkansas through tours of significant sites like Crystal Bridges Museum of American Art, Frank Lloyd Wright’s Bachman-Wilson House, and the Mildred B. Cooper Chapel. This thoughtfully assembled tour will immerse visitors into the artistic scene of Arkansas with exclusive visits to outdoor installations, local eateries, and world class museums. Do not miss out on this chance to absorb all that Bentonville has to offer!

Highlights of the Itinerary

Beginning at the Crystal Bridges Museum of American Art, we will explore more than five miles and 134 acres of outdoor installations, rich history, and beautiful natural landscapes. In addition to learning more about the Crystal Bridges outstanding contemporary art collection, we will visit The Momentary, a former cheese factory turned live music, visual and performing arts, and culinary experience venue. We will immerse ourselves in Bentonville through a golf cart tour of the city, visiting landmarks, public art, and learning about the history of the area. Day one will wrap up with a dinner at BlakeSt, a private club with an art collection carefully curated by the OZ art Organization of Northwest Arkansas. Our visit to BlakeSt will include a private tour of this collection of sculptures, fiber art, and more.

Other historic and artistic highlights include visits to The Way of Color, a Skyspace, The Frank Lloyd Wright Bachman-Wilson House, and a tour of the Mildred B. Cooper chapel. James Turrell’s The Way of Color offers a naked-eye light show activated at sunrise and sunset. The Bachman-Wilson House was designed in 1954 in New Jersey, before being purchased by Crystal Bridges and moved to Arkansas. The Mildred B. Cooper Chapel is a gothic-inspired chapel designed by E. Fay Jones, and our visit will include a private piano concert.

Other culinary experiences will include dinner at Preacher’s Son, a historic church turned restaurant that offers unique and sustainably sourced menus, and breakfast at 21c Museum Hotel in the heart of Bentonville.

Explore the full itinerary here!

Adventures in Art

The ArtTable tour to Crystal Bridges and Bentonville will be managed by Adventures in Art. Adventures in Art curates luxury travel experiences focused on art, jewelry and fashion for museum patrons and art collectors around the world. Founded in 2011 by Karen Stone Talwar, the company is unique in its endeavor, providing customized itineraries and insider access to art capitals around the globe timed around art fairs, jewelry shows, and exhibitions at major museums.

ArtTable member registration is $475 and non-member registration is $725. Registration fees are donations to the AT Tours program and are nonrefundable. Once you are registered we will connect you with Adventures in Art for further tour payments.

Tour Pricing (to be paid directly to Adventures in Art after registering with ArtTable)

Single Occupancy: $3,300

Double Occupancy: $2,900

This tour is all-inclusive (airfare excluded) and includes Hotel accommodations with breakfast at 21c Museum, admission and other fees for itinerary stops and expert guides, two breakfasts, one lunch and two dinners, and transportation between itinerary stops and locations.

Miami, FL | Curator-Led Tour of "Women Pulling At The Threads of Social Discourse: Don't Be Absurd" with Melanie Prapopoulos
2025-10-18 12:00 - 13:45 | The CAMP Gallery, 791-793 NE 125th St., North Miami, Florida, 33161, United States
Join ArtTable at the CAMP Gallery for a guided tour of Women Pulling At The Threads of Social Discourse: Don’t Be Absurd followed by a networking reception!

The exhibition will explore absurdism, referencing Franz Kafka, Albert Camus, Simone de Beauvoir, Jose Saramago and/or Samuel Beckett. Artists will apply the ideas and concepts in these works to our modern world, through which industry and politics, is still and often dehumanized. Sub-topics include but are not limited to childhood in industrial societies, sexuality, gender, women’s rights, and education. We asked artists to create circular fiber works to symbolize the continuation of hope in our present experience as we strive to overcome a certain sense of nothingness.

Registration:

ArtTable Members – $15

ArtTable Member Guest – $20

General Admission – $25

Los Angeles, CA | Curator-Led Tour of "Made in L.A. 2025" with Essence Harden
2025-10-21 12:00 - 13:00 | Hammer Museum, 10899 Wilshire Blvd, Los Angeles, California, 90024, United States
Gather at the Hammer Museum for a Curator-Led Tour of Made in LA 2025 with Essence Harden!

Made in L.A. 2025 is the seventh iteration of the Hammer’s signature biennial exhibition that showcases artists practicing throughout the greater Los Angeles area. The 28 participants in the exhibition present work not only made in the city but also grounded in its complex and unfolding terrain. Neither myth nor monolith, Los Angeles is many things to many people, and its dissonance is perhaps its most distinguishing feature. The works presented in this year’s biennial include film, painting, theater, choreography, photography, sculpture, sound, and video. Attitude draws them together: Each engages with this city in ways alternately literal, formal, material, and metaphoric. Conceived or made in Los Angeles, they are of this city and nowhere else.

Program Admission:

ArtTable Members – $25

ArtTable Guests – $30

General Admission – $35

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

New York, NY | Private Collection Tour of the Deutsche Bank Art Collection
2025-10-21 18:00 - 19:00 | Deutsche Bank Center, One Columbus Circle, New York, New York, 10019, United States
Join ArtTable for a private collection tour at the Deutsche Bank Center.

Located in the center of one of the world’s most multi-cutural cities, the Deutsche Bank Collection at Columbus Circle reflects New York’s globally renowned and vibrant contemporary art scene. Since it was established in the late 1970s, the collection has focused on the medium of paper, and there is a reason for this: the idea was that art should not be hung only on the executive floors and lobbies, but in all of its offices and retail branches. Works on paper, drawings, collages, and photographs serve this purpose well, among other things because of their high artistic quality and their experimental spirit. With this strategy, the Deutsche Bank Collection broke new ground at the time.

Highlights of the Deutsche Bank Collection include Joan Mitchell, Jennie C. Jones, HelenFrankenthaler, Wangechi Mutu, Keith Haring, Eva Hesse, Carrie Mae Weems, Amy Sillman, and more. You can read more about the collection here.

Program Admission: This program is open to ArtTable Executive, Circle, Patron, and Benefactor members until October 3. If space allows, this program will open to other membership levels and the general public.

General Admission – $65

ArtTable Members – $45

ArtTable Guests – $55

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: The Estate of Eva Hesse. Courtesy Hauser & Wirth

Washington, DC | Curator-Led Tour of "Women Artists from Antwerp to Amsterdam, 1600-1750" with Virginia Treanor
2025-10-22 15:00 - 16:00 | National Museum of Women in the Arts, 1250 New York Ave NW, Washington, DC, 20005, United States
Join ArtTable at the National Museum of Women in the Arts for a Curator-Led Tour of Women Artists from Antwerp to Amsterdam, 1600-1750 with Senior Curator Virginia Treanor!

Women Artists from Antwerp to Amsterdam, 1600-1750 showcases a broad range of work by more than forty Dutch and Flemish women artists, including Gesina ter Borch, Maria Faydherbe, Anna Maria de Koker, Judith Leyster, Magdalena van de Passe, Clara Peeters, Rachel Ruysch, Maria Tassaert, Jeanne Vergouwen, Michaelina Wautier, and more. Presenting an array of paintings, lace, prints, paper cuttings, embroidery, and sculpture, this exhibition draws on recent scholarship to demonstrate that a full view of women’s contributions to the artistic economy is essential to understanding Dutch and Flemish visual culture of the period.

Virginia (Ginny) Treanor, Ph.D. serves as Senior Curator, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art, among other institutions. During her time at NMWA, Treanor has curated numerous contemporary exhibitions, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015), Heavy Metal (2018), Paper Routes(2020), and New Worlds (2024).

Program Admission:

ArtTable Members – $15

ArtTable Member Guests – $20

General Admission – $25

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Rachel Ruysch, Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. late 1680s; Oil on canvas, 42 1/2 x 33 in.; NMWA, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth

New York, NY | Curator-Led Tour of "Ruth Asawa: A Retrospective" with Cara Manes
2025-10-28 11:00 - 12:00 | The Museum of Modern Art, 11 West 53 Street, New York, NY, 10019, United States
Join ArtTable at the Museum of Modern Art for a Curator-Led Tour of Ruth Asawa: A Retrospective with Cara Manes!

Featuring some 300 artworks, Ruth Asawa: A Retrospective charts the artist’s lifelong explorations of materials and forms in a variety of mediums, including wire sculpture, bronze casts, drawings, paintings, prints, and public works. This first posthumous survey celebrates the ways in which Asawa continuously transformed materials and objects into subjects of contemplation, unsettling distinctions between abstraction and figuration, figure and ground, and negative and positive space.

Program Admission:

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: Ruth Asawa. Untitled (S.535, Hanging Five-Lobed Continuous Form within a Form with Spheres in the First and Fourth Lobes and a Teardrop Form in the Third Lobe), 1951. Iron and brass wire. 87 × 12 1∕2 × 12 1∕2 in. (221 × 31.8 × 31.8 cm). Private collection. © 2025 Ruth Asawa Lanier, Inc., Courtesy David Zwirner.

Washington, DC | Curator-Led Tour of "Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout" with Dr. Vesela Sretenović
2025-11-05 15:00 - 16:00 | The Kreeger Museum, 2401 Foxhall Rd NW, Washington, DC, District of Columbia, 20007, United States
Join ArtTable for a curator-led tour of Anonymous Was A Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout at The Kreeger Museum, led by exhibition curators Dr. Vesela Sretenović.

Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout, dovetails with the recent group exhibition, Anonymous Was a Woman: The First 25 Years organized by and presented at the New York University’s Grey Art Museum, April 1-July 19, 2025, and co-curated by Nancy Princenthal and Vesela Sretenović.

The Grey exhibition celebrated the first quarter-century of the Anonymous Was a Woman (AWAW) grant program, established in 1996 by visionary philanthropist and artist Susan Unterberg. The program is dedicated to supporting mid-career women artists living and working in the United States. Its name refers to a phrase in Virginia Woolf’s essay A Room of One’s Own, which underscores the challenges that creative women have historically faced in a male-dominated society.

The Kreeger Museum’s exhibition, curated by Sretenović, focuses exclusively on four AWAW recipients who reside and work in the Washington, DC metropolitan area: Jae Ko (AWAW 2012), linn meyers (AWAW 2023), Joyce J. Scott (AWAW 1997), and Renée Stout (AWAW 1999). While the Grey exhibition featured works created around the time of each artist’s award, The Kreeger Museum’s presentation spotlights the most recent work of its participating artists, picking up where the Grey show left off in 2020. Moreover, whereas the Grey offered a broader overview of artistic production by women-artists in the first 25 years of the award, The Kreeger Museum aims to present a more focused, in-depth look at the new works of Ko, meyers, Scott, and Stout.

In this respect, The Kreeger Museum’s exhibition not only celebrates artists based in the DMV area —aligning with the Museum’s mission—but also extends the reach of the AWAW program beyond New York City, further disseminating its mission: to support and bring greater visibility to the creative output of women artists.

Program Admission:

General Admission – $30

ArtTable Members – $20

ArtTable Member Guests – $25

All registrants for this event will be provided with a 20% discount on ArtTable’s limited edition scarf celebrating 25 Years of Anonymous Was a Woman, created in 2021 in conjunction with ArtTable’s 45 year anniversary and the year Susan Unterberg received the Distinguished Service to the Visual Arts Award. Made of 100% silk habotai, only a handful of scarves remain in our inventory!

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

About the Curator

Dr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure, she had organized Intersections, a series of ongoing contemporary art projects, as well as monographic exhibitions of prominent artists including Robert Ryman, Ellsworth Kelly, Antony Gormley, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips, Sretenović worked at Brown University, the University at Buffalo SUNY, and the Brooklyn Museum of Art. She is a frequent visiting faculty, teaching modern and contemporary art history and theory, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade, Former Yugoslavia, an MA from the School of the Art Institute of Chicago, and a PhD in Humanities from Syracuse University.

Image credits:Pictured (left to right): Detail, linn meyers, The Moon is a Thief, 2025, acrylic ink and acrylic gouache on linen. Courtesy of the Artist. Detail, Jae Ko, Rhombus #3, 2025, rolled paper, pigmented ink. Courtesy of Opera Gallery/Artist. Detail, Joyce J. Scott, Untitled Fairy Tale from The Graphic Novel Series, 2019-2020, glass beads, thread, wire. Courtesy of Goya Contemporary Gallery/Artist. Detail, Renée Stout, I Trust My Third Eye, 2025, acrylic on panel. Courtesy of Marc Straus Gallery/Artist.

Chicago, IL | Curator-Led Tour of "Yoko Ono: Music of the Mind" with Jamillah James
2025-11-06 10:00 - 11:00 | Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago, Illinois, 60611
Join ArtTable and Manilow Senior Curator Jamillah James for a curator-led tour of Yoko Ono: Music of the Mind!

Yoko Ono: Music of the Mind presents one of the most comprehensive exhibitions to date of Yoko Ono, the trailblazing artist, celebrated musician, and formidable campaigner for world peace. This remarkable retrospective—on view at the MCA as the only US venue—celebrates key moments of Ono’s career, showcasing art driven by ideas and expressed in poetic, humorous, and profound ways.

Tracing Ono’s career since the 1950s, Music of the Mind presents over 200 works across a variety of media including performance footage, music and sound recordings, scores, film, photography, installation, and archival materials. Participatory artworks—a key aspect of Ono’s practice—also feature in the exhibition, and visitors are invited to partake in several interactive, instruction-based artworks throughout Music of the Mind.

Program Admission:

General Admission – $35

ArtTable Members – $25

ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Visitors explore Yoko Ono’s Add Colour (Refugee Boat) (1960/2016) in Yoko Ono: Music of the Mind, Tate Modern, London, February 15–September 1, 2024. © Yoko Ono. Photo © Oliver Cowling, courtesy of Tate.

Virtual | ArtTable’s Professional Development Series: Email Marketing Mastery for Arts Professionals with Jean Blackwell Font
2025-11-06 15:00 - 16:00 | Virtual Via Zoom
Transform your email marketing from afterthought to powerhouse! Join us for a comprehensive deep-dive into email marketing strategies specifically designed for arts professionals, galleries, museums, and creative organizations. Whether you’re launching your first newsletter or looking to revitalize your existing campaigns, this workshop will equip you with actionable strategies and best practices.

What You’ll Learn:

• Foundation & Strategy: Building an email marketing plan that aligns with your artistic goals and audience needs

• List Building: Proven techniques to grow your subscriber base authentically within the arts community

• Content That Converts: Crafting compelling subject lines, engaging content, and calls-to-action that resonate with arts audiences

• Platform Selection: Choosing the right email marketing platform for your needs and budget

• Campaign Types: From exhibition announcements to donor cultivation – which formats work best for different goals

• Measuring Success: Understanding metrics that matter and optimizing for better engagement Interactive Elements:

• Live platform demonstrations

• Real-world case studies from successful arts campaigns

• Q&A troubleshooting session

• Resource toolkit for immediate implementation

Perfect For: Gallery directors, museum professionals, independent artists, arts administrators, curators, and anyone looking to strengthen their digital marketing toolkit in the visual arts sector.

Led by: Jean Blackwell Font, Creative Director of Font Squared and MailChimp Certified Partner with 20+ years in arts marketing and nonprofit management.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10

General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Jean Blackwell Font is a mixed media artist and the Co-founder & Creative Director of Font Squared, a Miami-based digital marketing agency specializing in empowering artists and nonprofit organizations.

With over two decades of experience spanning arts, hospitality, and nonprofit sectors, Jean approaches marketing with an artist’s eye for innovation. Her strategic digital marketing campaigns and promotional initiatives have helped organizations collectively secure over a million dollars in funding through successful donor engagement and community outreach. As a Miami Foundation Community Advisor and grant reviewer for Miami-Dade County, she brings valuable insights to both sides of the funding equation.

A Squarespace Expert and member of both ArtTable and Phi Beta Kappa, Jean champions women’s leadership in the visual arts while maintaining the highest standards of professional excellence. Her artwork has captured the attention of prominent Miami collectors and is featured in Florida International University’s Special Collections.

Through Font Squared, established in 2017, Jean leads comprehensive marketing workshops and provides strategic support for artists and nonprofits, with services ranging from website development to email campaigns and social media management. Her unique methodology merges creative intuition with digital strategy, helping cultural organizations and artists build sustainable online presences.

2025 Salon Art + Design | Complimentary VIP Passes
2025-11-06 18:00 - 2025-11-10 16:00
Sarah Myerscough Gallery, London. Photo Credit: Peter Baker

ArtTable Members are invited to claim their complimentary VIP passes for the Salon Art + Design 2025, taking place November 6 – 10, 2025, in New York City at the Park Avenue Armory.

Salon Art + Design showcases the pinnacle of design, presenting the world’s finest vintage, modern, and contemporary pieces alongside blue-chip 20th-century artworks. Featuring leading art and design galleries from around the globe, as well as cutting-edge makers, the fair highlights the evolving trends of collectible design. For more than a decade, Salon has integrated both fine and decorative arts within the context of contemporary life, reflecting the belief that today’s designers and collectors shape environments rather than merely accumulate objects. Salon’s success lies in the exceptional quality of its exhibiting galleries, diverse international representation, and vetting, which are highly sought after by today’s collectors and tastemakers. Appealing to seasoned connoisseurs and emerging collectors alike, Salon offers a comprehensive yet carefully curated collection, ensuring there is something to captivate every discerning taste.

These passes are only offered to ArtTable members while supplies last.

All registrants will receive an email after registration with instructions on how to obtain their ticket(s).

LocationPark Avenue Armory643 Park AveNew York, NY 10065

First Look: PreviewThursday, November 6 from 4:30 pm – 9 pm

Collectors Vernissage (invitation only)Thursday, November 6 from 6 pm – 9 pmVIP Access (invitation only)Friday, November 7 from 11 am – 2 pmRun of Show HoursFriday, November 7 from 2 pm – 8 pmSaturday, November 8 from 11 am – 7 pmSunday, November 9 from 11 am – 7 pmMonday, November 10 from 11 am – 4 pm

If you want to be eligible for this or other opportunities, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!

New York, NY | Curator-Led Tour of "Lotty Rosenfeld: Disobedient Spaces" with Julia Bryan-Wilson
2025-11-12 09:30 - 10:30 | MIRIAM & IRA D. WALLACH ART GALLERY, Lenfest Center for the Arts | 615 West 129th Street | 6th Floor, New York, New York, 10027
Join ArtTable at the Wallach Art Gallery for a Curator-Led Tour of Lotty Rosenfeld: Disobedient Spaces with Julia Bryan-Wilson!

One of the most important feminist artists of the 20th century, and one of the best-known within Latin America, Lotty Rosenfeld (1943–2020) is renowned for her extensive practice with printmaking, video, and site-specific installation. Through these media, Rosenfeld crafted political gestures that contested the militarization of everyday life and revealed the invisible code at the heart of the world’s market-based economies. A Chilean artist, she also worked collaboratively with Colectivo Acciones de Arte (CADA) during the Pinochet dictatorship of 1973-1990.

Julia Bryan-Wilson is Professor of Contemporary Art and LGBTQ+ Studies and core faculty in Columbia’s Institute for the Study of Sexuality and Gender. Bryan-Wilson is Curator-at-Large at the Museu de Arte de São Paulo (MASP), where she co-organized the major group exhibitions Women’s Histories, Histories of Dance, and Queer Histories. Her show Louise Nevelson: Persistence, was an official Collateral Event of the Venice Biennale in 2022, and in 2024 she served as the President of the International Jury of the 60th Venice Biennale.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: Photo documentation of Lotty Rosenfeld, Una Milla de Cruces Sobre el Pavimento (One mile of crosses on the pavement), 1979. Art action in front of the Moneda Palace,Santiago de Chile, 1979. Courtesy Fundación Lotty Rosenfeld

Los Angeles, CA | MeetAT at Baert Gallery
2025-11-13 13:00 - 14:30 | Baert Gallery, 1923 S Santa Fe Ave, Los Angeles, California, 90021, United States
Cheung Tsz Hin, homes of void, 2025. Oil on canvas. 78 3/4 x 157 1/2 in (200 x 400 cm)Courtesy of the artist and Baert Gallery.

You’re invited to a Los Angeles, CA MeetAT networking event on November 13, graciously hosted by Baert Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections.

About Baert Gallery:Baert Gallery, founded in 2016 by Christian Baert, maintains a distinct focus on bridging the legacies and artistic sensibilities of Europe and Los Angeles. Working with a roster of emerging artists, the gallery aims to provide a platform for complex, intellectually rigorous, and formally challenging practices at its space in Downtown Los Angeles. The gallery is committed to providing studio and production support to its artists in order to foster their innovative ideas and creativity. In order to reach a wider audience, Baert Gallery also supports artist publications and regular live performances by multidisciplinary artists in the gallery space. In 2020, the gallery moved to its current location in the lower Arts District in Downtown Los Angeles. The 1,500 sq-ft (140 sq-m) exhibition space, located in a historic warehouse, provides an ideal backdrop to present artworks across media, including installation, sculpture, painting, video, and performance.

About the ArtistCheung Tsz Hin’s compositions explore the mixed emotions that arise from the artist’s memories and associations with people and events throughout his lifetime. Everyday objects, fleeting scenes, and encounters provide spaces to observe the ever-changing landscape of the mind. Through painting, Cheung’s emotional starting points undergo transformations, reconstructions, and even inversions until the layers of meaning abstract themselves both conceptually and visually. Painting becomes an act of digestion and reflection.

Cheung Tsz Hin (b.1987, Hong Kong) obtained his Bachelor of Integrated BBA (minor in Fine Arts) from the Chinese University of Hong Kong in 2010, and a Master of Fine Arts in Taiwan in 2014. Cheung has taken part in an artist in residency programme held by Listhus SES in Iceland in 2018. His works have been featured in solo and group exhibitions in Hong Kong, Taiwan and Iceland, including Phantasmagoria, LBF Contemporary, London (2024); moments in layered motion, Contemporary by Angela Li, Hong Kong (2024); shivering glow, I shiver and glow, Contemporary by Angela Li, Hong Kong (2023); confluence of voice, Hong Kong Visual Arts Centre (2023); spinelessly Planting, Contemporary by Angela Li, Hong Kong (2022); the garden I still vaguely remember, Contemporary by Angela Li, Hong Kong (2021); Ólafsfjörður: Phase 2, Sansiao Gallery, Hong Kong (2019); Stundum, Listhus Artspace, Ólafsfjörður, Iceland (2018); No Neverland, Hong Kong Visual Arts Centre, Hong Kong (2017); Art as Social Interaction—Hong Kong/ Taiwan Exchange, The Pier-2 Art Center, B7 Warehouse, Taiwan (2015).

Are you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us!

Admission:

FREE to ArtTable Members and their guests*

*Each member is allowed to bring one guest with them at this time

Not a member? Join today!

Baltimore, MD | Curator-Led Tour of "Amy Sherald: American Sublime" with Asma Naeem
2025-11-13 15:30 - 16:30 | Baltimore Museum of Art, 10 Art Museum Drive, Baltimore, Maryland, 21218
Join ArtTable for a curator-led tour of Amy Sherald: American Sublime at the Baltimore Museum of Art!

The exhibition tells the story of Sherald’s vision and practice through approximately 40 paintings created from 2007 to the present—from her early, rarely seen works to her iconic, larger-than-life portraits of Black Americans in everyday moments.

American Sublime in Baltimore is more than an exhibition—it’s an occasion of civic pride and cultural affirmation. Sherald graduated from the Maryland Institute College of Art, studying under the famed painter Grace Hartigan, and worked in Baltimore during her formative years.

Asma Naeem (she/her) was appointed the Dorothy Wagner Wallis Director at the Baltimore Museum of Art (BMA) in January 2023. She is the eleventh director of the 110-year-old museum and also the first person of color and the first person raised in Baltimore to lead the organization.

Naeem is widely recognized for her advocacy of women and underrecognized artists, for her scholarship in contemporary and American art, and for her vision and work in collections diversification. She had previously served as the BMA’s Interim Co-Director since June 2022, and as the Museum’s Eddie C. and C. Sylvia Brown Chief Curator since 2018, organizing exhibitions on the work of such artists as Candice Breitz, Isaac Julien, Salman Toor, and Valerie Maynard. Her most recent exhibition, The Culture: Hip Hop and Contemporary Art in the 21st Century, still on tour, explored the political, cultural, and aesthetic attributes that have made hip hop a global phenomenon and established it as the artistic canon of our time.

Program Admission:

General Admission – $35

ArtTable Members – $25

ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Amy Sherald. Ecclesia (The Meeting of Inheritance and Horizons). 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth

Dallas, TX | After Hours Collections Storage Tour & Discussion with Anne Lenhart at the Meadows Museum
2025-11-20 18:30 - 19:30 | Meadows Museum, 5900 Bishop Blvd, Dallas, Texas, 75205, United States
We are excited to present an after hours collection storage tour and discussion at the Meadows Museum! Attendees will see and learn about the collections at the Meadow’s Museum, as well as hear how the Museum functions as a small University Art Museum that is funded by a foundation.

The core of the Meadows Museum’s collection was assembled by its founder, Algur H. Meadows. Mr. Meadows developed an interest in art over the course of several visits to Spain in the 1950s, when he spent long afternoons at the great Museo Nacional del Prado in Madrid. Mr. Meadows subsequently began to collect Spanish art and in 1962, after the passing of his wife, Virginia, he donated his original acquisitions as well as funds for a museum to house them at Southern Methodist University. Until his death in 1978, Mr. Meadows, with the careful guidance of founding director William B. Jordan, actively promoted the development of the Spanish art collection, which has grown to be one of the finest outside Spain. Ranging from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris, the majority of works of art in the collection were created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera

This program will be lead by Anne Lenhart, Director of Collections and Exhibitions at the Meadows Museum.

Parking is available on site.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Potomac, MD | Guided Tour of Glenstone and Networking Reception with Nora Cafritz & Annie Farrar
2025-11-24 14:30 - 16:15 | Glenstone, 12100 Glen Road, Potomac, Maryland, 20854, United States
Join ArtTable and Senior Director of Collections Nora Cafritz and Director of Registration Annie Farrar on a tour of the Glenstone Pavilions highlighting exhibitions by Simone Leigh, Jenny Holzer, Alex Da Corte, and Juane Quick-to-See-Smith. Enjoy hearing curatorial and logistical behind-the-scenes insights, followed by drinks in our Café.

Guided by the personal vision of its founders, Emily and Mitch Rales, Glenstone assembles post-World War II artworks of the highest quality that trace the greatest historical shifts in the way we experience and understand art of the 20th and 21st centuries. These works are presented in a series of refined indoor and outdoor spaces designed to facilitate meaningful encounters for visitors.

ArtTable Lila Harnett Executive Director Jessica L. Porter will be in attendance.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Nora Severson Cafritz is Senior Director of Collections at Glenstone Museum in Potomac, Maryland. Under the direction of the founders, she oversees Glenstone’s 2,000-piece contemporary art collection and art program. She serves on the museum’s Leadership Team, driving overall strategy, team management, and culture. Cafritz is responsible for organizing exhibitions, managing the loan program, editing publications, and supervising a team of around 15 curators, conservators, and collections specialists, as well as working closely with artists on acquisitions and site-specific commissions. At Glenstone, she has organized over a dozen major monographic exhibitions including recent presentations by Cady Noland, Ellsworth Kelly, Faith Ringgold, Arthur Jafa, Rirkrit Tiravanija, Lygia Pape, Martin Puryear, and Michael Heizer. Prior to joining Glenstone, she worked in external affairs at the National Museum of African Art, Smithsonian Institution.

Annie Farrar is the Director of Registration at Glenstone where she leads Registration and Preparation and serves on the Core Management Team. Her areas of expertise include working with all media of contemporary art, monumental scale artworks, international shipping and logistics, courier travel, sustainability, and interest in fine art insurance. She has presented at professional organizations including the American Alliance of Museums, the Association of Registrars and Collections Specialists, and the Museum Computer Network. Prior to coming to Glenstone she held registration positions at the Smithsonian American Art Museum and Hirshhorn Museum and Sculpture Garden. She has a BFA in Painting from the Maryland Institute College of Art and an MA in Museum Studies & Collections Management from George Washington University.

Miami Art Week 2025 | VIP Art Fair Packages
2025-12-01 09:00 - 2025-12-07 18:00
PC: Art Basel Miami

ArtTable VIP Access Passes for fairs taking place during Miami Art Week are now live and available to all ArtTable members for purchase! To secure your pass, log in to the member portal and select your preferred available pass option. Participating fairs and remaining pass types are indicated below; we look forward to seeing you in Miami in early December!

Supply is limited, so please get them while you can.

Participating Fairs:

Art Basel Miami Beach

Art Miami/CONTEXT/Aqua

Design Miami

UNTITLED Miami

NADA Miami

SCOPE Art Show

Red Dot Miami

Spectrum Miami

VIP Access Pass Levels Available:

Platinum Level – $180

Gold Level – $145

Silver Level – $110

Bronze Level – $30
