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DTSTART;TZID=America/Los_Angeles:20211007T083000
DTEND;TZID=America/Los_Angeles:20211007T103000
DTSTAMP:20260501T115842
CREATED:20210914T150210Z
LAST-MODIFIED:20210915T135042Z
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SUMMARY:NoCal | First Thursday Coffee Break on Location - Sightglass Coffee
DESCRIPTION:8:30am PST\nAll ArtTable members are welcome to join the Northern California Chapter in the early morning of Thursday\, October 7th\, to share a cup of coffee before your workday gets started. Get your coffee\, tea\, and/or pastry at this local Mission coffee shop and catch up with other members during this in-person outdoor coffee break together. Accessible seating is available. \nThis program is open to ArtTable members only. Members may bring one additional guest. First Thursdays Coffee Break is a recurring event and is donation based. \nNot an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nWhile masks are no longer required outdoors for fully vaccinated individuals\, we highly recommend wearing a mask or face covering when in close proximity to persons not from your household.\n\n\nA list of attendees will be shared with all registrants for reference in advance of the program. \nPlease email programs@arttable.org if you would like additional accessibility information for this program. \nThank you to ArtTable’s Northern California Chapter Leaders for planning and hosting this program. \n \nImage courtesy of Sightglass Coffee\, Mission.
URL:https://www.arttable.org/event/nocal-first-thursday-coffee-break-on-location-sightglass-coffee/
LOCATION:Sightglass Mission\, 3014 20th St\, San Francisco\, 94110
CATEGORIES:Northern California
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211008T080000
DTEND;TZID=America/New_York:20211008T090000
DTSTAMP:20260501T115842
CREATED:20210923T185241Z
LAST-MODIFIED:20211004T143000Z
UID:6866-1633680000-1633683600@www.arttable.org
SUMMARY:DC | BreakfastTable with Karyn Miller + Tour of "Social Spaces" Public Art Project
DESCRIPTION:Join ArtTable’s DC Chapter for October’s BreakfastTable with Karyn Miller\, Director of Planning\, Art\, and Activation at Golden Triangle Business Improvement District. We will meet at Compass Coffee (849 18th St NW) where you can purchase coffee/breakfast\, and then at 8:15 am we will walk one block for a tour of Social Spaces\, three outdoor public art activations featuring “Meridian” by artist Cheryl Wing-Zi Wong\, and “Common Ground” by artist Risa Puno\, and “Circula” by design team Studio Rygalik. \n\nThis program is free and open to ArtTable members only. Not a member? Join today!\n\nPlease read before registering:\nCovid-19 Guidelines: \n\nPlease note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.\nMasks are optional at Compass Coffee for fully vaccinated individuals. It is strongly encouraged that all attendees wear a mask regardless of vaccination status when in close proximity to others who are not in your immediate household.\n\nAccessibility: \n\nPlease email programs@arttable.org if you require accessibility information for this program.\n\nGetting There: \n\nThe nearest public transportation is Farragut West Metro Station. Street parking and parking lots are available.\n\n\n  \n\nAbout Karyn Miller\nKaryn Miller serves as the Golden Triangle Business Improvement District’s (BID) Director of Planning\, Art\, and Activation. She leads the BID’s urban planning\, creative place-keeping\, public art\, and design projects in DC’s central business district. Karyn previously served as Arlington Art Center’s Curator and Director of Exhibitions\, conceiving of and delivering a year-round exhibition schedule and public art program. Prior to that\, Karyn spent more than a decade building relationships with the region’s artists and arts community at CulturalDC and at ConnerSmith Gallery. Karyn graduated from The Catholic University of America with a BA in Art History. She later received a MA in Art and Museum Studies from Georgetown University. She has served as a lecturer at The Catholic University of America and as an adjunct professor at George Mason University. \nAbout Social Spaces\nSocial Spaces is a community-focused initiative to bring people together in a safe and distanced manner along Pennsylvania Avenue west of the White House. These temporary public space activations transform the vast\, sprawling avenue by creating more intimate\, human-scaled places in the form of three public art installations. Social Spaces creates dialogue and celebrates cultures through intentionally designed gathering spaces. Learn more here! \n  \nThank you to Alison Nance\, Co-Chair of ArtTable’s Washington DC Chapter\, for organizing this program. \n\nImage: \n\nKaryn Miller\, courtesy of the speaker
URL:https://www.arttable.org/event/dc-breakfasttable-with-karyn-miller-plus-tour/
LOCATION:Washington\, DC\, Washington\, DC\, 20008
CATEGORIES:Washington, D.C.
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211009T113000
DTEND;TZID=America/New_York:20211009T130000
DTSTAMP:20260501T115842
CREATED:20210920T154304Z
LAST-MODIFIED:20210924T155442Z
UID:6837-1633779000-1633784400@www.arttable.org
SUMMARY:New York | Curator Guided Tour of Amant
DESCRIPTION:Join Ruth Estévez\, Amant’s Artistic Director for a private tour of The Amant Foundation’s 21\,000 square foot multi-building SO-IL designed “art campus” in East Williamsburg. Opened in June 2021\, the complex serves as Amant’s new headquarters\, as well as the home for its exhibitions\, public events\, archival projects\, performances\, and residency program. Conceived as a research and process-oriented platform\, Amant provides a public forum that presents and supports the practices of both established and under-recognized artists working across diverse creative fields. \n \nWe will also tour the inaugural exhibition\, “Grada Kilomba: Heroines\, Birds and Monsters” the first solo exhibition of the artist in the United States. Working with theory\, performance\, film\, and literature\, Kilomba reveals the narratives of the colonial past\, giving space to the silenced voices whose traumas are ever present. In her own words: “What if history has not been told properly? What if our history is haunted by cyclical violence precisely because it has not been buried properly?” \nThe tour will culminate with light snacks in the bookstore. Registrants will also receive a list of nearby restaurants where we can continue the conversation after the tour. \n  \nThis program is free and open to ArtTable members only. Not an ArtTable member? Join today! \nPlease read before registering:\nCovid-19 Guidelines: \nTo ensure a positive and safe experience\, and in keeping with the ‘Key to NYC’ requirements outlined by the New York City Mayor’s Office\, as well as CDC recommendations\, Amant adheres to the following protocols: \nFrom September 2nd\, Amant will require all visitors (12+) to show proof they have received at least one dose of a COVID-19 vaccine authorized for emergency use by the FDA or WHO. For more information regarding this requirement\, visit Key to NYC. \nAmant recommends that all visitors (age 2+) wear face coverings while inside of Amant and maintain the 6-ft social distancing rule when interacting with any staff and other visitors. Additional masks are available at the reception desk. \nAccessibility: \nAmant is committed to making its space as welcoming as possible for all visitors. Entry at 315 Maujer St. is step-free and suitable for wheelchair users. The galleries\, the bookstore\, and the restroom facilities are also wheelchair accessible. All the on-site visitor and exhibition related materials are available in English and Spanish. Printed and digital copies can be found at the reception desk. Amant offers descriptive audio guides\, as well as large print materials\, for all the exhibitions. ASL interpretation for events at Amant is available on request. Amant requires two weeks’ notice to confirm an interpreter. \n  \n\n  \nThank you to Randy Rosen\, Judith Richards\, and Regan Lynn Larroque of the New York Chapter Programs Committee for organizing this program. \n\nAbout the Speaker\nRuth Estévez is a curator and stage designer. Her research work focuses on artistic practices that explore how the spoken and written language operates within the visual arts\, contemporary culture and politics. \nShe is the co-curator of the 34th São Paulo Biennial\, which opens in September 2021. From 2018 to 2020 she was senior curator-at-large at the Rose Art Museum in Waltham\, and curator of Idiorhythmias\, the performance program at MACBA in Barcelona. She was Redcat Gallery Director in Los Angeles and Chief Curator at the Carrillo Gil Museum in Mexico City\, where she also founded LIGA\, Space for architecture\, a non for profit platform focused on spatial practices. \n\nImages: \n\nAmant facade – Photographed by Rafael Gamo\nArtwork image courtesy of Grada Kilomba and Goodman Gallery\nRuth Estévez
URL:https://www.arttable.org/event/new-york-special-access-amant-foundation/
LOCATION:Amant Foundation\, 315 Maujer Street\, Brooklyn\, NY\, 11206
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211013T160000
DTEND;TZID=America/New_York:20211013T173000
DTSTAMP:20260501T115842
CREATED:20210826T180033Z
LAST-MODIFIED:20210930T214523Z
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SUMMARY:Virtual | Annual Leadership Series - The Precarious Position of Women in Leadership
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWomen-identifying leaders in the arts are stepping down or being fired in larger proportions to their male counterparts. The issue was further exacerbated in the year 2020 when women\, either by choice or circumstance\, continued to leave the workforce in greater numbers than men. However\, as the world began to reopen\, more and more women came into leadership positions at large-scale arts organizations and institutions. In 2020\, CultureType listed 54 Arts Leaders Who Took on New Appointments in 2020\, 43 of whom are women. This past year\, of approximately 75 new appointments to various leadership positions in the art world\, 62 of them have been women\, as noted by CultureType and ARTnews.  \nDespite the growing visibility of women in the art world\, issues still plague the industry\, such as the ongoing gender pay gap (as of now\, women continue to earn approximately 73 cents for every dollar that men earn; the number is even lower for women of color\, ranging from 55 to 62 cents for Latina\, Native American\, and Black women.)\, disparities in gender representation depending on operating budget (the majority of museums with budgets less than $15 million are run by a female rather than a male director; the reverse is true for museums with budgets of over $15 million\, where female representation decreases as budget size increases)\, and the glass cliff phenomenon (the idea of women being placed in leadership positions during periods of crisis or downturn\, when the chance of failure is highest\, but under the pretense of providing an exciting professional opportunity).  \nFor this year’s Annual Leadership Series\, we want to acknowledge and celebrate the incredible strides that women have made as leaders in the art world\, but we also want to look to the future and ask ourselves\, what still needs to be done\, and how can we ensure women always have a seat at the table? \nPlease join us for what is sure to be an enlightening and thought-provoking discussion with women-identifying leaders in the art world with various perspectives on the issues. We will address questions including: \n\nWhat do these phenomena mean for women in the workforce\, and particularly in the art world\, both women leaving the workforce in greater numbers and the incredible amount of women being promoted to leadership positions?\nHow do we advocate for women leaders from racially\, ethnically\, and socio-economically diverse backgrounds and reach greater gender parity in leadership roles? \nThe glass cliff is the phenomenon of women in leadership roles\, such as executives in the corporate world and female political election candidates\, being likelier than men to achieve leadership roles during periods of crisis or downturn\, when the chance of failure is highest. Is this a phenomenon that we may have recently witnessed\, with all of the significant appointments of woman-identifying leaders in the art world? Or are we finally\, truly on the path to equality? Do women continue to be more vulnerable to career displacement than men? \nWhat lessons have we learned\, and how can we ensure lasting change?\n\nThe panel will be moderated by Stephanie A. Stebich\, Director of the Smithsonian American Art Museum in Washington\, DC. Additional speakers include: \n\nMin Jung Kim\, Director\, Saint Louis Museum of Art\, St. Louis\, MO\nDorothy Kosinski\, Vradenburg Director and CEO of The Phillips Collection\, Washington DC\nMia Locks\, Independent Curator and Culture Worker\, Los Angeles\, CA\nDanyelle Means\, Executive Director\, Center for Contemporary Arts\, Santa Fe\, NM\nBrittany Webb\, Evelyn and Will Kaplan Curator of 20th-Century Art & the John Rhoden Collection\, Pennsylvania Academy of Fine Art\, Philadelphia\, PA\n\nPlease join us after the discussion for 10-15 minutes of virtual networking in Zoom Breakout Rooms. ArtTable programs are a time for members and non-members to connect with old friends and meet new people\, both in-person and virtually. We hope you will stick around afterwards to discuss important themes from the conversation and talk about new ideas and insights. \nAdmission \n\nArtTable Members – $10 (ArtTable members may bring a guest for an additional $15)\nNon-Members – $25\n\nNot an ArtTable member? Join today! \n \n  \nCan’t make the program at this time? Register anyway to receive a recording after! \nAccessibility: Automatic closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations. \n\nAbout the Speakers\nStephanie A. Stebich (pronounced STEE-BISH) is responsible for the nation’s premier collection of American art and major exhibition\, research\, publication\, education and digital-media programs at the museum and its Renwick Gallery. She was named director of the Smithsonian American Art Museum in January 2017. Stebich also serves as co-chair of the Smithsonian American Women’s History Initiative. \nBefore coming to Washington\, D.C.\, Stebich had been executive director of the Tacoma Art Museum since 2005. Under her leadership\, the museum underwent a major renovation that doubled its exhibition space; launched a capital campaign with a goal of $17 million and raised more than $37 million; and added endowed curator\, educator and fellow positions. She oversaw the development and implementation of the museum’s strategic plan\, as well as a 10-year collecting strategy. At Tacoma\, Stebich championed the presentation of many groundbreaking exhibitions and secured major collection gifts\, including the Haub Family Collection of Western American Art\, and the Rebecca and Jack Benaroya Collection of American studio glass. \nStebich was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001. She was previously a trustee of the Association of Art Museum Directors and the American Alliance of Museums. \nStebich earned a bachelor’s degree in art history from Columbia University and a master’s degree with a concentration in modern art from the Institute of Fine Arts at New York University. She has a certificate in nonprofit management from Case Western Reserve University and is a graduate of the Getty Leadership Institute in Los Angeles. She was a fellow at the Guggenheim Museum and has studied at the University College London. She is fluent in German. \nMin Jung Kim was named the Barbara B. Taylor Director of the Saint Louis Art Museum in 2021. She brings to St. Louis extensive experience in museum leadership roles. As the director and chief executive officer of the New Britain Museum of American Art\, she enhanced the museum’s profile through exhibitions and collection development designed to expand the definition of American Art and reflect greater diversity while strengthening community engagement and collaborative partnerships. As deputy director of the Eli and Edythe Broad Art Museum at Michigan State University\, she was in charge of implementing the completion of the Zaha Hadid-designed Broad MSU. As director of content alliances at the Solomon R. Guggenheim Museum\, she managed collaborative projects among the Guggenheim; the State Hermitage Museum in St. Petersburg\, Russia; and the Kunsthistorisches Museum in Vienna. Min Jung Kim was born and raised in Seoul\, South Korea. She graduated from Wheaton College and holds a master’s degree in art history from the Courtauld Institute of Art at the University of London. \nDr. Dorothy Kosinski has been the Vradenburg Director & CEO of The Phillips Collection since April 2008. Previously\, Dr. Kosinski was Senior Curator of Painting and Sculpture at the Dallas Museum of Art. She was also the museum’s Barbara Thomas Lemmon Curator of European Art. Over the course of 30 years in museum work\, Kosinski has earned a reputation internationally as an accomplished curator and scholar of 19th and 20th century art. For over 12 years\, Dr. Kosinski was based in Basel\, Switzerland\, where she was a curator\, scholar\, and university instructor\, including curator and administrator of the Douglas Cooper Collection. In August 2013\, Dr. Kosinski was appointed by President Barack Obama to the National Council on the Humanities. She currently serves on the Board of the Sherman Fairchild Foundation and The Morris and Gwendolyn Cafritz Foundation. Dr. Kosinski received a BA from Yale University and an MA and PhD from the Institute of Fine Arts at New York University. \n \nMia Locks is an independent curator and culture worker based in Los Angeles. She was previously a curator at The Museum of Contemporary Art (MOCA) in Los Angeles as well as MoMA PS1 and the Whitney Museum of American Art in New York. She was a 2018 fellow at the Center for Curatorial Leadership and currently co-leads Museums Moving Forward\, a data-driven initiative focused on accountability in the museum field. \n  \n\nDanyelle Means is the newly appointed Executive Director of the Center for Contemporary Arts (CCA) in Santa Fe\, New Mexico. She will continue her successful philanthropic and non-profit leadership by advancing CCA’s mission to celebrate creativity across the arts\, humanities\, and sciences by generating transformative experiences designed to ignite minds and connect people. Means has served as the Director of Advancement at the Institute of American Indian Arts (IAIA) and the Executive Director of the IAIA Foundation. During her tenure at IAIA\, like many in the philanthropic sector\, Means and her staff shifted all efforts online during the pandemic\, bringing IAIA one of the most successful fundraising years ever. \n\n \nDr. Brittany Webb is the Evelyn and Will Kaplan Curator of Twentieth Century Art and the John Rhoden Collection at the Pennsylvania Academy of the Fine Arts (PAFA). She is currently working on a retrospective exhibition on 20th century African-American sculptor John Rhoden (1916-2001) that includes an initiative to gift more than 250 sculptures by Rhoden to museums around the country. Dr. Webb came to PAFA from the African American Museum in Philadelphia (AAMP). She holds a PhD in Anthropology from Temple University and a BA in Political Science from the University of Southern California (USC). \n  \n\nImages:  \n\nStephanie A. Stebich\, The Margaret and Terry Stent Director\, Smithsonian American Art Museum; Photo credit: Smithsonian American Art Museum\nMin Jung Kim\, Photo by Tim Parker\nDorothy Kosinski\, Photo by Daniel Schwartz\nMia Locks © 2016 Scott Rudd; www.scottruddevents.com; scott.rudd@gmail.com\nDanyelle Means\nBrittany Webb
URL:https://www.arttable.org/event/virtual-arttables-annual-leadership-series-with-stephanie-a-stebich-2021/
LOCATION:Zoom
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211014T110000
DTEND;TZID=America/Los_Angeles:20211014T110000
DTSTAMP:20260501T115842
CREATED:20211005T150242Z
LAST-MODIFIED:20211006T141533Z
UID:6964-1634209200-1634209200@www.arttable.org
SUMMARY:NoCal | Curator Guided Tour of 'Judy Chicago: A Retrospective' at the de Young Museum
DESCRIPTION:Join Claudia Schmuckli\, Curator-in-Charge of Contemporary Art and Programming at the Fine Arts Museums of San Francisco\, for a guided tour of the Judy Chicago: A Retrospective exhibition at the de Young Museum. Meet up with your fellow NoCal members at the entrance to the exhibition on October 14th at 11am. Following the tour\, enjoy a no-host lunch with Schmuckli at the de Young Café. \nThis program is $5 and open to ArtTable members only. Members may bring a guest for an additional $10. Please note that museum admission and lunch are not included. \nNot an ArtTable member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \nIn accordance with an order from the San Francisco Department of Public Health\, all individuals regardless of vaccination status must wear a mask while inside the de Young museum. Proof of vaccination is not required for regular museum visits to the de Young.\, but is a requirement to attend some onsite events. \nThe museum continues to have safety measures in place to ensure a safe and healthy environment for visitors and staff. The measures include frequent cleaning of high-touch areas\, sanitizing stations\, and Plexiglass shields at the Tickets and Membership Desks. \n*The museums reserve the right to deny entry\, refuse service to\, or revoke the admission of any visitor who does not comply with safety guidelines. \nIf you are showing COVID-19 symptoms\, please stay home. This is critical to the health and safety of museum staff and communities. \nAccessibility: \nThe Fine Arts Museums of San Francisco are committed to offering services that make its collections\, exhibitions\, and programs accessible to all visitors. Programs and visiting options for individuals with disabilities as well as other underserved populations in the community are crucial for creating equity in access to the arts. Please click here to read more about accessibility options at the de Young Museum\, and email programs@arttable.org if you need assistance in setting up accommodations for this program. \nGetting There: \nJohn F. Kennedy Drive is currently closed to vehicular traffic from Kezar Drive to Transverse Drive. Paid parking is available in the Music Concourse garage; access from the Fulton Street and 10th Avenue entrance. A limited number of accessible parking spots are available in the garage. For information on public transportation\, please visit the SFMTA website. Cars have the ability to drop off visitors in front of the de Young using Hagiwara Tea Garden Dr. This is accessible via the intersection of MLK and Music Concourse drive. \n  \n \n  \n\nAbout Claudia Schmuckli\nClaudia Schmuckli is the inaugural Curator-in-Charge of Contemporary Art and Programming at the Fine Arts Museums of San Francisco. Since joining in the fall of 2016\, she has developed a dynamic program of exhibitions\, commissions\, and acquisitions that dialogue with the institution’s sites\, buildings\, and collections in view of a self-critical reassessment of the Museums’ histories and identities. \nCurrently on view at the Fine Arts Museums are her most recent exhibitions Wangechi Mutu: I am Speaking\, Are You Listening? at the Legion of Honor and Judy Chicago: A Retrospective\, at the de Young. Prior to these presentations\, Schmuckli curated Uncanny Valley: Being Human in the Age of AI\, the first major museum exhibition in the United States to reflect on the political and philosophical stakes of artificial intelligence and Specters of Disruption\, an exhibition drawn from the Museums’ Collections\, which connected the geological and colonial underpinnings of the de Young Museum to the current conditions in Northern California. Other projects include interventions at the Legion of Honor by Alexandre Singh\, Lynn Hershman Leeson\, Sarah Lucas\, and Urs Fischer\, as well as projects by Lisa Reihana\, Leonardo Drew\, Ranu Mukherjee\, Matt Mullican\, and DIS at the de Young. \nPreviously\, Schmuckli was the director and chief curator of the Blaffer Art Museum at the University of Houston\, where she organized over thirty exhibitions including solo shows dedicated to The Propeller Group\, Matthew Ronay\, Analia Saban\, Slavs and Tatars\, Candice Breitz\, Tony Feher\, Johan Grimonprez\, Gabriel Kuri\, Chantal Akerman\, and Amy Sillman\, among many others. Schmuckli began her career in New York as a curatorial assistant at the Solomon R. Guggenheim Museum and an assistant curator at the Museum of Modern Art. She is a Swiss citizen and holds an MA degree in art history from the Ludwigs-Maximilians-Universität in Munich\, Germany. \nAbout the exhibition\nPioneering feminist artist Judy Chicago’s retrospective spans her early engagement with the Californian Light and Space Movement in the 1960s to her current body of work\, a searing investigation of mortality and environmental devastation\, begun in 2015. The exhibition includes approximately 130 paintings\, prints\, drawings\, and ceramic sculptures\, in addition to ephemera\, several films\, and a documentary. Together\, these works of art chart the boundary-pushing path of the artist named Cohen by birth and Gerowitz by marriage\, who\, after trying to fit into the patriarchal structure of the Los Angeles art world\, decided to change her name and the course of history. \nOrganized on the heels of the 40th anniversary of Chicago’s landmark installation\, The Dinner Party\, in San Francisco and opening in conjunction with the 100th anniversary of women’s right to vote across the United States\, Judy Chicago: A Retrospective pays homage to an artist whose lifelong fight against the suppression and erasure of women’s creativity has finally come full circle. \n  \nThank you to Dorothy Dávila\, ArtTable Board Member\, for organizing this program\, and to Claudia Schmuckli for her time and expertise. \n\nImages: \n\nThe de Young Museum\, courtesy of hisour.com.
URL:https://www.arttable.org/event/nocal-curator-guided-tour-of-judy-chicago-de-young-museum/
LOCATION:de Young Museum\, Golden Gate Park \ 50 Hagiwara Tea Garden Drive\, San Francisco\, California\, 94118\, United States
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/10/De-Young-Museum.jpeg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211026T110000
DTEND;TZID=America/New_York:20211026T120000
DTSTAMP:20260501T115842
CREATED:20210930T204304Z
LAST-MODIFIED:20211004T143047Z
UID:6931-1635246000-1635249600@www.arttable.org
SUMMARY:Virtual | An Insider's Tour of the Tel Aviv Museum of Art\, with Mira Lapidot
DESCRIPTION:8am PT/ 9am MT / 10am CT / 11am ET\nPlease join us for a virtual tour and discussion with Mira Lapidot\, Chief Curator at the Tel Aviv Museum of Art. Mira will be joining us from Israel to talk about the museum’s history and architecture while giving us an insider’s look at its current collection and collecting practices. The discussion will be followed by a Q & A session. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout the Speaker\nMira Lapidot (born 1971) is the Chief Curator of the Tel Aviv Museum of Art as of March 2021. She is the artistic director of the TAMA’s exhibition program\, working within the matrix of Israeli and international\, Modern-Contemporay art\, overseeing all aspects of exhibition-making and publications\, directing the acquisitions agenda\, and fostering relationships with artists. She arrived at the Tel Aviv Museum of Art after 22 years at the Israel Museum\, Jerusalem\, where she served as Chief Curator of the Arts\, from 2012 to 2020. During her tenure\, Lapidot directed eleven curatorial departments of the Fine Arts Wing\, also leading the Wing’s exhibition and acquisitions program; she oversaw close to a hundred exhibitions and special exhibits\, as well as dozens of Museum publications\, and managed thirty curatorial staff members. Under her guardianship\, the museum vastly expanded and enriched its collections. She has cultivated relationships with donors in Israel and around the world\, led art-acquisition groups\, managed the museum’s award process\, and promoted collaborations with cultural institutions\, universities\, and international museums. As the acting curator of the Department of Contemporary Art (2016 to 2020)\, she has curated exhibitions by leading artists\, notable among them Ai Weiwei: Maybe\, Maybe Not (2017)\, which was attended by more than 400\,000 visitors; Christian Boltanski: Lifetime (2018); and most recently\, Julian Rosefeldt’s tour-de-force film installation Manifesto (2019). Lapidot holds a master’s degree in Art History and a bachelo’s degree in Natural Sciences and Art History from the Hebrew University of Jerusalem. \nThank you to Michelle Perr\, member of the ArtTable New York Chapter Program Committee for organizing this program. \n\nImages: \n\nFacade of the Tel Aviv Museum of Art
URL:https://www.arttable.org/event/virtual-insiders-tour-tel-aviv-museum-with-mira-lapidot/
LOCATION:Zoom
CATEGORIES:New York
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ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211027T120000
DTEND;TZID=America/Los_Angeles:20211027T130000
DTSTAMP:20260501T115842
CREATED:20210924T170154Z
LAST-MODIFIED:20211005T194338Z
UID:6882-1635336000-1635339600@www.arttable.org
SUMMARY:Virtual | Marcela Guerrero & Daisy Nam on Donna Huanca's exhibition at Ballroom Marfa
DESCRIPTION:9am PT / 10am MT / 11am CT / 12pm ET\nPlease join Marcela Guerrero\, Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, and Daisy Nam\, Curator at Ballroom Marfa\, for a discussion on Donna Huanca’s exhibition ESPEJO QUEMADA\, on view at Ballroom Marfa through January 22\, 2022. The two will also discuss Guerrero’s work on influential recent exhibitions of contemporary art from Latin America\, including the exhibitions Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art at the Whitney Museum of American Art and Radical Women: Latin American Art\, 1960-1985 at the Hammer Museum. \nDonna Huanca presents a series of new works commissioned by Ballroom Marfa in her exhibition ESPEJO QUEMADA. Huanca creates experiential installations that incorporate paintings\, sculptures\, video\, scent and sound. The profound experiences and memories of Huanca’s first visit to Marfa in 2005 inspired the work in the exhibition. The artworks draw on visual\, cultural\, and mythological cues informed by feminism\, decolonialism and the artist’s personal and familial histories\, while simultaneously engaging with the biodiversity\, geology\, and dark skies of Far West Texas. The sky was particularly striking for Huanca–animated with cosmic and extraterrestrial forces while also revealing the natural rhythms of the sun and moon. \nESPEJO QUEMADA\, Huanca’s first exhibition since the pandemic\, uses mirrors as formal and metaphorical devices to respond to changing conditions. The title\, which translates to “burnt mirror” in English and is purposefully feminized in Spanish\, alludes to Huanca’s feminist praxis. “Espejo Quemada” suggests reflections of the current moment\, portals to the past and future\, and catalysts for combustion and change. Click here to read more about the exhibition! \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $10\nNon-Members – $15\nMembers may bring a guest for an additional $5.\n\nNot an ArtTable member? Join today! \n  \n \n  \nAccessibility: Please note that live closed captioning will be available for this program. Please email programs@arttable.org if you require additional accommodations.  \n\nAbout the Speakers\nMarcela Guerrero is the Jennifer Rubio Associate Curator at the Whitney Museum of American Art\, New York. Recently\, she was part of the curatorial team that organized Vida Americana: Mexican Muralists Remake American Art\, 1925-1945. In summer 2018\, Guerrero curated the exhibition Pacha\, Llaqta\, Wasichay: Indigenous Space\, Modern Architecture\, New Art. From 2014 to 2017 she worked as Curatorial Fellow at the Hammer Museum in Los Angeles\, where she was involved in the much-lauded exhibition Radical Women: Latin American Art\, 1960-1985\, organized as part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative and guest-curated by Cecilia Fajardo-Hill and Andrea Giunta. Prior to her position at the Hammer\, she worked in the Latin American and Latino Art Curatorial department at the Museum of Fine Arts\, Houston (MFAH) where she served as Research Coordinator for the International Center for the Arts of the Americas (ICAA). Guerrero’s writing has appeared in a variety of publications and has contributed articles to numerous exhibition catalogues. Born and raised in Puerto Rico\, Guerrero received her BA from the University of Puerto Rico\, Rio Piedras Campus\, and holds a Ph.D. in Art History from the University of Wisconsin-Madison. \nDaisy Nam is the curator at Ballroom Marfa\, a contemporary art space located at the borderlands of Far West Texas. She recently co-edited a publication\, Best! Letters from Asian Americans in the arts with Paper Monument. Previously from 2015–19\, she was the assistant director at the Carpenter Center for the Visual Arts\, Harvard University where she organized exhibitions\, publications\, and public programs working closely with artists to engage with the campus community and public at large. Prior\, she curated and produced seven seasons of talks\, screenings\, performances\, and workshops from 2008–2015 as the assistant director of public programs at the School of the Arts\, Columbia University. Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum\, New York (2020); Bellas Artes\, Bataan\, Philippines (2020); Surf Point in York\, Maine (2019); Gwangju Biennale Foundation\, Korea (2018). She holds a master’s degree in Curatorial and Critical Studies from Columbia University and a bachelor’s degree in Art History and Cinema Studies from New York University. She has taught at RISD\, and lectured at Lesley University\, Northeastern\, SMFA/Tufts\, SVA as a visiting critic. \n  \nAbout Ballroom Marfa\nBallroom Marfa is an internationally recognized non-collecting contemporary art museum located in Marfa\, a rural town of less than 2\,000 people in Far West Texas. Established in 2003 by Virginia Lebermann and Fairfax Dorn\, the contemporary art and performance space is housed in a 1920s-era ballroom and is free and open to the public. With generous support from individuals and foundations\, Ballroom commissions new site-specific and site-inspired projects and gives artists and musicians the opportunity to engage with the magnificent landscape of the Big Bend. Read more about Ballroom Marfa here. \nThis program is presented in collaboration with Ballroom Marfa.\nPublic programs for ESPEJO QUEMADA are generously supported by Humanities Texas. \n                \n\nImages: \n\nInstallation view\, SCRYING CON DIOS(A)\, 2021\, in Donna Huanca: Espejo Quemada\, June 26\, 2021–January 2\, 2022\, Ballroom Marfa. Courtesy the artist and Ballroom Marfa. Photograph by Makenzie Goodman.\nMarcela Guerrero\, Photo by Javier Romero\nDaisy Nam
URL:https://www.arttable.org/event/virtual-conversation-daisy-nam-marcela-guerrero-donna-huanca-espejo-quemada/
LOCATION:Zoom
CATEGORIES:National,Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2021/09/BM1.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211028T120000
DTEND;TZID=America/New_York:20211028T120000
DTSTAMP:20260501T115842
CREATED:20211013T182851Z
LAST-MODIFIED:20211014T210711Z
UID:7015-1635422400-1635422400@www.arttable.org
SUMMARY:Virtual | A Brief History of Digital Art\, Before and Beyond NFTs\, with Dr. Tina Rivers Ryan
DESCRIPTION:9am PT/ 10am MT / 11am CT / 12pm ET\nIf you’re curious to know more about the history of digital art before and beyond NFTs\, join Dr. Tina Rivers Ryan as she offers a brief survey of digital art since the 1960s. Her talk will emphasize digital art’s major artists\, practices\, and themes\, as well as the evolution of its relation to traditional arts institutions\, such as galleries and museums. \nNFTs have brought digital art into the spotlight\, but they also have cast a long shadow over the decades-long history of digital art that preceded them. Even the artistic projects that were made with and about blockchain technologies just five years ago seem to have been erased in the rush to hail this “revolutionary” development in contemporary art. \nAdmission \n\nArtTable Circle Members– Free\nAll other ArtTable Members – $5\nNon-Members – $15\nMembers may bring an additional guest for $5\n\nNot an ArtTable member? Join today! \nCan’t make the program at this time? Register anyway to receive a recording after! \n  \n \n  \nAccessibility: This program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\nAbout Dr. Tina Rivers Ryan\nTina Rivers Ryan is an Assistant Curator of modern and contemporary art at the Albright-Knox Art Gallery in Buffalo\, New York. Most recently\, she co-curated the exhibition Difference Machines: Technology and Identity in Contemporary Art\, which opened October 16th and runs through January 16th\, 2022. An art historian by training\, Ryan is a specialist in the history of art and technology since the 1960s and has written extensively on topics ranging from kinetic light environments to virtual reality. Over the past decade\, her work has appeared in publications from museums such as The Met\, the Walker Art Center\, and Pirelli HangarBicocca. She also is an active critic for Artforum; her essay on NFTs\, “Token Gesture\,” appeared in its May 2020 issue. Ryan holds five degrees in art history\, including a BA from Harvard and PhD from Columbia. \n\nThank you to Regan Lynn Larroque\, Programs Committee Co-Chair for ArtTable’s New York Chapter\, for organizing this program. \n\nImages: \n\nFrame from Chris Torres’s Nyan Cat\, 2011\, GIF.\nTina Rivers Ryan
URL:https://www.arttable.org/event/virtual-a-brief-history-of-digital-art-with-tina-rivers-ryan/
LOCATION:Zoom
CATEGORIES:New York,National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211028T163000
DTEND;TZID=America/Los_Angeles:20211028T163000
DTSTAMP:20260501T115842
CREATED:20211012T213836Z
LAST-MODIFIED:20211015T134859Z
UID:7010-1635438600-1635438600@www.arttable.org
SUMMARY:NoCal | Curator Tour of 'New Time: Art and Feminisms in the 21st Century'\, at BAMPFA
DESCRIPTION:Join Claire Frost\, Curatorial Assistant at BAMPFA\, for a guided tour of New Time: Art and Feminisms in the 21st Century at the Berkeley Art Museum and Pacific Film Archive. Afterwards\, join Claire and your fellow ArtTable members at a nearby outdoor patio for no-host drinks and a discussion under guidance of local writer/curator and ArtTable member\, Marcia Tanner. \nThis program is $5 and open to ArtTable members only. Members may bring a guest for an additional $10. This includes entry to the museum but not post-tour drinks. \nNot an ArtTable member? Join today! \n\nPlease read before registering:\nCovid-19 Guidelines: \nIn accordance with an order from the San Francisco Department of Public Health\, all individuals regardless of vaccination status must wear a mask while inside the museum. All staff and visitors are required to wear face coverings. BAMPFA has increased sanitizing high-touch areas using products approved for use against COVID-19. Hand sanitizer stations are available throughout the building. \nIf you are showing COVID-19 symptoms\, please stay home. This is critical to the health and safety of museum staff and communities. Please click here for additional health and safety guidelines at BAMPFA. \nAccessibility: \nThe UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) is wheelchair accessible. A wheelchair is available at the admissions desk for visitor use. Assisted listening devices are available at the admissions desk for all film programs. Please click here for additional accessibility information at BAMPFA. \nGetting There: \nBAMPFA is located at 2155 Center Street\, between Oxford Street and Shattuck Avenue\, in downtown Berkeley. BAMPFA is Bartable and parking is available. Please click here for more information. \n  \n \n  \n\nAbout the speakers\n \nClaire Frost is Curatorial Assistant at the Berkeley Art Museum and Pacific Film Archive. In addition to BAMPFA\, she has held positions at the Contemporary Jewish Museum\, ArtSpan\, San Francisco Museum of Modern Art\, and Intersection for the Arts. A Bay Area resident since 2011\, she took a two year hiatus to attend grad school in Chicago\, where she received her MA in Modern and Contemporary Art History\, Theory\, and Criticism at the School of the Art Institute of Chicago in 2017. Her graduate studies focused on the intersection of identity and historiography and the way in which artists’ communities are documented\, particularly in relation to second wave feminism and conceptual art. She is the founder and curator of the apartment galleries COLLABO in Chicago\, and Claire Frost in San Francisco. \nFormer PR Director at SFMOMA and Executive Director of the San Jose ICA\, art writer and independent curator Marcia Tanner has organized three exhibitions of contemporary feminist art: Bad Girls West\, 1994\, the Wight Art Gallery\, UCLA; Brides of Frankenstein\, 2005\, San Jose Museum of Art; and We Interrupt Your Program\, 2008\, Mills College Art Museum. She has been an ArtTable Member since 1987.] Her Berkeleyside review of New Time can be found here.\nAbout the exhibition\nNew Time: Art and Feminisms in the 21st Century is a major survey exploring recent feminist practices in contemporary art. In 1980 Lucy Lippard argued that feminist art is “neither a style nor a movement” but rather “a value system\, a revolutionary strategy\, a way of life.” Taking Lippard’s statement as a point of departure\, the exhibition examines the values\, strategies\, and ways of life reflected in current feminist art. In keeping with Griselda Pollock’s observation that “feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women’s struggles\,” New Time aims to demonstrate that feminism in the twenty-first century is multifaceted\, encompassing many complex issues and perspectives\, and therefore cannot be reduced to a single subject\, style\, or agenda. Although artworks made since 2000 are the primary focus\, the objects and installations on view span several generations\, mediums\, geographies\, and political sensibilities. In this way the project seeks to convey the heterogeneous\, intergenerational\, and gender-fluid nature of feminist practices today. Click here to read more about the exhibition. \nThank you to Kitty Teerling\, Artigo Tours\, for organizing this program. \n\nImages: \n\nLinda Stark: Stigmata\, 2011; oil on canvas over panel; 36 x 36 in.; BAMPFA\, purchase made possible through a gift of the Paul L. Wattis Foundation.\nClaire Frost
URL:https://www.arttable.org/event/nocal-curator-guided-tour-of-new-time-art-and-feminisms-at-bampfa-with-claire-frost/
LOCATION:BAMPFA\, 2155 Center St\, Berkeley\, CA\, 94720\, United States
CATEGORIES:Northern California
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ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
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