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DTEND;TZID=America/Chicago:20200304T100000
DTSTAMP:20260404T130018
CREATED:20200214T160857Z
LAST-MODIFIED:20210216T193427Z
UID:2332-1583310600-1583316000@www.arttable.org
SUMMARY:CHICAGO | BreakfastTable at The Arts Club of Chicago
DESCRIPTION:Image: The Arts Club \nClick here to Register!\nPlease join us for the first in a series of visits to see the permanent art collections of Chicago’s private social clubs. \nThe first will be a welcoming and friendly networking breakfast at The Arts Club of Chicago with a bespoke tour of their phenomenal permanent art collection\, including the architecture and history of the club. \nMembers and Non-Members\, Visitors and Chicagoans all welcome.
URL:https://www.arttable.org/event/chicago-breakfasttable-at-the-arts-club/
LOCATION:The Arts Club Chicago\, 201 E Ontario St\, Chicago\, IL\, 60611\, United States
CATEGORIES:Chicago
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/arts-club-chicago-eric-allix-rogers-02.jpg
ORGANIZER;CN="ArtTable Chicago":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200306T080000
DTEND;TZID=America/New_York:20200306T090000
DTSTAMP:20260404T130018
CREATED:20200221T161047Z
LAST-MODIFIED:20210216T193402Z
UID:2401-1583481600-1583485200@www.arttable.org
SUMMARY:DC | BreakfastTable with Lily Siegel
DESCRIPTION:Image: Lily Siegel \nClick here to Register!\nJoin us for an informal conversation with Lily Siegel who is the incoming Executive Director of Hamiltonian Artists in Washington\, DC. \nPrior to joining Hamiltonian\, she was Executive Director and Curator at Greater Reston Arts Center in Virginia and held curatorial positions at The Contemporary Jewish Museum\, San Francisco; High Museum of Art\, Atlanta; and Museum of Contemporary Art\, Los Angeles. Current projects include concurrent exhibitions of the work of Moira Dryer (b. 1957\, Toronto\, Ontario; d. 1992\, New York)–Moira Dryer: Yours for the Asking at Greater Reston Arts Center in Virginia\, through April 18\, 2020\, and Moira Dryer: Back in Business at The Phillips Collection\, on view February 8–April 19\, 2020. \nDutch treat\, cash preferred. Limited street parking\, rideshare recommended. \nWho’s attending this event? Click here to see who’s registered!
URL:https://www.arttable.org/event/dc-breakfasttable-with-lily-siegel/
LOCATION:Boulangerie Christophe\, 1422 Wisconsin Ave NW\, DC\, 20007\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/Siegel-headshot-Ashley-Templeton-scaled-e1582301420686.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200306T180000
DTEND;TZID=America/New_York:20200306T200000
DTSTAMP:20260404T130018
CREATED:20200218T222331Z
LAST-MODIFIED:20210216T193326Z
UID:2356-1583517600-1583524800@www.arttable.org
SUMMARY:DC | Invisible Women: The Rediscovery of Historical Women Artists in Florence
DESCRIPTION:Image: Violante Beatrice Cerroti\, Autoritratto (Self-Portrait)\, 1735\, detail\, oil on canvas\, Galleria degli Uffizi\, Florence\, Italy \nThis event is now at capacity. Stay tuned for information on upcoming special opportunities for ArtTable members! \nThe Italian Cultural Institute invites ArtTable members to celebrate International Women’s Day\, with a conversation on Invisible Women: The Rediscovery of Historical Women Artists in Florence. Spots for this event are limited and reserved for ArtTable members only. \nFlorence is home to great masters of Italian Renaissance art such as Botticelli\, Donatello\, Leonardo and Michelangelo but few people know that the city nourished women artists as well. Through the joint efforts of Italian museums such as the Uffizi and the US organization Advancing Women Artists\, these often-forgotten women are now being rediscovered and their works restored and exhibited once more. \nJoin us and conservator Elizabeth Wicks for a talk focusing on Plautilla Nelli\, Artemisa Gentileschi\, Violante Siries Cerroti and Violante Ferroni\, and the fascinating journey of their rediscovery and conservation. \nVideo preview: Youtube \nThank you to the IIC\, Istituto Italiano di Cultura. \n 
URL:https://www.arttable.org/event/dc-invisible-women-the-rediscovery-of-historical-women-artists-in-florence/
LOCATION:Italian Cultural Institute @ Embassy of Italy\, 3000 Whitehaven St\, NW\, Washington\, DC\, 20008
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/https___cdn.evbuc_.com_images_91787693_2114244836_1_original.jpeg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200307T100000
DTEND;TZID=America/New_York:20200307T113000
DTSTAMP:20260404T130018
CREATED:20200130T163240Z
LAST-MODIFIED:20210216T193259Z
UID:2240-1583575200-1583580600@www.arttable.org
SUMMARY:NATIONAL | The Armory Show Brunch
DESCRIPTION:Click here to Register!\nJoin ArtTable and Nicole Berry\, Executive Director\, The Armory Show for our annual brunch at the Armory show! This is a great event to meet members and friends from across the country while enjoying delicious breakfast refreshments in the Armory VIP lounge.  \nTickets to this event cover access to the show\, early private access to the VIP lounge\, and breakfast! \nThe Armory Show is New York City’s premier art fair and a leading cultural destination for discovering and collecting the world’s most important 20th- and 21st-century art. The Armory Show features presentations by leading international galleries\, innovative artist commissions\, and dynamic public programs. Since its founding in 1994\, The Armory Show has served as a nexus for the art world\, inspiring dialogue\, discovery\, and patronage in the visual arts. \nThe Armory Show was founded by four New York gallerists – Colin de Land\, Pat Hearn\, Matthew Marks and Paul Morris – who sought a platform to present and promote new voices in the visual arts. In its 25 years\, The Armory Show has stayed firm to its mission while establishing itself as an unmissable art event set in the heart of New York City.
URL:https://www.arttable.org/event/national-the-armory-show-brunch/
LOCATION:The Armory Show VIP Lounge at Pier 90\, 711 12th Avenue\, New York\, NY\, 10019\, United States
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/01/TAS20-Logo_black_-90and94.jpg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200307T103000
DTEND;TZID=America/New_York:20200307T120000
DTSTAMP:20260404T130018
CREATED:20200219T183703Z
LAST-MODIFIED:20210216T193228Z
UID:2379-1583577000-1583582400@www.arttable.org
SUMMARY:FL | National Artist Talks: Maria Martinez-Cañas
DESCRIPTION:Image: Frost Art Museum Installation \nClick here to register!\nArtTable Florida is honored to announce the Florida Chapter’s artist talk with Maria Martinez-Cañas\, sponsored by the Pollock Krasner Foundation. This talk will take place over delicious breakfast at Fortress Storage\, Miami. Beginning in New York\, these intimate breakfasts feature leading figures in the visual arts in discussion with curators\, academics\, and critics.  \nMARIA MARTINEZ-CAÑAS was born in Havana\, Cuba. She received a B.F.A. in Photography from the Philadelphia College of Art and an M.F.A. in Photography from The School of The Art Institute of Chicago. An artist who works with innovative\, non-traditional photographic media\, she has exhibited extensively in the United States and abroad\, with 47 one-person exhibitions and over 300 group exhibitions. She is the recipient of a Pollock-Krasner Foundation 2016 Photography Fellowship\, a Civitella Ranieri Foundation Visual Arts Fellowship\, a Cintas Fellowship; a National Endowment for the Arts award; and a Fulbright-Hays Grant\, among others. Her works are included in the permanent collections of The Philadelphia Museum of Art\, Philadelphia; The Museum of Modern Art in New York; the San Francisco Museum of Modern Art in San Francisco; The Center for Creative Photography in Tucson\, Arizona; the Museum of Contemporary Art in Chicago and the National Museum of American Art\, Smithsonian Institution in Washington\, DC; among others. She lives and works in Miami since 1986. \nArtTable’s artist talk series began with the ongoing artist breakfast series in New York\, which features high-profile artists\, often in conversation with curators\, scholars or writers. Since its inception in 2002\, the breakfasts have brought together 4\,300 women and have featured more than 160 women artists\, raising the visibility of a group that continues to be underrepresented in museum or gallery exhibitions. This year the Pollock Krasner Foundation provided funding to expand the series outside of New York\, to support ArtTable artist conversations in Washington DC\, Miami\, San Francisco\, Seattle and Los Angeles. This year we’ve heard from Ilana Harris-Babou\, Dana Schutz\, Nona Faustine\, and Mildred Howard.  \nMembers and guests are welcome. Must register to attend. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Kim Jones (Fortress Storage)\, Maria Martinez-Cañas (artist)\, Rochi Llaneza (ArtTable FL Chapter Chair). \n \n 
URL:https://www.arttable.org/event/fl-national-artist-talks-maria-martinez-canas/
LOCATION:Fortress Storage\, 1629 NE 1st Avenue\, Miami\, Florida\, 33132
CATEGORIES:Florida
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/MMC_Frost-Museum.jpg
ORGANIZER;CN="ArtTable Florida":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200311T173000
DTEND;TZID=America/New_York:20200311T190000
DTSTAMP:20260404T130018
CREATED:20200218T213736Z
LAST-MODIFIED:20210216T193202Z
UID:2350-1583947800-1583953200@www.arttable.org
SUMMARY:PA | Helen Frankenthaler on Paper
DESCRIPTION:Image: Helen Frankenthaler; Fiesta\, 1973. Acrylic on paper. 22 1/4 x 30 1/4 inches (56.5 x 76.8 cm). \nClick here to Register!\nThe Arthur Ross Gallery invites ArtTable members for a reception and tour of Frankenthaler on Paper with the exhibition’s curator\, Lynn Marsden-Atlass. \nThis exhibition presents ten unique paintings on paper and fourteen prints by Helen Frankenthaler that date from the 1970s to the 1990s. These rarely seen paintings on paper reflect her painterly process and were considered by the artist equal to her large-scale paintings. Renowned for her soak-stain abstract paintings\, Helen Frankenthaler played a seminal role in both Abstract Expressionism and Color Field painting. With a career spanning six decades\, she is considered one of the most important American artists of the twentieth century. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Heather Moqtaderi and Lyn Marsden-Atlass.
URL:https://www.arttable.org/event/pa-helen-frankenthaler-on-paper/
LOCATION:The Arthur Ross Gallery\, 220 S 34th St (In the Fisher Fine Arts Library)\, Philadelphia\, Pennsylvania\, 19104
CATEGORIES:Philadelphia
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/1973-Fiesta-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200313T104500
DTEND;TZID=America/New_York:20200313T120000
DTSTAMP:20260404T130018
CREATED:20200225T211316Z
LAST-MODIFIED:20210216T193135Z
UID:2456-1584096300-1584100800@www.arttable.org
SUMMARY:POSTPONED: NY | Curatorial Walk-through of Agnes Pelton: Desert Transcendentalist
DESCRIPTION:Image: Agnes Pelton. Ahmi in Egypt\, 1931. Oil on canvas\, 36 3/16 × 24 3/16 in. (91.9 × 61.4 cm). Whitney Museum of American Art\, New York; purchase with funds from the Modern Painting and Sculpture Committee 96.175 \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \nPlease see here for an epic graphic novel about Agnes Pelton’s life shared with Elisabeth Rouchau-Shalem\, ArtTable NY Programs Chair. \nDue to limited capacity\, this program is currently open to ArtTable members only.  \nJoin ArtTable NY for a first look at Agnes Pelton: Desert Transcendentalist at the Whitney Museum with Gilbert Vicario\, The Selig Family Chief Curator\, Phoenix Art Museum.  \nAgnes Pelton (1881–1961) was a visionary symbolist who depicted the spiritual reality she experienced in moments of meditative stillness. Art for her was a discipline through which she gave form to her vision of a higher consciousness within the universe. Using an abstract vocabulary of curvilinear\, biomorphic forms and delicate\, shimmering veils of light\, she portrayed her awareness of a world that lay behind physical appearances—a world of benevolent\, disembodied energies animating and protecting life.  For most of her career\, Pelton chose to live away from the distractions of a major art center\, first in Water Mill\, Long Island\, from 1921 to 1932\, and subsequently in Cathedral City\, a small community near Palm Springs\, California. Her isolation from the mainstream art world meant that her paintings were relatively unknown during her lifetime and in the decades thereafter. This exhibition of approximately forty-five works introduces to the public a little-known artist whose luminous\, abstract images of transcendence are only now being fully recognized. \nAgnes Pelton: Desert Transcendentalist is organized by the Phoenix Art Museum\, and curated by Gilbert Vicario\, The Selig Family Chief Curator. The installation at the Whitney Museum is overseen by Barbara Haskell\, curator\, with Sarah Humphreville\, senior curatorial assistant. \nThank you to Elisabeth Rochau-Shalem\, NY Programs Chair\, Gilbert Vicario and Sarah Humphreville.
URL:https://www.arttable.org/event/ny-curatotial-walk-through-of-agnes-pelton-desert-transcendentalist-with-gilbert-vicario/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
CATEGORIES:New York
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/96_175-CROPPED.jpg
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200318T140000
DTEND;TZID=America/New_York:20200318T160000
DTSTAMP:20260404T130018
CREATED:20200211T155940Z
LAST-MODIFIED:20210216T193102Z
UID:2313-1584540000-1584547200@www.arttable.org
SUMMARY:POSTPONED: DC | Chapter Leadership Award Ceremony and High Tea Honoring Kim Sajet
DESCRIPTION:Image: Grace Roselli\, Pandora’s BoxX Project \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \n_______________________________________________________________________________________ \nIn recognition of her significant achievements as the first woman director of the Smithsonian’s National Portrait Gallery\, ArtTable DC honors Kim Sajet with the 2020 Chapter Leadership Award. Please join us in celebrating this occasion with high tea at the University Club of Washington. Dr. Johnetta Cole\, our 2018 recipient will present the award to Ms. Sajet.\nHigh tea includes light fare\, dessert\, tea and champagne. \nAs the first woman to serve as director of the Smithsonian’s National Portrait Gallery\, Kim Sajet (pronounced Say-et) has been exploring new ways to place personal experience and creativity at the center of learning and civic awareness. Not just a place to see famous Americans\, the museum explores identity as a social construct that has been shaped in equal measure by opportunity and ability\, prejudice and fear. By taking a cross-disciplinary approach that merges the traditional forms of painting\, sculpture\, drawing and printmaking with poetry\, installation art\, video and performance\, Sajet aims to bring history alive. \nBefore her current appointment\, Sajet was the president and CEO of the Historical Society of Pennsylvania\, the vice president and deputy director of the Pennsylvania Academy of the Fine Arts and the director of corporate relations at the Philadelphia Museum of Art. Before arriving in the United States with her family in 1997\, she served first as curator and then as director of two Australian art museums from 1989 until 1995. \nBorn in Nigeria\, raised in Australia and a citizen of the Netherlands\, Sajet brings a global perspective to the position. She earned a master’s degree in art history from Bryn Mawr College\, a master’s degree in business administration from Melbourne University Business School in Australia\, a bachelor’s degree in art history from Melbourne University and a graduate diploma in Museum studies from Deakin University in Australia. She has completed arts leadership training at the Harvard Business School\, the Getty Institute and National Arts Strategies. In addition to 20 years of arts management experience\, Sajet has written a number of scholarly publications\, curated exhibitions and spoken at academic symposia around the world. Her current interests include the June 2019 study of identity politics\, role-playing in online virtual worlds and the significance of celebrity in American history. She is also the host of the Portrait Gallery’s new podcast series\, “Portraits\,” exploring themes of art\, history and biography. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Ruth Abrahams\, Caitlin Berry\, Alexa Kaye and Maria Sancho-Arroyo for organizing this program.
URL:https://www.arttable.org/event/dc-chapter-leadership-award-ceremony-and-high-tea-honoring-kim-sajet/
LOCATION:The University Club of Washington DC\, 1135 16th St NW\, Washington\, DC\, United States
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/newkimSajet-e1581536172280.jpg
ORGANIZER;CN="ArtTable Washington%2C D.C.":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200324T180000
DTEND;TZID=America/Los_Angeles:20200324T200000
DTSTAMP:20260404T130018
CREATED:20200226T191818Z
LAST-MODIFIED:20210216T193039Z
UID:2472-1585072800-1585080000@www.arttable.org
SUMMARY:POSTPONED: SOCAL | BookTable: The Mythic Heroines of the New York School
DESCRIPTION:Image: Joan Mitchell\, Helen Frankenthaler\, and Grace Hartigan in 1957. Photograph by Burt Glinn. \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \n____________________________________________________________________________________ \nJoin us for a discussion of Mary Gabriel’s acclaimed book\, Ninth Street Women\, in the art-filled home of ArtTable member Victoria Burns! \nJoin ArtTable for what promises to be an enlightening and stimulating evening in which we will analyze and discuss Mary Gabriel’s Ninth Street Women: Lee Krasner\, Elaine de Kooning\, Grace Hartigan\, Joan Mitchell\, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art\, published in 2018. While the story of Abstract Expressionism’s emergence in New York in the late 1940s and 1950s has been much told\, the role played by women artists associated with the movement has rarely been the subject of review. Set amid the turbulent social and political period of the time\, Ninth Street Women is the impassioned\, wild\, sometimes tragic\, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting — not as muses but as artists. From their cold-water lofts\, where they worked\, drank\, fought\, and loved\, these pioneers burst open the door to the art world for themselves and countless others to come. Or did they? What can we learn by looking back at their art\, careers\, and lives and from considering their impact both in their own time and today? \nThe evening will begin with a brief presentation on the book and the five artists it highlights by ArtTable SoCal Co-chair Roni Feinstein\, who teaches a class on this subject at UCLA Extension. A group discussion will follow. \nVictoria Burns will graciously host us that evening in her View Park home\, which houses a collection heavy in photography\, with works by Zhang Huan\, Adam Fuss\, Ori Gersht\, Hank Willis Thomas\, Dawoud Bey\, and Richard Mosse\, among others. Also represented in the collection are Pae White\, Jesse Mockrin\, Owen Kydd\, Andrea Bowers\, and a host of others. \nRefreshments will be served. \nWho’s attending this event? Click here to see who’s registered! \nWith thanks to Victorian Burns and Roni Feinstein. \n 
URL:https://www.arttable.org/event/socal-booktable-the-mythic-heroines-of-the-new-york-school/
LOCATION:Home of Victoria Burns in View Park\, next to Baldwin Hills
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/34092926_967614283418587_1048245248863502336_o-e1582746743293.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200328T100000
DTEND;TZID=America/New_York:20200328T123000
DTSTAMP:20260404T130018
CREATED:20200219T180942Z
LAST-MODIFIED:20210216T193012Z
UID:2370-1585389600-1585398600@www.arttable.org
SUMMARY:POSTPONED: NOCAL | Minnesota Street Project Artist Studios Tour
DESCRIPTION:Image: Ode to Yves\, Narrative History of the Lightbulb\, 2006. Courtesy of Catherine Wagner. \nIn light of the developments concerning COVID-19\, we have decided to postpone this special event. All registrations will be held for this event and we hope to be in touch with a new date. Alternatively\, your account will be credited for a future ArtTable event. \n_________________________________________________________________________________ \nJoin ArtTable members for the exclusive opportunity to meet selected artists and tour their studios at the Minnesota Street Project arts complex in San Francisco. \nLocated across the street from a hub of contemporary art galleries is the 1240 building at MSP which houses private studios for artists ranging from emerging to prominent local talent. Members will have the chance to spend time with a handful of current studio artists and explore these artists’ work in depth. \nEntrepreneurs and collectors Deborah and Andy Rappaport founded Minnesota Street Project in 2016\, and since then it has firmly established itself as a key destination in the Bay Area’s art scene. The art center offers economically sustainable spaces for art galleries\, artists\, and related nonprofits. The Studio Program at MSP was created to address rapidly diminishing opportunities in San Francisco\, by providing artists stability via affordable private studios situated within a campus environment. \nPlease note that the number of attendees for this program is limited\, and registration is currently open to ArtTable members only. \nWho’s attending this event? Click here to see who’s registered! \nThank you to Donna Napper\, ArtTable Northern CA Co-Chair\, Dorothy Davila\, ArtTable Board Member\, and Brion Nuda Rosch\, MSP Studio Program Director.
URL:https://www.arttable.org/event/nocal-minnesota-street-project-artist-studios-tour/
LOCATION:Minnesota Street Projects\, 1240 Minnesota Street\, San Francisco\, California\, 94107
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/02/Ode_to_Yves.jpg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200331T120000
DTEND;TZID=America/New_York:20200331T130000
DTSTAMP:20260404T130018
CREATED:20200326T131132Z
LAST-MODIFIED:20210216T192742Z
UID:2749-1585656000-1585659600@www.arttable.org
SUMMARY:VIRTUAL | How Can We Think of Art at a Time Like This? with Barbara Pollack and Anne Verhallen
DESCRIPTION:Image: Marilyn Minter. Lithium\, 2019. \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation with curators Barbara Pollack and Anne Verhallen on responsive online curatorial action and collaboration! Pollack and Verhallen are the co-curators of\, How Can We Think of Art at a Time Like This? an online exhibition that serves as a platform for the exchange of ideas at this time of crisis. On March 14th\, 2020\, in quick reaction to the US’s gallery and museum closures\, the two writers-curators and longtime collaborators immediately spent the weekend to kick start a group show to respond to the crisis. \n“We invited artists who are considered thought leaders\, artists who struggle with futuristic pessimism\, political outrage and psychic melt-downs. The invited artists have responded with unbridled enthusiasm and we will be posting new artists every day for the foreseeable future.” \nClick here for How can we Think of Art at Time Like This? \nBarbara Pollack is the author of Brand New Art from China: A Generation on the Rise published in 2018 by I.B. Tauris.  Her first book was The Wild\, Wild East: An American Art Critic’s Adventures in China\, published in May 2010 by Timezone 8 Books.  She is a leading authority on Chinese contemporary art and has been a featured speaker at the World Economic Forum’s Annual Meeting of New Champions in China\, also known as Summer Davos.     \nSince 1994\, Pollack has written extensively on contemporary Chinese art for such publications as Artnews\, Art & Auction\, the Village Voice\, Vanity Fair\, the New York Times\, and many others.  In addition to articles\, Pollack has contributed major catalogue essays for such leading artists as Li Songsong\, Lin Tianmiao\, Wang Gongxin\, Zhao Zhao\, Sun Xun\, and Tu Hongtao. Several of her essays were included in the China Art Book\, published by Dumont Literatur in 2007.   \nPollack was the lead curator of many shows of Chinese contemporary art including the groundbreaking My Generation: Young Chinese Artists\, the first exhibition of the 1980s generation of Chinese artists in the U.S.  which was shown at the Tampa Museum of Art and Museum Fine Arts\, St. Petersburg in 2014 and traveled to the Oklahoma City Museum of Art and the Orange County Museum of Art in 2015. She has also curated in China most notably Tu Hongtao: A Timely Journey\, at the Long Museum West Bund in November 2018and Sun Xun:  Prediction Laboratory at Yuz Museum\, also in Shanghai in 2016. In 2022\, she will present Mirror Image: Changing Chinese Identity at the Asia Society Museum in New York. \nBased on her research in this field\, she received two grants from Asian Cultural Council in 2008 and 2016 and the prestigious Creative Capital/Warhol Foundation arts writers grant in 2008.  Additionally\, Pollack is an adjunct professor at the School of Visual Arts in New York City and frequently lectures on contemporary art at universities and museums throughout the United States and Asia. \nAnne Verhallen is a New York-based curator\, writer and artist agent. As director of the fine art division at CXA\, she has worked on projects for many leading artists\, including Kehinde Wiley\, Robert Wilson\, Friedrich Kunath and Lily Kwong. \nHer independent curatorial projects include Virtually There\, a performance conceived by Roya Sachs and Mafalda Milllies at MANA Comtemporary with collaborating artists the Compana Brothers\,  Kate Gillmore and Heather Row. She also writes monthly for Arte Fuse. Born and raised in the Netherlands\, Verhallen started her career as a high-fashion model working for Vogue\, Hermes\, Marc Jacobs\, exclusively for Givenchy and with leading photographers such Inez and Vinoodh\, Roe Etheridge and Daniel Jackson. Currently\, as an independent curator\, she seeks to cultivate the intersection between technology\, design\, art and health.
URL:https://www.arttable.org/event/virtual-how-can-we-think-of-art-at-a-time-like-this-with-barbara-pollack-and-anne-verhallen/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/03/Lithium-scaled-e1585344910231.jpg
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