ArtTable

NY | Curatorial Perspective: Making Knowing: Craft in Art, 1950–2019 with Jennie Goldstein
2020-01-23 09:00 - 10:00 (America/New_York) | Whitney Museum of American Art, 99 Gansevoort Street, New York, NY, 10014, United States
Image: Liza Lou, Kitchen, 1991-96. Beads, plaster, wood and found objects, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel, courtesy the artist
Click here to Register!
Join ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art, 1950–2019 with Jennie Goldstein, assistant curator, Whitney Museum, and co-curator of this exhibition.
Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as weaving, sewing, or pottery, while others experiment with textiles, thread, clay, beads, and glass, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here.
Jennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art, 1950–2019, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum, 1940 – 2017 (2017-2018).
Please meet in the Whitney’s Lobby at 8:50 AM.
Thank you to ArtTable member, Jennie Goldstein.

ArtTable Circle ⎟ JPMorgan Chase Collection Tour
2020-01-22 18:00 - 19:30 (America/New_York) | JP Morgan Private Bank, 390 Madison Avenue, New York, NY
Content is protected.

POSTPONED: DC | Curator's Talk and Preview of Moira Dryer
2020-01-18 15:30 - 18:00 (America/New_York) | Greater Reston Arts Center, 12001 Market St #103, Reston, VA, 20190, United States
Image: The Power of Suggestion, Moira Dryer, 1991
This event has been postponed! Check back soon for a new date.
Greater Reston Arts Center (GRACE) will present a selection of works by artist Moira Dryer (b. 1957, Toronto, Ontario; d. 1992, New York, New York) in conjunction with the major exhibition of Dryer’s early work at the Phillips Collection in Washington, DC, entitled Moira Dryer: Back in Business. Both exhibitions are curated by GRACE Executive Director and Curator Lily Siegel.
Dryer is primarily known for her large abstract paintings on wood panels. This exhibition will provide an intimate look at the artist’s practice through works given as gifts to friends and family, many never previously shown publicly. Her work has been exhibited extensively across the United States in institutions such as Boston’s Institute for Contemporary Art; Whitney Museum of Modern Art; and The Museum of Modern Art, New York. Dryer’s work is included in the permanent collections of The Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art, Los Angeles; and Museum of Modern Art, New York. This exhibition is generously supported in part by Robert and Theresa Goudie and ARTSFAIRFAX.
3:30 pm – Private champagne toast with ArtTable
4 – 6 pm – Curator’s talk & Opening Reception
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Elizabeth Denholm, Advancement Officer, Greater Reston Arts Center.

NOCAL | ArtTable + Untitled: Re-Imagining Equity in the Art World 2020
2020-01-18 14:00 - 15:00 (America/Los_Angeles) | Untitled, Art San Francisco Pier 35, 1454 The Embarcadero, San Francisco, CA, United States
Image: Surrogate: Mother to Myself, 2017 Indira Allegra. Redwood, 600 feet of cotton lead line rope, brass, steel. 65 x 54 x 18 IN | 165 x 137 x 4.5 CM

For ArtTable’s third panel discussion at Untitled’s San Francisco edition and to celebrate ArtTable’s 40th year advocating for women working in the visual arts, three noted San Francisco artists working in diverse media will discuss their art practices, concerns and challenges, and where the equity movement might lead in coming years.
Featuring artists Indira Allegra, Katherine Vetne and Erica Deeman, will joined by Heidi Rabben, Senior Curator at the Contemporary Jewish Museum. The conversation will be moderated by James Voorhies, Chair, Graduate Program in Curatorial Practice, California College of the Arts, with an audience Q&A to follow.
Are you an ArtTable member? Email programs@arttable.org to receive a discounted passcode for this event and Untitled’s program.
Thank you to Tracy Freedman, Executive Committee, ArtTable Northern California.

NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
2020-01-13 17:30 - 19:00 (America/New_York) | American Folk Art Museum, 2 Lincoln Square, NY, United States
Image: Aloïse Corbaz (1886, Lausanne, Switzerland–1964, Gimel, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil, graphite, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler. © L’association Aloïse Photography © Visko Hatfield, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications, Inc.
Click here to REGISTER
Join ArtTable and Valérie Rousseau, PhD, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler.
The collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States, which manifests a strong interest for African American artists, a consistent attention on American classics, a curiosity for European art brut, and a search for international discoveries. For the last twenty-seven years, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche, among them Emery Blagdon, Aloïse Corbaz, William Edmondson, August Klett, Augustin Lesage, Martín Ramírez, Thornton Dial, and Anna Zemánková. For more information see here.
Thank you to Valérie Rousseau and Elisabeth Rochau- Shalem, NY Programs Committee Chair, for organizing this program.

SOCAL | Exclusive Preview Walkthrough: Hearing: Michal Heiman at American Jewish University
2020-01-12 14:00 - 16:00 (America/New_York) | Platt and Bornstein Galleries American Jewish University, 15600 Mulholland Drive, Bel Air, CA, 90077, United States
Image: Michal Heiman, Mask: Plate 34, by Dr. Hugh W. Diamond, ca. 1855, Return: Asylum (The Dress, 1855-2019), 2016. Courtesy of the artist.
Click here to Register!
Following our studio visit with the artist at 18th Street Center for the Arts, we invite you to join us for a special preview walkthrough with curator and fellow SoCal ArtTable member Rotem Rozental of Hearing: Michal Heiman, her first West Coast one-woman show. One of the foremost artists working in Israel today, Heiman’s cross-disciplinary practice incorporates photography, archival research, critical theory, psychoanalysis, gender and performance. In this exhibition, the artist explores the forgotten histories of women who have been confined to asylums, inviting the audience to engage with their untold stories.
ArtTable members and their guests are invited to attend the opening reception after the walkthrough at 3:00 pm.
Born and based in Tel Aviv, Michal Heiman is an artist, curator, founder of the Photographer Unknown archive (1984), and creator of the Michal Heiman Tests (M.H.Ts) 1–4. Heiman teaches at Bezalel Academy of Arts and Design and is a member of the Tel Aviv Institute for Contemporary Psychoanalysis. For over three decades, Heiman has been developing methodologies that operate between art, therapy, photography, human rights, theory, and practice. She studies neglected histories and their visual aspects, focusing on the history of women, questions of identity, the history of aesthetic production in psychoanalysis, and the role of archives. In 2015, she founded the public-benefit corporation An Academy of Her Own, which advocates gender equality in various academic institutions. For more on Michal Heiman: https://www.heimanmichal.com
Rotem Rozental is the Chief Curator of the American Jewish University in Los Angeles and serves as the Assistant Dean of the Whizin Center and the Director of the Institute for Jewish Creativity (IJC). She has contributed as a consultant, editor, writer, educator and organizer to international publications, such as Photographies, Philosophy of Photography, Artforum.com, Tablet.com, and Uncertain State, as well as cultural non-profits and organizations, among them Dia:Beacon, The Liverpool Biennial, The Brooklyn Institute for Social Research, and the Jerusalem Season of Culture. Traversing the domains of technology, media and art, her scholarly and curatorial projects have been supported by Artis, Independent Curators International, NurtureArt and the Center for Jewish History (NYC).
Who’s attending this program? Click here to see who’s currently registered!

NOCAL | Artist Breakfast with Mildred Howard
2020-01-11 11:30 - 13:30 (America/Los_Angeles) | Julia’s Berkeley City Club, 2315 Durant Avenue, CA, United States
Image: Mildred Howard, Tap — Investigation of Memory, Installed 2019 Oakland Museum of California.
Click here to Register!
The Northern California ArtTable Chapter is delighted to present our first Artist Breakfast with Mildred Howard. A voice for cultural heritage, historical perspective, and moving remembrance, Howard has orchestrated public art, monumental installation, and striking assemblage for a resounding affirmation of human struggle and survival.
An educator and inspirational figure for younger artists, Mildred Howard has created a sweeping body of work that has filled the decades with visual rhythms and echoing forms. From bottle houses to tap shoes, Howard has mapped out territories of memory and mourning, hope and loss. The recipient of the Lee Krasner Award for a lifetime of artistic achievement, the Nancy Graves Award, and the Joan Mitchell Foundation Award, Howard has also received the Honorary Doctorate of Fine Arts from the San Francisco Art Institute.
This signature ArtTable program is expanding thanks to generous funding from the Pollock Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work, acquire art supplies, rent studio space, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists, such as artist residency programs.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Jan Wurm, NoCal Chapter Co-Chair, for organizing this program.

FL | Five Minute Rounds
2020-01-11 10:00 - 13:00 (America/New_York) | hARTVEST Project Pinecrest Gardens, 11000 Red Road, Pinecrest, FL, 33156, United States
Click here to Register!
ArtTable Florida is thrilled to invite to 5-minute rounds. Seven of our outstanding members will be talking about their career in the arts:
Nuria Richards I Clandestina I @clandestina.washere
Sil Dibar I Art History Lecturer ♾ Founder of A Journey Through Art I @sildibar.art
Jean Blackwell Font | Co-founder Warehouse 4726 | @warehouse4726
Carola Bravo | @carolabravoart I hARTvest Project at Pinecrest Gardens
Aldeide Delgado | Art Researcher & Curator | @aldeide_delgado
Amy Galpin | Chief Curator. Frost Art Museum FIU | @agalpin1
Kimberly Jones | Vice President | FORTRESS Miami
Members, guests, and friends welcome!
Thank you to Rochi Llaneza, Florida Chair, and Nuria Richards, Florida Programs Chair, for organizing this program.

DC | BreakfastTable with Juanita Hardy
2020-01-09 08:00 - 09:00 (America/New_York) | Boulangerie Christophe, 1422 Wisconsin Ave NW, DC, 20007, United States
Image: Juanita Hardy
Click here to Register
Please join us for an informal conversation with Juanita Hardy who in addition to her 45 years of business experience has over 35 years in the arts as a nonprofit leader, trustee, collector, and patron of the arts.
Juanita has a passion for fostering healthy, thriving, and equitable places to live, work, learn and play through her work with individuals and businesses. Hardy was Senior Visiting Fellow for Creative Placemaking for Urban Land Institute, a global non-profit committed to responsible land use and also founded Tiger Management Consulting Group after retiring from 31 years with IBM. She has been an executive coach for Right Management, a global human capital development firm, since 2006.
As a nonprofit arts leader, Hardy is the former Executive Director of CulturalDC (2013-2015), a nonprofit committed to making space for artists and art organizations and fostering cultural and economic vibrancy in communities through its creative placemaking services. She co-founded Millennium Arts Salon, an art education initiative, in 2000. Hardy was recognized by the Washington Business Journal as a Minority Business Leader in 2010. Hardy is an accomplished writer and public speaker. Her articles and essays have appeared in magazines and journals in the US and abroad. Her recent writing includes a tetralogy of articles on creative placemaking in Urban Land magazine.
Hardy serves on the board of the Mosaic Theatre Company, a non-profit theatre company based in Washington, DC. Recently she joined the board of the Mid Atlantic Art Foundation based in Baltilmore, MD, which provides support and funding for arts programming in states that comprise the mid-Atlantic region. Previously, she served on the board for ArtTable (2016-2019), a national non-profit for women professionals in the arts based in New York City. Hardy is an avid collector of fine art and, since 1985, and with her husband, has acquired many works on paper, canvas, sculptures, as well as traditional African art. Dutch treat, cash preferred.
Rideshare preferred limited street parking.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Allison Nance.

SOCAL | 18th Street Studio Visits with Michal Heiman and Lita Albuquerque
2020-01-07 18:30 - 20:30 (America/Los_Angeles) | 18th Street Arts Center, 1639 18th Street, Los Angeles, CA, 90404, United States
Image: Lita Albuquerque. Photo courtesy of the artist and 18th Street Arts Center.
Click here to Register
Please join ArtTable SoCal for an exclusive evening with artists Michal Heiman and Lita Albuquerque at 18th Street Art Center.
Acclaimed Israeli artist Michal Heiman will be in residence at 18th Street in January in preparation for her exhibition Hearing opening at Platt and Bornstein Galleries at the American Jewish University on January 12, 2020 (a special preview for ArtTable is scheduled prior to the opening). Renowned installation artist and professor in the graduate studies department at Arts Center School of Art in Pasadena, Lita Albuquerque is currently, is currently one of 18th Street’s local artists in residence. Both artists will open their studios to us for a presentation of their work followed by conversation and light refreshments.
For more about Michal Heiman at AJU: https://arts.aju.edu/exhibitions/future-exhibitions/hearing-michal-heiman/
For more about Lita Albuquerque at 18th Street: https://18thstreet.org/artists/lita-albuquerque/

Image: Michal Heiman. Photo courtesy of the artist and 18th Street Arts Center.
Michal Heiman
Founded as a non-profit in 1988, 18th Street Arts Center has a long history as a space for artists. It originally served as studio space for a group of feminist artists in the 1970s – 80s, including Susanna Bixby Dakin (who ran for President in 1984), Judy Chicago, Barbara T. Smith, Linda Frye Burnham, and others. It became a hub for the West Coast arm of ACT-UP, an activist grassroots organization addressing the AIDS crisis, and was home to three of the NEA Four (Tim Miller, John Fleck, and Holly Hughes). It also grew out of early performance art and was the site of publication for High Performance Magazine, and later, Highways Performance Space (still located on the 18th Street Arts Center campus). Once 18th Street incorporated as a non-profit, it became an artist residency program with a wide range of public programs and exhibitions.
Ample street parking available.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Susan Power, Co-Chair SoCal and Frida Cano, Assistant Curator/Artist Residency Coordinator, 18th Street

CHICAGO | An Evening with Mariane Ibrahim and Monique Meloche
2019-12-19 17:30 - 19:30 (America/Chicago)
Left: Florine Demosthene. Before the Conflict, 2019. Mariane Ibrahim Gallery. Right: Brendan Fernandes, Kinbaku III, 2019, cast bronze, leather, walnut, and steel, 61 x 22 x 25 inches.
Click here to Register
Join ArtTable members and friends for an evening in West Town for private tours of Mariane Ibrahim and Monique Meloche Gallery.
The evening begins with a reception at Mariane Ibrahim where guests will have a chance to hear Mariane Ibrahim discuss Florine Démosthène’s first solo exhibition with the gallery, “Between Possibility and Actuality,” and introduce us to her newly opened space in Chicago. Guests are then invited to join us for a short walk to the Monique Meloche Gallery to see Brendan Fernandes’ “Restrain”, speak with Monique and enjoy some chocolate and bubbles.
Who’s attending this program? Click here to see who’s currently registered!
Thank you Sarah Milestone, Monique Meloche, and Mariane Ibrahim.

NY | ArtTable NY Holiday Party at Poster House!
2019-12-17 18:30 - 20:30 (America/New_York) | The Poster House, 119 W 23rd Street, New York, NY, 10011, United States
Click here to Register
Celebrate the holidays with ArtTable New York at The Poster House!

Welcome new ArtTable Members!

Support our chapter’s programs!

Enjoy festive food, drinks, and a photo booth!

Congratulate Denise Murrell, ArtTable’s NY Chapter Leadership Awardee!

Win amazing prizes in the silent auction!

This year’s exhibition will take place at the Poster House, the first museum in the United States dedicated exclusively to posters. On view during this celebration will be America Got Grabbed: 20/20 Insight: Posters from the 2017 Women’s March, as well as, Baptized By Beefcake: The Golden Age of Hand-Painted Movie Posters from Ghana.

ArtTable New York Chapter Leadership Award

Denise Murrell. John Pinderhughes/Columbia University

This year ArtTable awards Denise Murrell with the New York Chapter Leadership Award. This award celebrates ArtTable members who are exceptional professionals, with the intention of recognizing their outstanding performance and contribution to the field. We look forward to presenting this award at this year’s New York Holiday Party at Poster House.

ArtTable’s New York Programs Committee is thrilled to announce Denise Murrell as the recipient of this year’s New York Chapter Leadership Award. Murrell’s dissertation and subsequent curatorial direction of Posing Modernity: The Black Model from Manet and Matisse to Today that began at The Wallach (with a sold-out 40 + ArtTable member tour), before traveling to the Musee D’Orsay, Paris, this Spring, received an overwhelming amount of praise for its situation of black female subjects as central to the development of modernity.

Celebrated as “A sweeping re-examination of the history of modern art at the Wallach Art Gallery at Columbia University.” –Alison Stewart, WNYC, and, “-a historically significant and aesthetically illuminating show that centers on the black female form as she appears and reappears in the work, lives, and imaginations of a number of painters, photographers, and filmmakers.”–Hilton Als, The New Yorker, Posing Modernity has altered the way that many of our members, and the art world at large, interpret the key players in art history.

Last week Denise Murrell was named associate curator for 19th- and 20th-century art at the Metropolitan Museum of Art in New York, a newly created position that will involve her working closely with both the museum’s modern and contemporary department and its European painting department. She will begin this role in January.

Poster House is the first museum in the United States dedicated exclusively to posters.
Through exhibitions, events, and publications, Poster House presents a global view of posters from their earliest appearance in the late 1800s, to their present-day use. Poster House takes its mission from the medium, aiming to engage and educate all audiences as we investigate this large format graphic design and its public impact.

Posters explore:

mass communication and persuasion
the intersection of art and commerce
control of the public domain

For a poster to succeed, it must communicate. By combining the power of images and words, posters speak to audiences quickly and persuasively. Blending design, advertising, and art, posters clearly reflect the place and time in which they were made. Through them, Poster House explores everything from avant-garde design, to changing societal norms, and all the fads and fashions over the last 160 years.

Poster House was founded in 2015 with an eye towards filling a long-acknowledged gap in the New York cultural landscape. While there are several poster museums around the world, New York, with its long relationship with advertising and design, did not have such a dedicated public institution. After several years of planning and construction, Poster House opened its doors on June 20, 2019.

Who’s attending this program? Click here to see who’s currently registered!

Thank you to Judith Richards, Louky Keijsers Koning, Linda Fischbach, and the Holiday Party Committee, as well as Julia Knight, Director Poster House.

NOCAL | ArtTable’s Northern California Chapter Leadership Award Celebration and Holiday Party
2019-12-17 18:00 - 20:00 (America/Los_Angeles) | Haines Gallery, 49 Geary Street, #540, California, 94108, United States
Image: Suzanne Lacy with the Rape Map at LAPD headquarters, January 2012. Photo: Neda Moridpour
Click here to Register!
Join ArtTable’s Northern California Chapter for a special celebration honoring ArtTable’s Northern California Chapter Leadership Awardee Suzanne Lacy.
ArtTable’s Northern California Chapter invites you to join in this recognition of artist and educator, Suzanne Lacy for her long career probing and illuminating the histories and cultures of women through performances engaging communities in active participation. Her impact on California and generations of young artists in the San Francisco Bay Area has opened important dialogue through her commitment as an educator and advocate for revelatory process.
We look forward to sharing these festivities with you as we gather to raise a glass to Suzanne Lacy and ArtTable Northern Californian members together!
Who’s attending this program? Click here to see who’s currently registered!

DC | Holiday Celebration at the Middle East Institute's Arts & Culture Center!
2019-12-16 17:30 - 19:30 (America/New_York) | Middle East Institute’s Arts & Culture Center, Middle East Institute's Arts & Culture Center, Washington, DC, 20036, United States
Image: Artwork by Walid Siti, from Speaking Across Mountains: Art of the Kurdish Diaspora
Click here to Register!
Celebrate the holidays with ArtTable DC at the Middle East Institute’s new Arts & Culture Center!
Welcome new ArtTable Members!
Support our chapter’s programs!
Enjoy festive food & drinks!
Join ArtTable DC chapter to celebrate the holidays with a festive reception at the Middle East Institute’s new Arts & Culture Center, with a special tour of “Speaking Across Mountains: Art of the Kurdish Diaspora” curated by Heba ElKayal.
Family and prospective members are welcome.
“Speaking Across Mountains: Kurdish Artists in Dialogue” features nine contemporary artists from Iraq, Syria, and Turkey whose work offers audiences a rare opportunity to connect with Kurdish voices and experiences beyond the headlines. Through painting, video, photography, and installation, the artists reflect on themes that have long shaped the Kurdish experience, such as displacement, exile, memory, and gender, while giving voice to the resilience of Kurdish communities in the face of decades of persecution. Featured artists include Sherko Abbas, Serwan Baran, Kani Kamil, Hayv Kahrman and Walid Siti of Iraq; Savas Boyraz, Zehra Dogen and Şener Özmen of Turkey; and Khadija Baker and Bahram Hajou of Syria. The exhibition opens on December 6, 2019 and runs through February 20, 2020.
The Middle East Institute’s (MEI) new Art Gallery is a unique platform in Washington, DC dedicated to exhibiting modern and contemporary art, video and photography from the Middle East and North Africa. Housed in the Middle East Institute’s newly renovated historic headquarters in Dupont Circle, the gallery showcases up to five exhibitions annually featuring established and emerging artists from the region and the diaspora.
Who’s attending this program? Click here to see who’s currently registered!

NW | ArtTable Northwest Holiday Party!
2019-12-16 17:00 - 20:00 (America/Los_Angeles) | Pottery Northwest, 226 1st Ave N, Seattle, WA, 98109, United States
Image: Sculpture by Patti Warashina
Click here to Register!
The Northwest Chapter of ArtTable and Pottery Northwest invite you to celebrate the holidays with clay!

Mingle with other ArtTable members while shopping local during ClayFest Northwest. ClayFest Northwest is an exhibition of over 40 Northwest artists working in clay – from teapots to abstract sculpture, there’s something for everyone. This festival highlights and celebrates the work that Northwest ceramic artists are making in all its infinite variety. Shop local, shop handmade, and support artists!

We’re actively growing our ArtTable Chapter! Do you know someone who may be interested in joining? Bring them, invite them, send them this invite. Has your membership lapsed? We understand. It happens. We all get busy. Come, connect and celebrate anyway!

We invite you to participate in a “white elephant” gift exchange. Bring an art-themed gift such as an object, book, or handmade item. Refreshments and appetizers will be provided.

About Pottery Northwest 50 People / 50 Years

Celebrating those who have made Pottery Northwest the community of clay it is today. Over the years, Pottery Northwest has attracted an impressive pool of noted figures who have influenced the arts culture in Seattle. Today’s community of clay evolved naturally from the students, teachers, residents, and directors who lay claim to Pottery Northwest and made it their own. Board member Anne Foster has launched 50 People50 Years as a way to celebrate those who have influenced its past and are engaged in forging its future. It’s a pleasure to share these conversations with you, once a week, in celebration of our 50th year.

Cheers! Tara, Kira, and Lorrie- ArtTable Northwest Co-chairs

Who’s attending this program? Click here to see who’s currently registered.

Thank you to Tara Wefers, President, Board of Directors, Pottery Northwest, and Marge Levy, Ceramic Artist, and Docent, Seattle Art Museum.

NY | Morning Walk-through of "Paris, Capital of Fashion" with Dr. Valerie Steele
2019-12-16 09:30 - 10:30 (America/New_York) | Museum at the Fashion Institute of Technology, 227 West 27th Street, New York, NY, 10001, United States
Image: Paris, Capital of Fashion, exhibition view. The Museum at FIT. ©The Museum at FIT
Click here to Register!
Start your day/ week with a curator-led walkthrough of Paris, Capital of Fashion with Dr. Valerie Steele, director of The Museum at FIT and curator of this exhibition.
Paris, Capital of Fashion explores how and why Paris became the international capital of fashion. It will feature approximately 75 fashion ensembles, dating from the 18th century to the present, as well as accessories. Curated by Dr. Valerie Steele, director of The Museum at FIT, this major exhibition is accompanied by a book and symposium that took place on October 18.
The introductory gallery places Paris within the global fashion system. After the Second World War, Paris was repeatedly challenged by new fashion centers, such as London, Milan, and New York. The first section of the main gallery focuses on the rise of the Paris fashion system in the late seventeenth and eighteenth centuries. The court at Versailles was the official epicenter of fashion, but fashion professionals were based in the city of Paris and foreign visitors were amazed by the Parisian “mania” for fashion. The second section explores the growth of the Paris fashion system with its many métiers de la mode and its increased focus on feminine fashion. Particular attention is paid to the development of the haute couture, which transformed dressmaking from a small-scale artisanal craft into big business and high art. Today, globalization and technology have transformed the world of fashion. Yet Paris remains a unique fashion city.
Please enter the Goodman Center located at the Southwest corner of Seventh Avenue and 27th Street.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Valerie Steele, Elisabeth Rochau- Shalem and Lynn Sallaberry.

SOCAL | Celebrate the Holidays with ArtTable at the Fowler Museum
2019-12-12 18:00 - 20:00 (America/Los_Angeles) | The Fowler Museum at UCLA, 308 Charles E Young Dr N, Los Angeles, United States
Click here to register!
Join SoCal ArtTable for a festive evening at our annual holiday celebration, held this year in the lovely inner courtyard of the Fowler Museum at UCLA. Come socialize and enjoy drinks and nibbles with fellow ArtTable members and their invited guests (prospective members only, please). 2019 has been an exciting time for ArtTable SoCal, a year filled with wonderful programs and growth, and we look forward to celebrating with you!

During the course of the evening, we will be treated to a private viewing and walkthrough of the beautiful exhibition Rina Banerjee: Make Me a Summary of the World, the artist’s first mid-career survey. Banerjee’s sumptuous installations and sculptures assembled from myriad found objects, both natural and manmade, together with her exquisite paintings, both fascinate and intrigue while addressing the crucial global geopolitical, environmental and social issues we face today.

Born in Kolkata, India in 1963, Banerjee was raised in the United Kingdom and the United States. After receiving a B.S. degree in polymer engineering and working as a polymer research chemist, she left the profession to pursue an M.F.A. from Yale University. Based in New York City, Banerjee has exhibited internationally, with notable solo exhibitions at the Freer|Sackler Gallery, Smithsonian Institution, Washington, D.C. and the Musée Guimet, Paris. Her works are held in private and public collections worldwide, such as the Whitney Museum of American Art; Brooklyn Museum; Hammer Museum; San Francisco Museum of Modern Art; Kiran Nadar Museum of Art, New Delhi; Devi Art Foundation, New Delhi; and Centre Pompidou.

The exhibition will be open to our guests from 6:00-7:30 pm with a 30-minute walkthrough at 6:30 pm.

Light fare and refreshments will be served.

For self-service parking instructions: https://www.fowler.ucla.edu/visit/

Who’s attending this program? Click here to see who’s currently registered!

Thank you to SoCal Co-chair Susan Power and SoCal members Kris Lewis and Libby O’Kane.

Image: Rina Banerjee (b. 1963), Her captivity was once someone’s treasure and even pleasure but she blew and flew away took root which grew, we knew this was like no other feather, a third kind of bird that perched on vine intertwined was neither native nor her queens daughters, a peculiar other., 2011. Anglo-Indian pedestal 1860, Victorian birdcage, shells, feathers, gourds, grape vines, coral, fractured Charlotte doll heads, steel knitted mesh with glass beads, Kenyan tourist sculptures, apple gourds. 7 x 7 x 6 ft. Cornell Fine Arts Museum, Purchased with funds from the Michel Roux Acquisitions Fund, 2016.20. © Rina Banerjee. Image courtesy Rina Banerjee Archives.

NY | Professional Empowerment: Mounting Effective Communications Campaigns
2019-12-11 08:15 - 09:30 (America/New_York) | Bonhams, 580 Madison Avenue, New York, NY, 10022, United States
Click here to Register
ArtTable’s professional empowerment series invites experts to share their professional experiences, knowledge and skills. Each session presents an opportunity to engage with and learn more about a topic, issue or skill that directly impacts the professional lives of our members. Past sessions topics have included, Art Market Legal Basics with Katie Wilson-Milne and John Koegel, Public Speaking with Michaela Ablon, Everything You Wanted to Know About Social Media But Were Afraid to Ask with Robin Cembalest and many more!

Session 12: Mounting Effective Communications Campaigns with Juliet Sorce and Barbara Escobar
A strategic communications campaign can convey your vision and mission to key stakeholders – media, collectors, donors, clients, and the public – and have a long-term, lasting impact. In addition to discussing the key elements of an effective campaign, this session will provide an overview of best practices and strategies for leveraging digital, print, and in-person communications platforms and positioning an organization or enterprise to achieve its long-term goals.
Juliet Sorce has 15 years of experience spearheading strategic planning and integrated communications programs for an international roster of clients across the visual arts, architecture, and design. As Executive Vice President at Resnicow and Associates, Juliet works with clients such as The Frick Art Collection, where she directs strategic planning and media relations for the Collection’s enhancement and expansion project; Madison Square Park Conservancy, where she leds communications for the Park’s public art commissioning program and for its presentation at the U.S. Pavilion of the 2019 Venice Biennale; and the Park Avenue Armory, where she leads media relations for all visual arts programs and commissions among others. Prior to joining Resnicow and Associates, Juliet was an editor at Tema Celeste, a bilingual contemporary art magazine based in Milan, and worked at the Solomon R. Guggenheim Museum in its Education Department. She has a master’s degree in Italian language and culture from Middlebury College in Florence and a bachelor of arts degree in humanities and art history from Yale University.

Barbara Escobar is Vice President at Resnicow and Associates (R+A), where she leads communications campaigns and provides counsel on planning, programming and partnership strategies for leading arts organizations. Her projects have included international campaigns for the opening of the Institute of Contemporary Art, Miami’s new permanent home in the Miami Design District in 2017; the U.S. Pavilion at the 2017 Venice Biennale, commissioned by the Baltimore Museum of Art and the Rose Art Museum; and national campaigns for the launch of Frieze Los Angeles and the launch of Frieze Sculpture in New York at Rockefeller Center in 2019. Barbara has also led campaigns for organizations including the Art Dealers Association of America and its annual fair The Art Show, the Dallas Museum of Art, The Gordon Parks Foundation, and Sharjah Art Foundation. Prior to joining R+A, Barbara was the publicity and events manager at Aperture Foundation where she spearheaded communications, publicity, and social media for more than 120 publications, exhibitions, and initiatives. She previously worked in a marketing role at Phillips, and has served as adjunct faculty in arts marketing at SUNY Purchase College and as an advisory board member for the Honolulu Biennial. Barbara received a master’s degree in museum studies from Johns Hopkins University and a dual bachelor’s degree in art history and philosophy from Catholic University.
Who’s attending this program? Click here to see who’s currently registered!

Many thanks to ArtTable NY’s Professional Empowerment Committee: Sarah McNaughton, Elileen Jeng-Lynch, Jacqueline Towers-Perkins, Louky Keijsers Koning and Katherine Wilson-Milne.

NY | ArtTable at The Brant Foundation for Third Dimension
2019-12-10 17:30 - 19:00 (America/New_York) | The Brant Foundation, 421 East 6th Street, New York, NY, 10009, United States
Image: Karen Kilimnik. Switzerland, the Pink Panther Sellars & Boris & Natasha & Gelsey Kirkland in Siberia, 1991. Courtesy Karen Kilimnik, 303 Gallery, New York; Galerie Eva Presenhuber, Zurich; Spruth Magers, Berlin, London
Click here to register!
This program is for ArtTable members only.
Join ArtTable NY for an exclusive after-hours look at the latest exhibition from The Brant Foundation Art and Study Center, Third Dimension: Works from The Brant Foundation.
The Brant Foundation is pleased to present the second exhibition at its New York City space, Third Dimension: Works from The Brant Foundation, featuring over 20 artists integral to its collection. The selected sculptures, installations, and other works oscillating between painting and object represent the multifaceted practices of the artists on view, offering visitors the opportunity to encounter artists who have been collected in depth by Brant Foundation founder Peter M. Brant over the past 50 years. With a focus on sculpture and installation, The Brant Foundation pays tribute to the history of its East Village space, formerly the longtime studio of artist and sculptor Walter De Maria.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Sarah McNaughton and Sabrina Marsalisi for organizing this program.

DC | Curator’s Tour “Pat Steir: Color Wheel”
2019-12-10 09:00 - 10:30 (America/New_York) | Hirshhorn Museum and Sculpture Garden, Located at the corner of 7th Street SW and Independence Ave SWLocated at the corner of 7th Street SW and Independence Ave SW, Washington, DC, United States
Image: Pat Steir Color Wheel at the Hirshhorn Museum and Sculpture Garden, 2018–19 Oil on canvas 30 paintings, each 108 × 84 inches Photo: Lee Stalsworth. Courtesy of Pat Steir and Lévy Gorvy
Click here to Register
Join ArtTable for a morning tour at the Hirshhorn Museum and Sculpture Garden to explore Pat Steir: Color Wheel with Senior Curator Evelyn Hankins.
The exhibition is an expansive new suite of paintings by the acclaimed abstract painter, her largest painting installation to date, spanning the entire perimeter of the Museum’s second-floor inner-circle galleries. These immersive works transform the Museum into a vibrant spectrum of color. The thirty large-scale paintings create an immense color wheel that shifts hues with each painting, with the pours on each canvas often appearing in the complementary hue of the monochrome background.
9:00am Check-in
9:15am Curator’s Tour Followed by coffee and networking at Dolcezza in the lobby, Dutch treat
The exhibition is on view through September 7, 2020.
Thank you to Hilary-Morgan Watt.

NOCAL | Reading at the (Art)Table
2019-12-08 11:00 - 13:00 (America/Los_Angeles)
Click here to register!
Join ArtTable Northern California for a December Reading at the (Art)Table. This month we will be reading Jenny Odell’s How to Do Nothing: Resisting the Attention Economy.
ArtTable NoCal is delighted to have Jenny Odell join this month’s event.
ABOUT HOW TO DO NOTHING
“A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto.”—Jonah Engel Bromwich, The New York Times Book Review
Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity . . . doing nothing may be our most important form of resistance.
So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we have. Once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress.
Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book is a four-course meal in the age of Soylent.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Jan Wurm for organizing this program.

Miami Art Week | ArtTable at The Rubell Museum
2019-12-06 12:00 - 14:30 (America/New_York) | The Rubell Museum, 1100 NW 23rd St, Miami, FL, 33127, United States
Image: Keith Haring, Untitled, 1982, acrylic on vinyl tarpaulin, 180 x 180 in. (4570 x 4570 cm), acquired in 1982. © Keith Haring Foundation
Click here to Register
Join ArtTable at the new home of the Rubell Collection Museum for our annual national Art Basel Miami Beach program.
During this event, we will hear directly from Mera Rubell and Juan Roselione-Valadez, Director, Rubell Family Collection, about the vision for the Rubell’s fifty-year passion for the arts, the new museum construction process, and the collection. Following the walkthrough, meet us in the beautifully landscaped garden for a celebratory reception catered by Le Basque catering!
About the Rubell Museum
Originally launched as the Rubell Family Collection, the museum has been renamed the Rubell Museum to emphasize its public mission and welcome audiences to see its contemporary art. “The word ‘museum’ makes the public feel welcome, which is exactly our goal,” stated Mera Rubell. The Rubells pioneered the model for sharing a private collection with the public. The new Rubell Museum expands their commitment to serving as a public resource and extends the public mission they’ve developed to date.
Since opening in Wynwood 26 years ago, the Rubells have added many public programs, including a partnership with the Miami-Dade County Public Schools, which engages thousands of students every year, and collaborations with local universities to offer seminars and critiques. The museum also hosts curatorial training internships and artist residencies with the support of the Knight Foundation. In addition to Mera, Don, and Jason Rubell, the museum leadership includes Juan Roselione-Valadez, who is the director of the museum and has been part of the team for 21 years.
The Rubell Museum represents a new kind of institution that serves as an advocate for a diverse group of contemporary artists and a resource for both the public and the art world. Since the Rubells moved to
Miami, many museums and public collections have opened in the city, and it has developed a vital arts ecology. The Rubells see their new museum as providing a context for art and exhibitions that are available to the public in South Florida and beyond.
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Mera Rubell and Juan Roselione-Valadez.

Miami Art Week | The Power of Community at Art Miami
2019-12-06 09:30 - 11:30 (America/New_York) | Art Miami, CONTEXT Art Miami, Miami, FL, 33132, United States
Click here to Register
ArtTable, the Association of Women Art Dealers (AWAD) and the Professional Organization for Women in the Arts (POWarts) invite you the first event of its kind…
These three professional networks for women in the art world are joining forces for a thought-provoking conversation to foster new ideas and generate opportunities with individuals across all three networks, not to mention collectors, curators, academics and special guests who champion gender parity.

Artnet journalist Sarah Cascone will facilitate a discussion with the leaders of the three organizations:
Jessica Porter (Executive Director, ArtTable)
Sara Kay (Founder, POWarts)
Susan J Mumford (Founder and CEO, Association of Women Art Dealers)
The panel will be accompanied by a Q&A followed by an open networking session.
Refreshments will be aplenty, to awaken and bolster conversation alike! Treats include coffee, tea, mimosas, quiche, bagels and croissants.
With gratitude…
The event takes place on the occasion of Art Miami’s 30th edition, prompting us to look at the position of women in the industry when the fair began in 1989 (think: Guerrilla Girls era), comparing that to the reality today (post #metoo), and looking ahead to 2049.
Individuals of any gender are welcome to attend.

Timetable
Arrivals // 9.30am
Panel // 10.00am
Open networking // 10.50am
Departures // 11.30am
This exclusive, invite-only occasion has been made possible with much thanks to Yvel.
https://www.yvel.com | Instagram @yvel_jewelry

DC | BreakfastTable with Ji Young Yun
2019-12-05 08:00 - 09:00 (America/New_York) | Boulangerie Christophe, 1422 Wisconsin Ave NW, DC, 20007, United States
Image: Ji Young Yun
Click here to Register
Join us for an informal conversation with Ji Young Yun, Curator of the Korean Cultural Center (KCC) Washington, D.C., within the Embassy of the Republic of Korea.
Ji Young Yun has curated over 80 Korean emerging artists’ exhibitions since she joined KCC in 2012. Interacting with institutes (local and international) and independent artists, Yun’s goal is to bring their perspective on Korean culture and society to the Center to share with the American community. Yun holds a Masters in Fiber Arts from Hongik University in Korea as well as a Master of Arts in Arts Management from George Mason University.
Ji Young Yun was born and raised in Korea and moved to USA in 2010 where she currently resides with her husband. Breakfast is Dutch treat, cash preferred.
Who’s attending this program? Click here to see who’s currently registered!

SOCAL | December MeetAT L.A.Louver
2019-12-03 18:00 - 20:30 (America/Los_Angeles) | L.A.Louver, 45 N Venice Blvd, Venice, CA, 90291, United States
Image: Edward and Nacy Kienholz, The Merry-Go-World or Begat By Chance and the Wonder Horse Trigger, 1988 – 92 / mixed media tableau / 115 x 184 in diameter
Click here to Register!
Join us for our bi-monthly MeetAT* at L.A. Louver Gallery to socialize and tour the exhibitions of Californwork by Edward and Nancy Kienholz and R.B. Kitaj. Mingle with SoCal members and bring colleagues who you’d like to sponsor for membership.
Refreshments will be served. At 7:00 p.m., we will move across the street to James’ Beach (60 N Venice Blvd) for no-host beverages and appetizers from their Happy Hour menu.
On view at L.A. Louver, is Edward and Nancy Kienholz: The Merry-Go-Round World or Begat by Chance and the Wonder House Trigger (1988-92), a piece exhibited extensively in Europe, but unseen in Los Angeles since it debuted at L.A. Louver in 1992. Considered one of the artists’ most ambitious tableaux, the large-scale, multi-media assemblage environment examines what Ed Kienhoz described as “the random accident of birth, the mystery involved, and the importance of all life.” Also at L.A. Louver is R.B. Kitaj: Collages and Prints, 1964-1975. While the artist’s prints have been widely seen and celebrated over the past five decades, this exhibition is the first time his collages, which served as source material for his prints, are on public view.
*MeetAT, a signature ArtTable program, is a free, member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program, everyone is free to network and engage in conversation.
The parking lot directly across the street from LA Louver (and nearby James Beach) is available for a $8 flat fee
Who’s attending this program? Click here to see who’s currently registered!
Thank you to Roni Feinstein and Geneen Estrada of ArtTable So Cal and Elizabeth East, Director at L.A. Louver.

Miami Art Week | ArtTable VIP Fair Pass Packages
2019-12-02
Image: Art Basel Miami Beach 2018
We’re out of passes! Email programs@arttable.org to be placed on a waitlist
Join ArtTable members for special access to fairs during Miami Art Week, December 2 – 6, 2019! This year ArtTable is offering a VIP Pass Package. Please note that there is a very limited number of packages and that these will be distributed on a first come first serve basis.
VIP Package includes:
Art Miami, CONTEXT, Aqua Art Miami (VIP Pass)
Art Basel Miami Beach (Single Day Pass)
Design Miami (VIP Pass)
NADA (VIP Pass)
Prizm (VIP Pass)
Pulse (VIP Pass)
Scope (VIP Pass)
UNTITLED (VIP Pass)
Passes to be distributed digitally and by mail. This offer is exclusive to ArtTable members, limited to one package per member.

DC | Curator-led tour of "Topographies of Life" with Jennifer Riddell
2019-11-23 13:00 - 14:00 (America/New_York) | Katzen Arts Center American University Museum, 4400 Massachusetts Ave NW, Washington, DC, 20016, United States
Image: Lynn Sures, “2019.4 The Hell Hole,” 2019, Colored pencil drawing on artist-made kenaf paper, 16 x 24 inches, Courtesy of the Artist / Photo: Mark Gulezian
Click here to REGISTER!
Join fellow AT member and independent curator Jennifer Riddell to visit “Topographies of Life,” featuring the work of Lynn Sures, Pam Rogers, and Mel Watkin. Each artist borrows from the practice of illustration to explore aspects of nature and our interrelation with it across time and varied landscapes.
There is free parking available in the Katzen Center garage on weekends. Metro to Tenleytown + AU shuttle.
Who’s attending this program? Click here to see who’s currently registered!

Thank you to Jennifer Riddell for leading and organizing this program.

NY | Dutch Treat Breakfast at L'Express
2019-11-22 08:30 - 10:00 (America/New_York) | L’Express, 249 Park Ave S, New York, NY, 10003, United States
Click here to REGISTER

Join us for an informal Dutch-treat breakfast at L’Express. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting.
To view the menu and for more information, visit: L’Express
L’Express is located at 249 Park Avenue south, SE corner of 20th Street
Subways:
6 or R to 23 rd Street or N/R,4,5,6 to 14th street.
If on the West side crosstown bus at 23 rd street. Exit at Park Ave south or if taking the L to 14th Street from Brooklyn or West side, exit at Union Square and walk or take 6 to 23rd street.

Who’s attending this program? Click hereto see who’s currently registered!

Thank you to Ingrid Dinter for organizing and Susan Halper for hosting this program.

NY | MeetAT at the Arts Student League for 'Post-War Women'
2019-11-21 18:00 - 20:00 (America/New_York)
Image Credit: MAY STEVENS. Forming the Fifth International, 1985. Acrylic on canvas, 78 x 120 inches. Courtesy of Arts Student League and Ryan Lee Gallery.
Click here to register now!
Program is free and open to members and guests, advance registration required.
ArtTable’s MeetAT networking program continues in November! This month we are hosted by the Arts Student League whose fantastic exhibition, Post-War Women, is currently on view.
ArtTable MeetATs are a free member-hosted event for existing and potential ArtTable members from all sectors of the art world to mingle and engage with each other in a casual atmosphere. Come solo or bring a guest to this lively gathering that encourages new friends and trusted colleagues to get to know one another better. Without a formal program, everyone is free to network and engage in conversation.
Postwar Women is The Art Students League’s first exhibition to explore the vital contributions of these alumnae on the international stage. On view at The Phyllis Harriman Mason Gallery from November 2 to December 1, 2019, Postwar Women challenges the misperception that great art produced by women artists is somehow an exception rather than the rule. Curator Will Corwin investigates the history of innovative art academies like The League that promoted democratic ideologies, which in turn created artistic opportunities for women of all social classes.
Thank you to Will Corwin, Curator, Arts Student League and creator of MeetAT programs, Louky Keijsers-Koning, Director/Owner, LMAK Gallery, for organizing and supporting this program.

NY | Walk-through of Agnes Denes: Absolutes and Intermediates with Emma Enderby
2019-11-20 17:00 - 18:00 (America/New_York) | The Shed, 545 West 30th Street, New York, NY, 10001, United States
Image: Installation view: Agnes Denes: Absolutes and Intermediates, The Shed, New York, October 9, 2019 – March 22, 2020. Photo: Dan Bradica.
Click here to Register!
Join ArtTable NY for a curator led walk through of Agnes Denes: Absolutes and Intermediates at The Shed with Emma Enderby, senior curator at The Shed.
Agnes Denes rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental, and ecological art. A pioneer of several art movements, she creates work in a broad range of mediums, utilizing various disciplines—science, philosophy, linguistics, ecology, psychology—to analyze, document, and ultimately aid humanity. Denes turns her analysis into beautiful, sensual visual forms, poetry, and a philosophy that she has developed over the course of her career.
This comprehensive survey exhibition, Agnes Denes: Absolutes and Intermediates, brings together over 150 works spanning her 50-year career. The exhibition includes a comprehensive look at her important series the “Philosophical Drawings” (1969 – 80), “Map Projections” (1973 – 79), and “Pyramid Series” (1970 –); her realized monumental public works, including the iconic Wheatfield—A Confrontation (1982); as well as a presentation of unrealized works. The Shed has also commissioned a number of works that both expound and expand on the ideas that have been ever present throughout Denes’s career. Agnes Denes: Absolutes and Intermediates is accompanied by a fully illustrated catalogue.
Emma Enderby is the senior curator at The Shed, NYC, where she has organized the retrospective exhibitions Agnes Denes: Absolutes and Intermediates, as well as Collision/Coalition featuring Tony Cokes, Oscar Murillo, Vanessa Bergonzoli and Yanina Valdivieso), Open Call (52 emerging artists), and Trisha Donnelly. As adjunct curator at Public Art Fund, Enderby curated Tauba Auerbach: Flow Separation (2018); as associate curator solo presentations Katja Novitskova: EARTH POTENTIAL (2017), Spencer Finch: Lost Man Creek (2016–18), and David Shrigley: MEMORIAL (2016–17), along with group exhibitions Commercial Break (2017) and The Language of Things (2016). Previously, as exhibitions curator at the Serpentine Galleries, London, she organized exhibitions including Hilma af Klint: Painting the Unseen (2016), Rachel Rose: Palisades (2015), Leon Golub: Bite Your Tongue (2015), Trisha Donnelly (2014), and Haim Steinbach: once again the world is flat (2014) and assisted on Adrián Villa Rojas: Today We Reboot the Planet (2013). She was also co-project curator for the Serpentine’s Pavilion commissions of selgascano (2015) and Smiljan Radić (2014). Previously, she worked at the Royal Academy of Arts, London, and Whitechapel Gallery, London.

Agnes Denes The Ghost of Nautlus

This work, printed for ArtTable, re-imagines one of Denes’ most iconic forms, a snail shaped nautilus spiraling delicately through space, as an ode to The Nautilus, a destroyed amphitheater designed by Denes. Proceeds from the sale of this work support ArtTable and its mission to support inclusion in the art world. For more information, see here.

Thank you to Emma Enderby and Leslie Tonkonow.
