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DTSTART;TZID=America/New_York:20220603T130000
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CREATED:20220506T153730Z
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UID:8861-1654261200-1654268400@www.arttable.org
SUMMARY:SoCal | Behind-the-Scenes Tour - Benton Museum of Art at Pomona College
DESCRIPTION:Please join us for a private behind-the-scenes and gallery tour of the new Benton Museum of Art at Pomona College. The Benton Museum is a space for the region’s most compelling and innovative exhibitions. Building on a long tradition of excellence at the alma mater of such artistic pioneers such as James Turrell\, Helen Pashgian and Chris Burden\, the BMA will host the next wave of groundbreaking artists and offer a state-of-the-art site for a growing permanent collection\, ranging from Native American art to Renaissance panel paintings to works by such artists as Karl Benjamin\, Rico Lebrun and José Clemente Orozco. Senior Curator\, Rebecca McGrew will provide us with a tour of the permanent collection galleries as well as their current exhibitions. Steve Comba\, Associate Director & Registrar will provide us with a behind-the-scenes portion of the tour of the museums’ collection spaces. \n\n\n\nThis program is open to ArtTable members only for $15. Space is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. All guests are required to wear a face mask and practice social distancing during your visit.  Accessibility All of the museum’s galleries\, entrances\, and courtyard are accessible to wheelchair users and other visitors who cannot use stairs. Accessible parking and drop-off can be found on College Avenue in front of our courtyard closer to Second Avenue. All restroom locations include an accessible restroom with a changing table. Trained service animals are welcome in all spaces throughout the museum. We welcome other supervised and leashed domesticated animals only in the museum’s courtyard. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The Benton Museum of Art at Pomona College is located at 120 West Bonita Avenue\, Claremont\, CA 91711. Driving Directions From the 10\, exit Indian Hill Blvd\, then go north and turn right on Bonita Avenue.From the 210\, exit at Towne Avenue and go south to Foothill Blvd. Turn left on Foothill and continue east to College Avenue\, then turn right. Go about 1 mile to Bonita.By Rail The Metrolink train station in Claremont is three blocks from the museum. Take the San Bernardino line east from Union Station in Los Angeles\, or west from San Bernardino.\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable.Click here to read our full cancellation policy. \n\n\n\n\n\n\n\nAbout the Speakers\n\n\n\nRebecca McGrew is the Senior Curator at the Benton Museum of Art at Pomona College. Her current exhibitions include Alison Saar: Of Aether and Earthe (2020-21\, co-curated with Irene Tsatsos\, Armory Center for the Arts)\, Sadie Barnette: Legacy & Legend (2021\, co-curated with Ciara Ennis\, Pitzer College Art Galleries); Alia Ali: Project Series 53 (2020-21)\, and Helen Pashgian: New Work (2020-21).  \n\n\n\nMcGrew is the recipient of the Fellows of Contemporary Art’s 2020 Curator’s Award\, a Getty Curatorial Research Fellowship (2007)\, and Getty Foundation grants under the Pacific Standard Time initiatives in 2009–11 and 2014–16. McGrew has held curatorial positions at the Museum of Contemporary Art\, Los Angeles and the Center for the Study of Political Graphics. She received her B.A. from Pomona College and an M.A. in art history from the University of Colorado\, Boulder. \n\n\n\nFuture exhibitions include Each Day Begins with the Sun Rising: Four Artists from Hiroshima (2022)\, Christina Fernandez: Under the Sun (2022)\, Kameelah Janaan Rasheed: Worshipping at the Altar of Certainty (2022\, Williams College Museum of Art)\, June Harwood: A Retrospective (2023)\, and Fred Eversley (2024\, co-curated with Glenn Phillips as part of Getty Foundation’s PST).  \n\n\n\nRecent exhibitions include Todd Gray: Euclidean Gris Gris (2019-20); Marcia Hafif: A Place Apart (2018); Project Series 52: Hayv Kahraman (2018); and Prometheus 2017: Four Artists from Mexico Revisit Orozco (2017). She has organized many other exhibitions including the award-winning and critically acclaimed It Happened at Pomona: Art at the Edge of Los Angeles 1969–1973 (2011–12\, co-curated with Glenn Phillips).  \n\n\n\nSteve Comba is the Associate Director/Registrar at the Benton Museum of Art at PomonaCollege. He received his BA from the College of Creative Studies at UC Santa Barbara and hisMFA from Claremont Graduate University. In addition to being a practicing studio artist\, he hasalso worked in the museum field for the past 36 years. His experience in the field includesadministrative\, registrarial\, and curatorial projects ranging from historical to contemporary art. In2011\, he designed and opened the Native American Collection Study Center at Pomona College.In 2012 he was elected to the Board of Directors of the Western Museums Association. In 2015he was awarded the Peter W. Stanley Distinguished Staff Award from Pomona College. \n\n\n\n\n\n\n\nThank you to ArtTable Southern California Chapter Leader Jacqueline Cabrera for organizing this program. \n\n\n\nImage: The Benton Museum of Art at Pomona College\, Photo by Richard Barnes
URL:https://www.arttable.org/event/socal-behind-the-scenes-tour-benton-museum-of-art-at-pomona-college/
LOCATION:Benton Museum of Art at Pomona College\, 20 West Bonita Avenue\, Claremont\, CA\, 91711\, United States
CATEGORIES:Southern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/05/IMG_6041.jpg
ORGANIZER;CN="ArtTable Southern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220604
DTEND;VALUE=DATE:20220614
DTSTAMP:20260403T193754
CREATED:20191122T221302Z
LAST-MODIFIED:20220419T191944Z
UID:1540-1654329600-1655139600@www.arttable.org
SUMMARY:AT Tours - Scandinavia Art Experience 2022
DESCRIPTION:Interested in this program? Please email travel@arttable.org for more information.\n\nThe light! In Scandinavia this has been an inspiration for artist throughout the ages. This alone is a reason to visit the splendid art capitals of this region. The art worlds are truly exciting with the new Munch Museum and the Twist in Oslo. Helsinki has its first Biennial this year and as a result the art world is more vibrant than ever. And of course we dive into the wonderful art scene of Copenhagen. Exceptional clean Nordic design and the amazing equally ‘clean’ cuisine are further draws. Add the stunning natural beauty and we have a ‘not-to-be missed’ destination. It is no coincidence that the three countries we will visit are home of the Top-3 of Happiest People in the world. \nITINERARY\nHELSINKI\, FinlandThe Biennial of 2020 (postponed to 2021) really put Helsinki on the art world map. We ‘dive into’ the thriving art scene and see the best it has to offer. We will meet fantastic artists and collectors in their studios and homes. Of course we will include design from the world-renowned Aalto studio. We will enjoy a special behind-the-scenes tour in the Kiasma museum. And in contrast we visit the most beautiful examples of Finnish Jugendstill architecture. \nOSLO\, Norway‘Oslo is Europe’s next great Art Capitol’ according to ARTnews.com. And we agree. The new Munch Museum is set be open this fall. It promises to be a fabulous tribute to the artist and of course we will enjoy a special visit. The Oslo art scene is booming and we include the best galleries\, museums and private collections in the program. We also make a spectacular trip north to visit the Twist Museum and the sculpture garden surrounding it. Then it is time to take in the natural beauty from the water. We board the cruise-ferry and leave Oslo behind with stunning views of the Norwegian fjords. On board we enjoy a great dinner and spend the night in a first class cabin. \nCOPENHAGEN\, DenmarkWe wake up arriving in wonderful Copenhagen. The hugely successful contemporary artist Olafur Elliason was born here and we meet some of his contemporaries. We will visit intriguing private collections. And we will enjoy visits to the Hirschsprung Collection for masterpieces from the Danish Golden Age as well as the fantastic modern and contemporary Louisiana Museum and sculpture garden. There is also time for some great (design) shopping. Of course we will eat what could be the best food you have ever tasted in some of the 25+ Michelin star restaurants of the Danish capital. A fantastic last stop on what promises to be a truly magical tour. \nMonday\, June 13Flight back home or on your way for further experiences….*Subject to change due to unforeseen circumstances \n\nTRIP DETAILS\nDATESJune 4-13\, 2022 \nDURATION9 days / 9 nights \nSTAYPerfectly located luxury hotels; First class cabin on the ferry from Copenhagen to Oslo \nMEALSBreakfast\, lunches\, dinners included (alcohol not included) \nTRAVELIncluded:Local transport by luxury coachFlight from Helsinki to OsloOvernight ferry Oslo to Copenhagen \nNot included:Trans-Atlantic flights  (Artigo will advise on preferred flights) \nPRICING / ROOM TYPES– Single occupancy  – $8\,450– Double occupancy – $7\,750 \nPAYMENT SCHEDULE (Payable to Artigo Tours): \nSeptember 1\, 2021 | 1st payment – $2\,000February 1\, 2022 | 2nd payment – $3\,000April 1\, 2022 | 3rd payment – (dependent on type of room\, see below)– Single Occupancy: $3\,450– Double Occupancy: $2\,750 \nARTTABLE TAX-DEDUCTIBLE CONTRIBUTION  \nDue by September 1\, 2021Click here to submit payment. \nMembers: $750Guests: $1100 \nAll payments made to ArtTable are final and non-refundable. \nPlease contact ArtTable at travel@arttable.org with any questions. All payments are non-refundable. \n\nImages: \n\nAmos Rex by JKMM Architects in Helsinki. Photo: Mika Huisman\nHelsinki Biennial brings Janet Echelman’s artwork 1.78 to Senate Square from 31 July to 31 August.\nestudio Herreros’ long-awaited Munch Museum is opening its doors on October 22\, 2021. Photo: Adrià Goula\, courtesy estudio Herreros.\nInterior of the Hirschsprung Collection. Photo: Jakob Hunosøes
URL:https://www.arttable.org/event/scandinavia-art-experience/
LOCATION:FL
CATEGORIES:National,Travel
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2019/11/Amos.jpeg
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220605T140000
DTEND;TZID=America/New_York:20220605T140000
DTSTAMP:20260403T193754
CREATED:20220510T153137Z
LAST-MODIFIED:20220511T192502Z
UID:8904-1654437600-1654437600@www.arttable.org
SUMMARY:Virtual | Reading at the (Art)Table - 'The Loft Generation\,' by Edith Schloss
DESCRIPTION:11am PT / 12pm MT / 1pm CT / 2pm ET\n\n\n\nAll ArtTable members are welcome to join the Northern California chapter for the next Reading at the (Art)Table program\, where we will be discussing Edith Schloss’ memoir\, The Loft Generation: From the De Koonings to Twombly Portraits and Sketches 1942 — 2011. We will savor the moods and comings and goings of the New York artists recounted by a member of this tight-knit art world of the forties and fifties. \n\n\n\nThis program is free and open to ArtTable members only. Donations are always appreciated! \n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\n\n\n\n\nImage: The Loft Generation: From the De Koonings to Twombly Portraits and Sketches 1942 — 2011\, by Edith Schloss \n\n\n\nThank you to ArtTable member Jan Wurm for organizing this program. \n\n\n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-reading-at-the-arttable-the-loft-generation-by-edith-schloss/
LOCATION:FL
CATEGORIES:Northern California
ATTACH;FMTTYPE=image/jpeg:https://www.arttable.org/wp-content/uploads/2022/05/Schloss_Loft_Front.jpeg
ORGANIZER;CN="ArtTable Northern California":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220607T130000
DTEND;TZID=America/New_York:20220607T130000
DTSTAMP:20260403T193754
CREATED:20220512T151459Z
LAST-MODIFIED:20220517T204748Z
UID:8955-1654606800-1654606800@www.arttable.org
SUMMARY:Virtual | Curatorial Perspective: 'Cartier and Islamic Art' at the Dallas Museum of Art\, with Senior Curator of Decorative Arts and Design\, Sarah Schleuning
DESCRIPTION:10am PT / 11am MT / 12pm CT / 1pm ET\n\n\n\nPlease join us for a virtual presentation of highlights from the exhibition Cartier and Islamic Art: In Search of Modernity led by Sarah Schleuning\, Senior Curator of Decorative Arts and Design at the Dallas Museum of Art. \n\n\n\nThis major exhibition traces Islamic art’s influence on the objects created by Louis Cartier and the designers of the great French jewelry Maison from the early 20th century to today. The exhibition explores how Cartier’s designers adapted forms and techniques from Islamic art\, architecture\, and jewelry\, as well as materials from India\, Iran and the Arab lands\, synthesizing them into a modern stylistic language unique to the house of Cartier. \n\n\n\nCo-organized by the Dallas Museum of Art and the Museé des Arts Décoratifs\, Paris\, in partnership with the Maison Cartier\, Cartier and Islamic Art presents over 400 objects from major international collections\, including the Department of Islamic Arts at the Louvre Museum and the Keir Collection of Islamic Art on loan to the Dallas Museum of Art. \n\n\n\nAdmission: \n\n\n\nArtTable Circle Members – FreeAll Other ArtTable Members – $10Member Guests/Non-Members – $20\n\n\n\nNot a member? Join today! \n\n\n\n\n\n\n\n\n\nCan’t make the program at this time? Register anyway to receive a recording after! \n\n\n\nPlease note that this program will offer automatic closed captioning services. If you require additional accommodations\, please email programs@arttable.org. \n\n\n\nArtTable is a 501.c.3 organization. All programs are non-refundable. Click here to view our cancellation policy. \n\n\n\n \n\n\n\n\n\n\n\n\nAbout the Curator\nSarah Schleuning is dedicated to presenting and promoting the power and impact of design to the public through exhibitions\, publications\, and programming. Schleuning has a record of organizing thoughtful exhibitions and programs that are not only high profile and highly popular\, but also recognized for their contributions to scholarship. She has more than two decades of expertise in forming relationships with living designers and artists\, bridging the gap between historical and contemporary design\, and exploring how engaging with art and design can extend beyond museum walls. She is the Margot B. Perot Senior Curator of Decorative Arts and Design at the Dallas Museum of Art\, and her recent exhibitions and publications include the upcoming Cartier and Islamic Art: In Search of Modernity\, Electrifying Design: A Century of Lighting\, and Curbed Vanity: A Contemporary Foil by Chris Schanck. \nAs Senior Curator of Decorative Arts and Design\, Schleuning oversees the decorative arts and design collection\, internationally recognized as one of the foremost decorative arts collections in the United States. The collection includes more than 8\,000 works of art from the 15th century to the present\, with a strength in European and American decorative arts\, most significantly 18th-century English silver\, 19th- and 20th-century American silver and ceramics\, and modern and contemporary jewelry and design. As the Museum focuses on the expansion of its contemporary holdings\, Schleuning’s deep experience in working with and maintaining relationships with contemporary designers and artist is a significant asset\, as is her interest in connecting design’s past and present. Among her other responsibilities\, Schleuning also oversees the decorative arts and design collection planning\, development\, scholarship\, and acquisitions. \nSchleuning served as Curator of Decorative Arts and Design at the High Museum of Art\, Atlanta\, from 2011 until 2018. She organized numerous exhibitions\, including two of the 10 most attended exhibitions in the museum’s history. She was co-organizing curator for the nationally touring exhibition Iris van Herpen: Transforming Fashion\, which broke attendance records and became the eighth most-attended show at the High Museum of Art. Other notable exhibitions that ranged from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition were Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design\, Visionary Ideas (2014)\, the 10th most-attended show at the High Museum; Earl Pardon’s Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013). From 2013 to 2018\, she curated five dynamic and highly acclaimed designer interventions/playscapes that engages the community by activating the High’s Sifly Piazza\, and through that established the designer-in-residency project. \nPrior to joining the High Museum\, Schleuning served as Curator at The Wolfsonian–Florida International University\, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution\, where she produced exhibitions\, publications\, and programs with a focus on highlighting the power and impact of art and design in daily life. Before that\, she worked at the Cranbrook Art Museum in Bloomfield Hills\, Michigan\, beginning in 2000 as Curatorial Collections Fellow\, advancing to Assistant Curator with a focus on art\, architecture\, craft\, and design. \nSchleuning graduated from Cornell University College of Arts and Sciences with a Bachelor of Arts. She received her Master of Arts in the History of Decorative Arts from Cooper-Hewitt National Design Museum in conjunction with Parsons School of Design. In 2015 she was a fellow at the Center for Curatorial Leadership. She frequently contributes to scholarly publications and serves as a leading resource for decorative arts and design\, delivering lectures and speaking at symposiums and public programs throughout the country. \n\n\n\n\n\n\n\n\nImages: Bandeau\, Cartier Paris\, special order\, 1923. Platinum\, diamonds. Made as a special order for Madame Ossa Ross. Cartier Collection. Vincent Wulveryck\, Cartier Collection © Cartier / Bib necklace\, Cartier Paris\, special order\, 1947. Twisted 18-karat and 20-kar-at gold\, platinum\, brilliant- and baguette-cut diamonds\, one heart-shaped faceted amethyst\, twenty-seven emerald-cut amethysts\, one oval faceted amethyst\, turquoise cabochons. Cartier Collection. Nils Herrmann\, Cartier Collection © Cartier / Bracelet\, Cartier Paris\, 1923. Platinum\, diamonds. Cartier Collection. Vincent Wulveryck\, Collection Cartier © Cartier \n\n\n\nThank you to ArtTable member Sarah McNaughton for organizing this program. \n\n\n\nLink.
URL:https://www.arttable.org/event/virtual-curatorial-perspective-cartier-and-islamic-art-at-the-dallas-museum-of-art/
LOCATION:FL
CATEGORIES:New York,National
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-12-at-11.10.08-AM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220609T160000
DTEND;TZID=America/New_York:20220609T163000
DTSTAMP:20260403T193754
CREATED:20220428T194640Z
LAST-MODIFIED:20220428T194643Z
UID:8831-1654790400-1654792200@www.arttable.org
SUMMARY:Virtual | New Member Orientation
DESCRIPTION:1pm PT / 2pm MT / 3pm CT / 4pm ET\nWelcome new ArtTable members! Please join us for a virtual orientation session where you will meet other new members and learn how to take full advantage of all the ArtTable community has to offer. This program is free and open to all ArtTable members\, regardless of when you joined – it’s always a good time for a refresher! \nNot a member? Join today! \n  \n \n  \n(You will receive an email confirmation containing the Zoom link.) \nAccessibility: Please note that this program will offer live closed captioning. If you require additional accommodations\, please email programs@arttable.org. \nCan’t join us for this new member orientation? Don’t worry\, we host virtual orientation sessions on the 2nd Thursday of each month! In the meantime\, we hope you can join us for another upcoming virtual program or support other ArtTable initiatives!
URL:https://www.arttable.org/event/virtual-new-member-orientation-4/
LOCATION:Zoom
CATEGORIES:National
ATTACH;FMTTYPE=image/gif:https://www.arttable.org/wp-content/uploads/2021/12/GIF-for-Orientation-1.gif
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220609T190000
DTEND;TZID=America/New_York:20220609T190000
DTSTAMP:20260403T193754
CREATED:20220523T173906Z
LAST-MODIFIED:20220523T195946Z
UID:9091-1654801200-1654801200@www.arttable.org
SUMMARY:Northwest | Joint MeetATs in Seattle & Portland
DESCRIPTION:Join ArtTable’s Northwest Chapter in Seattle or Portland for a simultaneously occurring Happy Hour! This free networking event is for current and prospective members alike. Come meet your local arts leaders and learn about ArtTable’s member benefits! \n\n\n\nThis program is free and open to all current and prospective ArtTable members\, but registration is required due to capacity restrictions. When registering\, please select which location you will be attending. You may register for yourself and up to 1 guest. \n\n\n\nNot a member? Join today! \n\n\n\nPlease read before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Seattle - While not required\, masks are encouraged while indoors at Helios.Portland - Deadshot requires all guests to show proof of vaccination. Please come prepared to do so. Accessibility Both MeetAT locations are fully ADA accessible. Please email Haley at programs@arttable.org if you have any questions or to request specific accommodations.  Getting There In Seattle\, we will be meeting at the Helios Rooftop\, 1600 2nd Ave\, Seattle\, WA 98101. Click here for directions from any location. In Portland\, we will be meeting at Deadshot\, 2133 SE 11th Ave\, Portland\, OR 97214. Click here for directions from any location. \n\n\n\n \n\n\n\n\n\n\n\n\n\nThank you to the ArtTable Northwest Chapter Leaders for organizing this program. \n\n\n\nImage: Portland\, Oregon. Photo by David Gn Photography/Getty Images; Seattle\, Washington. Photo by Agnieszka Gaul/Shutterstock.
URL:https://www.arttable.org/event/northwest-joint-meetats-seattle-portland/
LOCATION:FL
CATEGORIES:Northwest
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-23-at-1.36.53-PM.png
ORGANIZER;CN="ArtTable New York":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220610T080000
DTEND;TZID=America/New_York:20220610T080000
DTSTAMP:20260403T193754
CREATED:20220517T160650Z
LAST-MODIFIED:20220531T142924Z
UID:9002-1654848000-1654848000@www.arttable.org
SUMMARY:DC | BreakfastTable with Tomora Wright
DESCRIPTION:Join ArtTable’s DC Chapter for June’s BreakfastTable with Tomora Wright\, Hamiltonian Artists’ Fellowship Director. \n\n\n\nTomora Wright is a dedicated curator and arts manager committed to advancing the contemporary art field by prioritizing intersectional voices and diversifying program and engagement strategies within art institutions. Wright is Hamiltonian Artists’ first Fellowship Director\, where she cultivates new opportunities and support to help build a dynamic community of innovative artists and effective visual art leaders in DMV’s thriving creative ecosystem.  \n\n\n\nBefore joining Hamiltonian\, Wright worked as the Marketing Manager at Prince George’s African American Museum and Cultural Center. Most recently she served as Glen Echo Park’s Visual Arts Exhibition Manager\, also in Maryland. Wright has curated exhibitions in the DC region at Prince George’s African American Museum and Cultural Center (2018)\, College Park\, Maryland’s MilkBoy ArtHouse (2018)\, Banneker–Douglass Museum (2020)\, Higgins Gallery (2020)\, Glen Echo Park (2019–2021)\, Hamiltonian Artists (2021)\, and BlackRock Center for the Arts (2022). She holds a master’s degree in Art Management from American University and a BA in Communications from Howard University. \n\n\n\nThis program is free and open to ArtTable members only. Not a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Hamiltonian\n\n\n\nHamiltonian Artists is a dynamic catalyst for DC’s creative economy and a vibrant center for contemporary art in Washington\, DC. Through its unique investment into the next generation of cutting-edge artists\, Hamiltonian helps artists to develop important business skills\, professional experiences and visibility to support and sustain their art career. Through artist talks\, public events and its membership program\, the organization contributes to the vitality of DC’s burgeoning arts scene by deepening the appreciation for contemporary art and culture throughout Washington\, DC and beyond. \n\n\n\n\n\n\n\nImage: Tomora Wright\, courtesy of the speaker. \n\n\n\nThank you to ArtTable member Ashley Templeton for organizing this program.
URL:https://www.arttable.org/event/dc-breakfasttable-tomora-wright/
LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/sbijmrDRyY.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T173000
DTEND;TZID=America/New_York:20220616T173000
DTSTAMP:20260403T193754
CREATED:20220531T154726Z
LAST-MODIFIED:20220601T181104Z
UID:9216-1655400600-1655400600@www.arttable.org
SUMMARY:DC | MeetAT at 1310 Kitchen & Bar
DESCRIPTION:All current and interested ArtTable members are invited to join us for a cocktail hour to kickoff the summer season! We encourage members to bring friends and colleagues to engage over refreshments and conversation and to learn more about ArtTable and our lively and active chapter in the Washington\, DC region. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed.  Accessibility 1310 Kitchen and Bar is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There We will meet at 1310 Kitchen and Bar\, located at 1310 Wisconsin Ave NW\, Washington\, DC 20007. It is accessible via Metrobus and street parking is available.
URL:https://www.arttable.org/event/dc-meetat-at-1310-kitchen-bar/
LOCATION:1310 Kitchen & Bar\, 1310 Wisconsin Ave NW\, Washington\, DC
CATEGORIES:Washington, D.C.
ATTACH;FMTTYPE=image/png:https://www.arttable.org/wp-content/uploads/2022/05/Screen-Shot-2022-05-20-at-11.15.50-AM.png
ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220621T180000
DTEND;TZID=America/New_York:20220621T180000
DTSTAMP:20260403T193754
CREATED:20220520T180859Z
LAST-MODIFIED:20220531T141309Z
UID:9078-1655834400-1655834400@www.arttable.org
SUMMARY:New York | Cristina Iglesias' 'Landscape and Memory' Tour & Reception at Madison Square Park
DESCRIPTION:Please join us for an in-person tour of Cristina Iglesias’ Landscape and Memory\, on view at Madison Square Park in New York City. The tour will be led by ArtTable Member Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator at Madison Square Park Conservancy. Drinks will also be served.  \n\n\n\nSpanish artist Cristina Iglesias invites the public to consider the forgotten terrains and geographic history of New York City in a new public art installation opening this June\, her first major temporary public art project in the United States. Landscape and Memory places five bronze sculptural pools\, flowing with water\, into Madison Square Park’s Oval Lawn\, harkening back to when the Cedar Creek coursed across the land where the park stands today. Building on Iglesias’ practice of unearthing the forgotten and excavating natural history\, Landscape and Memory resurfaces in the imaginations of contemporary viewers the now-invisible force of this ancient waterway. More information about the exhibition can be found below. \n\n\n\nLandscape and Memory is organized by Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator; Tom Reidy\, Deputy Director of Finance and Special Projects; and Truth Murray-Cole\, Curatorial Manager. Keats Myer is the Conservancy’s Executive Director. \n\n\n\nThis program is open to ArtTable Members only for $15. Capacity is limited. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. Face masks are not required in outdoor settings but are encouraged when in large groups. Fully vaccinated individuals do not need to wear masks or be socially distanced\, however\, unvaccinated children and adults should wear a face cover and practice social distancing while in the park.  Accessibility Madison Square Park\, as a public\, open green space\, is free and fully accessible to patrons of all abilities; including by not limited to individuals with physical\, visual\, and auditory disabilities\, owners of special care animals\, and wheelchair users. There are no steps or stairs within Madison Square Park\, or between the sidewalk and the park. Ramp access for wheelchairs and strollers as well as access for individuals with impaired mobility is available for all the park’s pathways and lawns\, in compliance with ADA regulations. Please note that there are no public restrooms inside the park\, but you can find a DOT-owned restroom on Madison Avenue between 23rd Street and 24th Street. For more information or to request accommodations\, please call 212.520.7600.  Getting There Madison Square Park is located at Fifth Avenue & Madison Avenue and 23rd & 26th Streets. The nearest subway stations are at 23rd Street (R\, W station and 6 station). There are 2 CitiBike drop-off points at 26th & Madison and Broadway & 25th. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout Brooke Kamin Rapaport\n\n\n \nSince joining the Conservancy in 2013\, Brooke Kamin Rapaport has curated and overseen its program of commissioned public-sculpture exhibitions\, which has included such artists as Diana Al-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Teresita Fernandez\, Josiah McElheny\, Ivan Navarro\, Giuseppe Penone\, Martin Puryear\, and Arlene Shechet. Through the Conservancy\, she established Public Art Consortium\, a national initiative of museum\, public-art-program\, and sculpture park colleagues. In 2019\, she served as Commissioner and Curator of the United States Pavilion at the 58th International Art Exhibition\, La Biennale di Venezia\, with a representation of artist Martin Puryear. \n\n\nRapaport has worked as a museum curator\, independent curator\, and art writer. During her 13-year tenure at the Brooklyn Museum\, she organized numerous exhibitions and wrote corresponding catalogues in her roles as assistant and then associate curator of contemporary art. As part of the Brooklyn Museum’s Grand Lobby series of installations\, she worked with contemporary artists to realize their projects. As guest curator at The Jewish Museum\, New York\, she organized Houdini: Art and Magic (2010)\, an interdisciplinary exhibition on the life and enduring significance to contemporary artists of the magician and escape artist Harry Houdini\, and the retrospective exhibition Louise Nevelson: Constructing a Legend (2007). Rapaport has also held positions at the Whitney Museum of American Art\, New York\, and the Jamaica Arts Center in Queens\, New York. She is a contributing editor and frequent writer for Sculpture magazine and a regular lecturer\, moderator\, panelist\, and catalogue essayist on contemporary art and public art. \n\n\n\nRapaport received her B.A. cum laude in art history from Amherst College and completed her M.A. in art history from Rutgers University. She is also the recipient of a Helena Rubinstein Fellowship in Museum Studies from the Whitney Museum’s Independent Study Program. She sits on the Board of Directors of Socrates Sculpture Park in Long Island City\, Al Held Foundation\, von Rydingsvard and Greengard Foundation and is Vice President of the Adolph and Esther Gottlieb Foundation in New York. She currently serves on the board of the Mead Art Museum at Amherst College. \n\n\n\nAbout the Artist\n\n\n\nCristina Iglesias shapes large-scale\, site-specific sculpture and installations that probe the tension between past and present\, ancient and contemporary. Resisting the asceticism of the Minimalist movement\, Iglesias initially created grid-like structures in natural materials that were suspended to assemble pavilions and architectural spaces. Beginning in the 2000s\, Iglesias began to incorporate water into her permanent outdoor projects and sculptures. \n\n\n\nIglesias’s work has been the subject of solo presentations at museums internationally\, including Centro Botín\, Santander\, Spain (2018); Museo Reina Sofía\, Madrid (2013); Ludwig Museum\, Cologne (2006); Whitechapel Art Gallery\, London (2003); and Solomon R. Guggenheim Museum\, New York (1997). She additionally has been commissioned to create major projects and installations at Bloomberg headquarters\, London (2017); Fondaciòn Botin\, Santander (2017); Tres Aguas at Toledo\, Spain (2014); Mexican Foundation of Environmental Education\, Baja\, California (2010); Museo del Prado\, Madrid (2007); and Royal Museum of Fine Art\, Antwerp (2006). The Museum of Fine Arts Houston opened Iglesias’ major permanent outdoor commission\, Inner Landscape (the lithosphere\, the roots\, the water) (2020) in front of the new Kinder Building. Last summer she realized Hondalea (2021)\, transforming a lighthouse into a sculpture on Santa Clara Island in the Bay of Donostia\, San Sebastián\, Spain. \n\n\n\nIglesias represented Spain at the Venice Biennale (1986\, 1993) and at the Biennale of Sydney (1990\, 2012); at the Carnegie International\, Carnegie Museum of Art\, Pittsburgh (1995); the Taipei Biennial (2003); at the SITE Santa Fe Biennial (2006); and at the Folkstone Triennal (2011). \n\n\n\nIglesias was born in San Sebastián\, Northern Spain in November 1956. She studied Chemical Sciences in the University of the Basque Country (1976 – 1978)\, and ceramics and sculpture at the Chelsea College of Art in London (1980 – 1982). She was granted a Fulbright scholarship to study at Pratt Institute (1988) and was appointed Professor of Sculpture at the Akademie der Bildenden Künste\, Munich (1995). \n\n\n\nHer studio is in Madrid\, Spain. \n\n\n\nAbout the Exhibition (Continued)\n\n\n\nFor Landscape and Memory\, Iglesias digs deep into the park’s lawns to install five subterranean bronze sculptures carved with intricately patterned bas-reliefs. A subtle stream of water continuously trails across the sculptures’ hollowed surfaces. This evokes the constancy of water slowly eroding rocky surfaces across millennia. The installation conjures the existence of unseen ancient streams that continue to run beneath modern cities\, connecting the urban present with its primordial past. It connects us to abstract ideas of what lies beneath. \n\n\n\nNodding to historian Simon Schama’s major 1995 volume of the same name\, which surveyed the history of landscape across time and terrain\, Landscape and Memory is informed by Iglesias’ research into the history of the site. For the project\, Iglesias located and studied historic maps that document the water flow through Madison Square Park\, where the Cedar Creek once coursed. With nineteenth-century industrialization\, streams like the Cedar were buried underground to create additional land for building sites\, underground drains\, or sewers. Through Landscape and Memory\, Iglesias renders this history visible again\, inviting viewers to contemplate centuries of transformation of urban sites that were once natural. \n\n\n\nAbout Madison Square Park Conservancy\n\n\n\nMadison Square Park Conservancy cultivates and enlivens Madison Square Park\, a dynamic seven-acre public park in New York City’s Flatiron District and one of the city’s most treasured green spaces. Through its public art commissions\, horticultural stewardship\, and engaging programming\, the nonprofit creates an urban oasis that welcomes a diverse community of over 60\,000 visitors each day. Keats Myer is the Conservancy’s Executive Director. \n\n\n\nSince 2004\, the Conservancy has become a leader in commissioning new works of public art\, curating and presenting over 40 major site-specific installations and solo exhibitions through its art programming. Led by Brooke Kamin Rapaport\, Deputy Director and Martin Friedman Chief Curator\, the program invites leading artists to push the boundaries of their practice and create risk-taking new works that experiment with materiality\, scale\, and theme in response to the park’s unique environment. The ambition of the commissioning program expands each year alongside the diverse range of innovative artists including Diana Al-Hadid\, Tony Cragg\, Abigail DeVille\, Leonardo Drew\, Maya Lin\, Iván Navarro\, Martin Puryear\, Arlene Shechet\, Ursula von Rydingsvard\, and Krzysztof Wodiczko. \n\n\n\nIn 2019\, the Conservancy served as the commissioning institution for the U.S. Pavilion at the Venice Biennale\, marking the first time that an organization whose visual art program focuses exclusively on public art has received this honor. With Rapaport serving as Commissioner\, the Conservancy presented new work by Martin Puryear. \n\n\n\n\n\n\n\nImage: Cristina Iglesias overseeing the installation of Landscape and Memory\, courtesy of Madison Square Park Conservancy
URL:https://www.arttable.org/event/new-york-cristina-iglesias-landscape-and-memory-tour-reception-madison-square-park-conservancy/
LOCATION:Madison Square Park (Exact meeting spot TBA)\, Madison Square Park\, New York\, NY\, 10010\, United States
CATEGORIES:New York
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220622T170000
DTEND;TZID=America/New_York:20220622T170000
DTSTAMP:20260403T193754
CREATED:20220516T194122Z
LAST-MODIFIED:20220526T204736Z
UID:8976-1655917200-1655917200@www.arttable.org
SUMMARY:New York | Curator’s Talk with Cecilia Alemani\, Artistic Director of the 59th Venice Biennale\, on “The Milk of Dreams”
DESCRIPTION:The James Howell Foundation and ArtTable present a special curator’s talk with Cecilia Alemani\, Artistic Director of the 59th International Art Exhibition of La Biennale di Venezia\, on this edition’s theme: “The Milk of Dreams.” Alemani will be in conversation with Laura Bardier\, Executive Director of the James Howell Foundation. \n\n\n\nOrganized around Leonora Carrington’s The Milk of Dreams\, the exhibition reflects on what it means to be human today. It focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; and the connection between bodies and the Earth. \n\n\n\nThis program is free and open to ArtTable Circle\, Board\, and Executive level members only. Registration is required. ArtTable Circle and Board members receive priority registration. Registration for Executive level members will open on Wednesday\, June 8\, 2022. \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Face masks are optional though recommended inside the gallery. Please note that by registering for this event you consent to have your contact information shared with the James Howell Foundation and ArtTable to be used in the event that contact tracing is needed.  Accessibility The James Howell Foundation is wheelchair accessible. If you would like more information about accessibility or need particular accommodations for this program\, please email Haley at programs@arttable.org.  Getting There The James Howell Foundation is located in the West Village neighborhood of New York City. The nearest subway station is Christopher Street (1 and 2 trains). The exact address will be shared with attendees upon registration. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Cecilia Alemani\n\n\n\nCecilia Alemani is an Italian curator based in New York. Currently\, she is the Artistic Director of the upcoming 59th International Art Exhibition (2022) in Venice. Since 2011\, she has been the Director & Chief Curator of High Line Art\, the public art program presented by the High Line in New York. In 2018\, Alemani served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires. In 2017\, she curated the Italian Pavilion at the Venice Biennale. \n\n\n\nAbout the James Howell Foundation\n\n\n\nThe James Howell Foundation is a proud sponsor of the 59th International Art Exhibition of La Biennale di Venezia “The Milk of Dreams.” The James Howell Foundation supports Howell’s vision of committed investigation of like-minded endeavors through a variety of professional programs and projects. The Foundation creates and furthers philanthropic initiatives that empower art professionals\, curators and artists\, as a contribution to cultural and humanistic advancement.  \n\n\n\n\n\n\n\n\n\n\n\nAbout The Milk of Dreams\n\n\n\n“The Milk of Dreams” takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. The exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures\, along with other figures of transformation\, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human. \n\n\n\nThis exhibition is grounded in many conversations with artists held in the last few years. The questions that kept emerging from these dialogues seem to capture this moment in history when the very survival of the species is threatened\, but also to sum up many other inquiries that pervade the sciences\, arts\, and myths of our time. How is the definition of the human changing? What constitutes life\, and what differentiates plant and animal\, human and non-human? What are our responsibilities towards the planet\, other people\, and other life forms? And what would life look like without us? \n\n\n\n\n\n\n\nThank you to ArtTable Board member Laura Bardier for organizing this program. \n\n\n\nImage: Cecilia Alemani; Cover art for the 59th Venice Biennale Catalog
URL:https://www.arttable.org/event/new-york-curator-talk-cecilia-alemani-milk-of-dreams/
LOCATION:The James Howell Foundation\, New York\, New York\, 10014\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220625T000000
DTEND;TZID=America/New_York:20220625T235959
DTSTAMP:20260403T193754
CREATED:20220411T213018Z
LAST-MODIFIED:20220427T191216Z
UID:8445-1656115200-1656201599@www.arttable.org
SUMMARY:A Day in Baltimore
DESCRIPTION:ArtTable is going to Baltimore!  \n\n\n\nPlease join us for a day of art and exploration in Baltimore\, Maryland. This trip will feature visits to two of Baltimore’s leading arts institutions\, a private collection\, and a contemporary gallery. Enjoy a lovely early summer’s day with members and friends exploring this vibrant city! \n\n\n\nPlease note: Transportation to and from Baltimore is not included in this trip. We will meet at the first location on the itinerary\, after which a private bus will provide transportation between other locations on the itinerary. We will also utilize ride-sharing apps for the final visit of the day. Recommended transportation to/from the city can be found below. \n\n\n\nITINERARY \n\n\n\n10:45 AM – Meet us at the American Visionary Art Museum for a tour of Healing and the Art of Compassion (and the Lack Thereof!) with the museum’s Founder & Director\, Rebecca Hoffberger. This will be Rebecca’s last exhibition before she retires in the fall.12:15 PM – Our shuttle bus will take us to the residence of Keith Eric Timmons for a private viewing of his collection\, which includes works by Amy Sherald\, Jerrell Gibbs\, and many more.1:30 PM – We will enjoy a delicious lunch at Gertrude’s Chesapeake Kitchen.3:00 PM – After lunch\, we will have time at the Baltimore Museum of Art to see dozens of works from public and private collections in an exploration of the full arc of Joan Mitchell’s artistic practice. Entry includes access to the whole museum in addition to the Joan Mitchell exhibition. Attendees will have time to explore at their leisure.4:15 PM – Finally\, we will end our day with a private tour and reception at Goya Contemporary/Goya-Girl Press\, where the exhibition\, The Soul Selects: Louise Fishman and her Heroes\, Mitchell\, Martin and Hesse\, will be on view.\n\n\n\nThis program is open to ArtTable members only $165\, and non-members for $195. Your ticket includes entry to both museums\, lunch\, and transportation (from the American Visionary Art Museum\, to the private collection\, to the Baltimore Museum of Art\, and to Goya Contemporary). \n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety American Visionary Art Museum All visitors over the age of 2 must wear a face covering.All visitors are required to maintain 6 feet of social distancing at all times\, including in the elevators and restrooms. Parties/families may remain together. Children must remain with adults at all times.Coat check and water fountains are temporarily suspended. Please limit your bags to 12”X12” in size. Coats and strollers are allowed.No food or drink allowed in the museum.Frequent hand washing is encouraged\, or use of hand sanitizer stations located throughout the museum when hand washing is not possible.Restrooms and high-touch surfaces\, such as doorknobs\, are frequently cleaned all day.Photo and video without flash for personal use is welcome!If you’re not feeling well\, please stay home and visit us another time!​Private Residence Our host has requested that visitors wear a face covering for the duration of the tour.Gertrude's Gertrude's currently does not have any COVID guidelines in place. Staff have the option to wear a mask\, but it is not mandatory. Guests do not have to wear a mask while on the premises.Baltimore Museum of Art More information to come.Goya Contemporary Masks are encouraged but not required.Please email Haley at programs@arttable.org if you have any questions!  Accessibility American Visionary Art Museum The main entrance is the accessible entrance.Mobility Aids: The museum and its campus are accessible to wheelchairs and those with limited mobility. Wheelchairs are available free of charge at Visitor Services on a first-come\, first-served basis.Service animals are welcome in the museum.For visitors who are hearing impaired\, films are either captioned\, or transcripts are available upon request at Visitor Services.Private Residence There are 2 steps to enter the residence\, and multiple staircases inside. Please prepare accordinglyIf you will require accommodations for this portion of the trip\, please email Haley at programs@arttable.org.Gertrude's The restaurant is wheelchair accessible. Once you get up the small curb into the museum building (and there's even a ramp for that curb)\, the entire ground floor is one level without any steps.Baltimore Museum of Art More information to come.Goya Contemporary The gallery is wheelchair accessible\, though there is not a wheelchair available on site. The ramp is to the left of the entrance. Staff can meet the individual(s) at the entrance to assist with entry if needed.Please email Haley at programs@arttable.org if you have any questions!  Getting There To Baltimore from: Washington\, DC Amtrak has several train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Washington\, DC's Union Station at 8:12 AM and arrives at 8:54 AM. The next train departs at 9:15 AM and arrives at 9:56 AM. The following train does not arrive in Baltimore until 11:00 AM\, so not in time for the first tour of the day. You may also look into bus options via Peter Pan\, Megabus\, or Greyhound.Philadelphia Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs Philadelphia's William H. Gray III 30th Street Station at 8:54 AM and arrives at 10:02 AM. The next train departs at 9:13 AM and arrives at 10:21 AM.New York City Amtrak has two train options available that will get you to Baltimore in time for our tour at 11:00 AM. The first train departs New York Moynihan Trail Hall at 7:17 AM and arrives at 10:02 AM. The next train departs at 8:00 AM and arrives at 10:21 AM.To the American Visionary Art Museum The AVAM is located at 800 Key Hwy\, Baltimore\, MD 21230. From Baltimore Penn Station\, it is approximately a 12 minute drive\, or you can utilize local public transportation by taking the CityLink Green Bus Downtown from the train station to the Light Street & Redwood Street stop. Then switch to the 71 Bus at 71 Patapsco Station and ride 4 minutes to the Key Hwy & Covington NS EB stop\, just a 2 minute walk from the museum. To Baltimore Penn Station (from Goya Contemporary) Depending on traffic\, the drive from Goya Contemporary to Baltimore Penn Station is approximately 6-9 minutes. Public transportation is also available by walking approximately 6 minutes from the gallery to 33RD Street & Chestnut Avenue\, where you can pick up the 94 bus towards Fort McHenry\, and get off at the Howard St & North Ave stop. From there it is about a 9 minute walk to the train station. From Baltimore to: Washington\, DC Our day ends at 5:30 PM\, but yours doesn't have to! We encourage all members to stick around the city and explore at their leisure. When you're ready to head back\, Amtrak has plenty of trains departing Baltimore Penn Station at 5:53 PM (arrive 6:35 PM)\, 6:13 PM (arrive 6:51 PM)\, 6:55 PM (arrive 7:41 PM)\, and 7:57 PM (arrive 8:45 PM).Philadelphia Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in Philadelphia at 7:16 PM. If you want to stick around Baltimore a bit longer\, the next train departs at 6:44 PM and arrives in Philadelphia at 8:02 PM.New York City Amtrak's Northeast Regional Train 192 departs Baltimore Penn Station at 5:53 PM and arrives in New York City at 8:45 PM. If you want to stick around Baltimore for a bit longer and don't mind getting home late\, the next train departs at 6:44 PM and arrives in New York City at 9:45 PM.Please email Haley at programs@arttable.org if you have any questions! \n\n\n\n\n\n\n\n\n\n\n\nArtTable is a 501.c.3 organization and all programs are non-refundable. Click here to read our full cancellation policy. \n\n\n\nImage: Baltimore skyline\, courtesy of tripsavvy
URL:https://www.arttable.org/event/national-a-day-in-baltimore/
LOCATION:Baltimore\, Maryland\, Baltimore\, Maryland\, 21201\, United States
CATEGORIES:National
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220625T140000
DTEND;TZID=America/New_York:20220625T140000
DTSTAMP:20260403T193754
CREATED:20220602T162259Z
LAST-MODIFIED:20220602T192230Z
UID:9301-1656165600-1656165600@www.arttable.org
SUMMARY:Florida | Artist Reception with Sara Schroeder
DESCRIPTION:Join ArtTable in Miami for an afternoon reception with artist Sara Schroeder. Schroeder will speak to us about her first Miami solo show From Here to There at Art in the Citadel\, curated by ArtTable member Amanda Baker as part of the international Taking Up Space Initiative. Refreshments will be served! \n\n\n\nAdmission: \n\n\n\nArtTable Members – $15Member Guests – $20\n\n\n\nNot a member? Join today! \n\n\n\nPlease review the below before registering:\n\n\n\n Health & Safety Please note that by registering for this event you consent to have your contact information shared with ArtTable to be used in the event that contact tracing is needed. While there are no guidelines currently in place in Miami in regards to Covid-19\, face masks are optional and encouraged if you are considered to be in a high risk category. Accessibility Art at the Citadel is located on the ground floor and easily accessible by wheelchair.  Getting There Art at the Citadel is located at 8300 NE 2nd Ave\, Miami\, FL 33138. Click here to get directions from your location. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Artist\n\n\n\nBorn in Washington and raised in Idaho\, Sara Schroeder is a contemporary painter currently living in Miami\, Florida. She dedicated time to her formal fine art education until 1998\, when she decided to take an extended break to raise young children. She has since furthered her education and established her artistic practice. In her works\, Schroeder explores the interplay between corporeal experience and ethereal space through highly gestural and bright abstract paintings. In 2019\, the Miami Design Preservation League selected Schroeder as the Art Deco Museum’s “Featured Local Artist\,” and in 2021 she was chosen as Alto’s Featured Miami Artist for the luxury ride-share company’s “Alto + The Arts” initiative. Schroeder’s work is collected by many art enthusiasts and has been included in multiple group exhibitions across Florida. \n\n\n\nAbout the Taking Up Space Initiative & From Here to There\n\n\n\nJamie Smith of Thrive Artist Network and Kaylan Buteyn of Artist/Mother Network co-launched the Taking Up Space Initiative. As part of this initiative\, female artists are challenged to put on solo or group shows in their communities to actively take up space within the world. Within this context\, Sara Schroeder’s exhibition focuses on the passage of time from the onset of the Covid pandemic until now. It investigates interactions and conversations between physical and emotional experiences. \n\n\n\nEach of the 100 small mixed media works on paper represents one such conversation\, expressed through the abstract interplay of two forms of information. Holistically\, the continuous body of work presents a narrative of the “there” of intuition and senses\, and the “here” of our immediacy and awareness. \n\n\n\nTo Schroeder\, seeing how world events affected her sense of stability\, and watching her temperament and her understanding of her painting vocabulary transform over time\, is a reminder that every individual has their own story. With this awareness\, the artist created works that built on the idea of continuously moving forward\, with glimpses of ideas and small steps moving us along towards a larger whole. \n\n\n\n“From There To Here is a visual journey through one of the strangest times in my own life and in the history of the world\,” says Sara Schroeder. “Showing this collection feels like sharing hope and encouragement\, and I’m thrilled to be doing it at Art at the Citadel and under the umbrella of the Taking Up Space Initiative\, joining hundreds of female artists around the world to do exactly that: contribute a small piece to help build something massive.”
URL:https://www.arttable.org/event/florida-artist-reception-with-sara-schroeder/
LOCATION:Art at the Citadel\, 8300 NE 2nd Avenue\, Miami\, Florida\, 33138\, United States
CATEGORIES:Florida
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ORGANIZER;CN="ArtTable National":MAILTO:programs@arttable.org
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