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DTSTART;TZID=America/New_York:20191216T173000
DTEND;TZID=America/New_York:20191216T193000
DTSTAMP:20260403T134139
CREATED:20191121T205525Z
LAST-MODIFIED:20210216T195602Z
UID:1514-1576517400-1576524600@www.arttable.org
SUMMARY:DC | Holiday Celebration at the Middle East Institute's Arts & Culture Center!
DESCRIPTION:Image: Artwork by Walid Siti\, from Speaking Across Mountains: Art of the Kurdish Diaspora \nClick here to Register!\nCelebrate the holidays with ArtTable DC at the Middle East Institute’s new Arts & Culture Center!  \nWelcome new ArtTable Members! \nSupport our chapter’s programs! \nEnjoy festive food & drinks! \nJoin ArtTable DC chapter to celebrate the holidays with a festive reception at the Middle East Institute’s new Arts & Culture Center\, with a special tour of “Speaking Across Mountains: Art of the Kurdish Diaspora” curated by Heba ElKayal. \nFamily and prospective members are welcome. \n“Speaking Across Mountains: Kurdish Artists in Dialogue” features nine contemporary artists from Iraq\, Syria\, and Turkey whose work offers audiences a rare opportunity to connect with Kurdish voices and experiences beyond the headlines. Through painting\, video\, photography\, and installation\, the artists reflect on themes that have long shaped the Kurdish experience\, such as displacement\, exile\, memory\, and gender\, while giving voice to the resilience of Kurdish communities in the face of decades of persecution. Featured artists include Sherko Abbas\, Serwan Baran\, Kani Kamil\, Hayv Kahrman and Walid Siti of Iraq; Savas Boyraz\, Zehra Dogen and Şener Özmen of Turkey; and Khadija Baker and Bahram Hajou of Syria. The exhibition opens on December 6\, 2019 and runs through February 20\, 2020. \nThe Middle East Institute’s (MEI) new Art Gallery is a unique platform in Washington\, DC dedicated to exhibiting modern and contemporary art\, video and photography from the Middle East and North Africa. Housed in the Middle East Institute’s newly renovated historic headquarters in Dupont Circle\, the gallery showcases up to five exhibitions annually featuring established and emerging artists from the region and the diaspora. \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/dc-holiday-celebration-at-the-middle-east-institutes-arts-culture-center/
LOCATION:Middle East Institute’s Arts & Culture Center\, Middle East Institute's Arts & Culture Center\, Washington\, DC\, 20036\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191217T180000
DTEND;TZID=America/Los_Angeles:20191217T200000
DTSTAMP:20260403T134139
CREATED:20191106T180615Z
LAST-MODIFIED:20210216T195412Z
UID:1353-1576605600-1576612800@www.arttable.org
SUMMARY:NOCAL | ArtTable’s Northern California Chapter Leadership Award Celebration and Holiday Party
DESCRIPTION:Image: Suzanne Lacy with the Rape Map at LAPD headquarters\, January 2012. Photo: Neda Moridpour \nClick here to Register!\nJoin ArtTable’s Northern California Chapter for a special celebration honoring ArtTable’s Northern California Chapter Leadership Awardee Suzanne Lacy. \nArtTable’s Northern California Chapter invites you to join in this recognition of artist and educator\, Suzanne Lacy for her long career probing and illuminating the histories and cultures of women through performances engaging communities in active participation. Her impact on California and generations of young artists in the San Francisco Bay Area has opened important dialogue through her commitment as an educator and advocate for revelatory process. \nWe look forward to sharing these festivities with you as we gather to raise a glass to Suzanne Lacy and ArtTable Northern Californian members together! \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/nocal-arttables-northern-california-chapter-leadership-award-celebration-and-holiday-party/
LOCATION:Haines Gallery\, 49 Geary Street\, #540\, California\, 94108\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191217T183000
DTEND;TZID=America/New_York:20191217T203000
DTSTAMP:20260403T134139
CREATED:20191120T204717Z
LAST-MODIFIED:20241024T180117Z
UID:1504-1576607400-1576614600@www.arttable.org
SUMMARY:NY | ArtTable NY Holiday Party at Poster House!
DESCRIPTION:Click here to Register\nCelebrate the holidays with ArtTable New York at The Poster House! \n\nWelcome new ArtTable Members!\n\nSupport our chapter’s programs!\n\nEnjoy festive food\, drinks\, and a photo booth!\n\nCongratulate Denise Murrell\, ArtTable’s NY Chapter Leadership Awardee!\n\nWin amazing prizes in the silent auction!\n\nThis year’s exhibition will take place at the Poster House\, the first museum in the United States dedicated exclusively to posters. On view during this celebration will be America Got Grabbed: 20/20 Insight: Posters from the 2017 Women’s March\, as well as\, Baptized By Beefcake: The Golden Age of Hand-Painted Movie Posters from Ghana.\n\n\n\nArtTable New York Chapter Leadership Award\n\n\nDenise Murrell. John Pinderhughes/Columbia University\n\nThis year ArtTable awards Denise Murrell with the New York Chapter Leadership Award. This award celebrates ArtTable members who are exceptional professionals\, with the intention of recognizing their outstanding performance and contribution to the field. We look forward to presenting this award at this year’s New York Holiday Party at Poster House. \n\nArtTable’s New York Programs Committee is thrilled to announce Denise Murrell as the recipient of this year’s New York Chapter Leadership Award. Murrell’s dissertation and subsequent curatorial direction of Posing Modernity: The Black Model from Manet and Matisse to Today that began at The Wallach (with a sold-out 40 + ArtTable member tour)\, before traveling to the Musee D’Orsay\, Paris\, this Spring\, received an overwhelming amount of praise for its situation of black female subjects as central to the development of modernity.\n\nCelebrated as “A sweeping re-examination of the history of modern art at the Wallach Art Gallery at Columbia University.” –Alison Stewart\, WNYC\, and\, “-a historically significant and aesthetically illuminating show that centers on the black female form as she appears and reappears in the work\, lives\, and imaginations of a number of painters\, photographers\, and filmmakers.”–Hilton Als\, The New Yorker\, Posing Modernity has altered the way that many of our members\, and the art world at large\, interpret the key players in art history.\n\nLast week Denise Murrell was named associate curator for 19th- and 20th-century art at the Metropolitan Museum of Art in New York\, a newly created position that will involve her working closely with both the museum’s modern and contemporary department and its European painting department. She will begin this role in January.\n\n\n\nPoster House is the first museum in the United States dedicated exclusively to posters.\nThrough exhibitions\, events\, and publications\, Poster House presents a global view of posters from their earliest appearance in the late 1800s\, to their present-day use. Poster House takes its mission from the medium\, aiming to engage and educate all audiences as we investigate this large format graphic design and its public impact.\n\nPosters explore:\n\n 	mass communication and persuasion\n 	the intersection of art and commerce\n 	control of the public domain\n\nFor a poster to succeed\, it must communicate. By combining the power of images and words\, posters speak to audiences quickly and persuasively. Blending design\, advertising\, and art\, posters clearly reflect the place and time in which they were made. Through them\, Poster House explores everything from avant-garde design\, to changing societal norms\, and all the fads and fashions over the last 160 years.\n\nPoster House was founded in 2015 with an eye towards filling a long-acknowledged gap in the New York cultural landscape. While there are several poster museums around the world\, New York\, with its long relationship with advertising and design\, did not have such a dedicated public institution. After several years of planning and construction\, Poster House opened its doors on June 20\, 2019.\n\n\n\nWho’s attending this program? Click here to see who’s currently registered!\n\nThank you to Judith Richards\, Louky Keijsers Koning\, Linda Fischbach\, and the Holiday Party Committee\, as well as Julia Knight\, Director Poster House.
URL:https://www.arttable.org/event/ny-arttable-ny-holiday-party-at-poster-house/
LOCATION:The Poster House\, 119 W 23rd Street\, New York\, NY\, 10011\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191219T173000
DTEND;TZID=America/Chicago:20191219T193000
DTSTAMP:20260403T134139
CREATED:20191122T195205Z
LAST-MODIFIED:20210216T195317Z
UID:1501-1576776600-1576783800@www.arttable.org
SUMMARY:CHICAGO | An Evening with Mariane Ibrahim and Monique Meloche
DESCRIPTION:Left: Florine Demosthene. Before the Conflict\, 2019. Mariane Ibrahim Gallery. Right: Brendan Fernandes\, Kinbaku III\, 2019\, cast bronze\, leather\, walnut\, and steel\, 61 x 22 x 25 inches. \nClick here to Register\nJoin ArtTable members and friends for an evening in West Town for private tours of Mariane Ibrahim and Monique Meloche Gallery. \nThe evening begins with a reception at Mariane Ibrahim where guests will have a chance to hear Mariane Ibrahim discuss Florine Démosthène’s first solo exhibition with the gallery\, “Between Possibility and Actuality\,” and introduce us to her newly opened space in Chicago. Guests are then invited to join us for a short walk to the Monique Meloche Gallery to see Brendan Fernandes’ “Restrain”\, speak with Monique and enjoy some chocolate and bubbles. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you Sarah Milestone\, Monique Meloche\, and Mariane Ibrahim.  \n  \n 
URL:https://www.arttable.org/event/chicago-an-evening-in-with-mariane-ibrahim-and-monique-meloche/
LOCATION:NY
CATEGORIES:Chicago
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200107T183000
DTEND;TZID=America/Los_Angeles:20200107T203000
DTSTAMP:20260403T134139
CREATED:20191212T202412Z
LAST-MODIFIED:20210216T195341Z
UID:1769-1578421800-1578429000@www.arttable.org
SUMMARY:SOCAL | 18th Street Studio Visits with Michal Heiman and Lita Albuquerque
DESCRIPTION:Image: Lita Albuquerque. Photo courtesy of the artist and 18th Street Arts Center. \nClick here to Register\nPlease join ArtTable SoCal for an exclusive evening with artists Michal Heiman and Lita Albuquerque at 18th Street Art Center. \nAcclaimed Israeli artist Michal Heiman will be in residence at 18th Street in January in preparation for her exhibition Hearing opening at Platt and Bornstein Galleries at the American Jewish University on January 12\, 2020 (a special preview for ArtTable is scheduled prior to the opening).  Renowned installation artist and professor in the graduate studies department at Arts Center School of Art in Pasadena\, Lita Albuquerque is currently\, is currently one of 18th Street’s local artists in residence. Both artists will open their studios to us for a presentation of their work followed by conversation and light refreshments. \nFor more about Michal Heiman at AJU: https://arts.aju.edu/exhibitions/future-exhibitions/hearing-michal-heiman/ \nFor more about Lita Albuquerque at 18th Street: https://18thstreet.org/artists/lita-albuquerque/ \n \nImage: Michal Heiman. Photo courtesy of the artist and 18th Street Arts Center. \nMichal Heiman \nFounded as a non-profit in 1988\, 18th Street Arts Center has a long history as a space for artists. It originally served as studio space for a group of feminist artists in the 1970s – 80s\, including Susanna Bixby Dakin (who ran for President in 1984)\, Judy Chicago\, Barbara T. Smith\, Linda Frye Burnham\, and others. It became a hub for the West Coast arm of ACT-UP\, an activist grassroots organization addressing the AIDS crisis\, and was home to three of the NEA Four (Tim Miller\, John Fleck\, and Holly Hughes). It also grew out of early performance art and was the site of publication for High Performance Magazine\, and later\, Highways Performance Space (still located on the 18th Street Arts Center campus). Once 18th Street incorporated as a non-profit\, it became an artist residency program with a wide range of public programs and exhibitions. \nAmple street parking available.  \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Susan Power\, Co-Chair SoCal and Frida Cano\, Assistant Curator/Artist Residency Coordinator\, 18th Street
URL:https://www.arttable.org/event/socal-18th-street-studio-visits-with-michal-heiman-and-lita-albuquerque/
LOCATION:18th Street Arts Center\, 1639 18th Street\, Los Angeles\, CA\, 90404\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200109T080000
DTEND;TZID=America/New_York:20200109T090000
DTSTAMP:20260403T134139
CREATED:20191220T161129Z
LAST-MODIFIED:20210216T195216Z
UID:1842-1578556800-1578560400@www.arttable.org
SUMMARY:DC | BreakfastTable with Juanita Hardy
DESCRIPTION:Image: Juanita Hardy \nClick here to Register \nPlease join us for an informal conversation with Juanita Hardy who in addition to her 45 years of business experience has over 35 years in the arts as a nonprofit leader\, trustee\, collector\, and patron of the arts. \nJuanita has a passion for fostering healthy\, thriving\, and equitable places to live\, work\, learn and play through her work with individuals and businesses. Hardy was Senior Visiting Fellow for Creative Placemaking for Urban Land Institute\, a global non-profit committed to responsible land use and also founded Tiger Management Consulting Group after retiring from 31 years with IBM. She has been an executive coach for Right Management\, a global human capital development firm\, since 2006. \nAs a nonprofit arts leader\, Hardy is the former Executive Director of CulturalDC (2013-2015)\, a nonprofit committed to making space for artists and art organizations and fostering cultural and economic vibrancy in communities through its creative placemaking services. She co-founded Millennium Arts Salon\, an art education initiative\, in 2000. Hardy was recognized by the Washington Business Journal as a Minority Business Leader in 2010. Hardy is an accomplished writer and public speaker. Her articles and essays have appeared in magazines and journals in the US and abroad. Her recent writing includes a tetralogy of articles on creative placemaking in Urban Land magazine. \nHardy serves on the board of the Mosaic Theatre Company\, a non-profit theatre company based in Washington\, DC. Recently she joined the board of the Mid Atlantic Art Foundation based in Baltilmore\, MD\, which provides support and funding for arts programming in states that comprise the mid-Atlantic region. Previously\, she served on the board for ArtTable (2016-2019)\, a national non-profit for women professionals in the arts based in New York City. Hardy is an avid collector of fine art and\, since 1985\, and with her husband\, has acquired many works on paper\, canvas\, sculptures\, as well as traditional African art. Dutch treat\, cash preferred. \nRideshare preferred limited street parking. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Allison Nance. 
URL:https://www.arttable.org/event/dc-breakfasttable-with-juanita-hardy/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200111T100000
DTEND;TZID=America/New_York:20200111T130000
DTSTAMP:20260403T134139
CREATED:20191220T182358Z
LAST-MODIFIED:20210216T195157Z
UID:1849-1578736800-1578747600@www.arttable.org
SUMMARY:FL | Five Minute Rounds
DESCRIPTION:Click here to Register!\nArtTable Florida is thrilled to invite to 5-minute rounds. Seven of our outstanding members will be talking about their career in the arts:  \nNuria Richards I Clandestina I @clandestina.washere \nSil Dibar I Art History Lecturer ♾ Founder of A Journey Through Art I @sildibar.art \nJean Blackwell Font | Co-founder Warehouse 4726 | @warehouse4726 \nCarola Bravo | @carolabravoart I hARTvest Project at Pinecrest Gardens \nAldeide Delgado | Art Researcher & Curator | @aldeide_delgado \nAmy Galpin | Chief Curator. Frost Art Museum FIU | @agalpin1 \nKimberly Jones | Vice President | FORTRESS Miami \nMembers\, guests\, and friends welcome! \nThank you to Rochi Llaneza\, Florida Chair\, and Nuria Richards\, Florida Programs Chair\, for organizing this program.
URL:https://www.arttable.org/event/fl-five-minute-rounds/
LOCATION:hARTVEST Project Pinecrest Gardens\, 11000 Red Road\, Pinecrest\, FL\, 33156\, United States
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/12/unnamed-17.jpg
ORGANIZER;CN="ArtTable Florida":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200111T113000
DTEND;TZID=America/Los_Angeles:20200111T133000
DTSTAMP:20260403T134139
CREATED:20191219T154747Z
LAST-MODIFIED:20210216T195136Z
UID:1825-1578742200-1578749400@www.arttable.org
SUMMARY:NOCAL | Artist Breakfast with Mildred Howard
DESCRIPTION:Image: Mildred Howard\, Tap — Investigation of Memory\, Installed 2019 Oakland Museum of California. \nClick here to Register!\nThe Northern California ArtTable Chapter is delighted to present our first Artist Breakfast with Mildred Howard. A voice for cultural heritage\, historical perspective\, and moving remembrance\, Howard has orchestrated public art\, monumental installation\, and striking assemblage for a resounding affirmation of human struggle and survival. \nAn educator and inspirational figure for younger artists\, Mildred Howard has created a sweeping body of work that has filled the decades with visual rhythms and echoing forms. From bottle houses to tap shoes\, Howard has mapped out territories of memory and mourning\, hope and loss. The recipient of the Lee Krasner Award for a lifetime of artistic achievement\, the Nancy Graves Award\, and the Joan Mitchell Foundation Award\, Howard has also received the Honorary Doctorate of Fine Arts from the San Francisco Art Institute. \nThis signature ArtTable program is expanding thanks to generous funding from the Pollock Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Jan Wurm\, NoCal Chapter Co-Chair\, for organizing this program. \n 
URL:https://www.arttable.org/event/nocal-artist-breakfast-with-mildred-howard/
LOCATION:Julia’s Berkeley City Club\, 2315 Durant Avenue\, CA\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200112T140000
DTEND;TZID=America/New_York:20200112T160000
DTSTAMP:20260403T134139
CREATED:20191212T205309Z
LAST-MODIFIED:20210216T195112Z
UID:1785-1578837600-1578844800@www.arttable.org
SUMMARY:SOCAL | Exclusive Preview Walkthrough: Hearing: Michal Heiman at American Jewish University
DESCRIPTION:Image: Michal Heiman\, Mask: Plate 34\, by Dr. Hugh W. Diamond\, ca. 1855\, Return: Asylum (The Dress\, 1855-2019)\, 2016. Courtesy of the artist. \nClick here to Register!\nFollowing our studio visit with the artist at 18th Street Center for the Arts\, we invite you to join us for a special preview walkthrough with curator and fellow SoCal ArtTable member Rotem Rozental of Hearing: Michal Heiman\, her first West Coast one-woman show. One of the foremost artists working in Israel today\, Heiman’s cross-disciplinary practice incorporates photography\, archival research\, critical theory\, psychoanalysis\, gender and performance. In this exhibition\, the artist explores the forgotten histories of women who have been confined to asylums\, inviting the audience to engage with their untold stories. \nArtTable members and their guests are invited to attend the opening reception after the walkthrough at 3:00 pm. \nBorn and based in Tel Aviv\, Michal Heiman is an artist\, curator\, founder of the Photographer Unknown archive (1984)\, and creator of the Michal Heiman Tests (M.H.Ts) 1–4. Heiman teaches at Bezalel Academy of Arts and Design and is a member of the Tel Aviv Institute for Contemporary Psychoanalysis. For over three decades\, Heiman has been developing methodologies that operate between art\, therapy\, photography\, human rights\, theory\, and practice. She studies neglected histories and their visual aspects\, focusing on the history of women\, questions of identity\, the history of aesthetic production in psychoanalysis\, and the role of archives. In 2015\, she founded the public-benefit corporation An Academy of Her Own\, which advocates gender equality in various academic institutions. For more on Michal Heiman: https://www.heimanmichal.com \nRotem Rozental is the Chief Curator of the American Jewish University in Los Angeles and serves as the Assistant Dean of the Whizin Center and the Director of the Institute for Jewish Creativity (IJC). She has contributed as a consultant\, editor\, writer\, educator and organizer to international publications\, such as Photographies\, Philosophy of Photography\, Artforum.com\, Tablet.com\, and Uncertain State\, as well as cultural non-profits and organizations\, among them Dia:Beacon\, The Liverpool Biennial\, The Brooklyn Institute for Social Research\, and the Jerusalem Season of Culture. Traversing the domains of technology\, media and art\, her scholarly and curatorial projects have been supported by Artis\, Independent Curators International\, NurtureArt and the Center for Jewish History (NYC). \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/socal-exclusive-preview-walkthrough-hearing-michal-heiman-at-american-jewish-university/
LOCATION:Platt and Bornstein Galleries American Jewish University\, 15600 Mulholland Drive\, Bel Air\, CA\, 90077\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200113T173000
DTEND;TZID=America/New_York:20200113T190000
DTSTAMP:20260403T134139
CREATED:20191211T214552Z
LAST-MODIFIED:20210216T195045Z
UID:1757-1578936600-1578942000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
DESCRIPTION:Image: Aloïse Corbaz (1886\, Lausanne\, Switzerland–1964\, Gimel\, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil\, graphite\, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler.  © L’association Aloïse Photography  © Visko Hatfield\, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications\, Inc. \nClick here to REGISTER\nJoin ArtTable and Valérie Rousseau\, PhD\, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum\, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler. \nThe collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States\, which manifests a strong interest for African American artists\, a consistent attention on American classics\, a curiosity for European art brut\, and a search for international discoveries. For the last twenty-seven years\, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche\, among them Emery Blagdon\, Aloïse Corbaz\, William Edmondson\, August Klett\, Augustin Lesage\, Martín Ramírez\, Thornton Dial\, and Anna Zemánková. For more information see here. \nThank you to Valérie Rousseau and Elisabeth Rochau- Shalem\, NY Programs Committee Chair\, for organizing this program.
URL:https://www.arttable.org/event/ny-curatorial-perspective-memory-palaces-inside-the-collection-of-audrey-b-heckler/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200118T140000
DTEND;TZID=America/Los_Angeles:20200118T150000
DTSTAMP:20260403T134140
CREATED:20191211T175352Z
LAST-MODIFIED:20210216T195024Z
UID:1742-1579356000-1579359600@www.arttable.org
SUMMARY:NOCAL | ArtTable + Untitled: Re-Imagining Equity in the Art World 2020
DESCRIPTION:Image: Surrogate: Mother to Myself\, 2017 Indira Allegra. Redwood\, 600 feet of cotton lead line rope\, brass\, steel. 65 x 54 x 18 IN | 165 x 137 x 4.5 CM \n  \nFor ArtTable’s third panel discussion at Untitled’s San Francisco edition and to celebrate ArtTable’s 40th year advocating for women working in the visual arts\, three noted San Francisco artists working in diverse media will discuss their art practices\, concerns and challenges\, and where the equity movement might lead in coming years.  \nFeaturing artists Indira Allegra\, Katherine Vetne and Erica Deeman\, will joined by Heidi Rabben\, Senior Curator at the Contemporary Jewish Museum. The conversation will be moderated by James Voorhies\, Chair\, Graduate Program in Curatorial Practice\, California College of the Arts\, with an audience Q&A to follow.  \nAre you an ArtTable member? Email programs@arttable.org to receive a discounted passcode for this event and Untitled’s program. \nThank you to Tracy Freedman\, Executive Committee\, ArtTable Northern California.  \n 
URL:https://www.arttable.org/event/nocal-arttable-untitled-re-imagining-equity-in-the-art-world-2020/
LOCATION:Untitled\, Art San Francisco  Pier 35\, 1454 The Embarcadero\, San Francisco\, CA\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200118T153000
DTEND;TZID=America/New_York:20200118T180000
DTSTAMP:20260403T134140
CREATED:20200107T205306Z
LAST-MODIFIED:20210216T194950Z
UID:1986-1579361400-1579370400@www.arttable.org
SUMMARY:POSTPONED: DC | Curator's Talk and Preview of Moira Dryer
DESCRIPTION:Image: The Power of Suggestion\, Moira Dryer\, 1991 \nThis event has been postponed! Check back soon for a new date. \nGreater Reston Arts Center (GRACE) will present a selection of works by artist Moira Dryer (b. 1957\, Toronto\, Ontario; d. 1992\, New York\, New York) in conjunction with the major exhibition of Dryer’s early work at the Phillips Collection in Washington\, DC\, entitled Moira Dryer: Back in Business. Both exhibitions are curated by GRACE Executive Director and Curator Lily Siegel. \nDryer is primarily known for her large abstract paintings on wood panels. This exhibition will provide an intimate look at the artist’s practice through works given as gifts to friends and family\, many never previously shown publicly. Her work has been exhibited extensively across the United States in institutions such as Boston’s Institute for Contemporary Art; Whitney Museum of Modern Art; and The Museum of Modern Art\, New York. Dryer’s work is included in the permanent collections of The Solomon R. Guggenheim Museum\, New York; Museum of Contemporary Art\, Los Angeles; and Museum of Modern Art\, New York. This exhibition is generously supported in part by Robert and Theresa Goudie and ARTSFAIRFAX. \n3:30 pm – Private champagne toast with ArtTable \n4 – 6 pm – Curator’s talk & Opening Reception \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Elizabeth Denholm\, Advancement Officer\, Greater Reston Arts Center. 
URL:https://www.arttable.org/event/dc-curators-talk-and-preview-of-moira-dryer-yours-for-the-taking-champagne-toast/
LOCATION:Greater Reston Arts Center\, 12001 Market St #103\, Reston\, VA\, 20190\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/image001-8.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20260403T134140
CREATED:20191223T220609Z
LAST-MODIFIED:20250903T181251Z
UID:1858-1579716000-1579721400@www.arttable.org
SUMMARY:ArtTable Circle ⎟ JPMorgan Chase Collection Tour
DESCRIPTION:Content is protected.
URL:https://www.arttable.org/event/arttable-circle-%e2%8e%9f-jpmorgan-chase-collection-tour/
LOCATION:JP Morgan Private Bank\, 390 Madison Avenue\, New York\, NY
CATEGORIES:New York,National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T090000
DTEND;TZID=America/New_York:20200123T100000
DTSTAMP:20260403T134140
CREATED:20200103T155257Z
LAST-MODIFIED:20210216T194738Z
UID:1885-1579770000-1579773600@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein
DESCRIPTION:Image: Liza Lou\, Kitchen\, 1991-96. Beads\, plaster\, wood and found objects\, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art\, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel\, courtesy the artist \nClick here to Register!\nJoin ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein\, assistant curator\, Whitney Museum\, and co-curator of this exhibition. \nMaking Knowing: Craft in Art\, 1950–2019 foregrounds how visual artists have explored the materials\, methods\, and strategies of craft over the past seven decades. Some expand techniques with long histories\, such as weaving\, sewing\, or pottery\, while others experiment with textiles\, thread\, clay\, beads\, and glass\, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here. \nJennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art\, 1950–2019\, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum\, 1940 – 2017 (2017-2018). \nPlease meet in the Whitney’s Lobby at 8:50 AM. \nThank you to ArtTable member\, Jennie Goldstein.
URL:https://www.arttable.org/event/ny-curatorial-perspective-making-knowing-craft-in-art-1950-2019-with-jennie-goldstein/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/xlarge_LizaLou_lores-e1578066597413.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T083000
DTEND;TZID=America/New_York:20200124T100000
DTSTAMP:20260403T134140
CREATED:20200103T174729Z
LAST-MODIFIED:20210216T194628Z
UID:1899-1579854600-1579860000@www.arttable.org
SUMMARY:NY | Dutch Treat Breakfast at Sant Ambroeus
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at Sant Ambroeus Madison Avenue. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. Sant Ambroeus is less than a 5-minute walk from the Met Breuer and surrounding museums.  \nTo view the menu and for more information\, visit Sant Ambroeus. \nSubways: \n6 to 77th Street \n  \n\nWho’s attending this program? Click here to see who’s currently registered!\n\n\n\nThank you to Ingrid Dinter for organizing this program and Lori Shepard.  
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-sant-ambroeus/
LOCATION:Sant Ambroeus Madison Avenue\, 1000 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/sant-ambroeus-madison-avenue-new-york-1.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T103000
DTEND;TZID=America/New_York:20200125T153000
DTSTAMP:20260403T134140
CREATED:20200103T193055Z
LAST-MODIFIED:20210216T194554Z
UID:1916-1579948200-1579966200@www.arttable.org
SUMMARY:SOCAL | A Saturday in Pomona: Ceramics\, Networking Lunch\, and Artist Todd Gray!
DESCRIPTION:Image:  Todd Gray leading a tour of Todd Gray: Euclidean Gris Gris\, September 2019. \nClick here to Register!\nJoin ArtTable for an extraordinary day in Pomona with visits to the American Museum of Ceramic Art (AMOCA)\, the Pomona College Museum of Art\, and the Williamson Gallery at Scripps College. \nAt AMOCA\, Executive Director Beth Ann Gerstein will lead us on a tour of Julie Green: Flown Blue. Bringing together over 800 plates\, platters\, and dishware\, the exhibition explores the artist’s longstanding engagement with secondhand porcelain and stoneware dishes\, drawing from both the large-scale political works for which Green is acclaimed and more recent works interrogating societal gender biases and personal histories. \nFollowing a self-pay group lunch at a restaurant nearby\, acclaimed photographer\, performance artist\, and sculptor Todd Gray will conduct a walkthrough of TODD GRAY: Euclidean Gris Gris at the Pomona College Museum of Art. The exhibition consists of a site-specific wall drawing and an evolving selection of photographs from Gray’s ongoing artistic examination of the legacies of colonialism in Africa and Europe. Los Angeles-based Gray\, whose work has been featured in solo and group exhibitions internationally including the Whitney Biennial 2019\, is currently serving as artist-in-residence at the college. \nAt the Williamson Gallery\, we will be treated to a preview of the 76th Scripps College Ceramic Annual: Duality and Context. The exhibition features work by eleven artists whose ceramics engage with and offer a variety of perspectives on the environment. \nThe schedule for the day will be as follows: \n10:30 AM Meet at AMOCA for a tour of the Julie Green and other exhibitions on view with Beth Ann Gerstein. \n12:00 PM Group self-pay lunch at a nearby restaurant. \n1:30 PM Visit to Pomona College Museum of Art and exhibition walkthrough with Todd Gray. \n3:00 PM Preview 76th Scripps College Ceramic Annual at the Williamson Gallery\, Scripps College. For those who can stay\, the Ceramic Annual Lecture with Garth Johnson\, Curator of Ceramics at the Everson Museum of Art\, Syracuse\, New York\, will be held at the Humanities Auditorium at Scripps at 4:00\, followed by the opening\, with live music and light refreshments\, at the gallery\, from 7:00 to 9:00. \nPlease note that yet another James Turrell Skyspace–Diving the Light\, 2007–is less than a ten-minute walk away from both the Pomona Museum Art and the Williamson Gallery. We will make a stop when time permits! \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to with thanks to Alexandra Ehrlich and Roni Feinstein
URL:https://www.arttable.org/event/socal-a-saturday-in-pomona-ceramics-networking-lunch-and-artist-todd-gray/
LOCATION:American Museum of Ceramic Art (AMOCA)\, 399 N Garey Ave\, Pomona\, CA\, 91767\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/IMG_4186-1.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200127T173000
DTEND;TZID=America/New_York:20200127T190000
DTSTAMP:20260403T134140
CREATED:20200110T222155Z
LAST-MODIFIED:20210216T194524Z
UID:1970-1580146200-1580151600@www.arttable.org
SUMMARY:NY | The Aesthetics of Femininity through the Ages at The Winter Show
DESCRIPTION:Image: Max Colby. Cadmium Wilt. Crystal and plastic beads\, sequins\, found fabric\, trim\, fabric flowers\, polyester batting\, thread. 12 x 12 x 16”. 2018. \nThis event is free and open to the public. Click here to RSVP. \n\n\nArtTable\, in collaboration with the Winter Show\, invites guests to investigate the aesthetics of femininity throughout the ages in antiques\, fine and decorative arts. Touching on examples included in this year’s show\, we’ll be engaging dealers\, scholars\, writers and experts in a lively panel to explore expressions and appearances of femininity. How has the feminine been employed by makers and designers of the past? We’ll be breaking down cliches and contemplating how feminine aesthetics reflect periodical trends and power structures. This conversation will be moderated by Elissa Auther\, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. \n\nElissa Auther is the Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design (MAD). Previously\, she was the Windgate Research Curator at MAD and Visiting Associate Professor at the Bard Graduate Center\, where her teaching focused on the intersection of craft and contemporary art. She has published widely on a diverse set of topics\, including the history of modernism and its relationship to craft and the decorative\, the material culture of the American counterculture\, and feminist art. Her monograph\, String\, Felt\, Thread: The Hierarchy of Art and Craft in American Art (University of Minnesota Press)\, focuses on the broad utilization of fiber in art of the 1960s and 1970s and the changing hierarchical relationship between art and craft expressed by the medium’s new visibility. Auther is also an accomplished curator. Her exhibitions include West of Center: Art and the Counterculture Experiment in America\, 1965–1977\, Pretty/Dirty\, the retrospective exhibition of the painter and photographer Marilyn Minter\, and Improvisational Gestures\, a survey exhibition of the sculptor and performance artist Senga Nengudi. Her most recent exhibitions for the Museum of Arts and Design include Surface/Depth: The Decorative After Miriam Schapiro and Vera Paints a Scarf: The Art and Design of Vera Neumann. A feminist public intellectual\, Auther founded and co-directed for ten years the program “Feminism & Co.: Art\, Sex\, Politics\,” which focused on issues of women and gender through the lens of creative practice.  \nPanelists:  \nMax Colby\, artist \nThrough lush\, detailed work in embroidery and textiles\, Max Colby reframes traditional notions of domesticity\, power\, and gender through a queer and non-binary lens. Colby has exhibited internationally including Jane Lombard Gallery\, Wave Hill\, and Museum Rijswijk. Colby’s work has been featured in the Huffington Post\, NBC Out\, Gay City News\, and The Evergreen Review\, among others. They were recently an artist in residence at the Museum of Arts and Design in Manhattan\, The Wassaic Project\, MASS MoCA and a Leslie-Lohman Museum Queer Artists’ Fellow. Born in West Palm Beach\, Colby received their BFA from the School of the Museum of Fine Arts\, Boston and Tufts University. They live and work in Brooklyn.  \nElizabeth Feld\, Managing Director; Director\, Furniture & Decorative Arts\, Director\, American Decorative Arts\, Hirschl & Adler \nElizabeth has just celebrated her 20th anniversary at Hirschl & Adler Galleries\, where she serves as Managing Director as well as Director of American Furniture and Decorative Arts. Since 1999\, she has curated six furniture and decorative arts exhibitions for the gallery\, all with extensive accompanying catalogues\, as well as five exhibitions of the work of contemporary artist MacArthur grant recipient Elizabeth Turk\, one of the gallery’s represented living artists. \nElizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years and is a regular lecturer on the subjects of furniture\, decorative arts\, and the art market in general. \nGabriella Picone\, Director of Communications\, R&Company\, and founder of Idda Studio\n\nGabriella Picone is a New York-based artist working in painting\, textiles\, and ceramics. She is currently the Director of Communications at R & Company\, the renowned design gallery based in New York City. She plays an integral role in the conception and promotion of numerous exhibitions\, international fairs\, and projects for the contemporary and historical artists represented by the gallery\, all bridging fine art and collectable design. Prior to her current role\, she worked at leading New York creative agency Black Frame developing branding and marketing strategies for a range of art\, design and fashion clients including Lindsey Adelman\, MoMA PS1\, Jean Nouvel\, David Kordansky Gallery\, Nike\, and RxArt. She has also worked with Frieze Art Fair and was part of the inaugural team to launch the first Frieze Art Fair in New York. She continually maintains her own studio practice as a painter and is the founder of idda studio\, an emerging design studio that specializes in fabric artworks for women that are both wearable and sculptural. 
URL:https://www.arttable.org/event/ny-the-aesthetics-of-femininity-through-the-ages-at-the-winter-show/
LOCATION:The Winter Show\, Park Avenue Armory\, Park Avenue at 67th Street\, New York\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Cadmium-Wilt-e1578414011901.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200128T190000
DTEND;TZID=America/New_York:20200128T210000
DTSTAMP:20260403T134140
CREATED:20191220T160335Z
LAST-MODIFIED:20210216T194444Z
UID:1837-1580238000-1580245200@www.arttable.org
SUMMARY:DC | Around the Table Book Group
DESCRIPTION:Click here to Register\nJoin ArtTable DC for our member’s book club focusing on books by artists or about the visual arts. We read a mixture of fiction\, memoir\, and biography\, plus anything else that seems interesting. This book club is open to all members. Please register online in advance. \nThis month we’ll discuss “The Great Man” by Kate Christensen. \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/dc-around-the-table-book-group/
LOCATION:NY
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200130T183000
DTEND;TZID=America/New_York:20200130T200000
DTSTAMP:20260403T134140
CREATED:20200103T160654Z
LAST-MODIFIED:20210216T194417Z
UID:1893-1580409000-1580414400@www.arttable.org
SUMMARY:NY | Book Talk: 'Unspeakable Acts...' with Nancy Princenthal
DESCRIPTION:Image: Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s by Nancy Princenthal. \nClick here to Register\nJoin ArtTable for a conversation with Nancy Princenthal on her most recent book\, “Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s\,” about how artists have made sense (or not) of sexual violence against women. Nancy will be in dialogue with artist Lisa Corinne Davis at the home of Laura Kruger. \nNancy is a former Editor of Art in America had has contributed to Artforum\, Parkett \, the Village Voice and the New York Times.  She has received the 2016 PEN American award for biography\, a book on Agnes Martin\, and has written catalogue essays in monographs on Louise Fishman\, Nancy Rubins\, Mark di Suvero\, Robert Mangold\, Ann Hamilton Shirin Neshat\, Joyce Kozloff\, Alfred Jaar\, Eija-Liisa Ahtila\, Chuck Close\, Deborah Butterfield\, and others as well. She has taught at Princeton\, Yale and is currently on the faculty of the School of Visual Arts.  \n“Nancy Princenthal is an award-winning author of many books on important topics in art. In “Unspeakable Acts\,” she delves into the links between violence and silence\, art and terror\, and how pioneering women made them into art… Princenthal is also deft at drawing a roadmap through the political\, social and aesthetic divisions of the ‘70s”- Hyperallergic \nLisa Corinne Davis is an artist whose works have been exhibited in museums and galleries across the country. Her works are in numerous public and private collections.  She has received numerous awards and grants and has taught art for the past 25 years at Parsons School of Design Cooper Union School of Art\, Yale University and is currently a Full Professor at Hunter College. Lisa also writes essays on her own work\, that of others and on what it means to be Black in the American Art World today. \nWho’s attending this event? Click here to see who’s signed up! \nThank you to Susan Halper\, Laura Kruger and Lori Shepard for organizing this program. 
URL:https://www.arttable.org/event/ny-book-talk-unspeakable-acts-women-art-and-sexual-violence-in-the-1970s-with-nancy-princenthal/
LOCATION:To be provided upon registration
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/ee7f277d-449d-4080-a5af-ef080659b7c9.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200202T123000
DTEND;TZID=America/Los_Angeles:20200202T133000
DTSTAMP:20260403T134140
CREATED:20200103T191221Z
LAST-MODIFIED:20210216T194342Z
UID:1909-1580646600-1580650200@www.arttable.org
SUMMARY:SOCAL | Photo L.A. with Shana Nys Dambrot
DESCRIPTION:Image: Anja Niemi\, The Fictional Roadtrip\, 2018. Courtesy Galerie XII\, Los Angeles. \nClick here to Register!\nJoin us for a Sunday afternoon walkthrough of Photo L.A. with Shana Nys Dambrot! \nYou may have already activated your VIP passes for this year’s Photo L.A. (if not\, see link below)\, but to truly experience the fair\, join us for a walkthrough with ArtTable member\, art critic\, curator\, author\, and LA Weekly Arts Editor Shana Nys Dambrot. \nPhoto L.A. brings the best of the photography world to the Barker Hanger with a collaborative platform that links dealers and collectors with artists and galleries from around the globe. The longest-running international photographic art fair on the West Coast\, Photo L.A. 2020 will host a roster of 65-75 local and international galleries and dealers\, collectives\, leading not-for-profits\, art schools\, and global booksellers. With erudition\, penetrating insight\, and wit\, Dambrot will highlight trends and the fair’s most notable works. \nArtTable Members are invited to the 28th edition of Photo LA! \nA collaborative platform that links the international photography community; World-class artists/photographers\, galleries\, dealers\, & publishers. \nJanuary 30th – February 2nd\, 2020\nThe Historic Barker Hangar–Santa Monica\, CA \nWho’s attending this program? Click here to see who’s currently registered! \n3021 Airport Avenue3021 Airport AvenueThank you to Marina Erfle\, Director of VIP Relations\, Photo L.A.
URL:https://www.arttable.org/event/socal-photo-l-a-with-shana-nys-dambrot/
LOCATION:Barker Hangar\, 3021 Airport Avenue\, Santa Monica\, CA\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/large.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200204T190000
DTEND;TZID=America/New_York:20200204T190000
DTSTAMP:20260403T134140
CREATED:20200113T162858Z
LAST-MODIFIED:20210216T194313Z
UID:2060-1580842800-1580842800@www.arttable.org
SUMMARY:NY | Conversation: Women Leaders in the Arts
DESCRIPTION:Anne Pastnernak. (Photo: Timothy Greenfield-Sanders); Nathalie Bondil. (Photo: Jean-François Brière); Kaywin Feldman. (Photo: Courtesy of National Gallery of Art\, Washington\, D.C.) \nThis event is free\, but please click here to RSVP. Seating is first come\, first served. NOTE: The rest of the Museum is closed on this date. \nArtTable in partnership with Artnet and the Brooklyn Museum presents a conversation with women leaders in the arts.  \nThe directors of three major metropolitan museums—Nathalie Bondil (Montreal Museum of Fine Arts)\, Kaywin Feldman (National Gallery of Art\, Washington\, D.C.)\, and Anne Pasternak (Brooklyn Museum)—come together to discuss the changing role of museums in the twenty-first century. In a conversation moderated by Alison Stewart\, host of WNYC’s live daily show All Of It\, the three leaders reflect on their experiences at the helm of encyclopedic museums\, explore the challenges museums will face in the future\, and consider how cultural institutions can become more accessible\, inclusive spaces for community engagement and social justice. \nThe Brooklyn Museum is committed to making our galleries and programs accessible to everyone. To request accommodations\, such as assistive listening devices\, ASL interpretation\, or open captioning\, contact us at access@brooklynmuseum.org.
URL:https://www.arttable.org/event/ny-conversation-women-leaders-in-the-arts/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238-6052\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2020/01/2020_February_Women_Arts_Leadership_panel_04_re.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T180000
DTEND;TZID=America/New_York:20200205T200000
DTSTAMP:20260403T134140
CREATED:20200107T220625Z
LAST-MODIFIED:20210216T194156Z
UID:2003-1580925600-1580932800@www.arttable.org
SUMMARY:NY | Private Viewing of "Pan y Circo: Appease\, Distract\, Disrupt" at Another Space
DESCRIPTION:Image: Héctor García\, Fellinesca\, Cd. de Mexico\, 1955. Gelatin silver print. Estrellita B. Brodsky Collection \nClick here to Register!\nJoin ArtTable for a viewing of Pan y Circo: Appease\, Distract\, Disrupt at Another Space. \nFeaturing Kathryn Andrews\, Diane Arbus\, Maria Fernanda Cardoso and Ross Rudesch Harley\, Maurizio Cattelan\, Gabriel Chaile\, Felipe Jesus Consalvos\, Pablo Curatella Manes\, Bruce Davidson\, Paz Errázuriz\, Héctor Fuenmayor\, Hector García\, Anna Bella Geiger\, Victor Grippo\, Bob Gruen\, Philippe Halsman\, Addie Herder\, Anna Maria Maiolino\, Mary Ellen Mark\, Leo Matiz\, Hermanos Mayo\, Miralda\, Bruce Nauman\, Laure Prouvost\, Rubén Ortíz Torres\, Rosângela Rennó\, Miguel Rio Branco\, Andres Serrano\, Cindy Sherman\, Javier Téllez \nANOTHER SPACE is pleased to announce the exhibition Pan y Circo: Appease\, Distract\, Disrupt\, taking its title from the popular Spanish expression used to describe populist governments’ use of giveaways and entertainment to distract the public’s attention. Originally attributed to the Roman poet Juvenal\, ‘Panem et circenses\,’ referred to Ancient Rome’s use of free wheat and costly circus games to appease the populace as the Empire collapsed. Curated by Estrellita Brodsky in collaboration with ANOTHER SPACE\, the show will examine the work of international artists from the late 19th century to the present and their fascination with the world of circus performers and other forms of spectacle\, most often as a tool for political and social critique. Other artists in the exhibition focus on food and hunger as a reflection of facile and failed economic policies. Scheduled to open on Thursday\, September 12\, the exhibition will remain on view through January 2020. \nFrom Diane Arbus\, Bruce Davidson\, Héctor García and Paz Errázuriz’ poignant portraits of life on the road in the 1950s-80s to Andres Serrano\, Cindy Sherman or Bruce Nauman’s images of unnerving clowns\, the circus is often just a lens to reflect on social anxieties and poverty of those attending as well as those participating. Anna Maria Maiolino\, Victor Grippo\, Miralda\, Laure Prouvost and Anna Bella Geiger reflect on food and hunger as powerful symbols of hope and despair. In many ways\, the objects seem to de-stabilize power structures and embody the most absurd yet the most poetic of mixed emotions\, simultaneously conflicting reactions of attraction and repulsion towards frightening and mundane absurdity. \nA human cannonball flying over the US-Mexico border in Javier Téllez’s notorious 2005 video One flew over the void (Bala Perdida)\, offers a prescient take on the current administration’s use of the southern wall as a political circus. Coinciding with one of the most spectacular presidential campaigns in U.S. history\, the exhibition ultimately aims to reflect on the increasing role of spectacle and entertainment as economic motivators and an integral part of the U.S. political arena. \nThank you to Estrellita Brodsky and Julia Herzberg.
URL:https://www.arttable.org/event/ny-private-viewing-of-pan-y-circo-appease-distract-disrupt-at-another-space/
LOCATION:To be provided upon registration
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/20190911-EW6A1064-Edit-copy.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T080000
DTEND;TZID=America/New_York:20200206T090000
DTSTAMP:20260403T134140
CREATED:20200107T205914Z
LAST-MODIFIED:20210216T194135Z
UID:1991-1580976000-1580979600@www.arttable.org
SUMMARY:DC | BreakfastTable with Dana Prussian
DESCRIPTION:Image: Dana Prussian \nClick here to Register!\nJoin us for an informal conversation with Dana Prussian\, Vice President\, Art Services Specialist at Bank of America Private Bank. \nDana Prussian is Vice President\, Art Services Specialist at Bank of America Private Bank\, based in New York City. In this role\, Dana helps drive the bank’s art opportunities across all divisions nationally\, with a specific focus on Central South\, South Atlantic\, and Southeast divisions. She works directly with art collecting clients and prospects to meet their needs through art lending\, consignment\, wealth planning\, and philanthropy. \nDana joined Bank of America Private Bank (formerly U.S. Trust) in January 2019 from Bessemer Trust where she was a Client Advisor for three years. At Bessemer\, Dana helped cultivate a book of clients and advised them on a wide array of services\, including investment management\, trust and estate planning\, real estate\, and art services. Prior to Bessemer\, Dana began her career at Christie’s before going on to Barclays. \nShe earned a dual Bachelor of Arts in Art History and Political College\, Columbia University. \nDutch treat\, cash preferred. Street parking\, rideshare encouraged. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Jaynelle Clarke Hazard.
URL:https://www.arttable.org/event/dc-breakfasttable-with-dana-prussian/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Dana_Prussian_Headshot_-_Jaynelle_Hazard-e1591971231398.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T173000
DTEND;TZID=America/New_York:20200206T190000
DTSTAMP:20260403T134140
CREATED:20191220T211707Z
LAST-MODIFIED:20210216T194105Z
UID:1864-1581010200-1581015600@www.arttable.org
SUMMARY:Chicago | Photography and the Black Arts Movement in Chicago
DESCRIPTION:Image: Billy Abernathy\, Mother’s Day\, 1962. Gelatin silver print. The Art Institute of Chicago\, gift of the Illinois Arts Council\, 110.1976. \nClick here to Register\nMichal Raz-Russo Associate Curator of Photography\, Art Institute of Chicago\, will give a behind-the-scenes look at selections from the Art Institute’s collection that represent photography’s important role within the Black Arts Movement in Chicago. \nIn the mid-1960s\, as the Black Arts Movement was gaining momentum in Chicago\, an informal network of street photographers and independent photojournalists formed in the city’s South and West Sides. Included among them are works by Darryl Cowherd\, Bob Crawford\, Roy Lewis\, and Robert A. Sengstacke produced in connection with Wall of Respect (1967–71)\, a revolutionary outdoor mural; and projects such as Mikki Ferrill’s decade-long documentation of an improvised South Side club\, The Garage (1970/80). Through intimate images of their communities in the city’s South and West Sides\, these artists explored ideas about black identity\, aesthetics\, and visibility that have far-reaching influence and implications. \nMichal Raz-Russo is the David C. and Sarajean Ruttenberg Associate Curator of Photography at the Art Institute of Chicago. Among her exhibitions at the Art Institute are Never a Lovely So Real: Photography and Film in Chicago\, 1950–1980 (2018); Invisible Man: Gordon Parks and Ralph Ellison in Harlem (2016); Sharp\, Clear Pictures: Edward Steichen’s World War I and Condé Nast Years (2014); Dayanita Singh (2014); and The Three Graces (2011). She is also the curator of the biennial Ruttenberg Contemporary Photography Series\, which has presented solo exhibitions of new work by artists such as Sara Deraedt (2019)\, Leigh Ledare (The Plot\, 2017)\, and Deana Lawson (2015). \nArtTable Chicago’s executive committee will be meeting for drinks and lite bites at the Gage restaurant following the program\, please join us if you’re able! \nThe Gage Restaurant\n24 S. Michigan Ave\nChicago\, IL 60603 \nfrom 7 – 8:30 p.m. \n  \nWho’s attending this event? Click here to see who’s signed up!
URL:https://www.arttable.org/event/chicago-photography-and-the-black-arts-movement-in-chicago-selections-from-the-art-institutes-collection/
LOCATION:The Art Institute of Chicago\, 111 S Michigan Ave\, Chicago\, IL\, 60603\, United States
CATEGORIES:Chicago
ORGANIZER;CN="ArtTable Chicago":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200209T110000
DTEND;TZID=America/Los_Angeles:20200209T130000
DTSTAMP:20260403T134140
CREATED:20200106T175806Z
LAST-MODIFIED:20210216T194033Z
UID:1944-1581246000-1581253200@www.arttable.org
SUMMARY:NOCAL | Reading at the (Art)Table
DESCRIPTION:Click here to Register!\nJoin ArtTable’s Northern California Chapter for our book club\, Reading at the (Art)Table. For this session\, we will be reading “Marcel Duchamp and the Art of Life “by Jacquelynn Baas. \nPlease Join Us for Our Discussion and Brunch! \nWishing You All a New Year of New Books\, New Ideas\, and New Imaginings …! \n\nWho’s attending this program? Click here to see who’s currently registered!\n\n\nThank you to Jan Wurm for organizing. 
URL:https://www.arttable.org/event/nocal-reading-at-the-arttable-2/
LOCATION:To be provided upon registration
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Marcel-Duchamp-and-the-Art-of-Life.jpeg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200210T180000
DTEND;TZID=America/Los_Angeles:20200210T200000
DTSTAMP:20260403T134140
CREATED:20200109T224342Z
LAST-MODIFIED:20210216T194010Z
UID:2050-1581357600-1581364800@www.arttable.org
SUMMARY:NORTHWEST | An Evening With the Founders of Wa Na Wari
DESCRIPTION:Image: The Founders of Wa Na Wari. Photo by Susan Fried. \nClick here to Register!\nThe Northwest Chapter of ArtTable invites you to join us for an evening of conversation and art with the founders of Wa Na Wari. Wa Na Wari is a center for Black art and culture in Seattle’s historically redlined Central District neighborhood\, sited in a 5th-generation Black-owned home. \nCo-Founder Inye Wokoma is the 2019 recipient of the 2019 Neddy at Cornish Grand Prize. Current Artists include Amir George\, Abroad and Abound\, Shurvon Hayes\, In The Presence of Black Art: Healthy and Happy Mandala\, Ronald Hall\, Selected Works\, and Jaleesa Johnson\, Being/Conjured. Appetizers\, wine\, and non-alcoholic drinks will be provided. \n“​Two of us\, Inye Wokoma and Elisheba Johnson\, are Black artists directly impacted by Seattle’s displacement and affordability crisis. Inye Wokoma’s grandmother is 93 years old and living with Alzheimers. As the guardian of her estate she has been fighting on her behalf to maintain ownership of the homes she and her husband worked their entire lives for. Elisheba Johnson\, born and raised in Seattle\, has a job with the City of Seattle and still cannot afford to live in the city. Their stories are reflective of what the housing crisis looks like for Black artists in Seattle. ​Two of us\, Jill Freidberg and Rachel Kessler\, are white artists using art and stories to challenge white supremacy\, especially as it is expressed through gentrification and displacement.” \nThank you to Elisheba Johnson.
URL:https://www.arttable.org/event/northwest-an-evening-with-the-founders-of-wa-na-wari/
LOCATION:Wa Na Wari\, 911 24th Ave\, Seattle\, WA\, 98122\, United States
CATEGORIES:Northwest
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/52A3840E-2CE5-44A5-AB71-98ECD906F8B9.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200211T123000
DTEND;TZID=America/New_York:20200211T150000
DTSTAMP:20260403T134140
CREATED:20200117T151148Z
LAST-MODIFIED:20210216T193950Z
UID:2139-1581424200-1581433200@www.arttable.org
SUMMARY:DC | Spanish Ambassador Residence in Washington D.C.
DESCRIPTION:Image: Spanish Ambassador Residence \nThis program is at capacity. Please email dc@arttable.org to be added to the waitlist. \nJoin ArtTable DC for a visit to the art collection at the Spanish Ambassador Residence followed by a seated lunch hosted by the Spanish Ambassador’s wife\, Mrs. Sol Oyarzum de Cabanas. \nUntil the late 1990s\, the residence of the Spanish Ambassador was the magnificent Beaux-Arts mansion located in the 16th street and designed by renowned American architect George Oakley Totte. When built\, in 1922\, it was part of a project conceived to develop the surrounding area as the center of social and diplomatic life in Washington\, DC.  The building is today the Cultural Center of the Spanish Embassy. \nIn 1996\, the government of Spain commissioned Rafael Moneo\, Spain’s most celebrated architect and winner of the 1996 Pritzker Architecture Prize (the profession’s equivalent of the Nobel Prize) to build a new residence in Foxhall road. \nThe addition of the Moneo building makes this stretch of Foxhall an architectural oddity\, in a distinguished sort of way\, for directly across the street is the Kreeger Museum\, designed by Philip Johnson in 1963. Johnson was the first Pritzker laureate\, back in 1979. \nThe embassy reflects some of Spain’s more characteristic architectural traits in the use of bricks for the external walls and in the colorful Andalusian tiles that decorate the greenhouse-like patio extension that sits on the house’s southern façade. \nInside\, numerous paintings and works of art represent the best of the Spanish artistic tradition\, from Royal portraits to Flemish tapestries as well as some paintings by today’s most recognized Spanish Contemporary artists. \nThis program is for ArtTable members only. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Mrs Sol Oyarzum de Cabanas and his excellency the Spanish Ambassador.
URL:https://www.arttable.org/event/dc-spanish-ambassador-residence-in-washington-d-c/
LOCATION:Spanish Ambassador Residence\, 2350 Foxhall Rd NW\, Washington\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/SpanishResidence2-e1579210175991.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200212T180000
DTEND;TZID=America/Los_Angeles:20200212T200000
DTSTAMP:20260403T134140
CREATED:20191202T224235Z
LAST-MODIFIED:20210216T193910Z
UID:1619-1581530400-1581537600@www.arttable.org
SUMMARY:National | Los Angeles 40th Anniversary New Leadership Award Celebration
DESCRIPTION:Click here for tickets\nJoin ArtTable poolside\, at the Standard Hotel in Los Angeles\, as we celebrate our 40th Anniversary and toast the achievements of our 2020 New Leadership Award recipients: \nWassan Al-Khudhairi (Contemporary Art Museum St. Louis\, MO) \nErin Christovale (Hammer Museum\, Los Angeles\, CA) \nLauren Haynes (Crystal Bridges Museum of American Art\, Bentonville\, AR) \nJami Powell (The Hood Museum of Art\, Hanover\, NH) \nIn recognition of ArtTable’s 40th Anniversary in 2020\, we are presenting four New Leadership Awards\, representing the four decades of ArtTable’s influence in the visual arts community. The New Leadership Award was first introduced as part of ArtTable’s 25th anniversary celebration in 2005. It recognizes women whose early career accomplishments and distinguished service merit national and international recognition in the professional visual arts community. \nLearn more about the accomplishments of our 2020 honorees here. \n  \nThank you to First Republic Bank for their support. \n 
URL:https://www.arttable.org/event/national-la-40th-anniversary-new-leadership-award-celebration/
LOCATION:The Standard West Hollywood\, 8300 Sunset Boulevard\, Los Angeles\, CA\, 90069\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/12/STD-LA-GALA-2.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200219T173000
DTEND;TZID=America/New_York:20200219T183000
DTSTAMP:20260403T134140
CREATED:20200117T213308Z
LAST-MODIFIED:20210216T193839Z
UID:2153-1582133400-1582137000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Zilia Sánchez: Soy Isla (I Am an Island)
DESCRIPTION:Image: Zilia Sánchez\, Topología erotica [Erotic Topology]\, 1960–71. Acrylic on stretched canvas\, 41 × 56 × 13 in. Collection [Colección] Jose R. Landron\, San Juan \nClick here to Register!\nJoin ArtTable NY for a curatorial walkthrough of Zilia Sánchez: Soy Isla (I Am an Island) with Susanna Temkin\,  Curator at El Museo del Barrio. \nZilia Sánchez: Soy Isla (I Am an Island)is the first museum retrospective of the prolific\, innovative\, and yet largely unknown artist Zilia Sánchez (b. 1926\, Havana – lives and works in San Juan). The exhibition features over 40 works from the early 1950s to the present\, including paintings\, works on paper\, shaped canvases\, sculptural pieces\, graphic illustrations\, and ephemera. The retrospective traces Sánchez’s artistic journey from her early days in Cuba to her extended travels in Europe in the 1950s and residence in New York in the 1960s\, and finally her move to Puerto Rico\, where she has lived and worked since the early 1970s. For more information\, see here. \nSusanna Temkin is a Curator at El Museo del Barrio since 2018\, and recently organized the museum’s fiftieth-anniversary exhibition\, Culture and the People: El Museo del Barrio\, 1969-2019. Prior to El Museo\, she served as Assistant Curator at Americas Society in New York. From 2011-2016 she was the Research and Archive Specialist at the Cecilia de Torres\, Ltd.\, where she assisted in co-authoring the digital catalogue raisonné of artist Joaquín Torres-García. Temkin has published essays and reviews in the Rutgers Art Review\, Burlington Magazine\, and Hemispheres\, and authored the chronology of Concrete Cuba: Cuba Geometric Abstraction from the 1950s\, produced by David Zwirner Books.  She earned her master’s and PhD degrees from the Institute of Fine Arts\, New York University\, where her research concentrated on modern art in the Americas\, with a focus on Cuba. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Ingrid Dinter\, Julia Herzberg and Susanna Temkin. 
URL:https://www.arttable.org/event/ny-curatorial-perspective-zilia-sanchez-soy-isla-i-am-an-island/
LOCATION:El Museo Del Barrio\, 1230 Fifth Avenue\, New York\, NY\, 10029\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/sanchez-z_2019exh_item19_th-1.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200220T083000
DTEND;TZID=America/New_York:20200220T100000
DTSTAMP:20260403T134140
CREATED:20200204T203138Z
LAST-MODIFIED:20210216T193807Z
UID:2276-1582187400-1582192800@www.arttable.org
SUMMARY:NY | Artist Breakfast with Ilana Harris-Babou
DESCRIPTION:Image: Ilana Harris-Babou\, Decision Fatigue \nClick here to REGISTER!\nJoin ArtTable for Artist Breakfasts\, a series of conversations with artists. These intimate monthly breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics. This month we will hear from Ilana Harris-Babou\, whose work was included in last year’s Whitney Biennial and whose exhibition Decision Fatigue\, opens this month at Hesse Flatow. \nAbout the artist:  \nIlana Harris-Babou uses music videos\, cooking shows\, and home improvement television as material in an abject exploration of the American Dream. She works primarily in ceramic sculpture and video installation\, and frames messy scenes with studio lighting and HD video in order to ask questions about intimacy\, violence\, and consumption.\n\nHarris-Babou showed in the 2019 Whitney Biennial and in a 2017 exhibition at the Museum of Arts and Design in New York. In a well-reviewed New York gallery show she parodied Restoration Hardware’s rugged chic aesthetic. Her Reparation Hardware video\, inspired by the chain’s own video promoting its salvaged wood furniture line\, suggests a hypothetical reparations plan for the descendants of enslaved Americans. \nHarris-Babou received an MFA in New Genres from Columbia University and a BA in Art from Yale University. She has exhibited her work throughout the United States and Europe. See more about Ilana here and here. \n\nWho’s attending this program? Click here to see who’s currently registered! \nThank you to ArtTable’s Artist Breakfast Committee and Karen Flatow. 
URL:https://www.arttable.org/event/ny-artist-breakfast-with-ilana-harris-babou/
LOCATION:Spring Place\, 6 St Johns Ln\, 10013\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/decisionfatigue.vertical-e1581615574157.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR