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DTSTART;TZID=America/Los_Angeles:20200503T110000
DTEND;TZID=America/Los_Angeles:20200503T130000
DTSTAMP:20260404T180723
CREATED:20200422T151745Z
LAST-MODIFIED:20210216T190116Z
UID:2890-1588503600-1588510800@www.arttable.org
SUMMARY:VIRTUAL | Reading at the (Art)Table
DESCRIPTION:Image: Recollections of My Nonexistence by Rebecca Solnit \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\nThis program is for ArtTable members only! \n\nReading at the (Art)Table has gone online to keep us connected and engaged in conversations about art\, culture\, criticism\, and contemporary challenges in the Time of Corona. \nWe will be reading “Recollections of My Nonexistence\,” by Rebecca Solnit. \nIn Recollections of My Nonexistence\, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco\, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. \nThank you to Jan Wurm\, Northern California Chapter\, for organizing. 
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/9780593083338.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200507T160000
DTEND;TZID=America/New_York:20200507T170000
DTSTAMP:20260404T180723
CREATED:20200429T173155Z
LAST-MODIFIED:20210216T185845Z
UID:2944-1588867200-1588870800@www.arttable.org
SUMMARY:AT Together | Curators with Natasha Becker
DESCRIPTION:Image: Nora Riggs\, Girl with phone\, 2020\, Ink\, graphite and crayon. 14 × 17 in \nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role and needs. \nThis session is for curators and will be facilitated by Natasha Becker. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nNatasha Becker is an independent curator and one of the co-founders of ASSEMBLY ROOM and the UNDERLINE SHOW\, both platform for creating community among curators and supporting artists careers through exhibitions. Her work draws on her expertise in contemporary African art\, political and social practice art\, and a passion for working collaboratively\, deepening community\, and engaging social discourse. She recently co-curated two exhibitions\, “Perilous Bodies\,” and “Radical Love\,” at the distinguished Ford Foundation Center for Social Justice to inaugurate their new art gallery in New York (2019). Her past experience includes curating exhibitions at the Goodman Gallery (South Africa)\, organizing public programs in global art history at the Clark Art Institute and launching an international video art festival (both Massachusetts\, USA). Born and raised in Cape Town\, South Africa\, Natasha has lived and worked in New York since 2003.
URL:https://www.arttable.org/event/at-together-curators-with-natasha-becker/
LOCATION:FL
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/08.-girl-with-phone.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200508T083000
DTEND;TZID=America/New_York:20200508T100000
DTSTAMP:20260404T180723
CREATED:20200423T154459Z
LAST-MODIFIED:20210216T185811Z
UID:2899-1588926600-1588932000@www.arttable.org
SUMMARY:VIRTUAL | BreakfastTable with Wendy Clark
DESCRIPTION:Image: Wendy Clark \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable East Coasters\, join us for a virtual Breakfast Table with guest speaker Wendy Clark. Wendy Clark joined Arts Consulting Group as Vice President in 2020 with more than 35 years of experience in museums\, visual arts\, and design. Her areas of expertise include grantmaking\, programming support\, and project management on a national scale. She also has extensive training and experience in the areas of diversity\, equity\, inclusion\, implicit bias\, ethics\, anti-harassment\, the Hatch Act\, leadership\, cyber-security\, and executive coaching. \nThis event will start 30 minutes later than usual to allow adequate time for coffee brewing and breakfast making! \nMost recently serving as Director of Museums\, Visual Arts\, and Indemnity at the National Endowment for the Arts (NEA). “Today’s cultural organizations are increasingly called upon to expand their missions to help communities cope with contemporary challenges. The cultural sector is an ecosystem\, dependent upon the interaction and support of a variety of parties. Its success is contingent on the collaboration of patrons\, foundations\, and the public\, corporate. and governmental sectors.” \nPrior to joining the NEA\, Ms. Clark served as a Grant and Public Affairs Specialist for the Illinois Arts Council. During her tenure\, she developed\, promoted\, and implemented $1 million statewide grants initiative for local cultural facility planning and development. She was the recipient of the Federal Design Achievement Award for the Illinois Arts Council’s Building by Design Program\, served as an Arts Management Fellow at the NEA\, and chaired the architecture and design review committee for a mid-century modern residential community. \nMs. Clark is a member of the American Alliance of Museums and ArtTable\, a national membership organization dedicated to advancing women’s professional leadership in the visual arts. \nMs. Clark holds a bachelor of arts degree in political science from the University of Michigan and studied Elizabethan history\, art\, and literature at New College\, University of Oxford. \nThank you to Blair Wunderlich. 
URL:https://www.arttable.org/event/virtual-breakfasttable-with-wendy-clark/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/04/Clark-Blair-Leake-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200512T160000
DTEND;TZID=America/New_York:20200512T170000
DTSTAMP:20260404T180723
CREATED:20200504T190818Z
LAST-MODIFIED:20210216T185738Z
UID:2953-1589299200-1589302800@www.arttable.org
SUMMARY:VIRTUAL | Artist Talk with Liza Lou
DESCRIPTION:Image: Courtesy the artist and Lehmann Maupin\, New York\, Hong Kong\, and Seoul. Photo by: Zihui Song \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is required and open to all\, with a minimum donation of $5.00 to participate in this event. We hope to see you there! \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a conversation with artist\, Liza Lou. Lou’s ongoing project “Apartogether\,” looks to build beauty and community in the time of social distancing.  \nLiza Lou (b. 1969\, New York; lives and works in Los Angeles) first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of labor\, this groundbreaking work subverted prevalent standards of art by utilizing glass beads as a fine art material. As a monumental work of twentieth century feminist art\, Kitchen’s slow\, hand-made process is a tribute to women whose work has historically gone unrecognized. The project blurs the boundary between fine art and craft\, and established Lou’s long-standing exploration of materiality\, beauty\, and the valorization of labor. Centering her practice on a craft métier has led Lou to work in collaboration with artisans in a variety of socially engaged settings\, including recent projects in Brazil and India\, as well as Durban\, South Africa\, where she founded a collective in 2005 that she continues to work with today.  \nOver the past 15 years\, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work. In 2016\, Lou constructed The Waves\, a monumental installation comprised of 1\,000 white beaded sheets that were marked by the transference of oils from the hand of the maker and variance of their weaving. This lead to Lou’s investigation into the potential of a minimalist approach\, and ultimately the most fundamental components of visual art—color\, light\, line\, volume and texture—recreating beads as paint\, mixed and bound to canvas. Lou’s practice can be described as a careful study of the forms and conceptual function of minimalism\, but without the associated dogma of the absence of personal expression and erasure of the hand of the maker. The artist has recently begun painting directly onto layers of beaded cloths and then hammering the beads away to reveal the delicate network of paint-soaked thread hidden inside them. In choosing to dedicate her career to one specific material\, Lou has recalibrated the confines of the singular mediums of art— painting and sculpture—pushing a material not traditionally associated with either across the spectrum to both ends.  \nLiza Lou has had over 40 solo exhibitions in museums and galleries around the world including Lehmann Maupin Seoul (2019)\, New York (2018)\, and Hong Kong (2017); Zeitz Museum of Contemporary Art\, Cape Town\, South Africa (2017); Galerie Thaddaeus Ropac\, Salzburg\, Austria (2016); Neuberger Museum of Art\, Purchase\, NY (2015); Wichita Museum of Art\, Wichita\, KS (2015); White Cube\, London\, United Kingdom (2014); Museum of Contemporary Art\, San Diego\, CA (2013); SCAD Museum of Art\, Savannah\, GA (2011); L&M Arts\, New York\, NY (2008); Museum Kunstpalast\, Düsseldorf\, Germany (2002); Bass Museum of Art\, Miami\, FL (2001); Akron Art Museum\, Akron\, OH (2000) and the Renwick Gallery\, Smithsonian Institution of American Art\, Washington\, D.C. (2000).  \nSelect group exhibitions have included Making Knowing: Craft in Art\, 1950-2019\, Whitney Museum of American Art\, New York\, NY (2019); Less Is a Bore: Maximalist Art & Design\, Institute of Contemporary Art Boston\, MA (2019); Lexicon: The Language of Gesture in 25 Years at Kemper Museum\, Kemper  \nMuseum of Contemporary Art\, Kansas City\, MO (2019); We the People: New Art from the Collection\, Albright Knox Art Museum\, Buffalo\, NY (2018); Screens: Virtual Material\, DeCordova Sculpture Park and Museum\, Lincoln\, MA (2017); No Place Like Home\, Israel Museum\, Jerusalem\, Israel (2017); Women’s Work\, National Gallery\, Iziko Museum\, Cape Town\, South Africa (2016); Home Land Security\, FOR-SITE Foundation\, San Francisco\, CA (2016); Stories of Espai 10 and Espai 13\, Fundació Joan Miró\, Barcelona\, Spain (2014); The Artist’s Museum\, Museum of Contemporary Art\, Los Angeles\, CA (2010); Skin Fruit: Selections from the Dakis Joannou Collection\, New Museum\, New York (2010) and 19th Century and Modern Art\, Metropolitan Museum of Art\, New York (2010). Lou’s work is in numerous international public and private collections\, including the Albright Knox Museum\, Buffalo; Brant Foundation\, Greenwich; Cleveland Museum of Art; Cleveland; DESTE Foundation for Contemporary Art\, Athens; de Young Museum\, San Francisco; François Pinault Foundation\, Palazzo Grassi\, Venice; La Fondación Jumex\, Mexico City; Hammer Museum\, Los Angeles; Kemper Museum of Contemporary Art\, Kansas City; Los Angeles County Museum of Art\, Los Angeles; The Museum of Modern Art\, New York; The Museum Voorlinden\, Wassenaar; and the Whitney Museum of American Art\, New York.  \nSkira Rizzoli published the first comprehensive monograph of the artist’s career in 2010. Liza Lou is the recipient of the 2013 Anonymous Was A Woman Award and the 2002 MacArthur Foundation Fellowship.
URL:https://www.arttable.org/event/virtual-artist-talk-with-liza-lou/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/LL-portrait-by-Zihui-Song-2019-hr-scaled-e1588618388805.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200514T160000
DTEND;TZID=America/New_York:20200514T170000
DTSTAMP:20260404T180723
CREATED:20200511T121131Z
LAST-MODIFIED:20210216T185703Z
UID:2976-1589472000-1589475600@www.arttable.org
SUMMARY:Virtual| AT Together: Non-profit leadership with Jennifer Scanlan
DESCRIPTION:Image: Eyakem Gulilat. Photo by Jennifer Scanlan. \nIn this time of crisis\, ArtTable is reaching beyond geographic barriers to form a platform for connectivity for our community across professions. Each weekly session will bring together individuals within a particular profession in the art world for the exchange of ideas\, to share resources and to network. Members are invited to participate in a 45 minute open discussion to focus on how women in the visual arts are handling issues relating to our field. Members and non-members welcome. We ask that you sign up for the event that matches your role. \nThis session is for non-profit leadership and will be facilitated by Jennifer Scanlan. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJennifer Scanlan is an independent curator focusing on contemporary art and design. She has worked in exhibitions and programming in organizations and museums across the country\, most recently as the Exhibitions and Curatorial Director at Oklahoma Contemporary in Oklahoma City. From 2013 through 2015 she was a New York-based independent curator working on exhibitions at the Museum of Arts and Design in New York City;  the National Museum of Women in the Arts in Washington\, D.C.; the Brattleboro Museum and Art Center in Vermont; the Samuel Dorsky Museum of Art at SUNY New Paltz; and the Museum of Biblical Art in New York.   \nPrior to working independently\, for twelve years she was Associate Curator at the Museum of Arts and Design in New York City. She has taught at Courtauld Institute of Art Summer School in London\, England\, and at Parsons The New School for Design in New York . She has a BA in art history and Italian from Vassar College\, Poughkeepsie\, New York\, and an MA in the history of decorative arts\, design\, and culture from the Bard Graduate Center\, New York\, New York. 
URL:https://www.arttable.org/event/virtual/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/IMG_5919-scaled-e1589199400705.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200515T170000
DTEND;TZID=America/New_York:20200517T000000
DTSTAMP:20260404T180723
CREATED:20200513T140559Z
LAST-MODIFIED:20210216T185634Z
UID:2986-1589562000-1589673600@www.arttable.org
SUMMARY:Weekend Film Streaming: TALKING HOUSE Eileen Gray & Jean Badovici
DESCRIPTION:Image: © Elizabeth Lennard \nIntroducing ArtTable weekend film streamings! This weekend members will have the opportunity to access and watch TALKING HOUSE Eileen Gray & Jean Badovici\, a film by Elizabeth Lennard.  \nAre you an ArtTable member? If so\, here’s how to take part! \n\nRegistration will open on Friday\, May 15 at 10 AM: Login and register here to receive the link for this streaming\nThe link to the film will be located in the summary section of your registration confirmation email\nUse the link to access the film- enjoy!\nLet us know what you think! Tag us on Instagram @arttableinc and use the #ATstreaming\n\n\n“Talking House: Eileen Gray & Jean Badovici” is a 40-minute montage of E.1027\, the iconic modernist villa on the Cote d’Azur in 1929\, built by Eileen Gray and Jean Badovici . Filmed today\, and using Eileen Gray’s 1929 photographs of the villa and recently restored Le Corbusier film footage\, the camera takes us through E.1027 as the couple talks and argues off screen about the design philosophy behind the breakthrough layout\, interiors and furniture. Heated correspondence between Corbu (Le Corbusier) and Bado (Badovici) adds a bit of controversy over the later addition of Corbu’s wall paintings. \nThis multi-media art piece created by Elizabeth Lennard was part of the MoMA exhibit\, How Should We Live? Propositions for the Modern Interior (Oct. 1–April 23\, 2017) and is now in MoMA’s collection. \nIn lieu of the the canceled in person program to celebrate the Eileen Gray exhibition at Bard Graduate Center this Spring\, we’re kicking off this streaming series with a film that spotlight’s Gray’s status as a pioneer of modern architecture. \nStreaming should begin in time for Friday Happy Hour at 5 PM EST and conclude at midnight on Sunday. We hope you enjoy! \nThank you to Ingrid Dinter\, NY Chapter\, for organizing this program. 
URL:https://www.arttable.org/event/virtual-weekend-film-streaming-talking-house-eileen-gray-jean-badovici/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/5648abb036d508b5ac4567515b8be5b9-scaled-e1589376881635.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200518T160000
DTEND;TZID=America/New_York:20200518T170000
DTSTAMP:20260404T180723
CREATED:20200508T133153Z
LAST-MODIFIED:20210216T185607Z
UID:2967-1589817600-1589821200@www.arttable.org
SUMMARY:VIRTUAL | Curatorial Perspective: For a Dreamer of Houses
DESCRIPTION:Image: Misty Keasler\, Green Room (Quarenteen) Leagnul di Copii\, Tigru Mures\, Romania\, 2004. Courtesy Misty Keasler and The Public Trust Gallery. \nHow to take part! \n\nRegister for this event here\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nJoin ArtTable for a presentation and virtual walk through of For a Dreamer of Houses\, an imaginative and immersive exhibition at the Dallas Museum of Art\, with Dr. Anna Katherine Brodbeck\, the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art\, as part of ArtTable’s virtual curatorial perspective series. For a Dreamer of Houses explores the significance of the spaces we inhabit and how they represent ourselves\, our values\, and our desires- a curatorial theme that feels all too relevant as so many of us remain at home.  \nAbout Dr. Anna Katherine Brodbeck \nAnna Katherine Brodbeck.\nDr. Anna Katherine Brodbeck is the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art. She joined the DMA in January 2017 as the Nancy and Tim Hanley Assistant Curator of Contemporary Art\, as was promoted to Associate Curator in May 2018. Brodbeck has extensive knowledge of modern and contemporary art\, with a focus on Latin American art\, as well as a background in Islamic art. As the Hoffman Family Senior Curator\, Brodbeck oversees exhibitions\, programming\, publications\, and acquisitions related to the Museum’s leading collection of contemporary art. In collaboration with Dr. Agustín Arteaga\, The Eugene McDermott Director\, and other colleagues throughout the Museum\, Brodbeck works to expand the scope of the department to reflect the DMA’s commitment to presenting an inclusive\, globally-minded vision of the art historical canon. \nSince joining the DMA in 2017\, Brodbeck has curated several exhibitions across the breadth of contemporary art\, including Jonas Wood (2019)\, the first major museum survey of works by the beloved Los Angeles-based painter. She also curated America Will Be!: Surveying the Contemporary Landscape (2019)\, a focused exhibition of works primarily from the DMA’s collection of contemporary art—including 15 new acquisitions she oversaw for the DMA—that take the American landscape as a point of departure. \nBrodbeck also served as installation curator for the Dallas presentations of Günther Förg: A Fragile Beauty (2018)\, the most comprehensive survey of Förg’s work to date\, and Laura Owens (2018)\, the critically acclaimed mid-career survey of the American artist. She also curated the immensely popular presentation of Yayoi Kusama: All the Eternal Love I Have for the Pumpkins (2017) and co-curated Truth: 24 frames per second\, the DMA’s first exhibition dedicated to time-based media. Additionally\, she has organized the DMA’s exhibition series Concentrations\, which spotlights emerging international artists.  \nPrior to arriving at the DMA\, Brodbeck worked in curatorial departments at the Carnegie Museum of Art\, the Frick Collection\, and the Museum of Modern Art\, New York. She co-curated the first comprehensive US retrospective of the influential Brazilian artist Hélio Oiticica in Hélio Oiticica: To Organize Delirium (2016)\, co-organized by the Carnegie Museum of Art\, the Art Institute of Chicago\, and the Whitney Museum of American Art. She also delivered extensive exhibition research for Picasso’s Drawings\, 1890–1921: Reinventing Tradition (The Frick Collection\, 2011) and Richard Serra Sculpture: Forty Years (The Museum of Modern Art\, 2007).   \nBrodbeck has been supported by a number of fellowships\, and she has delivered scholarly papers and contributed to numerous publications in her field. She has also served as an adjunct instructor of art history at New York University and Hunter College\, and is a member of the College Art Association and Latin American Studies Association.   \nDr. Brodbeck earned her master’s and doctorate degrees in art history from the Institute of Fine Arts\, New York University. She is a magna cum laude graduate of New York University and a member of Phi Beta Kappa. \nThank you to Sarah McNaughton\, NY Programs Committee\, for organizing this event.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-for-a-dreamer-of-houses/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston,ArtTable Circle
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/web-Misty-Keasler-Green-Room-Quarenteen-Leagnul-di-Copii-Tigru-Mures-Romania-2004.-Courtesy-Misty-Keasler-and-The-Public-Trust-Gallery_0-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200520T130000
DTEND;TZID=America/New_York:20200520T140000
DTSTAMP:20260404T180723
CREATED:20200513T191315Z
LAST-MODIFIED:20210216T185538Z
UID:2994-1589979600-1589983200@www.arttable.org
SUMMARY:AT CONNECT | Laura Bardier
DESCRIPTION:Image: Laura Bardier \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nRegister here!\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT transitioned to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nDuring this session we will hear from Laura Bardier\, Executive Director of the James Howell Foundation (New York) and Founding Director of ESTE ARTE Art Fair (Punta del Este).  \nLaura Bardier (1976\, Montevideo) is Executive Director of the James Howell Foundation (New York) and Founding Director of ESTE ARTE Art Fair (Punta del Este).  \nIn 2002 she collaborates with the Municipality of Naples\, to create the first contemporary art center of the city: PAN. From 2004 to 2008\, she served as curator at PAN\, where she oversaw the exhibitions programming and initiated the museum’s media art collection.  \nFrom 2008 to 2010\, she was the collection manager for the J.P. Carroll Private Collection (New York / London).  From 2010 to 2014\, she was the collection manager for the well-respected collector and philanthropist Estrellita B. Brodsky. \nIn 2015\, she founded ESTE ARTE\, the International Art Fair in Uruguay. The fair is brought forth by my commitment and passion for the arts and making it accessible to the widest audience possible. Its goal is the professionalization of the visual arts in the region and the advancement of private and public collections. Presenting 140 international exhibitors\, throughout the first six editions the fair has welcomed 25\,000 visitors\, among the most renowned international collectors and art supporters. Laura Bardier shaped and led the organization’s strategy to grow relationships with private and public donors\, collectors\, and art dealers to implement the most international art fair in South America.  \nIn 2017\, she was appointed to create the James Howell Foundation in New York\, for which she is now Executive Director. As an artist-endowed foundation\, the James Howell Foundation supports education programs\, exhibitions\, and scholarships.  \nShe has written on contemporary art in publications such as Domus Magazine\, Arte al Día\, Review\, Infonegocios and has curated several exhibitions including Robots\, Los Impolíticos\, and Richard Garet: Espacios no-Euclídeos\, and The Birdwatchers. She has also organized international conferences including1st Forum on Documentation\, 2nd Forum on New Media Art\, and Art and the New Media Art series for the MoMA-PS1 radio at the 52nd Venice Biennale.  \nShe is member of the National Committee of Visual Arts of Uruguay\, and has been a jury in several awards\, such as the Cezanne Prize of the French Embassy in Uruguay and the Parsons School of Design. Laura Bardier received her master’s degree in Curatorial Studies\, focusing in new media\, from the Donau Universität\, Austria.
URL:https://www.arttable.org/event/at-connect-laura-bardier/
LOCATION:FL
CATEGORIES:New York,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/EA18_RetratoLaura1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200527T120000
DTEND;TZID=America/New_York:20200527T130000
DTSTAMP:20260404T180723
CREATED:20200507T152445Z
LAST-MODIFIED:20210216T185516Z
UID:2961-1590580800-1590584400@www.arttable.org
SUMMARY:AT CONNECT | Caryn Keppler
DESCRIPTION:Image: Caryn Keppler \nIn response to our current state of distance\, ArtTable is shifting programming online where we can. This event will take place as a live conversation! Registration is open to members only. Suggested donation of $15.00. We hope to see you there! \nHow to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nArtTable CONNECT virtual lunch breaks \nArtTable is expanding its CONNECT program to intimate online discussions open to members nationally across chapters. Originally designed to further encourage one-to-one networking amongst its members in DC\, CONNECT transitioned to a virtual lunch hour conversation series designed to allow members to ask questions outside their day-to-day areas of expertise. \nDuring this session we will hear from Caryn b. Keppler\, partner at Putney Law\, on estate planning. \nCARYN B. KEPPLER has extensive experience in all aspects of estate\, gift and charitable planning for foreign and domestic individuals\, artists and collectors\, conventional and alternative families\, as well as business succession and continuity planning. Caryn’s areas of focus also include representing individuals regarding prenuptial\, post-nuptial and domestic partnership agreements and assisting families in planning for their disabled children. She has represented artists’ foundations\, both fiduciaries and beneficiaries in the administration of domestic estates and trusts\, as well as estates and trusts having contacts in international jurisdictions\, and in litigation with the Internal Revenue Service and in the Surrogate’s Courts. Prior to entering private practice\, Caryn was an attorney with the Internal Revenue Service. \nMs. Keppler is certified as an Estate Planning Law Specialist* by the Estate Law Specialist Board\, Inc.\, an organization accredited by the American Bar Association and affiliated with the National Association of Estate Planners and Councils. Caryn is one of a select number of Estate Planning Law Specialists practicing in New York and New Jersey. \nMs. Keppler is a Director and former Secretary / Treasurer of the Estate Law Specialist Board Inc. and a member of the Society of Trust and Estate Practitioners (“STEP”) New York\, the American Bar Association’s Section of Real Property\, Trusts and Estate Law\, Income and Transfer Tax Planning Group\, the New York State Bar Association Trusts and Estates Section\, the New York State Bar Association Entertainment\, Arts\, the New York City Bar Association’s Art Law Committee and Sports Law Section and the UJA – Federation of New York Lawyers Division\, Trusts and Estate Group. She is also a member of the New York State Bar Association’s Committee on LGBT People and the Law and ArtTable\, an association of professionals who advise fine artists. She is a member of the Estate Planning Council of New York City\, a past president of the Rockland County Estate Planning Council and a former member of the Westchester County Estate Planning Council. \nThank you to Concetta Duncan\, for moving the CONNECT program online and to Katherine Wilson-Milne for organizing. 
URL:https://www.arttable.org/event/at-connect-caryn-keppler/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Travel,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/Keppler_2059c-229x300-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200528T150000
DTEND;TZID=America/New_York:20200528T160000
DTSTAMP:20260404T180723
CREATED:20200519T203913Z
LAST-MODIFIED:20210216T185218Z
UID:3021-1590678000-1590681600@www.arttable.org
SUMMARY:Virtual | Pecha Kucha!
DESCRIPTION:How to take part! \n\nClick here to Register for this event\nFollowing registration you will receive call-in information in the form of a ZOOM link\nBefore joining a Zoom meeting on a computer or mobile device\, you can download the Zoom app from the Download Center and select the “Zoom Client for Meetings” option. Alternatively\, you will be prompted to download and install Zoom when you click a join link.\nFor further instruction on how to use Zoom\, see here.\n\n\nWe’re kicking off summer with a virtual Pecha Kucha! \nThe Pecha Kucha format highlights members’ projects and initiatives across different visual arts professions. Creative and fast-paced\, each presentation provides an opportunity to share and learn more about what have been working on during and the evolution of projects during our current crisis. \n \nAbout our participants:  \nLaila Abdul-Hadi Jadallah: Drawing Out the Artist in Everyone: Creating Accessible Art Education Opportunities in the Online Space \nLaila Abdul-Hadi Jadallah is the Managing Director of Washington Studio School\, a nonprofit arts organization in Washington\, D.C. where she is responsible for fundraising\, communications\, operations\, and strategies\, including partnerships and community outreach in collaboration with the Artistic Director. Ms. Jadallah has over 12 years of experience in the nonprofit sector and art consulting in communications\, exhibition development and cultural heritage protection having held positions at the Fabric Workshop and Museum\, Art Fraud Insights\, LLC\, and International Arts and Artists. She received her BA in Integrative Studies/Arts & Culture from George Mason University’s School of Integrative Studies. She also holds certificates from SPEOS Photographic Institute Paris in photography and Harvard Business School Online in Business Fundamentals.   \nIlaria Conti: Labor\, Art\, and Auratic Conditions \nIlaria Conti is an independent curator and cultural worker with a focus on social justice and engaged artistic practices\, epistemological pluralism\, and the relationship between institutional infrastructures and public engagement. She is the Vice President of African Art Dialogues\, a non-profit organization producing the African Art in Venice Forum. Most recently\, she served as Research Curator at the Centre Georges Pompidou for Cosmopolis\, a multiyear platform devoted to research-based art. Previously\, she was Exhibitions and Programs Director at CIMA New York\, Assistant Curator of the 2016 Marrakech Biennale\, and Samuel H. Kress Interpretive Fellow at the Metropolitan Museum of Art\, among other positions. Her curatorial projects include Is This Love? Art / Labor / Auratic Conditions (2020)\, Cosmopolis #2: Rethinking the Human (2019)\, Cosmopolis #1.5: Enlarged Intelligence (2018)\, Cosmopolis #1: Collective Intelligence\, (2017); 6th Marrakech Biennale: Not New Now (2016); and Méxtasis (2016). She holds a BA and an MA in Contemporary Art History and Curatorial Studies from the University of Rome La Sapienza and an MA in Visual Arts Administration from New York University. \nSusan Power: Cuban Sculptor Agustín Cárdenas: Expanding the Canon \nAn independent scholar and curator based in Los Angeles and specializing in modern and contemporary art\, Susan L. Power holds a doctorate from the Université de Paris 1 Panthéon-Sorbonne. She has lectured and published internationally on the reception and dissemination of surrealism in North America as well as artist-designed strategies of display\, from surrealist exhibitions to contemporary interventions in institutional and commercial settings. Most recently\, she contributed a catalog essay on the American reception of Rumanian artist Victor Brauner published in partnership with the Centre Pompidou in Paris. Her current scholarship focuses on the work of Cuban sculptor Agustín Cárdenas\, with recent essays in the exhibition catalogue Agustín Cárdenas: Mon Ombre Après Minuit\, currently at the Maison d’Amérique Latine\, Paris\, France until June 10\, 2020\, and “Agustín Cárdenas: Sculpting the ‘Memory of the Future\,’” in the forthcoming issue of the peer-reviewed Journal of Surrealism and the Americas. She has worked in curatorial and educational roles at the Musée d’Art moderne de la ville de Paris\, Los Angeles County Museum of Art and the Marciano Art Foundation. \nMasha Turchinsky: Small Museum\, Big Footprint \n\nMasha Turchinsky is Director and CEO of the Hudson River Museum\, where she oversees the largest cultural organization in Westchester County\, New York. With a mission to connect diverse communities through the power of arts\, sciences and history\, the HRM’s collections include nineteenth-century to contemporary American art; Glenview\, a Gilded Age home on the National Register of Historic Places; an environmental teaching gallery; a state-of-the-art planetarium; and an amphitheater dedicated to the performing arts. Under Turchinsky’s direction\, the Hudson River Museum garnered the 2019 Engaging Communities Award from the Museum Association of New York for the collecting initiative and exhibition Through Our Eyes: Milestones and Memories of African Americans in Yonkers and the 2019 Award for Excellence in Publications for Maya Lin: A River Is a Drawing by the Greater Hudson Heritage Network. She is currently overseeing a $10+ million capital expansion and improvement project at the Museum. Previously\, Turchinsky worked for nineteen years at the Metropolitan Museum of Art in the Digital and Education Departments\, overseeing teams dedicated to original content and design. While at the Met\, she also served as delegate to the board of trustees. As a consultant\, she has worked with the Gilder Lehrman Institute of American History and the New York Botanical Garden. She is a member of the Association of Art Museum Directors and currently serves on ArtTable’s national Board of Directors. Turchinsky holds an EdM in International Educational Development from Teachers College\, Columbia University\, an MA in Education from New York University\, and a BS in Russian Studies from Georgetown University. \nThank you to Hope Davis\, New York Chapter\, and Roni Feinstein\, Southern California Chapter. 
URL:https://www.arttable.org/event/virtual-pecha-kucha/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/AT-Pecha-Kucha-scaled-e1589920785177.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200529T100000
DTEND;TZID=America/New_York:20200531T220000
DTSTAMP:20260404T180723
CREATED:20200527T180627Z
LAST-MODIFIED:20210216T185144Z
UID:3066-1590746400-1590962400@www.arttable.org
SUMMARY:Weekend Film Streaming: Driven to Abstraction
DESCRIPTION:ArtTable weekend film streaming is back this weekend! This weekend members will have the opportunity to access and watch\, Driven to Abstraction\, a film by Daria Price.  \nAre you an ArtTable member? If so\, here’s how to take part! \n\nRegistration will open on Friday\, May 29 at 10 AM EST and close on Sunday\, May 31 at 10 PM EST.\nLogin and register here to receive the link for this streaming\nThe link to the film will be located in the summary section of your registration confirmation email\nUse the link to access the film- enjoy!\nLet us know what you think! Tag us on Instagram @arttableinc and use the #ATstreaming\n\n\n\n\n\n\n\n\n\nDRIVEN TO ABSTRACTION unravels a mutating tale of self-delusion\, greed\, and fraud — the $80 million forgery scandal that rocked the art world and brought down Knoedler\, New York City’s oldest and most venerable gallery. Was the gallery’s esteemed director the victim of a con artist who showed up with an endless treasure trove of previously unseen abstract expressionist masterpieces? Or did she eventually suspect they were fakes? Whatever the truth\, two women from very different worlds crossed paths in what would become the greatest hoax ever of Modern American Art. \n  \nAbout the Filmmaker\nDaria Price works in both documentary and narrative film. Making DRIVEN TO ABSTRACTION\, she spent years following an art forgery hoax and the New York trial that exposed the scandalous habits of the art trade. New York State Council on the Arts and New York Women in Film & TV awarded the documentary completion grants\, and Raindance Film Festival nominated it for “Best Documentary Feature.” Daria’s first feature OUT ON A LIMB won “Best Documentary” at the Boston International Film Festival and was broadcast throughout the USA and world. She wrote\, directed\, and edited the award-winning short SURVIVAL OF THE FITTEST\, a satirical mystery that lampoons America’s obsession with youth and beauty. A screenwriter and script supervisor for many years\, she is a member of Writers Guild of America East and IATSE. For info: www.driventoabstractiondocumentary.com \n  \nDriven to abstraction is distributed by Grasshopper Film. Available on Streaming Platforms August 2020 \nAvailable now: Educational Public Performance & DSL  \n\n\n\n\n\n\n\n  \nThank you to Daria Price for making this possible\, Hope Davis for assistance\, and Ingrid Dinter for organizing.
URL:https://www.arttable.org/event/weekend-film-streaming-driven-to-abstraction/
LOCATION:FL
CATEGORIES:New York,National,Chicago,Florida,Northern California,Southern California,Northwest,Philadelphia,Washington, D.C.,Houston
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2020/05/Driven-to-Abstraction_Poster_24X36-copy-e1590529091519.jpg
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END:VCALENDAR