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DTSTART;TZID=America/New_York:20231115T170000
DTEND;TZID=America/New_York:20231115T183000
DTSTAMP:20260403T134825
CREATED:20231011T182317Z
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UID:13913-1700067600-1700073000@www.arttable.org
SUMMARY:Curator-Led Tour of "El Dorado: Myths of Gold" at the Americas Society
DESCRIPTION:Join ArtTable for a curator-led tour of Pt I: El Dorado: Myths of Gold\, exploring the legend of El Dorado as a foundational myth of the Americas. Artists in the show include Olga de Amaral\, Denilson Baniwa\, Bruno Baptistelli\, Andrés Bedoya\, Wendy Cabrera Rubio\, Leda Catunda\, Chiriquí artist\, Coclé artists\, william cordova\, Juan Covelli\, Covens & Mortier\, Harmonia Rosales\, Tiago Sant’Ana\, Julia Santos Solomon\,  Moara Tupinambá\, Laura Vinci\, and Alberta Whittle. \n\n\n\nDuring the colonization of the Americas\, colonial fantasies of an Indigenous kingdom replete with gold and precious stones quickly permeated the European imagination\, galvanizing the invasion of the continent and serving as a justification for genocide as well as the destruction of ancestral territories and the environment. As we come to terms with the long-term sociopolitical and environmental effects of this dynamic\, there is a pressing need to reevaluate its influence on our identification as human beings and members of a globalized society. By placing historical and contemporary artworks together\, the exhibition facilitates dialogues between past and present to investigate how the myth has shaped the value of gold\, as well as that of territories\, peoples\, religious beliefs\, and nature.  \n\n\n\nThank you to Julia P Herzberg\, PhD for coordinating this program.Please see AS/COA website for exhibition funding acknowledgments. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nArtTable Member Guests – $20\n\n\n\nPublic – $25\n\n\n\n\n \n\n\n\nNot a member? Join today! \n\n\n\nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\n\n\n\n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: Alberta Whittle\, Jamestown Mythology: Amonute\, 2023. Laser-engraved woodblock print on Somerset Satin 300 gsm paper with saliva embossed in gold\, 23 5⁄8 × 26 5⁄8 inches (60 × 67.5 cm). Courtesy of the artist and The Modern Institute/Toby Webster Ltd.\, Glasgow.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAimé Iglesias Lukin is an art historian and curator. Born and raised in Buenos Aires\, she has lived in New York since 2011. Her Ph.D. in art history from Rutgers University\, titled “This Must Be the Place: Latin American Artists in New York 1965–1975\,” became a show at Americas Society in 2021. She completed her M.A. at The Institute of Fine Arts at New York University and her undergraduate studies in art history at the Universidad de Buenos Aires. Her research received grants from the Metropolitan Museum of Art\, the Terra and Andrew W. Mellon Foundations\, and the ICAA Peter C. Marzio Award from the Museum of Fine Arts\, Houston. Her writing has been presented at conferences internationally and published by prestigious museums and academic journals\, including the New Museum\, the Museum of Modern Art\, and the Guggenheim Museum. She curated exhibitions independently in museums and cultural centers and previously worked in the Modern and Contemporary Art Department of the Metropolitan Museum of Art\, the Institute for Studies on Latin American Art\, and Fundación Proa in Buenos Aires. \n\n\n\n\n\n\n\n\n\nTie Jojima is an associate curator at Americas Society in New York and a PhD candidate in art history at the Graduate Center\, CUNY\, specializing in modern and contemporary Latin American art\, with a focus on Brazilian art. Her larger research interests encompass performance and media art in the 1970s and 1980s\, as well as contemporary Asian diasporic art practices in Latin America.
URL:https://www.arttable.org/event/curator-led-tour-of-el-dorado-myths-of-gold-at-the-americas-society/
LOCATION:Americas Society\, 680 Park Avenue\, New York\, 10065
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231128T180000
DTEND;TZID=America/New_York:20231128T200000
DTSTAMP:20260403T134825
CREATED:20231103T184533Z
LAST-MODIFIED:20231103T185335Z
UID:14109-1701194400-1701201600@www.arttable.org
SUMMARY:Curator-Led tour of "Making Their Mark" with Cecilia Alemani
DESCRIPTION:Making Their Mark is a major exhibition showcasing the works of more than 80 of the most significant women artists from the last eight decades. Curated by Cecilia Alemani\, Donald R. Mullen\, Jr. Director & Chief Curator of High Line Art and Curator of the 59th International Art Exhibition at the Venice Biennale\, the exhibition marks the first public viewing of the Shah Garg Collection: a groundbreaking body of work by women collected by Komal Shah and Gaurav Garg. \n\n\n\nMaking Their Mark includes historic and contemporary artworks by Jennifer Bartlett\, Lynda Benglis\, Firelei Báez\, Cecily Brown\, Judy Chicago\, Sonia Gomes\, Sheila Hicks\, Jacqueline Humphries\, Mary Heilmann\, Charline von Heyl\, Joan Mitchell\, Julie Mehretu\, Elizabeth Murray\, Howardena Pindell\, Jaune Quick-to-See Smith\, Joan Semmel\, Joan Snyder\, Amy Sillman\, Mary Weatherford\, and Anicka Yi\, among many others.  \n\n\n\nMaking Their Mark introduces a broader audience to the mission of the Shah Garg Foundation\, located in the historic former home of DIA Chelsea at 548 West 22nd Street. The Foundation is committed to championing the work of women artists\, from the modern era through the present day\, with Making Their Mark introducing its curatorial vision to the public for the first time.The evening will begin with an informal reception at 6 PM and progress to the exhibit tour at 7 PM. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $20\n\n\n\nMember Guests – $30\n\n\n\nPublic – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\nThis program is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. \n\n\n\n\n\nThank you to Cara Blumstein for her assistance with this event! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImages:  Install Views – Credit Tom Powel Imaging\, Courtesy Shah Garg Foundation.Cecilia Alemani\, Courtesy of the High Line. Photo Liz Ligon. \n\n\n\n\n\n\nAbout the Curator\n\n\n\nCecilia Alemani is an Italian curator based in New York. Since 2011\, she has been the Donald R. Mullen\, Jr Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2022\, she curated The Milk of Dreams\, the 59th International Art Exhibition at La Biennale di Venezia. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. Cecilia’s full bio is available here.
URL:https://www.arttable.org/event/curator-led-tour-of-making-their-mark-with-cecilia-alemani/
LOCATION:Shah Garg Foundation\, 548 West 22nd Street\, New York\, New York\, 10011
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/11/FIS_MakingMark_103123_1091.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231130T100000
DTEND;TZID=America/Los_Angeles:20231130T110000
DTSTAMP:20260403T134825
CREATED:20230924T130747Z
LAST-MODIFIED:20231031T170820Z
UID:13653-1701338400-1701342000@www.arttable.org
SUMMARY:Guided Tour of Hollyhock House with Abbey Chamberlain Brach
DESCRIPTION:This is a bespoke tour for only ten people: don’t miss your chance for this behind-the-scenes tour with Hollyhock House Site Director & Curator Abbey Chamberlain Brach—book your ticket today! \n\n\n\n“Now\, with a radical client like Miss Barnsdall\, a site like Olive Hill\, a climate like California\, an architect head on for freedom\, something had to happen… So this Romanza of California came out on Olive Hill.” —Frank Lloyd Wright: An Autobiography\, 1943 \n\n\n\nHeiress Aline Barnsdall (1882-1946) created a revolutionary life: a feminist\, traveler\, single mother by design\, supporter of experimental Chicago theatre\, close friend of Emma Goldman\, early patron of The Hollywood Bowl\, and champion of revolutionary causes. Barnsdsall commissioned an equally iconic home from Frank Lloyd Wright\, intended to be the center of an Olive Hill arts complex. Barnsdall gifted Hollyhock House and Barnsdall Park to the City of Los Angeles in 1927\, and it was designated as a UNESCO World Heritage Site in 2019.“Hollyhock House has inspired generations of artists\, architects\, and designers. It is a harbinger of California Modernism and designed by Wright in response to the region\, capturing the drama of Hollywood and embracing building traditions of the American southwest.” —Hollyhock House Education Thank you to ArtTable Board Vice-President\, Felice Axelrod!Admission: \n\n\n\nArtTable Members $25\nMember Guests $35\n\nNot an ArtTable member? Join today! \n*THIS EVENT HAS A WAITING LIST: PLEASE CLICK “REGISTER HERE” TO ADD YOURSELF TO IT! \n \nPlease note that all income from program fees goes towards program expenses and ArtTable’s internal costs for organizing programs. \n\nImage: Stan Ecklund\, Courtesy City of Los Angeles Department of Cultural Affairs. \n\n\n\n\n\n\n\n\n\n\n\nAbbey Chamberlain Brach is Site Director & Curator at Hollyhock House\, part of the City of Los Angeles Department of Cultural Affairs. She manages interpretation\, restoration\, and preservation\, including a major restoration of the Residence A guest house begun in 2017. From 2012 to 2018\, Abbey worked at the Los Angeles County Museum of Art as part of the decorative arts and design department—contributing to exhibitions on twentieth-century design dialogues between California and Mexico\, the Arts and Crafts movement\, and Peter Zumthor’s design for LACMA.Abbey earned her master’s degree in American History at the University of Delaware\, while working in the curatorial department at Winterthur Museum. She served as the Curator & Director of Education at the Santa Barbara Maritime Museum and the Assistant Education Coordinator for the Santa Barbara Trust for Historic Preservation\, operating El Presidio de Santa Barbara State Historic Park and Casa de la Guerra.
URL:https://www.arttable.org/event/national-guided-tour-of-hollyhock-house-with-abbey-chamberlain-brach/
LOCATION:Hollyhock House\, 4800 Hollywood Blvd\, Los Angeles\, 90027
CATEGORIES:National,Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/09/Hollyhock-House-west-facade-photo-by-Stan-Ecklund-2020-large.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T120000
DTEND;TZID=America/New_York:20231130T130000
DTSTAMP:20260403T134825
CREATED:20231031T203840Z
LAST-MODIFIED:20231109T234849Z
UID:14098-1701345600-1701349200@www.arttable.org
SUMMARY:Tour of the National Museum of Women in the Arts with Ginny Treanor & Orin Zahra
DESCRIPTION:Come join us to tour the reopened National Museum of Women in the Arts! NMWA is the first museum in the world solely dedicated to championing women through the arts. NMWA undertook a top-to-bottom renovation from 2021 to 2023. The building’s first full renovation since 1987\, this restoration project honors the structure’s history while improving its interior spaces\, mechanical systems\, and exterior envelope. We are very fortunate to have a curator-led tour with Senior Curator Ginny Treanor\, and Associate Curator Orin Zahra! \n\n\n\nCurrent exhibitions include “The Sky’s the Limit\,” showcasing never-before-exhibited contemporary sculptures that dangle from the ceiling\, cascade down walls\, and extend far beyond their footprint on the gallery floor: recent acquisitions and never-before-exhibited works include Sonya Clark\, Beatriz Milhazes\, Cornelia Parker\, Mariah Robertson\, Shinique Smith\, and Joana Vasconcelos.  “Remix: The Collection\,” showcases familiar collection favorites as well as never-before-exhibited recent acquisitions:  Remix continues to reject outmoded and gender-based art hierarchies. \n\n\n\nRead Abigail Tracy’s recent article in Vanity Fair: “The National Museum of Women in the Arts Just Got a $68 Million Overhaul.“ \n\n\n\n \n\n\n\nPlease review NMWA visitor health\, safety\, and accessibility information before your visit! \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to Ashley Templeton for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nOrin Zahra is the Associate Curator at the National Museum of Women in the Arts (NMWA). Zahra earned her doctoral degree from Washington University in St. Louis in nineteenth-century French art\, with a secondary field in modern and contemporary South Asia. Recent writing credits include contributions to major survey texts Great Women Painters (2022)\, Latin American Artists (2023)\, and Vitamin Txt: Words in Contemporary Art (2024)\, published by Phaidon Press. At NMWA\, Zahra has focused on issues of gender\, race relations\, and cross-cultural exchanges in modern and contemporary art. Curated solo and group exhibitions including Hung Liu In Print (2018)\, Ambreen Butt: Mark My Words (2019)\, Live Dangerously (2019)\, Paper Routes—Women to Watch 2020 (2020)\, Hung Liu: Making History (2023)\, and the forthcoming New Worlds—Women to Watch 2024.  \n\n\n\n\n\nVirginia (Ginny) Treanor\, Ph.D. serves as Senior Curator\, National Museum of Women in the Arts Treanor is the Senior Curator at the National Museum of Women in the Arts (NMWA) in Washington\, D.C. and holds a Ph.D. in seventeenth-century Dutch and Flemish art\, which she earned at the University of Maryland. Treanor has held positions at the Smithsonian American Art Museum and the National Gallery of Art\, among other institutions. During her time at NMWA\, Treanor has curated numerous contemporary exhibitions\, including four installments of NMWA’s Women to Watch exhibition series: Organic Matters (2015)\, Heavy Metal (2018)\, Paper Routes(2020)\, and New Worlds (2024).
URL:https://www.arttable.org/event/tour-of-the-national-museum-of-women-in-the-arts/
LOCATION:National Museum of Women in the Arts\, 1250 New York Ave. NW\, Washington\, 20005
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/NationalMuseumofWomeninTheArts.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231205T100000
DTEND;TZID=America/New_York:20231210T180000
DTSTAMP:20260403T134825
CREATED:20231114T211920Z
LAST-MODIFIED:20231114T212324Z
UID:14210-1701770400-1702231200@www.arttable.org
SUMMARY:VIP Access Passes | Miami Art Week 2023
DESCRIPTION:ArtTable VIP Access Passes for fairs taking place during Miami Art Week are now live and available to all ArtTable members for purchase! To secure your pass\, login to the member portal and select your preferred available pass option. Participating fairs and remaining pass types indicated below; we look forward to seeing you in Miami in early December! \n\n\n\nParticipating Fairs: \n\n\n\n\nArt Basel Miami Beach\n\n\n\nUNTITLED \n\n\n\nNADA Miami\n\n\n\nSCOPE Art Show\n\n\n\nDesign/Miami\n\n\n\n\nVIP Access Pass Levels Available: \n\n\n\n\nSilver Level (ArtTable Members Only) – $85\n\n\n\nGold Level (ArtTable Members Only) – $135\n\n\n\nDiamond Level (ArtTable Members Only) – $155
URL:https://www.arttable.org/event/vip-access-passes-miami-art-week-2023/
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/11/Screen-Shot-2023-11-14-at-4.07.14-PM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231208T103000
DTEND;TZID=America/New_York:20231208T113000
DTSTAMP:20260403T134825
CREATED:20231026T152634Z
LAST-MODIFIED:20231103T210803Z
UID:13851-1702031400-1702035000@www.arttable.org
SUMMARY:Annual Miami Beach Brunch Reception | SCOPE 2023
DESCRIPTION:Please join us for ArtTable’s Annual Brunch during Miami Art Week\, set to take place this year at SCOPE Miami Beach! This is a great time for members and friends from across the country and worldwide to come together and network. SCOPE Miami Beach returns to its bespoke pavilion on the sands of Ocean Drive and 8th Street\, welcoming more than 150 diverse contemporary exhibitors. Your ticket includes day-of access to the fair. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $55\n\n\n\nMember Guests – $65\n\n\n\nNon-Members – $75\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to our friends at SCOPE for their support of ArtTable’s mission to advance the leadership of women-identifying and nonbinary professionals in the visual arts!
URL:https://www.arttable.org/event/arttable-annual-miami-beach-brunch-reception-scope-2023/
LOCATION:Scope Miami Beach | 2023\, 801 Ocean Drive\, Miami Beach\, Florida\, 33139
CATEGORIES:National,Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/10/SMB18_Entrance_Edit-1.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231210T110000
DTEND;TZID=America/New_York:20231210T130000
DTSTAMP:20260403T134825
CREATED:20231116T174107Z
LAST-MODIFIED:20231116T174540Z
UID:14244-1702206000-1702213200@www.arttable.org
SUMMARY:Berkeley\, CA | Reading at the (Art)Table: Katy Hessel "The Story of Art Without Men"
DESCRIPTION:Join the Northern California Chapter in Reading at the (Art)Table as we move through the centuries of “The Story of Art Without Men” by Katy Hessel. Here is an opportunity to marvel at art in every shape and form by women who wielded brush\, hammer\, and fire across continents and conventions to pursue their art. \n\n\n\nThis program is free to attend (optional donation) and open to ArtTable members.Registration is required below. \nPlease Note: The event will take place outdoors. In the event of inclement weather\, the event will take place indoors with masking suggested for those at risk.\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/berkeley-ca-reading-at-the-arttable-katy-hessel-the-story-of-art-without-men/
LOCATION:Gilman Grill in Berkeley\, 1300 4th street\, Berkeley\, California\, 94710\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/11/image-2.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231214T080000
DTEND;TZID=America/New_York:20231214T090000
DTSTAMP:20260403T134825
CREATED:20231201T173514Z
LAST-MODIFIED:20231201T173519Z
UID:14282-1702540800-1702544400@www.arttable.org
SUMMARY:BreakfastTable with Cheryl Numark
DESCRIPTION:Cheryl Numark will host this gathering at her Washington DC home and discuss what it means to be a contemporary art advisor in 2023\, as well as alternative forms of artist representation outside of the traditional gallery setting. This will be an opportunity for both artists and collectors to consider the evolving dynamics of artist representation and glean valuable insight into the multi-faceted role of an art advisor/gallerist who has worked to build meaningful collections and support artists throughout her career. \n\n\n\nFor the health and safety of all guests\, please have an up to date COVID vaccine or wear a mask. Venue address will be disclosed via email to all registered guests two days prior to the event.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – complimentary\n\n\n\nMember Guests – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nThank you to ArtTable’s DC Chapter for organizing this program. \n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\nCheryl Numark’s career in art took hold during her tenure as owner and curator for Numark Gallery (1995 – 2007)\, the premier gallery in Washington DC for many years. During this period Numark represented and exhibited dozens of artists that would find great success\, including Michal Rovner\, Tony Feher\, Peter Halley\, Tara Donovan\, Sharon Louden\, Terri Friedman\, Zwelethu Mthethwa\, Dan Steinhilber and many others. Shortly after closing her gallery\, Numark launched CNAA art advisory to work more closely with her clients to help them build meaningful collections. Throughout this time\, Cheryl maintained close contact with many of the artists she had once exhibited\, facilitating exciting commissions and acquisitions (most recently a painting by Sharon Louden at the National Gallery of Art\, 2023) and hosting curated exhibitions on Artsy / within her home of work by artists Sharon Louden\, Marylyn Dintenfass and Terri Friedman (forthcoming shows include Jorge Yazpik\, October 2023 and Diana Cooper\, Spring 2024). In addition to placing and exhibiting work at both fairs and her home\, Cheryl has exhibited work by artists at Art Miami\, 2022\, and located public and private commissions for artists\, for both residential and commercial uses. \n\n\n\nCheryl currently serves on the collector’s council at the Hirshhorn Museum and is a member of The Tower Project at the National Gallery of Art. For over a decade Numark was on the Board of Directors for Cultural DC\, supporting its mission to ‘Make Space for Art’ in the DC area.
URL:https://www.arttable.org/event/breakfasttable-with-cheryl-numark/
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/Cheryl-Numark-Headshot.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231214T160000
DTEND;TZID=America/New_York:20231214T170000
DTSTAMP:20260403T134825
CREATED:20231114T213129Z
LAST-MODIFIED:20231114T213136Z
UID:14237-1702569600-1702573200@www.arttable.org
SUMMARY:Virtual | New Member Orientation & Member Portal Walkthrough
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members. \nWhether you are new to our community or have been a long-time member\, there’s no wrong time for a refresher course! Connect with other members in a casual and relaxed online environment and learn more about what our community is all about. \nNot a member? Join today! \n \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions every 3 months! In the meantime\, we hope you can join us for another upcoming program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-member-portal-walkthrough-2/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2022/06/Program-Templates-Wide.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231219T180000
DTEND;TZID=America/New_York:20231219T200000
DTSTAMP:20260403T134825
CREATED:20231201T182250Z
LAST-MODIFIED:20231207T143256Z
UID:14293-1703008800-1703016000@www.arttable.org
SUMMARY:ArtTable Holiday Party in DC
DESCRIPTION:Join ArtTable Members and their guests for an end of year celebration with wine and light bites. The event will be hosted at 52 O Street Studios\, providing a unique opportunity to visit a gallery and three studio spaces in the heart of the District. \n\n\n\nHost spaces will include:  \n\n\n\nAmy Morton Fine Arts\, now showing: “Hannalie Coetzee. In Mid-Loping Gait” \n\n\n\nKim Cooper studio \n\n\n\nCianne Fragione studio \n\n\n\nPhilip Livingston studio \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $30\n\n\n\nMember Guests – $35\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to ArtTable’s DC Chapter for organizing this program.
URL:https://www.arttable.org/event/arttable-holiday-party-in-dc/
LOCATION:52 O Street Studios\, 52 O Street NW\, Washington\, District of Columbia\, 20001
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/12/Holiday-Party.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240106T133000
DTEND;TZID=America/New_York:20240106T160000
DTSTAMP:20260403T134825
CREATED:20231223T165433Z
LAST-MODIFIED:20231223T170712Z
UID:15361-1704547800-1704556800@www.arttable.org
SUMMARY:Curator-Led Tour of Kindred Worlds at the Hudson River Museum
DESCRIPTION:Join Alyssa Alexander\, Independent Curator and Arts Administrator\, and Karintha Lowe\, Mellon Fellow in the Public Humanities\, for a tour of Kindred Worlds: The Priscila & Alvin Hudgins Collection. Get an insider’s look into the Hudgins family and their vital legacy of Black American collectorship\, and learn how themes of myth\, memory\, and leisure flow through this formally stunning and historically significant artworks. \n\n\n\nFollowing the tour\, attendees will be hosted by Jessica L. Porter\, Lila Harnett Executive Director of ArtTable\, and Masha Turchinsky\, ArtTable Board Member and the Director of the Hudson River Museum\, at her historic Glenview home for a light reception.  \n\n\n\nAlyssa Alexander is a curator\, exhibitions manager\, and arts administrator based in Brooklyn. With a background in journalism and critical writing\, she is currently building a curatorial practice and pursuing more in-depth cultural and art-historical research that centers artists of African descent\, with a special focus on woman-identifying artists of the Caribbean. She is dedicated to working with emerging artists and institutions to cultivate a more accessible and equitable creative economy. \n\n\n\nKarintha Lowe\, PhD\, American Studies program at Harvard University\, is the Mellon Public Humanities Fellow at the Hudson River Museum and Sarah Lawrence College. She researches and writes about Asian American women’s experimental artmaking practices. An interdisciplinary scholar and curator\, Lowe has also worked at the New York Historical Society and the Museum of Chinese in America\, where she developed public programming and exhibitions on twentieth-century American art. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Masha Turchinsky for organizing this program.
URL:https://www.arttable.org/event/curator-led-tour-of-kindred-worlds-at-the-hudson-river-museum/
LOCATION:Hudson River Museum\, 511 Warburton Ave\, Yonkers\, New York\, 10701
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/event-2024-01-06-tour-2048x1228-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240111T153000
DTEND;TZID=America/New_York:20240111T173000
DTSTAMP:20260403T134825
CREATED:20231113T201706Z
LAST-MODIFIED:20231113T201713Z
UID:14213-1704987000-1704994200@www.arttable.org
SUMMARY:Curator-Led Tour of Marie Laurencin with Cindy Kang
DESCRIPTION:Join ArtTable Members for an intimate look at the fall exhibition Marie Laurencin: Sapphic Paris\, the first major US exhibition dedicated to French artist Marie Laurencin (1883-1956) in over 30 years. Laurencin’s highly original painting style defied categorization\, as she moved seamlessly between the male-dominated avant-garde\, literary and artistic circles\, and the realms of fashion\, ballet\, and decorative arts. The exhibition is co-curated by Simonetta Fraquelli and Cindy Kang. Presenting more than 50 works\, from self-portraits to collaborative decorative projects; from early cubist paintings to her signature work—feminine and discreetly queer\, this exhibition examines how Laurencin’s visualization of a “Sapphic modernity” subtly but radically challenges existing narrative of modern European art. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic  – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Katie Adams for organizing this program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCindy Kang\, PhD\, is Curator at the Barnes Foundation. Prior to joining Barnes in 2014\, Dr. Kang’s curatorial experience includes work at the Metropolitan Museum of Art; the Frick Collection; and the Nelson-Atkins Museum of Art. Dr. Kang earned her BA in art history and French from Wellesley College and her MA and PhD from the Institute of Fine Arts\, NYU. In addition to contributing to a number of significant publications\, she has received several fellowships\, including a Predoctoral Fellowship from the Getty Research Institute (2012–2013); the Theodore Rousseau Fellowship from the Metropolitan Museum of Art (2011–2012); and the Harriet A. Shaw Fellowship from Wellesley College (2011–2012). Dr. Kang served as the organizing curator of the Barnes’s Marie Cuttoli: The Modern Thread from Miró to Man-Ray (2020)\, managing curator for Water\, Wind\, Breath: Southwest Native Art in Community (2022); Renoir: Father and Son (2018) and Berthe Morisot: Woman Impressionist (2018).
URL:https://www.arttable.org/event/curator-led-tour-of-marie-laurencin-with-cindy-kang/
LOCATION:Barnes Foundation\, 2025 Benjamin Franklin Pkwy\, Philadelphia\, Pennsylvania\, 19130\, United States
CATEGORIES:Philadelphia
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/11/image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240117T180000
DTEND;TZID=America/New_York:20240117T190000
DTSTAMP:20260403T134825
CREATED:20231208T184405Z
LAST-MODIFIED:20231212T145733Z
UID:14335-1705514400-1705518000@www.arttable.org
SUMMARY:Curator-Led Tour of Marta Minujín: Arte! Arte! Arte!
DESCRIPTION:Marta Minujín in her studio on rue Delambre in Paris\, with her first multicolored mattresses\,1963. Marta Minujín Archive. © Marta Minujín\, courtesy of Henrique Faria\, New York andHerlitzka & Co.\, Buenos Aires\n\n\n\nJoin ArtTable for an intimiate look at the first survey exhibition in the United States of Marta Minujín\, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect\, irreverent humor\, and performative presence. Hosted by The Jewish Museum\, this tour will be led by Associate Curator\, Rebecca Shaykin. \n\n\n\nThis extensive exhibition includes nearly 100 works organized to reflect Minujín’s bold experimentation over six decades. The exhibition charts Minujín’s influential career in Buenos Aires as well as time spent in Paris\, New York\, and Washington\, DC\, through a range of pioneering\, mattress-based soft sculptures; fluorescent large-scale paintings; psychedelic drawings and performances; and vintage film footage. The artist’s ephemeral works – happenings\, participatory installations\, and monumental public art – are presented through rarely-seen photographs\, video\, and other documentation. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to Dr. Julia P. Herzberg for organizing this program. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRebecca Shaykin is an Associate Curator at the Jewish Museum\, where she has worked since 2010. She is co-curator of Marta Minujín: Arte! Arte! Arte! (2023\, with Darsie Alexander). In 2019\, she organized the critically-acclaimed Edith Halpert and the Rise of American Art; the accompanying catalogue was a New York Times Critic’s Pick and winner of the 2019 National Jewish Book Award (Visual Arts). Additional projects include: Roberto Burle Marx: Brazilian Modernist (2016\, with Jens Hoffmann and Claudia J. Nahson)\, Helena Rubinstein: Beauty Is Power (2014\, with Mason Klein); and The Radical Camera: New York’s Photo League\, 1936-1951 (2011\, with Mason Klein and Catherine Evans). Shaykin has played a vital role in the museum’s acquisitions program\, bringing works by Candice Breitz\, Elinor Carucci\, Trenton Doyle Hancock\, Deborah Kass\, Kali Spitzer\, and Carrie Mae Weems into the collection. Previously\, Shaykin worked at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum\, where she assisted on Seductive Subversion: Women Pop Artists\, 1958–1968 (2010) and Kiki Smith: Sojourn (2010). She received her BA in Art History from Oberlin College and MA from the Williams College Graduate Program in the History of Art.
URL:https://www.arttable.org/event/curator-led-tour-of-marta-minujin-arte-arte-arte/
LOCATION:The Jewish Museum\, 1109 5th Ave & E 92nd St\, New York\, New York\, 10128
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2023/12/JM-Shaykin-Minujin-fig.-003-Minujin-in-her-studio-on-rue-Delambre-in-Paris-Press-Image-3000px-W-300dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240123T180000
DTEND;TZID=America/New_York:20240123T193000
DTSTAMP:20260403T134825
CREATED:20231223T163512Z
LAST-MODIFIED:20240123T213744Z
UID:15353-1706032800-1706038200@www.arttable.org
SUMMARY:New York | Kick off the New Year Party
DESCRIPTION:Join ArtTable Members and their guests for a start of year celebration with wine and light bites. The event will be hosted at the Peter Freeman Gallery with Elisabetta Benassi: The Drowned World on view for guests to enjoy.  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nThank you to the Peter Freeman Gallery and Courtney Burbela for organizing this program. \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPeter Freeman Gallery \n\n\n\nPeter Freeman\, Inc.\, founded in 1990\, represents leading international artists and the estates of several generations\, spanning the 19th\, 20th\, and 21st centuries\, and specializes in important historical works with particular emphasis on early Pop\, Minimal\, and Conceptual Art.  \n\n\n\nThe gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our time. Solo exhibitions highlight the rich way in which artists respond to the materials\, forces\, and questions of the day. Focused group exhibitions explore significant movements\, themes\, and ideas that continue to influence and define our culture. The historic works handled by the gallery over the past thirty years are broad-ranging and can often be defined by their rarity and significance.  \n\n\n\nIn 2006\, Peter Freeman partnered with Galerie Nelson to establish what would eventually become Peter Freeman\, Inc.\, Paris in 2013. The gallery\, both in New York and in Paris\, has always presented historically significant works in conversation with newer work by living artists. For this reason\, much of our business has been with museums. \n\n\n\nPeter Freeman also publishes scholarly books\, including a catalogue raisonné Robert Mangold: Early Works\, with text by Robert Storr; the first US catalogue on the works of Charlotte Posenenske; several catalogues on Medardo Rosso; James Ensor: Paintings\, with text by Xavier Tricot; the first monograph of Catherine Murphy\, with text by John Yau and Svetlana Alpers; a facsimile edition of Mangelos’s Pythagoras with an essay by Branka Stipančić; and the artist book Tide\, a collaboration with Silvia Bächli and the writer Jamaica Kincaid. 
URL:https://www.arttable.org/event/new-york-kick-off-the-new-year-party/
LOCATION:Peter Freeman Gallery\, 140 Grand Street\, New York\, New York\, 10013\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/12/Holiday-Party-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240202T110000
DTEND;TZID=America/New_York:20240202T120000
DTSTAMP:20260403T134825
CREATED:20240104T142037Z
LAST-MODIFIED:20240131T215753Z
UID:15884-1706871600-1706875200@www.arttable.org
SUMMARY:Glendale\, CA | Curatorial Walkthrough of If Memory Serves: Photography\, Recollections and Vision at the Brand Library & Art Center
DESCRIPTION:Join Dr. Rotem Rozental\, Executive Director and Chief Curator of the Los Angeles Center of Photography\, for a walkthrough of the exhibition If Memory Serves: Photography\, Recollections and Vision. Our hard drives may fail. Our phones might break. We may forget an image that was once cemented in our minds. Our relationships with images and devices that hold our memories define how we understand our position in the world. If Memory Serves emerges from the moments those devices fail us\, our recollections betray us and our pictures refuse to bring back the people they once captured. This exhibition emerges from the intersection of our haunting pasts\, possible futures\, and our connections to photographic images\, technologies and the systems that ask to speak for our photographs.The exhibition begins with and honors Aline Smithson\, a mentor\, photographer and educator\, whose work with artists is redefining photographic practice. If Memory Serves celebrates her immense contribution to photography and further comments upon the reach of her stewardship and pedagogy. The participating artists have all been studying with and from her. Seen together\, their works offer profound insight into our co-existence with photography\, suggesting meeting points between personal experiences and broader societal issues and conflicts – from privacy to grief\, from representation to immigration.Artists: Aurora Wilder Collective (Jennifer Pritchard in collaboration with Patrick Corrigan and DALL-E)\, Elizabeth Bailey\, Dena Elisabeth Eber\, Sarah Hadley\, Diane Hemingway\, Rohina Hoffman\, Susan Lapides\, Annette LeMay Burke\, Annie Omens\, Lori Ordover\, Safi Alia Shabaik\, Aline Smithson\, Rosalie Rosenthal \n\n\n\n\nIf Memory Serves: Photography\, Recollections and Vision | Honoring Aline Smithson\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – Free\n\n\n\nMember Guests – $5\n\n\n\nPublic  – $10\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRotem Rozental\, Ph.D\, is the Executive Director of the Los Angeles Center of Photography. Between 2016-2022\, she served as Chief Curator at American Jewish University\, where she was also Assistant Dean of the Whizin Center for Continuing Education and Senior Director of Arts and Creative Programming. Her upcoming book\, Pre-State Photographic Archives and the Zionist Movement was published by Routledge in March 2023\, and was named recipient of the Jordan Schnitzer First Book Award by the Association for Jewish Studies.  \n\n\n\nRotem is a lecturer at USC Roski School of Art and Design Critical Studies Department. She mentors artists worldwide and contributes regularly to magazines\, journals and exhibition catalogues. Her writings about contemporary art and image-based media\, as well as Jewish and Israeli art\, were published in Artforum.com\, Photographies\, Jewish Currents\, Tablet and Forward\, among other outlets.
URL:https://www.arttable.org/event/curatorial-walkthrough-if-memory-serves-photography-recollections-and-vision-at-the-brand-library-art-center/
LOCATION:The Brand Library\, 1601 W. Mountain\, Glendale\, California\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/01/092923-488-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240207T120000
DTEND;TZID=America/New_York:20240207T133000
DTSTAMP:20260403T134825
CREATED:20231223T155043Z
LAST-MODIFIED:20231223T160711Z
UID:15346-1707307200-1707312600@www.arttable.org
SUMMARY:Virtual Workshop |  Intersectionality of Race and Gender in the Artistic Labor Market
DESCRIPTION:9 am PST / 10 am MST / 11 am CST / 12 pm EST \n\n\n\n VIRTUAL | Intersectionality of Race and Gender in the Artistic Labor Market\n\n\n\nSince the fall of 2022\, ArtTable has conducted a survey to better understand compensation—and compensation inequity—in the arts\, with a particular focus on gender and compensation. At this collaborative workshop\, Dr. Gillian Gualtieri will present on the Intersectionality of Race and Gender in the Artistic Labor Market. Then\, attendees will collaboratively respond to the presentation and begin to build solutions and suggestions that will be incorporated into our published findings and circulated among members. The solution is not individual\, but\, rather shared. In this second workshop of ArtTable’s Pay Equity Initiatives\, we hope this program will be a collaborative effort in informing our continued research.Add your voice to this important conversation! \n\n\n\nThe Impact Initiatives Fund supports ArtTable’s annual fellowship program\, Career RoundTable events\, this Pay Equity project\, as well as various mentorship opportunities at the organization. Please consider a contribution to this fund with your registration. \n\n\n\nAdmission: \n\n\n\n\nComplimentary with optional donation\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nAfter registration\, you will receive an email containing the Zoom link.All virtual programs offer live automatic closed captioning. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College\, where she teaches classes in the sociology of art\, race and ethnicity\, gender\, organizations\, and culture. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her Ph.D. in Sociology at the University of California\, Berkeley.  Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, inequality in the art world (Poetics; SNAAP Report)\, and racial and gender inequality in fine dining (Social Problems; Poetics). Gualtieri is the lead researcher on ArtTable’s Survey on Working in the Arts. Gilliangualtieri.com
URL:https://www.arttable.org/event/virtual-workshop-intersectionality-of-race-and-gender-in-the-artistic-labor-market/
LOCATION:Virtual
CATEGORIES:National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2023/10/Equity2.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240212T110000
DTEND;TZID=America/New_York:20240212T120000
DTSTAMP:20260403T134825
CREATED:20240125T222823Z
LAST-MODIFIED:20240201T191243Z
UID:16231-1707735600-1707739200@www.arttable.org
SUMMARY:Los Angeles\, CA | Cedars-Sinai Art Collection Tour
DESCRIPTION:Marcia Simon Weisman\, a founder of the Cedars-Sinai Art Collection and the Los Angeles Museum of Contemporary Art\, sits with pop artist Andy Warhol at his 1977 book signing at Cedars-Sinai. Courtesy Cedars-Sinai Medical Center.\n\n\n\n\n \n\n\n\nJoin ArtTable for an intimate\, curator-led tour of Cedars-Sinai Medical Center’s famous Art Collection. The Collection hosts an impressive 4\,000 works of art including paintings from Roy Lichtenstein to sculptures by Claes Oldenburg and drawings by Ed Ruscha. The works are displayed throughout the corridors of the hospital with the tour highlighting a selection of works currently on view on the North Tower Plaza Level\, in the Advanced Health Sciences Pavilion\, and\, weather permitting\, in the Healing Gardens. Learn the rich history of how this collection came to be and since then\, how art has been vital to the mission statement at Cedars-Sinai. \n\n\n\nOur tour will be led by John Lange\, Curator of Cedars-Sinai’s Art Collection. \n\n\n\nPlease note\, masks are required to ensure the safety of Cedars-Sinai’s patients\, staff\, and visitors. Cedars-Sinai requires all visitors to bring an ID for check-in. Complimentary parking validation is included; instructions will be shared with all registrants. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Cedars-Sinai\, Felice Axelrod\, and Jane Glassman for organizing this program. \n\n\n\n \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nJohn T. Lange has served as Curator of the Art Collection at Cedars-Sinai Medical Center since 2003. In consultation with the Medical Center’s board\, Lange has grown the Collection to over 5\,250 works of modern and contemporary sculpture\, painting\, drawing\, and video art\, the vast majority of which is on display at any given time. His work at Cedars-Sinai has been highlighted by CBS News\, CNBC\, HuffPost\, and Los Angeles Magazine. A graduate of the Tyler School of Art at Temple University\, Lange is also a working artist and designer\, with recent work exploring the power of landscape as subject matter and as metaphor. 
URL:https://www.arttable.org/event/la-cedars-sinai-art-collection-tour/
LOCATION:Cedars-Sinai Advanced Health Sciences Pavilion\, 127 S. San Vicente Boulevard\, Los Angeles\, California\, 90048\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/01/weismann-warhol-bw.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240215T170000
DTEND;TZID=America/New_York:20240215T183000
DTSTAMP:20260403T134825
CREATED:20240203T010853Z
LAST-MODIFIED:20240209T171728Z
UID:16453-1708016400-1708021800@www.arttable.org
SUMMARY:New York\, NY | Gallery Talk with Nancy Koenigsberg
DESCRIPTION:Installation view of Nancy Koenigsberg: Line and Shadow\, Nancy Hoffman Gallery\, 2024\n\n\n\n\n \n\n\n\nJoin ArtTable for an inspiring artist talk exploring Nancy Koenigsberg: Line and Shadow at Chelsea’s Nancy Hoffman Gallery\, established in 1972 and currently supporting artists working on four continents.  \n\n\n\nThrough the works on view in Line and Shadow\, Koenigsberg will discuss the evolution of her practice. Her first exhibition with Nancy Hoffman Gallery\, it includes approximately 25 works made between 1998 and 2023\, and focuses on wire sculpture. Woven or knotted wire grids are shaped and layered; juxtapositions between shiny and dull\, fragile and industrial-strength materials challenge and engage the viewer visually and conceptually. Koenigsberg says the grids featured in much of her work reflect the city streets she knows so well as a New Yorker\, as well as the nuances and intricacies of the textile world she’s been immersed in for decades. \n\n\n\nKoenigsberg co-founded the Textile Study Group of New York in 1977\, inviting well-regarded artists from around the world to examine the historical and technical importance of textile practices\, from the ancient to the most contemporary. Koenigsberg now serves as President Emerita of the Textile Study Group and in 2022 became a Fellow of the American Craft Council. \n\n\n\n \n\n\n\nThis talk is made possible with the generous support of the Pollock-Krasner Foundation.  \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic – $20\n\n\n\n\nPlease log in to your ArtTable account to access member pricing. Not a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Susan Talbot for coordinating this program for ArtTable. \n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nNancy Koenigsberg lives and works in New York City. She was born in Philadelphia in 1927. She has an extensive exhibition history in the United States\, Europe\, and South America\, and has completed numerous commissions. Her work is included in collections in the Cleveland Museum of Art\, Cleveland\, OH; Denver Art Museum\, Denver\, CO; Indianapolis Museum of Art\, IN; Museum of Arts & Design\, NY; Museum of Fine Arts\, Houston\, TX; North Dakota Museum of Art\, Grand Forks\, ND; Racine Art Museum\, Racine\, WI; Textile Museum\, Washington\, DC; Yale University Art Museum\, New Haven\, CT\, among others. 
URL:https://www.arttable.org/event/new-york-ny-gallery-talk-with-nancy-koenigsberg/
LOCATION:Nancy Hoffman Gallery\, 520 West 27 Street\, New York\, New York\, 10001\, United States
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2024/02/IMG_6929.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240228T160000
DTEND;TZID=America/New_York:20240228T180000
DTSTAMP:20260403T134825
CREATED:20231213T215343Z
LAST-MODIFIED:20240417T193329Z
UID:14398-1709136000-1709143200@www.arttable.org
SUMMARY:2024 Annual Benefit & Award Ceremony - Los Angeles
DESCRIPTION:People of all gender identities are allies in supporting women’s leadership in the arts and all are welcome to join us at our Benefit events.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable invites you to celebrate ArtTable’s 2024 New Leadership Honoree Storm Ascher\, artist\, writer\, curator\, and Forbes 30 Under 30 Honoree for Art & Style in 2022–Storm has established herself as a visionary force in the contemporary art world.  \n\n\n\nIn 2018\, Storm founded Superposition Gallery with a mission to subvert gentrification tactics employed in urban development through art galleries. Embracing a socially conscious approach\,  the gallery has thrived and continues to foster a global community of artists. In 2023\, Storm founded the Hamptons Black Arts Council\, a 501(c)3 nonprofit charitable organization dedicated to upholding the legacy of Black art institutions on the East End of Long Island. Join us at ArtTable’s Annual Benefit & Award Ceremony in honor of Storm Ascher. The event\, held during Frieze Los Angeles\, promises an unforgettable night filled with connections\, support\, and advancement for outstanding individuals in the visual arts.Don’t miss the chance to register for an evening that goes beyond the ordinary–a true celebration of ArtTable’s exceptional arts professionals and the distinguished New Leadership award honoring Storm Ascher. \n\n\n\nCan’t join us in Los Angeles? Support ArtTable by making a donation today\, or by purchasing an advertisement or message in support of our honoree. \n\n\n\nPROGRAM4:00 PM – 6:00 PMCelebration\, Drinks\, and BitesConversation between Storm Ascher and a Special GuestClick here for more information on the event\, the New Leadership Award\, and Storm Asher
URL:https://www.arttable.org/event/2024-annual-benefit-award-ceremony/
CATEGORIES:National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240306T180000
DTEND;TZID=America/New_York:20240306T193000
DTSTAMP:20260403T134825
CREATED:20240104T145056Z
LAST-MODIFIED:20240304T235557Z
UID:15893-1709748000-1709753400@www.arttable.org
SUMMARY:New York | After-Hours Gallery Tour of Lee Krasner Exhibition at Kasmin
DESCRIPTION:Lee Krasner\, Number 2\, 1951\, oil on canvas\, 92 1/2 x 132 inches\, 235 x 335.3 cm. Jorge M. Pérez Collection\, Miami. © 2024 Pollock-Krasner Foundation / Artists Rights Society (ARS)\, New York. Photo: Diego Flores. Courtesy of Kasmin\, New York.\n\n\n\nJoin ArtTable for an after-hours gallery tour of Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 at Kasmin\, in association with the Pollock-Krasner Foundation. Eric Gleason\, Executive Director of Kasmin\, will provide an introduction and answer questions about the works on view and their context with Krasner’s oeuvre. The conversation will be followed by refreshments generously provided by the Pollock Krasner Foundation.  \n\n\n\nThrough the Pollock-Krasner Foundation\, Kasmin has represented Lee Krasner’s work since 2016. Lee Krasner: The Edge of Color. Geometric Abstractions\, 1948–53 is Kasmin’s fourth solo presentation of her work. It is the first exhibition to focus on this under-examined period of the artist’s work\, which laid the groundwork for several major series of paintings Krasner completed later in her career. Drawing on formative connections with peers in the American Abstract Artists group as well as Piet Mondrian\, Krasner’s work in the late forties and early fifties attracted early critical praise. Constrasting rectilinear forms\, painted in somber tones with varying thicknesses of brushwork\, sometimes appear on repainted canvases. Highlights of this presentation of Krasner’s work include the only two extant paintings from her first solo exhibition\, reunited for the first time; Number 3 (Untitled) (1951)\, on loan from the Museum of Modern Art\, and Number 2 (1951)\, on view in New York for the first time in over 70 years. \n\n\n\n  \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $10\n\n\n\nMember Guests – $15\n\n\n\nPublic  – $20\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nEric Gleason is Head of Sales at Kasmin Gallery. Since Eric joined the gallery in 2013\, he has played a key role in its expansion\, which involved the opening of its new flagship gallery and rooftop sculpture garden in New York in 2018. Eric works closely with a number of the prominent contemporary artists at Kasmin\, including Diana Al-Hadid\, Judith Bernstein\, Lyn Liu and Jan-Ole Schiemann\, and is the primary representative for several artist estates\, notably Barry Flanagan\, Lee Krasner\, Robert Motherwell\, and George Rickey. Eric has spearheaded numerous critically recognized Kasmin exhibitions\, including Lee Krasner: The Umber Paintings 1959-1962 (2017–2018) and Lee Krasner: Collage Paintings (2021). Eric has contributed to numerous institutional exhibitions to promote the careers and legacies of the gallery’s artists. Eric represents Kasmin at art world events and participates in the gallery’s domestic and international art fair program. In 2020\, Eric joined the Council of the Visual and Performing Arts school at Syracuse University\, and in August of 2023\, Eric joined the Board of Directors at Artistic Noise\, a non-profit offering visual arts and entrepreneurship programs to young people impacted by the juvenile justice system.
URL:https://www.arttable.org/event/after-hours-gallery-tour-lee-krasner-exhibition-at-the-kasmin-gallery/
LOCATION:Kasmin Gallery\, 509 W 27th St\, Manhattan\, New York\, 10001\, United States
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20240308T154500
DTEND;TZID=America/New_York:20240308T170000
DTSTAMP:20260403T134825
CREATED:20240218T011020Z
LAST-MODIFIED:20240222T215648Z
UID:16755-1709912700-1709917200@www.arttable.org
SUMMARY:Philadelphia | Tour of (Re)FOCUS: Then and Now at Moore College of Art & Design
DESCRIPTION:Installation view of (Re)Focus: Then and Now\, with art by Miriam Schapiro\, Mary Beth Edelson\, Joan Snyder and Alice Neel. Photo: Jack Stawowczyk.\n\n\n\nCelebrate International Women’s Day with a very special curator-led tour of (Re)FOCUS: Then and Now at Moore College of Art & Design in downtown Philadelphia. With Judith K. Brodsky\, Judith E. Stein\, and Diane Burko\, three of the original Focus team\, we will explore this two-part installation.:  \n\n\n\n(Re)FOCUS: Then commemorates the fiftieth anniversary of Philadelphia Focuses on Women in the Visual Arts: FOCUS\, a citywide festival highlighting women in the arts which took place across multiple Philadelphia venues in 1974. Curated by Brodsky and Burko\, who brought the original FOCUS to life in 1974\, (Re)FOCUS: Then reunites works by the 81 artists represented in the original exhibition\, including Louise Bourgeois\, Lee Krasner\, Howardena Pindell\, Faith Ringgold\, Alma Thomas\, and Moore College graduate Alice Neel. \n\n\n\n(Re)FOCUS: Now—curated by Gabrielle Lavin Suzenski\, Director of the Galleries at Moore; Denise M. Brown\, Executive Director of the Leeway Foundation; and Isa Isioma Matisse of The Future is Us Collective—explores themes of social justice\, gender identity\, equity\, and power present in the recent work of Philadelphia-based artists\, several of whom are Moore graduates. Over fifteen multidisciplinary visual artists\, educators\, and performers are represented\, including Wit López\, Atisha Fordyce\, and Moore faculty member Li Sumpter.  \n\n\n\nLearn more about the exhibition in recent coverage from WHYY News and The Philadelphia Inquirer. \n\n\n\n \n\n\n\nLike the original FOCUS\, (Re)FOCUS: Then and Now at Moore College of Art & Design is part of a citywide arts festival: Re(FOCUS) 2024\, happening through May 31 at over 30 venues across the Philadelphia area. The Colored Girls Museum\, the Free Library of Philadelphia\, the Philadelphia Academy of the Fine Arts\, and the Philadelphia Museum of Art are just a few of the institutions hosting Re(FOCUS) 2024 exhibitions and events—we encourage ArtTable members to visit! \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Judith Stein for coordinating this tour for ArtTable.
URL:https://www.arttable.org/event/philadelphia-tour-of-refocus-then-and-now-at-moore-college-of-art-design/
LOCATION:The Galleries at Moore – Moore College of Art & Design\, 1916 Race Street\, Philadelphia\, 19103
CATEGORIES:New York,National,Philadelphia
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240315T110000
DTEND;TZID=America/New_York:20240315T123000
DTSTAMP:20260403T134825
CREATED:20240223T023616Z
LAST-MODIFIED:20240226T154024Z
UID:16958-1710500400-1710505800@www.arttable.org
SUMMARY:Los Angeles | Private Tour of The Getty Center with Ellen Greenberg
DESCRIPTION:Vincent van Gogh\, Irises\, 1889; Oil on canvas; The J. Paul Getty Museum\, Los Angeles\, 90.PA.20.\n\n\n\n\nDemystify Art at The Getty Center \n\n\n\nEnjoy walking through time from the Middle Ages to the early 20th century and “peek behind and beyond the canvas” as Ellen Greenberg\, art historian\, guides you through the spectacular collection at The Getty Center in Brentwood. You’ll see the highlights of the museum and be wowed and amazed with the stories she’ll tell you about how artists have impacted history and yet still relate to our current\, everyday lives. Be titillated by Titian. Baffled by Bernini. Rembrandt revealed. Monet mastered. Van Gogh verified. These are among the groundbreaking artists that will be featured on the tour. In this 90-minute tour\, find out why there are so many nudes in Renaissance Art— and so many dead bugs\, wilted flowers and skulls in Dutch paintings! And why is the Virgin Mary always depicted wearing red and blue during the Renaissance and Baroque periods? What were the inspirations for Impressionism? You’ll never look at art the same way again! \n\n\n\nYour guide will be Ellen Greenberg. Ellen’s interests and expertise have been inspired by interior design\, fashion design and production and costume design in her early years to museum touring and unique travel journeys as owner of Quick Culture. Ellen has been an instructor at the Fashion Institute of Design & Merchandising and has guest lectured at UCLA. She holds Docent Program certificates at both The Getty Center and LACMA—and is the author of Inside Chocolate\, a pictorial art book published by Abrams Books (formerly Harry N. Abrams) New York. Notables Ellen has toured range from Merrick Garland\, United States Attorney General\, to Max Getty\, J. Paul Getty’s great-grandson. Her studies continue at The Getty Research Institute. \n\n\n\nThis tour will depart from the Museum Atrium Entrance. \n\n\n\nPlease Note: The fee to park at The Getty Center is $25.  \n\n\n\n  \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nSpecial thanks to Jane Glassman for coordinating on behalf of ArtTable.
URL:https://www.arttable.org/event/los-angeles-private-tour-of-the-getty-center-with-ellen-greenberg/
LOCATION:The Getty Center\, 1200 Getty Center Dr.\, Los Angeles\, CA\, 90049\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240401T181500
DTEND;TZID=America/New_York:20240401T193000
DTSTAMP:20260403T134825
CREATED:20240202T222853Z
LAST-MODIFIED:20240329T193505Z
UID:16438-1711995300-1711999800@www.arttable.org
SUMMARY:MeetAT Networking Event at FORMah Gallery
DESCRIPTION:Rescheduled from February 13\, 2024 \n\n\n\n \n\n\n\nYou’re invited to our upcoming MeetAT networking event on Monday\, April 1\, taking place at FORMah Gallery on the Lower East Side. Gallerist Maryana Kaliner will introduce guests to the current exhibition\, Connected to All There Is: Rachel Rubinstein. Enjoy light refreshments while catching up with fellow ArtTable members and making new connections. \n\n\n\nAre you considering joining ArtTable and want to know more about who we are and what we do? This is a great opportunity for potential members to get to know us! \n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nFREE to ArtTable Members and their guests*\n\n\n\n\n*each member is allowed to bring a single guest with them at this time \n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/meetat-networking-event-formah-gallery-arttable-members-and-friends-meet-and-chat/
LOCATION:FORMah gallery\, 42 Allen St\, New York\, New York\, 10002\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240405T180000
DTEND;TZID=America/New_York:20240405T191500
DTSTAMP:20260403T134825
CREATED:20240327T153215Z
LAST-MODIFIED:20240327T234901Z
UID:17688-1712340000-1712344500@www.arttable.org
SUMMARY:New York | Studio Visit with Heide Fasnacht
DESCRIPTION:Heide Fasnacht\, “Lake Gloriette” (blue)\, 2023. Mixed media on wood panel\, 48” x 60″. Courtesy of the artist. \n\n\n\nJoin ArtTable for a Friday evening tour of Heide Fasnacht‘s Tribeca studio\, hosted by the artist. Since starting her career in the late 1970s\, Fasnacht has focused her output on a variety of media over the years\, focusing on sculpture\, photography-based work\, and drawing as distinct fields of inquiry and as complementary modes of expressing common themes. Over the past six years\, she has returned to her first medium of painting\, incorporating photography and collage into mixed-media works that pay special attention to the relationship between the environment and the human body and psyche.  \n\n\n\nWhile Fasnacht’s work has long been compared to that of Vija Celmins\, Gerhard Richter\, and Sigmar Polke\, it is distinguished by its translation of two-dimensional sources into sculpture and openness to abstraction in form as well as in meaning. Represented in the collections of the Brooklyn Museum\, Detroit Institute of Arts\, the High Museum of Art\, MFA Boston\, and many other institutions\, Fasnacht’s next New York exhibition is Anywhere But Here\, a four-person exhibition opening May 8 at Project: ARTspace. \n\n\n\nThis talk is made possible by the Pollock-Krasner Foundation\, with special thanks to Kelly Cahn for coordinating. \n\n\n\n \n\n\n\nPlease note\, the studio building does not have elevator access. \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic  – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-studio-visit-with-heide-fasnacht/
LOCATION:4 White Street\, 4 White Street #4A\, New York\, New York\, 10013
CATEGORIES:New York
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DTSTART;TZID=America/New_York:20240416T183000
DTEND;TZID=America/New_York:20240416T203000
DTSTAMP:20260403T134825
CREATED:20231221T163650Z
LAST-MODIFIED:20240409T194847Z
UID:15237-1713292200-1713299400@www.arttable.org
SUMMARY:2024 Annual Benefit & Award Ceremony - New York
DESCRIPTION:People of all gender identities are allies in supporting women and nonbinary professionals’ leadership in the arts\, and everyone is welcome to attend our Benefit events. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable invites you to celebrate our New York Benefit celebrating 2024 Distinguished Service to the Visual Arts honoree Linda Goode Bryant and New Leadership Award honoree Niama Safia Sandy.  \n\n\n\nDistinguished social activist\, gallerist\, and filmmaker Linda Goode Bryant is renowned for her groundbreaking initiative\, Just Above Midtown (JAM)\, established in 1972. Through JAM\, Bryant pioneered a commercial gallery showcasing Black artists and artists of color\, emphasizing artistic freedom. JAM was celebrated in the Museum of Modern Art’s 2022 retrospective Just Above Midtown: Changing Spaces\, which united works made throughout JAM’s fourteen-year tenure with a series of special performances\, installations\, and activations across New York City. \n\n\n\nNiama Safia Sandy‘s work as a cultural anthropologist\, curator\, producer\, multidisciplinary artist\, and educator delves into the human story\, often centering on stories of the Global Black diaspora. She currently hosts and produces FOR/FOUR\, a weekly conversation series featuring Black women and non-binary persons in the arts. Niama recently co-founded The Blacksmiths\, a coalition of culture workers forging support for Black liberation against racism in the academy and at presenting institutions. Through The Blacksmiths\, Niama produces resources and events engaging communities\, activists\, and artists to close the gaps in opportunities for Black creators\, curators\, and administrators on the global stage.Reserve your ticket now for a sparkling Benefit evening at the Upper East Side’s Bohemian National Hall—a gathering of ArtTable’s vibrant community of professionals in recognition of Linda Goode Bryant and Niama Safia Sandy. \n\n\n\nCan’t join us in New York? Support ArtTable by making a donation today\, by purchasing an advertisement or message in support of our honoree\, or by purchasing a Mentorship ticket that will allow an ArtTable Fellow or Affiliate Member to attend the benefit. Benefit Co-Chairs \n\n\n\nBenefit Co-ChairsValerie Cassel OliverKayla G. ColemanKendal HenryLolan Ekow Sagoe-Moses \n\n\n\nCocktail Reception \n\n\n\nTuesday\, April 166:30 PM – 8:30 PMCelebration\, Drinks\, and Bites \n\n\n\nHonoringDistinguished Service to the Visual Arts AwardeeLinda Goode BryantSocial activist\, Gallerist\, and FilmmakerAndNew Leadership AwardeeNiama Safia SandyCultural Anthropologist\, Multidisciplinary artist\, Independent Curator\, and EducatorWith Special Remarks bySophie BaeFellow at the Capital One Art ProgramArtTable Fellowship AlumnaAndValerie Cassel OliverSydney and Frances Lewis Family Curator of Modern and Contemporary ArtArtTable Board MemberAndAnne DelaneyVisual Artist and Co-Founder\, Lambent FoundationClick here for more information on the event\, the Distinguished Service to the Visual Arts and New Leadership Awards\, and honorees Linda Goode Bryant and Niama Safia Sandy.
URL:https://www.arttable.org/event/2024-annual-benefit-award-ceremony-new-york/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240417T113000
DTEND;TZID=America/New_York:20240417T133000
DTSTAMP:20260403T134825
CREATED:20240328T040224Z
LAST-MODIFIED:20240415T164925Z
UID:17738-1713353400-1713360600@www.arttable.org
SUMMARY:New York | Guided Tours of the Whitney Biennial
DESCRIPTION:Maja Ruznic\, The Past Awaiting the Future/Arrival of Drummers\, 2023. Oil on linen\, 99 1/2 × 151 1/2 × 2 1/2 in. (252.7 × 384.8 × 6.4 cm). Collection of the artist. © Maja Ruznic. Courtesy Karma. Photograph by Brad Trone. \n\n\n\nArtTable is thrilled to invite you on a guided tour of the 2024 Whitney Biennial: Even Better Than the Real Thing. Now in its 81st edition\, the Biennial—the longest ongoing survey of contemporary American art—shifts the culture and shapes art history with each presentation. Curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes\, the exhibition features 71 artists; the performance program is organized with Taja Cheek and the film program is organized with Korakrit Arunanondchai\, asinnajaq\, Greg de Cuir Jr\, and Zackary Drucker. \n\n\n\nSelect 11:30 AM or 12:30 PM at the registration link below to sign up for your 60-minute tour with one of the Whitney’s Teaching Fellows. Please Note: 12:30 tickets are now SOLD OUT. \n\n\n\n \n\n\n\nTour Rates\, including Museum Admission: \n\n\n\n\nArtTable Members – $45\n\n\n\nMember Guests – $50\n\n\n\nNon-Members  – $55\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-guided-tours-of-the-whitney-biennial/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240430T083000
DTEND;TZID=America/New_York:20240430T103000
DTSTAMP:20260403T134825
CREATED:20240411T225509Z
LAST-MODIFIED:20240927T215943Z
UID:17956-1714465800-1714473000@www.arttable.org
SUMMARY:New York | Responsible Transacting in the Art Market with Patterson Belknap Webb & Tyler LLP
DESCRIPTION:This was the first program in our three-part Art Law Series sponsored by Patterson Belknap. Join us in Miami Beach for the next installment in December 2024\, followed by a Los Angeles event in early 2025! \n\n\n\n\n\n\n\nThe art market has undergone exponential growth across the last 10 years\, both in terms of volume and value. The old ways of purchasing and selling art via handshakes are now becoming increasingly rare as a wave of new players enter the art market and the value of works skyrockets. Art transactions have consequently become more complex\, introducing a range of legal risks and issues which require each party to become equipped with a more thoughtful and better-informed approach to a transaction. \n\n\n\nThis panel will provide an overview of the channels for purchasing art—at auction\, from a gallery\, or through a dealer or advisor—and how each comes with its own unique considerations and potential challenges. We will cover the basics of building relationships within the marketplace\, understanding how transactions are structured\, and issues that may arise on each side of the transaction. Our discussion will also include best practices for conducting due diligence not only for the works themselves but also on the parties engaged in the transaction. This panel will be geared towards private individual collectors\, art dealers\, and independent advisors in addition to arts professionals working in galleries and museums. \n\n\n\nThis event will begin with a networking reception including a light breakfast\, with Kosher for Passover menu options. We will reserve time at the end for audience questions. \n\n\n\nPanelists: \n\n\n\n\nAnne-Laure Allehaut\, Counsel\, Patterson Belknap\n\n\n\nAlana Ricca\, Managing Director\, Schoelkopf Gallery\n\n\n\nAubrey Catrone\, Owner & Consultant\, Proper Provenance\, LLC\n\n\n\nModerated by Andrea Zorrilla\, Founder\, AMZ Art Advisory + Appraisals LLC\n\n\n\n\n \n\n\n\nEvent Admission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nOur sincere thanks to Samantha Anderson of the Art Law Group at Patterson Belknap Webb & Tyler LLP and Andrea Zorrilla of AMZ Art Advisory + Appraisals LLC for coordinating this event. \n\n\n\n\n\n\n\n\n\nAnne-Laure Alléhaut is Counsel in Patterson Belknap’s Art and Museum Law practice. Anne-Laure started her career at Skadden Arps in M&A before serving as a Senior Vice President of Sotheby’s legal transactional team\, negotiating many of the auction house’s most complex and high value transactions while also overseeing Sotheby’s advisory\, appraisal and valuation departments.  \n\n\n\nAnne-Laure brings 18 years of law firm and in-house experience to the art industry and draws on her broad and deep experience to advise her clients with speed and efficiency. Her client base includes private collectors\, galleries\, estates\, start-ups\, art dealers\, museums\, advisors and financial institutions. Anne-Laure is a graduate of Université Paris X\, Nanterre and Université Paris II\, Panthéon-Assas. She received her J.D. and LL.M. from Cornell University. \n\n\n\n\n\nAlana Ricca is Managing Drector at Schoelkopf Gallery in Tribeca\, a leader in the field of American art from 1875 to the present day. She oversees day-to-day management of the gallery with a focus on sales\, business development\, and client relationships\, and plays a crucial role in the strategic planning and project management of art fairs\, exhibitions\, and programming. An expert in 20th-century American Art\, she holds specific knowledge in works of art created in the late 20th century and has catalogued\, researched\, and written extensively on post-war art. \n\n\n\nAlana holds a B.A. in Russian and Eurasian Studies from Colgate University. She is Uniform Standards of Professional Appraisal Practice-compliant and completes USPAP-compliant appraisals. Alana is a member of ArtTable and speaks Russian\, Spanish\, and Italian. \n\n\n\n\n\n\n\n\n\nAubrey Catrone is an international art historian\, appraiser\, and provenance researcher. Aubrey earned an MA in History of Art from University College London\, specializing in the documented histories of art objects. With an art gallery and academic research background\, Catrone founded Proper Provenance\, LLC to provide her clients with the tools\, not only to historically contextualize art but also to shed light on attribution and legal title within the international art market. \n\n\n\nCatrone has researched artworks paintings\, artefacts\, works on paper\, prints\, and sculptures spanning the fourth century B.C.E. to the twenty-first century C.E. She has been cited as a guest expert in ARTnews and on the History Channel. Catrone has also published her scholarship in a variety of publications including RICS Journals and the Journal of Art Crime. \n\n\n\n\n\n\n\n\n\nAndrea M. Zorrilla\, AAA is the founder of AMZ Art Advisory & Appraisals\, a Miami-based appraisal and advisory service dedicated to Modern & Contemporary Latin American fine art in addition to the Latinx and Caribbean diasporas. She is a Certified Member of the Appraisers Association of America\, and is distinguished with being one of four Certified Members of AAA specialized in the field of Latin American art in U.S. \n\n\n\nPrior to establishing AMZ Art Advisory & Appraisals LLC in 2022\, Andrea held the role of VP\, Specialist of Latin American Art at Sotheby’s New York. Andrea currently serves on the National Programming Committee of ArtTable. She is also a member of the Young Collectors Board of the Institute of Contemporary Art (ICA)\, Miami. She is a graduate of Villanova University with a BA in Economics and Spanish Language & Literature and received her Master of Arts with Distinction in Art Business from Sotheby’s Institute of Art\, New York / University of Manchester\, England.
URL:https://www.arttable.org/event/new-york-responsible-transacting-in-the-art-market-with-patterson-belknap-webb-tyler-llp/
LOCATION:Patterson Belknap\, 1133 6th Avenue (24th Floor)\, New York\, New York\, 10036\, United States
CATEGORIES:New York
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240430T140000
DTEND;TZID=America/New_York:20240430T150000
DTSTAMP:20260403T134825
CREATED:20240413T205928Z
LAST-MODIFIED:20240415T195520Z
UID:18018-1714485600-1714489200@www.arttable.org
SUMMARY:San Francisco | Curator-Led Tour of Zanele Muholi: Eye Me at SFMOMA
DESCRIPTION:Installation view of Eye Me: Zanele Muholi (SFMOMA\, 2024); photo: Don Ross\n\n\n\nMeet ArtTable at SFMOMA for a curator-led tour of Zanele Muholi: Eye Me\, the photographer’s acclaimed first major exhibition on the West Coast. On this hour-long tour\, Sally Martin Katz\, SFMOMA’s Curatorial Associate for Photography and a co-curator of Eye Me\, will cover major works across more than two decades of Muholi’s career. Read more about this unmissable show in The San Francisco Chronicle’s Datebook and KQED. \n\n\n\nAbout the exhibition: A self-described visual activist\, Zanele Muholi (b. 1972\, Umlazi\, South Africa) uses the camera to explore issues of gender identity\, representation\, and race. Often photographing their own body or members of their LGBTQ+ community in South Africa\, Muholi calls attention to the trauma and violence enacted on queer people while celebrating their beauty and resilience. Activism is central to Muholi’s artistic practice\, from their early work contending with the dangers of being queer in South Africa to their more recent work embracing their own blackness and gender expression. This exhibition brings together photographs from 2002 to the present alongside the artist’s latest explorations in painting and sculpture. The first major exhibition of Muholi’s work on the West Coast\, it provides the opportunity for Bay Area audiences to experience the full range of the artist’s expansive project. —SFMOMA.org \n\n\n\n\n \n\n\n\nAdmission: \n\n\n\n\nArtTable Members – $15\n\n\n\nMember Guests – $20\n\n\n\nNon-Members – $25\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\nSally Martin Katz is a curator based in San Francisco. Since 2017 she has been working in the photography department at SFMOMA. Concurrently\, she is a PhD candidate in Art History\, specializing in History of Photography\, at the Sorbonne. As an independent curator\, she guest curated the Louis Stettner retrospective at the Fundación MAPFRE in Madrid (2023) and Barcelona (2024) and was the editor of the exhibition catalogue\, and also guest curated A Moment in Time: Iconic Images by Harry Benson at the Southampton Arts Center\, New York (2023). She has co-edited several books\, including American Geography: Photographs of Land Use from 1840 to the Present (2021) and snap+share: transmitting photographs from mail art to social networks (2019). In Paris\, she worked at the Fondation Henri Cartier-Bresson and the Louvre. She received a BA in Art History and French Literature from Brown University\, as well as an MA in Art History and MFA in Photography from the Sorbonne.
URL:https://www.arttable.org/event/san-francisco-curatorial-tour-of-zanele-muholi-eye-me-at-sfmoma/
LOCATION:SFMOMA\, 151 Third Street\, San Francisco\, CA\, 94103\, United States
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DTSTART;TZID=America/New_York:20240501T120000
DTEND;TZID=America/New_York:20240501T133000
DTSTAMP:20260403T134825
CREATED:20240221T151457Z
LAST-MODIFIED:20240221T152836Z
UID:16910-1714564800-1714570200@www.arttable.org
SUMMARY:Virtual Workshop |  Parenting in the Artistic Labor Market: Results from ArtTable’s Pay Equity Survey
DESCRIPTION:9 am PST / 10 am MST / 11 am CST / 12 pm EST \n\n\n\n VIRTUAL | Parenting in the Artistic Labor Market\n\n\n\nSince the fall of 2022\, ArtTable has conducted a survey to better understand compensation—and compensation inequity—in the arts\, with a particular focus on gender and compensation. At this collaborative workshop\, Dr. Gillian Gualtieri will present on parenting in the artistic labor market. Then\, attendees will collaboratively respond to the presentation and begin to build solutions and suggestions that will be incorporated into our published findings and circulated among members. The solution is not individual\, but\, rather shared. In this third workshop of ArtTable’s Pay Equity Initiatives\, we hope this program will be a collaborative effort in informing our continued research.Add your voice to this important conversation! \n\n\n\nThe Impact Initiatives Fund supports ArtTable’s annual fellowship program\, Career RoundTable events\, this Pay Equity project\, as well as various mentorship opportunities at the organization. Please consider a contribution to this fund with your registration. \n\n\n\nAdmission: \n\n\n\n\nComplimentary with optional donation\n\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\nAfter registration\, you will receive an email containing the Zoom link.All virtual programs offer live automatic closed captioning. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGillian Gualtieri\, PhD\, is a Visiting Assistant Professor in the Department of Sociology at Barnard College\, where she teaches classes in the sociology of art\, race and ethnicity\, gender\, organizations\, and culture. Previously\, she was a postdoctoral scholar at the Curb Center for Art\, Enterprise and Public Policy at Vanderbilt University and a postdoctoral fellow at New York University. In 2018\, Gillian received her Ph.D. in Sociology at the University of California\, Berkeley.  Gillian has published research on symbolic compliance and sexual harassment on college campuses (in Sociological Forum)\, inequality in the art world (Poetics; SNAAP Report)\, and racial and gender inequality in fine dining (Social Problems; Poetics). Gualtieri is the lead researcher on ArtTable’s Survey on Working in the Arts. Gilliangualtieri.com
URL:https://www.arttable.org/event/virtual-workshop-parenting-in-the-artistic-labor-market/
LOCATION:Virtual
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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DTSTART;TZID=America/New_York:20240506T160000
DTEND;TZID=America/New_York:20240506T180000
DTSTAMP:20260403T134825
CREATED:20240328T043833Z
LAST-MODIFIED:20240423T020617Z
UID:17742-1715011200-1715018400@www.arttable.org
SUMMARY:New York | Curator-Led Tour of MAD About Jewelry
DESCRIPTION:ArtTable members and friends are invited on an exclusive curator-led tour of the 2024 edition of MAD About Jewelry\, the Museum of Arts & Design’s annual survey and sale of the most exciting contemporary jewelry. At MAD\, jewelry is valued as an art form; it is the only museum in the U.S. to dedicate gallery space both to special jewelry exhibitions and to its own collection of modern contemporary jewelry. In addition to furthering MAD’s educational mission\, MAD About Jewelry supports the careers and ongoing creative development of the leading creators featured in the exhibition. \n\n\n\nFollowing our tour with Bryna Pomp\, Curator of MAD About Jewelry\, we will have the opportunity to meet the featured artists\, learn about the creative and technical processes that go into their work\, and even have the opportunity to acquire our own handcrafted pieces.  \n\n\n\n \n\n\n\nTour Rates\, including Museum Admission: \n\n\n\n\nArtTable Member – $15\n\n\n\nFriend of Member – $20\n\n\n\nPublic – $25\n\n\n\n\nNot a member? Join today!
URL:https://www.arttable.org/event/new-york-curator-led-tour-of-mad-about-jewelry-for-arttable-circle/
LOCATION:Museum of Arts & Design\, 2 Columbus Circle\, New York City\, NY\, 10019\, United States
CATEGORIES:ArtTable Circle
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