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DTSTART;TZID=America/Los_Angeles:20191217T180000
DTEND;TZID=America/Los_Angeles:20191217T200000
DTSTAMP:20260403T190442
CREATED:20191106T180615Z
LAST-MODIFIED:20210216T195412Z
UID:1353-1576605600-1576612800@www.arttable.org
SUMMARY:NOCAL | ArtTable’s Northern California Chapter Leadership Award Celebration and Holiday Party
DESCRIPTION:Image: Suzanne Lacy with the Rape Map at LAPD headquarters\, January 2012. Photo: Neda Moridpour \nClick here to Register!\nJoin ArtTable’s Northern California Chapter for a special celebration honoring ArtTable’s Northern California Chapter Leadership Awardee Suzanne Lacy. \nArtTable’s Northern California Chapter invites you to join in this recognition of artist and educator\, Suzanne Lacy for her long career probing and illuminating the histories and cultures of women through performances engaging communities in active participation. Her impact on California and generations of young artists in the San Francisco Bay Area has opened important dialogue through her commitment as an educator and advocate for revelatory process. \nWe look forward to sharing these festivities with you as we gather to raise a glass to Suzanne Lacy and ArtTable Northern Californian members together! \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/nocal-arttables-northern-california-chapter-leadership-award-celebration-and-holiday-party/
LOCATION:Haines Gallery\, 49 Geary Street\, #540\, California\, 94108\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191216T173000
DTEND;TZID=America/New_York:20191216T193000
DTSTAMP:20260403T190442
CREATED:20191121T205525Z
LAST-MODIFIED:20210216T195602Z
UID:1514-1576517400-1576524600@www.arttable.org
SUMMARY:DC | Holiday Celebration at the Middle East Institute's Arts & Culture Center!
DESCRIPTION:Image: Artwork by Walid Siti\, from Speaking Across Mountains: Art of the Kurdish Diaspora \nClick here to Register!\nCelebrate the holidays with ArtTable DC at the Middle East Institute’s new Arts & Culture Center!  \nWelcome new ArtTable Members! \nSupport our chapter’s programs! \nEnjoy festive food & drinks! \nJoin ArtTable DC chapter to celebrate the holidays with a festive reception at the Middle East Institute’s new Arts & Culture Center\, with a special tour of “Speaking Across Mountains: Art of the Kurdish Diaspora” curated by Heba ElKayal. \nFamily and prospective members are welcome. \n“Speaking Across Mountains: Kurdish Artists in Dialogue” features nine contemporary artists from Iraq\, Syria\, and Turkey whose work offers audiences a rare opportunity to connect with Kurdish voices and experiences beyond the headlines. Through painting\, video\, photography\, and installation\, the artists reflect on themes that have long shaped the Kurdish experience\, such as displacement\, exile\, memory\, and gender\, while giving voice to the resilience of Kurdish communities in the face of decades of persecution. Featured artists include Sherko Abbas\, Serwan Baran\, Kani Kamil\, Hayv Kahrman and Walid Siti of Iraq; Savas Boyraz\, Zehra Dogen and Şener Özmen of Turkey; and Khadija Baker and Bahram Hajou of Syria. The exhibition opens on December 6\, 2019 and runs through February 20\, 2020. \nThe Middle East Institute’s (MEI) new Art Gallery is a unique platform in Washington\, DC dedicated to exhibiting modern and contemporary art\, video and photography from the Middle East and North Africa. Housed in the Middle East Institute’s newly renovated historic headquarters in Dupont Circle\, the gallery showcases up to five exhibitions annually featuring established and emerging artists from the region and the diaspora. \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/dc-holiday-celebration-at-the-middle-east-institutes-arts-culture-center/
LOCATION:Middle East Institute’s Arts & Culture Center\, Middle East Institute's Arts & Culture Center\, Washington\, DC\, 20036\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191216T170000
DTEND;TZID=America/Los_Angeles:20191216T200000
DTSTAMP:20260403T190442
CREATED:20191202T163549Z
LAST-MODIFIED:20231201T180706Z
UID:1607-1576515600-1576526400@www.arttable.org
SUMMARY:NW | ArtTable Northwest Holiday Party!
DESCRIPTION:Image: Sculpture by Patti Warashina\nClick here to Register!\nThe Northwest Chapter of ArtTable and Pottery Northwest invite you to celebrate the holidays with clay!\n\nMingle with other ArtTable members while shopping local during ClayFest Northwest. ClayFest Northwest is an exhibition of over 40 Northwest artists working in clay – from teapots to abstract sculpture\, there’s something for everyone. This festival highlights and celebrates the work that Northwest ceramic artists are making in all its infinite variety. Shop local\, shop handmade\, and support artists!\n\nWe’re actively growing our ArtTable Chapter! Do you know someone who may be interested in joining? Bring them\, invite them\, send them this invite. Has your membership lapsed? We understand. It happens. We all get busy. Come\, connect and celebrate anyway!\n\nWe invite you to participate in a “white elephant” gift exchange. Bring an art-themed gift such as an object\, book\, or handmade item. Refreshments and appetizers will be provided.\n\nAbout Pottery Northwest 50 People / 50 Years\n\nCelebrating those who have made Pottery Northwest the community of clay it is today. Over the years\, Pottery Northwest has attracted an impressive pool of noted figures who have influenced the arts culture in Seattle. Today’s community of clay evolved naturally from the students\, teachers\, residents\, and directors who lay claim to Pottery Northwest and made it their own. Board member Anne Foster has launched 50 People50 Years as a way to celebrate those who have influenced its past and are engaged in forging its future. It’s a pleasure to share these conversations with you\, once a week\, in celebration of our 50th year.\n\nCheers! Tara\, Kira\, and Lorrie- ArtTable Northwest Co-chairs\n\nWho’s attending this program? Click here to see who’s currently registered.\n\nThank you to Tara Wefers\, President\, Board of Directors\, Pottery Northwest\, and Marge Levy\, Ceramic Artist\, and Docent\, Seattle Art Museum.
URL:https://www.arttable.org/event/nw-arttable-northwest-holiday-party/
LOCATION:Pottery Northwest\, 226 1st Ave N\, Seattle\, WA\, 98109\, United States
CATEGORIES:Northwest
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191216T093000
DTEND;TZID=America/New_York:20191216T103000
DTSTAMP:20260403T190442
CREATED:20191113T160656Z
LAST-MODIFIED:20210216T195646Z
UID:1461-1576488600-1576492200@www.arttable.org
SUMMARY:NY | Morning Walk-through of "Paris\, Capital of Fashion" with Dr. Valerie Steele
DESCRIPTION:Image: Paris\, Capital of Fashion\, exhibition view. The Museum at FIT. ©The Museum at FIT \nClick here to Register!\nStart your day/ week with a curator-led walkthrough of Paris\, Capital of Fashion with Dr. Valerie Steele\, director of The Museum at FIT and curator of this exhibition.  \nParis\, Capital of Fashion explores how and why Paris became the international capital of fashion. It will feature approximately 75 fashion ensembles\, dating from the 18th century to the present\, as well as accessories. Curated by Dr. Valerie Steele\, director of The Museum at FIT\, this major exhibition is accompanied by a book and symposium that took place on October 18. \nThe introductory gallery places Paris within the global fashion system. After the Second World War\, Paris was repeatedly challenged by new fashion centers\, such as London\, Milan\, and New York. The first section of the main gallery focuses on the rise of the Paris fashion system in the late seventeenth and eighteenth centuries. The court at Versailles was the official epicenter of fashion\, but fashion professionals were based in the city of Paris and foreign visitors were amazed by the Parisian “mania” for fashion. The second section explores the growth of the Paris fashion system with its many métiers de la mode and its increased focus on feminine fashion. Particular attention is paid to the development of the haute couture\, which transformed dressmaking from a small-scale artisanal craft into big business and high art. Today\, globalization and technology have transformed the world of fashion. Yet Paris remains a unique fashion city. \nPlease enter the Goodman Center located at the Southwest corner of Seventh Avenue and 27th Street. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Valerie Steele\, Elisabeth Rochau- Shalem and Lynn Sallaberry.
URL:https://www.arttable.org/event/ny-morning-walk-through-of-paris-capital-of-fashion-with-dr-valerie-steele/
LOCATION:Museum at the Fashion Institute of Technology\, 227 West 27th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191212T180000
DTEND;TZID=America/Los_Angeles:20191212T200000
DTSTAMP:20260403T190442
CREATED:20191106T225954Z
LAST-MODIFIED:20241024T180045Z
UID:1378-1576173600-1576180800@www.arttable.org
SUMMARY:SOCAL | Celebrate the Holidays with ArtTable at the Fowler Museum
DESCRIPTION:Click here to register!\nJoin SoCal ArtTable for a festive evening at our annual holiday celebration\, held this year in the lovely inner courtyard of the Fowler Museum at UCLA.  Come socialize and enjoy drinks and nibbles with fellow ArtTable members and their invited guests (prospective members only\, please).  2019 has been an exciting time for ArtTable SoCal\, a year filled with wonderful programs and growth\, and we look forward to celebrating with you!  \n\nDuring the course of the evening\, we will be treated to a private viewing and walkthrough of the beautiful exhibition Rina Banerjee: Make Me a Summary of the World\, the artist’s first mid-career survey. Banerjee’s sumptuous installations and sculptures assembled from myriad found objects\, both natural and manmade\, together with her exquisite paintings\, both fascinate and intrigue while addressing the crucial global geopolitical\, environmental and social issues we face today.\n\nBorn in Kolkata\, India in 1963\, Banerjee was raised in the United Kingdom and the United States. After receiving a B.S. degree in polymer engineering and working as a polymer research chemist\, she left the profession to pursue an M.F.A. from Yale University. Based in New York City\, Banerjee has exhibited internationally\, with notable solo exhibitions at the Freer|Sackler Gallery\, Smithsonian Institution\, Washington\, D.C. and the Musée Guimet\, Paris. Her works are held in private and public collections worldwide\, such as the Whitney Museum of American Art; Brooklyn Museum; Hammer Museum; San Francisco Museum of Modern Art; Kiran Nadar Museum of Art\, New Delhi; Devi Art Foundation\, New Delhi; and Centre Pompidou.\n\nThe exhibition will be open to our guests from 6:00-7:30 pm with a 30-minute walkthrough at 6:30 pm.\n\nLight fare and refreshments will be served.\n\nFor self-service parking instructions: https://www.fowler.ucla.edu/visit/\n\nWho’s attending this program? Click here to see who’s currently registered!\n\nThank you to SoCal Co-chair Susan Power and SoCal members Kris Lewis and Libby O’Kane.\n\nImage: Rina Banerjee (b. 1963)\, Her captivity was once someone’s treasure and even pleasure but she blew and flew away took root which grew\, we knew this was like no other feather\, a third kind of bird that perched on vine intertwined was neither native nor her queens daughters\, a peculiar other.\, 2011. Anglo-Indian pedestal 1860\, Victorian birdcage\, shells\, feathers\, gourds\, grape vines\, coral\, fractured Charlotte doll heads\, steel knitted mesh with glass beads\, Kenyan tourist sculptures\, apple gourds. 7 x 7 x 6 ft. Cornell Fine Arts Museum\, Purchased with funds from the Michel Roux Acquisitions Fund\, 2016.20. © Rina Banerjee. Image courtesy Rina Banerjee Archives.
URL:https://www.arttable.org/event/socal-celebrate-the-holidays-with-rina-banerjee-make-me-a-summary-of-the-world/
LOCATION:The Fowler Museum at UCLA\, 308 Charles E Young Dr N\, Los Angeles\, United States
CATEGORIES:Southern California
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191211T081500
DTEND;TZID=America/New_York:20191211T093000
DTSTAMP:20260403T190442
CREATED:20191122T180108Z
LAST-MODIFIED:20210216T195804Z
UID:1521-1576052100-1576056600@www.arttable.org
SUMMARY:NY | Professional Empowerment: Mounting Effective Communications Campaigns
DESCRIPTION:Click here to Register\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \n\nSession 12: Mounting Effective Communications Campaigns with Juliet Sorce and Barbara Escobar \nA strategic communications campaign can convey your vision and mission to key stakeholders – media\, collectors\, donors\, clients\, and the public – and have a long-term\, lasting impact. In addition to discussing the key elements of an effective campaign\, this session will provide an overview of best practices and strategies for leveraging digital\, print\, and in-person communications platforms and positioning an organization or enterprise to achieve its long-term goals. \nJuliet Sorce has 15 years of experience spearheading strategic planning and integrated communications programs for an international roster of clients across the visual arts\, architecture\, and design. As Executive Vice President at Resnicow and Associates\, Juliet works with clients such as The Frick Art Collection\, where she directs strategic planning and media relations for the Collection’s enhancement and expansion project; Madison Square Park Conservancy\, where she leds communications for the Park’s public art commissioning program and for its presentation at the U.S. Pavilion of the 2019 Venice Biennale; and the Park Avenue Armory\, where she leads media relations for all visual arts programs and commissions among others. Prior to joining Resnicow and Associates\, Juliet was an editor at Tema Celeste\, a bilingual contemporary art magazine based in Milan\, and worked at the Solomon R. Guggenheim Museum in its Education Department. She has a master’s degree in Italian language and culture from Middlebury College in Florence and a bachelor of arts degree in humanities and art history from Yale University. \n  \nBarbara Escobar is Vice President at Resnicow and Associates (R+A)\, where she leads communications campaigns and provides counsel on planning\, programming and partnership strategies for leading arts organizations. Her projects have included international campaigns for the opening of the Institute of Contemporary Art\, Miami’s new permanent home in the Miami Design District in 2017; the U.S. Pavilion at the 2017 Venice Biennale\, commissioned by the Baltimore Museum of Art and the Rose Art Museum; and national campaigns for the launch of Frieze Los Angeles and the launch of Frieze Sculpture in New York at Rockefeller Center in 2019. Barbara has also led campaigns for organizations including the Art Dealers Association of America and its annual fair The Art Show\, the Dallas Museum of Art\, The Gordon Parks Foundation\, and Sharjah Art Foundation. Prior to joining R+A\, Barbara was the publicity and events manager at Aperture Foundation where she spearheaded communications\, publicity\, and social media for more than 120 publications\, exhibitions\, and initiatives. She previously worked in a marketing role at Phillips\, and has served as adjunct faculty in arts marketing at SUNY Purchase College and as an advisory board member for the Honolulu Biennial. Barbara received a master’s degree in museum studies from Johns Hopkins University and a dual bachelor’s degree in art history and philosophy from Catholic University. \nWho’s attending this program? Click here to see who’s currently registered! \n\nMany thanks to ArtTable NY’s Professional Empowerment Committee: Sarah McNaughton\, Elileen Jeng-Lynch\, Jacqueline Towers-Perkins\, Louky Keijsers Koning and Katherine Wilson-Milne. 
URL:https://www.arttable.org/event/ny-professional-empowerment-mounting-effective-communications-campaigns/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191210T173000
DTEND;TZID=America/New_York:20191210T190000
DTSTAMP:20260403T190442
CREATED:20191108T194846Z
LAST-MODIFIED:20210216T200000Z
UID:1401-1575999000-1576004400@www.arttable.org
SUMMARY:NY | ArtTable at The Brant Foundation for Third Dimension
DESCRIPTION:Image: Karen Kilimnik. Switzerland\, the Pink Panther Sellars & Boris & Natasha & Gelsey Kirkland in Siberia\, 1991. Courtesy Karen Kilimnik\, 303 Gallery\, New York; Galerie Eva Presenhuber\, Zurich; Spruth Magers\, Berlin\, London \nClick here to register! \nThis program is for ArtTable members only. \nJoin ArtTable NY for an exclusive after-hours look at the latest exhibition from The Brant Foundation Art and Study Center\, Third Dimension: Works from The Brant Foundation. \nThe Brant Foundation is pleased to present the second exhibition at its New York City space\, Third Dimension: Works from The Brant Foundation\, featuring over 20 artists integral to its collection. The selected sculptures\, installations\, and other works oscillating between painting and object represent the multifaceted practices of the artists on view\, offering visitors the opportunity to encounter artists who have been collected in depth by Brant Foundation founder Peter M. Brant over the past 50 years. With a focus on sculpture and installation\, The Brant Foundation pays tribute to the history of its East Village space\, formerly the longtime studio of artist and sculptor Walter De Maria. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Sarah McNaughton and Sabrina Marsalisi for organizing this program.
URL:https://www.arttable.org/event/ny-arttable-at-the-brant-foundation-for-third-dimension/
LOCATION:The Brant Foundation\, 421 East 6th Street\, New York\, NY\, 10009\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191210T090000
DTEND;TZID=America/New_York:20191210T103000
DTSTAMP:20260403T190442
CREATED:20191118T201853Z
LAST-MODIFIED:20210216T200037Z
UID:1487-1575968400-1575973800@www.arttable.org
SUMMARY:DC | Curator’s Tour “Pat Steir: Color Wheel”
DESCRIPTION:Image: Pat Steir Color Wheel at the Hirshhorn Museum and Sculpture Garden\, 2018–19 Oil on canvas 30 paintings\, each 108 × 84 inches Photo: Lee Stalsworth. Courtesy of Pat Steir and Lévy Gorvy \nClick here to Register\nJoin ArtTable for a morning tour at the Hirshhorn Museum and Sculpture Garden to explore Pat Steir: Color Wheel with Senior Curator Evelyn Hankins. \nThe exhibition is an expansive new suite of paintings by the acclaimed abstract painter\, her largest painting installation to date\, spanning the entire perimeter of the Museum’s second-floor inner-circle galleries. These immersive works transform the Museum into a vibrant spectrum of color. The thirty large-scale paintings create an immense color wheel that shifts hues with each painting\, with the pours on each canvas often appearing in the complementary hue of the monochrome background. \n9:00am Check-in \n9:15am Curator’s Tour Followed by coffee and networking at Dolcezza in the lobby\, Dutch treat \nThe exhibition is on view through September 7\, 2020. \nThank you to Hilary-Morgan Watt.
URL:https://www.arttable.org/event/dc-curators-tour-pat-steir-color-wheel/
LOCATION:Hirshhorn Museum and Sculpture Garden\, Located at the corner of 7th Street SW and Independence Ave SWLocated at the corner of 7th Street SW and Independence Ave SW\, Washington\, DC\, United States
CATEGORIES:Washington, D.C.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191208T110000
DTEND;TZID=America/Los_Angeles:20191208T130000
DTSTAMP:20260403T190442
CREATED:20191111T192434Z
LAST-MODIFIED:20210216T200125Z
UID:1438-1575802800-1575810000@www.arttable.org
SUMMARY:NOCAL | Reading at the (Art)Table
DESCRIPTION:Click here to register!\nJoin ArtTable Northern California for a December Reading at the (Art)Table. This month we will be reading Jenny Odell’s How to Do Nothing: Resisting the Attention Economy. \nArtTable NoCal is delighted to have Jenny Odell join this month’s event. \nABOUT HOW TO DO NOTHING\n“A complex\, smart and ambitious book that at first reads like a self-help manual\, then blossoms into a wide-ranging political manifesto.”—Jonah Engel Bromwich\, The New York Times Book Review \nNothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity . . . doing nothing may be our most important form of resistance. \nSo argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we have. Once we can start paying a new kind of attention\, she writes\, we can undertake bolder forms of political action\, reimagine humankind’s role in the environment\, and arrive at more meaningful understandings of happiness and progress. \nFar from the simple anti-technology screed\, or the back-to-nature meditation we read so often\, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative\, timely\, and utterly persuasive\, this book is a four-course meal in the age of Soylent. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Jan Wurm for organizing this program. 
URL:https://www.arttable.org/event/nocal-reading-at-the-arttable/
LOCATION:New York
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T120000
DTEND;TZID=America/New_York:20191206T143000
DTSTAMP:20260403T190442
CREATED:20191111T204541Z
LAST-MODIFIED:20210216T200145Z
UID:1444-1575633600-1575642600@www.arttable.org
SUMMARY:Miami Art Week | ArtTable at The Rubell Museum
DESCRIPTION:Image: Keith Haring\, Untitled\, 1982\, acrylic on vinyl tarpaulin\, 180 x 180 in. (4570 x 4570 cm)\, acquired in 1982.  © Keith Haring Foundation \nClick here to Register \nJoin ArtTable at the new home of the Rubell Collection Museum for our annual national Art Basel Miami Beach program.  \nDuring this event\, we will hear directly from Mera Rubell and Juan Roselione-Valadez\, Director\, Rubell Family Collection\, about the vision for the Rubell’s fifty-year passion for the arts\, the new museum construction process\, and the collection. Following the walkthrough\, meet us in the beautifully landscaped garden for a celebratory reception catered by Le Basque catering! \nAbout the Rubell Museum  \nOriginally launched as the Rubell Family Collection\, the museum has been renamed the Rubell Museum to emphasize its public mission and welcome audiences to see its contemporary art. “The word ‘museum’ makes the public feel welcome\, which is exactly our goal\,” stated Mera Rubell. The Rubells pioneered the model for sharing a private collection with the public. The new Rubell Museum expands their commitment to serving as a public resource and extends the public mission they’ve developed to date.  \nSince opening in Wynwood 26 years ago\, the Rubells have added many public programs\, including a partnership with the Miami-Dade County Public Schools\, which engages thousands of students every year\, and collaborations with local universities to offer seminars and critiques. The museum also hosts curatorial training internships and artist residencies with the support of the Knight Foundation. In addition to Mera\, Don\, and Jason Rubell\, the museum leadership includes Juan Roselione-Valadez\, who is the director of the museum and has been part of the team for 21 years.  \nThe Rubell Museum represents a new kind of institution that serves as an advocate for a diverse group of contemporary artists and a resource for both the public and the art world. Since the Rubells moved to  \nMiami\, many museums and public collections have opened in the city\, and it has developed a vital arts ecology. The Rubells see their new museum as providing a context for art and exhibitions that are available to the public in South Florida and beyond. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Mera Rubell and Juan Roselione-Valadez.
URL:https://www.arttable.org/event/national-miami-art-week-meet-up-at-the-rubell-museum/
LOCATION:The Rubell Museum\, 1100 NW 23rd St\, Miami\, FL\, 33127\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191206T093000
DTEND;TZID=America/New_York:20191206T113000
DTSTAMP:20260403T190442
CREATED:20191119T203220Z
LAST-MODIFIED:20210216T200205Z
UID:1496-1575624600-1575631800@www.arttable.org
SUMMARY:Miami Art Week | The Power of Community at Art Miami
DESCRIPTION:Click here to Register\nArtTable\, the Association of Women Art Dealers (AWAD) and the Professional Organization for Women in the Arts (POWarts) invite you the first event of its kind… \nThese three professional networks for women in the art world are joining forces for a thought-provoking conversation to foster new ideas and generate opportunities with individuals across all three networks\, not to mention collectors\, curators\, academics and special guests who champion gender parity.\n \nArtnet journalist Sarah Cascone will facilitate a discussion with the leaders of the three organizations: \nJessica Porter (Executive Director\, ArtTable)\nSara Kay (Founder\, POWarts)\nSusan J Mumford (Founder and CEO\, Association of Women Art Dealers) \nThe panel will be accompanied by a Q&A followed by an open networking session. \nRefreshments will be aplenty\, to awaken and bolster conversation alike! Treats include coffee\, tea\, mimosas\, quiche\, bagels and croissants. \nWith gratitude…\nThe event takes place on the occasion of Art Miami’s 30th edition\, prompting us to look at the position of women in the industry when the fair began in 1989 (think: Guerrilla Girls era)\, comparing that to the reality today (post #metoo)\, and looking ahead to 2049. \nIndividuals of any gender are welcome to attend.\n \nTimetable\nArrivals // 9.30am\nPanel // 10.00am\nOpen networking // 10.50am\nDepartures // 11.30am \nThis exclusive\, invite-only occasion has been made possible with much thanks to Yvel.\nhttps://www.yvel.com | Instagram @yvel_jewelry
URL:https://www.arttable.org/event/miami-art-week-the-power-of-community-at-art-miami/
LOCATION:Art Miami\, CONTEXT Art Miami\, Miami\, FL\, 33132\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/https___cdn.evbuc_.com_images_81643635_28009869141_1_original.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191205T080000
DTEND;TZID=America/New_York:20191205T090000
DTSTAMP:20260403T190442
CREATED:20191111T220254Z
LAST-MODIFIED:20210216T200231Z
UID:1454-1575532800-1575536400@www.arttable.org
SUMMARY:DC | BreakfastTable with Ji Young Yun
DESCRIPTION:Image: Ji Young Yun \nClick here to Register\nJoin us for an informal conversation with Ji Young Yun\, Curator of the Korean Cultural Center (KCC) Washington\, D.C.\, within the Embassy of the Republic of Korea. \nJi Young Yun has curated over 80 Korean emerging artists’ exhibitions since she joined KCC in 2012. Interacting with institutes (local and international) and independent artists\, Yun’s goal is to bring their perspective on Korean culture and society to the Center to share with the American community. Yun holds a Masters in Fiber Arts from Hongik University in Korea as well as a Master of Arts in Arts Management from George Mason University. \nJi Young Yun was born and raised in Korea and moved to USA in 2010 where she currently resides with her husband. Breakfast is Dutch treat\, cash preferred. \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/dc-breakfasttable-with-ji-young-yun/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191203T180000
DTEND;TZID=America/Los_Angeles:20191203T203000
DTSTAMP:20260403T190442
CREATED:20191113T185447Z
LAST-MODIFIED:20210216T200252Z
UID:1473-1575396000-1575405000@www.arttable.org
SUMMARY:SOCAL | December MeetAT L.A.Louver
DESCRIPTION:Image: Edward and Nacy Kienholz\, The Merry-Go-World or Begat By Chance and the Wonder Horse Trigger\, 1988 – 92 / mixed media tableau / 115 x 184 in diameter \nClick here to Register!\nJoin us for our bi-monthly MeetAT* at L.A. Louver Gallery to socialize and tour the exhibitions of Californwork by Edward and Nancy Kienholz and R.B. Kitaj. Mingle with SoCal members and bring colleagues who you’d like to sponsor for membership. \nRefreshments will be served. At 7:00 p.m.\, we will move across the street to James’ Beach (60 N Venice Blvd) for no-host beverages and appetizers from their Happy Hour menu. \nOn view at L.A. Louver\, is Edward and Nancy Kienholz: The Merry-Go-Round World or Begat by Chance and the Wonder House Trigger (1988-92)\, a piece exhibited extensively in Europe\, but unseen in Los Angeles since it debuted at L.A. Louver in 1992. Considered one of the artists’ most ambitious tableaux\, the large-scale\, multi-media assemblage environment examines what Ed Kienhoz described as “the random accident of birth\, the mystery involved\, and the importance of all life.” Also at L.A. Louver is R.B. Kitaj: Collages and Prints\, 1964-1975. While the artist’s prints have been widely seen and celebrated over the past five decades\, this exhibition is the first time his collages\, which served as source material for his prints\, are on public view. \n*MeetAT\, a signature ArtTable program\, is a free\, member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nThe parking lot directly across the street from LA Louver (and nearby James Beach) is available for a $8 flat fee \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Roni Feinstein and Geneen Estrada of ArtTable So Cal and Elizabeth East\, Director at L.A. Louver.
URL:https://www.arttable.org/event/socal-december-meetat-l-a-louver/
LOCATION:L.A.Louver\, 45 N Venice Blvd\, Venice\, CA\, 90291\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191202
DTEND;VALUE=DATE:20191203
DTSTAMP:20260403T190442
CREATED:20191024T155629Z
LAST-MODIFIED:20210216T201001Z
UID:1234-1575273600-1575306000@www.arttable.org
SUMMARY:Miami Art Week | ArtTable VIP Fair Pass Packages
DESCRIPTION:Image: Art Basel Miami Beach 2018 \nWe’re out of passes! Email programs@arttable.org to be placed on a waitlist\nJoin ArtTable members for special access to fairs during Miami Art Week\, December 2 – 6\, 2019! This year ArtTable is offering a VIP Pass Package. Please note that there is a very limited number of packages and that these will be distributed on a first come first serve basis. \nVIP Package includes: \nArt Miami\, CONTEXT\, Aqua Art Miami (VIP Pass) \nArt Basel Miami Beach (Single Day Pass)  \nDesign Miami (VIP Pass) \nNADA  (VIP Pass) \nPrizm  (VIP Pass) \nPulse (VIP Pass) \nScope  (VIP Pass) \nUNTITLED (VIP Pass) \nPasses to be distributed digitally and by mail. This offer is exclusive to ArtTable members\, limited to one package per member.
URL:https://www.arttable.org/event/national-arttable-vip-fair-pass-packages/
LOCATION:New York
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191123T130000
DTEND;TZID=America/New_York:20191123T140000
DTSTAMP:20260403T190442
CREATED:20191029T180950Z
LAST-MODIFIED:20210216T200942Z
UID:1240-1574514000-1574517600@www.arttable.org
SUMMARY:DC | Curator-led tour of "Topographies of Life" with Jennifer Riddell
DESCRIPTION:Image: Lynn Sures\, “2019.4 The Hell Hole\,” 2019\, Colored pencil drawing on artist-made kenaf paper\, 16 x 24 inches\, Courtesy of the Artist / Photo: Mark Gulezian \nClick here to REGISTER!\nJoin fellow AT member and independent curator Jennifer Riddell to visit “Topographies of Life\,” featuring the work of Lynn Sures\, Pam Rogers\, and Mel Watkin. Each artist borrows from the practice of illustration to explore aspects of nature and our interrelation with it across time and varied landscapes. \nThere is free parking available in the Katzen Center garage on weekends. Metro to Tenleytown + AU shuttle. \nWho’s attending this program? Click here to see who’s currently registered! \n\nThank you to Jennifer Riddell for leading and organizing this program. 
URL:https://www.arttable.org/event/dc-curator-led-tour-of-topographies-of-life-with-jennifer-riddell/
LOCATION:Katzen Arts Center American University Museum\, 4400 Massachusetts Ave NW\, Washington\, DC\, 20016\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T083000
DTEND;TZID=America/New_York:20191122T100000
DTSTAMP:20260403T190442
CREATED:20191103T152929Z
LAST-MODIFIED:20210216T201023Z
UID:1296-1574411400-1574416800@www.arttable.org
SUMMARY:NY | Dutch Treat Breakfast at L'Express
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at L’Express. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. \nTo view the menu and for more information\, visit: L’Express \nL’Express is located at 249 Park Avenue south\, SE corner of 20th Street \nSubways:\n6 or R to 23 rd Street  or N/R\,4\,5\,6 to 14th street.\nIf on the West side crosstown bus at 23 rd street. Exit at Park Ave south or if taking the L to 14th Street from Brooklyn or West side\, exit at Union Square and walk or take 6 to 23rd street. \n\n\nWho’s attending this program? Click hereto see who’s currently registered!\n\n\nThank you to Ingrid Dinter for organizing and Susan Halper for hosting this program.
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-lexpress/
LOCATION:L’Express\, 249 Park Ave S\, New York\, NY\, 10003\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191121T180000
DTEND;TZID=America/New_York:20191121T200000
DTSTAMP:20260403T190442
CREATED:20191105T225050Z
LAST-MODIFIED:20210216T201041Z
UID:1312-1574359200-1574366400@www.arttable.org
SUMMARY:NY | MeetAT at the Arts Student League for 'Post-War Women'
DESCRIPTION:Image Credit: MAY STEVENS. Forming the Fifth International\, 1985. Acrylic on canvas\, 78 x 120 inches. Courtesy of Arts Student League and Ryan Lee Gallery. \nClick here to register now!\nProgram is free and open to members and guests\, advance registration required.  \nArtTable’s MeetAT networking program continues in November! This month we are hosted by the Arts Student League whose fantastic exhibition\, Post-War Women\, is currently on view. \nArtTable MeetATs are a free member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program\, everyone is free to network and engage in conversation. \nPostwar Women is The Art Students League’s first exhibition to explore the vital contributions of these alumnae on the international stage. On view at The Phyllis Harriman Mason Gallery from November 2 to December 1\, 2019\, Postwar Women challenges the misperception that great art produced by women artists is somehow an exception rather than the rule. Curator Will Corwin investigates the history of innovative art academies like The League that promoted democratic ideologies\, which in turn created artistic opportunities for women of all social classes. \nThank you to Will Corwin\, Curator\, Arts Student League and creator of MeetAT programs\, Louky Keijsers-Koning\, Director/Owner\, LMAK Gallery\, for organizing and supporting this program.
URL:https://www.arttable.org/event/meetat-meetat-at-the-arts-student-league-for-post-war-women/
LOCATION:New York
CATEGORIES:New York
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191120T170000
DTEND;TZID=America/New_York:20191120T180000
DTSTAMP:20260403T190442
CREATED:20191106T173810Z
LAST-MODIFIED:20210216T201109Z
UID:1337-1574269200-1574272800@www.arttable.org
SUMMARY:NY | Walk-through of Agnes Denes: Absolutes and Intermediates with Emma Enderby
DESCRIPTION:Image: Installation view: Agnes Denes: Absolutes and Intermediates\, The Shed\, New York\, October 9\, 2019 – March 22\, 2020. Photo: Dan Bradica. \nClick here to Register!\nJoin ArtTable NY for a curator led walk through of Agnes Denes: Absolutes and Intermediates at The Shed with Emma Enderby\, senior curator at The Shed. \nAgnes Denes rose to international attention in the 1960s and 1970s as a leading figure in conceptual\, environmental\, and ecological art. A pioneer of several art movements\, she creates work in a broad range of mediums\, utilizing various disciplines—science\, philosophy\, linguistics\, ecology\, psychology—to analyze\, document\, and ultimately aid humanity. Denes turns her analysis into beautiful\, sensual visual forms\, poetry\, and a philosophy that she has developed over the course of her career. \nThis comprehensive survey exhibition\, Agnes Denes: Absolutes and Intermediates\, brings together over 150 works spanning her 50-year career. The exhibition includes a comprehensive look at her important series the “Philosophical Drawings” (1969 – 80)\, “Map Projections” (1973 – 79)\, and “Pyramid Series” (1970 –); her realized monumental public works\, including the iconic Wheatfield—A Confrontation (1982); as well as a presentation of unrealized works. The Shed has also commissioned a number of works that both expound and expand on the ideas that have been ever present throughout Denes’s career. Agnes Denes: Absolutes and Intermediates is accompanied by a fully illustrated catalogue. \nEmma Enderby is the senior curator at The Shed\, NYC\, where she has organized the retrospective exhibitions Agnes Denes: Absolutes and Intermediates\, as well as Collision/Coalition featuring Tony Cokes\, Oscar Murillo\, Vanessa Bergonzoli and Yanina Valdivieso)\, Open Call (52 emerging artists)\, and Trisha Donnelly. As adjunct curator at Public Art Fund\, Enderby curated Tauba Auerbach: Flow Separation (2018); as associate curator solo presentations Katja Novitskova: EARTH POTENTIAL (2017)\, Spencer Finch: Lost Man Creek (2016–18)\, and David Shrigley: MEMORIAL (2016–17)\, along with group exhibitions Commercial Break (2017) and The Language of Things (2016). Previously\, as exhibitions curator at the Serpentine Galleries\, London\, she organized exhibitions including Hilma af Klint: Painting the Unseen (2016)\, Rachel Rose: Palisades (2015)\, Leon Golub: Bite Your Tongue (2015)\, Trisha Donnelly (2014)\, and Haim Steinbach: once again the world is flat (2014) and assisted on Adrián Villa Rojas: Today We Reboot the Planet (2013). She was also co-project curator for the Serpentine’s Pavilion commissions of selgascano (2015) and Smiljan Radić (2014). Previously\, she worked at the Royal Academy of Arts\, London\, and Whitechapel Gallery\, London.\n\n\n\n\nAgnes Denes The Ghost of Nautlus\n\nThis work\, printed for ArtTable\, re-imagines one of Denes’ most iconic forms\, a snail shaped nautilus spiraling delicately through space\, as an ode to The Nautilus\, a destroyed amphitheater designed by Denes. Proceeds from the sale of this work support ArtTable and its mission to support inclusion in the art world. For more information\, see here.  \n\nThank you to Emma Enderby and Leslie Tonkonow.
URL:https://www.arttable.org/event/ny-walk-through-of-agnes-denes-absolutes-and-intermediates-with-emma-enderby/
LOCATION:The Shed\, 545 West 30th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191119T083000
DTEND;TZID=America/New_York:20191119T100000
DTSTAMP:20260403T190442
CREATED:20191031T175208Z
LAST-MODIFIED:20210216T201133Z
UID:1258-1574152200-1574157600@www.arttable.org
SUMMARY:NY | Artist Breakfast with Nona Faustine at Two Palms
DESCRIPTION:Image: Nona Faustine\, Fragment of Evidence\, Statue of Liberty\, 2019. Silkscreen on lanaquarelle\, 40 x 60 in\, edition of 20. \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Nona Faustine\, whose work  has been exhibited at Harvard University\, the Studio Museum of Harlem\, and who’s body of work My Country\, is currently on view at Two Palms and will be traveling with the studio to Miami Art Basel. \nAbout the artist:  \nNona Faustine is an award-winning photographer and visual artist born and raised in Brooklyn\, New York. She is a graduate of the School of Visual Arts and The International Center of Photography at Bard College’s MFA program. Her work focuses on history\, identity\, representation\, evoking a critical and emotional understanding of the past\, and proposes a deeper examination of contemporary racial and gender stereotypes. \nFaustine’s images have received worldwide acclaim and have been published in a variety of national and international media outlets such as Artforum\, New York Times\, Huffington Post\, Hyperallergic\, The Guardian\, New Yorker Magazine\, and Los Angeles Times\, among many others. Faustine’s work have been exhibited at Harvard University\, Rutgers University\, Maryland State University\, the Studio Museum of Harlem\, the African American Museum in Philadelphia\, Schomburg Center for Black Research in Harlem\, the International Center of Photography\, Saint Johns Divine Cathedral\, Tomie Ohtake Institute in Sao Paulo\, among other institutions. Her work is in the collection of the David C. Driskell Center at Maryland State University\, the Studio Museum of Harlem\, the Brooklyn Museum\, and recently\, the Carnegie Museum in Pittsburgh\, Pennsylvania. In 2019\, Faustine was the recipient of the NYSCA/NYFA Fellowship\, Colene Brown Art Prize\, Finalist in the Outwinn Boochever Competition of the National Portrait Gallery and selected to be the first inaugural class of Kehinde Wiley’s Black Rock Senegal Residency. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable’s Artist Breakfast Committee\, Tiana Webb Evans and to Two Palms for hosting this event. 
URL:https://www.arttable.org/event/ny-artist-breakfast-with-nona-faustine-at-two-palms/
LOCATION:Two Palms\, 38 Crosby Street\, 3rd floor\, New York\, NY\, 10013\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T090000
DTEND;TZID=America/New_York:20191115T120000
DTSTAMP:20260403T190442
CREATED:20190926T145134Z
LAST-MODIFIED:20210216T201211Z
UID:852-1573808400-1573819200@www.arttable.org
SUMMARY:NY | 2019 CAREER ROUNDTABLE PROGRAM
DESCRIPTION:Established in 2009 ArtTable New York’s Career Development Roundtable is one of our longest standing and most impactful career mentoring programs. The program is designed to give emerging leaders in arts administration\, art business\, museum studies\, art history\, curatorial studies\, and arts internships across the New York metropolitan area an experience to meet with professional women in the visual arts to discuss career opportunities. It is also a chance to network among peers and build lasting relationships\n  \nEmerging professionals seeking career advice and inspiration for careers in the visual arts\, are invited to attend ArtTable’s 2019 Career Development Roundtable taking place on November 15\, 2019. Graduate students in art history\, in art history\, design history\, museum and curatorial studies\, museum education\, art business\, and arts administration programs in the New York City area are invited to participate. Students will have the opportunity to gather around selected tables for open and engaged conversations with leading professional women in the visual arts\, to learn about their diverse career paths and experiences\, to gain insights and advice for their own career development\, and to network and build future relationships with peers and mentors.\n\n\n\n  \nCareer Topics that will be explored include: appraiser | art advisor | art fairs | art publishing | art conservator | auction houses/online art businesses | collection management/ registrar/archivist | curator/art historian | development/fundraising | gallerist/dealer | museum/nonprofit director | public programing/museum education | public relations/marketing/social media. \n\nFor more information about these topics click here \n\n  \n\n                      \n 
URL:https://www.arttable.org/event/ny-2019-career-roundtable-program/
LOCATION:New York
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/FIT-17-11-17_362.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T174500
DTEND;TZID=America/New_York:20191114T190000
DTSTAMP:20260403T190442
CREATED:20191017T220910Z
LAST-MODIFIED:20210216T201312Z
UID:1182-1573753500-1573758000@www.arttable.org
SUMMARY:NY | Curatorial Walk-through of Edith Halpert and the Rise of American Art
DESCRIPTION:Image: Edith Halpert at the Downtown Gallery\, wearing the 13 watch brooch and ring designed for her by Charles Sheeler\, in a photograph for Life magazine in 1952. She is joined by some of the new American artists she was promoting that year. Credit: Photograph © Estate of Louis Faurer \nClick here to register!\nJoin ArtTable NY for a curatorial walk through of Edith Halpert and the Rise of American Art at The Jewish Museum with Rebecca Shaykin\, Associate Curator\, The Jewish Museum. \nThe Jewish Museum will present Edith Halpert and the Rise of American Art\, the first exhibition to explore the remarkable career of Edith Gregor Halpert (1900-1970)\, the influential American art dealer and founder of the Downtown Gallery in New York City. A pioneer in the field and one of New York’s first female art dealers\, Halpert propelled American art to the fore at a time when the European avant-garde still enthralled the world. The artists she supported — Stuart Davis\, Jacob Lawrence\, Georgia O’Keeffe\, Yasuo Kuniyoshi\, Ben Shahn\, and Charles Sheeler key among them — became icons of American modernism. Halpert also brought vital attention to overlooked nineteenth-century American artists\, such as William Michael Harnett\, Edward Hicks\, and Raphaelle Peale\, as well as little-known and anonymous folk artists. With her revolutionary program at the Downtown Gallery\, her endless energy\, and her extraordinary business acumen\, Halpert inspired generations of Americans to value the art of their own country\, in their own time. \nThe exhibition\, on view at the Jewish Museum from October 18\, 2019 through February 9\, 2020\, will feature 100 works of American modern and folk art\, including paintings\, sculptures\, and prints by artists such as Davis\, Lawrence\, O’Keeffe\, Kuniyoshi\, Shahn\, and Sheeler\, as well as Arthur Dove\, Elie Nadelman\, Max Weber\, and Marguerite and William Zorach\, among others\, and prime examples of American folk art portraits\, weathervanes\, and trade signs. Along with major artworks that were exhibited at and sold through the Downtown Gallery\, highlights from Halpert’s acclaimed personal collection of both modern and folk art\, reassembled for the first time since its landmark sale in 1973\, will also be on view. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Randy Rosen\, ArtTable NY Program Committee Member\, for organizing this program. 
URL:https://www.arttable.org/event/ny-curatorial-walk-through-of-edith-halpert-and-the-rise-of-american-art/
LOCATION:The Jewish Museum\, 1109 5th Ave at 92nd St\, New York\, NY\, 10128\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T083000
DTEND;TZID=America/New_York:20191114T093000
DTSTAMP:20260403T190442
CREATED:20191022T205444Z
LAST-MODIFIED:20210216T201331Z
UID:1226-1573720200-1573723800@www.arttable.org
SUMMARY:DC | Director and Curator-Led Tour of the US Diplomacy Center
DESCRIPTION:Image: Courtesy US Diplomacy Center \nClick here to REGISTER! This program is for ArtTable members only.\nJoin ArtTable for a behind-the-scenes exploration of the U.S. Diplomacy Center\, coffee and pastries will be provided. \nThe event will include a discussion with Museum Director Mary Kane\, curatorial and education staff\, and a tour of the museum’s preview exhibit “”Diplomacy Is Our Mission\,”” designed in conjunction with Smithsonian Exhibits. \nThrough the voices of diplomats\, “”Diplomacy Is Our Mission”” tells the often surprising story of how diplomacy has shaped our nation. When complete\, the U.S. Diplomacy Center will be the nation’s first museum dedicated to the history\, practice\, and challenges of American Diplomacy. A public-private partnership with the U.S. Department of State\, it will seek to broaden the public’s understanding of the critical role played by American diplomacy in establishing and maintaining our nation’s security\, economic prosperity\, and success. Through exhibitions\, interactives\, outreach programs\, and over 9\,000 unique artifacts\, the U.S. Diplomacy Center will inspire the American public to discover diplomacy and how it impacts their lives every day. \nPlease note registration closes on November 10!!***MUST BRING PHOTO ID*** \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Jennifer Duncan\, Director of Foundation of Art and Preservation in Embassies\, for organizing this program. 
URL:https://www.arttable.org/event/dc-director-and-curator-led-tour-of-the-us-diplomacy-center/
LOCATION:US Diplomacy Center\, 330 21st St NW\, Washington\, DC\, 20006\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191113T110000
DTEND;TZID=America/Los_Angeles:20191113T130000
DTSTAMP:20260403T190442
CREATED:20191017T214555Z
LAST-MODIFIED:20210216T201353Z
UID:1176-1573642800-1573650000@www.arttable.org
SUMMARY:SOCAL | Self-Guided Visit to Shirin Neshat at the Broad
DESCRIPTION:Image: Shirin Neshat\, Land of Dreams\, 2019\, video still \nClick here to REGISTER!\nJoin ArtTable for a visit to Shirin Neshat: I Will Greet the Sun Again\, the largest exhibition to date of the artist’s approximately 30-year career. This will not be a curator-led walk-though\, but an opportunity to experience with colleagues the exhibition and its plethora of time-consuming video works\, which can be viewed at will. For those who are interested in discussing the exhibition after the visit\, sign up to attend the optional\, self-pay lunch or coffee at Vespaio opposite the museum\, beginning at 1:00. \nTaking its title from a poem by Iranian poet Forugh Farrokhzad\, I Will Greet the Sun Again presents 230 photographs and eight video works. The retrospective offers a rare glimpse into the evolution of Neshat’s artistic journey as she explores topics of exile\, displacement\, and identity with beauty\, dynamic formal invention\, and poetic grace. \nBeginning with her early photograph series\, Women of Allah\, the exhibition features iconic video works such as Rapture\, Turbulent\, and Passage\, monumental photography installations including The Book of Kings and The Home of My Eyes\, and Land of Dreams\, a new\, ambitious work encompassing a body of photographs and two immersive videos that will make its global debut in the exhibition. \nAdmission covers  the museum’s per person change for a group visit. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Roni Feinstein\, ArtTable SoCal Chair\, for organizing this program. 
URL:https://www.arttable.org/event/socal-self-guided-visit-to-shirin-neshat-at-the-broad/
LOCATION:The Broad\, 21 S. Grand Avenue\, Los Angeles\, CA\, 90012\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T190000
DTEND;TZID=America/New_York:20191112T203000
DTSTAMP:20260403T190442
CREATED:20190730T205941Z
LAST-MODIFIED:20210216T201424Z
UID:67-1573585200-1573590600@www.arttable.org
SUMMARY:DC | Around the Table Book Club
DESCRIPTION:Click here to register \nJoin ArtTable DC for our member’s book club focusing on books by artists or about the visual arts. We read a mixture of fiction\, memoir\, and biography\, plus anything else that seems interesting. This book club is open to all members. Please register online. \nThis month we’ll discuss “Agnes Martin: Her Life and Art” by Nancy Princenthal. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Ruth Abrahams for organizing this program.
URL:https://www.arttable.org/event/around-the-table-book-club/
LOCATION:Ruth Abrahams’ home\, address to be sent a week prior\, DC\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T183000
DTEND;TZID=America/New_York:20191112T200000
DTSTAMP:20260403T190442
CREATED:20191022T202537Z
LAST-MODIFIED:20210216T201450Z
UID:1218-1573583400-1573588800@www.arttable.org
SUMMARY:NY | Artist-Led Tour of "A Bridge Between You and Everything..." curated by Shirin Neshat
DESCRIPTION:Image: Hadieh Shafie\, Turn No 11. Ink\, Acrylic and pencil on mat board\, 12 inch in diameter\, 2019 \nClick here to REGISTER!\nJoin ArtTable for an evening with the artists of A Bridge Between You and Everything: An Exhibition of Iranian Women Artists presented by the Center for Human Rights in Iran and curated by Shirin Neshat\, an internationally renowned\, Iranian-born\, New York-based artist whose work includes film\, video and photography. \nA Bridge Between You and Everything features nearly 100 works—paintings\, drawings\, sculpture\, photography and video—by both established and emerging artists\, who began working after Iran’s 1979 Islamic Revolution.  \n“At a time when the Western world is shining a spotlight on women’s issues and equality\, it’s vital that we use this moment of the public imagination to empower dialogues from women and immigrant artists who have\, and likely still continue to experience forms of repression\, both in the extreme and every day\,” curator Shirin Neshat said. \n“This exhibit showcases the richness of contemporary Iranian art and the ability of these women to communicate vital and universal themes of identity and gender through their artistic vision\,” added Hadi Ghaemi\, executive director of the Center for Human Rights in Iran. \nParticipating Artists:  \nAfruz Amighi is an Iranian-born artist who completed her BA in political science at Barnard College at Columbia University\, before going on to complete her MFA at New York University. She was the inaugural recipient of the Jameel Prize for Middle Eastern Contemporary art awarded by the Victoria & Albert Museum in London in 2009. Afruz’s work draws heavily upon Iranian architecture for both its forms and concepts. Working with a wide variety of materials\, including textiles and steel\, the mainstay of her practice involves the interplay between light and shadow. Through the manipulation of light\, she creates imagined sanctuaries for the purpose of both reflection and escape.  In 2011\, Afruz was granted a fellowship in sculpture by the New York Foundation for the Arts and in 2013 her work was commissioned for the 55th Venice Biennale. Her work is included in the collections of the Metropolitan Museum of Art; (New York\, NY); the Houston Museum of Fine Art (Houston\, TX); the Victoria & Albert Museum (London\, UK); and the Morgan Library & Museum (New York\, NY)\, among others. In 2018\, she had her first solo museum exhibition at the Frist Art Museum in Nashville\, Tennessee. Afruz currently lives and works in Brooklyn\, NY. \nRoya Farassat is a painter and sculptor born and raised in Tehran\, Iran. She moved to New York prior to the Islamic revolution and received a BFA in painting from the Parsons School of Design. The themes of oppression\, solitude and identity animate both her paintings and sculptures\, welded on steel. In an earlier body of work from the series\, A Mirror Has Two Faces\, she paints abstracted and symbolic portraits of women in veil and frames them in ornamental elements as seen in compositions familiar to the history of imperial Persian painting. Roya challenges the cultural expectations of her heritage with humor and investigates the identity of women and their silent resistance\, living under the scrutiny of a patriarchal society. These paintings have been reviewed by The New York Times and exhibited widely in the United States including at The Edward Hopper House (Nyack\, NY); The Queens Museum (Queens\, NY); The Taubman Museum 9Roanoke\, VA0; Leila Heller Gallery (New York\, NY); The Center for Book Arts (New York\, NY); and most recently the Milwaukee Institute of Art and Design. Roya currently lives and works in New York. \nShahrzad Changalvaee is a sculptor and visual artist. Born in Tehran\, Iran\, she received her BA in Visual Communications from Tehran University and her MFA in Sculpture from Yale University in 2015. Working across installation\, sculpture\, photography\, performance and video\, her practice responds to time and space\, using found images and footages in adjacent to artist-made and primary materials. Through structures that are mostly temporal\, fragile and fragmented\, she constructs narratives that question local/global\, information/anecdote\, language/communication and alienism/exoticism. Shahrzad’s work has been featured in both solo and group exhibitions in Iran\, the UAE\, Britain\, Canada and the U.S. Notable shows have been held at The Chimney (Brooklyn\, NY)\, Soho20 Gallery (Brooklyn\, NY) and the O Gallery (Tehran\, Iran). In 2011 Shahrzad was introduced as the runner-up for the Magic of Persia Award.  She currently is a member and co-director of Bon-Gah Collective in Tehran. Shahrzad lives and works in Brooklyn\, New York. \nNazanin Noroozi works predominantly in the medium of printmaking\, but also incorporates painting and alternative photographic processes\, exploring new ways to represent the ideas of collective memory\, longing and diaspora. She invites the viewer to look into broken narratives through various juxtapositions of personal and family archives\, landscapes\, found imagery and lo-fi graphics. These works are a riff on the voyeuristic pleasures of looking at strangers’ personal archives and at the same time recalling a sense of ambiguity and fragility that the analogue world of the recent past carried. Nazanin’s work has been widely exhibited in both Iran and the United States\, including at the Museum of Russian Art (Jersey City\, NJ); Noyes Museum of Art (Atlantic City\, NJ); Prizm Art Fair (Miami\, FL); and Columbia University (New York\, NY). She is the recipient of NYFA IAP Program 2018\, Saltonstall Foundation for the Arts fellowship\, MASS MoCA Studio Residency 2019\, and the winner of  “Selection of a New Generation” award in Iran. She is the editor at large of Kaarnamaa\, a Journal of Art History and Criticism. Nazanin received her MFA in painting and drawing from Pratt Institute in 2015 and her MA in Art History from Tehran University of Art in 2012.  She currently lives and works in New York City.  \nBahar Sabzevari is an Iranian artist exploring identity through self-portraiture\, narrative painting and video art. In her most recent series of self-portraits\, she questions Iranians’ tendency and obsession to praise the past. Why do we romanticize Persian history which is so far from the realities of our contemporary life? Integrating Persian motifs\, religious details and characters into her self-portraits\, Bahar explores the concept of nostalgia and creates illusions of a lost age of glory. Her earlier self-portraits focus on contemporary Iranian society. In the “Bad Girls” series\, Bahar explores the paradoxes she has experienced\, being a woman caught between the restrictions of the Islamic cultural regime and everyday existence living in modern times. Born in Shahroud\, Iran\, Bahar received her MFA in painting at the New York Academy of Art in 2018. Notable exhibition venues include FIAC Art Fair (Paris\, France); Leila Heller Gallery (New York\, NY); Galerie RX (Paris\, France); Kamil Art Gallery (Monte Carlo\, Monaco); Cité Internationale des Arts (Paris\, France); and a solo show at the Watson Institute\, Brown University (Providence\, RI). Bahar has been the recipient of the Central Academy of Fine Arts Residency in Beijing\, China summer of 2017. She lives and works in New York. \nHadieh Shafie is a visual artist based in Brooklyn\, New York. In her works the occulting of text can be traced back to her childhood and adolescence growing up in post-revolutionary Iran\, where the influence of books on political and social affairs was highly scrutinized and policed by the newly established government. Books\, poetry and music were conversely also a means of mental escape for her from the subsequent years of political turmoil during the Iran-Iraq war. In 1983 she immigrated to the USA. Her work is included in prominent public collections namely the Metropolitan Museum of Art (New York\, NY); The Victoria and Albert Museum (London\, UK); The Columbus Museum of Art (Columbus\, OH); Sheldon Museum of Art (Lincoln\, NE); The Alfond Collection of Contemporary Art (Winter Park\, FL); Los Angeles County Museum of Art (LACMA); The Davis Museum (Wellesley\, MA); The British Museum (London\, UK); and The Brooklyn Museum of Art (Brooklyn\, NY). Hadieh holds an MFA in Imaging and Digital Arts from the University of Maryland\, Baltimore County\, and an MFA in Painting from Pratt Institute in Brooklyn. In 2017\, she was nominated for the “Anonymous Was A Woman” Award. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Lauren Poehl\, Director of Development\, Center for Human Rights in Iran and Lucy Oakley\, Head of Education and Programs\, Grey Art Gallery for organizing this program. \n 
URL:https://www.arttable.org/event/artist-led-tour-of-a-bridge-between-you-and-everything-an-exhibition-of-iranian-women-artists-curated-by-shirin-neshat/
LOCATION:High Line Nine Galleries\, 507 West 27th Street\, New York\, NY\, 10001\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T081500
DTEND;TZID=America/New_York:20191112T093000
DTSTAMP:20260403T190442
CREATED:20191030T171717Z
LAST-MODIFIED:20210216T201519Z
UID:1250-1573546500-1573551000@www.arttable.org
SUMMARY:NY | Employment Law 101: What every art business and worker should know
DESCRIPTION:Click here to REGISTER!\nArtTable’s professional empowerment series invites experts to share their professional experiences\, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic\, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included\, Art Market Legal Basics with Katie Wilson-Milne and John Koegel\, Public Speaking with Michaela Ablon\, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more! \nSession 11 with Kerry C. Zaroogian \nWhat we’ll be discussing: \n\nEmployees\, independent contractors and interns\nExempt versus non-exempt and overtime\nWhen you need a written agreement\nFamily leave and benefits\nTermination considerations\, including restrictive covenants\n\nKERRY C. ZAROOGIAN is an associate in Outten & Golden LLP’s Executives and Professionals Practice Group and its Financial Services Practice Group in New York.  She represents employees\, partners\, consultants and freelancers in the negotiation and drafting of employment\, severance\, independent contractor\, international assignment and restrictive covenants agreements.  She also counsels individuals and groups of individuals with respect to employment-related issues such as lift-outs\, restructurings and corporate transactions.  Ms. Zaroogian has experience working with individuals in a wide array of industries—including finance\, tech\, healthcare\, entertainment\, and luxury retail—and with employees of companies of all sizes—from large\, public conglomerates to small start-ups. \nPrior to joining Outten & Golden\, Ms. Zaroogian represented individuals and small businesses in employment matters and litigations at Sapir Schragin LLP.  Ms. Zaroogian received her B.A. from Brandeis University and her J.D. from Northeastern University School of Law\, where she served on the Editorial Board of the Northeastern University Law Journal and interned at another plaintiff-side employment law firm in New York City and the Legal Unit of the U.S. Equal Employment Opportunity Commission’s New York office. \nMs. Zaroogian is the Chair of the New York City Bar Association’s New Lawyers Practice and Skills Committee\, a leader of City Bar’s New Lawyers’ Council and a member of the City Bar’s Council on the Profession.  She is also an active member of the American Bar Association’s Labor and Employment Section. \n  \nMany thanks to ArtTable NY’s Professional Empowerment Committee: Sarah McNaughton\, Elileen Jeng-Lynch\, Jacqueline Towers-Perkins\, Louky Keijsers Koning and Katherine Wilson-Milne. 
URL:https://www.arttable.org/event/ny-employment-law-101-what-every-art-business-and-worker-should-know/
LOCATION:Bonhams\, 580 Madison Avenue\, New York\, NY\, 10022\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/09/Professional-Development.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191111
DTEND;VALUE=DATE:20191119
DTSTAMP:20260403T190442
CREATED:20190926T140629Z
LAST-MODIFIED:20210216T201544Z
UID:858-1573459200-1574121599@www.arttable.org
SUMMARY:AT TOURS | Japan
DESCRIPTION:Image: Seiichi Ohsawa Courtesy of Benesse Art Site Naoshima \nTHIS TRIP IS COMPLETELY SOLD OUT- TO JOIN THE WAITLIST PLEASE EMAIL TRAVEL@ARTTABLE.ORG \nNaoshima and Tokyo are where art lovers are flocking to along with\nKyoto for lovers of heritage and nature. It is attracting tastemakers from all corners\, with its booming contemporary art scene around Tokyo such as the Yayoi Kusama Museum and TeamLab Space\, and lesser known Hiroshi Sugimoto’s Enoura Observatory selected by Conde Naste as one of the most exciting destinations for 2019. And of course the epic Naoshima Art Islands with surreal masterpieces of art and architecture. Autumn is one of the most delightful and admiring seasons to experience in Japan\, and Kyoto is notorious for its beautiful Fall foliage. \nThis journey immerses you to the modern and contemporary art world starting from cosmopolitan Tokyo\, that is a micro-universe on its own. You will be introduced to the local art and creative movers and shakers in the various neighborhoods of this city\, whether its commercial\, non-profit or underground\, it is what makes Tokyo such a unique place unlike any other. For fashion and design lovers\, Tokyo is a mecca for cutting-edge trends and innovation. \nAfter the introductory plunge into Japanese culture\, we sweep across to the highlight of your trip visiting the Naoshima Art Islands. Established by an art collector\, the Naoshima art project is a series of remote islands acquired and redeveloped into a private museum with stunning architecture (i.e. Tadao Ando) maximizing the impact of the art with its natural surroundings. Your final stop will be in Kyoto\, one of the most beautiful cities on earth that has just the right balance of cultural heritage with modernity and nature. Kyoto was once the capital of Japan and because it was spared the bombs of World War II\, its historic monuments\, heritage sites\, and 2500+ temples and shrines are still intact. Kyoto boasts the nations greatest concentration of craft artisans\, as it was home to the Imperial court for 1\,000 years. Your experience will not only uncover the traditional side of Kyoto\, but will also show you the modern take of this alluring city.
URL:https://www.arttable.org/event/at-tours-japan/
LOCATION:New York
CATEGORIES:National,Travel
ORGANIZER;CN="ArtTable Travel":MAILTO:travel@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191107T183000
DTEND;TZID=America/New_York:20191107T200000
DTSTAMP:20260403T190442
CREATED:20190918T193824Z
LAST-MODIFIED:20210216T201619Z
UID:803-1573151400-1573156800@www.arttable.org
SUMMARY:NTL | Annual Leadership Series with Amy Sherald
DESCRIPTION:Image: Amy Sherald by Jordan Geiger \nClick here to REGISTER now!\nArtTable’s Annual Leadership Series returns this year with Amy Sherald\, Artist\, and Ashley James\, Assistant Curator\, Contemporary Art\, Brooklyn Museum.  \nArtTable’s Annual Leadership series presents a public forum featuring a distinguished roster of artists\, change-makers and leaders in our field to discuss relevant and emerging issues for those working in arts and culture. This year we turn our attention to the politics of portraiture and representation\, thinking deeply about the ways a portrait can convey power and subvert truths and using as a starting point Sherald’s transformation of the everyday into the monumental in her most recent series at Hauser & Wirth . \n“‘Artists of color are using portraiture to author a narrative of people that art history was written without. It speaks to the human condition and holds up a mirror to life.’”- Amy Sherald in conversation with Marc Payot\, Partner and Vice President of Hauser and Wirth for her upcoming exhibition Amy Sherald the Heart of the Matter… \nCelebrated for her presidential portrait of First Lady Michelle Obama\, Sherald positions her subjects firmly within our understanding of American Art\, reimagining the style of traditional portraiture to construct layered identities through colorful compositions. \nAbout Amy Sherald\nBorn in 1973 in Columbus\, GA\, Amy Sherald documents contemporary African-American experience in the United States through arresting\, otherworldly portraits. Sherald subverts the medium of portraiture to tease out unexpected narratives\, inviting viewers to engage in a more complex debate about accepted notions of race and representation\, and to situate black heritage centrally in the story of American art. \nSherald received her MFA in Painting from Maryland Institute College of Art (2004) and BA in Painting from Clark-Atlanta University (1997). She was the first woman and first African-American ever to receive first prize in the 2016 Outwin Boochever Portrait Competition from the National Portrait Gallery in Washington D.C.; in February 2018\, the museum unveiled her portrait of former First Lady Michelle Obama. Sherald has also received the 2018 David C. Driskell Prize from the High Museum of Art in Atlanta GA\, the 2018 Pollock Prize for Creativity\, and the 2017 Anonymous Was A Woman grant. Her solo exhibition “heart of the matter..” opened at Hauser & Wirth NYC in September 2019. Alongside her painterly practice\, Sherald has worked for almost two decades along-side socially committed creative initiatives\, including teaching art in prisons and art projects with teenagers. \nPublic collections include Embassy of the United States\, Dakar\, Senegal; National Museum of Women in the Arts; Smithsonian National Museum of African American History and Culture; Smithsonian National Portrait Gallery; The Columbus Museum; Kemper Museum of Contemporary Art; Baltimore Museum of Art; and Nasher Museum of Art\, Durham\, NC. \nAbout Ashley James \nAt the Brooklyn Museum\, Ashley James organized the Brooklyn Museum presentation of “Soul of a Nation: Art in the Age of Black Power”; and “Eric N. Mack: Lemme walk across the room”; and is co-curating the forthcoming “John Edmonds: A Sidelong Glance.” Prior to Brooklyn she worked in the Department of Drawings and Prints at the Museum of Modern Art\, where she contributed to the 2018 Charles White retrospective and the 2018 Adrian Piper retrospective. James is a Ph.D. candidate in the Departments of African American Studies; English Literature; and Women’s\, Gender\, and Sexuality Studies at Yale University\, from which she holds Master’s degrees in those fields. At Yale she co-curated the 2014 University Art Gallery exhibition “Odd Volumes: Book Art from the Allan Chasanoff Collection.” James writes broadly on modern and contemporary visual and literary arts practices\, and her dissertation reorients the contemporary discourse of black representation by way of experimental art making practices of the late 1960s/early 1970s. \nThank you to Hauser & Wirth for their support.  \n \nArtTable is a 501.c.3 organization. All programs are non-refundable. \n 
URL:https://www.arttable.org/event/ntl-amy-sherald-in-conversation/
LOCATION:The Manny Cantor Center\, 197 E Broadway\, New York\, NY\, 10002\, United States
CATEGORIES:New York,National
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191105T183000
DTEND;TZID=America/New_York:20191105T193000
DTSTAMP:20260403T190442
CREATED:20191004T204528Z
LAST-MODIFIED:20210216T201643Z
UID:1058-1572978600-1572982200@www.arttable.org
SUMMARY:NY | Tour of the New MoMA with Ann Temkin
DESCRIPTION:Image: Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8′ x 7’8″ (243.9 x 233.7 cm). The Museum of Modern Art\, New York. Acquired through the Lillie P. Bliss Bequest. © 2004 Estate of Pablo Picasso / Artists Rights Society (ARS)\, New York. \n\nThis program is SOLD OUT! Log in and click here to be added to the waitlist!\nJoin ArtTable NY for an after hours visit to the newly renovated galleries of the Museum of Modern Art with Ann Temkin\, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture.  \nAnn Temkin assumed the role of Chief Curator of Painting and Sculpture in 2008\, after joining The Museum of Modern Art in 2003 as Curator. During her tenure\, Ms. Temkin has focused especially on the acquisitions program of the Department of Painting and Sculpture\, and on reimagining the Museum’s collection galleries. The acquisitions program has followed a three-pronged approach: to strengthen the holdings of landmark works by modern artists whom the Museum collects in depth; to widen its breadth with works by historical artists new to the department’s collection\, especially women\, artists of African descent\, and artists working outside of Europe and North America; and to collect actively from the new generation of artists working today. \nMs. Temkin is currently preparing an exhibition of the work of Donald Judd (2020). Her exhibitions at MoMA include Studio Visit: Selected Gifts from Agnes Gund (2018)\, Picasso Sculpture (2015)\, Robert Gober: The Heart Is Not a Metaphor (2014)\, Jasper Johns: Regrets (2014)\, Ileana Sonnabend: Ambassador for the New (2013)\, Ellsworth Kelly: Chatham Series (2013)\, Claes Oldenburg: The Street and The Store and Mouse Museum/Ray Gun Wing (2013)\, Abstract Expressionist New York (2010)\, Gabriel Orozco (2009)\, and Color Chart: Reinventing Color\, 1950 to Today (2008). \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/ny-tour-of-the-new-moma-with-ann-temkin/
LOCATION:The Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191101T080000
DTEND;TZID=America/New_York:20191101T090000
DTSTAMP:20260403T190442
CREATED:20191011T205524Z
LAST-MODIFIED:20210216T201706Z
UID:1148-1572595200-1572598800@www.arttable.org
SUMMARY:DC | BreakfastTable with Lindsey Doyle
DESCRIPTION:Image: Lindsey Doyle \nClick here to REGISTER!\nJoin us for an informal conversation with Lindsey Doyle\, Co-founder and Chief Strategy Office of MAP. MAP is a creative consulting and talent agency representing top media and arts professionals from conflict zones and diaspora communities. Lindsey specializes in peacebuilding\, conflict management and transformation\, and U.S. foreign policy. She leads MAP’s work on business development\, strategy\, client-facing creative design\, implementation\, and monitoring and evaluation\, and finance. \nPrior to MAP\, Lindsey served in the U.S. Department of State Bureau of Conflict and Stabilization Operations where she designed and implemented interagency strategies and programs on a range of diplomatic and development issues. \nAs a Princeton in Latin America Fellow and Rotary Peace Fellow\, Lindsey worked overseas where she researched\, promoted\, and often spoke publicly on the strategic use of creative arts and media in peacebuilding. \nLindsey is from Los Angeles\, California and holds an M.S. in Peace and Conflict Research from Uppsala University in Sweden and a B.S. in Foreign Service from Georgetown University. \nDutch treat\, cash preferred. Rideshare preferred\, limited street parking. \nIf this event is at capacity\, please email dc@arttable.org to be added to the waitlist. Thank you! \n\nWho’s attending this program? Click here to see who’s currently registered! \n\nThank you to Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/dc-breakfasttable-with-lindsey-doyle/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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