BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ArtTable - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.arttable.org
X-WR-CALDESC:Events for ArtTable
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20210314T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20211107T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200331T120000
DTEND;TZID=America/New_York:20200331T130000
DTSTAMP:20260403T152207
CREATED:20200326T131132Z
LAST-MODIFIED:20210216T192742Z
UID:2749-1585656000-1585659600@www.arttable.org
SUMMARY:VIRTUAL | How Can We Think of Art at a Time Like This? with Barbara Pollack and Anne Verhallen
DESCRIPTION:Image: Marilyn Minter. Lithium\, 2019. \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation with curators Barbara Pollack and Anne Verhallen on responsive online curatorial action and collaboration! Pollack and Verhallen are the co-curators of\, How Can We Think of Art at a Time Like This? an online exhibition that serves as a platform for the exchange of ideas at this time of crisis. On March 14th\, 2020\, in quick reaction to the US’s gallery and museum closures\, the two writers-curators and longtime collaborators immediately spent the weekend to kick start a group show to respond to the crisis. \n“We invited artists who are considered thought leaders\, artists who struggle with futuristic pessimism\, political outrage and psychic melt-downs. The invited artists have responded with unbridled enthusiasm and we will be posting new artists every day for the foreseeable future.” \nClick here for How can we Think of Art at Time Like This? \nBarbara Pollack is the author of Brand New Art from China: A Generation on the Rise published in 2018 by I.B. Tauris.  Her first book was The Wild\, Wild East: An American Art Critic’s Adventures in China\, published in May 2010 by Timezone 8 Books.  She is a leading authority on Chinese contemporary art and has been a featured speaker at the World Economic Forum’s Annual Meeting of New Champions in China\, also known as Summer Davos.     \nSince 1994\, Pollack has written extensively on contemporary Chinese art for such publications as Artnews\, Art & Auction\, the Village Voice\, Vanity Fair\, the New York Times\, and many others.  In addition to articles\, Pollack has contributed major catalogue essays for such leading artists as Li Songsong\, Lin Tianmiao\, Wang Gongxin\, Zhao Zhao\, Sun Xun\, and Tu Hongtao. Several of her essays were included in the China Art Book\, published by Dumont Literatur in 2007.   \nPollack was the lead curator of many shows of Chinese contemporary art including the groundbreaking My Generation: Young Chinese Artists\, the first exhibition of the 1980s generation of Chinese artists in the U.S.  which was shown at the Tampa Museum of Art and Museum Fine Arts\, St. Petersburg in 2014 and traveled to the Oklahoma City Museum of Art and the Orange County Museum of Art in 2015. She has also curated in China most notably Tu Hongtao: A Timely Journey\, at the Long Museum West Bund in November 2018and Sun Xun:  Prediction Laboratory at Yuz Museum\, also in Shanghai in 2016. In 2022\, she will present Mirror Image: Changing Chinese Identity at the Asia Society Museum in New York. \nBased on her research in this field\, she received two grants from Asian Cultural Council in 2008 and 2016 and the prestigious Creative Capital/Warhol Foundation arts writers grant in 2008.  Additionally\, Pollack is an adjunct professor at the School of Visual Arts in New York City and frequently lectures on contemporary art at universities and museums throughout the United States and Asia. \nAnne Verhallen is a New York-based curator\, writer and artist agent. As director of the fine art division at CXA\, she has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath and Lily Kwong. \nHer independent curatorial projects include Virtually There\, a performance conceived by Roya Sachs and Mafalda Milllies at MANA Comtemporary with collaborating artists the Compana Brothers\,  Kate Gillmore and Heather Row. She also writes monthly for Arte Fuse. Born and raised in the Netherlands\, Verhallen started her career as a high-fashion model working for Vogue\, Hermes\, Marc Jacobs\, exclusively for Givenchy and with leading photographers such Inez and Vinoodh\, Roe Etheridge and Daniel Jackson. Currently\, as an independent curator\, she seeks to cultivate the intersection between technology\, design\, art and health.
URL:https://www.arttable.org/event/virtual-how-can-we-think-of-art-at-a-time-like-this-with-barbara-pollack-and-anne-verhallen/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/Lithium-scaled-e1585344910231.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200401T180000
DTEND;TZID=America/New_York:20200401T200000
DTSTAMP:20260403T152207
CREATED:20200303T215744Z
LAST-MODIFIED:20210216T192627Z
UID:2511-1585764000-1585771200@www.arttable.org
SUMMARY:POSTPONED: ArtTable Circle Collection Visit⎪Landy Collection of Feminist Art
DESCRIPTION:Image courtesy of Kathleen Landy \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. \nJoin us at the Upper East Side home of Kathleen Landy\, Founder\, and President of the Feminist Institute\, as we gather for cocktails and conversation and a tour of her outstanding collection of Feminist Art. From the halls of Womanhouse to the walls of A.I.R.\, this collection is a snapshot of feminist art dating from the ‘60s to today.  Artists represented include: Miriam Schapiro\, Judy Chicago\, Faith Wilding\, Carolee Schneemann\, Hannah Wilke\, Joan Jonas\, Judith Bernstein\, Rebecca Horn\, Dana Schutz\, Cindy Sherman\, Mary Beth Edelson and more. \nThe full address will be sent to registrants upon confirmation. \nSpecial thanks to ArtTable board member Kat Griefen.
URL:https://www.arttable.org/event/arttable-circle-collection-visit%e2%8e%aalandy-collection-of-feminist-art/
LOCATION:Maryland
CATEGORIES:New York,National,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/image2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200402T120000
DTEND;TZID=America/New_York:20200402T130000
DTSTAMP:20260403T152207
CREATED:20200219T175437Z
LAST-MODIFIED:20210216T192606Z
UID:2364-1585828800-1585832400@www.arttable.org
SUMMARY:VIRTUAL | Artist Breakfast with María Elena González
DESCRIPTION:Image: MARÍA ELENA GONZÁLEZ (b. 1957). Camo (Boogie Woogie)\, 2015. Silkscreen\, 25 3/4 x 16 1/2 in. Signed\, dated\, and inscribed (at lower left): 4/20; (at lower center): “Camo Boogie Woogie”; (at lower right): M. E. González 2015. \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThis breakfast conversation will now take place at noon East Coast Time\, so as to accommodate our Pacific/ Central time members! \n\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from María Elena González\, whose ongoing Tree Talk series has taken place at Mills College and most recently\, at Brattleboro Museum and Art Center in Vermont.  \nCuban-born artist María Elena González is an internationally recognized sculptor based in based in New York City and the Bay Area\, CA . González interweaves the conceptual with a strong dedication to craft in her complex installations and poetic arrangements\, exploring themes like identity\, memory\, and dislocation. Over a career spanning thirty years she has won the Prix de Rome (2003)\, and more recently\, the Grand Prize at the 30th Biennial of Graphic Arts at Ljubljana\, Slovenia (2013). She was a Guggenheim Fellow (2006) and has been awarded grants from numerous foundations including Pollock-Krasner\, Joan Mitchell\, New York Foundation for the Arts\, and Penny McCall. She has served as the Sculpture Commissioner for New York City’s Design Commission and has also taught at Cooper Union School of Art\, Skowhegan School of Painting and Sculpture\, and the San Francisco Art Institute among others.In 2017 González’s work will be featured in Home: So Different\, So Appealing\, to be presented by the Los Angeles County Museum of Art (LACMA) and organized in collaboration with the Museum of Fine Arts\, Houston [as part of the Getty-funded Pacific Standard Time exhibition program]. Additionally\, in 2017 her work was exhibited at the Museum of Latin American Art (MOLAA) in Relational Undercurrents: Contemporary Art of the Caribbean Archipelago. González’s work can be found in numerous public collections including the Kunstmuseum Basel\, Switzerland; Museum voor Modern Kunst\, Arnhem\, The Netherlands; Museum of Art\, The Rhode Island School of Design\, Providence\, RI; The Museum of Arts and Design\, New York; and The Solomon R. Guggenheim Museum\, New York. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable’s Artist Breakfast Committee and Julia Herzberg.  \n 
URL:https://www.arttable.org/event/ny-artist-breakfast-with-maria-elena-gonzalez/
LOCATION:ONLINE EVENT
CATEGORIES:National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/02998d6d5a3ecd6e65199826a5fd85d0.jpeg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200402T180000
DTEND;TZID=America/Los_Angeles:20200402T200000
DTSTAMP:20260403T152207
CREATED:20200205T220040Z
LAST-MODIFIED:20210216T192535Z
UID:2145-1585850400-1585857600@www.arttable.org
SUMMARY:POSTPONED: NOCAL | ArtTable New Member Happy Hour at Bonhams' New SF Location
DESCRIPTION:In light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \n_______________________________________________________________________________________ \nArtTable is kicking off spring early with a special happy hour welcoming new and potential ArtTable members! Hosted by our friends at Bonhams\, members and guests are invited to come and view the newly-opened Bonhams gallery space\, enjoy their exhibition on view\, and meet new and potential members. \nAll are invited to bring a guest who would like to learn more about ArtTable membership and its benefits and connect with members of the Northern California chapter. \nWho’s attending this program? Click here to see who’s registered! \nThank you to Amelia Manderscheid\, VP Senior Director in Contemporary Art\, Bonhams \nWe are closely monitoring the developments concerning the Coronavirus\, (COVID-19) and will follow any suggested protocols from the CDC or any other governing body as they relate to our events\, programs and travel opportunities.
URL:https://www.arttable.org/event/nocal-arttable-new-member-happy-hour-at-bonhams-new-sf-location/
LOCATION:Bonhams\, 601 California Street\, Suite 150\, CA\, 94108\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/art-temp-558270481-web.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200405T110000
DTEND;TZID=America/Los_Angeles:20200405T130000
DTSTAMP:20260403T152207
CREATED:20200304T152130Z
LAST-MODIFIED:20210216T192504Z
UID:2625-1586084400-1586091600@www.arttable.org
SUMMARY:VIRTUAL | Reading at the (Art)Table
DESCRIPTION:Image: As Radical As Mother As Salad As Shelter: What Should Art Institutions Do Now? \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThis program is for ArtTable members only! \n\nThe Northern California Chapter book club\, Reading at the (Art)Table\, has selected a new publication by Paper Monument. We will be reading “As Radical As Mother As Salad As Shelter:What Should Art Institutions Do Now?”\nPaper Monument’s new anthology surveys thirty curators\, educators\, and art administrators on the contemporary role\, responsibilities\, and possibilities of the art institution. \nPaper Monument is a non-profit art press intent on presenting smart\, serious writing that is accessible to a wide audience. Through our books and journal of contemporary art\, we explore topics often overlooked by mainstream journalism. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Jan Wurm. 
URL:https://www.arttable.org/event/nocal-reading-at-the-arttable-3/
LOCATION:Berkeley location to be provided on registration
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/AB-4210-e1583335494628.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200407T180000
DTEND;TZID=America/New_York:20200407T200000
DTSTAMP:20260403T152207
CREATED:20200303T220442Z
LAST-MODIFIED:20210216T192249Z
UID:2608-1586282400-1586289600@www.arttable.org
SUMMARY:POSTPONED: ArtTable Circle | Special Collection Visit: Ellen Cantrowitz
DESCRIPTION:Image courtesy of Ellen Cantrowitz \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \n\nApril 7th is ArtTable Day! In 2005\, the Mayor of New York City declared ArtTable Day to be April 7\, to mark the twenty-fifth anniversary of ArtTable’s founding. Now fifteen years on from this proclamation\, and during the year of our 40th Anniversary\, we’re celebrating ArtTable Day again with a day of national celebration in chapters across the country! \nCelebrate with a visit to the Upper East Side home of long time ArtTable member\, art dealer\, and collector Ellen Cantrowitz\, for an intimate reception and tour of her personal collection\, featuring work by Frank Stella\, Jean Dubuffet\, Joseph Cornell\, Huma Bhabha\, Yayoi Kusama\, Henri Matisse\, Philip Guston\, Cindy Sherman\, Alex Katz\, Louise Nevelson\, Glenn Ligon\, Sol Lewitt\, Hiroshi Sugimoto\, Isamu Noguchi\, Shinique Smith and more!  \nThe full Address will be sent to registrants upon confirmation. \nThank you to Ellen Cantrowitz.  \nWe are closely monitoring the developments concerning the Coronavirus\, (COVID-19) and will follow any suggested protocols from the CDC or any other governing body as they relate to our events\, programs and travel opportunities.
URL:https://www.arttable.org/event/arttable-circle-special-collection-visit-ellen-cantrowitz/
LOCATION:Maryland
CATEGORIES:National,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200408T120000
DTEND;TZID=America/New_York:20200408T130000
DTSTAMP:20260403T152207
CREATED:20200326T164409Z
LAST-MODIFIED:20210216T192218Z
UID:2765-1586347200-1586350800@www.arttable.org
SUMMARY:VIRTUAL | ATCONNECT with Maria Sancho-Arroyo
DESCRIPTION:Image: Maria Sancho-Arroyo\, Sotheby’s Institute of Art \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nThis April\, ArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT is transitioning to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nJoin us for these “Ask Me Anything” session via Zoom to take advantage of learning more about different sectors of the art world while respecting social distancing. \nWe’ll kick start this series with a virtual lunch hour with Maria Sancho-Arroyo to learn more about the global art market and this moment of fluctuation during COVID-19. \nMaria has over 25 years of international experience in the art world\, first at museums – National Museum of Catalan Art\, MNAC\, in Barcelona and at the Louvre in Paris- then at Sotheby’s Auction House in London. During her time at Sotheby’s\, she gained experience in all aspects of the auction world with a focus on business and client development. She has participated in numerous auctions and worked closely with all Sotheby’s European offices. Maria has given lectures on art market trends at the London and New York Sotheby’s Institute\, Georgetown University and Tsinghua University (Beijing\, China) and is a regular contributor to the “Giornale dell’Arte”\, the Italian edition of the Art newspaper. She is involved with art charitable organizations and is the co-chair of ArtTable DC chapter since June 2019. \nMaria is currently adjunct faculty at the Sotheby’s Institute of Art in New York teaching various Art Market topics within the MA Art Business and online courses.  \nShe is fluent in Spanish\, Italian\, French and English and hold and MS in Science (chemistry) from Zaragoza University and MA in Museum management by the Institut National du Patrimoine in Paris\, France.  \nThis program is hosted by Concetta Duncan\, Maria Sancho-Arroyo and Caitlin Berry
URL:https://www.arttable.org/event/virtual-atconnect-with-maria-sancho-arroyo/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/Maria-Sancho-ArroyoJPG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200409T083000
DTEND;TZID=America/New_York:20200409T093000
DTSTAMP:20260403T152207
CREATED:20200402T205942Z
LAST-MODIFIED:20210216T192049Z
UID:2795-1586421000-1586424600@www.arttable.org
SUMMARY:VIRTUAL | BreakfastTable with Alice Walker
DESCRIPTION:Image: Alice Walker \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable East Coasters\, bring your breakfast and join the DC chapter for a virtual informal conversation with Alice Walker who is an expert in using storytelling\, human centered design and technology to create indelible experiences for museums and cultural attractions.  \nThis event will start 30 minutes later than usual to allow adequate time for coffee brewing and breakfast making! \nAs Managing Director for Art Processors (artprocessors.net)\, she is on the executive team\, heads up their global business development\, marketing and product development practices\, and manages staff in Melbourne\, San Francisco\, Atlanta and New York City. Their projects range from location-aware guides and exhibition design to immersive sound installations\, augmented and virtual reality experiences\, and wearables for institutions such as the Smithsonian Institution\, the J. Paul Getty Center\, the Venetian and Bellagio in Las Vegas\, Portland Museum of Art\, and numerous Australian museums\, zoos and aquaria. \nHer former roles include serving as Antenna International’s Creative Director and Digital Media Director for 9 years\, heading up Pentagram Design’s interactive team in their NYC studio\, and educational media roles at the Metropolitan Museum of Art and SFMOMA. \nAlice resides with her family in Bethesda\, MD and is part of Art Table’s DC Chapter. \nDC’s BreakfastTable normally takes place at Boulangerie Christophe. The bakery is open and we encourage members in DC to place and order for this event and those in other locations to support local businesses! \nThank you to Ruth Abrahams and Ashley Templeton!
URL:https://www.arttable.org/event/virtual-breakfasttable-with-alice-walker/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/04/AliceWalker.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200410T160000
DTEND;TZID=America/New_York:20200410T170000
DTSTAMP:20260403T152207
CREATED:20200406T212613Z
LAST-MODIFIED:20210216T192004Z
UID:2821-1586534400-1586538000@www.arttable.org
SUMMARY:Virtual | Care of Modern and Contemporary Paintings with Rustin Levenson\, President and Founder\, ArtCare Conservation
DESCRIPTION:In response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. During this session we’ll hear directly from Rustin Levenson\, President and Founder\, ArtCare Conservation. \nThe materials and techniques of Modern and Contemporary paintings offer unique challenges for those responsible for assessing\, shipping\, handling\, and treating works. This session will discuss the history of recent artists’ materials and how they impact the life of their paintings. Rustin will outline best practices for handling and shipping these works. For those assessing works\,\nexamples of treatments will give insight into the impact of damage and conservation. \nRustin Levenson has worked on the painting conservation staff of the Fogg Museum\, the Canadian Conservation Institute\, The National Gallery of Canada\, and The Metropolitan Museum of Art. \n \nIn 1981\, she founded ArtCare Conservation\, a private studio offering museum quality conservation to institutions and private clients. ArtCare Conservation has grown to include studios in New York\, Los Angeles\, and Miami. Rustin has co-authored\, with art historian\, Andrea Kirsh\, Seeing Through Paintings: Physical Examination in Art Historical Studies (Yale University Press\, 2000) and written chapters for The Expert vs the Object (Oxford University Press\, 2004) and The Conservation of Easel Paintings (Rutledge Press\, 2013). She has published numerous technical and historical articles and has lectured widely.  She is a Fellow both in the American Institute for Conservation and The International Institute for Conservation\, and has served on numerous professional committees as well as chairing the Paintings Specialty Group of the American Institute for Conservation. In 2015 she was awarded a Residency at the American Academy in Rome.  \nThank you to ArtTable’s Florida Chapter and Rustin Levenson. 
URL:https://www.arttable.org/event/virtual-care-of-modern-and-contemporary-paintings-with-rustin-levenson-president-and-founder-artcare-conservation/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/stella-me-scaled-e1586207732549.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200415T120000
DTEND;TZID=America/New_York:20200415T130000
DTSTAMP:20260403T152207
CREATED:20200326T165050Z
LAST-MODIFIED:20210216T191918Z
UID:2773-1586952000-1586955600@www.arttable.org
SUMMARY:VIRTUAL | ATCONNECT with Concetta Duncan
DESCRIPTION:Image: Concetta Duncan \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nThis event is now at capacity. Please email programs@arttable.org to be added to the waitlist.\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nThis April\, ArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT is transitioning to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nJoin us for these “Ask Me Anything” session via Zoom to take advantage of learning more about different sectors of the art world while respecting social distancing. \nDuring this virtual lunch hour we will hear from Concetta Duncan on tips on communications and messaging for institutions during COVID-19.  \nConcetta Duncan is Head of Communications at the Smithsonian’s National Portrait Gallery where she oversees the museum’s press\, marketing and social media strategies. In Washington\, DC\, she has directed impactful campaigns including the 2018 unveiling of the Obama portraits\, the Portrait Gallery’s 50th anniversary\, and the museum’s red-carpet American Portrait Gala. She also serves on the Marketing Steering Committee for the pan-institutional Smithsonian American Women’s History Initiative.  \nIn New York\, Concetta played an integral role in the expansion of two of the art world’s leading communications agencies. She directed campaigns for numerous arts and culture organizations across the U.S.\, Europe\, Dubai and Hong Kong\, including Art Basel\, in addition to serving in an in-house role at Pace Gallery.  \nConcetta joined the board of STABLE in June 2019 and was Chair of the organization’s Opening Party Committee. She is also Membership Chair of ArtTable’s Executive Committee\, member of the Performa Biennial’s Advisory Council in New York and member of the Hirshhorn Museum and Sculpture Garden. \nThis program is hosted by Concetta Duncan\, Maria Sancho-Arroyo and Caitlin Berry
URL:https://www.arttable.org/event/virtual-atconnect-with-concetta-duncan/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/03/Concetta-Duncan-.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200422T160000
DTEND;TZID=America/New_York:20200422T170000
DTSTAMP:20260403T152207
CREATED:20200409T143349Z
LAST-MODIFIED:20210216T191742Z
UID:2839-1587571200-1587574800@www.arttable.org
SUMMARY:VIRTUAL | Artist Talk with Shinique Smith
DESCRIPTION:Photo credit: Jeff Vespa\nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all\, with a minimum donation of $5.00 to participate in this event. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nThis event was intended as an Artist Breakfast in New York. Artist Breakfasts are intimate monthly breakfasts featuring leading figures in the visual arts in discussion with curators\, academics\, and critics. We’re so excited to be able take this talk online for members and friends across the country! Join us for a special Earth Day conversation with Shinique Smith. \nFor over a decade artist Shinique Smith has employed clothing\, fabrics\, and objects—items that exist in the realm of what we call belongings—to construct sculptures\, paintings\, and site-specific installations bound with ribbon and calligraphic lines. Examining the ways in which these objects resonate on a personal and social scale\, “Smith’s works operate at the convergence of consumption\, displacement\, and sanctuary. In Smith’s hands\, these works reveal connections across space\, time\, and place to suggest the possibility of constructing worlds renewed by hopeful delight.” \nBorn and raised in Baltimore\, MD\, currently residing in Los Angeles\, Smith has had solo exhibitions with California African American Museum; Frist Center for Visual Arts; Museum of Fine Arts\, Boston; and MOCA Jacksonville. Currently\, a show of her newest works is on view with the UBS Art Collection Gallery in New York until July 2020. \nSmith’s artworks have been exhibited in many acclaimed group shows including UnMonumental: The Object in the 21st Century at New Museum\, Frequency at Studio Museum in Harlem\, 30 Americans: Rubell Family Collection and Revolution in the Making: Abstract Sculpture by Women 1947-2016 at Hauser + Wirth LA and is held within the  permanent collections of Brooklyn Museum of Art; Denver Art Museum; Minneapolis Art Institute\, Whitney Museum and LACMA among others. In March 15 – August 9\, 2020\, Smith’s newest sculpture\, Grace Stands Beside will be presented as part of the Baltimore Museum of Art’s 2020 Vision series of exhibitions.  \nShinique has received awards from Anonymous Was a Woman\, Louis Comfort Tiffany Foundation\, Joan Mitchell Foundation\, NYFA\, Skowhegan School of Painting and Sculpture and the Lower Manhattan Cultural Council. Shinique earned her MAT from Tufts University & The Museum School\, and MFA and BFA from Maryland Institute College of Art where Smith awarded the Alumni Medal of Honor in 2012. \nThank you to the Pollock Krasner Foundation for its support of this program.
URL:https://www.arttable.org/event/virtual-artist-talk-with-shinique-smith/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/Shinque-Smith9346-scaled-e1586441632225.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200423T120000
DTEND;TZID=America/New_York:20200423T130000
DTSTAMP:20260403T152207
CREATED:20200406T162446Z
LAST-MODIFIED:20210216T191657Z
UID:2817-1587643200-1587646800@www.arttable.org
SUMMARY:VIRTUAL | ATCONNECT with Alexa Kaye
DESCRIPTION:Image: Alexa Kaye \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nThis April\, ArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT is transitioning to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nJoin us for these “Ask Me Anything” session via Zoom to take advantage of learning more about different sectors of the art world while respecting social distancing. \nDuring this virtual lunch hour we will hear from Alexa Kaye on tips on development and fundraising for institutions large and small. \nAlexa Kaye is a fundraiser for cultural institutions and recently became the Development Director at Washington Project for the Arts. Prior to that\, Alexa worked in Individual Giving at the National Museum of Women in the Arts\, the Solomon R. Guggenheim Museum\, and Brooklyn Bridge Park Conservancy. She holds BAs in Psychology and Art History from Tufts University\, and an MA in Visual Arts Administration from New York University. Alexa grew up in the Washington\, DC area and is passionate about supporting the creative community in this city. She currently lives in Northeast DC with her husband and two little budding artists. \nThis program is hosted by Concetta Duncan\, Maria Sancho-Arroyo\, Alexa Kaye and Caitlin Berry
URL:https://www.arttable.org/event/virtual-atconnect-with-alexa-kaye/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/IMG_2566.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200423T160000
DTEND;TZID=America/New_York:20200423T170000
DTSTAMP:20260403T152207
CREATED:20200416T194627Z
LAST-MODIFIED:20210216T191628Z
UID:2857-1587657600-1587661200@www.arttable.org
SUMMARY:AT Together | Development Professionals with Sarah Milestone
DESCRIPTION:Image: Courtesy of Maira Kalman\, Poster House and Times Square Arts.\n\n\n\n\nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role and needs. \nThis session is for Development Professionals and will be facilitated by Sarah Milestone\, Fundraising Advisor and Event Planner. \nGather with your development colleagues from across the country to talk about fundraising in today’s new climate. In this pilot session\, we’ll explore the challenges and opportunities facing arts organizations and kick around some new ideas about gathering and building-community that just might help you move forward in a more meaningful and creative way. \nWe keep hearing that we are all in this together\, and its true here too. Please come prepared with a question or two and be ready to share some of your experiences (or wish list items.) What’s on your mind? \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nAbout Sarah: \nSarah Milestone is a development and special event professional who works closely with executive directors\, board members and other creative leaders to design fundraising and event strategies that support an organization’s specific goals and unique mission.  \nAfter spending nearly twenty years in New York\, producing some of the most recognizable fundraising events\, Sarah returned to the Midwest where her focus shifted to major gift fundraising and individual giving. She weaves together this experience now as a consultant. Central to Sarah’s work is the deep understanding that successful fundraising and events are rooted in shared stories and building community around a specific purpose. She is a skilled listener and deftly able to address the needs of a particular audience and organization—no matter the location or size.  \nSarah has worked for several leading arts institutions\, including American Ballet Theatre\, the Whitney Museum of American Art\, the Solomon R. Guggenheim Museum\, and the Wisconsin Historical Society—where she has led teams\, directed successful fundraising campaigns and built systems for sustainable growth.  \nSarah serves on the Executive Committee of the Chicago Chapter of of ArtTable\, the Board of Visitors of the UW-Madison Art Department and the Inclusion\, Diversity\, Equity and Access Committee of AFP Chicago. Sarah holds a degree in Art History and Women’s Studies from the University of Wisconsin\, Madison.
URL:https://www.arttable.org/event/at-together-development-professionals-with-sarah-milestone/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/nvFDaKLg-e1587237587449.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200424T120000
DTEND;TZID=America/New_York:20200424T150000
DTSTAMP:20260403T152207
CREATED:20200108T230117Z
LAST-MODIFIED:20210216T191055Z
UID:1927-1587729600-1587740400@www.arttable.org
SUMMARY:CANCELED: ANNUAL BENEFIT & AWARD CEREMONY⎪Honoring Susan Unterberg
DESCRIPTION:Your health and the health of our supporters is important to us. It is with a heavy heart that we have decided to cancel this year’s annual benefit and award ceremony.  \nThis is a signature ArtTable event that we look forward to each year as an opportunity to bring our network together from around the world celebrating the women who make a difference in the art world. \nThe excitement around this year’s event in celebration of our 40th anniversary as well as our honoree Susan Unterberg and our awardees Wassan Al-Khudairi\, Erin Christovale\, Lauren Haynes and Jami Powell has been incredible. These women are an inspiration to us all. \n\nConsider supporting ArtTable today. Every dollar counts to help us support women in the visual arts.  \n\n               ArtTable Benefit and Award Ceremony Honorary Benefit Co-Chairs:\nSusan K. Freedman \nLowery Stokes Sims \nBarbara Tober \n 2020 Benefit Supporters and Host Committee Ruby Supporters Alva Greenberg Gold Supporters BlackRock Bloomberg Philanthropies Agnes Gund Susan Unterberg Bronze Supporters  ArtTable Northern California Chapter Susan K. Freedman Carol Cole Levin Marian Goodman Gallery Elizabeth Smith Barbara Tober HOST COMMITTEE Jody and John Arnhold Arlene Bascom Catherine Behrend Brian Wall Foundation Courtney Burbela Peggy Danziger Linda Fischbach Milly Glimcher Thelma Golden Donna Harkavy Patricia E. Harris Julia P. Herzberg Barbara T. Hoffman Raymond Learsy Susana Torruella Leval Melissa Osterwind The Pollock-Krasner Foundation Lyn M. Ross Mary Sabbatino Ann Schaffer Lowery Stokes Sims Ellen Taubman   MATRON/PATRON Jane Borthwick Lori Chemla Marna Clark Eileen Ekstract Elaine Goldman Marilyn Hoffman Sandra Lang Joyce Pomeroy Schwartz   *list as of February 24\, 2020    \n\nArtTable Benefit  Journal: Ad Deadline Extended to April 3!\nWe are still planning to share our Annual Benefit Journal with our members + friends digitally. This a wonderful opportunity to show your support for our honorees or promote your business and services. See the link below for journal rates and sizes! \nJournal advertising rates \nFor more information please contact Jonquil Schaller-Harris at jharris@arttable.org \n\nDistinguished Service to the Visual Arts Press Release \nNew Leadership Awards Press Release \n2019 Gala Highlights \nFor more information on making a donation or program ad sales please email jharris@arttable.org \nArtTable is a 501(c)(3) organization. All programs are non-refundable. \n\n            Honorees + Presenter Bios \n2020 Distinguished Service to the Visual Arts Honoree \nSusan Unterberg is a New York–based photographer and philanthropist whose poetic photographic and video work explores the psychological complexities of intimate relationships\, especially familial ones\, as well as nature and broader political themes. She was represented by Lawrence Miller Gallery\, and later Yancey Richardson Gallery\, and her work has been exhibited broadly in the U.S. and abroad at such institutions as the New Museum\, International Center of Photography\, and Contemporary Art Center in Cincinnati\, Ohio. Unterberg is represented in major public collections including the Metropolitan Museum of Art\, Museum of Modern Art\, Jewish Museum\, and Los Angeles County Museum of Art. She has been awarded fellowships and residencies at Yaddo\, the MacDowell Colony\, Djerassi Artists Program\, American Academy in Rome\, and Bogliasco. In 2019\, she was awarded NYU’s Distinguished Alumni Award\, as well as being honored at the Skowhegan Awards Dinner. In 2018\, Unterberg stepped forward as the founder and sole funder of the Anonymous Was A Woman award\, which awards 10 unrestricted $25\,000 grants to women-identifying artists over the age of 40. \n2020 New Leadership Awardees \nWassan Al-Khudhairi is chief curator at the Contemporary Art Museum (CAM) in St. Louis where she organized Stephanie Syjuco: Rogue States\, Bethany Collins: Chorus\, Paul Mpagi Sepuya\, Lawrence Abu Hamdan: Eartwitness Theatre\, Guan Xiao: Fiction Archive Project\, Hayv Kahraman: Acts of Reparation\, Trenton Doyle Hancock: The Re-Evolving Door to the Moundverse\, and SUPERFLEX: European Union Mayotte. Prior to her position at CAM\, Al-Khudhairi was the Hugh Kaul Curator of Modern and Contemporary Art at the Birmingham Museum of Art where she organized the first large-scale exhibition of the museum’s contemporary collection\, Third Space/shifting conversations about contemporary art. She was invited to be a curator for the 6th Asian Art Biennial in Taiwan in 2017 and co-artistic director for the 9th Gwangju Biennial in South Korea in 2012. Serving as the founding director of Mathaf: Arab Museum of Modern Art in Qatar\, Al-Khudhairi oversaw the opening of the museum in 2010 and co-curated Sajjil: A Century of Modern Art and curated Cai Guo-Qiang: Saraab. \n  \nErin Christovale is associate curator at the Hammer Museum and co-founder of Black Radical Imagination with Amir George. Notable exhibitions include a/wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts\, Memoirs of a Watermelon Woman (2016)\, and A Subtle Likeness (2016)\, both at ONE National Gay and Lesbian Archives\, S/Election: Democracy\, Citizenship\, Freedom (2016) at the Los Angeles Municipal Art Gallery\, the critically acclaimed Made in L.A. 2018 (2018) with Anne Ellegood\, and belonging (2019) at the Hammer Museum. \n  \nLauren Haynes is the curator of contemporary art at the Crystal Bridges Museum of American Art and curator of visual arts at the Momentary in Bentonville\, AR. Haynes was co-curator of the 2018 Crystal Bridges’s exhibition The Beyond: Georgia O’Keeffe and Contemporary Art and is co-curator of the 2019 exhibition Crystals in Art: Ancient to Today. Haynes is currently leading the curatorial team working on the exhibition State of the Art\, which opened at both Crystal Bridges and Momentary in February 2020. Prior to joining Crystal Bridges in October 2016\, Haynes spent nearly a decade at the Studio Museum in Harlem. As a specialist in African-American contemporary art\, Haynes curated dozens of exhibitions at the Studio Museum and contemporary art institutions in New York. Haynes was a 2018 Center for Curatorial Leadership fellow. Haynes is co-curator of the inaugural Tennessee Triennial for Contemporary Art taking place across Tennessee in 2021. \n  \nJami Powell is the Hood Museum’s first associate curator of Native American art and was recently appointed as a lecturer in Native American Studies at Dartmouth. Powell is a citizen of the Osage Nation and has a PhD in anthropology from the University of North Carolina at Chapel Hill. Prior to working at the Hood\, she was a faculty lecturer at Tufts University. She has also worked as a research assistant at the Denver Museum of Nature and Science\, was a Mellon Fellow at the Peabody Essex Museum\, and has conducted research projects at the Field Museum of Natural History and the Denver Art Museum. Powell’s research examines representations of Indigenous peoples in museums as well as the interventions contemporary Indigenous artists make through creative acts of self-representation. Powell is currently working on a book manuscript from her dissertation titled Stitching an Osage Future: Aesthetic Resistance and Self-Representation. She has also published articles in Museum Anthropology\, Panorama\, Museum Management\, and Curatorship\, and is an editorial advisor for First American Art Magazine. Powell has served on curatorial advisory boards for the Philadelphia Museum of Art and Yale University. She is currently working on several exhibitions including Form and Relation: Contemporary Native Ceramics\, Critical Indigenous Photographic Exchange (CIPX) Dartmouth\, and This Land: American Engagement with the Natural World. \nPresenters \nAmy Sherald was born in 1973 in Columbus\, GA\, Sherald documents contemporary African-American experience in the U.S. through arresting\, otherworldly portraits. Sherald subverts the medium of portraiture to tease out unexpected narratives\, inviting viewers to engage in a more complex debate about accepted notions of race and representation\, and to situate black heritage centrally in the story of American art. Sherald received her MFA in painting from Maryland Institute College of Art (2004) and her BA in painting from Clark-Atlanta University (1997). She was the first woman and first African-American ever to receive first prize in the 2016 Outwin Boochever Portrait Competition from the National Portrait Gallery in Washington\, DC; in February 2018\, the museum unveiled her portrait of former First Lady Michelle Obama. Sherald has also received the 2018 David C. Driskell Prize from the High Museum of Art in Atlanta\, the 2018 Pollock Prize for Creativity\, and the 2017 Anonymous Was A Woman grant. Her solo exhibition “Heart of the Matter” opened at Hauser &Wirth in NYC in September 2019. Alongside her painterly practice\, Sherald has worked for almost two decades alongside socially-committed creative initiatives\, including teaching art in prisons and art projects with teenagers. \n  \n \nShinique Smith is known for her monumental artworks of bundled fabric and gestural calligraphy that resonate on a spiritual and social scale which have been featured in acclaimed exhibitions such as Revolution in the Making: Women Abstract Sculptors 1940-2016; 30 Americans: Rubell Family Collection; UnMonumental: The Object in the 21st Century; New Museum\, and Frequency; Studio Museum in Harlem. Smith’s works are held in the collections of the Brooklyn Museum\, LACMA\, Museum of Fine Arts (Boston)\, and Whitney Museum among others. She earned her MFA from Maryland Institute College of Art\, where Smith was awarded the Alumni Medal of Honor (2012).
URL:https://www.arttable.org/event/annual-benefit-and-award-ceremony-honoring-susan-unterberg-anonymous-was-a-woman/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/01/ArtTable_Evite_FINAL_Pt1b-2-e1583175557125.png
ORGANIZER;CN="ArtTable Benefit":MAILTO:benefit@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200424T160000
DTEND;TZID=America/New_York:20200424T173000
DTSTAMP:20260403T152207
CREATED:20200417T201706Z
LAST-MODIFIED:20210216T191008Z
UID:2868-1587744000-1587749400@www.arttable.org
SUMMARY:Virtual | ArtTable X Come to Your Census Discussion and Happy Hour!
DESCRIPTION:Image: Art+Action’s Come to Your Census campaign. Featured artwork from left to right: Masako Miki\, Conversation with Plates\, 2018.\, Clare Rojas\, Untitled\, 2020.\, Joel Daniel Phillips\, Charlie Lee #3\, 2017. \nJoin ArtTable for a conversation with the creative collaborators behind- Come to Your Census: Who Counts in America? a digital art and civic experience organized by Yerba Buena Arts Center as part of Art+Action’s arts-driven COME TO YOUR CENSUS arts-driven campaign\, galvanizing communities to participate in the 2020 Census. As part of ArtTable’s curatorial perspective virtual programming\, we’ll be speaking with the curators\, artists\, and creative collaborators involved in this initiative\, as an important model of how now more than ever\, arts institutions are embracing collaboration and leaning into their role to advocate with and inspire our communities. \nThis event will be followed by a 10 minute Census-taking ‘happy hour.’ For all who take their 2020 Census and send proof to Art+Action\, they will be gifted an art sweatshirt by artists Arleene Correa Valencia + Ana Teresa Fernández as part of their collaboration SOMOS VISIBLES. This ongoing project takes a political stance on visibility through the use of high visibility ready-to-wear safety gear present throughout many labor industries\, and as it relates to the invisibility of the undocumented in the U.S.—and within COME TO YOUR CENSUS campaign\, as it relates to being seen and counted in the 2020 Census. Read more about SOMOS VISIBLES—made possible through the generous support of Levi’s—and the artists’ work here. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nBefore COVID-19 changed our lives and took hold of our collective psyche\, independent curator\, activist and ArtTable member Amy Kisch was commissioned by San Francisco’s Office of Civic Engagement and Immigrant Affairs (OCEIA) to develop an arts-driven campaign to mobilize communities around the 2020 Census. Understanding that the Census determines the distribution of federal money and political power across the U.S.\, Kisch\, together with Amy Schoening and Brittany Ficken\, formed Art+Action\, the first-ever coalition for civic participation across art\, creative\, community\, business\, technology\, philanthropy\, activist\, and government sectors. Art+Action approached Yerba Buena Center for the Arts (YBCA)\, inviting them to enter into a partnership to amplify and expand this work. YBCA eagerly accepted this call to collaboration—becoming a Lead Partner in the coalition and Art+Action’s headquarters \nMeet the participants:  \nAshara Ekundayo is a Detroit-born\, Oakland-based\, inter-disciplinary independent curator\, artist\, creative industries entrepreneur and organizer working internationally across cultural\, spiritual\, civic\, and social innovation spaces.  Through her company AECreative Consulting Partners she places artists and cultural production as essential in equitable design practices\, real estate development\, and movement building. Some of her ventures Evolve Oakland (formally known as Impact Hub Oakland)\, Omi Arts Project + Space\, and Ashara Ekundayo Gallery gained international attention for their groundbreaking methodology and courageous programming and have been featured in publications such as Black Enterprise\, Forbes and The Guardian. Ashara is also a “pleasure activist” and her creative arts practice epistemology requires an embodied commitment to recognizing joy in the midst of struggle.Currently she serves as Chief Creative Catalyst for the Bay Area Girls & Womxn of Color Collaborative\, sits on the Advisory Board of the Oakland Public Conservatory of Music\, and is the Co-Founder of See Black Women – a curatorial collective whose mission is to center and present an understanding of Black feminist thought and creative culture through exhibition\, publication and policy.  Her new media platform and forthcoming book\, “Artist As First Responder” excavates\, documents\, and nurtures the next generation of cultural workers whose practices save lives. \nre.riddle’s founder and principal and ArtTable member\, Candace Huey\, brings her extensive knowledge of and experience in the art world to her projects. Huey has worked for the Fine Arts Museums of San Francisco\, Bonham’s auction house\, Alameda County Arts Commission and various galleries in the Bay Area where she curated exhibitions showcasing the work of 20th century masters and contemporary artists. As an independent curator\, she conceptualized and produced exhibitions for cultural institutions such as Chinese Culture Center of San Francisco\, Consulado General de México\, Consulado General de España\, and Consulat Général de France\, San Francisco. She consults on collection portfolio and development for private clients in San Francisco\, Hong Kong\, Chicago\, London and Paris. \nHuey holds degrees from The Courtauld in London and U.C. Berkeley\, and has presented her academic research on 17th century Dutch Art at renowned conferences in the United States and the Netherlands.  She currently teaches art history at a private university\, sits on the executive council for SECA SFMoMA\, de Young Museum College Programs Advisory\, ArtTable and is an active member of Artadia San Francisco Council and Headlands Center for the Arts. \nSarah Cathers is the Director of Public Life at the Yerba Buena Center for the Arts (YBCA) in San Francisco where she develops the organizational focus on radical hospitality; participation rich public spaces; deep and generative relationships with community; and a culture of invitation. Making sure that people\, aka ‘the public’\, are at the center of everything we do at YBCA\, Sarah works alongside other departments to lead projects out of traditional roadblocks and help connect the work we all do in a more holistic manner. \nShe has 24 years of experience in arts leadership\, curation and operations\, including producing 7 years of the renowned SFFilm Festival and 9 years at the Wexner Center for the Arts in Columbus\, Ohio. She has performed in and produced stage and film works for SFMOMA and Di Rosa Center for Contemporary Art\, designed costumes for independent short films and music videos and was an internationally touring performance artist. She has served on the Board of The Lab\, one of San Francisco’s most beloved experimental performance spaces and managed a 15-artist gallery and studio space in her hometown of Columbus\, Ohio. \nMartin Strickland is the Associate Director of Public Life at the Yerba Buena Center for the Arts (YBCA) in San Francisco where he develops the organizational focus on radical hospitality; participation rich public spaces; deep and generative relationships with community; and a culture of invitation. Making sure that people\, aka ‘the public’\, are at the center of everything we do at YBCA\, Martin works to commit the model of the art institution as a public resource — to pledge the institution to artistic practitioners and constituencies who understand art and culture as forms of knowledge and experience that support civic inquiry. \nHe has curated multiple exhibitions and public programs\, including co-curating YBCA’s signature triennial Bay Area Now 8 in 2018\, and has collaborated with Lucía Sanromán on The City Initiative\, a series of exhibitions and public programs featuring architects designers\, planners and artists that focus on creating provocative works in the urban environment. Prior to YBCA\, he worked as the programs assistant at the Arts Research Center\, UC Berkeley\, as an independent contractor with the San Francisco Arts Commission\, and as a community organizer for public health in New Orleans. \nYerba Buena Center for the Arts (YBCA) is one of the nation’s most innovative contemporary arts centers. Founded in 1993\, YBCA’s mission is to generate culture that moves people. \nAmy Kisch is the Founder + Artistic Director of Social Impact for the Art+Action Coalition. For over two decades\, Kisch has worked as a strategist and cultural producer\, developing major global\, art\, culture\, and brand initiatives for high-profile private\, corporate\, institutional\, and non-profit clients including Sotheby’s\, ABC TV\, The Armory Show\, AT&T\, NYFA\, and the Williamsburg Gallery Association\, among others. Having spent six years in clinical and community social work\, her projects are underscored by efforts to democratize access\, while upholding integrity and quality in curatorial vision and programming. In 2018\, Kisch launched Collect For Change™—collaborating with artists to offer artwork with a portion of sales benefiting a charity selected by each artist. \nBrittany Ficken is cultural producer who has worked in the arts for the last eight years at art museums\, arts organizations\, and on various independent projects. She is the Executive Producer and Project Director of Art+Action\, an arts-driven cross-sector coalition for civic participation—mobilizing around the 2020 Census—headquartered at Yerba Buena Center for the Arts and powered by San Francisco’s Office of Civic Engagement and Immigrant Affairs. \nBrittany Ficken is the Co-Director of The Painting Salon\, a bi-monthly roaming lecture series that creates conversation around contemporary art in the San Francisco Bay Area. From 2016-2019\, Brittany Ficken worked with Headlands Center for the Arts to manage the production of outdoor public artworks in the National Park\, produce events\, fundraise\, manage Board relations\, and to run the artist limited edition program. While in the Bay Area\, Brittany has also worked with McEvoy Foundation for the Arts\, Rena Bransten Gallery\, and Yerba Buena Center for the Arts. Previously\, in New York\, Brittany Ficken developed arts programming and communications for Artis. She also worked on the Foundation for Contemporary Arts’ annual benefit art exhibition at Matthew Marks Gallery. From 2012-2014 Brittany Ficken was Assistant Curator at City Ice Arts in Kansas City. In 2012 she worked with the Nelson Atkins Museum of Art. The same year\, Brittany Ficken co-founded Archive Collective\, an active organization that provides opportunities for communities to engage with photography by hosting group critiques\, gallery visits\, artist talks\, studio visit\, and local and traveling exhibitions.
URL:https://www.arttable.org/event/virtual-arttable-x-come-to-your-census-discussion-and-happy-hour/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/04/1.-CometoYourCensus_WebsiteView-e1587152545786.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200428T160000
DTEND;TZID=America/New_York:20200428T170000
DTSTAMP:20260403T152207
CREATED:20200424T231420Z
LAST-MODIFIED:20260113T161423Z
UID:2934-1588089600-1588093200@www.arttable.org
SUMMARY:VIRTUAL | Assessing Risk with Covid-19: Museums\, Galleries and Private Collections
DESCRIPTION:Image: Juan Arredondo for The New York Times \n\nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there!\n\nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation on risk assessment for museums\, private collections and galleries during COVID-19. We’re bringing together experts to discuss the most significant risks for art when museums\, galleries\, and other exhibiting institutions are closed\, as well as important measures to be taken. \nAbout the participants:  \nAleesha Ast\, Associate Registrar\, Boca Raton Museum of Art \nBefore joining the Boca Raton Museum of Art in February 2020\, Aleesha held registrar positions at NSU Art Museum Fort Lauderdale\, Norton Museum of Art\, Crystal Bridges Museum of Art\, and Ringling Museum of Art. With a decade of experience coordinating exhibitions\, facilitating loans\, couriering artworks\, and preparing for natural disasters\, she has worked with conservators\, artists\, preparators\, and invaluable colleagues to be well-versed in collections of all sorts and objects of all mediums.  \nAleesha earned a Bachelor of Arts degree in History/Archaeology\, summa cum laude from Binghamton University and a Master of Arts degree in Decorative Arts\, Design History\, and Material Culture from the Bard Graduate Center. \nJitka Kyrian\, Associate Conservator at GV Art Conservation  \nJitka is a Paintings and Objects Conservator with GV Art Conservation and has been in this role since 2015. Prior to joining GV Art Conservation\, Jitka had 9 years of experience working in museums and other institutions in Germany and other European countries. She holds a degree in Conservation from the Technical University in Munich\, Germany and continues her education with on-going conservation studies.  \nWith her specialization in paintings\, sculptures and objects she worked in private conservation studios and institutions such as the Wallraf-Richartz- Museum/Museum Ludwig (Cologne\, Germany)\, the Conservation Institute Ludbreg (Croatia)\, the Vancouver Museum (British Columbia) and the National Gallery of Prague (Czech Republic). From 2008 to 2015 she worked in the Museum Five Continents Munich\, which houses one of the biggest collections of ethnographic art and objects worldwide. Here Jitka gained experiences working with artworks and objects of various materials and material combinations of all periods and regions of the world. Additionally she gained practical experiences in fields such as preventive conservation\, storage management\, risk management and the supervision and management of museum’s staff and other professionals. \nMary Pontillo\, Senior Vice President\, National Fine Arts Practice Leader  \nIn her current position as Senior Vice President and National Fine Art Practice Leader at DeWitt Stern/Risk Strategies\, Mary handles and produces Fine Art accounts including Fine Art dealers\, private collectors\, and museums\, artist foundations among others\, along with the Property & Casualty policies associated with these accounts.  In addition Mary consults on client Fine Art exposures firm-wide. \nBefore joining DeWitt Stern in May 2006\, Mary worked at Huntington T. Block Insurance Agency/Aon for over three years as a Fine Art Insurance Underwriter and Account Manager\, handling large line Fine Art accounts. In addition\, she taught art in Norfolk\, VA\, for two years and served as a docent at the Smithsonian Institute’s Hirshhorn Museum and Sculpture Garden in Washington\, D.C. \nMary earned her Bachelor of Arts degree in Fine Art and Masters in Art History from James Madison University. She also completed the Appraisal Studies and Art Business certificate programs at New York University. \nIn 2010\, 2011\, 2012\, 2014\, 2015\, 2017 and 2018 Mary was recognized as Power Broker: Fine Art category by Risk & Insurance magazine\, as well as the Enterprising Achiever Award from NAIW. In addition\, in 2011\, Risk & Insurance magazine awarded Mary the Responsibility Leader designation. 
URL:https://www.arttable.org/event/virtual-assessing-risk-with-covid-19-museums-galleries-and-private-collections/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/merlin_171168393_3be61dc3-4bf4-4ca5-b2dd-812ca9be3631-jumbo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200428T190000
DTEND;TZID=America/New_York:20200428T210000
DTSTAMP:20260403T152207
CREATED:20200225T230253Z
LAST-MODIFIED:20210216T190314Z
UID:2461-1588100400-1588107600@www.arttable.org
SUMMARY:VIRTUAL | DC Around the Table book group
DESCRIPTION:In response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThis program is for ArtTable members only! \n\nJoin us to discuss Blood Water Paint\, by Joy McCullough\, who gives voice to Baroque feminist icon Artemisia Gentileschi. \nOpen to all members. We meet four times a year. Come to one or all. \nThank you to Ruth Abrahams.
URL:https://www.arttable.org/event/dc-around-the-table-book-group-2/
LOCATION:To be announced\, Valet parking available
CATEGORIES:New York,National,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/9780735232112.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200429T120000
DTEND;TZID=America/New_York:20200429T130000
DTSTAMP:20260403T152207
CREATED:20200409T145059Z
LAST-MODIFIED:20210216T190229Z
UID:2844-1588161600-1588165200@www.arttable.org
SUMMARY:VIRTUAL | ATCONNECT with Roberta Bantel
DESCRIPTION:Image: Roberta Bantel \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nThis April\, ArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT is transitioning to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nJoin us for these “Ask Me Anything” session via Zoom to take advantage of learning more about different sectors of the art world while respecting social distancing. \n\n\nDuring this virtual lunch hour we will hear from Roberta Bantel on leadership development. \nRoberta is a leadership coach and a former marketing executive with wide experience in the communication and advertising industry and in Leadership Development. Roberta informally began coaching and guiding her own staff and direct reports\, while running Omnicom’s subsidiary\, TBWA\, in Berlin\, Germany. Through this experience\, she found her true passion and has dedicated the last ten years to developing and focusing exclusively on coaching. In 2008\, Roberta founded Roberta Bantel & Friends LLC\, a Leadership Coaching Company with clients in Asia\, Europe\, USA and South America. Her passion and main focus is coaching across cultural and geographical borders and supporting women in developing as leaders. \nHolding a BA in Social Communication from the Catholic University of Santos\, Brazil and is a certified coach through The Leadership Coaching Program of Georgetown University\, Washington\, DC. \nIn addition to her Leadership Development and Coaching Company\, Roberta is the Associate Director for the Leadership Coaching Program at Georgetown University. \n\n\nThis program is hosted by Concetta Duncan\, Maria Sancho-Arroyo and Caitlin Berry
URL:https://www.arttable.org/event/virtual-atconnect-with-roberta-bantel/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/IMG_0476-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200430T160000
DTEND;TZID=America/New_York:20200430T170000
DTSTAMP:20260403T152207
CREATED:20200422T161001Z
LAST-MODIFIED:20210216T190158Z
UID:2894-1588262400-1588266000@www.arttable.org
SUMMARY:AT Together | Educators with  Riva Blumenfeld
DESCRIPTION:Image: Courtesy of Riva Blumenfeld \nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role and needs. \nThis session is for Educators and will be facilitated by Riva Blumenfeld\, museum educator. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nRiva Blumenfeld began her career as an educator at the Brooklyn Museum and then became an art dealer specializing in contemporary art & printmaking which she has been pursuing for over 25 years. Since closing her public gallery in January 2002\, she has been teaching adult classes in contemporary galleries at the 92nd Street Y and since 2004 she’s been working with school groups at the Guggenheim Museum and families and access groups at the Museum of Modern Art and the Whitney Museum of American Art. \nAdditionally\, she was the New York chapter chair of ArtTable and on the board of the Lower Eastside Printshop.
URL:https://www.arttable.org/event/at-together-educators-with-riva-blumenfeld/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2020/04/Screen-Shot-2020-04-16-at-8.23.54-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200503T110000
DTEND;TZID=America/Los_Angeles:20200503T130000
DTSTAMP:20260403T152207
CREATED:20200422T151745Z
LAST-MODIFIED:20210216T190116Z
UID:2890-1588503600-1588510800@www.arttable.org
SUMMARY:VIRTUAL | Reading at the (Art)Table
DESCRIPTION:Image: Recollections of My Nonexistence by Rebecca Solnit \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThis program is for ArtTable members only! \n\nReading at the (Art)Table has gone online to keep us connected and engaged in conversations about art\, culture\, criticism\, and contemporary challenges in the Time of Corona. \nWe will be reading “Recollections of My Nonexistence\,” by Rebecca Solnit. \nIn Recollections of My Nonexistence\, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco\, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. \nThank you to Jan Wurm\, Northern California Chapter\, for organizing. 
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/9780593083338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200507T160000
DTEND;TZID=America/New_York:20200507T170000
DTSTAMP:20260403T152207
CREATED:20200429T173155Z
LAST-MODIFIED:20210216T185845Z
UID:2944-1588867200-1588870800@www.arttable.org
SUMMARY:AT Together | Curators with Natasha Becker
DESCRIPTION:Image: Nora Riggs\, Girl with phone\, 2020\, Ink\, graphite and crayon. 14 × 17 in \nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role and needs. \nThis session is for curators and will be facilitated by Natasha Becker. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nNatasha Becker is an independent curator and one of the co-founders of ASSEMBLY ROOM and the UNDERLINE SHOW\, both platform for creating community among curators and supporting artists careers through exhibitions. Her work draws on her expertise in contemporary African art\, political and social practice art\, and a passion for working collaboratively\, deepening community\, and engaging social discourse. She recently co-curated two exhibitions\, “Perilous Bodies\,” and “Radical Love\,” at the distinguished Ford Foundation Center for Social Justice to inaugurate their new art gallery in New York (2019). Her past experience includes curating exhibitions at the Goodman Gallery (South Africa)\, organizing public programs in global art history at the Clark Art Institute and launching an international video art festival (both Massachusetts\, USA). Born and raised in Cape Town\, South Africa\, Natasha has lived and worked in New York since 2003.
URL:https://www.arttable.org/event/at-together-curators-with-natasha-becker/
LOCATION:Maryland
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/08.-girl-with-phone.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200508T083000
DTEND;TZID=America/New_York:20200508T100000
DTSTAMP:20260403T152207
CREATED:20200423T154459Z
LAST-MODIFIED:20210216T185811Z
UID:2899-1588926600-1588932000@www.arttable.org
SUMMARY:VIRTUAL | BreakfastTable with Wendy Clark
DESCRIPTION:Image: Wendy Clark \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable East Coasters\, join us for a virtual Breakfast Table with guest speaker Wendy Clark. Wendy Clark joined Arts Consulting Group as Vice President in 2020 with more than 35 years of experience in museums\, visual arts\, and design. Her areas of expertise include grantmaking\, programming support\, and project management on a national scale. She also has extensive training and experience in the areas of diversity\, equity\, inclusion\, implicit bias\, ethics\, anti-harassment\, the Hatch Act\, leadership\, cyber-security\, and executive coaching. \nThis event will start 30 minutes later than usual to allow adequate time for coffee brewing and breakfast making! \nMost recently serving as Director of Museums\, Visual Arts\, and Indemnity at the National Endowment for the Arts (NEA). “Today’s cultural organizations are increasingly called upon to expand their missions to help communities cope with contemporary challenges. The cultural sector is an ecosystem\, dependent upon the interaction and support of a variety of parties. Its success is contingent on the collaboration of patrons\, foundations\, and the public\, corporate. and governmental sectors.” \nPrior to joining the NEA\, Ms. Clark served as a Grant and Public Affairs Specialist for the Illinois Arts Council. During her tenure\, she developed\, promoted\, and implemented $1 million statewide grants initiative for local cultural facility planning and development. She was the recipient of the Federal Design Achievement Award for the Illinois Arts Council’s Building by Design Program\, served as an Arts Management Fellow at the NEA\, and chaired the architecture and design review committee for a mid-century modern residential community. \nMs. Clark is a member of the American Alliance of Museums and ArtTable\, a national membership organization dedicated to advancing women’s professional leadership in the visual arts. \nMs. Clark holds a bachelor of arts degree in political science from the University of Michigan and studied Elizabethan history\, art\, and literature at New College\, University of Oxford. \nThank you to Blair Wunderlich. 
URL:https://www.arttable.org/event/virtual-breakfasttable-with-wendy-clark/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/Clark-Blair-Leake-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200512T160000
DTEND;TZID=America/New_York:20200512T170000
DTSTAMP:20260403T152207
CREATED:20200504T190818Z
LAST-MODIFIED:20210216T185738Z
UID:2953-1589299200-1589302800@www.arttable.org
SUMMARY:VIRTUAL | Artist Talk with Liza Lou
DESCRIPTION:Image: Courtesy the artist and Lehmann Maupin\, New York\, Hong Kong\, and Seoul. Photo by: Zihui Song \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all\, with a minimum donation of $5.00 to participate in this event. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation with artist\, Liza Lou. Lou’s ongoing project “Apartogether\,” looks to build beauty and community in the time of social distancing.  \nLiza Lou (b. 1969\, New York; lives and works in Los Angeles) first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of labor\, this groundbreaking work subverted prevalent standards of art by utilizing glass beads as a fine art material. As a monumental work of twentieth century feminist art\, Kitchen’s slow\, hand-made process is a tribute to women whose work has historically gone unrecognized. The project blurs the boundary between fine art and craft\, and established Lou’s long-standing exploration of materiality\, beauty\, and the valorization of labor. Centering her practice on a craft métier has led Lou to work in collaboration with artisans in a variety of socially engaged settings\, including recent projects in Brazil and India\, as well as Durban\, South Africa\, where she founded a collective in 2005 that she continues to work with today.  \nOver the past 15 years\, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work. In 2016\, Lou constructed The Waves\, a monumental installation comprised of 1\,000 white beaded sheets that were marked by the transference of oils from the hand of the maker and variance of their weaving. This lead to Lou’s investigation into the potential of a minimalist approach\, and ultimately the most fundamental components of visual art—color\, light\, line\, volume and texture—recreating beads as paint\, mixed and bound to canvas. Lou’s practice can be described as a careful study of the forms and conceptual function of minimalism\, but without the associated dogma of the absence of personal expression and erasure of the hand of the maker. The artist has recently begun painting directly onto layers of beaded cloths and then hammering the beads away to reveal the delicate network of paint-soaked thread hidden inside them. In choosing to dedicate her career to one specific material\, Lou has recalibrated the confines of the singular mediums of art— painting and sculpture—pushing a material not traditionally associated with either across the spectrum to both ends.  \nLiza Lou has had over 40 solo exhibitions in museums and galleries around the world including Lehmann Maupin Seoul (2019)\, New York (2018)\, and Hong Kong (2017); Zeitz Museum of Contemporary Art\, Cape Town\, South Africa (2017); Galerie Thaddaeus Ropac\, Salzburg\, Austria (2016); Neuberger Museum of Art\, Purchase\, NY (2015); Wichita Museum of Art\, Wichita\, KS (2015); White Cube\, London\, United Kingdom (2014); Museum of Contemporary Art\, San Diego\, CA (2013); SCAD Museum of Art\, Savannah\, GA (2011); L&M Arts\, New York\, NY (2008); Museum Kunstpalast\, Düsseldorf\, Germany (2002); Bass Museum of Art\, Miami\, FL (2001); Akron Art Museum\, Akron\, OH (2000) and the Renwick Gallery\, Smithsonian Institution of American Art\, Washington\, D.C. (2000).  \nSelect group exhibitions have included Making Knowing: Craft in Art\, 1950-2019\, Whitney Museum of American Art\, New York\, NY (2019); Less Is a Bore: Maximalist Art & Design\, Institute of Contemporary Art Boston\, MA (2019); Lexicon: The Language of Gesture in 25 Years at Kemper Museum\, Kemper  \nMuseum of Contemporary Art\, Kansas City\, MO (2019); We the People: New Art from the Collection\, Albright Knox Art Museum\, Buffalo\, NY (2018); Screens: Virtual Material\, DeCordova Sculpture Park and Museum\, Lincoln\, MA (2017); No Place Like Home\, Israel Museum\, Jerusalem\, Israel (2017); Women’s Work\, National Gallery\, Iziko Museum\, Cape Town\, South Africa (2016); Home Land Security\, FOR-SITE Foundation\, San Francisco\, CA (2016); Stories of Espai 10 and Espai 13\, Fundació Joan Miró\, Barcelona\, Spain (2014); The Artist’s Museum\, Museum of Contemporary Art\, Los Angeles\, CA (2010); Skin Fruit: Selections from the Dakis Joannou Collection\, New Museum\, New York (2010) and 19th Century and Modern Art\, Metropolitan Museum of Art\, New York (2010). Lou’s work is in numerous international public and private collections\, including the Albright Knox Museum\, Buffalo; Brant Foundation\, Greenwich; Cleveland Museum of Art; Cleveland; DESTE Foundation for Contemporary Art\, Athens; de Young Museum\, San Francisco; François Pinault Foundation\, Palazzo Grassi\, Venice; La Fondación Jumex\, Mexico City; Hammer Museum\, Los Angeles; Kemper Museum of Contemporary Art\, Kansas City; Los Angeles County Museum of Art\, Los Angeles; The Museum of Modern Art\, New York; The Museum Voorlinden\, Wassenaar; and the Whitney Museum of American Art\, New York.  \nSkira Rizzoli published the first comprehensive monograph of the artist’s career in 2010. Liza Lou is the recipient of the 2013 Anonymous Was A Woman Award and the 2002 MacArthur Foundation Fellowship.
URL:https://www.arttable.org/event/virtual-artist-talk-with-liza-lou/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/LL-portrait-by-Zihui-Song-2019-hr-scaled-e1588618388805.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200514T160000
DTEND;TZID=America/New_York:20200514T170000
DTSTAMP:20260403T152207
CREATED:20200511T121131Z
LAST-MODIFIED:20210216T185703Z
UID:2976-1589472000-1589475600@www.arttable.org
SUMMARY:Virtual| AT Together: Non-profit leadership with Jennifer Scanlan
DESCRIPTION:Image: Eyakem Gulilat. Photo by Jennifer Scanlan. \nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role. \nThis session is for non-profit leadership and will be facilitated by Jennifer Scanlan. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJennifer Scanlan is an independent curator focusing on contemporary art and design. She has worked in exhibitions and programming in organizations and museums across the country\, most recently as the Exhibitions and Curatorial Director at Oklahoma Contemporary in Oklahoma City. From 2013 through 2015 she was a New York-based independent curator working on exhibitions at the Museum of Arts and Design in New York City;  the National Museum of Women in the Arts in Washington\, D.C.; the Brattleboro Museum and Art Center in Vermont; the Samuel Dorsky Museum of Art at SUNY New Paltz; and the Museum of Biblical Art in New York.   \nPrior to working independently\, for twelve years she was Associate Curator at the Museum of Arts and Design in New York City. She has taught at Courtauld Institute of Art Summer School in London\, England\, and at Parsons The New School for Design in New York . She has a BA in art history and Italian from Vassar College\, Poughkeepsie\, New York\, and an MA in the history of decorative arts\, design\, and culture from the Bard Graduate Center\, New York\, New York. 
URL:https://www.arttable.org/event/virtual/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/IMG_5919-scaled-e1589199400705.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200515T170000
DTEND;TZID=America/New_York:20200517T000000
DTSTAMP:20260403T152207
CREATED:20200513T140559Z
LAST-MODIFIED:20210216T185634Z
UID:2986-1589562000-1589673600@www.arttable.org
SUMMARY:Weekend Film Streaming: TALKING HOUSE Eileen Gray & Jean Badovici
DESCRIPTION:Image: © Elizabeth Lennard \nIntroducing ArtTable weekend film streamings! This weekend members will have the opportunity to access and watch TALKING HOUSE Eileen Gray & Jean Badovici\, a film by Elizabeth Lennard.  \nAre you an ArtTable member? If so\, here’s how to take part! \n\nRegistration will open on Friday\, May 15 at 10 AM: Login and register here to receive the link for this streaming\nThe link to the film will be located in the summary section of your registration confirmation email\nUse the link to access the film- enjoy!\nLet us know what you think! Tag us on Instagram @arttableinc and use the #ATstreaming\n\n\n“Talking House: Eileen Gray & Jean Badovici” is a 40-minute montage of E.1027\, the iconic modernist villa on the Cote d’Azur in 1929\, built by Eileen Gray and Jean Badovici . Filmed today\, and using Eileen Gray’s 1929 photographs of the villa and recently restored Le Corbusier film footage\, the camera takes us through E.1027 as the couple talks and argues off screen about the design philosophy behind the breakthrough layout\, interiors and furniture. Heated correspondence between Corbu (Le Corbusier) and Bado (Badovici) adds a bit of controversy over the later addition of Corbu’s wall paintings. \nThis multi-media art piece created by Elizabeth Lennard was part of the MoMA exhibit\, How Should We Live? Propositions for the Modern Interior (Oct. 1–April 23\, 2017) and is now in MoMA’s collection. \nIn lieu of the the canceled in person program to celebrate the Eileen Gray exhibition at Bard Graduate Center this Spring\, we’re kicking off this streaming series with a film that spotlight’s Gray’s status as a pioneer of modern architecture. \nStreaming should begin in time for Friday Happy Hour at 5 PM EST and conclude at midnight on Sunday. We hope you enjoy! \nThank you to Ingrid Dinter\, NY Chapter\, for organizing this program. 
URL:https://www.arttable.org/event/virtual-weekend-film-streaming-talking-house-eileen-gray-jean-badovici/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/5648abb036d508b5ac4567515b8be5b9-scaled-e1589376881635.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200518T160000
DTEND;TZID=America/New_York:20200518T170000
DTSTAMP:20260403T152207
CREATED:20200508T133153Z
LAST-MODIFIED:20210216T185607Z
UID:2967-1589817600-1589821200@www.arttable.org
SUMMARY:VIRTUAL | Curatorial Perspective: For a Dreamer of Houses
DESCRIPTION:Image: Misty Keasler\, Green Room (Quarenteen) Leagnul di Copii\, Tigru Mures\, Romania\, 2004. Courtesy Misty Keasler and The Public Trust Gallery. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a presentation and virtual walk through of For a Dreamer of Houses\, an imaginative and immersive exhibition at the Dallas Museum of Art\, with Dr. Anna Katherine Brodbeck\, the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art\, as part of ArtTable’s virtual curatorial perspective series. For a Dreamer of Houses explores the significance of the spaces we inhabit and how they represent ourselves\, our values\, and our desires- a curatorial theme that feels all too relevant as so many of us remain at home.  \nAbout Dr. Anna Katherine Brodbeck \nAnna Katherine Brodbeck.\nDr. Anna Katherine Brodbeck is the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art. She joined the DMA in January 2017 as the Nancy and Tim Hanley Assistant Curator of Contemporary Art\, as was promoted to Associate Curator in May 2018. Brodbeck has extensive knowledge of modern and contemporary art\, with a focus on Latin American art\, as well as a background in Islamic art. As the Hoffman Family Senior Curator\, Brodbeck oversees exhibitions\, programming\, publications\, and acquisitions related to the Museum’s leading collection of contemporary art. In collaboration with Dr. Agustín Arteaga\, The Eugene McDermott Director\, and other colleagues throughout the Museum\, Brodbeck works to expand the scope of the department to reflect the DMA’s commitment to presenting an inclusive\, globally-minded vision of the art historical canon. \nSince joining the DMA in 2017\, Brodbeck has curated several exhibitions across the breadth of contemporary art\, including Jonas Wood (2019)\, the first major museum survey of works by the beloved Los Angeles-based painter. She also curated America Will Be!: Surveying the Contemporary Landscape (2019)\, a focused exhibition of works primarily from the DMA’s collection of contemporary art—including 15 new acquisitions she oversaw for the DMA—that take the American landscape as a point of departure. \nBrodbeck also served as installation curator for the Dallas presentations of Günther Förg: A Fragile Beauty (2018)\, the most comprehensive survey of Förg’s work to date\, and Laura Owens (2018)\, the critically acclaimed mid-career survey of the American artist. She also curated the immensely popular presentation of Yayoi Kusama: All the Eternal Love I Have for the Pumpkins (2017) and co-curated Truth: 24 frames per second\, the DMA’s first exhibition dedicated to time-based media. Additionally\, she has organized the DMA’s exhibition series Concentrations\, which spotlights emerging international artists.  \nPrior to arriving at the DMA\, Brodbeck worked in curatorial departments at the Carnegie Museum of Art\, the Frick Collection\, and the Museum of Modern Art\, New York. She co-curated the first comprehensive US retrospective of the influential Brazilian artist Hélio Oiticica in Hélio Oiticica: To Organize Delirium (2016)\, co-organized by the Carnegie Museum of Art\, the Art Institute of Chicago\, and the Whitney Museum of American Art. She also delivered extensive exhibition research for Picasso’s Drawings\, 1890–1921: Reinventing Tradition (The Frick Collection\, 2011) and Richard Serra Sculpture: Forty Years (The Museum of Modern Art\, 2007).   \nBrodbeck has been supported by a number of fellowships\, and she has delivered scholarly papers and contributed to numerous publications in her field. She has also served as an adjunct instructor of art history at New York University and Hunter College\, and is a member of the College Art Association and Latin American Studies Association.   \nDr. Brodbeck earned her master’s and doctorate degrees in art history from the Institute of Fine Arts\, New York University. She is a magna cum laude graduate of New York University and a member of Phi Beta Kappa. \nThank you to Sarah McNaughton\, NY Programs Committee\, for organizing this event.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-for-a-dreamer-of-houses/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/web-Misty-Keasler-Green-Room-Quarenteen-Leagnul-di-Copii-Tigru-Mures-Romania-2004.-Courtesy-Misty-Keasler-and-The-Public-Trust-Gallery_0-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200520T130000
DTEND;TZID=America/New_York:20200520T140000
DTSTAMP:20260403T152207
CREATED:20200513T191315Z
LAST-MODIFIED:20210216T185538Z
UID:2994-1589979600-1589983200@www.arttable.org
SUMMARY:AT CONNECT | Laura Bardier
DESCRIPTION:Image: Laura Bardier \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nRegister here!\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT transitioned to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nDuring this session we will hear from Laura Bardier\, Executive Director of the James Howell Foundation (New York) and Founding Director of ESTE ARTE Art Fair (Punta del Este).  \nLaura Bardier (1976\, Montevideo) is Executive Director of the James Howell Foundation (New York) and Founding Director of ESTE ARTE Art Fair (Punta del Este).  \nIn 2002 she collaborates with the Municipality of Naples\, to create the first contemporary art center of the city: PAN. From 2004 to 2008\, she served as curator at PAN\, where she oversaw the exhibitions programming and initiated the museum’s media art collection.  \nFrom 2008 to 2010\, she was the collection manager for the J.P. Carroll Private Collection (New York / London).  From 2010 to 2014\, she was the collection manager for the well-respected collector and philanthropist Estrellita B. Brodsky. \nIn 2015\, she founded ESTE ARTE\, the International Art Fair in Uruguay. The fair is brought forth by my commitment and passion for the arts and making it accessible to the widest audience possible. Its goal is the professionalization of the visual arts in the region and the advancement of private and public collections. Presenting 140 international exhibitors\, throughout the first six editions the fair has welcomed 25\,000 visitors\, among the most renowned international collectors and art supporters. Laura Bardier shaped and led the organization’s strategy to grow relationships with private and public donors\, collectors\, and art dealers to implement the most international art fair in South America.  \nIn 2017\, she was appointed to create the James Howell Foundation in New York\, for which she is now Executive Director. As an artist-endowed foundation\, the James Howell Foundation supports education programs\, exhibitions\, and scholarships.  \nShe has written on contemporary art in publications such as Domus Magazine\, Arte al Día\, Review\, Infonegocios and has curated several exhibitions including Robots\, Los Impolíticos\, and Richard Garet: Espacios no-Euclídeos\, and The Birdwatchers. She has also organized international conferences including1st Forum on Documentation\, 2nd Forum on New Media Art\, and Art and the New Media Art series for the MoMA-PS1 radio at the 52nd Venice Biennale.  \nShe is member of the National Committee of Visual Arts of Uruguay\, and has been a jury in several awards\, such as the Cezanne Prize of the French Embassy in Uruguay and the Parsons School of Design. Laura Bardier received her master’s degree in Curatorial Studies\, focusing in new media\, from the Donau Universität\, Austria.
URL:https://www.arttable.org/event/at-connect-laura-bardier/
LOCATION:Maryland
CATEGORIES:New York,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/EA18_RetratoLaura1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200527T120000
DTEND;TZID=America/New_York:20200527T130000
DTSTAMP:20260403T152207
CREATED:20200507T152445Z
LAST-MODIFIED:20210216T185516Z
UID:2961-1590580800-1590584400@www.arttable.org
SUMMARY:AT CONNECT | Caryn Keppler
DESCRIPTION:Image: Caryn Keppler \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT transitioned to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nDuring this session we will hear from Caryn b. Keppler\, partner at Putney Law\, on estate planning. \nCARYN B. KEPPLER has extensive experience in all aspects of estate\, gift and charitable planning for foreign and domestic individuals\, artists and collectors\, conventional and alternative families\, as well as business succession and continuity planning. Caryn’s areas of focus also include representing individuals regarding prenuptial\, post-nuptial and domestic partnership agreements and assisting families in planning for their disabled children. She has represented artists’ foundations\, both fiduciaries and beneficiaries in the administration of domestic estates and trusts\, as well as estates and trusts having contacts in international jurisdictions\, and in litigation with the Internal Revenue Service and in the Surrogate’s Courts. Prior to entering private practice\, Caryn was an attorney with the Internal Revenue Service. \nMs. Keppler is certified as an Estate Planning Law Specialist* by the Estate Law Specialist Board\, Inc.\, an organization accredited by the American Bar Association and affiliated with the National Association of Estate Planners and Councils. Caryn is one of a select number of Estate Planning Law Specialists practicing in New York and New Jersey. \nMs. Keppler is a Director and former Secretary / Treasurer of the Estate Law Specialist Board Inc. and a member of the Society of Trust and Estate Practitioners (“STEP”) New York\, the American Bar Association’s Section of Real Property\, Trusts and Estate Law\, Income and Transfer Tax Planning Group\, the New York State Bar Association Trusts and Estates Section\, the New York State Bar Association Entertainment\, Arts\, the New York City Bar Association’s Art Law Committee and Sports Law Section and the UJA – Federation of New York Lawyers Division\, Trusts and Estate Group. She is also a member of the New York State Bar Association’s Committee on LGBT People and the Law and ArtTable\, an association of professionals who advise fine artists. She is a member of the Estate Planning Council of New York City\, a past president of the Rockland County Estate Planning Council and a former member of the Westchester County Estate Planning Council. \nThank you to Concetta Duncan\, for moving the CONNECT program online and to Katherine Wilson-Milne for organizing. 
URL:https://www.arttable.org/event/at-connect-caryn-keppler/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/Keppler_2059c-229x300-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200528T150000
DTEND;TZID=America/New_York:20200528T160000
DTSTAMP:20260403T152207
CREATED:20200519T203913Z
LAST-MODIFIED:20210216T185218Z
UID:3021-1590678000-1590681600@www.arttable.org
SUMMARY:Virtual | Pecha Kucha!
DESCRIPTION:How to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nWe’re kicking off summer with a virtual Pecha Kucha! \nThe Pecha Kucha format highlights members’ projects and initiatives across different visual arts professions. Creative and fast-paced\, each presentation provides an opportunity to share and learn more about what have been working on during and the evolution of projects during our current crisis. \n \nAbout our participants:  \nLaila Abdul-Hadi Jadallah: Drawing Out the Artist in Everyone: Creating Accessible Art Education Opportunities in the Online Space \nLaila Abdul-Hadi Jadallah is the Managing Director of Washington Studio School\, a nonprofit arts organization in Washington\, D.C. where she is responsible for fundraising\, communications\, operations\, and strategies\, including partnerships and community outreach in collaboration with the Artistic Director. Ms. Jadallah has over 12 years of experience in the nonprofit sector and art consulting in communications\, exhibition development and cultural heritage protection having held positions at the Fabric Workshop and Museum\, Art Fraud Insights\, LLC\, and International Arts and Artists. She received her BA in Integrative Studies/Arts & Culture from George Mason University’s School of Integrative Studies. She also holds certificates from SPEOS Photographic Institute Paris in photography and Harvard Business School Online in Business Fundamentals.   \nIlaria Conti: Labor\, Art\, and Auratic Conditions \nIlaria Conti is an independent curator and cultural worker with a focus on social justice and engaged artistic practices\, epistemological pluralism\, and the relationship between institutional infrastructures and public engagement. She is the Vice President of African Art Dialogues\, a non-profit organization producing the African Art in Venice Forum. Most recently\, she served as Research Curator at the Centre Georges Pompidou for Cosmopolis\, a multiyear platform devoted to research-based art. Previously\, she was Exhibitions and Programs Director at CIMA New York\, Assistant Curator of the 2016 Marrakech Biennale\, and Samuel H. Kress Interpretive Fellow at the Metropolitan Museum of Art\, among other positions. Her curatorial projects include Is This Love? Art / Labor / Auratic Conditions (2020)\, Cosmopolis #2: Rethinking the Human (2019)\, Cosmopolis #1.5: Enlarged Intelligence (2018)\, Cosmopolis #1: Collective Intelligence\, (2017); 6th Marrakech Biennale: Not New Now (2016); and Méxtasis (2016). She holds a BA and an MA in Contemporary Art History and Curatorial Studies from the University of Rome La Sapienza and an MA in Visual Arts Administration from New York University. \nSusan Power: Cuban Sculptor Agustín Cárdenas: Expanding the Canon \nAn independent scholar and curator based in Los Angeles and specializing in modern and contemporary art\, Susan L. Power holds a doctorate from the Université de Paris 1 Panthéon-Sorbonne. She has lectured and published internationally on the reception and dissemination of surrealism in North America as well as artist-designed strategies of display\, from surrealist exhibitions to contemporary interventions in institutional and commercial settings. Most recently\, she contributed a catalog essay on the American reception of Rumanian artist Victor Brauner published in partnership with the Centre Pompidou in Paris. Her current scholarship focuses on the work of Cuban sculptor Agustín Cárdenas\, with recent essays in the exhibition catalogue Agustín Cárdenas: Mon Ombre Après Minuit\, currently at the Maison d’Amérique Latine\, Paris\, France until June 10\, 2020\, and “Agustín Cárdenas: Sculpting the ‘Memory of the Future\,’” in the forthcoming issue of the peer-reviewed Journal of Surrealism and the Americas. She has worked in curatorial and educational roles at the Musée d’Art moderne de la ville de Paris\, Los Angeles County Museum of Art and the Marciano Art Foundation. \nMasha Turchinsky: Small Museum\, Big Footprint \n\nMasha Turchinsky is Director and CEO of the Hudson River Museum\, where she oversees the largest cultural organization in Westchester County\, New York. With a mission to connect diverse communities through the power of arts\, sciences and history\, the HRM’s collections include nineteenth-century to contemporary American art; Glenview\, a Gilded Age home on the National Register of Historic Places; an environmental teaching gallery; a state-of-the-art planetarium; and an amphitheater dedicated to the performing arts. Under Turchinsky’s direction\, the Hudson River Museum garnered the 2019 Engaging Communities Award from the Museum Association of New York for the collecting initiative and exhibition Through Our Eyes: Milestones and Memories of African Americans in Yonkers and the 2019 Award for Excellence in Publications for Maya Lin: A River Is a Drawing by the Greater Hudson Heritage Network. She is currently overseeing a $10+ million capital expansion and improvement project at the Museum. Previously\, Turchinsky worked for nineteen years at the Metropolitan Museum of Art in the Digital and Education Departments\, overseeing teams dedicated to original content and design. While at the Met\, she also served as delegate to the board of trustees. As a consultant\, she has worked with the Gilder Lehrman Institute of American History and the New York Botanical Garden. She is a member of the Association of Art Museum Directors and currently serves on ArtTable’s national Board of Directors. Turchinsky holds an EdM in International Educational Development from Teachers College\, Columbia University\, an MA in Education from New York University\, and a BS in Russian Studies from Georgetown University. \nThank you to Hope Davis\, New York Chapter\, and Roni Feinstein\, Southern California Chapter. 
URL:https://www.arttable.org/event/virtual-pecha-kucha/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/AT-Pecha-Kucha-scaled-e1589920785177.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200529T100000
DTEND;TZID=America/New_York:20200531T220000
DTSTAMP:20260403T152207
CREATED:20200527T180627Z
LAST-MODIFIED:20210216T185144Z
UID:3066-1590746400-1590962400@www.arttable.org
SUMMARY:Weekend Film Streaming: Driven to Abstraction
DESCRIPTION:ArtTable weekend film streaming is back this weekend! This weekend members will have the opportunity to access and watch\, Driven to Abstraction\, a film by Daria Price.  \nAre you an ArtTable member? If so\, here’s how to take part! \n\nRegistration will open on Friday\, May 29 at 10 AM EST and close on Sunday\, May 31 at 10 PM EST.\nLogin and register here to receive the link for this streaming\nThe link to the film will be located in the summary section of your registration confirmation email\nUse the link to access the film- enjoy!\nLet us know what you think! Tag us on Instagram @arttableinc and use the #ATstreaming\n\n\n\n\n\n\n\n\n\nDRIVEN TO ABSTRACTION unravels a mutating tale of self-delusion\, greed\, and fraud — the $80 million forgery scandal that rocked the art world and brought down Knoedler\, New York City’s oldest and most venerable gallery. Was the gallery’s esteemed director the victim of a con artist who showed up with an endless treasure trove of previously unseen abstract expressionist masterpieces? Or did she eventually suspect they were fakes? Whatever the truth\, two women from very different worlds crossed paths in what would become the greatest hoax ever of Modern American Art. \n  \nAbout the Filmmaker\nDaria Price works in both documentary and narrative film. Making DRIVEN TO ABSTRACTION\, she spent years following an art forgery hoax and the New York trial that exposed the scandalous habits of the art trade. New York State Council on the Arts and New York Women in Film & TV awarded the documentary completion grants\, and Raindance Film Festival nominated it for “Best Documentary Feature.” Daria’s first feature OUT ON A LIMB won “Best Documentary” at the Boston International Film Festival and was broadcast throughout the USA and world. She wrote\, directed\, and edited the award-winning short SURVIVAL OF THE FITTEST\, a satirical mystery that lampoons America’s obsession with youth and beauty. A screenwriter and script supervisor for many years\, she is a member of Writers Guild of America East and IATSE. For info: www.driventoabstractiondocumentary.com \n  \nDriven to abstraction is distributed by Grasshopper Film. Available on Streaming Platforms August 2020 \nAvailable now: Educational Public Performance & DSL  \n\n\n\n\n\n\n\n  \nThank you to Daria Price for making this possible\, Hope Davis for assistance\, and Ingrid Dinter for organizing.
URL:https://www.arttable.org/event/weekend-film-streaming-driven-to-abstraction/
LOCATION:Maryland
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/Driven-to-Abstraction_Poster_24X36-copy-e1590529091519.jpg
END:VEVENT
END:VCALENDAR