ArtTable

2026 The Winter Show | Insider & Early Access VIP Passes
2026-01-23 12:00 - 2026-02-01 18:00 (America/New_York) | New York
Photo Credit: Simon Cherry

ArtTable Members are invited to claim their complimentary Insider and Early Access VIP pass for The Winter Show, taking place January 23 – February 1, 2026, in New York City at the Park Avenue Armory.

The Winter Show is America’s leading art, antiques, and design fair, held annually at the Park Avenue Armory, and showcases works spanning 5,000 years. Over 70 internationally renowned dealers present fine and decorative arts, from paintings and furniture to jewelry and contemporary ceramics. The Winter Show is known for its rigorous vetting by 120 experts; the Fair ensures the highest standards of authenticity and quality.

These passes allow for the registrant to choose from one of the following:

Insiders Preview | Friday, January 23 | 10 am – 12 pm

Early-Access Morning – Friday | Friday, January 30 | 11 am – 12 pm

Early-Access Morning – Saturday | Saturday, January 31 | 11 am – 12 pm

These passes are only offered to ArtTable members while supplies last.

All registrants will receive an email after registration with instructions on how to obtain their ticket(s).

LocationPark Avenue Armory643 Park AveNew York, NY 10065

Public Opening HoursFriday, January 23 | 12 pm – 8 pmSaturday, January 24 | 12 pm – 7 pmSunday, January 25 | 12 pm – 6 pmMonday, January 26 | 12 pm – 8 pmTuesday, January 27 | 12 pm – 4:30 pmWednesday, January 28 | 12 pm – 8 pmThursday, January 29 | 12 pm – 4:30 pmFriday, January 30 | 12 pm – 8 pmSaturday, January 31 | 12 pm – 7 pmSunday, February 1 | 12 pm – 6 pm

If you want to be eligible for this or other opportunities, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!

Virtual | ArtTable’s Professional Development Series: "Handle With Care": Mastering the Movement of Art with Yudelka Tavera
2026-01-21 16:00 - 17:00 | Virtual Via Zoom
This program will take an in-depth look at the full lifecycle of an artwork in transit, from the moment it leaves a studio, gallery, or collection, to its arrival, installation, and long-term placement and storage. This presentation can include real-world logistics case studies and showcase complex and high-value art movements, including monumental public artworks, fragile historical pieces, and challenging site-specific installations. The purpose being to demonstrate creative problem-solving, innovative packing solutions, collaboration with art collectors and professionals to ensure works remain protected and accessible for the future. Some sub-topics the talk will focus on are:

•Provenance Research: Understanding the importance of historical ownership, authenticity, and cultural due diligence.

•Condition Reporting: How to create thorough, objective documentation to safeguard the value and integrity of artworks.

•Inventory & Documentation Best Practices: Maintaining accurate, accessible records for collection management and institutional accountability.

•Safe Handling & Transport Protocols: Standards for packing, climate control, insurance, and coordination with specialized art shippers.

The zoom link will be provided upon registration.

Yudelka Tavera is a Project Manager for the Contemporary Art and Museums Department at Gander and White Miami, where she oversees complex domestic and international art movements, high-value collections, and large-scale museum installations. She has more than twenty years of experience in arts education, curation, collection management, and fine art logistics, and has worked as an art advisor and consultant for private collections in the United States and internationally. Her diverse experience in education, curation, advisory, and logistics gives her a hands-on understanding of the full lifecycle of an artwork: from acquisition and transportation, to installation and long-term maintenance and care.

Yudelka has previously held roles at Evelyn Aimis Fine Art and the Clark Art Institute and is recognized as a liaison among artists, collectors, conservators, galleries, auction houses, and museums. She holds a Bachelor of Fine Arts from the State University of New York atAlbany, completed coursework in fine art and conservation practice at Scuola Lorenzo de’ Medici in Florence, and has earned graduate certificates in Art Management and Visual Communications from the Massachusetts College of Liberal Arts and Columbia University. She currently is also completing her Master’s degree in Art Business from Sotheby’s Institute of Art.

Program Admission:

ArtTable Members – $10

General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Washington, DC | Topic Dinner: Monuments & Public Art with Carol Duke and Regan Larroque
2026-01-15 17:30 - 19:30 | Capitol Hill, Address provided upon registration, Washington, DC, 20002
Maya Lin’s Vietnam Veterans Memorial

ArtTable is delighted to announce the return of its Topic Dinner Series, bringing together leaders, thinkers, and creatives across the arts for an evening of connection and conversation. Hosted by ArtTable Board Members Carol Duke and Regan Larroque, we will gather in Washington, DC, a city where monuments, memorials, and public spaces are not only iconic landmarks but active participants in the nation’s cultural dialogue.

Our evening will begin with one hour of networking and a happy hour with drinks and light bites.

At 6:30 pm, we will transition into a thought-provoking discussion centered on this session’s theme: Monuments and Public Art. In a city defined by its symbolic landscape, from the National Mall to neighborhood murals, Washington, DC, provides a powerful backdrop for exploring questions such as:

How do monuments and public artworks influence our experience of shared spaces?

What do these structures communicate about power, memory, identity, and belonging?

How are communities rethinking the presence, absence, or removal of monuments in response to evolving social and cultural perspectives?

What responsibilities do artists, institutions, and civic leaders hold in shaping the visual and symbolic landscape of our cities?

This Topic Dinner invites open dialogue around the past, present, and future of public art, considering both its creative potential and its complex histories.

We look forward to welcoming you back to the table for an evening of thoughtful exchange, meaningful connections, and collective inquiry.

Full address will be provided upon registration.

Program Admission:

ArtTable Members – $25

ArtTable Member Guests – $35*

*Each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity.

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

This program is generously supported by the DLR Group.

Image credits: SeanPavonePhoto/iStock

New York, NY | Curator-Led Tour of the Studio Museum in Harlem with Connie H. Choi
2026-01-14 12:30 - 13:30 | Studio Museum in Harlem, 144 W 125th Street, New York, New York, 10027
The Studio Museum in Harlem’s New Building. Photo: © Albert Vecerka/Esto

Join ArtTable for an exciting tour of the newly reopened Studio Museum in Harlem with Natasha L. Logan, Chief Program Officer.

The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally, and internationally and for work that has been inspired and influenced by Black culture. It is a site for the dynamic exchange of ideas about art and society.

The Studio Museum’s new building is the first in its history created expressly for the needs of the institution and its communities. Located on West 125th Street, it occupies the site on which the Studio Museum had been operating since 1982.

Program Admission:

ArtTable Members: $20

ArtTable Member Guests: $25

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

Washington, D.C. | End-of-Year MeetAT at Irene and Richard Frary Gallery
2025-12-18 17:30 - 19:00 | Irene and Richard Frary gallery, 555 Pennsylvania Avenue, NW, Washington, District of Columbia, 20001, United States
Photo Credit: Sloane Prince/Johns Hopkins University.

You’re invited to our upcoming End-of-Year MeetAT networking event on December 18, graciously hosted by Caitlin Berry at the Irene and Richard Frary Gallery. Meet us at the gallery to take in their current exhibition, and then join us at the Good Company cafe for light refreshments while catching up with fellow ArtTable members and prospective members.

About the Irene and Richard Frary GalleryThe Irene and Richard Frary Gallery is the Hopkins Bloomberg Center’s free, public art gallery presenting rotating exhibitions drawn from the University’s collections and special exhibitions born out of partnerships with leading museums and collections. The 1,000-square-foot gallery designed by Rockwell Group brings new ideas and energy to Washington, D.C., enriching the cultural and intellectual offerings of the Center and dynamically reinforcing its mission as a place that convenes different artistic and ideological perspectives to support discovery, democracy, and global dialogue.About CeremonyDrawing on artist Lindsay Adams’ background in international studies and cultural anthropology, Ceremony explores the histories of Black movement, migration, and world-building. Guest curated by Claudia M. Watts, the exhibition places Adams’ new works in conversation with never-before-seen archival objects from the Johns Hopkins Sheridan Libraries’ collection, including rare books and personal correspondence from Billie Holiday, Josephine Baker, and more.

Are you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us!

Admission:

FREE to ArtTable Members and their guests*

*Each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity.

Not a member? Join today!

Los Angeles, CA | Studio Visits with Julia Haft-Candell & Silvi Naçi at the Feminist Center for Creative Work
2025-12-12 12:00 - 14:00 | Feminist Center for Creative Work, 3053 Rosslyn St, Los Angeles, California, 90065
Join ArtTable for two studio visits at the Feminist Center for Creative Work!

Julia Haft-Candell remixes ancient techniques to write new narratives, which in turn change structures that seem set in stone. Each arm of her practice—her artwork, teaching, and writing—offers alternatives to traditional models of categorization, communication, language, and education. In 2019, Haft-Candell founded The Infinite School, a new framework for ceramic education, which she runs out of her studio in Los Angeles. Haft-Candell has received grants and residencies from the Louis Comfort Tiffany Foundation, New York, NY; Skowhegan School of Painting and Sculpture, Skowhegan, ME; the Yaddo Corporation, Saratoga Springs, NY; and the California Community Foundation, Los Angeles, CA, among other national and international organizations. Her work is in the collections of the Brooklyn Museum, the Berkeley Art Museum and Pacific Film Archive, the Houston Museum of Fine Arts, among other institutions. She has exhibited at the Miller Institute of Contemporary Art in Pittsburgh, the de Saisset Museum in Santa Clara, Inman Gallery, Houston, The Craft Contemporary, Los Angeles, and Candice Madey, New York. Haft-Candell’s work has been written about in numerous publications, including The New York Times, The Los Angeles Times, Artforum, and Art in America.

Silvi Naçi is a queer Albanian educator, artist, researcher, and writer working between Albania and Tongva and Chumash territory, colonized as Los Angeles. Their praxis engages the image and its politics across photography, performance, moving-image, text, weaving, drawing, and installation. Their work examines how the marginalized body is affected by an oppressive state, the subtle and violent ways that migration results from colonialism, and how processes of decolonization affect and reshape a people, the body, language, and possibilities of gender identity.

Naçi holds a dual BFA in Fine Arts & Graphic Design from Suffolk University and an MFA in Photography & Media from California Institute of the Arts. They have exhibited works at Manifesta 14 Prishtina, XK; National Gallery of Art, Tirana, AL; The National Gallery of Kosovo, XK; Grand Hotel, Kosovo, XK; Other Places Art Fair, LA; Greater LA MFA Exhibition, LA; and is a recipient of the Tim Disney Excellence in Storytelling Prize and the Felix Gonzalez-Torres Travel Grant. Their writing on art criticism has been published in Artsy, East of Borneo, Contemporary Art Review LA, X-TRA, Big Red & Shiny, NKA Journal for Contemporary African Art, and Hunter Fashion Magazine. Naçi has participated in residency at MASS MoCA (North Adams, MA); Saas-Fee Summer Institute of Art (Berlin, Germany); Elsewhere Museum and Residency (Greensboro, NC); Évora NAU (Évora, Portugal); Vermont Studio Center (VT); perfocraZe International Artist Residency (Kumasi, Ghana), and the Feminist Center for Creative Work residency (Los Angeles, CA). Naçi is a doctoral student in the Global Studies department at UCI. Find more info on their work at silverprojects.co or follow them on Instagram @silvi.naci.

The Feminist Center for Creative Work nurtures an ever-evolving, intersectional, intergenerational, and joyful collaborative feminist praxis*—modeling ways of working and living through art, programming, media, publishing, and the redistribution of resources, from Los Angeles, within the world. The process is the product.

*Praxis: The everyday habits, conventions, and practice of living theoretical concepts.

Program Admission:

General Admission – $35

ArtTable Members – $25

ArtTable Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable Artist Talk programs are generously supported by the Pollock-Krasner Foundation.

New York, NY | Holiday MeetAT at Berry Campbell Gallery
2025-12-10 18:00 - 20:00 | Berry Campbell Gallery, 524 W 26th Street, New York, New York, 10001, United States
You’re invited to our upcoming Holiday MeetAT networking event on December 10, graciously hosted by Berry Campbell Gallery. Enjoy light refreshments while catching up with fellow ArtTable members and prospective members, and making new connections right before the holiday season!

About Berry Campbell GalleryChristine Berry and Martha Campbell opened Berry Campbell Gallery in Chelsea, New York in 2013. The gallery has a fine-tuned program representing artists of post-war American painting that have been underrepresented or neglected, particularly the women of Abstract Expressionism. Since its inception, the gallery has developed a strong emphasis in research to bring to light artists overlooked due to age, race, gender, or geography. This unique perspective has been increasingly recognized by curators, collectors, and the press.

In 2022, Berry Campbell moved to 524 W 26th Street, one of the most prestigious blocks in Chelsea. The 9,000 square foot space was previously inhabited by art world icons such as Paula Cooper Gallery and Robert Miller Gallery.

This Holiday Party MeetAT will also include a raffle for your chance to win items and prizes!

Are you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us!

Admission:

FREE to ArtTable Members and prospective members*

*each member is allowed to bring one guest with them at this time. We encourage members to bring a member of the visual arts field who would enjoy this community engagement opportunity.

With this free event, ArtTable would like to thank all its members for a wonderful year! We appreciate any contribution you can make to help us continue to create opportunities for connections like these. Please kindly add a fully tax-deductible donation in support of ArtTable and our mission to empower, engage, and foster the leadership of women and nonbinary professionals in the visual arts!

Not a member? Join today!

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Virtual | New Member Orientation & Member Portal Walkthrough
2025-12-08 15:00 - 15:30 | New York
12 pm PT / 1 pm MT / 2 pm CT / 3 pm ET

Welcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members.

Whether you are new to our community or have been a long-time member, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about.

Not a member? Join today!

(You will receive an email confirmation containing the Zoom link.)

Accessibility: Please note that this program will offer live closed captioning. If you require additional accommodations, please email programs@arttable.org.

Can’t join us for this new member orientation? Don’t worry, we host virtual orientation sessions every 3 months! In the meantime, we hope you can join us for another upcoming program or support other ArtTable initiatives!

New York, NY | Luxury Goods Handling Experience at Bonhams
2025-12-05 09:30 - 11:00 | Bonhams, 580 Madison Avenue, New York, New York, 10022, United States
Please join Bonhams for a breakfast walkthrough and handling session ahead of our upcoming New York Jewels auction.

This season’s sale is led by a rare and exceptional 3.13-carat fancy vivid blue diamond ring, accompanied by important creations from Van Cleef & Arpels, Bulgari, Cartier, and Tiffany & Co. Additional highlights include a magnificent sapphire and diamond ring, an exquisite emerald and diamond brooch, and a striking necklace featuring amethyst, tsavorite, and colored diamonds.

Select pieces from New York Fine Watches and Hermès: From the Vault will also be on view.

Program Admission:

ArtTable Patron, Circle, and Benefactor Members – Free

ArtTable Members – $15

Member Guests – $20

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

Image:A RARE AND IMPRESSIVE FANCY VIVID BLUE DIAMOND RING$3,500,000–5,500,000

Miami, FL | ArtTable Brunch at Untitled Art, Miami Beach
2025-12-04 11:00 - 12:30 | Untitled Art, Miami, Miami, Florida, United States
Reconnect with colleagues and friends at ArtTable’s Brunch at Untitled Art, Miami Beach! In addition to a delicious continental brunch, each registration for this event—a highlight of the ArtTable calendar—includes a day pass to Untitled Art, Miami Beach on December 4.

Registration:

ArtTable Circle, Patron, and Benefactor Members – $55

ArtTable Members – $65

Guest of ArtTable member – $70

General Admission – $75

ArtTable members receive special access to art fairs happening nationwide throughout the year. Not a member? Join or renew today!

This program is generously sponsored by Private Client Select.

New York, NY | Finer Things at Bonhams New York
2025-12-02 18:00 - 20:00 | Bonhams, 580 Madison Avenue, New York, New York, 10022, United States
Join Bonhams for a private viewing of their upcoming December Luxury sales, including Hermès: From The Vault, New York Fine Watches, and New York Jewels.

Food by Bad Taste, Treats by Bon Bon, Drinks by Código 1530, and Tequila & Perrier-Jouët will be provided.

Program Admission:

ArtTable Patron, Circle, and Benefactor Members – Free

Not a member? Join today!

Please note that ArtTable registration fees go toward administrative costs for the nonprofit organization.

Miami Art Week 2025 | VIP Art Fair Packages
2025-12-01 09:00 - 2025-12-07 18:00 | New York
PC: Art Basel Miami

ArtTable VIP Access Passes for fairs taking place during Miami Art Week are now live and available to all ArtTable members for purchase! To secure your pass, log in to the member portal and select your preferred available pass option. Participating fairs and remaining pass types are indicated below; we look forward to seeing you in Miami in early December!

Supply is limited, so please get them while you can.

Participating Fairs:

Art Basel Miami Beach

Art Miami/CONTEXT/Aqua

Design Miami

UNTITLED Miami

NADA Miami

SCOPE Art Show

Red Dot Miami

Spectrum Miami

VIP Access Pass Levels Available:

Platinum Level – $180

Gold Level – $145

Silver Level – $110

Bronze Level – $30

Potomac, MD | Guided Tour of Glenstone and Networking Reception with Nora Cafritz & Annie Farrar
2025-11-24 14:30 - 16:15 | Glenstone, 12100 Glen Road, Potomac, Maryland, 20854, United States
Join ArtTable and Senior Director of Collections Nora Cafritz and Director of Registration Annie Farrar on a tour of the Glenstone Pavilions highlighting exhibitions by Simone Leigh, Jenny Holzer, Alex Da Corte, and Juane Quick-to-See-Smith. Enjoy hearing curatorial and logistical behind-the-scenes insights, followed by drinks in our Café.

Guided by the personal vision of its founders, Emily and Mitch Rales, Glenstone assembles post-World War II artworks of the highest quality that trace the greatest historical shifts in the way we experience and understand art of the 20th and 21st centuries. These works are presented in a series of refined indoor and outdoor spaces designed to facilitate meaningful encounters for visitors.

ArtTable Lila Harnett Executive Director Jessica L. Porter will be in attendance.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Nora Severson Cafritz is Senior Director of Collections at Glenstone Museum in Potomac, Maryland. Under the direction of the founders, she oversees Glenstone’s 2,000-piece contemporary art collection and art program. She serves on the museum’s Leadership Team, driving overall strategy, team management, and culture. Cafritz is responsible for organizing exhibitions, managing the loan program, editing publications, and supervising a team of around 15 curators, conservators, and collections specialists, as well as working closely with artists on acquisitions and site-specific commissions. At Glenstone, she has organized over a dozen major monographic exhibitions including recent presentations by Cady Noland, Ellsworth Kelly, Faith Ringgold, Arthur Jafa, Rirkrit Tiravanija, Lygia Pape, Martin Puryear, and Michael Heizer. Prior to joining Glenstone, she worked in external affairs at the National Museum of African Art, Smithsonian Institution.

Annie Farrar is the Director of Registration at Glenstone where she leads Registration and Preparation and serves on the Core Management Team. Her areas of expertise include working with all media of contemporary art, monumental scale artworks, international shipping and logistics, courier travel, sustainability, and interest in fine art insurance. She has presented at professional organizations including the American Alliance of Museums, the Association of Registrars and Collections Specialists, and the Museum Computer Network. Prior to coming to Glenstone she held registration positions at the Smithsonian American Art Museum and Hirshhorn Museum and Sculpture Garden. She has a BFA in Painting from the Maryland Institute College of Art and an MA in Museum Studies & Collections Management from George Washington University.

Dallas, TX | After Hours Collections Storage Tour & Discussion with Anne Lenhart at the Meadows Museum
2025-11-20 18:30 - 19:30 | Meadows Museum, 5900 Bishop Blvd, Dallas, Texas, 75205, United States
We are excited to present an after hours collection storage tour and discussion at the Meadows Museum! Attendees will see and learn about the collections at the Meadow’s Museum, as well as hear how the Museum functions as a small University Art Museum that is funded by a foundation.

The core of the Meadows Museum’s collection was assembled by its founder, Algur H. Meadows. Mr. Meadows developed an interest in art over the course of several visits to Spain in the 1950s, when he spent long afternoons at the great Museo Nacional del Prado in Madrid. Mr. Meadows subsequently began to collect Spanish art and in 1962, after the passing of his wife, Virginia, he donated his original acquisitions as well as funds for a museum to house them at Southern Methodist University. Until his death in 1978, Mr. Meadows, with the careful guidance of founding director William B. Jordan, actively promoted the development of the Spanish art collection, which has grown to be one of the finest outside Spain. Ranging from early Renaissance examples to modern works by Pablo Picasso, Joan Miró, and Juan Gris, the majority of works of art in the collection were created during the Spanish Golden Age by Baroque artists such as Diego Velázquez, Bartolomé Esteban Murillo, and Jusepe de Ribera

This program will be lead by Anne Lenhart, Director of Collections and Exhibitions at the Meadows Museum.

Parking is available on site.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Baltimore, MD | Curator-Led Tour of "Amy Sherald: American Sublime" with Asma Naeem
2025-11-13 15:30 - 16:30 | Baltimore Museum of Art, 10 Art Museum Drive, Baltimore, Maryland, 21218
Join ArtTable for a curator-led tour of Amy Sherald: American Sublime at the Baltimore Museum of Art!

The exhibition tells the story of Sherald’s vision and practice through approximately 40 paintings created from 2007 to the present—from her early, rarely seen works to her iconic, larger-than-life portraits of Black Americans in everyday moments.

American Sublime in Baltimore is more than an exhibition—it’s an occasion of civic pride and cultural affirmation. Sherald graduated from the Maryland Institute College of Art, studying under the famed painter Grace Hartigan, and worked in Baltimore during her formative years.

Asma Naeem (she/her) was appointed the Dorothy Wagner Wallis Director at the Baltimore Museum of Art (BMA) in January 2023. She is the eleventh director of the 110-year-old museum and also the first person of color and the first person raised in Baltimore to lead the organization.

Naeem is widely recognized for her advocacy of women and underrecognized artists, for her scholarship in contemporary and American art, and for her vision and work in collections diversification. She had previously served as the BMA’s Interim Co-Director since June 2022, and as the Museum’s Eddie C. and C. Sylvia Brown Chief Curator since 2018, organizing exhibitions on the work of such artists as Candice Breitz, Isaac Julien, Salman Toor, and Valerie Maynard. Her most recent exhibition, The Culture: Hip Hop and Contemporary Art in the 21st Century, still on tour, explored the political, cultural, and aesthetic attributes that have made hip hop a global phenomenon and established it as the artistic canon of our time.

Program Admission:

General Admission – $35

ArtTable Members – $25

ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Amy Sherald. Ecclesia (The Meeting of Inheritance and Horizons). 2024. Courtesy the artist and Hauser & Wirth. © Amy Sherald. Photo by Kelvin Bulluck, courtesy the artist and Hauser & Wirth

Los Angeles, CA | MeetAT at Baert Gallery
2025-11-13 13:00 - 14:30 | Baert Gallery, 1923 S Santa Fe Ave, Los Angeles, California, 90021, United States
Cheung Tsz Hin, homes of void, 2025. Oil on canvas. 78 3/4 x 157 1/2 in (200 x 400 cm)Courtesy of the artist and Baert Gallery.

You’re invited to a Los Angeles, CA MeetAT networking event on November 13, graciously hosted by Baert Gallery. Join us for an evening of light refreshments and engaging conversations with fellow ArtTable members and new connections.

About Baert Gallery:Baert Gallery, founded in 2016 by Christian Baert, maintains a distinct focus on bridging the legacies and artistic sensibilities of Europe and Los Angeles. Working with a roster of emerging artists, the gallery aims to provide a platform for complex, intellectually rigorous, and formally challenging practices at its space in Downtown Los Angeles. The gallery is committed to providing studio and production support to its artists in order to foster their innovative ideas and creativity. In order to reach a wider audience, Baert Gallery also supports artist publications and regular live performances by multidisciplinary artists in the gallery space. In 2020, the gallery moved to its current location in the lower Arts District in Downtown Los Angeles. The 1,500 sq-ft (140 sq-m) exhibition space, located in a historic warehouse, provides an ideal backdrop to present artworks across media, including installation, sculpture, painting, video, and performance.

About the ArtistCheung Tsz Hin’s compositions explore the mixed emotions that arise from the artist’s memories and associations with people and events throughout his lifetime. Everyday objects, fleeting scenes, and encounters provide spaces to observe the ever-changing landscape of the mind. Through painting, Cheung’s emotional starting points undergo transformations, reconstructions, and even inversions until the layers of meaning abstract themselves both conceptually and visually. Painting becomes an act of digestion and reflection.

Cheung Tsz Hin (b.1987, Hong Kong) obtained his Bachelor of Integrated BBA (minor in Fine Arts) from the Chinese University of Hong Kong in 2010, and a Master of Fine Arts in Taiwan in 2014. Cheung has taken part in an artist in residency programme held by Listhus SES in Iceland in 2018. His works have been featured in solo and group exhibitions in Hong Kong, Taiwan and Iceland, including Phantasmagoria, LBF Contemporary, London (2024); moments in layered motion, Contemporary by Angela Li, Hong Kong (2024); shivering glow, I shiver and glow, Contemporary by Angela Li, Hong Kong (2023); confluence of voice, Hong Kong Visual Arts Centre (2023); spinelessly Planting, Contemporary by Angela Li, Hong Kong (2022); the garden I still vaguely remember, Contemporary by Angela Li, Hong Kong (2021); Ólafsfjörður: Phase 2, Sansiao Gallery, Hong Kong (2019); Stundum, Listhus Artspace, Ólafsfjörður, Iceland (2018); No Neverland, Hong Kong Visual Arts Centre, Hong Kong (2017); Art as Social Interaction—Hong Kong/ Taiwan Exchange, The Pier-2 Art Center, B7 Warehouse, Taiwan (2015).

Are you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us!

Admission:

FREE to ArtTable Members and their guests*

*Each member is allowed to bring one guest with them at this time

Not a member? Join today!

New York, NY | Curator-Led Tour of "Lotty Rosenfeld: Disobedient Spaces" with Julia Bryan-Wilson
2025-11-12 09:30 - 10:30 | MIRIAM & IRA D. WALLACH ART GALLERY, Lenfest Center for the Arts | 615 West 129th Street | 6th Floor, New York, New York, 10027
Join ArtTable at the Wallach Art Gallery for a Curator-Led Tour of Lotty Rosenfeld: Disobedient Spaces with Julia Bryan-Wilson!

One of the most important feminist artists of the 20th century, and one of the best-known within Latin America, Lotty Rosenfeld (1943–2020) is renowned for her extensive practice with printmaking, video, and site-specific installation. Through these media, Rosenfeld crafted political gestures that contested the militarization of everyday life and revealed the invisible code at the heart of the world’s market-based economies. A Chilean artist, she also worked collaboratively with Colectivo Acciones de Arte (CADA) during the Pinochet dictatorship of 1973-1990.

Julia Bryan-Wilson is Professor of Contemporary Art and LGBTQ+ Studies and core faculty in Columbia’s Institute for the Study of Sexuality and Gender. Bryan-Wilson is Curator-at-Large at the Museu de Arte de São Paulo (MASP), where she co-organized the major group exhibitions Women’s Histories, Histories of Dance, and Queer Histories. Her show Louise Nevelson: Persistence, was an official Collateral Event of the Venice Biennale in 2022, and in 2024 she served as the President of the International Jury of the 60th Venice Biennale.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Image: Photo documentation of Lotty Rosenfeld, Una Milla de Cruces Sobre el Pavimento (One mile of crosses on the pavement), 1979. Art action in front of the Moneda Palace,Santiago de Chile, 1979. Courtesy Fundación Lotty Rosenfeld

2025 Salon Art + Design | Complimentary VIP Passes
2025-11-06 18:00 - 2025-11-10 16:00 | New York
Sarah Myerscough Gallery, London. Photo Credit: Peter Baker

ArtTable Members are invited to claim their complimentary VIP passes for the Salon Art + Design 2025, taking place November 6 – 10, 2025, in New York City at the Park Avenue Armory.

Salon Art + Design showcases the pinnacle of design, presenting the world’s finest vintage, modern, and contemporary pieces alongside blue-chip 20th-century artworks. Featuring leading art and design galleries from around the globe, as well as cutting-edge makers, the fair highlights the evolving trends of collectible design. For more than a decade, Salon has integrated both fine and decorative arts within the context of contemporary life, reflecting the belief that today’s designers and collectors shape environments rather than merely accumulate objects. Salon’s success lies in the exceptional quality of its exhibiting galleries, diverse international representation, and vetting, which are highly sought after by today’s collectors and tastemakers. Appealing to seasoned connoisseurs and emerging collectors alike, Salon offers a comprehensive yet carefully curated collection, ensuring there is something to captivate every discerning taste.

These passes are only offered to ArtTable members while supplies last.

All registrants will receive an email after registration with instructions on how to obtain their ticket(s).

LocationPark Avenue Armory643 Park AveNew York, NY 10065

First Look: PreviewThursday, November 6 from 4:30 pm – 9 pm

Collectors Vernissage (invitation only)Thursday, November 6 from 6 pm – 9 pmVIP Access (invitation only)Friday, November 7 from 11 am – 2 pmRun of Show HoursFriday, November 7 from 2 pm – 8 pmSaturday, November 8 from 11 am – 7 pmSunday, November 9 from 11 am – 7 pmMonday, November 10 from 11 am – 4 pm

If you want to be eligible for this or other opportunities, consider joining membership! Apply today or reach out to membership@arttable.org with any questions!

Virtual | ArtTable’s Professional Development Series: Email Marketing Mastery for Arts Professionals with Jean Blackwell Font
2025-11-06 15:00 - 16:00 | Virtual Via Zoom
Transform your email marketing from afterthought to powerhouse! Join us for a comprehensive deep-dive into email marketing strategies specifically designed for arts professionals, galleries, museums, and creative organizations. Whether you’re launching your first newsletter or looking to revitalize your existing campaigns, this workshop will equip you with actionable strategies and best practices.

What You’ll Learn:

• Foundation & Strategy: Building an email marketing plan that aligns with your artistic goals and audience needs

• List Building: Proven techniques to grow your subscriber base authentically within the arts community

• Content That Converts: Crafting compelling subject lines, engaging content, and calls-to-action that resonate with arts audiences

• Platform Selection: Choosing the right email marketing platform for your needs and budget

• Campaign Types: From exhibition announcements to donor cultivation – which formats work best for different goals

• Measuring Success: Understanding metrics that matter and optimizing for better engagement Interactive Elements:

• Live platform demonstrations

• Real-world case studies from successful arts campaigns

• Q&A troubleshooting session

• Resource toolkit for immediate implementation

Perfect For: Gallery directors, museum professionals, independent artists, arts administrators, curators, and anyone looking to strengthen their digital marketing toolkit in the visual arts sector.

Led by: Jean Blackwell Font, Creative Director of Font Squared and MailChimp Certified Partner with 20+ years in arts marketing and nonprofit management.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10

General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Jean Blackwell Font is a mixed media artist and the Co-founder & Creative Director of Font Squared, a Miami-based digital marketing agency specializing in empowering artists and nonprofit organizations.

With over two decades of experience spanning arts, hospitality, and nonprofit sectors, Jean approaches marketing with an artist’s eye for innovation. Her strategic digital marketing campaigns and promotional initiatives have helped organizations collectively secure over a million dollars in funding through successful donor engagement and community outreach. As a Miami Foundation Community Advisor and grant reviewer for Miami-Dade County, she brings valuable insights to both sides of the funding equation.

A Squarespace Expert and member of both ArtTable and Phi Beta Kappa, Jean champions women’s leadership in the visual arts while maintaining the highest standards of professional excellence. Her artwork has captured the attention of prominent Miami collectors and is featured in Florida International University’s Special Collections.

Through Font Squared, established in 2017, Jean leads comprehensive marketing workshops and provides strategic support for artists and nonprofits, with services ranging from website development to email campaigns and social media management. Her unique methodology merges creative intuition with digital strategy, helping cultural organizations and artists build sustainable online presences.

Chicago, IL | Curator-Led Tour of "Yoko Ono: Music of the Mind" with Jamillah James
2025-11-06 10:00 - 11:00 | Museum of Contemporary Art Chicago, 220 E Chicago Ave, Chicago, Illinois, 60611
Join ArtTable and Manilow Senior Curator Jamillah James for a curator-led tour of Yoko Ono: Music of the Mind!

Yoko Ono: Music of the Mind presents one of the most comprehensive exhibitions to date of Yoko Ono, the trailblazing artist, celebrated musician, and formidable campaigner for world peace. This remarkable retrospective—on view at the MCA as the only US venue—celebrates key moments of Ono’s career, showcasing art driven by ideas and expressed in poetic, humorous, and profound ways.

Tracing Ono’s career since the 1950s, Music of the Mind presents over 200 works across a variety of media including performance footage, music and sound recordings, scores, film, photography, installation, and archival materials. Participatory artworks—a key aspect of Ono’s practice—also feature in the exhibition, and visitors are invited to partake in several interactive, instruction-based artworks throughout Music of the Mind.

Program Admission:

General Admission – $35

ArtTable Members – $25

ArtTable Member Guests – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Visitors explore Yoko Ono’s Add Colour (Refugee Boat) (1960/2016) in Yoko Ono: Music of the Mind, Tate Modern, London, February 15–September 1, 2024. © Yoko Ono. Photo © Oliver Cowling, courtesy of Tate.

Washington, DC | Curator-Led Tour of "Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout" with Dr. Vesela Sretenović
2025-11-05 15:00 - 16:00 | The Kreeger Museum, 2401 Foxhall Rd NW, Washington, DC, District of Columbia, 20007, United States
Join ArtTable for a curator-led tour of Anonymous Was A Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout at The Kreeger Museum, led by exhibition curators Dr. Vesela Sretenović.

Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout, dovetails with the recent group exhibition, Anonymous Was a Woman: The First 25 Years organized by and presented at the New York University’s Grey Art Museum, April 1-July 19, 2025, and co-curated by Nancy Princenthal and Vesela Sretenović.

The Grey exhibition celebrated the first quarter-century of the Anonymous Was a Woman (AWAW) grant program, established in 1996 by visionary philanthropist and artist Susan Unterberg. The program is dedicated to supporting mid-career women artists living and working in the United States. Its name refers to a phrase in Virginia Woolf’s essay A Room of One’s Own, which underscores the challenges that creative women have historically faced in a male-dominated society.

The Kreeger Museum’s exhibition, curated by Sretenović, focuses exclusively on four AWAW recipients who reside and work in the Washington, DC metropolitan area: Jae Ko (AWAW 2012), linn meyers (AWAW 2023), Joyce J. Scott (AWAW 1997), and Renée Stout (AWAW 1999). While the Grey exhibition featured works created around the time of each artist’s award, The Kreeger Museum’s presentation spotlights the most recent work of its participating artists, picking up where the Grey show left off in 2020. Moreover, whereas the Grey offered a broader overview of artistic production by women-artists in the first 25 years of the award, The Kreeger Museum aims to present a more focused, in-depth look at the new works of Ko, meyers, Scott, and Stout.

In this respect, The Kreeger Museum’s exhibition not only celebrates artists based in the DMV area —aligning with the Museum’s mission—but also extends the reach of the AWAW program beyond New York City, further disseminating its mission: to support and bring greater visibility to the creative output of women artists.

Program Admission:

General Admission – $30

ArtTable Members – $20

ArtTable Member Guests – $25

All registrants for this event will be provided with a 20% discount on ArtTable’s limited edition scarf celebrating 25 Years of Anonymous Was a Woman, created in 2021 in conjunction with ArtTable’s 45 year anniversary and the year Susan Unterberg received the Distinguished Service to the Visual Arts Award. Made of 100% silk habotai, only a handful of scarves remain in our inventory!

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

About the Curator

Dr. Vesela Sretenović has been a long-time curator of modern and contemporary art with special interest in cross-disciplinary art practices and in bridging theoretical knowledge with hands-on experience. Most recently (2009-23) she served as Director of Contemporary Art Initiatives and Academic Affairs at The Phillips Collection in Washington DC. During her tenure, she had organized Intersections, a series of ongoing contemporary art projects, as well as monographic exhibitions of prominent artists including Robert Ryman, Ellsworth Kelly, Antony Gormley, and the first museum retrospective of Cuban artist Zilia Sanchez. Additionally, she oversaw academic partnership initiatives with the University of Maryland (UMD) and the University of Virginia (UVA). Prior to The Phillips, Sretenović worked at Brown University, the University at Buffalo SUNY, and the Brooklyn Museum of Art. She is a frequent visiting faculty, teaching modern and contemporary art history and theory, and works as an independent curator. Sretenović holds a BA in Art History from University of Belgrade, Former Yugoslavia, an MA from the School of the Art Institute of Chicago, and a PhD in Humanities from Syracuse University.

Image credits:Pictured (left to right): Detail, linn meyers, The Moon is a Thief, 2025, acrylic ink and acrylic gouache on linen. Courtesy of the Artist. Detail, Jae Ko, Rhombus #3, 2025, rolled paper, pigmented ink. Courtesy of Opera Gallery/Artist. Detail, Joyce J. Scott, Untitled Fairy Tale from The Graphic Novel Series, 2019-2020, glass beads, thread, wire. Courtesy of Goya Contemporary Gallery/Artist. Detail, Renée Stout, I Trust My Third Eye, 2025, acrylic on panel. Courtesy of Marc Straus Gallery/Artist.

New York, NY | Curator-Led Tour of "Ruth Asawa: A Retrospective" with Cara Manes
2025-10-28 11:00 - 12:00 | The Museum of Modern Art, 11 West 53 Street, New York, NY, 10019, United States
Join ArtTable at the Museum of Modern Art for a Curator-Led Tour of Ruth Asawa: A Retrospective with Cara Manes!

Featuring some 300 artworks, Ruth Asawa: A Retrospective charts the artist’s lifelong explorations of materials and forms in a variety of mediums, including wire sculpture, bronze casts, drawings, paintings, prints, and public works. This first posthumous survey celebrates the ways in which Asawa continuously transformed materials and objects into subjects of contemplation, unsettling distinctions between abstraction and figuration, figure and ground, and negative and positive space.

Program Admission:

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: Ruth Asawa. Untitled (S.535, Hanging Five-Lobed Continuous Form within a Form with Spheres in the First and Fourth Lobes and a Teardrop Form in the Third Lobe), 1951. Iron and brass wire. 87 × 12 1∕2 × 12 1∕2 in. (221 × 31.8 × 31.8 cm). Private collection. © 2025 Ruth Asawa Lanier, Inc., Courtesy David Zwirner.

Washington, DC | Curator-Led Tour of "Women Artists from Antwerp to Amsterdam, 1600-1750" with Virginia Treanor
2025-10-22 15:00 - 16:00 | National Museum of Women in the Arts, 1250 New York Ave NW, Washington, DC, 20005, United States
Join ArtTable at the National Museum of Women in the Arts for a Curator-Led Tour of Women Artists from Antwerp to Amsterdam, 1600-1750 with Senior Curator Virginia Treanor!

Women Artists from Antwerp to Amsterdam, 1600-1750 showcases a broad range of work by more than forty Dutch and Flemish women artists, including Gesina ter Borch, Maria Faydherbe, Anna Maria de Koker, Judith Leyster, Magdalena van de Passe, Clara Peeters, Rachel Ruysch, Maria Tassaert, Jeanne Vergouwen, Michaelina Wautier, and more. Presenting an array of paintings, lace, prints, paper cuttings, embroidery, and sculpture, this exhibition draws on recent scholarship to demonstrate that a full view of women’s contributions to the artistic economy is essential to understanding Dutch and Flemish visual culture of the period.

Virginia (Ginny) Treanor, Ph.D. serves as Senior Curator, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art, among other institutions. During her time at NMWA, Treanor has curated numerous contemporary exhibitions, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015), Heavy Metal (2018), Paper Routes(2020), and New Worlds (2024).

Program Admission:

ArtTable Members – $15

ArtTable Member Guests – $20

General Admission – $25

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Image: Rachel Ruysch, Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. late 1680s; Oil on canvas, 42 1/2 x 33 in.; NMWA, Gift of Wallace and Wilhelmina Holladay; Photo by Lee Stalsworth

New York, NY | Private Collection Tour of the Deutsche Bank Art Collection
2025-10-21 18:00 - 19:00 | Deutsche Bank Center, One Columbus Circle, New York, New York, 10019, United States
Join ArtTable for a private collection tour at the Deutsche Bank Center.

Located in the center of one of the world’s most multi-cutural cities, the Deutsche Bank Collection at Columbus Circle reflects New York’s globally renowned and vibrant contemporary art scene. Since it was established in the late 1970s, the collection has focused on the medium of paper, and there is a reason for this: the idea was that art should not be hung only on the executive floors and lobbies, but in all of its offices and retail branches. Works on paper, drawings, collages, and photographs serve this purpose well, among other things because of their high artistic quality and their experimental spirit. With this strategy, the Deutsche Bank Collection broke new ground at the time.

Highlights of the Deutsche Bank Collection include Joan Mitchell, Jennie C. Jones, HelenFrankenthaler, Wangechi Mutu, Keith Haring, Eva Hesse, Carrie Mae Weems, Amy Sillman, and more. You can read more about the collection here.

Program Admission: This program is open to ArtTable Executive, Circle, Patron, and Benefactor members until October 3. If space allows, this program will open to other membership levels and the general public.

ArtTable Members – $45

ArtTable Guests – $55

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Image: The Estate of Eva Hesse. Courtesy Hauser & Wirth

Los Angeles, CA | Curator-Led Tour of "Made in L.A. 2025" with Essence Harden
2025-10-21 12:00 - 13:00 | Hammer Museum, 10899 Wilshire Blvd, Los Angeles, California, 90024, United States
Gather at the Hammer Museum for a Curator-Led Tour of Made in LA 2025 with Essence Harden!

Made in L.A. 2025 is the seventh iteration of the Hammer’s signature biennial exhibition that showcases artists practicing throughout the greater Los Angeles area. The 28 participants in the exhibition present work not only made in the city but also grounded in its complex and unfolding terrain. Neither myth nor monolith, Los Angeles is many things to many people, and its dissonance is perhaps its most distinguishing feature. The works presented in this year’s biennial include film, painting, theater, choreography, photography, sculpture, sound, and video. Attitude draws them together: Each engages with this city in ways alternately literal, formal, material, and metaphoric. Conceived or made in Los Angeles, they are of this city and nowhere else.

Program Admission:

ArtTable Members – $25

ArtTable Guests – $30

General Admission – $35

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

Miami, FL | Curator-Led Tour of "Women Pulling At The Threads of Social Discourse: Don't Be Absurd" with Melanie Prapopoulos
2025-10-18 12:00 - 13:45 | The CAMP Gallery, 791-793 NE 125th St., North Miami, Florida, 33161, United States
Join ArtTable at the CAMP Gallery for a guided tour of Women Pulling At The Threads of Social Discourse: Don’t Be Absurd followed by a networking reception!

The exhibition will explore absurdism, referencing Franz Kafka, Albert Camus, Simone de Beauvoir, Jose Saramago and/or Samuel Beckett. Artists will apply the ideas and concepts in these works to our modern world, through which industry and politics, is still and often dehumanized. Sub-topics include but are not limited to childhood in industrial societies, sexuality, gender, women’s rights, and education. We asked artists to create circular fiber works to symbolize the continuation of hope in our present experience as we strive to overcome a certain sense of nothingness.

Registration:

ArtTable Members – $15

ArtTable Member Guest – $20

General Admission – $25

ArtTable Tours | Crystal Bridges Museum of American Art
2025-10-07 00:00 - 2025-10-09 23:59 | New York
Experience historically rich Bentonville, Arkansas through tours of significant sites like Crystal Bridges Museum of American Art, Frank Lloyd Wright’s Bachman-Wilson House, and the Mildred B. Cooper Chapel. This thoughtfully assembled tour will immerse visitors into the artistic scene of Arkansas with exclusive visits to outdoor installations, local eateries, and world class museums. Do not miss out on this chance to absorb all that Bentonville has to offer!

Highlights of the Itinerary

Beginning at the Crystal Bridges Museum of American Art, we will explore more than five miles and 134 acres of outdoor installations, rich history, and beautiful natural landscapes. In addition to learning more about the Crystal Bridges outstanding contemporary art collection, we will visit The Momentary, a former cheese factory turned live music, visual and performing arts, and culinary experience venue. We will immerse ourselves in Bentonville through a golf cart tour of the city, visiting landmarks, public art, and learning about the history of the area. Day one will wrap up with a dinner at BlakeSt, a private club with an art collection carefully curated by the OZ art Organization of Northwest Arkansas. Our visit to BlakeSt will include a private tour of this collection of sculptures, fiber art, and more.

Other historic and artistic highlights include visits to The Way of Color, a Skyspace, The Frank Lloyd Wright Bachman-Wilson House, and a tour of the Mildred B. Cooper chapel. James Turrell’s The Way of Color offers a naked-eye light show activated at sunrise and sunset. The Bachman-Wilson House was designed in 1954 in New Jersey, before being purchased by Crystal Bridges and moved to Arkansas. The Mildred B. Cooper Chapel is a gothic-inspired chapel designed by E. Fay Jones, and our visit will include a private piano concert.

Other culinary experiences will include dinner at Preacher’s Son, a historic church turned restaurant that offers unique and sustainably sourced menus, and breakfast at 21c Museum Hotel in the heart of Bentonville.

Explore the full itinerary here!

Adventures in Art

The ArtTable tour to Crystal Bridges and Bentonville will be managed by Adventures in Art. Adventures in Art curates luxury travel experiences focused on art, jewelry and fashion for museum patrons and art collectors around the world. Founded in 2011 by Karen Stone Talwar, the company is unique in its endeavor, providing customized itineraries and insider access to art capitals around the globe timed around art fairs, jewelry shows, and exhibitions at major museums.

ArtTable member registration is $475 and non-member registration is $725. Registration fees are donations to the AT Tours program and are nonrefundable. Once you are registered we will connect you with Adventures in Art for further tour payments.

Tour Pricing (to be paid directly to Adventures in Art after registering with ArtTable)

Single Occupancy: $3,300

Double Occupancy: $2,900

This tour is all-inclusive (airfare excluded) and includes Hotel accommodations with breakfast at 21c Museum, admission and other fees for itinerary stops and expert guides, two breakfasts, one lunch and two dinners, and transportation between itinerary stops and locations.

New York, NY | Guided Tour of "Coco Fusco: Tomorrow, I Will Become an Island" with Zuna Maza
2025-10-03 12:30 - 13:30 | El Museo Del Barrio, 1230 Fifth Avenue, New York, NY, 10029, United States
Join ArtTable at El Museo del Barrio for a Curator-Led Tour of Coco Fusco: Tomorrow, I Will Become an Island with Zuna Maza!

El Museo del Barrio is proud to present the first U.S. survey of influential Cuban-American artist, writer, and activist Coco Fusco (b. 1960, lives in New York). A renowned artist, writer, and activist, Fusco has been globally lauded for her distinctly perceptive, acerbic, and piercing voice. Since the 1990s, her films, photographs, texts, installations, and performances have addressed the dynamics of politics and power in relation to issues of representation, culture, and institutional critique.

The exhibition will include more than three decades of Fusco’s artistic production, positioning her as one of the foremost artists shaping the contemporary art field. Spanning her now-canonical performance “Two Undiscovered Amerindians Discover the West” (presented with Guillermo Gomez-Peña) to her on-going investigation of post-revolutionary Cuban history and her most recent photographic explorations around U.S. politics, the show will offer an expansive view of her multidisciplinary career.

Program Admission:

General Admission – $25

ArtTable Members – $15

ArtTable Member Guests – $20

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Image: Coco Fusco, Dolores From 10 to 10, 2001. Video Installation, 98 min. Courtesy of the artist and Mendes Wood DM, São Paolo, Brussels, Paris, New York.

Virtual | ArtTable’s Professional Development Series: Art Writing for Art Professionals with Robin Cembalest
2025-09-30 14:00 - 15:00 | Virtual Via Zoom
In this empowering workshop, Robin Cembalest demystifies the distinctive and often challenging process of writing about visual art. In her presentation, she’ll share examples and templates for different types of professional art writing, from press releases to Instagram posts. As the longtime editor of ARTnews, Robin taught generations to write professionally. Gallerist or artist, educator or curator, this class will give you the tools, skills, and best practices to write clearly and accessibly, with less stress and more success.

The zoom link will be provided upon registration.

Program Admission:

ArtTable Members – $10

General Admission – $15

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Respected journalist, influential Instagrammer, and the former longtime editor of ARTnews, Robin Cembalest trains art professionals how to communicate effectively about themselves, their work, and their projects. She teaches writing, social media, public speaking, and other essential skills across the art industry. An early art-world adapter to social media, Robin has built a specialty in career development for the digital era, helping institutions and individuals to create and implement organic content strategies.

A mentor to generations of emerging writers, Robin now helps visual artists to express themselves in her workshops at schools, residencies, and organizations. She is a faculty member of the School of Visual Arts, an instructor in the Bronx Museum’s AIM program, and a coach at Creative Capital. Widely published in the art and mainstream press, Robin won several awards for investigative reporting, writing key stories on the culture wars, censorship, multiculturalism, and museum politics. She is best known today as @rcembalest, handle of her popular Instagram chronicling her travels in the art world.

New York, NY & Virtual | ArtTable's Annual Leadership Series | Art at Risk: Censorship and the Fight for Creative Freedom
2025-09-25 18:00 - 20:00 | Full Address Provided Upon Registration, Midtown Manhattan, New York, New York, 10017, United States
In today’s increasingly polarized cultural and political landscape, arts professionals are grappling with urgent questions: How do institutions remain true to their missions while navigating the risks of presenting complex or controversial narratives? What role does censorship play in shaping the stories we tell through exhibitions, acquisitions, publications, and programming?

ArtTable’s 2025 Annual Leadership Series returns with a timely conversation on the evolving responsibilities of arts institutions in an era of heightened scrutiny and constrained freedoms. This year’s panel features acclaimed artist Marilyn Minter, cultural leader and curator Sara Reisman, and art lawyer Katherine Wilson-Milne, in conversation with moderator Elizabeth Larison, Arts and Culture Advocacy Program Director at National Coalition Against Censorship. Scroll down to learn more about our panelists!

Together, these thought leaders will explore the challenges and strategies involved in sustaining truthful, inclusive storytelling across all areas of the arts ecosystem. From debates over funding and institutional values to efforts to protect curatorial independence and artistic freedom, the discussion will offer insights for anyone invested in the future of the arts.

Whether you work in a museum, manage a gallery, support artists through legal or philanthropic means, or collect and preserve art, this event offers critical perspectives and practical strategies for navigating today’s cultural crossroads.

Join us on September 25, 2025, for this vital dialogue and an opportunity to engage with leading voices at the intersection of art and public discourse. Immediately following the panel, we invite you to stay for a 40-minute in-person networking reception with light refreshments. This reception is a rare chance to continue the conversation with our esteemed panelists, ask follow-up questions, and build meaningful connections with fellow attendees across the arts industry.

About the Annual Leadership Series: This signature ArtTable program was initially launched in 2016, and since its inception, the series has fostered engaging conversations among prominent women and nonbinary professionals. It has provided a platform for these influential voices to discuss the most pressing and relevant topics within our industries.

Program Admission: This program is open to ArtTable members and member guests through September 1. If space allows, this program will open to the public on September 2.

ArtTable Members – $45

ArtTable Member Guest – $50

General Admission – $55

Virtual (ArtTable Member) – $20

Virtual (General Admission) – $30

Not a member? Join today!

All program registration fees go toward event expenses and administrative costs for the organization.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Meet Our Panelists

Photo by Ryan McGinley

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011. Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter’s work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.Minter is represented by Salon 94, New York, Regen Projects, Los Angeles, Lehmann Maupin, Hong Kong/Seoul.

Sara Reisman is a curator, educator, and writer based in New York City. Her curatorial and educational engagements have focused on socially engaged art, the history of exhibition making, public art, both temporary and permanent, artist books, and the intersections between art and activism. She has held roles in curatorial, philanthropic, and educational capacities including Chief Curator at the National Academy of Design (2021-2025), Executive and Artistic Director of the Shelley & Donald Rubin Foundation (2014-2021), and Director of New York City’s Percent for Art Program (2008-2014), where she managed more than 100 permanent public art commissions across New York City’s five boroughs. Reisman has taught art history and contemporary art at the University of Pennsylvania and SUNY Purchase School of Art + Design, and since 2016, she has been on the faculty at the School of Visual Arts’ Curatorial Practice MA Program. In her most recent curatorial role at the National Academy, she organized large-scale thematic exhibitions including Past as Prologue: A Historical Acknowledgment, which examined the role of art in U.S. nation-building; Drawing as Practice; Consequences: A Parlor Game; Exercises in Imagination; and Sites of Impermanence.

Photo by Elia Alba

Katie Wilson-Milne is a partner at the boutique law firm Schindler Cohen & Hochman LLP and advises clients in the art, cultural and creative communities, including art businesses, dealers, collectors, artists, and not-for-profit corporations in the art space on transactional matters related to the creation, purchase, sale, lending and financing of art, as well as gallery, auction house, and museum relationships and intellectual property matters. She also represents art clients in a wide variety of disputes including fraud, breach of contract, copyright infringement, and artist gallery relationships.

Katie also writes, teaches and speaks publicly about a variety of art law related topics. Katie teaches art law at the Yale Law School and co-hosts of The Art Law Podcast with Steve Schindler.

Elizabeth Larison is our panel moderator for this program. Elizabeth is Director of the Arts & Culture Advocacy Program at the National Coalition Against Censorship, a member of Don’t Delete Art, and a curator. Prior to joining NCAC, Elizabeth earned a BA in Human Rights and a MA in Curatorial Studies, and worked for organizations including Flux Factory, the Park Avenue Armory, and apexart.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

ArtTable’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
