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DTSTART;TZID=America/Los_Angeles:20200107T183000
DTEND;TZID=America/Los_Angeles:20200107T203000
DTSTAMP:20260404T040928
CREATED:20191212T202412Z
LAST-MODIFIED:20210216T195341Z
UID:1769-1578421800-1578429000@www.arttable.org
SUMMARY:SOCAL | 18th Street Studio Visits with Michal Heiman and Lita Albuquerque
DESCRIPTION:Image: Lita Albuquerque. Photo courtesy of the artist and 18th Street Arts Center. \nClick here to Register\nPlease join ArtTable SoCal for an exclusive evening with artists Michal Heiman and Lita Albuquerque at 18th Street Art Center. \nAcclaimed Israeli artist Michal Heiman will be in residence at 18th Street in January in preparation for her exhibition Hearing opening at Platt and Bornstein Galleries at the American Jewish University on January 12\, 2020 (a special preview for ArtTable is scheduled prior to the opening).  Renowned installation artist and professor in the graduate studies department at Arts Center School of Art in Pasadena\, Lita Albuquerque is currently\, is currently one of 18th Street’s local artists in residence. Both artists will open their studios to us for a presentation of their work followed by conversation and light refreshments. \nFor more about Michal Heiman at AJU: https://arts.aju.edu/exhibitions/future-exhibitions/hearing-michal-heiman/ \nFor more about Lita Albuquerque at 18th Street: https://18thstreet.org/artists/lita-albuquerque/ \n \nImage: Michal Heiman. Photo courtesy of the artist and 18th Street Arts Center. \nMichal Heiman \nFounded as a non-profit in 1988\, 18th Street Arts Center has a long history as a space for artists. It originally served as studio space for a group of feminist artists in the 1970s – 80s\, including Susanna Bixby Dakin (who ran for President in 1984)\, Judy Chicago\, Barbara T. Smith\, Linda Frye Burnham\, and others. It became a hub for the West Coast arm of ACT-UP\, an activist grassroots organization addressing the AIDS crisis\, and was home to three of the NEA Four (Tim Miller\, John Fleck\, and Holly Hughes). It also grew out of early performance art and was the site of publication for High Performance Magazine\, and later\, Highways Performance Space (still located on the 18th Street Arts Center campus). Once 18th Street incorporated as a non-profit\, it became an artist residency program with a wide range of public programs and exhibitions. \nAmple street parking available.  \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Susan Power\, Co-Chair SoCal and Frida Cano\, Assistant Curator/Artist Residency Coordinator\, 18th Street
URL:https://www.arttable.org/event/socal-18th-street-studio-visits-with-michal-heiman-and-lita-albuquerque/
LOCATION:18th Street Arts Center\, 1639 18th Street\, Los Angeles\, CA\, 90404\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200109T080000
DTEND;TZID=America/New_York:20200109T090000
DTSTAMP:20260404T040928
CREATED:20191220T161129Z
LAST-MODIFIED:20210216T195216Z
UID:1842-1578556800-1578560400@www.arttable.org
SUMMARY:DC | BreakfastTable with Juanita Hardy
DESCRIPTION:Image: Juanita Hardy \nClick here to Register \nPlease join us for an informal conversation with Juanita Hardy who in addition to her 45 years of business experience has over 35 years in the arts as a nonprofit leader\, trustee\, collector\, and patron of the arts. \nJuanita has a passion for fostering healthy\, thriving\, and equitable places to live\, work\, learn and play through her work with individuals and businesses. Hardy was Senior Visiting Fellow for Creative Placemaking for Urban Land Institute\, a global non-profit committed to responsible land use and also founded Tiger Management Consulting Group after retiring from 31 years with IBM. She has been an executive coach for Right Management\, a global human capital development firm\, since 2006. \nAs a nonprofit arts leader\, Hardy is the former Executive Director of CulturalDC (2013-2015)\, a nonprofit committed to making space for artists and art organizations and fostering cultural and economic vibrancy in communities through its creative placemaking services. She co-founded Millennium Arts Salon\, an art education initiative\, in 2000. Hardy was recognized by the Washington Business Journal as a Minority Business Leader in 2010. Hardy is an accomplished writer and public speaker. Her articles and essays have appeared in magazines and journals in the US and abroad. Her recent writing includes a tetralogy of articles on creative placemaking in Urban Land magazine. \nHardy serves on the board of the Mosaic Theatre Company\, a non-profit theatre company based in Washington\, DC. Recently she joined the board of the Mid Atlantic Art Foundation based in Baltilmore\, MD\, which provides support and funding for arts programming in states that comprise the mid-Atlantic region. Previously\, she served on the board for ArtTable (2016-2019)\, a national non-profit for women professionals in the arts based in New York City. Hardy is an avid collector of fine art and\, since 1985\, and with her husband\, has acquired many works on paper\, canvas\, sculptures\, as well as traditional African art. Dutch treat\, cash preferred. \nRideshare preferred limited street parking. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Allison Nance. 
URL:https://www.arttable.org/event/dc-breakfasttable-with-juanita-hardy/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200111T100000
DTEND;TZID=America/New_York:20200111T130000
DTSTAMP:20260404T040928
CREATED:20191220T182358Z
LAST-MODIFIED:20210216T195157Z
UID:1849-1578736800-1578747600@www.arttable.org
SUMMARY:FL | Five Minute Rounds
DESCRIPTION:Click here to Register!\nArtTable Florida is thrilled to invite to 5-minute rounds. Seven of our outstanding members will be talking about their career in the arts:  \nNuria Richards I Clandestina I @clandestina.washere \nSil Dibar I Art History Lecturer ♾ Founder of A Journey Through Art I @sildibar.art \nJean Blackwell Font | Co-founder Warehouse 4726 | @warehouse4726 \nCarola Bravo | @carolabravoart I hARTvest Project at Pinecrest Gardens \nAldeide Delgado | Art Researcher & Curator | @aldeide_delgado \nAmy Galpin | Chief Curator. Frost Art Museum FIU | @agalpin1 \nKimberly Jones | Vice President | FORTRESS Miami \nMembers\, guests\, and friends welcome! \nThank you to Rochi Llaneza\, Florida Chair\, and Nuria Richards\, Florida Programs Chair\, for organizing this program.
URL:https://www.arttable.org/event/fl-five-minute-rounds/
LOCATION:hARTVEST Project Pinecrest Gardens\, 11000 Red Road\, Pinecrest\, FL\, 33156\, United States
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/12/unnamed-17.jpg
ORGANIZER;CN="ArtTable Florida":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200111T113000
DTEND;TZID=America/Los_Angeles:20200111T133000
DTSTAMP:20260404T040928
CREATED:20191219T154747Z
LAST-MODIFIED:20210216T195136Z
UID:1825-1578742200-1578749400@www.arttable.org
SUMMARY:NOCAL | Artist Breakfast with Mildred Howard
DESCRIPTION:Image: Mildred Howard\, Tap — Investigation of Memory\, Installed 2019 Oakland Museum of California. \nClick here to Register!\nThe Northern California ArtTable Chapter is delighted to present our first Artist Breakfast with Mildred Howard. A voice for cultural heritage\, historical perspective\, and moving remembrance\, Howard has orchestrated public art\, monumental installation\, and striking assemblage for a resounding affirmation of human struggle and survival. \nAn educator and inspirational figure for younger artists\, Mildred Howard has created a sweeping body of work that has filled the decades with visual rhythms and echoing forms. From bottle houses to tap shoes\, Howard has mapped out territories of memory and mourning\, hope and loss. The recipient of the Lee Krasner Award for a lifetime of artistic achievement\, the Nancy Graves Award\, and the Joan Mitchell Foundation Award\, Howard has also received the Honorary Doctorate of Fine Arts from the San Francisco Art Institute. \nThis signature ArtTable program is expanding thanks to generous funding from the Pollock Krasner Foundation. The Pollock-Krasner Foundation has been a leader in providing grants enabling emerging and established artists to focus on their work. Funding helps artists to create new work\, acquire art supplies\, rent studio space\, and prepare exhibitions. The Foundation also provides grants to organizations that directly engage with artists\, such as artist residency programs. \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Jan Wurm\, NoCal Chapter Co-Chair\, for organizing this program. \n 
URL:https://www.arttable.org/event/nocal-artist-breakfast-with-mildred-howard/
LOCATION:Julia’s Berkeley City Club\, 2315 Durant Avenue\, CA\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200112T140000
DTEND;TZID=America/New_York:20200112T160000
DTSTAMP:20260404T040928
CREATED:20191212T205309Z
LAST-MODIFIED:20210216T195112Z
UID:1785-1578837600-1578844800@www.arttable.org
SUMMARY:SOCAL | Exclusive Preview Walkthrough: Hearing: Michal Heiman at American Jewish University
DESCRIPTION:Image: Michal Heiman\, Mask: Plate 34\, by Dr. Hugh W. Diamond\, ca. 1855\, Return: Asylum (The Dress\, 1855-2019)\, 2016. Courtesy of the artist. \nClick here to Register!\nFollowing our studio visit with the artist at 18th Street Center for the Arts\, we invite you to join us for a special preview walkthrough with curator and fellow SoCal ArtTable member Rotem Rozental of Hearing: Michal Heiman\, her first West Coast one-woman show. One of the foremost artists working in Israel today\, Heiman’s cross-disciplinary practice incorporates photography\, archival research\, critical theory\, psychoanalysis\, gender and performance. In this exhibition\, the artist explores the forgotten histories of women who have been confined to asylums\, inviting the audience to engage with their untold stories. \nArtTable members and their guests are invited to attend the opening reception after the walkthrough at 3:00 pm. \nBorn and based in Tel Aviv\, Michal Heiman is an artist\, curator\, founder of the Photographer Unknown archive (1984)\, and creator of the Michal Heiman Tests (M.H.Ts) 1–4. Heiman teaches at Bezalel Academy of Arts and Design and is a member of the Tel Aviv Institute for Contemporary Psychoanalysis. For over three decades\, Heiman has been developing methodologies that operate between art\, therapy\, photography\, human rights\, theory\, and practice. She studies neglected histories and their visual aspects\, focusing on the history of women\, questions of identity\, the history of aesthetic production in psychoanalysis\, and the role of archives. In 2015\, she founded the public-benefit corporation An Academy of Her Own\, which advocates gender equality in various academic institutions. For more on Michal Heiman: https://www.heimanmichal.com \nRotem Rozental is the Chief Curator of the American Jewish University in Los Angeles and serves as the Assistant Dean of the Whizin Center and the Director of the Institute for Jewish Creativity (IJC). She has contributed as a consultant\, editor\, writer\, educator and organizer to international publications\, such as Photographies\, Philosophy of Photography\, Artforum.com\, Tablet.com\, and Uncertain State\, as well as cultural non-profits and organizations\, among them Dia:Beacon\, The Liverpool Biennial\, The Brooklyn Institute for Social Research\, and the Jerusalem Season of Culture. Traversing the domains of technology\, media and art\, her scholarly and curatorial projects have been supported by Artis\, Independent Curators International\, NurtureArt and the Center for Jewish History (NYC). \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/socal-exclusive-preview-walkthrough-hearing-michal-heiman-at-american-jewish-university/
LOCATION:Platt and Bornstein Galleries American Jewish University\, 15600 Mulholland Drive\, Bel Air\, CA\, 90077\, United States
CATEGORIES:Southern California
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200113T173000
DTEND;TZID=America/New_York:20200113T190000
DTSTAMP:20260404T040928
CREATED:20191211T214552Z
LAST-MODIFIED:20210216T195045Z
UID:1757-1578936600-1578942000@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Memory Palaces: Inside the Collection of Audrey B. Heckler
DESCRIPTION:Image: Aloïse Corbaz (1886\, Lausanne\, Switzerland–1964\, Gimel\, Switzerland) Untitled (“l’Amérique Stubborn Président”) 1953 Colored pencil\, graphite\, and sewn paper cutouts on paper 47 x 30 in. Collection of Audrey B. Heckler.  © L’association Aloïse Photography  © Visko Hatfield\, courtesy of the Foundacion to Promote Self Taught Art and Rizzoli International Publications\, Inc. \nClick here to REGISTER\nJoin ArtTable and Valérie Rousseau\, PhD\, Senior Curator & Curator of Self-Taught Art and Art Brut at The American Folk Art Museum\, for a curatorial walk- through of Memory Palaces: Inside the Collection of Audrey B. Heckler. \nThe collection of Audrey B. Heckler is emblematic of the growth of the field of self-taught art in the United States\, which manifests a strong interest for African American artists\, a consistent attention on American classics\, a curiosity for European art brut\, and a search for international discoveries. For the last twenty-seven years\, Heckler—a long time and committed patron of the American Folk Art Museum—has surrounded herself with excellent examples by the most significant artists associated to this art niche\, among them Emery Blagdon\, Aloïse Corbaz\, William Edmondson\, August Klett\, Augustin Lesage\, Martín Ramírez\, Thornton Dial\, and Anna Zemánková. For more information see here. \nThank you to Valérie Rousseau and Elisabeth Rochau- Shalem\, NY Programs Committee Chair\, for organizing this program.
URL:https://www.arttable.org/event/ny-curatorial-perspective-memory-palaces-inside-the-collection-of-audrey-b-heckler/
LOCATION:American Folk Art Museum\, 2 Lincoln Square\, NY\, United States
CATEGORIES:New York
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200118T140000
DTEND;TZID=America/Los_Angeles:20200118T150000
DTSTAMP:20260404T040928
CREATED:20191211T175352Z
LAST-MODIFIED:20210216T195024Z
UID:1742-1579356000-1579359600@www.arttable.org
SUMMARY:NOCAL | ArtTable + Untitled: Re-Imagining Equity in the Art World 2020
DESCRIPTION:Image: Surrogate: Mother to Myself\, 2017 Indira Allegra. Redwood\, 600 feet of cotton lead line rope\, brass\, steel. 65 x 54 x 18 IN | 165 x 137 x 4.5 CM \n  \nFor ArtTable’s third panel discussion at Untitled’s San Francisco edition and to celebrate ArtTable’s 40th year advocating for women working in the visual arts\, three noted San Francisco artists working in diverse media will discuss their art practices\, concerns and challenges\, and where the equity movement might lead in coming years.  \nFeaturing artists Indira Allegra\, Katherine Vetne and Erica Deeman\, will joined by Heidi Rabben\, Senior Curator at the Contemporary Jewish Museum. The conversation will be moderated by James Voorhies\, Chair\, Graduate Program in Curatorial Practice\, California College of the Arts\, with an audience Q&A to follow.  \nAre you an ArtTable member? Email programs@arttable.org to receive a discounted passcode for this event and Untitled’s program. \nThank you to Tracy Freedman\, Executive Committee\, ArtTable Northern California.  \n 
URL:https://www.arttable.org/event/nocal-arttable-untitled-re-imagining-equity-in-the-art-world-2020/
LOCATION:Untitled\, Art San Francisco  Pier 35\, 1454 The Embarcadero\, San Francisco\, CA\, United States
CATEGORIES:Northern California
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200118T153000
DTEND;TZID=America/New_York:20200118T180000
DTSTAMP:20260404T040928
CREATED:20200107T205306Z
LAST-MODIFIED:20210216T194950Z
UID:1986-1579361400-1579370400@www.arttable.org
SUMMARY:POSTPONED: DC | Curator's Talk and Preview of Moira Dryer
DESCRIPTION:Image: The Power of Suggestion\, Moira Dryer\, 1991 \nThis event has been postponed! Check back soon for a new date. \nGreater Reston Arts Center (GRACE) will present a selection of works by artist Moira Dryer (b. 1957\, Toronto\, Ontario; d. 1992\, New York\, New York) in conjunction with the major exhibition of Dryer’s early work at the Phillips Collection in Washington\, DC\, entitled Moira Dryer: Back in Business. Both exhibitions are curated by GRACE Executive Director and Curator Lily Siegel. \nDryer is primarily known for her large abstract paintings on wood panels. This exhibition will provide an intimate look at the artist’s practice through works given as gifts to friends and family\, many never previously shown publicly. Her work has been exhibited extensively across the United States in institutions such as Boston’s Institute for Contemporary Art; Whitney Museum of Modern Art; and The Museum of Modern Art\, New York. Dryer’s work is included in the permanent collections of The Solomon R. Guggenheim Museum\, New York; Museum of Contemporary Art\, Los Angeles; and Museum of Modern Art\, New York. This exhibition is generously supported in part by Robert and Theresa Goudie and ARTSFAIRFAX. \n3:30 pm – Private champagne toast with ArtTable \n4 – 6 pm – Curator’s talk & Opening Reception \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to Elizabeth Denholm\, Advancement Officer\, Greater Reston Arts Center. 
URL:https://www.arttable.org/event/dc-curators-talk-and-preview-of-moira-dryer-yours-for-the-taking-champagne-toast/
LOCATION:Greater Reston Arts Center\, 12001 Market St #103\, Reston\, VA\, 20190\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/image001-8.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200122T180000
DTEND;TZID=America/New_York:20200122T193000
DTSTAMP:20260404T040928
CREATED:20191223T220609Z
LAST-MODIFIED:20250903T181251Z
UID:1858-1579716000-1579721400@www.arttable.org
SUMMARY:ArtTable Circle ⎟ JPMorgan Chase Collection Tour
DESCRIPTION:Content is protected.
URL:https://www.arttable.org/event/arttable-circle-%e2%8e%9f-jpmorgan-chase-collection-tour/
LOCATION:JP Morgan Private Bank\, 390 Madison Avenue\, New York\, NY
CATEGORIES:New York,National
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200123T090000
DTEND;TZID=America/New_York:20200123T100000
DTSTAMP:20260404T040928
CREATED:20200103T155257Z
LAST-MODIFIED:20210216T194738Z
UID:1885-1579770000-1579773600@www.arttable.org
SUMMARY:NY | Curatorial Perspective: Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein
DESCRIPTION:Image: Liza Lou\, Kitchen\, 1991-96. Beads\, plaster\, wood and found objects\, 96 × 132 × 168 in. (243.8 × 335.3 × 426.7 cm). Whitney Museum of American Art\, New York; gift of Peter Norton 2008.339a-x. © Liza Lou. Photograph by Tom Powel\, courtesy the artist \nClick here to Register!\nJoin ArtTable NY for an early morning curatorial walkthrough of Making Knowing: Craft in Art\, 1950–2019 with Jennie Goldstein\, assistant curator\, Whitney Museum\, and co-curator of this exhibition. \nMaking Knowing: Craft in Art\, 1950–2019 foregrounds how visual artists have explored the materials\, methods\, and strategies of craft over the past seven decades. Some expand techniques with long histories\, such as weaving\, sewing\, or pottery\, while others experiment with textiles\, thread\, clay\, beads\, and glass\, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. For more information see here. \nJennie Goldstein is an Assistant Curator at the Whitney Museum of American Art. Most recently she co-curated Making Knowing: Craft in Art\, 1950–2019\, which is on view until early 2021. Other exhibitions include Christine Sun Kim: Too Much Future (2018) and An Incomplete History of Protest: Selections from the Whitney Museum\, 1940 – 2017 (2017-2018). \nPlease meet in the Whitney’s Lobby at 8:50 AM. \nThank you to ArtTable member\, Jennie Goldstein.
URL:https://www.arttable.org/event/ny-curatorial-perspective-making-knowing-craft-in-art-1950-2019-with-jennie-goldstein/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/xlarge_LizaLou_lores-e1578066597413.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200124T083000
DTEND;TZID=America/New_York:20200124T100000
DTSTAMP:20260404T040928
CREATED:20200103T174729Z
LAST-MODIFIED:20210216T194628Z
UID:1899-1579854600-1579860000@www.arttable.org
SUMMARY:NY | Dutch Treat Breakfast at Sant Ambroeus
DESCRIPTION:Click here to REGISTER \n\nJoin us for an informal Dutch-treat breakfast at Sant Ambroeus Madison Avenue. Enjoy breakfast while catching up and networking with ArtTable members in a casual cafe setting. Sant Ambroeus is less than a 5-minute walk from the Met Breuer and surrounding museums.  \nTo view the menu and for more information\, visit Sant Ambroeus. \nSubways: \n6 to 77th Street \n  \n\nWho’s attending this program? Click here to see who’s currently registered!\n\n\n\nThank you to Ingrid Dinter for organizing this program and Lori Shepard.  
URL:https://www.arttable.org/event/ny-dutch-treat-breakfast-at-sant-ambroeus/
LOCATION:Sant Ambroeus Madison Avenue\, 1000 Madison Avenue\, New York\, 10021\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/sant-ambroeus-madison-avenue-new-york-1.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200125T103000
DTEND;TZID=America/New_York:20200125T153000
DTSTAMP:20260404T040928
CREATED:20200103T193055Z
LAST-MODIFIED:20210216T194554Z
UID:1916-1579948200-1579966200@www.arttable.org
SUMMARY:SOCAL | A Saturday in Pomona: Ceramics\, Networking Lunch\, and Artist Todd Gray!
DESCRIPTION:Image:  Todd Gray leading a tour of Todd Gray: Euclidean Gris Gris\, September 2019. \nClick here to Register!\nJoin ArtTable for an extraordinary day in Pomona with visits to the American Museum of Ceramic Art (AMOCA)\, the Pomona College Museum of Art\, and the Williamson Gallery at Scripps College. \nAt AMOCA\, Executive Director Beth Ann Gerstein will lead us on a tour of Julie Green: Flown Blue. Bringing together over 800 plates\, platters\, and dishware\, the exhibition explores the artist’s longstanding engagement with secondhand porcelain and stoneware dishes\, drawing from both the large-scale political works for which Green is acclaimed and more recent works interrogating societal gender biases and personal histories. \nFollowing a self-pay group lunch at a restaurant nearby\, acclaimed photographer\, performance artist\, and sculptor Todd Gray will conduct a walkthrough of TODD GRAY: Euclidean Gris Gris at the Pomona College Museum of Art. The exhibition consists of a site-specific wall drawing and an evolving selection of photographs from Gray’s ongoing artistic examination of the legacies of colonialism in Africa and Europe. Los Angeles-based Gray\, whose work has been featured in solo and group exhibitions internationally including the Whitney Biennial 2019\, is currently serving as artist-in-residence at the college. \nAt the Williamson Gallery\, we will be treated to a preview of the 76th Scripps College Ceramic Annual: Duality and Context. The exhibition features work by eleven artists whose ceramics engage with and offer a variety of perspectives on the environment. \nThe schedule for the day will be as follows: \n10:30 AM Meet at AMOCA for a tour of the Julie Green and other exhibitions on view with Beth Ann Gerstein. \n12:00 PM Group self-pay lunch at a nearby restaurant. \n1:30 PM Visit to Pomona College Museum of Art and exhibition walkthrough with Todd Gray. \n3:00 PM Preview 76th Scripps College Ceramic Annual at the Williamson Gallery\, Scripps College. For those who can stay\, the Ceramic Annual Lecture with Garth Johnson\, Curator of Ceramics at the Everson Museum of Art\, Syracuse\, New York\, will be held at the Humanities Auditorium at Scripps at 4:00\, followed by the opening\, with live music and light refreshments\, at the gallery\, from 7:00 to 9:00. \nPlease note that yet another James Turrell Skyspace–Diving the Light\, 2007–is less than a ten-minute walk away from both the Pomona Museum Art and the Williamson Gallery. We will make a stop when time permits! \nWho’s attending this program? Click here to see who’s currently registered! \nThank you to with thanks to Alexandra Ehrlich and Roni Feinstein
URL:https://www.arttable.org/event/socal-a-saturday-in-pomona-ceramics-networking-lunch-and-artist-todd-gray/
LOCATION:American Museum of Ceramic Art (AMOCA)\, 399 N Garey Ave\, Pomona\, CA\, 91767\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/IMG_4186-1.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200127T173000
DTEND;TZID=America/New_York:20200127T190000
DTSTAMP:20260404T040928
CREATED:20200110T222155Z
LAST-MODIFIED:20210216T194524Z
UID:1970-1580146200-1580151600@www.arttable.org
SUMMARY:NY | The Aesthetics of Femininity through the Ages at The Winter Show
DESCRIPTION:Image: Max Colby. Cadmium Wilt. Crystal and plastic beads\, sequins\, found fabric\, trim\, fabric flowers\, polyester batting\, thread. 12 x 12 x 16”. 2018. \nThis event is free and open to the public. Click here to RSVP. \n\n\nArtTable\, in collaboration with the Winter Show\, invites guests to investigate the aesthetics of femininity throughout the ages in antiques\, fine and decorative arts. Touching on examples included in this year’s show\, we’ll be engaging dealers\, scholars\, writers and experts in a lively panel to explore expressions and appearances of femininity. How has the feminine been employed by makers and designers of the past? We’ll be breaking down cliches and contemplating how feminine aesthetics reflect periodical trends and power structures. This conversation will be moderated by Elissa Auther\, Deputy Director of Curatorial Affairs and the William and Mildred Lasdon Chief Curator at the Museum of Arts and Design. \n\nElissa Auther is the Deputy Director of Curatorial Affairs and William and Mildred Lasdon Chief Curator at the Museum of Arts and Design (MAD). Previously\, she was the Windgate Research Curator at MAD and Visiting Associate Professor at the Bard Graduate Center\, where her teaching focused on the intersection of craft and contemporary art. She has published widely on a diverse set of topics\, including the history of modernism and its relationship to craft and the decorative\, the material culture of the American counterculture\, and feminist art. Her monograph\, String\, Felt\, Thread: The Hierarchy of Art and Craft in American Art (University of Minnesota Press)\, focuses on the broad utilization of fiber in art of the 1960s and 1970s and the changing hierarchical relationship between art and craft expressed by the medium’s new visibility. Auther is also an accomplished curator. Her exhibitions include West of Center: Art and the Counterculture Experiment in America\, 1965–1977\, Pretty/Dirty\, the retrospective exhibition of the painter and photographer Marilyn Minter\, and Improvisational Gestures\, a survey exhibition of the sculptor and performance artist Senga Nengudi. Her most recent exhibitions for the Museum of Arts and Design include Surface/Depth: The Decorative After Miriam Schapiro and Vera Paints a Scarf: The Art and Design of Vera Neumann. A feminist public intellectual\, Auther founded and co-directed for ten years the program “Feminism & Co.: Art\, Sex\, Politics\,” which focused on issues of women and gender through the lens of creative practice.  \nPanelists:  \nMax Colby\, artist \nThrough lush\, detailed work in embroidery and textiles\, Max Colby reframes traditional notions of domesticity\, power\, and gender through a queer and non-binary lens. Colby has exhibited internationally including Jane Lombard Gallery\, Wave Hill\, and Museum Rijswijk. Colby’s work has been featured in the Huffington Post\, NBC Out\, Gay City News\, and The Evergreen Review\, among others. They were recently an artist in residence at the Museum of Arts and Design in Manhattan\, The Wassaic Project\, MASS MoCA and a Leslie-Lohman Museum Queer Artists’ Fellow. Born in West Palm Beach\, Colby received their BFA from the School of the Museum of Fine Arts\, Boston and Tufts University. They live and work in Brooklyn.  \nElizabeth Feld\, Managing Director; Director\, Furniture & Decorative Arts\, Director\, American Decorative Arts\, Hirschl & Adler \nElizabeth has just celebrated her 20th anniversary at Hirschl & Adler Galleries\, where she serves as Managing Director as well as Director of American Furniture and Decorative Arts. Since 1999\, she has curated six furniture and decorative arts exhibitions for the gallery\, all with extensive accompanying catalogues\, as well as five exhibitions of the work of contemporary artist MacArthur grant recipient Elizabeth Turk\, one of the gallery’s represented living artists. \nElizabeth served as the Chairman of the Winter Antiques Show Dealers’ Committee for six years and is a regular lecturer on the subjects of furniture\, decorative arts\, and the art market in general. \nGabriella Picone\, Director of Communications\, R&Company\, and founder of Idda Studio\n\nGabriella Picone is a New York-based artist working in painting\, textiles\, and ceramics. She is currently the Director of Communications at R & Company\, the renowned design gallery based in New York City. She plays an integral role in the conception and promotion of numerous exhibitions\, international fairs\, and projects for the contemporary and historical artists represented by the gallery\, all bridging fine art and collectable design. Prior to her current role\, she worked at leading New York creative agency Black Frame developing branding and marketing strategies for a range of art\, design and fashion clients including Lindsey Adelman\, MoMA PS1\, Jean Nouvel\, David Kordansky Gallery\, Nike\, and RxArt. She has also worked with Frieze Art Fair and was part of the inaugural team to launch the first Frieze Art Fair in New York. She continually maintains her own studio practice as a painter and is the founder of idda studio\, an emerging design studio that specializes in fabric artworks for women that are both wearable and sculptural. 
URL:https://www.arttable.org/event/ny-the-aesthetics-of-femininity-through-the-ages-at-the-winter-show/
LOCATION:The Winter Show\, Park Avenue Armory\, Park Avenue at 67th Street\, New York\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/Cadmium-Wilt-e1578414011901.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200128T190000
DTEND;TZID=America/New_York:20200128T210000
DTSTAMP:20260404T040928
CREATED:20191220T160335Z
LAST-MODIFIED:20210216T194444Z
UID:1837-1580238000-1580245200@www.arttable.org
SUMMARY:DC | Around the Table Book Group
DESCRIPTION:Click here to Register\nJoin ArtTable DC for our member’s book club focusing on books by artists or about the visual arts. We read a mixture of fiction\, memoir\, and biography\, plus anything else that seems interesting. This book club is open to all members. Please register online in advance. \nThis month we’ll discuss “The Great Man” by Kate Christensen. \nWho’s attending this program? Click here to see who’s currently registered!
URL:https://www.arttable.org/event/dc-around-the-table-book-group/
LOCATION:FL
CATEGORIES:Washington, D.C.
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200130T183000
DTEND;TZID=America/New_York:20200130T200000
DTSTAMP:20260404T040928
CREATED:20200103T160654Z
LAST-MODIFIED:20210216T194417Z
UID:1893-1580409000-1580414400@www.arttable.org
SUMMARY:NY | Book Talk: 'Unspeakable Acts...' with Nancy Princenthal
DESCRIPTION:Image: Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s by Nancy Princenthal. \nClick here to Register\nJoin ArtTable for a conversation with Nancy Princenthal on her most recent book\, “Unspeakable Acts: Women\, Art\, and Sexual Violence in the 1970s\,” about how artists have made sense (or not) of sexual violence against women. Nancy will be in dialogue with artist Lisa Corinne Davis at the home of Laura Kruger. \nNancy is a former Editor of Art in America had has contributed to Artforum\, Parkett \, the Village Voice and the New York Times.  She has received the 2016 PEN American award for biography\, a book on Agnes Martin\, and has written catalogue essays in monographs on Louise Fishman\, Nancy Rubins\, Mark di Suvero\, Robert Mangold\, Ann Hamilton Shirin Neshat\, Joyce Kozloff\, Alfred Jaar\, Eija-Liisa Ahtila\, Chuck Close\, Deborah Butterfield\, and others as well. She has taught at Princeton\, Yale and is currently on the faculty of the School of Visual Arts.  \n“Nancy Princenthal is an award-winning author of many books on important topics in art. In “Unspeakable Acts\,” she delves into the links between violence and silence\, art and terror\, and how pioneering women made them into art… Princenthal is also deft at drawing a roadmap through the political\, social and aesthetic divisions of the ‘70s”- Hyperallergic \nLisa Corinne Davis is an artist whose works have been exhibited in museums and galleries across the country. Her works are in numerous public and private collections.  She has received numerous awards and grants and has taught art for the past 25 years at Parsons School of Design Cooper Union School of Art\, Yale University and is currently a Full Professor at Hunter College. Lisa also writes essays on her own work\, that of others and on what it means to be Black in the American Art World today. \nWho’s attending this event? Click here to see who’s signed up! \nThank you to Susan Halper\, Laura Kruger and Lori Shepard for organizing this program. 
URL:https://www.arttable.org/event/ny-book-talk-unspeakable-acts-women-art-and-sexual-violence-in-the-1970s-with-nancy-princenthal/
LOCATION:To be provided upon registration
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/ee7f277d-449d-4080-a5af-ef080659b7c9.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
END:VCALENDAR